The 2am Rant: I was just getting started when…

You know how it goes, you just get into a writing rhythm when the phone rings and it’s another of those pesky scam calls.

Or in my case not one but three, so far.

The first has to do with the NBN, which is Australia’s laughable answer to world-class internet, and which is, in reality, a complete stuff up that cost us, the taxpayers, 50 billion dollars, and for nothing.

Most nights during the peak hours, you cannot continuously stream without breaks, pixelation, or just nothing at all.  World-class?  I’m afraid not.  Perhaps I should relocate to Romania where I hear, the internet is much faster and more reliable.

Enough with the rant, the call this time around was the NBN scam, where they try logging into your computer and stealing everything, including banking information, credit card information, and the rest of your life, if it’s possible.

I have no life so they would be badly disappointed.

The second scam call is for solar panels.  Yes, they are selling solar panels, but they are the junk no one else wants, years out of date, and then charge three times what they’re worth, even when you get the government rebate.

I’ve got solar panels already, so I don’t care.  I just put the phone on the other side of the desk and let them prattle on.  They get the message eventually.

The next is for raffle tickets.  It generally relates to some form of charity, in which the caller goes through the charity’s functions chapter and verse and then tries to hit you up for ten tickets at a discounted price.

Sounds legit.  Yes, I’ve heard of the charity.  Yes, I know what it does.

But…

It’s not the real charity calling, but some scammer trying to get your credit card details, along with that all-important 3 digit cvc number.

Not today Josephine, or whatever your name was.

I’ve got an app on my phone that tells me if the caller is a scammer, and this one had red lights flashing and a large red ‘fraud’ stamped across it.

An hour later, all thoughts are gone.

I suppose I better have some lunch and try again later.

What I learned about writing – Setting goals, bad idea

Unfortunately, I’m not one of those people who work well with plans, so setting goals is not a good idea.

But…

I did make several New Year’s resolutions that I would try and do things differently each year.

Except…

This year, I set a goal to restart editing one of my novels on 1st Feb.  I thought, setting it so far into the year would be easy.

It would give me the time to clear up all the outstanding writing tasks that have been getting in the way, which are more commonly known as distractions, and be free to finally finish it.

No such luck.

Going away, spending long, sleepless hours flying from one side of the world to the other had fuelled my imagination more than I expected, and I now have three stories that need either a continuing plot outline or to be written as ideas come to me.

If only I could focus on one story at a time.

So…

I’ve been working hard on getting those stories done, and now that November is approaching, I have come up with a brilliant idea.

I’ll work on the novel then as my NANOWRIMO project.  At least I have completed every one I’ve started over the last four years.

Let’s see if I can stick to it.

365 Days of writing, 2026 – 247

Day 247 – Fear of the blank page

Naked Truths: How to Overcome the Fear of the Blank Page (Without Actually Imagining Your Readers Undressed)

We’ve all heard the classic public speaking advice: “If you’re nervous, just picture the audience in their underwear.”

The logic goes that by reducing a room full of judging, critical humans down to their skivvies, they instantly lose their intimidating aura. Suddenly, you aren’t presenting to a board of directors or a room full of peers; you’re talking to a bunch of regular folks in polka-dot boxers and lace bralettes.

It’s silly, slightly absurd, and wildly ineffective for most people (mostly because picturing your boss in tighty-whities usually causes more anxiety, not less).

However, the psychology behind the trick is solid. It’s about reframing the power dynamic. It’s about stripping away the manufactured pressure of a situation to reveal the simple, human reality underneath.

So, how do we translate this concept to the writer’s ultimate nemesis: the fear of the blank page?

When facing a pristine, glowing white document, writers don’t usually fear the paper. They fear judgment. They fear failure. They fear that what they write won’t be smart, profound, or polished enough.

If you want to conquer the blank page, you need to strip it of its power. Here is how to apply the “underwear rule” to your writing process and finally start typing.


1. Realize the Page Isn’t a Masterpiece Waiting to Happen (It’s Laundry)

When a blank page feels intimidating, it’s usually because we’ve put it on a pedestal. We treat the cursor like a spotlight and the first sentence like a literary legacy.

The Translation: Strip the page of its dignity.

Accept right now that your first draft is going to be messy, awkward, and poorly fitted—much like wearing mismatched underwear on laundry day. A blank page isn’t a marble slab waiting for a Michelangelo; it’s a dumping ground for half-formed thoughts. Give yourself permission to write absolute garbage. You cannot edit a blank page, but you can fix a terribly written paragraph.

2. Picture Your Reader as a Friend (Or Just a Person)

When we write, we often imagine an intimidating, anonymous crowd reading our work with crossed arms and red pens. We write for “The Internet,” “The Critics,” or “My High School English Teacher.”

The Translation: Strip your audience of their intimidating title.

Instead of imagining a faceless mob of critics, picture one specific, friendly person. Write an email to your best friend explaining the concept. Talk to your sibling. When you shift your mental audience from “The Public” to “One Individual,” the stakes instantly lower. You stop trying to sound like a textbook and start sounding like a human being.

