The cinema of my dreams – I always wanted to see the planets – Episode 51

We have a possible situation

…

I was walking slowly along the passage leading to the elevator on my way back to the bridge when the First Officer’s voice broke my thoughts.

“Captain?”

“Number one?”

“Could you come to the bridge; we have a possible situation.”

“On my way.”

A ‘possible situation’ for Number One that could mean almost anything, from an engineering calamity to a standoff with 100 alien battleships.  I was hoping for the calamity in engineering.

When I arrived on the bridge it was calm.  Was I expecting panic?

Number one stood, relinquishing the captain’s chair.

“On screen,” he said as I crossed the deck to join him.

A magnified vision of three alien spaceships appeared ahead.

“Between us and the Princesses home planet.  If we can see them, they can see us.  I suspect they knew we were coming.  I’ve slowed down to give us some preparation time.”

Of course.  Given her reservations about going home, the time she’d been away, the fact she had been living with the enemy, and the changing of power, it was not dissimilar to events that had happened through history on our own homework.

Was it too much to expect things would be different, and better than what we had?

“What do you think, friendly or hostile?”

“We should treat every encounter as hostile until proven otherwise.  A friendly response would not be three ships blocking our path.”

My sentiments exactly.  “General and team to the bridge.”

A few seconds later, “Acknowledged.”

“How far away are they?”

“We could be there in 30 minutes,” the navigator said.

“Can we scan for life signs, weapons, anything?”

“Not until we’re closer.  From here all we can see is their ships.”

The General and three others that made up his bridge attack team arrived on the bridge.

“What do we have?” He asked as he crossed to his station.

“Three ships waiting for us.”

“Same as the last vessel we encountered?”

“We have to get closer.  You better get ready for a fight.  I don’t think these people are going to be as friendly as the others.”

“You have information on these people.”

“Only from what the princess told me.  They have been constantly at war with themselves and others, with ever-changing governments.”  It had painted an interesting picture and one that might leave them battle-hardened or battle weary.

“Same old same old then.” 

It was, at times, no different from where we came.  Even with lessons learned from the past we still had pockets of war between stronger and weaker countries, these days mostly over dwindling resources.

“Let’s just hope their weapons are not superior to ours.”  It was a thought that I should have kept to myself.

“I’m sure we are as well-equipped as we possibly can be, given we had no idea if or what we would or could be up against.  The weapons are far superior to anything we have back home.”

Which had been the reason why in the first instance we didn’t know about, and once out here, could not get close enough back in each orbit to use them.  Our masters had theoretically considered everything.

Those weapons included nuclear-tipped torpedoes designed to travel through space, high-intensity laser beams that would cut through almost anything, including the alien alloy that this ship was constructed of, and a defensive tool, the ability to absorb shock waves and explosions and laser beams, what might be called shields.

The limited tests back home showed they worked, but out here in space against aliens with superior technology, w we were you to prove their worth.

Perhaps today would be the day.

“You have the bridge Number one.  Stay on course and speed and let me know when we are either hailing range.”

That would give me about a half hour.  I had more questions for the princess.

…

© Charles Heath 2021-2022

A photograph from the Inspirational bin – 33

This is countryside somewhere inside the Lamington National Park in Queensland. It was one of those days where the rain come and went…

We were spending a week there, in the middle of nowhere on a working macadamia farm in a cottage, one of four, recuperating from a long exhausting lockdown.

It was not cold, and we were able to sit out of the verandah for most of the day, watching the rain come and pass over on its way up the valley, listing to the gentle pitter-patter of the rain on the roof and nearby leaves.

But as for inspiration:

This would be the ideal setting for a story about life, failed romance, or a couple looking to find what it was they lost.

It could be a story about recovering from a breakdown, or a tragic loss, to be anywhere else but in the middle of dealing with the constant reminders of what they had.

It could be a safe house, and as we all know, safe houses in stories are rarely safe houses, where it is given away by someone inside the program, or the person who it’s assigned to give it away because they can’t do as they’re supposed to; lay low.

Then there’s camping, the great outdoors, for someone who absolutely hates being outdoors, or those who go hunting, and sometimes become the hunted.

Oh, and watch out for the bears!

What I learned about writing – Monday is just another day of the week

I don’t like Mondays – a song lingering on the periphery of my memory, and I’m not sure who sung it.

But it’s official, I don’t like Mondays.

I’ve been procrastinating since last Thursday, telling myself I have to get the next part of one of my stories written, but I keep putting it off.  I’m not sure why but it always seems like this, and I have to force myself to sit in front of the computer screen, and come up with the goods.

I didn’t do anything on Sunday, and, as a writer, I guess that’s not very good.  I’m supposed to be writing a page, or a hundred or thousand words a day, just to keep the juices flowing.

I’m not in the mood.  I sit and stare at the computer screen, and nothing is coming.  Is this the first sign of writer’s block?

I dig out several articles on how to overcome it and start putting their suggestions into action.  No.  No.  Maybe.  No.  I don’t think it’s writer’s block.

Perhaps I need some inspiration so I go to my tablet playlist, spend 10 minutes trying to find the headphones that were carelessly discarded on a seat that had a lot of other stuff on it, by one of my grandchildren the last time they were here.

