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In a word: Incline

When you first think of this word, it is with a slippery slope in mind.

I’ve been on a few of those in my time.

And while we’re on the subject, those inclines measured in degrees are very important if you want a train to get up and down the side of a mountain.

For the train, that’s an incline plane, the point where traction alone won’t get the iron horse up the hill.

Did I say ‘Iron Horse’? Sorry, regressed there, back to the mid-1800s in the American West for a moment.

It’s not that important when it comes to trucks and cars, and less so if you like four-wheel driving; getting up near-vertical mountainsides often present a welcome challenge to the true enthusiast

But for the rest of us, not so much if you find yourself sliding in reverse uncontrollably into the bay. I’m sure it’s happened more than once.

Then…

Are you inclined to go?

A very different sort of incline, ie to be disposed towards an attitude or desire.

An inclination, maybe, not to go four-wheel driving?

There is another, probably more obscure use of the word incline, and that relates to an elevated geological formation. Not the sort of reference that crops up in everyday conversation at the coffee shop.

But, you never know. Try it next time you have coffee and see what happens.

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Writing about writing a book – Day 2

Hang about. Didn’t I read somewhere you need to plan your novel, create an outline setting the plot points, and flesh out the characters?

I’m sure it didn’t say, sit down and start writing!

Time to find a writing pad, and put my thinking cap on.

I make a list, what’s the story going to be about? Who’s going to be in it, at least at the start?

Like a newspaper story, I need a who, what, when, where, and how.

Right now.

I pick up the pen.

Character number one:

Computer nerd, ok, that’s a little close to the bone, a computer manager who is trying to be everything at once, and failing. Still me, but with a twist. Now, add a little mystery to him, and give him a secret, one that will only be revealed after a specific set of circumstance. Yes, I like that.

We’ll call him Bill, ex-regular army, a badly injured and repatriated soldier who was sent to fight a war in Vietnam, the result of which had made him, at times, unfit to live with.

He had a wife, which brings us to,

Character number two:

Ellen, Bill’s ex-wife, an army brat and a General’s daughter, and the result of one of those romances that met disapproval for so many reasons. It worked until Bill came back from the war, and from there it slowly disintegrated. There are two daughters, both by the time the novel begins, old enough to understand the ramifications of a divorce.

Character number three:

The man who is Bill’s immediate superior, the Services Department manager, a rather officious man who blindly follows orders, a man who takes pleasure in making others feel small and insignificant, and worst of all, takes the credit where none is due.

Oops, too much, that is my old boss. He’ll know immediately I’m parodying him. Tone it down, just a little, but more or less that’s him. Last name Benton. He will play a small role in the story.

Character number four:

Jennifer, the IT Department’s assistant manager, a woman who arrives in a shroud of mystery, and then, in time, to provide Bill with a shoulder to cry on when he and Ellen finally split, and perhaps something else later on.

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

A to Z – April – 2026 – E

E is for Empire State Building

…

Making a plan, having certain expectations, taking that leap of faith that all of us are destined to do at least once, I found myself standing at the top of the Empire State Building, on the last day of the twelfth month, exactly five years after making a promise in exactly the same place, I would be there.

There was a 3 pm in there, but that was flexible, because I always liked to be early.

It had been after high school graduation, after the prom, every bit the magical moment it was meant to be, with the girl of my dreams, Margaret Cates. We had spent those last years of high school together, studying hard, each helping the other achieve the grades needed to enter the best University.

There was no talk of romance, of a life together, or anything other than of being brought together, almost inseparable. We were voted the most likely to be married and living contentedly in a house with a picket fence and three children.

Expectations were what parents had, and both of our parents were best friends, who simply chose to believe the inevitable would happen. Graduation, a combined family trip to New York to see the sights, culminating in New Year’s Eve at the top of the Empire State Building.

That was where we made the promise, no matter what, we would reconvene, that was Margaret’s word, at the same time. It was also the first time we kissed, and I think it took a week before my heart rate went back to normal.

Soon after that, Margaret left. She had been accepted into her university of choice. Her parents were surprised, and my parents were in shock.

I was not. It was the plan. Margaret had a plan for everything. There was no plan with me in it. Not in those first five years. I was sad but not devastated.

I said to my parents, if we were meant to be, she would come back. I had to set her free.

…

My plan was there was no plan. I got the grades, and I got accepted into my University of choice.