3. Change What You’re Wearing (Digital Disguises)

Sometimes the environment contributes to the intimidation factor. Staring at a blinking cursor in a professional, stark-white word processor like Microsoft Word or Google Docs feels like sitting in the principal’s office.

The Translation: Change the aesthetic.

Just like dressing down changes your confidence, changing your writing environment can strip away the pressure.

  • Use a distraction-free writing app with a dark mode (like Typora, Scrivener, or Ulysses) so the page isn’t glaring at you.
  • Write your first draft in Comic Sans or a goofy font—it’s scientifically impossible to take a sentence seriously when it’s written in Comic Sans, which instantly kills your inner perfectionist.
  • Write the first version by hand in a cheap notebook where mistakes don’t carry the finality of a digital delete key.

4. Write the “Unpublishable” Intro

The hardest part of any journey is the first step, and the hardest part of any article or story is the first sentence. We agonize over hooks, desperately trying to start with a bang.

The Translation: Start with a terrible warm-up.

Give yourself a rule: The first three sentences are not allowed to be good. Write intentionally bad sentences to break the ice.

  • “I have no idea what I’m writing about right now, but my coffee is cold.”
  • “This is going to be a really stupid article about writing.”

Once you break the silence of the page—even with nonsense—the spell is broken. You’ve crossed the threshold. Now you can delete the garbage intro and get to the real work.


The Bottom Line

The fear of the blank page is just performance anxiety in disguise.

Just like public speaking, writing triggers our deepest insecurities about being seen and judged. But the next time you freeze up in front of a flashing cursor, remember the core lesson of the “underwear” trick: The things intimidating you only have power because you gave it to them.

Strip the page of its perfectionism. Strip the audience of their judgment. Stop waiting for the muse to show up in a three-piece suit, and start writing in your sweatpants.

If I only had one day to stop over in – Brussels – what would I do?

One‑Day Stopover in Brussels? Make It Unforgettable with a Visit to the Grand‑Place

If you’ve only got 24 hours between flights, there’s no better way to capture the heart of Belgium than to spend it in the city’s most iconic square – the Grand‑Place (Grote Markt). Here’s why this UNESCO‑listed masterpiece should be the sole stop on your whirlwind itinerary, and how to squeeze the most magic out of every minute.


Why the Grand‑Place is the Ultimate “One‑Place” Experience

What you’ll seeWhy it matters
Stunning Baroque & Gothic façades – Town Hall, Maison du Roi, the guild housesA visual history of Brussels from the 15th‑17th centuries, all in a compact, walkable space
UNESCO World Heritage statusGuarantees the square’s preservation and its global cultural significance
A living stage – street musicians, flower carpets (every two years), and seasonal marketsThe square isn’t a museum; it’s a vibrant urban theatre that changes with the calendar
Gastronomic micro‑cosm – waffles, frites, Belgian chocolate, and world‑class cafésYou taste the nation without leaving the square’s perimeter
Perfect photo backdrop – golden hour light, night illuminationInstagram‑ready views that make every traveler’s feed pop

In short: the Grand‑Place condenses Brussels’ architecture, history, food, and atmosphere into a single, unforgettable patch of cobblestones.


How to Turn a Quick Layover into a Grand‑Place Day

Below is a step‑by‑step itinerary that assumes you arrive at Brussels Airport (BRU) in the morning and depart the following evening. Adjust the times to fit your flight schedule, but keep the core sequence: arrival → transit → Grand‑Place immersion → departure.

1. Get There Efficiently (30 min)

ModeDetails
Train (Eurostar/Thalys/IC)Follow signs to the Airport‑Brussels train station (right outside the arrivals hall). A direct IC (InterCity) train whisks you to Brussels Central in 18 minutes (≈ 5 €).
Bus (STIB/MIVB line 12 or 21)Slightly cheaper (≈ 3 €) but slower (≈ 30 min). Take the bus to Gare Centrale and you’re already at the doorstep of the Grand‑Place.
Taxi/Uber20‑25 min, about 35‑45 €, useful if you have heavy luggage or a group.

Tip: Buy a STIB/MIVB “15‑hour ticket” (€7.50) for unlimited metro, tram, and bus rides. It’s a bargain even if you only use it for the airport hop.

2. First Glimpse – The Square at Dawn (15 min)

  • Arrive just before 9 am to avoid the midday crowds.
  • Grab a coffee and a fresh croissant from Le Pain Quotidien on the north side; the aroma of roasted beans mingles perfectly with the morning light on the Town Hall’s spire.

3. Guided Exploration (45 min)

  • Free self‑guided audio tour – download the “Brussels Grand‑Place” app (available in 12 languages).
  • Key highlights:
    1. Town Hall – climb the 87‑step tower for a panoramic view (optional, 10 min).
    2. Maison du Roi – the “King’s House” façade and its intricate stone carvings.
    3. Guildhalls – each tells a story (the Brewers’, the Clothiers’, the Bakers’).
  • Quick fact: The square’s golden “pigeon‑hole” statues were added after the 1695 bombardment, symbolising Brussels’ resilience.