And, yes, the tablet was left in the middle of playing a Minecraft video which has drained the battery.  Now I can’t find the charger!

Back at the computer, holding a dead tablet, and a pair of headphones, inspiration is as far away as the mythical light at the end of the tunnel.  Today perhaps it will be an oncoming express train.

Perhaps a pen and paper will work.

An idea pops into my head…

…

Is it possible the passing of a weekend could change the course of your life?

 An interesting question, one to ponder as I sat on the floor of a concrete cell, with only the sound of my breathing, and the incessant screams coming from a room at the end of the corridor.

It was my turn next.  That was what the grinning ape of a guard said in broken English.  He looked like a man who relished his job.

What goes through your mind at a time like this, waiting, waiting for the inevitable?  Will I survive, what will they do to me, will it hurt?

The screaming stops abruptly, and a terrible silence falls over the facility.

Then, looking in the direction of where the screams had come from, I hear the clunk of the door latch being opened, and then the slow nerve-tingling screech of rusty metal as the door opens slowly.

Oh God, Oh God, Oh God, no.

….

No writer’s block.  But I have to stop watching late-night television.

365 Days of Writing, 2026 – Beyond the second novel

Mastering the Art of Recap

…

Mastering the Art of Recap: How to Weave Reminders into Your Book Series Without Boring Your Readers

Writing a book series is one of the most rewarding journeys an author can embark on. You get to live in an expansive fictional universe, watch your favourite characters evolve over hundreds of thousands of words, and build a dedicated readership that eagerly pre-orders your next release.

However, writing a series also comes with a unique set of logistical challenges. One of the most tedious yet essential tasks? Reminding readers of what happened in previous books.

Whether you are currently drafting book two or putting the finishing touches on book ten, you cannot escape the recap. Human memory is fallible, and even the most devoted fans might forget minor plot threads between multi-year publication gaps. Plus, you will inevitably attract new readers who jump into the middle of your series—a phenomenon every author loves to see, even if it causes minor plotting headaches.

The golden rule of series writing is this: Weave reminders into each novel—but don’t overdo it.

Let’s dive into how you can strike the perfect balance, keep your audience informed, and maintain a fast-paced, engaging narrative.


Step 1: Curate Your “Must-Know” List (Be Ruthless)

When you’ve spent years crafting an elaborate fantasy world or a sprawling detective universe, it’s tempting to want to catch the reader up on everything. You want them to appreciate the depth of your lore and the sheer volume of history your characters share.

Resist this urge.

Before you start drafting, make a list of the main details your readers will genuinely need to know to understand the current plot. Be strict about what you include.

Ask yourself:

  • Does the reader need to know this specific event to understand the central conflict of this book?
  • Is this character motivation vital for the emotional stakes of the current scene?
  • Or is this just a fun Easter egg or a resolved subplot from book three that doesn’t impact today’s story?

Remember, they don’t need a comprehensive history of the previous nine books. They just need the vital context that directly impacts this book and the characters within it.


Step 2: Ditch the Info-Dump (And Save the First Chapter)

Once you have your curated list of essential reminders, the next hurdle is delivery. The cardinal sin of series recaps is the dreaded info-dump.

You know the trap: Chapter One opens with a character staring into a mirror, mentally reviewing their entire life story, their parents’ tragic deaths, and the magical artifact they found three books ago. Or worse, two characters sit down over coffee and explain things to each other that they both already know (“As you know, Bob, the syndicate has been hunting us since the Berlin incident…”).

This instantly pulls readers out of the story. It feels unnatural, stalls your pacing, and tells instead of shows.

Instead, try to wait for the right moment. You don’t need to cram every piece of backstory into the first few pages just to get it out of the way. Let your new book breathe. Establish the immediate stakes, the current atmosphere, and the opening action first.


Step 3: Weave Backstory into Thoughts and Actions

The secret to a seamless recap is integration. Rather than treating backstory like a bitter pill your reader has to swallow, weave reminders naturally into what your characters are thinking about or witnessing in real time.

  • Through Emotion: If a character is hesitant to trust a new ally, that is your organic cue to remind the reader of the time they were betrayed in book two. The reminder isn’t just a history lesson; it actively drives the current scene’s emotional tension.
  • Through Observation: If a detective walks back into a familiar precinct or a specific neighbourhood, use their sensory details to remind the reader of past events that occurred there.
  • Through Dialogue (Subtly): If two characters are arguing, past history can be weaponised in the heat of the moment rather than recited like a textbook.

By tying the past directly to the present, the reminder serves a dual purpose: it informs the new reader while deepening the emotional resonance for the returning fan.


The Rewards Outweigh the Challenges

Writing a book series has its fair share of structural headaches, but the rewards are undeniably clear.

When you master the delicate art of the series recap, you unlock the true magic of long-form storytelling. You get to spend more time with characters you’ve deeply invested in, you can make repeated, efficient use of the extensive world-building research you’ve already done, and—most importantly—you keep your readers turning pages and coming back for more.

So, keep your recap lists lean, hide your exposition in plain sight, and trust your readers to keep up. Happy writing!