At the end of the second year, I was in a what could only be described as a car crash, and was badly injured, to the extent that I had to put my life on hold.

I would recover, not one hundred per cent but enough to continue whatever path I’d chosen, but with some limitations. The doctor was upbeat, and my parents were upbeat.

I went home, not quite in the manner I’d intended. I was assured that life was like that, and I had to accept, accident or no accident, life was full of unexpected challenges.

…

Summer Atkins was probably the most irritating, aggravating, and ingratiating person on the planet.

She lived next door, one of five girls, the eldest, and coincidentally in my grade at high school. In fact, she was in all the grades from Elementary.

She was gawky, awkward, loud and clumsy. It was not her fault. She had a kind heart, always the first to volunteer for the worst jobs, and suffered a lot at the hands of the boys and the girls, too.

I was not pleased to say when I looked back at my time that I was one of them, and probably the only one who apologised after the prom for what had been, at times, unforgivable. The prank for the prom was probably her lowest point.

It took a week before she would come out of her room, and I came over every day to join the few who actually cared about her. After Margaret left and before I followed, we spent time together, where she asked me what she needed to do to just get to talk to a guy like me.

I thought it strange. She was talking to me, I was talking to her, we had coffee and cake at the diner and hung out. She had no aspirations to go to college, just to help her parents look after her siblings and work in the diner. I had suggested she might want to do something for herself, and she looked at me strangely. I did not, she said, understand her.

We parted awkwardly, with this thing I had done, but what it was, I had no idea. It ended when she told me that if I was waiting for Margaret, I would be waiting a long time. How did she know anything about what my expectations were?

…

I came back home under the radar. I didn’t want anyone to know because I had set myself a high bar, and I was never going to reach it.

I felt that I had become a disappointment to my parents, and while they put on a brave face, and my siblings were polite, it was clear that they were happy for me to hide away, and my siblings were happy to see the high flyer crash and burn. Kid would be kids, I expected no less.

So when Summer unexpectedly knocked on the door, a certain element of panic went through the house. Upstairs, I heard that voice drift up the stairs with mixed emotions. I wanted to see her, but I didn’t want to see her.

Not like this. It was an odd feeling, and I couldn’t understand what fuelled it. It was Summer, she wouldn’t care, more likely revel in the fact. How the mighty had fallen.

My mother answered the door.

“Mrs Abercrombie, you look tired?” The grating tone had gone, her voice had softened, and there was genuine concern in it.

“It’s…”

She caught herself before mentioning my name. It had been a secret for about a month. I was surprised Summer had not called earlier.

My mother shifted the topic. She was good at that. “How is your father? That latest bout of chemotherapy cannot be helping the diner.”

“He’s responding to the treatment, and we’re managing. How are you faring without Allen? I’m sorry I should have come over more often.”

“It’s fine. We’re all coping with life as best we can.”

“How is Allen, if I may ask?”

That was Summer. Gets the bit between her teeth and doesn’t let go.

My mother was not one to lie. Obfuscate but not lie. Not outright. But confronted…

“Something’s wrong,” she said in a hushed voice, so low I couldn’t barely hear her. I could virtually see my mother’s face. It had always been expressive. It’s why she could never play poker.

It went quiet for a minute or two, and I knew it was time to brace myself. Summer was the last person I wanted to see, perhaps the only one other than Margaret, not that I expected her to drop everything.

Again, I couldn’t explain why, other than showing vulnerability.

A few minutes passed while I was hoping my mother would explain that I didn’t want to see anyone, that I wanted to be better before facing the outside world. Whether Summer would accede to a request if leaving me alone was moot.

If she knew I was there, she would not hesitate to come up and remind me of the Allen of old, with the shoe now firmly on the other foot.

I tried hiding under the covers, but she had X-ray eyes. I knew she was in the room; I could feel her presence. And the scent she used was a hint of primrose. Once it was far stronger, but I suspect she had mastered the art of cosmetic use.

“You will suffocate long before I leave, Allen. I’m not the same girl you left behind. I don’t hate you. I did for a while, but then I realised you cared when all the rest didn’t. I’m sorry we parted angry.”

She sounded reasonable, far more reasonable than I expected. She should have still been angry, if not with me, but with the others.

“OK. If you don’t come out, I’ll get in there with you. You know me well enough to know I will.”