4. Savour the Flavours (60 min)

FoodWhere to get itWhy it’s a must
Belgian Waffle (Liège style)Maison Dandoy (corner of the square)Caramelized sugar crystals, warm, perfect with a shot of espresso.
Frites with mayoFriterie René (just a block away)The legendary double‑fried potatoes—crispy outside, fluffy inside.
Chocolate tastingPierre Marcolini or Leonidas kiosksSample a praline while you stroll; chocolate is practically a national sport.
Beer in a historic tavernChez Léon (nearby) – try a Trappist dubbelBrussels is the capital of beer; you can’t leave without a glass.

Pro tip: Order a “combo” (waffle + coffee + chocolate) for a budget‑friendly, all‑in‑one treat.

5. The “Extra” Touch – Nearby Gems (30 min)

If you still have a bit of time, dip just a few steps outside the square:

  • Galeries Royales Saint‑Hubert – a covered arcade with designer boutiques and a quick photo op beneath its glass dome.
  • Manneken Pis – the mischievous bronze boy (5‑minute walk). The statue’s daily costume changes are a quirky cultural footnote.
  • Mont des Arts – a short tram ride up a hill for a sweeping view of the city’s skyline, perfect for sunset shots.

6. Wrap‑Up and Return to the Airport (45 min)

  • Grab a final Belgian chocolate bar for the flight (the “Bombe” from Pierre Marcolini makes a luxurious gift).
  • Board the same train back to BRU—remember to validate your ticket before hopping on the platform.

Insider Hacks for a Seamless Grand‑Place Day

HackHow it Helps
Pre‑download the “Brussels Card” appGives you a 10 % discount at most cafés and priority entry to the Town Hall tower.
Carry a small foldable umbrellaEven in summer, sudden showers are common; the square’s cafés offer shelter and a great people‑watching spot.
Speak a few French/Dutch words – “Bonjour / Goedemorgen” – locals appreciate the effort and may share hidden tips.
Leave your valuables in a hotel locker if you’re doing a multi‑day trip; the square can be a pick‑pocket hotspot during rush hour.
Check the event calendar – Flower Carpet (every two years in August) or Brussels Summer Festival (July) can turn your visit into a once‑in‑a‑lifetime spectacle.

Bottom Line: One Square, Endless Memories

A one‑day stopover can feel like a blur, but the Grand‑Place offers a concentrated dose of everything that makes Brussels legendary: architectural grandeur, culinary indulgence, historic ambience, and a buzzing, friendly atmosphere—all within a 10‑minute walk radius.

So, when the clock ticks down on your layover, skip the museum hops and head straight for the heart of Brussels. Let the cobblestones, the golden façades, and the scent of fresh waffles write the story of your Belgian intermission.

Pack your camera, bring an appetite, and let the Grand‑Place turn a fleeting stop into a lifelong memory.


In a word: Park

We mostly understand that a park is an area set aside for recreation, and can have trees, flowers, a lake, and vast lawns.  These parks are also sometimes called ‘gardens’.

A great example of a park is Central Park in New York.

Nearly every city has a park of some sort; some have more than one.

But the word park has several other uses.  For instance,

You can park a car, or bike, or yourself; in other words, it’s a place where you stop for a while.  For cars, it is a carpark.

You could say ‘it’s just a walk in the park’, which means that the job is going to be easy.  I never understood that analogy because quite a lot of parks have difficult walks, and not so much ‘a walk in the park’.

It is also used to describe a place where animals are kept, other than calling it a zoo; it can go by the name of a wildlife park.  Zoos, though, are more for cities.  Wildlife parks can be quite huge, and many are found in Africa.

A park can also be used to describe a sporting arena or field.

You can park a bag in a locker.

You can park an idea in the back of your mind and come back to it later, or if you are like me, it disappears into the ether.

It can be an area of land around a manor house, but there are very few of those left now.  The most notable of these are in England and were designed by a man called Capability Brown.

“One Last Look”: nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate: after Ben told his wife, Charlotte, he would be home late one night, he left early and, by chance, discovered his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man? Why was she having dinner with him?

A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little, Ben discovers who the woman he married is, and the real reason why fate had brought them together.

It is available on Amazon here:  http://amzn.to/2CqUBcz

If I only had one day to stop over in – Barcelona – what would I do?

One Day in Barcelona? The One Spot That Will Make It Unforgettable

If you’ve only got a single day to soak up the magic of Barcelona, there’s no better way to turn a quick stopover into a memory that lasts a lifetime than to spend it at the Sagrada Familia.

The towering spires, the kaleidoscopic light that dances through stained glass, and the sheer audacity of Antoni Gaudí’s masterpiece make this basilica the ultimate “must‑see” for any traveller pressed for time. Below, I’ll walk you through why the Sagrada Familia deserves top billing, how to experience it efficiently, and what you can squeeze in around it so your twelve‑hour layover feels like a full‑blown Barcelona adventure.