…

Top 5 sights on the road less travelled – Gibraltar

Beyond the Cable Car: 5 Hidden Gems on Gibraltar’s Road Less Travelled

Gibraltar. The name conjures images of majestic apes, historic sieges, and a giant limestone Rock rising dramatically from the sea. And while every visitor should absolutely ride the cable car and say hello to the famous Barbary Macaques, the true magic of the peninsula lies just slightly off the beaten path.

If you’ve taken the scenic route and arrived in Gibraltar ready for deeper exploration—the kind that moves beyond the immediate tourist hotspots—you are in luck.

For the adventurous traveller hitting the “road less travelled,” here are five exceptional experiences in Gibraltar that offer history, nature, and true local flavour.


1. Conquer the Mediterranean Steps

Most tourists ascend the Rock via the cable car or a minibus tour. The road less travelled? The Mediterranean Steps (or “Med Steps”). This is not a casual stroll; it is a challenging, historic, and utterly breathtaking climb.

Starting near Jew’s Gate at the southern end of the Upper Rock Nature Reserve, this 1,800-meter-long cliffside path winds along the eastern flank, utilizing old military communication lines. You will navigate steep, rugged trails, carved stone steps, and winding tunnels.

Why it’s a hidden gem: The Med Steps provide unparalleled views of the Strait of Gibraltar, the Spanish Costa del Sol, and the coast of North Africa. Because it is physically demanding, you will share the route primarily with dedicated hikers, offering moments of profound solitude far above the crowds. It’s a truly immersive historical and natural experience that bypasses the busiest attractions.

Pro Tip: Start early in the morning before the sun gets too high, and carry plenty of water. Access to the Upper Rock requires a Nature Reserve ticket.


2. Escape to the Alameda Botanic Gardens

After the intensity of climbing the Rock or navigating the bustling Main Street, every traveller needs an oasis of calm. The Alameda Botanic Gardens, situated just below the southern entrance to the city centre, is Gibraltar’s quiet, verdant answer.

Established in 1816 by the then Governor of Gibraltar, General Sir George Don, these gardens are a meticulously maintained subtropical paradise featuring exotic plants, ancient trees, and stunning water features. The atmosphere here is entirely different from the rest of Gibraltar—it’s peaceful, shady, and deeply romantic.

Why it’s a hidden gem: It’s often overlooked in favour of faster-paced attractions. Locals frequent the gardens, but few tourists allocate enough time to wander its many paths, discover the historic cannon displays, or simply listen to the fountains. It’s the perfect place to grab a coffee, sit beneath a giant dragon tree, and reflect on the history surrounding you.


3. Delve into the Depths of the WWII Tunnels

Everyone knows about the Great Siege Tunnels—an incredible feat of 18th-century engineering. But Gibraltar’s subterranean world expanded exponentially during World War II, and exploring the lesser-known WWII Tunnels offers a deeper, grittier historical perspective.

This extensive network, built to house an entire garrison and store massive amounts of supplies, tells the story of how the Rock served as a crucial nerve centre for Allied operations. These tunnels are a stark, fascinating maze where you can truly appreciate the strategic importance of Gibraltar.

Why it’s a hidden gem: While the Great Siege Tunnels are easier to access, the WWII tunnels provide a more immersive and less crowded experience. They vividly illustrate the scale of human effort needed to defend this small territory during global conflict. Look out for the old hospital wards and control centres—it feels like stepping into a preserved time capsule.


4. Experience the Local Charm of Catalan Bay (La Caleta)

Tucked away on the eastern side of the Rock, sheltered from the westerly winds and the main port activity, lies the vibrant, pastel-hued fishing village of Catalan Bay (La Caleta).

This beautiful cove is distinctly different from the rest of Gibraltar. Historically settled by Genoese fishermen in the 18th century, it has retained a unique, tight-knit community feel. The beach is wonderfully accessible, offering soft sand and clear waters, while the handful of traditional seafood restaurants provide some of the best, most authentic dining experiences on the peninsula.

Why it’s a hidden gem: It requires a short drive or bus journey away from the hustle of Main Street, meaning many day-trippers miss it entirely. If you want to sample fresh catch-of-the-day while enjoying a tranquil seaside atmosphere and watching the local families gather, this is your spot. It feels more Mediterranean resort than busy military outpost.


5. Take a Dolphin Safari in the Bay

While the Rock is Gibraltar’s defining geographical feature, its surrounding waters are rich with life. For a truly memorable and natural experience that moves the focus from the land to the sea, book a Dolphin Safari in the Bay of Gibraltar.

The Bay is one of the best locations in the world for spotting wild dolphins. Companies operate safe, ethical tours where you have an excellent chance of encountering large pods of Common, Striped, and Bottlenose dolphins feeding and playing near the Strait.

Why it’s a hidden gem: It offers a completely different perspective of Gibraltar—viewed from the water. More importantly, it’s a pure wildlife experience that connects you with the vibrant marine ecosystem of the Strait. Watching dozens of dolphins leaping and riding the wake of the boat is a breathtaking natural spectacle often overshadowed by the terrestrial attractions.


Ready to Trace the Road Less Travelled?

Gibraltar offers so much more than its famous profile suggests. By venturing beyond the immediate tourist circuit, you unlock layers of military history, natural beauty, and local charm that define this unique territory.