Did I know her well enough? I never took the opportunity. No one wanted to because she didn’t fit the other girls’ profile. It wasn’t like that at University, there it was simply a competition. There was dating, but it was more convenient than romance. There were not many hours left in a day for extracurricular activities.

When I peeled back the covers, it was like seeing an angel, the sun shining in the window, throwing a glow over her. Summer had changed from the awkward, ugly duckling into a graceful Swan.

A look of concern crossed her face. Just lifting the covers was a difficult task, like most normal movements we all took for granted. It was getting easier and less painful, but it would take time.

“What happened to you?”

“A car and I had a disagreement. It won.”

“And you didn’t think to tell me. How long have you been here? What do you need? Tell me, and I’ll make it happen.”

…

Summer basically glued me back together. It was, she said, one of her projects, others minding the children of silly sisters, nursing her farther past cancer, keeping up her waitress job at the diner, and just being Summer, the girl who always pitched in.

Such was the value of her help that my mother said I should marry her before someone else snapped her up. Just before I was to go back to University, I did just that, but she rejected me.

There was someone else, and he was going to propose any day.

I could respect that. Whatever I thought she might think of me, I would forever be one of those boys who made her life hell. I didn’t deserve someone like her. I just got on the train and left.

But the truth was, I was never the same again.

How could I?

I had tried to tell Margaret, but the terms of the pact were clear. 5 years, do your thing, meet and discuss. If feelings were the same, who knew what might happen?

I was disappointed I hadn’t been able to find her, but I had a story to tell.

A year after returning, I gave it up. I didn’t have the same enthusiasm, and feeling like a failure, I didn’t go home. I simply pretended everything was fine and moved to New York and found work in a rather offbeat bookshop in Queens.

It fuelled my love of literature, and after reading anything and everything, I started writing my version of the Great American Novel. Small-town boy makes it big in the big city. A bit like my life, really.

Which brings us back to the Empire State Building.

3pm.

And Margaret.

I saw her and thought she was coming to the spot. She looked different, older, smarter, and with a touch of elegance and sophistication.

Halfway, I saw her smile and then wrap her arms around this bear of a man whom I instantly recognised. I mean, you would have to live under a rock not to know him.

Her parents were there, and a bunch of media people. The oohs and ahhs told me it was the moment he went down on one knee; it was going to be a News At 6 moment.

I was but a distant memory, forgotten in her moment of agreeing to be Mrs Albert Johnstone Gerythorn III.

I guess the employee of an eclectic bookshop was hardly a match for a multi-billionaire, or one who was soon to be.

“Sucks to be you.”

It did. That voice, the one that had grated on my nerves nearly all of my school years, came from behind me.

I knew who it was. I didn’t turn around.

“I knew it was a mistake to tell you my innermost secrets.”

“Oh, I would not have missed this for the world.”

I felt her hand slip into mine and her body move closer.

“Five years is a long time. People change.”

“People like us change, Allen. People like her do not.”

“I thought you were getting married?”

“So did I. I guess we were both wrong. Found that cute little bookshop of yours. If I didn’t know you better, I’d be guessing you’ve started that great American novel. Am I right or am I right?”

“You know me too well. You want to stay, or shall we find another circus, something a little more our style?”

“Do we have one?”

“Of course. Everyone has style.”

Then I noticed Margaret was coming towards us, a rather serious expression on her face. Had she finally recognised me?

“Excuse me, but the photographers would like to get some photos of my fiancée and me by this corner. It would be most appreciated.”

No. No sign of recognition.

Summer instead smiled sweetly, ” Of course, Margery Mugmouth, the pleasure would be all ours.”

It was Margaret’s nickname among those girls she trashed, and she instantly recognised Summer, and then me.

“Five years, to the day. You came. Have a happy life, Margaret.”

With that, we left.

A reporter, or just someone with a notepad, was scribbling frantically and then tried to head us off at the elevator. Just too late. The doors closed.

“The nerve,” Summer said. “That was our corner. Or I hope it will be.”

“So did I. Would you like to marry me?” I asked.

The elevator went silent, except for the whishing sound of it going down.

“She made a face, quite amusing, and then said, “Yes.”

People outside the elevator when it arrived thought something bad had happened, given the roar and applause which followed us out into the foyer after it arrived.