Why the Sagrada Familia Wins the One‑Place Vote

FactorWhat It Means for a One‑Day Visitor
Iconic statusRecognisable worldwide, a single photo here instantly says “I’ve been to Barcelona.”
Architectural wonderGaudí’s evolving vision combines Gothic verticality with natural forms—an immersive lesson in art, engineering, and spirituality.
Compact yet completeYou can explore the interior, the crypt, and the towers in 2–3 hours, leaving plenty of time for a bite and a stroll.
AccessibilityCentral location (Eixample district) is on the main metro line (L2, L5) and a short walk from the city’s bus network.
Year‑round appealNo seasonal closures; the light inside changes dramatically with the sun, giving you a fresh experience any day you visit.

In short: it’s the perfect blend of visual impact, cultural depth, and logistical convenience for a traveller with a clock ticking.


Making the Most of Your Visit

1. Book Your Ticket Ahead of Time

  • Online reservation: Purchase a timed‑entry ticket on the official site (or a reputable reseller) at least 24 hours in advance.
  • Choose the “Tower + Audio Guide” upgrade if you want panoramic city views and a deeper narrative (extra €15–€20).
  • Arrive 10‑15 minutes early; security is brisk, but the basilica fills up fast, especially in summer.

2. Timing Is Everything

  • Morning slot (9:30 am‑11:30 am): Sunlight streams through the Nativity façade, highlighting the intricate stonework.
  • Mid‑day slot (12:30 pm‑2:30 pm): The interior glows with a warm, diffused light—perfect for photography.
  • Late afternoon (4:30 pm‑6:30 pm): The Passion façade faces the setting sun, casting dramatic shadows.

If your flight lands early in the morning, aim for the 9:30 am slot; if you arrive later, the 4:30 pm slot gives you a chance to explore a bit of the city first.

3. Navigate the Space Efficiently

  1. Entry Hall – Quick video intro (3 min) runs on the screen; pay attention for a concise overview of Gaudí’s vision.
  2. Main Nave – Follow the audio guide’s highlighted points: the column forest, the ceiling’s ribbed “cocoon,” and the stained‑glass windows.
  3. Crypt & Museum – Spend 20 minutes here; the crypt holds Gaudí’s tomb, and the museum explains the construction timeline.
  4. Towers – If you opted for the tower experience, the lift ride (about 5 min) ends with a 360° panorama that includes the Mediterranean, Montjuïc, and the city grid—a perfect final shot for your travel diary.

Quick “Around the Basilica” Itinerary

You’ll have roughly 5‑6 hours left after the Sagrada Familia. Here’s a streamlined loop that maximises flavour, fun, and photogenic moments without straying far.

TimeActivityReason
12:30 pmTapas on Carrer de Mallorca (e.g., Bar Mut or Cerveseria Catalana)A short 5‑minute walk; try “patatas bravas,” “jamón ibérico,” and a glass of cava.
1:30 pmPasseig de Gràcia stroll – admire Casa Batlló & La Pedrera (exteriors)You get a second Gaudí glimpse without buying extra tickets; perfect for quick photos.
2:15 pmMetro to Plaça Catalunya (L2 to Passeig de Gràcia, then L1)Central hub for a short walk to the next highlight.
2:30 pmLa Rambla & Boqueria Market – a sensory sprint10‑minute walk; sample a fresh fruit juice or a quick jamón bite.
3:15 pmGothic Quarter (Barri Gòtic) – snap the Cathedral façade, narrow alleys, and Roman wallsA 20‑minute walk from La Rambla; you can wander until your next transport.
4:00 pmHead back to the airport – Metro L3 from Liceu to Zona Universitària, then transfer to the Aerobus (A1) or direct train (R2 Nord)Gives you ~45‑60 min buffer for security and boarding.

Adjust the times according to your flight schedule; the whole loop can be trimmed to a “quick bite + photo sprint” if you’re pressed for minutes.


Insider Tips for a Smooth Stopover

  1. Carry a lightweight, waterproof backpack – You’ll need space for a water bottle, a portable charger, and a small umbrella (Barcelona’s micro‑showers love to appear unexpectedly).
  2. Download the Sagrada Familia app – It syncs with your ticket QR code, offers an offline audio guide, and shows real‑time tower wait times.
  3. Speak “Catalan” greetings – A friendly “Bon dia!” (good morning) earns smiles from locals and staff alike.
  4. Avoid the “free ticket” scams – Only buy from the official website or authorised vendors; the price is consistent (€26‑€32 for basic entry).
  5. Take a moment to just look up – The basilica’s interior is designed to make you feel small and infinite simultaneously; a few silent seconds are worth the crowded schedule.

Wrap‑Up: The One‑Place Rule for One‑Day Travellers

When a city as vibrant as Barcelona squeezes into a single day, the temptation is to hop from museum to market to beach. Yet the true essence of Barcelona lives in a single, unforgettable structure that ties together its spiritual past, avant‑garde art, and bustling present—the Sagrada Familia.

