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In a word: Incline

When you first think of this word, it is with a slippery slope in mind.

I’ve been on a few of those in my time.

And while we’re on the subject, those inclines measured in degrees are very important if you want a train to get up and down the side of a mountain.

For the train, that’s an incline plane, the point where traction alone won’t get the iron horse up the hill.

Did I say ‘Iron Horse’?  Sorry, regressed there, back to the mid-1800s in the American West for a moment.

It’s not that important when it comes to trucks and cars, and less so if you like four-wheel driving; getting up near-vertical mountainsides often present a welcome challenge to the true enthusiast

But for the rest of us, not so much if you find yourself sliding in reverse uncontrollably into the bay.  I’m sure it’s happened more than once.

Then…

Are you inclined to go?

A very different sort of incline, ie to be disposed towards an attitude or desire.

An inclination, maybe, not to go four-wheel driving?

There is another, probably more obscure use of the word incline, and that relates to an elevated geological formation.  Not the sort of reference that crops up in everyday conversation at the coffee shop.

But, you never know.  Try it next time you have coffee and see what happens.

Featured

Writing about writing a book – Day 2

Hang about.  Didn’t I read somewhere you need to plan your novel, create an outline setting the plot points, and flesh out the characters?

I’m sure it didn’t say, sit down and start writing!

Time to find a writing pad, and put my thinking cap on.

I make a list, what’s the story going to be about? Who’s going to be in it, at least at the start?

Like a newspaper story, I need a who, what, when, where, and how.

Right now.

 

I pick up the pen.

 

Character number one:

Computer nerd, ok, that’s a little close to the bone, a computer manager who is trying to be everything at once, and failing.  Still me, but with a twist.  Now, add a little mystery to him, and give him a secret, one that will only be revealed after a specific set of circumstance.  Yes, I like that.

We’ll call him Bill, ex-regular army, a badly injured and repatriated soldier who was sent to fight a war in Vietnam, the result of which had made him, at times, unfit to live with.

He had a wife, which brings us to,

Character number two:

Ellen, Bill’s ex-wife, an army brat and a General’s daughter, and the result of one of those romances that met disapproval for so many reasons.  It worked until Bill came back from the war, and from there it slowly disintegrated.  There are two daughters, both by the time the novel begins, old enough to understand the ramifications of a divorce.

Character number three:

The man who is Bill’s immediate superior, the Services Department manager, a rather officious man who blindly follows orders, a man who takes pleasure in making others feel small and insignificant, and worst of all, takes the credit where none is due.

Oops, too much, that is my old boss.  He’ll know immediately I’m parodying him.  Tone it down, just a little, but more or less that’s him.  Last name Benton.  He will play a small role in the story.

Character number four:

Jennifer, the IT Department’s assistant manager, a woman who arrives in a shroud of mystery, and then, in time, to provide Bill with a shoulder to cry on when he and Ellen finally split, and perhaps something else later on.

More on her later as the story unfolds.

So far so good.

What’s the plot?

Huge corporation plotting to take over the world using computers?  No, that’s been done to death.

Huge corporation, OK, let’s stop blaming the corporate world for everything wrong in the world.  Corporations are not bad people, people are the bad people.  That’s a rip off cliché, from guns don’t kill people, people kill people!  There will be guns, and there will be dead people.

There will be people hiding behind a huge corporation, using a part of their computer network to move billions of illegally gained money around.  That’s better.

Now, having got that, our ‘hero’ has to ‘discover’ this network, and the people behind it.

All we need now is to set the ball rolling, a single event that ‘throws a cat among the pigeons’.

Yes, Bill is on holidays, a welcome relief from the problems of work.  He dreams of what he’s going to do for the next two weeks.  The phone rings.  Benton calling, the world is coming to an end, the network is down.  He’s needed.  A few terse words, but he relents.

Pen in hand I begin to write.

 

© Charles Heath 2016-2019

Inspiration, maybe – Volume 1

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

lookingdownfromcoronetpeak

And the story:

It was once said that a desperate man has everything to lose.

The man I was chasing was desperate, but I, on the other hand, was more desperate to catch him.

He’d left a trail of dead people from one end of the island to the other.

The team had put in a lot of effort to locate him, and now his capture was imminent.  We were following the car he was in, from a discrete distance, and, at the appropriate time, we would catch up, pull him over, and make the arrest.

There was nowhere for him to go.

The road led to a dead-end, and the only way off the mountain was back down the road were now on.  Which was why I was somewhat surprised when we discovered where he was.

Where was he going?

“Damn,” I heard Alan mutter.  He was driving, being careful not to get too close, but not far enough away to lose sight of him.

“What?”

“I think he’s made us.”

“How?”

“Dumb bad luck, I’m guessing.  Or he expected we’d follow him up the mountain.  He’s just sped up.”

“How far away?”

“A half-mile.  We should see him higher up when we turn the next corner.”

It took an eternity to get there, and when we did, Alan was right, only he was further on than we thought.”

“Step on it.  Let’s catch him up before he gets to the top.”

Easy to say, not so easy to do.  The road was treacherous, and in places just gravel, and there were no guard rails to stop a three thousand footfall down the mountainside.

Good thing then I had the foresight to have three agents on the hill for just such a scenario.

Ten minutes later, we were in sight of the car, still moving quickly, but we were going slightly faster.  We’d catch up just short of the summit car park.

Or so we thought.

Coming quickly around another corner we almost slammed into the car we’d been chasing.

“What the hell…” Aland muttered.

I was out of the car, and over to see if he was in it, but I knew that it was only a slender possibility.  The car was empty, and no indication where he went.