Five years, on the last day of the last month at 3 pm, something did happen. I proposed to the girl of my dreams. I just hadn’t realised it until then.

…

“Echoes From The Past”, the past doesn’t necessarily stay there

What happens when your past finally catches up with you?

…

Christmas is just around the corner, a time to be with family. For Will Mason, an orphan since he was fourteen, it is a time for reflection on what his life could have been, and what it could be.

Until a chance encounter brings back to life the reasons for his twenty years of self-imposed exile from a life only normal people could have. From that moment, Will’s life slowly starts to unravel, and it’s obvious to him that it’s time to move on.

This time, however, there is more at stake.

Will has broken his number one rule: don’t get involved.

With his nemesis, Eddie Jamieson, suddenly within reach, and a blossoming relationship with an office colleague, Maria, about to change everything, Will has to make a choice. Quietly leave, or finally, make a stand.

But as Will soon discovers, when other people are involved there is going to be terrible consequences no matter what choice he makes.

https://amzn.to/2CYKxu4

365 Days of writing, 2026 – 79

Day 79 – Irrelevant trivialities

…

Why the Small Stuff Beats the Big Stuff: What Really Hooks Readers (And Why Over‑The‑Top Heroes Can Turn Them Off)

Readers remember the everyday, not the epic. A scene about a coffee‑spilled meeting can out‑shine a chapter on a geopolitical summit.
Tiny, relatable details act as emotional anchors that keep the audience glued to the page.
“Chest‑pounding, wildly gesticulating heroes” feel like propaganda, not people. Readers want flawed, grounded protagonists, not cartoon‑ish mascots.
Writing tip: Sprinkle specific, sensory “trivialities” throughout your narrative and let your characters react authentically.

1. The Myth of the “Grand Event”

When you think of a story set against the backdrop of political turbulence—a coup, a trade war, climate‑policy battles—you might assume the macro events are the magnetic core. After all, they’re the headlines.

But ask yourself:

Do readers remember the exact date a treaty was signed?
Do they recite the exact number of votes in a parliament?

Rarely. What stays is the human fallout of those events: the cramped office where a junior analyst slips a secret note under a coffee mug, the nervous laugh of a teenager watching a televised protest, the sound of a door that refuses to close properly in a tense diplomatic hallway.

These are the “irrelevant trivialities” that feel relevant because they are personal.

The Science

Cognitive psychologists call this the “concreteness effect.” Concrete, sensory details are easier for the brain to encode and retrieve than abstract concepts. A story about “economic sanctions” can be dull, but a story about “the metallic clink of a coin dropping from a nervous hand as a sanction is announced” sticks.

2. Trivialities as Story‑Fuel: A Few Proven Examples

Trivial Detail	What It Reveals	Why It Hooks
A broken pen on a diplomat’s desk	The diplomat’s hurried preparation, underlying anxiety	Readers picture the scene; the pen becomes a symbol of vulnerability
The way a protester’s shoes squeak on wet pavement	The protester’s perseverance despite discomfort	Auditory detail pulls readers into the moment
A toddler’s “why?” after hearing the news	The generational ripple of political events	Highlights stakes in a fresh, innocent voice
The smell of burnt toast in a kitchen where a secret meeting is planned	The domestic normalcy juxtaposed with clandestine action	Smell is a powerful memory trigger; it grounds the plot
A half‑written text message left unsent	The character’s indecision, fear of consequences	Creates suspense without a single explosive headline

Takeaway: The tiny can carry the weight of the massive. Use them as micro‑hooks that pull the reader deeper into the macro plot.

3. When “Heroic Gestures” Turn Into Annoyance

Imagine a scene where the protagonist, after a tense negotiation, slams his fist on the table, chest out, voice echoing:

“We will not be bowed down! Our destiny is ours!”

It might feel satisfying on paper, but to a modern reader it can feel over‑the‑top for three reasons:

It’s Show‑rather‑than‑Tell on Steroids
The gesture tells us “this character is brave” without letting us experience the courage through choices, doubts, and consequences.
It Undermines Relatability
Real people don’t deliver speeches in Hollywood slow‑motion. They fidget, they bite their lip, they stumble over words. When a character behaves like a marble statue, readers can’t see themselves in them.
It Drowns Out the Real Stakes
The drama of the political storm is drowned in a melodramatic performance. The audience’s attention shifts from what’s happening to how loudly the hero is shouting.

