365 Days of writing, 2026 – 106

Day 106 – Writing to please yourself

Writing for an Audience of One: The Radical Liberation of Margaret Cavendish

In the 17th century, a woman’s writing was typically expected to be a pursuit of piety, domestic instruction, or perhaps a modest contribution to poetry. Margaret Cavendish, the Duchess of Newcastle, cared little for such boundaries. Surrounded by the rigid social expectations of the Restoration era, she penned a mantra that remains one of the most liberating declarations in literary history: “I write to please myself.”

While this might sound like a simple statement of personal preference, in the context of Cavendish’s time—and perhaps even in our own era of algorithm-driven content—it is a profoundly radical act.

The Rebellion Against Approval

When we write today, it is rarely “for ourselves.” We write for engagement, for likes, for professional advancement, or to satisfy the perceived expectations of a target demographic. We curate our voices to fit into boxes that make us palatable to publishers, platforms, and peers.

Margaret Cavendish understood something that many modern creatives have forgotten: as soon as you write to please an audience, you are no longer the author of your own work; you are merely a performer of their desires.

By declaring that her primary audience was her own intellect and imagination, Cavendish reclaimed the authority of the artist. She did not seek the validation of the male-dominated literary circles of the 1600s; instead, she explored science fiction, philosophy, and poetry with a wild, unbridled curiosity. She didn’t seek to be “correct”—she sought to be honest to her own fascinations.

When “Pleasing Yourself” Becomes Art

There is a common misconception that writing for oneself is synonymous with vanity or poor quality. Critics of Cavendish often labelled her as eccentric or “mad.” However, history has revealed that her refusal to bend to contemporary tastes allowed her to write The Blazing World—one of the earliest examples of science fiction.

She was free to experiment because she wasn’t tethered to the fear of being misunderstood.

When you write to please yourself, you strip away the filters of “what will people think?” and “is this marketable?” The result is a voice that is sharper, more distinct, and more authentic. Even if the work never reaches a wide audience, the process of documenting one’s own mind is an act of self-discovery that no amount of external praise can replicate.

How to Adopt the Cavendish Mindset

How can we reclaim this philosophy in a world that demands we be “content creators” rather than artists?

  1. Lower the Stakes: Write something that you never intend to publish. Let it be messy, odd, or purely indulgent. If no one else is reading it, you are free to explore your most “unmarketable” ideas.
  2. Define Your Curiosity: What do you actually want to write about, regardless of trends? Whether it’s 17th-century philosophy or a niche hobby, lean into the subjects that make your own brain light up.
  3. Detach from the Metric: Focus on the satisfaction of the prose, the clarity of the thought, or the joy of the narrative. If the writing process itself brings you pleasure, the goal has been achieved.

Final Thoughts

Margaret Cavendish was an outcast in her time because she refused to perform modesty. Today, we can see her for what she truly was: a visionary who realized that the only person you are guaranteed to be writing for for the rest of your life is yourself.

The next time you sit down to write, don’t ask, “Will this resonate?” Ask, “Does this thrill me?” Because when you write to please yourself, you create something that is authentic—and that is the only kind of writing that truly stands the test of time.

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