Certainly not up the road.  It was relatively straightforward for the next mile, at which we would have reached the summit.  Up the mountainside from here, or down.

I looked up.  Nothing.

Alan yelled out, “He’s not going down, not that I can see, but if he did, there’s hardly a foothold and that’s a long fall.”

Then where did he go?

Then a man looking very much like our quarry came out from behind a rock embedded just a short distance up the hill.

“Sorry,” he said quite calmly.  “Had to go if you know what I mean.”

I’d lost him.

It was as simple as that.

I had been led a merry chase up the hill, and all the time he was getting away in a different direction.

I’d fallen for the oldest trick in the book, letting my desperation blind me to the disguise that anyone else would see through in an instant.

It was a lonely sight, looking down that road, knowing that I had to go all that way down again, only this time, without having to throw caution to the wind.

“Maybe next time,” Alan said.

“We’ll get him.  It’s just a matter of time.”

© Charles Heath 2019-2021

Find this and other stories in “Inspiration, maybe”  available soon.

InspirationMaybe1v1

If I only had one day to stop over in – Lucerne – what would I do?

One Day in Lucerne? Make It Unforgettable with a Visit to the Chapel Bridge & Water Tower

If you’ve ever found yourself with a 24‑hour layover in a Swiss city, you know the clock is ticking, the luggage is heavy, and the desire to soak up something truly Swiss is overwhelming. In Lucerne—nestled on the shores of Lake Luzern and framed by the jagged peaks of the Alps—there’s a single landmark that encapsulates the town’s charm, history, and postcard‑perfect beauty all at once: the Chapel Bridge (Kapellbrücke) and its adjoining Water Tower.

What makes this modest wooden structure the must‑see for a one‑day stopover? In the next few paragraphs, I’ll walk you through why the Chapel Bridge deserves the top spot on your Lucerne itinerary, how to experience it like a local, and a few practical tips to squeeze the most out of those precious hours.


1. Why the Chapel Bridge is Lucerne’s Crown Jewel

AspectWhat You’ll SeeWhy It Matters
HistoryBuilt in 1333, it’s the oldest covered wooden bridge in Europe. The interior walls are adorned with 17th‑century paintings depicting pivotal moments in Lucerne’s past.Walking across feels like stepping into a living museum.
SceneryPanoramic views of the Reuss River, the lake, and the snow‑capped peaks of Pilatus and Rigi.A single photo here can sum up the whole Swiss experience.
Photogenic PowerThe bridge’s iconic red‑painted roof, the medieval Water Tower, and the flower‑filled promenade create endless Instagram‑worthy angles.Perfect for travel bloggers, influencers, and anyone who loves a good snapshot.
Cultural HubRight next to the historic Old Town, the bridge is a natural launchpad to explore cobblestone lanes, boutique shops, and traditional cafés.You get a taste of Lucerne’s everyday life without hopping around.

In short, the Chapel Bridge is more than a bridge—it’s a condensed version of Lucerne’s story, geography, and vibe, all packed into a 204‑meter stroll.


2. Making the Most of Your Visit

A. Arrive Early (or Late) to Beat the Crowd

The bridge is a magnet for tourists, especially in summer. Aim to be there first thing in the morning (around 8 am) or after 7 pm during the high season. Early light casts a golden glow over the water, while the evening blue‑hour adds a romantic ambience.

B. Walk the Bridge Slowly, Look Up

  • Paintings: Take 30‑seconds per panel to read the captions (available in English, German, and French).
  • Architecture: Notice the triangular trusses—a brilliant medieval engineering solution that has kept the bridge standing for nearly 700 years.

C. Pop Up to the Water Tower

Climb the 68‑step spiral staircase for a 360° panorama. From the top you’ll see the Jesuit Church, the old city walls, and the lake stretching beyond the town. The view is especially striking when the Alps are dusted with snow.

D. Combine with a Quick Lakeside Walk

When you exit the bridge on the opposite side, you’ll be on the Schnürschlössli (the small promenade along the Reuss). Follow it for a few minutes to reach the Lake Lucerne promenade, where you can:

  • Snap a photo of the Löwendenkmal (Lion Monument)—a short 10‑minute walk away.
  • Grab a coffee at Café du Theatre, a historic spot favoured by locals and artists.

E. Take a Mini‑Cruise (If Time Permits)

If you’ve got an extra hour, hop on a 30‑minute “Lake Lucerne Panorama” boat from the nearby pier. The boat departs right by the bridge and offers the best perspective of the structure from the water. It’s a perfect way to seal the memory before you head back to the airport.


3. Practical Tips for the One‑Day Stopover

TipDetails
TicketingThe bridge itself is free, but the Water Tower’s observation deck costs CHF 5 (adult). Keep a few francs handy.
Luggage StorageLucerne’s Zentraler Bahnhof (central station) offers lockers (CHF 6 per day). Drop your bags and walk light.
TransportFrom Zurich Airport (the most common entry point) take a direct train to Lucerne (≈ 1 h). Trains run every 30 minutes.
Weather PrepSwiss weather can shift fast. Carry a compact rain jacket and a pair of comfortable walking shoes.
DiningFor a quick, authentic bite, try Rösti at Restaurant Zunft (just a stone’s throw from the bridge). It’s a Swiss potato dish that fuels you for the rest of the day.
Time ManagementAllocate 45 minutes to the bridge + water tower, 15 minutes for the lakeside stroll, 30‑45 minutes for a coffee break, and 30 minutes for the mini‑cruise. That leaves you with a comfortable buffer for train travel and any unexpected delays.