So pack your walking shoes, grab your camera, and prepare to discover the Gibraltar that many miss. Which hidden gem will you seek out first?


What are your favourite spots beyond the Apes? Share your Gibraltar hidden gems in the comments below!

In a word: Dog

Yes, it’s that little or big furry thing that’s also known as man’s best friend, a dog.

But the word has a number of other meanings, like a lot of three-letter words.

It can also mean to follow someone closely.

If you are going to the greyhound racing, you could say you’re going to the dogs, or it could mean something entirely different, like deteriorating in manner and ethics.

Then there are those employers who make their workers work very hard, and therefore could be described as making them work like a dog.

Some might even say that it is a dog of a thing, i.e. of poor quality.

There’s a dogleg, which could aptly name some of those monstrous golf course holes that sometimes present the challenge of going through the wood rather than around it.

Tried that and failed many times!

A dog man used to ride the crane load from the ground to the top, an occupation that would not stand the test of occupational health and safety anymore.

And of course, in a battle to the death, it’s really dog eat dog, isn’t it?

An excerpt from “Mistaken Identity” – a work in progress

The odds of any one of us having a doppelganger are quite high. Whether or not you got to meet them or be confronted by them was significantly lower. Except, of course, unless you are a celebrity.

It was a phenomenon remarkable only for the fact that, at times, certain high-profile people, notorious or not, had doubles if only to put off enemies or the general public. Sometimes we see people in the street who look like someone we knew and make the mistake of approaching them like a long-lost friend, only to discover an embarrassed individual desperately trying to get away from what they perceive as a stalker, or worse.

And then sometimes it is a picture that looms up on a TV screen, an almost exact likeness of you. At first, you are fascinated, and then, according to the circumstances and narrative that is attached to that picture, either flattered or horrified.

For me, one turned to the other when I saw an almost likeness of me flash up on the screen when I turned the TV on in my room. What looked to be my photo, with only minor differences, was in the corner of the screen, the newsreader speaking in rapid Italian, so fast I could only translate every second or third word.

But the one word I did recognise was murder. The photo of the man on the screen was the subject of an extensive manhunt. The crime, the murder of a woman in the very same hotel I was staying, and it was being played out live several floors above me. The gist of the story, the woman had been seen with and staying with the man who was my double, and, less than an hour ago, the body had been discovered by a chambermaid.

The killer, the announcer said, was believed to be still in the hotel because the woman had died shortly before she had been discovered.

I watched, at first fascinated by what I was seeing. I guess I should have been horrified, but at that moment it didn’t register that I might be mistaken for that man.

Not until another five minutes had passed, and I was watching the police in full riot gear, with a camera crew following behind, coming up a passage towards a room. Live action of the arrest of the suspected killer, the breathless commentator said.

Then, suddenly, there was a pounding on the door. On the TV screen, plain to see, was the number of my room. I looked through the peephole and saw an army of police officers. It didn’t take much to realise what had happened. The hotel staff identified me as the man in the photograph on the TV and called the police.

Horrified wasn’t what I was feeling right then.

It was fear.

My last memory was the door crashing open, the wood splintering, and men rushing into the room, screaming at me, waving guns, and when I put my hands up to defend myself, I heard a gunshot.

And in one very confused and probably near-death experience, I thought I saw my mother and thought what was she doing in Rome?

…

I was the archetypal nobody.

I lived in a small flat, I drove a nondescript car, had an average job in a low-profile travel agency, was single, and currently not involved in a relationship, had no children, and, according to my workmates, no life.

They were wrong. I was one of those people who preferred their own company; I had a cat, and travelled whenever I could. And I did have a ‘thing’ for Rosalie, one of the reasons why I stayed at the travel agency. I didn’t expect anything to come of it, but one could always hope.

I was both pleased and excited to be going to the conference. It was my first, and the glimpse I had seen of it had whetted my appetite for more information about the nuances of my profession.

Some would say that a travel agent wasn’t much of a job, but to me, it was every bit as demanding as being an accountant or a lawyer. You were providing a customer with a service, and arguably, more people needed a travel agent than a lawyer. At least that was what I told myself as I watched more and more people start using the internet, and our relevance slowly dissipating.

This conference was about countering that trend.

The trip over had been uneventful. I was met at the airport and taken to the hotel where the conference was being held with several other delegates who had arrived on the same plane. I had mingled with several other delegates at the pre-conference get-together, including one whose name was Maryanne.

She was an unusual young woman, not the sort that I usually met, because she was the one who was usually surrounded by all the boys, the life of the party. In normal circumstances, I would not have introduced myself to her, but she had approached me. Why did I think that may have been significant? All of this ran through my mind, culminating in the last event on the highlight reel, the door bursting open, men rushing into my room, and then one of the policemen opened fire.

I replayed that last scene again, trying to see the face of my assailant, but it was just a sea of men in battle dress, bulletproof vests and helmets, accompanied by screaming and yelling, some of which I identified as “Get on the floor”.

Then came the shot.

Why ask me to get on the floor if all they were going to do was shoot me? I was putting my hands up at the time, in surrender, not reaching for a weapon.