The Better Way: Flawed, Measured, Human

Instead of a grandiose chest‑pound, try:

A quiet, nervous laugh after a risky decision.
A hand trembling as they sign a treaty, betraying fear.
A solitary walk through a rain‑slicked corridor, reflecting on the consequences of the day’s events.

These moments show bravery, fear, doubt, and resolve through action—they let the reader feel the hero rather than being told they’re a hero.

4. Practical Strategies for Writers

Below are actionable steps to let trivialities do the heavy lifting and keep heroic gestures in check.

A. Build a “Triviality Checklist” for Every Scene

Scene Element	Trivial Detail to Add	Sensory Cue
Political rally	A protester’s cracked phone screen	Visual (shattered glass)
Diplomatic briefing	The faint hum of an air‑conditioning unit	Auditory (steady whirr)
War‑room decision	A coffee mug with a chipped rim	Tactile (cold ceramic)
After‑effects of a treaty	The lingering scent of fresh‑cut grass from a nearby park	Olfactory (green, hopeful)
Personal fallout	A child’s drawing pinned to a refrigerator	Visual (crayon lines)

Why? It forces you to pause and ask, “What little thing is happening here that could reveal something deeper?”

B. Replace One “Heroic Gesture” with a Micro‑Choice

Instead of: “He raised his sword and shouted.”
Write: “He slipped the sword back into its sheath, his hand shaking just enough to catch the edge of the blade.”

The choice is more telling than the gesture.

C. Use “Object‑Perspective” to Anchor Trivialities

Pick an object in the scene—say, a paperclip—and describe its interaction with characters. The paperclip might bend as a diplomat’s hand trembles, or get lost in a chaotic desk drawer, symbolising the fragile nature of negotiations.

D. Test for “Heroic Overkill”

After drafting, ask yourself:

Does the scene convey the character’s inner state through subtle actions?
Would the same emotional punch work if the hero were an ordinary person?
Am I relying on a single, flamboyant gesture to summarise the moment?

If you answer yes to any, tone it down.

5. Real‑World Case Studies

5.1. The Night Manager (TV Adaptation)

The series revolves around an international arms deal—high stakes, global politics. Yet the most gripping moments are tiny: a bartender polishing glasses while listening to a covert conversation, the rustle of a ticket stub that reveals an undercover operative’s identity. The “hero” is never a chest‑pounding soldier but a weary coffee‑shop clerk whose nervous glance does the storytelling.

5.2. The White Tiger (Aravind Adiga)

While the novel touches on India’s class struggle and economic upheaval, the reader’s hook is Balram’s observation of a cracked tile in his master’s bathroom. That mundane detail becomes a metaphor for the fissures in the social order. No grand speeches—just the felt reality of a cracked surface.

5.3. The Secret History (Donna Tartt)

A murder in an elite college becomes the focal point. The “heroic” act is a quiet, trembling hand placing a book back on a shelf; the trivial act of adjusting a cufflink reveals guilt. The story’s power lies in the micro-behaviours, not the headline‑making crime.

6. Frequently Asked Questions

Question	Short Answer
Can I still have a “heroic” moment?	Yes—just make it earned and subtle. A quiet decision that reflects growth is more powerful than a shouted declaration.
What if my story is a thriller?	Even thrillers need texture. A sniper’s routine of sharpening a blade, the sound of a ticking clock, the taste of stale coffee—these ground the adrenaline.
Is there a risk of “over‑trivializing” the plot?	Balance is key. Trivial details should serve the larger narrative, not distract. Use them as sprinkles, not the entire cake.
How many trivial details per chapter?	No hard rule. One or two well‑chosen details per scene can be enough. If you find yourself listing six unrelated facts, trim.
Do readers notice these tiny details consciously?	Often they don’t notice consciously, but the brain registers them, making the world feel real and immersive.

7. The Bottom Line

The next time you sit down to write a chapter set against the roar of political upheaval, pause. Look around the room where your characters live, work, and argue. What’s the coffee stain on the ledger, the leak from the ceiling, the whisper of a child’s lullaby? Write those. Let the storm be felt through the drip.

And when you feel the urge to have your protagonist chest‑pound and deliver a cinematic monologue, ask yourself: Will my readers remember the speech or the trembling hand that penned the treaty? If the answer leans toward the former, scale it back.