4. The Takeaway: One Spot, Infinite Memories

When you have a single day to spend in a city known for its alpine vistas, historic architecture, and lakeside serenity, you need a signature experience that captures it all. The Chapel Bridge does exactly that: it is a historic landmark, a photographic hotspot, a gateway to the Old Town, and a launchpad for a lakeside adventure—all within a ten‑minute walk radius.

So, next time your itinerary shows “Lucerne – 24 hours,” set your compass to the Chapel Bridge and Water Tower. Walk the ancient planks, climb the tower, sip coffee by the water, and let the reflection of the Alps in the Reuss seal your Swiss memory forever.


Ready to make your layover legendary?
Pack a light backpack, hop on the train from Zurich, and let the Chapel Bridge be the heart of your Lucerne story. And when you’re back home, don’t forget to share your photos and tag #LucerneLayover—because every traveler deserves a snapshot of Swiss perfection.

Happy travels!

First Dig Two Graves

A sequel to “The Devil You Don’t”

Revenge is a dish best served cold – or preferably so when everything goes right

Of course, it rarely does, as Alistair, Zoe’s handler, discovers to his peril. Enter a wildcard, John, and whatever Alistair’s plan for dealing with Zoe was dies with him.

It leaves Zoe in completely unfamiliar territory.

John’s idyllic romance with a woman who is utterly out of his comfort zone is on borrowed time. She is still trying to reconcile her ambivalence, after being so indifferent for so long.

They agree to take a break, during which she disappears. John, thinking she has left without saying goodbye, refuses to accept the inevitable, calls on an old friend for help in finding her.

After the mayhem and being briefly reunited, she recognises an inevitable truth: there is a price to pay for taking out Alistair; she must leave and find them first, and he would be wise to keep a low profile.

But keeping a low profile just isn’t possible, and enlisting another friend, a private detective and his sister, a deft computer hacker, they track her to the border between Austria and Hungary.

What John doesn’t realise is that another enemy is tracking him to find her too. It could have been a grand tour of Europe. Instead, it becomes a race against time before enemies old and new converge for what will be an inevitable showdown.

365 Days of writing, 2026 – 47

Day 47 – Newspapers as inspiration

The Hobby‑Horse Moment: Why a Newspaper Is a Treasure Chest of Story Ideas

“If you spend enough time reading a newspaper, there is more than enough inspiration for a thousand stories.”

That line has been my creative mantra for years. Whenever I find myself staring at the endless columns of headlines, sports scores, and classifieds, I hear a familiar whisper: there’s a story waiting to be untangled, a character begging to step into the spotlight, a twist that could turn a mundane Tuesday into a page‑turner.

In today’s post, I’m pulling back the curtain on my “hobby‑horse” — the practice of mining everyday news for fiction gold. I’ll walk you through the mental shortcuts that turn a bungled bank robbery by the world’s worst criminal into a narrative engine you can rev up for any genre.


1. The Newspaper as a Creative Radar

What You SeeWhat It Becomes in Fiction
Headline – “Local Bank Heist Ends in Chaos”Hook – An unlikely thief, a mis‑fired getaway plan, a crowd of bewildered witnesses.
Quote – “I thought it was a joke,” the teller said.Voice – Real‑time dialogue that grounds the absurdity in human reaction.
Photo – A police cruiser stuck in a fountain.Visual Cue – A comedic set‑piece that can become the story’s turning point.
Obituary – “John Doe, lifelong prankster, dies at 79.”Backstory – A retired mischief‑maker pulled back into the game for one last laugh.

The trick is to pause, underline, and ask “what if?” The moment you spot a quirky detail, you have a seed. Plant it in a notebook, a digital note, or a voice memo, and let it germinate.


2. My Hobby‑Horse: The “World’s Worst Criminal”

Every writer needs a go‑to archetype that sparks imagination. Mine is the lovably incompetent crook — the sort of character who thinks he’s Michael Caine in The Italian Job but ends up looking more like a clumsy cartoon character slipping on a banana peel.

Why does this work?

  1. Built‑in Conflict – He wants success but repeatedly fails, creating tension without needing a villain.
  2. Humour on Tap – Failure is funny, especially when the audience knows the heist was doomed from the start.
  3. Redemptive Potential – Even the worst criminal can discover a spark of humanity (or at least a better exit strategy).

When I read a story about a bungled bank robbery, I instantly overlay this template: a petty thief named Marty “Mismash” Malone who tried to rob the First National Bank because his mother’s birthday cake needed frosting, not because he wanted the loot.


3. Turning a Real Incident into a Plot Blueprint

Let’s deconstruct a typical newspaper blurb and re‑engineer it into a fleshed‑out outline.

Original Article (fictionalised for illustration)

“A 28‑year‑old man attempted to rob the downtown branch of City Bank at 2:17 p.m. on Tuesday. He fled the scene after tripping over a decorative potted plant, causing a panic among customers. Police recovered a broken plastic gun and a half‑eaten sandwich. The suspect, identified as Carl “The Cat” Benson, is currently in custody.”

Step‑by‑Step Adaptation

Newspaper DetailStory‑Building QuestionNarrative Transformation
Age 28What does his age say about his life stage?A recent college graduate drowning in student debt.
Time 2:17 p.m.Why this hour?The bank’s lunch crowd, perfect for a chaotic distraction.
Tripping over a plantHow can a simple stumble be symbolic?The plant—named “Lucky Fern”—represents his misguided belief in luck.
Half‑eaten sandwichWhat does the sandwich reveal?He’s too hungry to think, showing desperation.
Plastic gunWhat does the prop say about his competence?He bought it from a novelty shop, convinced “any gun looks the same.”
Nickname “The Cat”Is the nickname ironic?Yes—he’s terrified of actual cats, which later become a comedic obstacle.