Then I saw the face again, hovering in the background like a ghost. My mother. Only the hair was different, and her clothes, and then the image was going, perhaps a figment of my imagination brought on by pain-killing drugs. I tried to imagine the scene again, but this time it played out without the image of my mother.

I opened my eyes and took stock of my surroundings. What I felt in that exact moment couldn’t be described. I should most likely be dead, the result of a gunshot wound. I guess I should be thankful the shooter hadn’t aimed at anything vital, but that was the only item on the plus side.

I was in a hospital room with a policeman by the door. He was reading a newspaper and sitting uncomfortably on a small chair. He gave me a quick glance when he heard me move slightly, but didn’t acknowledge me with either a nod or a greeting, just went back to the paper.

If I still had a police guard, then I would still be considered a suspect. What was interesting was that I was not handcuffed to the bed. Perhaps that only happened in TV shows. Or maybe they knew I couldn’t run because my injuries were too serious. Or the guard would shoot me long before my feet hit the floor. I knew the police well enough now to know they would shoot first and ask questions later.

On the physical side, I had a large bandage over the top left corner of my chest, extending over my shoulder. A little poking and prodding determined the bullet had hit somewhere between the top of my rib cage and my shoulder. Nothing vital there, but my arm might be somewhat useless for a while, depending on what the bullet hit on the way in or through.

It didn’t feel like there were any broken or damaged bones.

That was the good news.

On the other side of the ledger, my mental state, there was only one word that could describe it. Terrified. I was looking at a murder charge and jail time, a lot of it. Murder usually had a long time in jail attached to it.

Whatever had happened, I didn’t do it. I know I didn’t do it, but I had to try to explain this to people who had already made up their minds. I searched my mind for evidence. It was there, but in the confused state brought on by the medication, all I could think about was jail, and the sort of company I was going to have.

I think death would have been preferable.

…

Half an hour later, maybe longer, I was drifting in and out of consciousness. A nurse, or what I thought was a nurse, came into the room. The guard stood, checked her ID card, and then stood by the door.

She came over and stood beside the bed. “How are you?” she asked, first in Italian, and when I pretended I didn’t understand, she asked the same question in accented English.

“Alive, I guess,” I said. “No one has come and told me what my condition is yet. You are my first visitor. Can you tell me?”

“Of course. You are very lucky to be alive. You will be fine and make a full recovery. The doctors here are excellent at their work.”

“What happens now?”

“I check you, and then you have another visitor. He is from the British Embassy, I think. But he will have to wait until I have finished my examination.”

I realised then she was a doctor, not a nurse.

…

My second visitor was a man, dressed in a suit, the sort of which I associated with the British Civil Service.  He was not very old, which told me he was probably a recent graduate on his first posting, the junior officer who drew the short straw.

The guard checked his ID but again did not leave the room, sitting back down and going back to his newspaper.

My visitor introduced himself as Alex Jordan from the British Embassy in Rome, and he had been asked by the Ambassador to sort out what he labelled a tricky mess.

For starters, it was good to see that someone cared about what happened to me.  But, equally, I knew the mantra, get into trouble overseas, and there is not much we can do to help you.  So, after that lengthy introduction, I had to wonder why he was here.

I said, “They think I am an international criminal by the name of Jacob Westerbury, whose picture looks just like me, and apparently, for them, it is an open and shut case.”  I could still hear the fragments of the yelling as the police burst through the door, at the same time telling me to get on the floor with my hands over my head.

“It’s not.  They know they’ve got the wrong man, which is why I’m here.  There is the issue of what had been described as excessive force, and the fact that you were shot had made it an all-around embarrassment for them.”

“Then why are you here?  Shouldn’t they be here apologising?”

“That is why you have another visitor.  I only took precedence because I insisted on speaking with you first.  I have come, basically, to ask you for a favour.  This situation has afforded us an opportunity.  We would like you to sign the official document, which basically indemnifies them against any legal proceedings.”

Curious.  What sort of opportunity was he talking about?  Was this a matter that could get difficult and I could be charged by the Italian Government, even if I wasn’t guilty, or was it one of those hush-hush type deals, you do this for us, we’ll help you out with that?  “What sort of opportunity?”

“We want to get our hands on Jacob Westerbury as much as they do.  They’ve made a mistake, and we’d like to use that to get custody of him if or when he is arrested in this country.  I’m sure you would also like this man brought into custody as soon as possible, so you will stop being confused with him.  I can only imagine what it was like to be arrested in the manner you were.  And I would not blame you if you wanted to get some compensation for what they’ve done.  But.  There are bigger issues in play here, and you would be doing this for your country.”

I wondered what would happen if I didn’t agree to his proposal.  I had to ask, “What if I don’t?”

His expression didn’t change.  “I’m sure you are a sensible man, Mr Pargeter, who is more than willing to help his country whenever he can.  They have agreed to take care of all your hospital expenses, refund the cost of the Conference, and travel.  I’m sure I could also get them to pay for a few days at Capri or Sorrento, if you like, before you go home.  What do you say?”

There was only one thing I could say.  Wasn’t it treason if you went against your country’s wishes?

“I’m not an unreasonable man, Alex.  Go do your deal, and I’ll sign the papers.”

“Good man.”