A brief but intentional visit gives you:

  • Instant visual identity (those spires are instantly recognisable worldwide)
  • A deep cultural touchpoint (Gaudí’s philosophy of nature and faith)
  • A logistical hub (central, well‑served by public transport)

Add a quick tapas stop, a dash of modernist architecture on Passeig de Gràcia, and a stroll through the Gothic Quarter, and you’ll leave Barcelona feeling like you’ve truly lived the city—even if the clock says you’ve only been there for a day.

So next time you find yourself with a 24‑hour layover, remember: a single visit to the Sagrada Familia converts a fleeting stopover into a lifelong story.


Happy travels, and may your Barcelona day be as unforgettable as the basilica’s soaring towers!

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continued on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think, is the joy of ad hoc writing, even you, as the author, have as much of an idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mould of Sam Spade, or Mickey Spillane, or Philip Marlowe, but he’s not.

But I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brothers’ Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then it went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and I am at the editor for the last reading.

I have high hopes of publishing it in mid-2026.  It even has a cover.

PIWalthJones1

365 Days of writing, 2026 – 247

Day 247 – Fear of the blank page

Naked Truths: How to Overcome the Fear of the Blank Page (Without Actually Imagining Your Readers Undressed)

We’ve all heard the classic public speaking advice: “If you’re nervous, just picture the audience in their underwear.”

The logic goes that by reducing a room full of judging, critical humans down to their skivvies, they instantly lose their intimidating aura. Suddenly, you aren’t presenting to a board of directors or a room full of peers; you’re talking to a bunch of regular folks in polka-dot boxers and lace bralettes.

It’s silly, slightly absurd, and wildly ineffective for most people (mostly because picturing your boss in tighty-whities usually causes more anxiety, not less).

However, the psychology behind the trick is solid. It’s about reframing the power dynamic. It’s about stripping away the manufactured pressure of a situation to reveal the simple, human reality underneath.

So, how do we translate this concept to the writer’s ultimate nemesis: the fear of the blank page?

When facing a pristine, glowing white document, writers don’t usually fear the paper. They fear judgment. They fear failure. They fear that what they write won’t be smart, profound, or polished enough.

If you want to conquer the blank page, you need to strip it of its power. Here is how to apply the “underwear rule” to your writing process and finally start typing.


1. Realize the Page Isn’t a Masterpiece Waiting to Happen (It’s Laundry)

When a blank page feels intimidating, it’s usually because we’ve put it on a pedestal. We treat the cursor like a spotlight and the first sentence like a literary legacy.

The Translation: Strip the page of its dignity.

Accept right now that your first draft is going to be messy, awkward, and poorly fitted—much like wearing mismatched underwear on laundry day. A blank page isn’t a marble slab waiting for a Michelangelo; it’s a dumping ground for half-formed thoughts. Give yourself permission to write absolute garbage. You cannot edit a blank page, but you can fix a terribly written paragraph.

2. Picture Your Reader as a Friend (Or Just a Person)

When we write, we often imagine an intimidating, anonymous crowd reading our work with crossed arms and red pens. We write for “The Internet,” “The Critics,” or “My High School English Teacher.”

The Translation: Strip your audience of their intimidating title.

Instead of imagining a faceless mob of critics, picture one specific, friendly person. Write an email to your best friend explaining the concept. Talk to your sibling. When you shift your mental audience from “The Public” to “One Individual,” the stakes instantly lower. You stop trying to sound like a textbook and start sounding like a human being.

3. Change What You’re Wearing (Digital Disguises)

Sometimes the environment contributes to the intimidation factor. Staring at a blinking cursor in a professional, stark-white word processor like Microsoft Word or Google Docs feels like sitting in the principal’s office.

The Translation: Change the aesthetic.

Just like dressing down changes your confidence, changing your writing environment can strip away the pressure.

  • Use a distraction-free writing app with a dark mode (like Typora, Scrivener, or Ulysses) so the page isn’t glaring at you.
  • Write your first draft in Comic Sans or a goofy font—it’s scientifically impossible to take a sentence seriously when it’s written in Comic Sans, which instantly kills your inner perfectionist.
  • Write the first version by hand in a cheap notebook where mistakes don’t carry the finality of a digital delete key.

4. Write the “Unpublishable” Intro

The hardest part of any journey is the first step, and the hardest part of any article or story is the first sentence. We agonize over hooks, desperately trying to start with a bang.

The Translation: Start with a terrible warm-up.

Give yourself a rule: The first three sentences are not allowed to be good. Write intentionally bad sentences to break the ice.

  • “I have no idea what I’m writing about right now, but my coffee is cold.”
  • “This is going to be a really stupid article about writing.”

Once you break the silence of the page—even with nonsense—the spell is broken. You’ve crossed the threshold. Now you can delete the garbage intro and get to the real work.


The Bottom Line

The fear of the blank page is just performance anxiety in disguise.