From this table a five‑beat structure emerges:

  1. Inciting Incident – Carl decides to rob the bank after a failed gig as a pizza delivery driver.
  2. The Setup – He rehearses with a toy gun, practices “stealth” by sneaking past his neighbour’s cat, Mr. Whiskers.
  3. The Disaster – He trips over the Lucky Fern, the sandwich falls, and the plastic gun squeaks.
  4. The Chase – The cat, startled, darts through the lobby, forcing Carl to flee in a comedic, cat‑chasing ballet.
  5. Resolution – Carl is caught, but the bank manager offers him a job in the community outreach program—because who else could handle a crowd in a crisis?

4. Practical Tips to Capture the Moment

  1. Carry a Capture Tool – A small pocket notebook, a notes app, or even a voice recorder. The first idea is always the loudest; you don’t want it to slip away.
  2. Set a “News‑Only” Block – Give yourself 15‑minutes each morning to skim headlines. No laptops, no social feeds—just the paper (or its digital equivalent).
  3. Ask the “Three‑What” Test – For any odd detail, ask: What if this happened? What if a character is involved? What if the outcome changes?
  4. Create a “Story‑Idea Index” – Tag each note with genres (comedy, thriller, noir) so you can retrieve a bank‑heist gag when you need a laugh, or a political scandal when you’re writing a drama.
  5. Re‑Read with a Lens – After a week, revisit your notes. The distance often reveals hidden connections (e.g., the same police chief appears in two different articles, perfect for a crossover).

5. From Hobby‑Horse to Habit

The phrase “hobby‑horse” conjures an image of a favourite, perhaps slightly over‑used, subject that a writer returns to again and again. That’s not a flaw—it’s a strategic anchor. By repeatedly mining the same type of source (newspapers), you develop a mental shortcut: see a headline, think “story.” Over time, the brain begins to auto‑generate plot twists the moment you see a byline.

Pro tip: Rotate your hobby‑horse every few months. If you’ve been obsessed with bank heists, shift to “mysterious disappearances in small towns” or “quirky local elections.” The underlying method stays the same; the flavor changes, keeping your output fresh.


6. Take the Leap – Write That Bungled Heist

Here’s a quick writing exercise to get your creative muscles moving:

  1. Find a Recent Article – Anything that involves a mishap (traffic jam, botched charity event, failed product launch).
  2. Extract Five Odd Details – Highlight them in bright colours.
  3. Assign Each Detail a Character Role – Who does it belong to? A hero? An antagonist? A sidekick?
  4. Sketch a One‑Paragraph Synopsis – Use the “problem → complication → twist → resolution” framework.
  5. Write 500 Words – Don’t worry about perfection; just let the story flow.

You’ll be amazed at how quickly a real‑world snippet becomes a fully formed narrative.


Closing Thought: The Paper Trail to Imagination

The next time you thumb through the front page, imagine the headlines as breadcrumbs leading to hidden treasure. Each misquoted mayor, each odd traffic report, each quirky human‑interest piece is a potential protagonist or conflict waiting for a writer’s touch.

Your hobby‑horse isn’t a limitation; it’s a launchpad. Embrace the bungled bank robbery, the misfiring fireworks display, the inexplicable municipal ordinance—turn them into stories that make readers laugh, gasp, or reflect.

So, grab that newspaper, spot the absurd, and let the tales unfold.

Happy hunting!


If you enjoyed this post, subscribe for more tips on turning everyday life into literary gold, and feel free to share your own newspaper‑inspired story ideas in the comments below.

An excerpt from “Strangers We’ve Become” – Coming Soon

I wandered back to my villa.

It was in darkness.  I was sure I had left several lights on, especially over the door so I could see to unlock it.

I looked up and saw the globe was broken.

Instant alert.

I went to the first hiding spot for the gun, and it wasn’t there.  I went to the backup and it wasn’t there either.  Someone had found my carefully hidden stash of weapons and removed them.

Who?

There were four hiding spots and all were empty.  Someone had removed the weapons.  That could only mean one possibility.

I had a visitor, not necessarily here for a social call.

But, of course, being the well-trained agent I’d once been and not one to be caught unawares, I crossed over to my neighbor and relieved him of a weapon that, if found, would require a lot of explaining.

Suitably armed, it was time to return the surprise.

There were three entrances to the villa, the front door, the back door, and a rather strange escape hatch.  One of the more interesting attractions of the villa I’d rented was its heritage.  It was built in the late 1700s, by a man who was, by all accounts, a thief.  It had a hidden underground room which had been in the past a vault but was now a wine cellar, and it had an escape hatch by which the man could come and go undetected, particularly if there was a mob outside the door baying for his blood.

It now gave me the means to enter the villa without my visitors being alerted, unless, of course, they were near the vicinity of the doorway inside the villa, but that possibility was unlikely.  It was not where anyone could anticipate or expect a doorway to be.

The secret entrance was at the rear of the villa behind a large copse, two camouflaged wooden doors built into the ground.  I move aside some of the branches that covered them and lifted one side.  After I’d discovered the doors and rusty hinges, I’d oiled and cleaned them, and cleared the passageway of cobwebs and fallen rocks.  It had a mildew smell, but nothing would get rid of that.  I’d left torches at either end so I could see.