Great stories are built on the foundation of the ordinary; it’s the extraordinary that rises from it.

Quick Recap Checklist

Identify one trivial detail for each major scene.
Show character emotion through small actions, not grand gestures.
Replace at least one “heroic” moment with a subtle, authentic choice.
Read aloud to catch overly dramatic language.
Solicit feedback: Ask beta readers what they felt rather than what they heard.

Implement these, and you’ll find your readers hooked not by the headlines of world affairs, but by the heartbeat of the everyday lives that swirl around them.

Happy writing!

If you found this post useful, subscribe for more storytelling strategies, or drop a comment below about the most memorable trivial detail you’ve ever written.

References & Further Reading:

Daniel Kahneman, Thinking, Fast and Slow – Concreteness Effect.
Ellen G. White, The Art of Narrative – The Power of Small Details.
John Truby, The Anatomy of Story – Character as the Engine.

‘What Sets Us Apart’ – A beta reader’s view

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well, not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest. Then, inexplicably, she disappears. That might have been the end of it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum: find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father, who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

…

The book can be purchased here: http://amzn.to/2Eryfth

…

NaNoWriMo – April – 2026 – Day 6

The Maple Leafs are playing, and so I thought I would juggle watching them play and work on my NaNoWriMo project at the same time.

It seemed like a good way to get in 3 hours of work and a little entertainment on the side.

But…

First period down, and the Maple Leafs are 2 goals down.

What I first thought was going to be easy is now becoming mission impossible.

After the second Philadelphia goal, Chester, my stalwart anti-everything cat, comes down to see what the commotion is. By that I mean, almost yelling at the TV screen.

A lot of good that’s going to do when they’re 12,000 miles away on the other side of the world.

And by the look on Chester’s face, I think he thinks it’s a waste of time too. Or maybe that’s his usual, I don’t give a $%^^%$ expression he has most of the time.

We have the Philadelphia feed, so we’re getting the joy from the intermission analysts at their team’s lead, but it does take me back to Philadelphia when we were there a few years back, when America was worth visiting, when they cut to shots of the city.

And, of course, instead of having my eyes on the story, I’m now thinking of a subplot, yes, you guessed it, in Philadelphia, which is not very far from New York, where the main action takes place.

Then…

We score. It’s now a more respectable scoreline, but Anderson has his work cut out for him, and I’m thinking of turning off the sound because I don’t want to hear any more praise for their young stars.

The story proceeds, taking out the outline pages and looking to see where it can fit in. Yes, I see a gap where I can fit in an interlude and scribble a few notes.

End of the second period. Still 2 goals to 1 down.

Start of the third period. Chester decided to jump up on the table and, seeing the pencil sitting there, started to push it around with his paw. I snatch it away, and he gives me a chastising swipe.

Blast him, while my attention was diverted, we score again, and I missed it. Thank heavens for the replay. Over and over.

I finish the notes for the interlude, and the game ends in a draw. We now move to overtime.

I get the first few lines of the chapter I began working on at the start of the game, and just as the words are flowing, overtime ends with no score, and we go into a shootout. And before you know it, the game’s over, and we’ve lost.

I swear, Chester is smirking, so I pick him up and put him on the floor with a very stern admonishment.

No, I’m not taking the loss badly, but there are a few bad guys about to die horribly.

PI Walthenson’s second case – A case of finding the ‘Flying Dutchman’.

Known only to a few, there is a legend that a ship named the ‘Flying Dutchman’ left Nazi Germany in the last weeks of the war and set sail for America, escorted by U-boats, under a different name. Aboard was a trove of treasure and gold worth a ‘king’s ransom’.

It was said that it had been sent to a group of American Nazis to create the Fourth Reich at an appropriate time. Over the years since many expeditions off the coast had searched, but found no trace of the vessel or the treasure.

In other words, it was just a legend created to boost tourism.

…

Fast forward to 2024. Our intrepid private detective, Harry Walthenson, overhears a conversation at Grand Central Station. It was the oddness of the message that caught his attention. An investigation turned up nothing out of the ordinary, and he thinks no more about it.

Then Harry is kidnapped, interrogated, and asked questions over and over about a date and a place, why he went there, and when he could not give satisfactory answers, he was beaten half to death and left for dead on a rubbish heap. He was lucky that it was a living space for homeless men; otherwise, he would have died.