…

After Alex left, the doctor came back to announce the arrival of a woman, who had announced herself as the publicity officer from the Italian police. When she came into the room, she was not dressed in a uniform.

The doctor left after giving a brief report to the civilian at the door. I understood the gist of it: “The patient has recovered excellently, and the wounds are healing as expected. There is no cause for concern.”

That was a relief.

While the doctor was speaking to the civilian, I speculated on who she might be. She was young, not more than thirty, conservatively dressed, so an official of some kind, but not necessarily with the police. Did they have prosecutors? I was unfamiliar with the Italian legal system.

She had long, wavy black hair and the sort of sultry looks of an Italian movie star, and her presence made me more curious than fearful, though I couldn’t say why.

The woman then spoke to the guard, and he reluctantly got up and left the room, closing the door behind him. She checked the door and then came back towards me, standing at the end of the bed. Now alone, she said, “A few questions before we begin.” Her English was only slightly accented. “Your name is Jack Pargeter?”

I nodded. “Yes.”

“You are in Rome to attend the Travel Agents Conference at the Hilton Hotel?”

“Yes.”

“You attended a preconference introduction on the evening of the 25th, after arriving from London at approximately 4:25 pm.”

“About that time, yes. I know it was about five when the bus came to collect me, and several others, to take us to the hotel.”

She smiled. It was then that I noticed she was reading from a small notepad.

“It was ten past five to be precise. The driver had been held up in traffic. We have several witnesses who saw you on the plane, on the bus, at the hotel, and with the aid of closed-circuit TV, we have established you are not the criminal Jacob Westerbury.”

She put her notebook back in her bag and then said, “My name is Vicenza Andretti, and I am with the prosecutor’s office. I am here to formally apologise for the situation that can only be described as a case of mistaken identity. I assure you, it is not the habit of our police officers to shoot people unless they have a very strong reason for doing so. I understand that in the confusion of the arrest, one of our officers accidentally discharged his weapon. We are undergoing a very thorough investigation into the circumstances of this event.”

I was not sure why, but between the time I had spoken to the embassy official and now, something about letting them off so easily was bugging me. I could see why they had sent her. It would be difficult to be angry or annoyed with her.

But I was annoyed.

“Do you often send a whole squad of trigger-happy riot police to arrest a single man?” It came out harsher than I intended.

“My men believed they were dealing with a dangerous criminal.”

“Do I look like a dangerous criminal?” And then I realised if it was mistaken identity, the answer would be yes.

She saw the look on my face and said quietly, “I think you know the answer to that question, Mr Pargeter.”

“Well, it was overkill.”

“As I said, we are very sorry for the circumstances you now find yourself in. You must understand that we honestly believed we were dealing with an armed and dangerous murderer, and we were acting within our mandate. My department will cover your medical expenses and any other amounts for the inconvenience this has caused you. I believe you were attending a conference at your hotel. I am very sorry, but given the medical circumstances you have, you will have to remain here for a few more days.”

“I guess, then, I should thank you for not killing me.”

Her expression told me that was not the best thing I could have said in the circumstances.

“I mean, I should thank you for the hospital and the care. But a question or two of my own. May I?”

She nodded.

“Did you catch this Jacob Westerbury character?”

“No. In the confusion created by your arrest, he escaped. Once we realised we had made a mistake and reviewed the closed-circuit TV, we tracked him leaving by a rear exit.”

“Are you sure it was one of your men who shot me?”

I watched as her expression changed to one of surprise.

“You don’t think it was one of my men?”

“Oddly enough, no. But don’t ask me why.”

“It is very interesting that you should say that, because in our initial investigation, it appeared none of our officers’ weapons had been discharged. A forensic investigation into the bullet tells us it was one that is used in our weapons, but…”

I could see their dilemma.

“Have you any enemies that would want to shoot you, Mr Pargeter?”

That was absurd because I had no enemies, at least none that I knew of, much less anyone who would want me dead.

“Not that I’m aware of.”

“Then it is strange, and will perhaps remain a mystery. I will let you know if anything more is revealed in our investigation.”

She took an envelope out of her briefcase and opened it, pulling out several sheets of paper.

I knew what it was. A verbal apology was one thing, but a signed waiver would cover them legally. They had sent a pretty girl to charm me. Perhaps using anyone else would not have worked. There was potential for a huge litigation payout here, and someone more ruthless would jump at the chance of making a few million out of the Italian Government.

“We need a signature on this document,” she said.

“Absolving you of any wrongdoing?”

“I have apologised. We will take whatever measures are required for your comfort after this event. We are accepting responsibility for our actions and are being reasonable.”

They were. I took the pen from her and signed the documents.

“You couldn’t add dinner with you on that list of benefits?” No harm in asking.

“I am unfortunately unavailable.”

I smiled. “It wasn’t a request for a date, just dinner. You can tell me about Rome, as only a resident can. Please.”

She looked me up and down, searching for the ulterior motive. When she couldn’t find one, she said, “We shall see once the hospital discharges you in a few days.”

“Then I’ll pencil you in?”

She looked at me quizzically. “What is this pencil me in?”

“It’s an English colloquialism. It means maybe. As when you write something in pencil, it is easy to erase it.”