I closed the door after me, and went quietly down the steps, enveloped in darkness till I switched on the torch.  I traversed the short passage which turned ninety degrees about halfway to the door at the other end.  I carried the key to this door on the keyring, found it and opened the door.  It too had been oiled and swung open soundlessly.

I stepped in the darkness and closed the door.

I was on the lower level under the kitchen, now the wine cellar, the ‘door’ doubling as a set of shelves which had very little on them, less to fall and alert anyone in the villa.

Silence, an eerie silence.

I took the steps up to the kitchen, stopping when my head was level with the floor, checking to see if anyone was waiting.  There wasn’t.  It seemed to me to be an unlikely spot for an ambush.

I’d already considered the possibility of someone coming after me, especially because it had been Bespalov I’d killed, and I was sure he had friends, all equally as mad as he was.  Equally, I’d also considered it nigh on impossible for anyone to find out it was me who killed him because the only people who knew that were Prendergast, Alisha, a few others in the Department, and Susan.

That raised the question of who told them where I was.

If I was the man I used to be, my first suspect would be Susan.  The departure this morning, and now this was too coincidental.  But I was not that man.

Or was I?

I reached the start of the passageway that led from the kitchen to the front door and peered into the semi-darkness.  My eyes had got used to the dark, and it was no longer an inky void.  Fragments of light leaked in around the door from outside and through the edge of the window curtains where they didn’t fit properly.  A bone of contention upstairs in the morning, when first light shone and invariably woke me up hours before I wanted to.

Still nothing.

I took a moment to consider how I would approach the visitor’s job.  I would get a plan of the villa in my head, all entrances, where a target could be led to or attacked where there would be no escape.

Coming in the front door.  If I was not expecting anything, I’d just open the door and walk-in.  One shot would be all that was required.

Contract complete.

I sidled quietly up the passage staying close to the wall, edging closer to the front door.  There was an alcove where the shooter could be waiting.  It was an ideal spot to wait.

Crunch.

I stepped on some nutshells.

Not my nutshells.

I felt it before I heard it.  The bullet with my name on it.

And how the shooter missed, from point-blank range, and hit me in the arm, I had no idea.  I fired off two shots before a second shot from the shooter went wide and hit the door with a loud thwack.

I saw a red dot wavering as it honed in on me and I fell to the floor, stretching out, looking up where the origin of the light was coming and pulled the trigger three times, evenly spaced, and a second later I heard the sound of a body falling down the stairs and stopping at the bottom, not very far from me.

Two assassins.

I’d not expected that.

The assassin by the door was dead, a lucky shot on my part.  The second was still breathing.

I checked the body for any weapons and found a second gun and two knives.  Armed to the teeth!

I pulled off the balaclava; a man, early thirties, definitely Italian.  I was expecting a Russian.

I slapped his face, waking him up.  Blood was leaking from several slashes on his face when his head had hit the stairs on the way down.  The awkward angle of his arms and legs told me there were broken bones, probably a lot worse internally.  He was not long for this earth.

“Who employed you?”

He looked at me with dead eyes, a pursed mouth, perhaps a smile.  “Not today my friend.  You have made a very bad enemy.”  He coughed and blood poured out of his mouth.  “There will be more …”

Friends of Bespalov, no doubt.

I would have to leave.  Two unexplainable bodies, I’d have a hard time explaining my way out of this mess.  I dragged the two bodies into the lounge, clearing the passageway just in case someone had heard anything.

Just in case anyone was outside at the time, I sat in the dark, at the foot of the stairs, and tried to breathe normally.  I was trying not to connect dots that led back to Susan, but the coincidence was worrying me.

A half-hour passed and I hadn’t moved.  Deep in thought, I’d forgotten about being shot, unaware that blood was running down my arm and dripping onto the floor.

Until I heard a knock on my front door.

Two thoughts, it was either the police, alerted by the neighbors, or it was the second wave, though why would they be knocking on the door?

I stood, and immediately felt a stabbing pain in my arm.  I took out a handkerchief and turned it into a makeshift tourniquet, then wrapped a kitchen towel around the wound.

If it was the police, this was going to be a difficult situation.  Holding the gun behind my back, I opened the door a fraction and looked out.

No police, just Maria.  I hoped she was not part of the next ‘wave’.

“You left your phone behind on the table.  I thought you might be looking for it.”  She held it out in front of her.

When I didn’t open the door any further, she looked at me quizzically, and then asked, “Is anything wrong?”

I was going to thank her for returning the phone, but I heard her breathe in sharply, and add, breathlessly, “You’re bleeding.”

I looked at my arm and realized it was visible through the door, and not only that, the towel was soaked in blood.

“You need to go away now.”

Should I tell her the truth?  It was probably too late, and if she was any sort of law-abiding citizen she would go straight to the police.

She showed no signs of leaving, just an unnerving curiosity.  “What happened?”

I ran through several explanations, but none seemed plausible.  I went with the truth.  “My past caught up with me.”

“You need someone to fix that before you pass out from blood loss.  It doesn’t look good.”

“I can fix it.  You need to leave.  It is not safe to be here with me.”

The pain in my arm was not getting any better, and the blood was starting to run down my arm again as the tourniquet loosened.  She was right, I needed it fixed sooner rather than later.

I opened the door and let her in.  It was a mistake, a huge mistake, and I would have to deal with the consequences.  Once inside, she turned on the light and saw the pool of blood just inside the door and the trail leading to the lounge.  She followed the trail and turned into the lounge, turned on the light, and no doubt saw the two dead men.

I expected her to scream.  She didn’t.

She gave me a good hard look, perhaps trying to see if I was dangerous.  Killing people wasn’t something you looked the other way about.  She would have to go to the police.