Just like public speaking, writing triggers our deepest insecurities about being seen and judged. But the next time you freeze up in front of a flashing cursor, remember the core lesson of the “underwear” trick: The things intimidating you only have power because you gave it to them.

Strip the page of its perfectionism. Strip the audience of their judgment. Stop waiting for the muse to show up in a three-piece suit, and start writing in your sweatpants.

An excerpt from “Mistaken Identity” – a work in progress

The odds of any one of us having a doppelganger are quite high. Whether or not you got to meet them or be confronted by them was significantly lower. Except, of course, unless you are a celebrity.

It was a phenomenon remarkable only for the fact that, at times, certain high-profile people, notorious or not, had doubles if only to put off enemies or the general public. Sometimes we see people in the street who look like someone we knew and make the mistake of approaching them like a long-lost friend, only to discover an embarrassed individual desperately trying to get away from what they perceive as a stalker, or worse.

And then sometimes it is a picture that looms up on a TV screen, an almost exact likeness of you. At first, you are fascinated, and then, according to the circumstances and narrative that is attached to that picture, either flattered or horrified.

For me, one turned to the other when I saw an almost likeness of me flash up on the screen when I turned the TV on in my room. What looked to be my photo, with only minor differences, was in the corner of the screen, the newsreader speaking in rapid Italian, so fast I could only translate every second or third word.

But the one word I did recognise was murder. The photo of the man on the screen was the subject of an extensive manhunt. The crime, the murder of a woman in the very same hotel I was staying, and it was being played out live several floors above me. The gist of the story, the woman had been seen with and staying with the man who was my double, and, less than an hour ago, the body had been discovered by a chambermaid.

The killer, the announcer said, was believed to be still in the hotel because the woman had died shortly before she had been discovered.

I watched, at first fascinated by what I was seeing. I guess I should have been horrified, but at that moment it didn’t register that I might be mistaken for that man.

Not until another five minutes had passed, and I was watching the police in full riot gear, with a camera crew following behind, coming up a passage towards a room. Live action of the arrest of the suspected killer, the breathless commentator said.

Then, suddenly, there was a pounding on the door. On the TV screen, plain to see, was the number of my room. I looked through the peephole and saw an army of police officers. It didn’t take much to realise what had happened. The hotel staff identified me as the man in the photograph on the TV and called the police.

Horrified wasn’t what I was feeling right then.

It was fear.

My last memory was the door crashing open, the wood splintering, and men rushing into the room, screaming at me, waving guns, and when I put my hands up to defend myself, I heard a gunshot.

And in one very confused and probably near-death experience, I thought I saw my mother and thought what was she doing in Rome?

I was the archetypal nobody.

I lived in a small flat, I drove a nondescript car, had an average job in a low-profile travel agency, was single, and currently not involved in a relationship, had no children, and, according to my workmates, no life.

They were wrong. I was one of those people who preferred their own company; I had a cat, and travelled whenever I could. And I did have a ‘thing’ for Rosalie, one of the reasons why I stayed at the travel agency. I didn’t expect anything to come of it, but one could always hope.

I was both pleased and excited to be going to the conference. It was my first, and the glimpse I had seen of it had whetted my appetite for more information about the nuances of my profession.

Some would say that a travel agent wasn’t much of a job, but to me, it was every bit as demanding as being an accountant or a lawyer. You were providing a customer with a service, and arguably, more people needed a travel agent than a lawyer. At least that was what I told myself as I watched more and more people start using the internet, and our relevance slowly dissipating.

This conference was about countering that trend.

The trip over had been uneventful. I was met at the airport and taken to the hotel where the conference was being held with several other delegates who had arrived on the same plane. I had mingled with several other delegates at the pre-conference get-together, including one whose name was Maryanne.

She was an unusual young woman, not the sort that I usually met, because she was the one who was usually surrounded by all the boys, the life of the party. In normal circumstances, I would not have introduced myself to her, but she had approached me. Why did I think that may have been significant? All of this ran through my mind, culminating in the last event on the highlight reel, the door bursting open, men rushing into my room, and then one of the policemen opened fire.

I replayed that last scene again, trying to see the face of my assailant, but it was just a sea of men in battle dress, bulletproof vests and helmets, accompanied by screaming and yelling, some of which I identified as “Get on the floor”.

Then came the shot.

Why ask me to get on the floor if all they were going to do was shoot me? I was putting my hands up at the time, in surrender, not reaching for a weapon.

Then I saw the face again, hovering in the background like a ghost. My mother. Only the hair was different, and her clothes, and then the image was going, perhaps a figment of my imagination brought on by pain-killing drugs. I tried to imagine the scene again, but this time it played out without the image of my mother.

I opened my eyes and took stock of my surroundings. What I felt in that exact moment couldn’t be described. I should most likely be dead, the result of a gunshot wound. I guess I should be thankful the shooter hadn’t aimed at anything vital, but that was the only item on the plus side.