A momentary frown, then recognition and a smile. “I shall remember that. Thank you for your time and cooperation, Mr Pargeter. Good morning.”

…

© Charles Heath 2015-2021

Top 5 sights on the road less travelled – Barcelona

Beyond the Gaudi Glow: 5 Barcelona Gems Off the Beaten Path

Barcelona. The name conjures images of soaring Sagrada Familia, vibrant Las Ramblas, and the sun-drenched beaches of Barceloneta. And while these iconic sights are undeniably spectacular, there’s a whole other layer to this Catalan capital waiting to be discovered by those willing to venture a little further. If you’re tired of jostling for elbow room and crave a taste of authentic Barcelona, this list of five things to do on the road less travelled is for you.

1. Get Lost (and Found) in Gràcia’s Bohemian Labyrinth

Step away from the Gothic Quarter’s throngs and find yourself in the charming neighbourhood of Gràcia. Once a separate town, Gràcia retains its distinct village feel with a network of narrow, winding streets, hidden plazas, and a wonderfully bohemian atmosphere. Spend an afternoon simply wandering. You’ll stumble upon independent boutiques, artisan workshops, and inviting cafes where locals gather. Don’t miss Plaça del Sol or Plaça de la Vila de Gràcia – perfect spots to sip a coffee and people-watch. In the evening, Gràcia truly comes alive with its array of tapas bars and intimate restaurants, offering a more local and affordable dining experience.

2. Ascend to the Untamed Beauty of Parc del Laberint d’Horta

While Park Güell gets all the glory for its whimsical mosaics, Barcelona’s oldest garden, Parc del Laberint d’Horta, offers a more serene and romantic escape. This neoclassical gem boasts a breathtaking cypress maze that’s a delight to navigate. Beyond the labyrinth, discover neoclassical sculptures, hidden grottoes, peaceful ponds, and stunning manicured gardens. It’s a tranquil oasis far removed from the city’s hustle, perfect for a leisurely stroll, a romantic picnic, or simply a moment of quiet contemplation. Pack a book and let the gentle murmur of fountains wash over you.

3. Uncover History and Art at the Sant Pau Recinte Modernista

Often overshadowed by Gaudí’s more famous works, the Sant Pau Recinte Modernista is a UNESCO World Heritage site that deserves its own spotlight. This former hospital complex, designed in the early 20th century by architect Lluís Domènech i Montaner, is a masterpiece of Catalan Modernisme. Wander through its beautifully preserved pavilions, adorned with intricate tilework, stained glass, and stunning sculptures. The sheer scale and artistic detail are astounding, offering a fascinating glimpse into the era’s architectural innovation and a poignant reminder of its philanthropic past. It’s a place that inspires awe and contemplation in equal measure.

4. Immerse Yourself in Local Flavours at Mercat de Sant Antoni

While La Boqueria is a vibrant sensory overload, the Mercat de Sant Antoni offers a more authentic and less tourist-centric market experience. Recently renovated, this grand market hall is a haven for local produce, fresh seafood, and regional delicacies. Come here for breakfast, sample some empanadas, pick up ingredients for a picnic, or simply soak in the lively atmosphere as locals go about their daily shopping. On Sundays, the surrounding streets transform into a bustling book and antique market, adding another layer of discovery to your visit.

5. Hike to the Iconic Bunkers del Carmel for Panoramic Vistas

For the most breathtaking, unobstructed views of Barcelona, skip the crowded viewpoints and head to the Bunkers del Carmel. These anti-aircraft fortifications from the Spanish Civil War offer a dramatic historical backdrop to arguably the best panoramic vistas of the city. While the climb can be a bit of a trek (or a short bus ride up), the reward is immense. Watch the sunset paint the sky in fiery hues, with the entire cityscape spread out before you like a miniature wonderland. It’s a favourite spot for locals to gather with friends, enjoy a picnic, and simply admire their beloved city from above.

Barcelona is a city that rewards curiosity. By venturing beyond the well-trodden paths, you’ll uncover its hidden heart, meet its friendly locals, and create memories that are truly your own. So, next time you find yourself in this Catalan gem, dare to stray from the guidebooks and embrace the magic of the road less travelled. You won’t be disappointed.

365 Days of Writing, 2026 – Beyond the second novel

Mastering the Art of Recap

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Mastering the Art of Recap: How to Weave Reminders into Your Book Series Without Boring Your Readers

Writing a book series is one of the most rewarding journeys an author can embark on. You get to live in an expansive fictional universe, watch your favourite characters evolve over hundreds of thousands of words, and build a dedicated readership that eagerly pre-orders your next release.

However, writing a series also comes with a unique set of logistical challenges. One of the most tedious yet essential tasks? Reminding readers of what happened in previous books.

Whether you are currently drafting book two or putting the finishing touches on book ten, you cannot escape the recap. Human memory is fallible, and even the most devoted fans might forget minor plot threads between multi-year publication gaps. Plus, you will inevitably attract new readers who jump into the middle of your series—a phenomenon every author loves to see, even if it causes minor plotting headaches.

The golden rule of series writing is this: Weave reminders into each novel—but don’t overdo it.

Let’s dive into how you can strike the perfect balance, keep your audience informed, and maintain a fast-paced, engaging narrative.