“What happened here?”

“I came home from the cafe and two men were waiting for me.  I used to work for the Government, but no longer.  I suspect these men were here to repay a debt.  I was lucky.”

“Not so much, looking at your arm.”

She came closer and inspected it.

“Sit down.”

She found another towel and wrapped it around the wound, retightening the tourniquet to stem the bleeding.

“Do you have medical supplies?”

I nodded.  “Upstairs.”  I had a medical kit, and on the road, I usually made my own running repairs.  Another old habit I hadn’t quite shaken off yet.

She went upstairs, rummaged, and then came back.  I wondered briefly what she would think of the unmade bed though I was not sure why it might interest her.

She helped me remove my shirt, and then cleaned the wound.  Fortunately, she didn’t have to remove a bullet.  It was a clean wound but it would require stitches.

When she’d finished she said, “Your friend said one day this might happen.”

No prizes for guessing who that friend was, and it didn’t please me that she had involved Maria.

“Alisha?”

“She didn’t tell me her name, but I think she cares a lot about you.  She said trouble has a way of finding you, gave me a phone and said to call her if something like this happened.”

“That was wrong of her to do that.”

“Perhaps, perhaps not.  Will you call her?”

“Yes.  I can’t stay here now.  You should go now.  Hopefully, by the time I leave in the morning, no one will ever know what happened here, especially you.”

She smiled.  “As you say, I was never here.”

© Charles Heath 2018-2022

strangerscover9

In a word: Saw or Sore or Soar

In the first or second instance of the word Sore, we all know this malady can sometimes fester into something a lot worse.

Or that a person could be a sore loser

Or after spending an hour on the obstacle course, they come off very sore and sorry.  I never quite understood why they should be sorry because no one ever apologises to an inanimate object.  Or do they?

Or perhaps he was sore at his friend for not telling him the truth.

Then, there’s another meaning, saw, which can mean the past tense of seeing, that is, I saw them down by the pool.

I could also use a saw, you know, that thing that cuts through wood, steel, plastic, almost anything.  And yes, it’s possible someone might actually saw through a loaf of bread.

There are hand saws, electric saws, band saws, coping saws, and even a bread knife, all of these have one thing in common, a serrated edge with teeth of different sizes, designed to cut, smoothly or roughly depending on the size.

Add it to bones, and you have Captain Kirk’s description of his medical officer on the Enterprise.  I’m not sure any doctor would like to be addressed as saw-bones.

But then, confusingly in the way only English can do, there’s another word that sounds exactly the same, soar

This, of course, means hovering up there in the heavens, with or without propulsion or oxygen.

Yes, it’s difficult to soar with eagles when you work with turkeys.  I’ve always liked this expression though most of the time people don’t quite understand what it means.

Another excerpt from ‘Betrayal’; a work in progress

My next destination in the quest was the hotel we believed Anne Merriweather had stayed at.

I was, in a sense, flying blind because we had no concrete evidence she had been there, and the message she had left behind didn’t quite name the hotel or where Vladimir was going to take her.

Mindful of the fact that someone might have been following me, I checked to see if the person I’d assumed had followed me to Elizabeth’s apartment was still in place, but I couldn’t see him. Next, I made a mental note of seven different candidates and committed them to memory.

Then I set off to the hotel, hailing a taxi. There was the possibility the cab driver was one of them, but perhaps I was slightly more paranoid than I should be. I’d been watching the queue, and there were two others before me.

The journey took about an hour, during which time I kept an eye out the back to see if anyone had been following us. If anyone was, I couldn’t see them.

I had the cab drop me off a block from the hotel and then spent the next hour doing a complete circuit of the block the hotel was on, checking the front and rear entrances, the cameras in place, and the siting of the driveway into the underground carpark. There was a camera over the entrance, and one we hadn’t checked for footage. I sent a text message to Fritz to look into it.

The hotel lobby was large and busy, which was exactly what you’d want if you wanted to come and go without standing out. It would be different later at night, but I could see her arriving about mid-afternoon, and anonymous among the type of clientele the hotel attracted.

I spent an hour sitting in various positions in the lobby simply observing. I had already ascertained where the elevator lobby for the rooms was, and the elevator down to the car park. Fortunately, it was not ‘guarded’ but there was a steady stream of concierge staff coming and going to the lower levels, and, just from time to time, guests.

Then, when there was a commotion at the front door, what seemed to be a collision of guests and free-wheeling bags, I saw one of the seven potential taggers sitting by the front door. Waiting for me to leave? Or were they wondering why I was spending so much time there?

Taking advantage of that confusion, I picked my moment to head for the elevators that went down to the car park, pressed the down button, and waited.

The was no car on the ground level, so I had to wait, watching, like several others, the guests untangling themselves at the entrance, and an eye on my potential surveillance, still absorbed in the confusion.

The doors to the left car opened, and a concierge stepped out, gave me a quick look, then headed back to his desk. I stepped into the car, pressed the first level down, the level I expected cars to arrive on, and waited what seemed like a long time for the doors to close.

As they did, I was expecting to see a hand poke through the gap, a latecomer. Nothing happened, and I put it down to a television moment.

There were three basement levels, and for a moment, I let my imagination run wild and considered the possibility that there were more levels. Of course, there was no indication on the control panel that there were any other floors, and I’d yet to see anything like it in reality.

With a shake of my head to return to reality, the car arrived, the doors opened, and I stepped out.

A car pulled up, and the driver stepped out, went around to the rear of his car, and pulled out a case. I half expected him to throw me the keys, but the instant glance he gave me told him was not the concierge, and instead brushed past me like I wasn’t there.