I was in a hospital room with a policeman by the door. He was reading a newspaper and sitting uncomfortably on a small chair. He gave me a quick glance when he heard me move slightly, but didn’t acknowledge me with either a nod or a greeting, just went back to the paper.

If I still had a police guard, then I would still be considered a suspect. What was interesting was that I was not handcuffed to the bed. Perhaps that only happened in TV shows. Or maybe they knew I couldn’t run because my injuries were too serious. Or the guard would shoot me long before my feet hit the floor. I knew the police well enough now to know they would shoot first and ask questions later.

On the physical side, I had a large bandage over the top left corner of my chest, extending over my shoulder. A little poking and prodding determined the bullet had hit somewhere between the top of my rib cage and my shoulder. Nothing vital there, but my arm might be somewhat useless for a while, depending on what the bullet hit on the way in or through.

It didn’t feel like there were any broken or damaged bones.

That was the good news.

On the other side of the ledger, my mental state, there was only one word that could describe it. Terrified. I was looking at a murder charge and jail time, a lot of it. Murder usually had a long time in jail attached to it.

Whatever had happened, I didn’t do it. I know I didn’t do it, but I had to try to explain this to people who had already made up their minds. I searched my mind for evidence. It was there, but in the confused state brought on by the medication, all I could think about was jail, and the sort of company I was going to have.

I think death would have been preferable.

Half an hour later, maybe longer, I was drifting in and out of consciousness. A nurse, or what I thought was a nurse, came into the room. The guard stood, checked her ID card, and then stood by the door.

She came over and stood beside the bed. “How are you?” she asked, first in Italian, and when I pretended I didn’t understand, she asked the same question in accented English.

“Alive, I guess,” I said. “No one has come and told me what my condition is yet. You are my first visitor. Can you tell me?”

“Of course. You are very lucky to be alive. You will be fine and make a full recovery. The doctors here are excellent at their work.”

“What happens now?”

“I check you, and then you have another visitor. He is from the British Embassy, I think. But he will have to wait until I have finished my examination.”

I realised then she was a doctor, not a nurse.

My second visitor was a man, dressed in a suit, the sort of which I associated with the British Civil Service.  He was not very old, which told me he was probably a recent graduate on his first posting, the junior officer who drew the short straw.

The guard checked his ID but again did not leave the room, sitting back down and going back to his newspaper.

My visitor introduced himself as Alex Jordan from the British Embassy in Rome, and he had been asked by the Ambassador to sort out what he labelled a tricky mess.

For starters, it was good to see that someone cared about what happened to me.  But, equally, I knew the mantra, get into trouble overseas, and there is not much we can do to help you.  So, after that lengthy introduction, I had to wonder why he was here.

I said, “They think I am an international criminal by the name of Jacob Westerbury, whose picture looks just like me, and apparently, for them, it is an open and shut case.”  I could still hear the fragments of the yelling as the police burst through the door, at the same time telling me to get on the floor with my hands over my head.

“It’s not.  They know they’ve got the wrong man, which is why I’m here.  There is the issue of what had been described as excessive force, and the fact that you were shot had made it an all-around embarrassment for them.”

“Then why are you here?  Shouldn’t they be here apologising?”

“That is why you have another visitor.  I only took precedence because I insisted on speaking with you first.  I have come, basically, to ask you for a favour.  This situation has afforded us an opportunity.  We would like you to sign the official document, which basically indemnifies them against any legal proceedings.”

Curious.  What sort of opportunity was he talking about?  Was this a matter that could get difficult and I could be charged by the Italian Government, even if I wasn’t guilty, or was it one of those hush-hush type deals, you do this for us, we’ll help you out with that?  “What sort of opportunity?”

“We want to get our hands on Jacob Westerbury as much as they do.  They’ve made a mistake, and we’d like to use that to get custody of him if or when he is arrested in this country.  I’m sure you would also like this man brought into custody as soon as possible, so you will stop being confused with him.  I can only imagine what it was like to be arrested in the manner you were.  And I would not blame you if you wanted to get some compensation for what they’ve done.  But.  There are bigger issues in play here, and you would be doing this for your country.”

I wondered what would happen if I didn’t agree to his proposal.  I had to ask, “What if I don’t?”

His expression didn’t change.  “I’m sure you are a sensible man, Mr Pargeter, who is more than willing to help his country whenever he can.  They have agreed to take care of all your hospital expenses, refund the cost of the Conference, and travel.  I’m sure I could also get them to pay for a few days at Capri or Sorrento, if you like, before you go home.  What do you say?”

There was only one thing I could say.  Wasn’t it treason if you went against your country’s wishes?

“I’m not an unreasonable man, Alex.  Go do your deal, and I’ll sign the papers.”

“Good man.”

After Alex left, the doctor came back to announce the arrival of a woman, who had announced herself as the publicity officer from the Italian police. When she came into the room, she was not dressed in a uniform.

The doctor left after giving a brief report to the civilian at the door. I understood the gist of it: “The patient has recovered excellently, and the wounds are healing as expected. There is no cause for concern.”

That was a relief.