In the aftermath, he once again gives it no more thought.

…

After resolving his first case successfully, there’s no rest. Harry’s angry mother comes to his office and demands that he find out where his father has gone. She believes he has run off with a mistress, not for the first time.

Perhaps it was not the wisest decision she has made, because Harry promises to investigate, and adds that she might not like what he finds.

He soon discovered he does not like what he finds, that his father’s friends, a cabal formed at University, have two who are his mother’s current lovers, and another, a criminal blackmailing his father.

Felicity, now his partner, working on a different case, and trying to get answers, uncovers a crime family involved in guarding a disused warehouse on the docks, where she believes Harry had been taken for interrogation, and subsequently dumped nearby to die.

Why are they up to? What is so important that the empty warehouse needs guarding? Who is employing them?

Harry, following up on the death of the blackmailer, traces his death back to an enforcer employed by his grandfather. His mother’s grandfather was a pre-war industrialist who made his fortune in war munitions and shipbuilding.

He was also a member of the American Nazi party.

When Harry also discovers a logbook belonging to a so-called wartime Liberty ship the “Paul Revere” in brackets ‘Freiheitskämpfer’, hidden by his father, and written in a code that is not readily identifiable.

It is no longer a matter of a father who has run off with his mistress; it is a very frightened man in fear of his life, running from a group who will stop at nothing to get the logbook back. And when Harry discovers a family connection to the group, it becomes a race against time to decode the log and find his father before his grandfather does.

…

Coming soon: Harry Walthenson’s new adventure – A case of finding the ‘Flying Dutchman’

The cinema of my dreams – I always wanted to see the planets – Episode 48

A meeting of department heads

…

First impressions, I was told, were everything.

Back on earth, before this mission, before I had been selected for the crew, we had to spend time learning diplomacy.

I didn’t mind it because I was used to working with multiple nationalities as crew members aboard the cargo ships I worked, some often at odds with each other, and I had to broker peace.

But this brand of diplomacy was more about meeting aliens from other worlds and what to do, even though those running the sessions really had no clue. The problem was, we would have no idea of what their customs and rules were, much like on earth where the same applied, but you could look them up before going to an ‘alien’s destination.

I could say that now I had experienced one encounter. And nothing we did in any of those sessions gave me any help or guidance on what I should do. Yes, we may have learned a little about their culture, but that was never going to be enough, not in the time I had in front of them.

What needed to happen was for us to set up something similar to the old-time embassy where we could exchange information and prevent the problems of new travellers before they got here. And there would be more travellers now we had the spaceships and not everyone was going to be a positive influence’ ad the Russian example quite clearly illustrated.

But, getting someone or some people to stay with unknown people on a relatively unknown planet, was going to be a difficult ask.

It was one of a dozen topics on the head of department meeting I had called immediately after being transported back to the ship’ joined by the Princess’ whom we had agreed to return to her people.

I suspect that the aliens who had all but incarcerated her did not want to wear the wrath of her people. Perhaps we would be treated better and hopefully, we would be able to engage in meaningful diplomatic discussions. It was a subject I had raised with the Princess when escorting her to her transit quarters. Accommodation befitting a Princess.

She was hateful to come aboard but she seemed apprehensive to go home. That was something else that would fuel another conversation. Because there was definitely more to that story. I didn’t quite trust our so-called new friends.

The next task was to ensure the princess had a private security detail, and dampeners installed to prevent her being transported off the ship.

After that my first call was to the diplomatic unit where I gave them five minutes of my thoughts on the subject before heading back to my quarters to freshen up, and get down the bare bones of the report I was eventually hoping to send on our first encounter, one that I doubted was over yet.

I will still be getting over the fact they knew of our existence, lived among us, and we had no idea. And they didn’t believe we were worthy yet to be told. Sadly, given my knowledge of humankind, I was not really surprised, but others like the Admiral would be shocked and offended and it was their reaction I was worried about.

It was also not so much of a surprise there were others out there, places and people, we knew nothing about because our telescopic technology still wasn’t up to see beyond the limits of our known galaxies and we were the first well technically the second to go beyond it.

And now we proved we could get to that theoretical barrier, set at Pluto, perhaps a telescope launched from there might help us see what was beyond in the first instance because they did hint at a number of civilisations with their own galaxy.