He bashed the up button several times impatiently and cursed when the doors didn’t open immediately. Not a happy man.

Another car drove past on its way down to a lower level.

I looked up and saw the CCTV camera, pointing towards the entrance, visible in the distance. A gate that lifted up was just about back in position and then made a clunk when it finally closed. The footage from the camera would not prove much, even if it had been working, because it didn’t cover the life lobby, only in the direction of the car entrance.

The doors to the other elevator car opened, and a man in a suit stepped out.

“Can I help you, sir? You seem lost.”

Security, or something else. “It seems that way. I went to the elevator lobby, got in, and it went down rather than up. I must have been in the wrong place.”

“Lost it is, then, sir.” I could hear the contempt for Americans in his tone. “If you will accompany me, please.”

He put out a hand ready to guide me back into the elevator. I was only too happy to oblige him. There had been a sign near the button panel that said the basement levels were only to be accessed by the guests.

Once inside, he turned a key and pressed the lobby button. The doors closed, and we went up. He stood, facing the door, not speaking. A few seconds later, he was ushering me out to the lobby.

“Now, sir, if you are a guest…”

“Actually, I’m looking for one. She called me and said she would be staying in this hotel and to come down and visit her. I was trying to get to the sixth floor.”

“Good. Let’s go over the the desk and see what we can do for you.”

I followed him over to the reception desk, where he signalled one of the clerks, a young woman who looked and acted very efficiently, and told her of my request, but then remained to oversee the proceeding.

“Name of guest, sir?”

“Merriweather, Anne. I’m her brother, Alexander.” I reached into my coat pocket and pulled out my passport to prove that I was who I said I was. She glanced cursorily at it.

She typed the name into the computer, and then we waited a few seconds while it considered what to output. Then, she said, “That lady is not in the hotel, sir.”

Time to put on my best-confused look. “But she said she would be staying here for the week. I made a special trip to come here to see her.”

Another puzzled look from the clerk, then, “When did she call you?”

An interesting question to ask, and it set off a warning bell in my head. I couldn’t say today, it would have to be the day she was supposedly taken.

“Last Saturday, about four in the afternoon.”

Another look at the screen, then, “It appears she checked out Sunday morning. I’m afraid you have made a trip in vain.”

Indeed, I had. “Was she staying with anyone?”

I just managed to see the warning pass from the suited man to the clerk. I thought he had shown an interest when I mentioned the name, and now I had confirmation. He knew something about her disappearance. The trouble was, he wasn’t going to volunteer any information because he was more than just hotel security.

“No.”

“Odd,” I muttered. “I thought she told me she was staying with a man named Vladimir something or other. I’m not too good at pronouncing those Russian names. Are you sure?”

She didn’t look back at the screen. “Yes.”

“OK, now one thing I do know about staying in hotels is that you are required to ask guests with foreign passports their next destination, just in case they need to be found. Did she say where she was going next?” It was a long shot, but I thought I’d ask.

“Moscow. As I understand it, she lives in Moscow. That was the only address she gave us.”

I smiled. “Thank you. I know where that is. I probably should have gone there first.”

She didn’t answer; she didn’t have to, her expression did that perfectly.

The suited man spoke again, looking at the clerk. “Thank you.” He swivelled back to me. “I’m sorry we can’t help you.”

“No. You have more than you can know.”

“What was your name again, sir, just in case you still cannot find her?”

“Alexander Merriweather. Her brother. And if she is still missing, I will be posting a very large reward. At the moment, you can best contact me via the American Embassy.”

Money is always a great motivator, and that thoughtful expression on his face suggested he gave a moment’s thought to it.

I left him with that offer and left. If anything, the people who were holding her would know she had a brother, that her brother was looking for her, and equally that brother had money.

© Charles Heath – 2018-2025

The cinema of my dreams – I always wanted to see the planets – Episode 14

We have an unusual visitor

The captain seemed calm for a man with a ray gun that could be used on him at any moment.

I cursed the fact we were not allowed to carry weapons, even if they were standard issue revolvers that shot just plain bullets.

But we were on a peaceful mission to discover new life in outer space. We just didn’t expect to find it so soon, within our own solar system. After all we’ve been out to as far as Pluto, and a little beyond for at least ten years without any encounters like this.

If the captain was remaining calm, so would I.

“What sort of help, sir?”

“Identifying the mineral the thieves just took so they can return it. Apparently, these space pirates have spies on Earth who have been there for quite some time, looking at our defence systems.”

That statement begged so many questions I didn’t know where to start. The first, though, was this one of the pirates acting like the space police, for reasons yet unknown?

Had the captain considered this possibility.

“Then they picked a doozie to steal. If they understand the potential of the material…”

Our visitor cut in, “We are well aware of the possibilities of using plutonium in bombs and the damage it can do. We have similar material, but far less accessible.

“How long is a long time?”

OK, I was stuck on this whole invasion thing. It would be naïve of me to think we were the only life forms in space, but actually discovering we were not against assuming so was a little daunting, and a lot to take in.

“Since before your so called second world war. But all of this is irrelevant. Your superior says the decision to join us is meant to be a joint decision between you two.”

“Again, what sort of help can we provide you. We do not have the same speed capability, nor beaming technology, except for moving inanimate objects. And I suspect you know of our weapons capability.”

“You understand the nature of plutonium, and how to transport it safely. I suspect the fools who took it have no understanding of its danger to life forms. When we catch up with them, we’ll need your expertise to render it safe, and then take it back.”

“You know where they are?”