While the doctor was speaking to the civilian, I speculated on who she might be. She was young, not more than thirty, conservatively dressed, so an official of some kind, but not necessarily with the police. Did they have prosecutors? I was unfamiliar with the Italian legal system.

She had long, wavy black hair and the sort of sultry looks of an Italian movie star, and her presence made me more curious than fearful, though I couldn’t say why.

The woman then spoke to the guard, and he reluctantly got up and left the room, closing the door behind him. She checked the door and then came back towards me, standing at the end of the bed. Now alone, she said, “A few questions before we begin.” Her English was only slightly accented. “Your name is Jack Pargeter?”

I nodded. “Yes.”

“You are in Rome to attend the Travel Agents Conference at the Hilton Hotel?”

“Yes.”

“You attended a preconference introduction on the evening of the 25th, after arriving from London at approximately 4:25 pm.”

“About that time, yes. I know it was about five when the bus came to collect me, and several others, to take us to the hotel.”

She smiled. It was then that I noticed she was reading from a small notepad.

“It was ten past five to be precise. The driver had been held up in traffic. We have several witnesses who saw you on the plane, on the bus, at the hotel, and with the aid of closed-circuit TV, we have established you are not the criminal Jacob Westerbury.”

She put her notebook back in her bag and then said, “My name is Vicenza Andretti, and I am with the prosecutor’s office. I am here to formally apologise for the situation that can only be described as a case of mistaken identity. I assure you, it is not the habit of our police officers to shoot people unless they have a very strong reason for doing so. I understand that in the confusion of the arrest, one of our officers accidentally discharged his weapon. We are undergoing a very thorough investigation into the circumstances of this event.”

I was not sure why, but between the time I had spoken to the embassy official and now, something about letting them off so easily was bugging me. I could see why they had sent her. It would be difficult to be angry or annoyed with her.

But I was annoyed.

“Do you often send a whole squad of trigger-happy riot police to arrest a single man?” It came out harsher than I intended.

“My men believed they were dealing with a dangerous criminal.”

“Do I look like a dangerous criminal?” And then I realised if it was mistaken identity, the answer would be yes.

She saw the look on my face and said quietly, “I think you know the answer to that question, Mr Pargeter.”

“Well, it was overkill.”

“As I said, we are very sorry for the circumstances you now find yourself in. You must understand that we honestly believed we were dealing with an armed and dangerous murderer, and we were acting within our mandate. My department will cover your medical expenses and any other amounts for the inconvenience this has caused you. I believe you were attending a conference at your hotel. I am very sorry, but given the medical circumstances you have, you will have to remain here for a few more days.”

“I guess, then, I should thank you for not killing me.”

Her expression told me that was not the best thing I could have said in the circumstances.

“I mean, I should thank you for the hospital and the care. But a question or two of my own. May I?”

She nodded.

“Did you catch this Jacob Westerbury character?”

“No. In the confusion created by your arrest, he escaped. Once we realised we had made a mistake and reviewed the closed-circuit TV, we tracked him leaving by a rear exit.”

“Are you sure it was one of your men who shot me?”

I watched as her expression changed to one of surprise.

“You don’t think it was one of my men?”

“Oddly enough, no. But don’t ask me why.”

“It is very interesting that you should say that, because in our initial investigation, it appeared none of our officers’ weapons had been discharged. A forensic investigation into the bullet tells us it was one that is used in our weapons, but…”

I could see their dilemma.

“Have you any enemies that would want to shoot you, Mr Pargeter?”

That was absurd because I had no enemies, at least none that I knew of, much less anyone who would want me dead.

“Not that I’m aware of.”

“Then it is strange, and will perhaps remain a mystery. I will let you know if anything more is revealed in our investigation.”

She took an envelope out of her briefcase and opened it, pulling out several sheets of paper.

I knew what it was. A verbal apology was one thing, but a signed waiver would cover them legally. They had sent a pretty girl to charm me. Perhaps using anyone else would not have worked. There was potential for a huge litigation payout here, and someone more ruthless would jump at the chance of making a few million out of the Italian Government.

“We need a signature on this document,” she said.

“Absolving you of any wrongdoing?”

“I have apologised. We will take whatever measures are required for your comfort after this event. We are accepting responsibility for our actions and are being reasonable.”

They were. I took the pen from her and signed the documents.

“You couldn’t add dinner with you on that list of benefits?” No harm in asking.

“I am unfortunately unavailable.”

I smiled. “It wasn’t a request for a date, just dinner. You can tell me about Rome, as only a resident can. Please.”

She looked me up and down, searching for the ulterior motive. When she couldn’t find one, she said, “We shall see once the hospital discharges you in a few days.”

“Then I’ll pencil you in?”

She looked at me quizzically. “What is this pencil me in?”

“It’s an English colloquialism. It means maybe. As when you write something in pencil, it is easy to erase it.”

A momentary frown, then recognition and a smile. “I shall remember that. Thank you for your time and cooperation, Mr Pargeter. Good morning.”

© Charles Heath 2015-2021