My idea would be to suggest caution and not hit them with a flood of ships but to spend time building a space station at the edge, and then launch exploratory forays from there, when it was complete. It would take time ten or more years, but the aliens weren’t going anywhere.

But I knew it didn’t matter what I thought. That was up to the Admiral and the rest of the Space Alliance, and they would want to be out there getting as many aliens on side, much the same as the others would.

The Russian ship had stayed long enough to offload the prisoners and get ready for the return trip. That was going to be some homecoming because the Space Alliance was going to want answers long before it hit Earth’s outer limits.

Stolen technology, an unannounced foray into space that could have ultimately destroyed any chance of relations with our nearest space neighbours, I wouldn’t want to be the captain of that vessel, at home, or in front of an international jury.

It highlighted just how easy it was to make mistakes, or how badly everything could go wrong very quickly over a nuance. His background hadn’t helped him either but that shoe could also have fitted elsewhere too. I had been lucky, he had not.

I walked into the conference room packed with both relevant and interested parties, all eyes on me. It was, to say the least, uncomfortable. Whatever noise there was had subsided into silence.

There was one seat remaining. Mine.

…

NaNoWriMo – April – 2026 – Day 5

Although the main reason for its existence is to follow Friday, in some cases, it is the first day of the weekend.

Once upon a time, Saturday used to be a working day, you know, those days when we worked a 48-hour week. Then it became a 44-hour week, and we only worked in the morning.

As time progressed, we started working 40 hour weeks and had both Saturday and Sunday off. Sunday, of course, was always a non-starter. The church made sure you were able to go to church on Sunday.

As time progressed, weekends started to begin on a Friday, with the day in question being granted by employers as a Rostered Day Off, provided you made up the time during the preceding two-week period.

Now it seems the standing joke is we should work weekends and have the week off. Odd, it hasn’t quite caught on yet.

But, as usual, I digress…

After a week that got out of control, Saturday was supposed to pull it back into some sort of shape. In a sense, it happened. I looked at that list of things I had to do, picked one and got on with it.

PI Walthenson is now about to get a second case, as intimated at the end of his first, involving not only the search for his missing father, but also the search for those who kidnapped him.

That done, I moved onto the helicopter story, otherwise titled ‘What happens after writing an action-packed start’, and I have been researching and making notes for the third section of this story, starting at episode 31, and it looks like we’re going back to Africa, and the remoter part of the Democratic Republic of Congo to rescue the two agents he failed to the first time.

And it is NaNoWriMo time, and I have to keep the writing project going, a story that has now been tentatively renamed to Betrayal. Very spy-ish, isn’t it?

With that, there is the upkeep of the blog. I never thought maintaining material for a blog would be so hard.

But…

Now I can say last week wasn’t a total disaster.

And, tomorrow the Maple Leafs are playing. Can’t wait.

That word: Home – in sayings

I’m always on the lookout for inspiration for stories, especially the short stories I attach to photographs in my Being Inspired series, and one of the topics that has been suggested is along the lines of the following.

There is certainly a lot of scope with these.

Home is where the heart is

One’s home is the preferred place to all others, the one you are most emotionally attached, i.e. you have the deepest affection for. It may not necessarily be a physical place though.

I must say I tend to agree with this because every time I go away, I’m always looking forward to coming home.

Even when I’ve had to stay away for a few months, it’s not possible to call that home; it’s just another place to stay.

On the other hand…

It’s the name of a song by Elvis Presley.

And it has been the title of several films.

The Hallmark channel presses this point home time and time again.

Pliny the Elder is credited with coming up with the saying.

Home is what you make it

This is a similar saying, but to me, it means something completely different

Though many will say this means that it’s where family and friends can come to, a place where memories can be made, I don’t believe it’s the same as the first saying.

What you make of it depends on your circumstances; you can hate it because it might be because you’re stuck with one parent, with perhaps a step-parent. Or you might love it because you’ve escaped a bad situation.

But it’s not necessarily where your heart is.

Wherever I hang my hat, I call home

Barbra Streisand made this song famous, and probably means that no matter where you are, it is home to you. It would be more fitting for someone who doesn’t necessarily see their true home very often, i.e., you work in the diplomatic service or in the military, and you move around a lot.

Home away from home

This is a place that is as good as your real home.

Thrills, Spills, and just a dash of Romance