“Where they’re headed, yes. It’s one of the moons of the planet you call Uranus, called Oberon.”

“It’s a bit cold there, and we have been there and found nothing.”

“Did you look under the ice?”

Good point. But, of course, it didn’t answer the fundamental question that just rose to the surface, why was the captain deferring to me when he needed no such help in the decision making process?

I shrugged. “Well, we’ve got nothing better to do.”

© Charles Heath 2021

A photograph from the Inspirational bin – 33

This is countryside somewhere inside the Lamington National Park in Queensland. It was one of those days where the rain come and went…

We were spending a week there, in the middle of nowhere on a working macadamia farm in a cottage, one of four, recuperating from a long exhausting lockdown.

It was not cold, and we were able to sit out of the verandah for most of the day, watching the rain come and pass over on its way up the valley, listing to the gentle pitter-patter of the rain on the roof and nearby leaves.

But as for inspiration:

This would be the ideal setting for a story about life, failed romance, or a couple looking to find what it was they lost.

It could be a story about recovering from a breakdown, or a tragic loss, to be anywhere else but in the middle of dealing with the constant reminders of what they had.

It could be a safe house, and as we all know, safe houses in stories are rarely safe houses, where it is given away by someone inside the program, or the person who it’s assigned to give it away because they can’t do as they’re supposed to; lay low.

Then there’s camping, the great outdoors, for someone who absolutely hates being outdoors, or those who go hunting, and sometimes become the hunted.

Oh, and watch out for the bears!

The cinema of my dreams – Was it just another surveillance job – Episode 52

This story is now on the list to be finished so over the new few weeks, expect a new episode every few days.

The reason why new episodes have been sporadic, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Things are about to get complicated…


We took the elevator down to one of the basement levels, and then along a long poorly lit passageway which in my estimation had taken us to another building.

It would not have surprised me if it had been part of a large underground complex used in the second world war, safe from the overhead bombing raids.  Certainly, a lot of the fittings and paintwork looked very, very old, and I could imagine armed soldiers stationed along the length of the corridor each in his own little cutaway.

At the end, the building was a lot more modern and bright.

There was a large open space, and we headed towards one of the corners where the walls had wallpaper scenic views that if you didn’t know it was a photograph, it could almost be mistaken for a view overlooking the Thames.

It made that corner space more liveable.

There were two desks, more computers, and another girl who appeared like she had been waiting for us.

“I was told you wanted to view CCTV for the day of the recent street bombing.”

If the girl knew what I was looking for, then Monica would already have seen it and most likely had it analyzed by a team of experts.  If it wasn’t for the fact I wanted to see it myself, I might have just gone to her for the official report.

“Yes.”

I sat down beside her, and Joanne remained standing, behind us.

“OK.  There are seven cameras in that location, five of which were working at the time.  There is one across the road from the café, and it provided a good view of the actual explosion.”

She brought it up on the screen and ran it from shortly before O’Connell passed the front.  Then he came into view, walking as though he was purposefully going from one place to the next, almost stopping to look sideways into the café.  A prolonged moment looking through the window told me he had seen the reporter.

We could not see the reporter from our viewpoint.

But it was clear that O’Connell had seen something else because his pace quickened.

Then the explosion happened, and he was caught up in the aftermath, as was I as I had just entered the frame, following diligently.  My effort to look nonchalant, and not following O’Connell was not very good.  If this was a training tape on what not to do, that was me.

Watching it was horrifying, watching myself being blown a short distance across the pavement, followed by rubble.  Watching a dozen other people suffering far worse injuries were far worse.

I saw myself getting gingerly up off the ground, then seeing two men running past in the opposite direction, one of whom was McConnell.  I hadn’t realized at the time it was him.  Then we disappeared out of frame.

“Is there a camera farther along?”

She checked the list, picked a site, and brought up the feed for that timeframe, and just in from on the left-hand side was me, pinned to the ground by two men, and a street policeman, covered in dust walking up to us.

A discussion ensued, then the two men got in the car and drove off.

McConnell then suddenly reappeared from the right-hand side of the frame, walking past me and the policeman now on the ground.

Where had he come from?  How did he manage to get back to the bomb site, if that was where he had gone?

“Can we go back to the bomb site from where we left off before?”

A few seconds before the footage recommenced.

A minute, perhaps a little longer passed as those who had survived were trying to get up, McConnell reappeared from an alley two shops along from café, almost untouched by the blast, and crossed the road.

A few seconds later another person came out of the alley and followed him.

“Can you focus on that person who came out of the alley?”

She stopped the feed, zoomed in, and then cleaned up the blurry image until it showed a woman’s face.

“Who is she?”

She brought up the comments that went with the footage.  It had been already reviewed previously, as part of the investigation into the bombing. 

“They couldn’t formally identify her.”

“Anyone hazard a guess?”

“No.  She’s still a person of interest though.”

I gave the girl a piece of paper with a list of seven of the scientists from the laboratory.  “See if you can find wives of the male scientists.”

Joanne had been intrigued the whole time we had watched the event unfolding.

“That was you caught up in the explosion, wasn’t it?”

The pictures had been grainy and indistinct, so all I looked like was an anonymous blob.  Monica had obviously not told her of my involvement.

“Yes.  And McConnell.  I suspect McConnell did get the hand-off, but not from the journalist.  The journalist was in the café with the wife of the scientist who stole the information, though it would only be speculation to assume they were together, or whether she was there to sell the information, and give it to McConnell.”

“Anna Jacovich, wife of Erich Jacovich.  Microbiologist,” the girl said.

McConnell had lied.

© Charles Heath 2020-2022