Step 1: Curate Your “Must-Know” List (Be Ruthless)

When you’ve spent years crafting an elaborate fantasy world or a sprawling detective universe, it’s tempting to want to catch the reader up on everything. You want them to appreciate the depth of your lore and the sheer volume of history your characters share.

Resist this urge.

Before you start drafting, make a list of the main details your readers will genuinely need to know to understand the current plot. Be strict about what you include.

Ask yourself:

  • Does the reader need to know this specific event to understand the central conflict of this book?
  • Is this character motivation vital for the emotional stakes of the current scene?
  • Or is this just a fun Easter egg or a resolved subplot from book three that doesn’t impact today’s story?

Remember, they don’t need a comprehensive history of the previous nine books. They just need the vital context that directly impacts this book and the characters within it.


Step 2: Ditch the Info-Dump (And Save the First Chapter)

Once you have your curated list of essential reminders, the next hurdle is delivery. The cardinal sin of series recaps is the dreaded info-dump.

You know the trap: Chapter One opens with a character staring into a mirror, mentally reviewing their entire life story, their parents’ tragic deaths, and the magical artifact they found three books ago. Or worse, two characters sit down over coffee and explain things to each other that they both already know (“As you know, Bob, the syndicate has been hunting us since the Berlin incident…”).

This instantly pulls readers out of the story. It feels unnatural, stalls your pacing, and tells instead of shows.

Instead, try to wait for the right moment. You don’t need to cram every piece of backstory into the first few pages just to get it out of the way. Let your new book breathe. Establish the immediate stakes, the current atmosphere, and the opening action first.


Step 3: Weave Backstory into Thoughts and Actions

The secret to a seamless recap is integration. Rather than treating backstory like a bitter pill your reader has to swallow, weave reminders naturally into what your characters are thinking about or witnessing in real time.

  • Through Emotion: If a character is hesitant to trust a new ally, that is your organic cue to remind the reader of the time they were betrayed in book two. The reminder isn’t just a history lesson; it actively drives the current scene’s emotional tension.
  • Through Observation: If a detective walks back into a familiar precinct or a specific neighbourhood, use their sensory details to remind the reader of past events that occurred there.
  • Through Dialogue (Subtly): If two characters are arguing, past history can be weaponised in the heat of the moment rather than recited like a textbook.

By tying the past directly to the present, the reminder serves a dual purpose: it informs the new reader while deepening the emotional resonance for the returning fan.


The Rewards Outweigh the Challenges

Writing a book series has its fair share of structural headaches, but the rewards are undeniably clear.

When you master the delicate art of the series recap, you unlock the true magic of long-form storytelling. You get to spend more time with characters you’ve deeply invested in, you can make repeated, efficient use of the extensive world-building research you’ve already done, and—most importantly—you keep your readers turning pages and coming back for more.

So, keep your recap lists lean, hide your exposition in plain sight, and trust your readers to keep up. Happy writing!

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The story behind the story – Echoes from the Past

The novel ‘Echoes from the Past’ started out as a short story I wrote about 30 years ago, titled ‘The Birthday’.

My idea was to take a normal person out of their comfort zone and led on a short but very frightening journey to a place where a surprise birthday party had been arranged.

Thus, the very large man with a scar and a red tie was created.

So was the friend with the limousine who worked as a pilot.

So were the two women, Wendy and Angelina, who were Flight Attendants that the pilot friend asked to join the conspiracy.

I was going to rework the short story, then about ten pages long, into something a little more.

And like all rewrites, especially those I have anything to do with, it turned into a novel.

There was motivation.  I had told some colleagues at the place where I worked at the time that I liked writing, and they wanted a sample.  I was going to give them the re-worked short story.  Instead, I gave them ‘Echoes from the past’

Originally, it was not set anywhere in particular.

But when considering a location, I had, at the time, recently been to New York in December, and visited Brooklyn and Queens, as well as a lot of New York itself.  We were there for New Year’s, and it was an experience I’ll never forget.

One evening, we were out late and finished up in Brooklyn Heights, near the waterfront, and there was rain and snow; it was cold and wet, and apartment buildings were shimmering in the street light, and I thought, “This is the place where my main character will live”.

It had a very spooky atmosphere, the sort where ghosts would not be unexpected.  I felt more than one shiver go up and down my spine in the few minutes I was there.

I had taken notes, as I always do, of everywhere we went, so I had a ready supply of locations I could use, changing the names in some cases.

Fifth Avenue near the Rockefeller Centre is amazing at first light, and late at night with the Seasonal decorations and lights.

The original main character was a shy man with few friends, hence not expecting the surprise party.  I enhanced that shyness into purposely lonely because of an issue from his past that leaves him always looking over his shoulder and ready to move on at the slightest hint of trouble.  No friends, no relationships, just a very low profile.

Then I thought, what if he breaks the cardinal rule and begins a relationship?

But it is also as much an exploration of a damaged soul as it is the search for a normal life, without having any idea what normal was, and how the understanding of one person can sometimes make all the difference in what we may think or feel.

And, of course, I wanted a happy ending.

Except for the bad guys.

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Get it here:  https://amzn.to/2CYKxu4

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