When you first think of this word, it is with a slippery slope in mind.
I’ve been on a few of those in my time.
And while we’re on the subject, those inclines measured in degrees are very important if you want a train to get up and down the side of a mountain.
For the train, that’s an incline plane, the point where traction alone won’t get the iron horse up the hill.
Did I say ‘Iron Horse’? Sorry, regressed there, back to the mid-1800s in the American West for a moment.
It’s not that important when it comes to trucks and cars, and less so if you like four-wheel driving; getting up near-vertical mountainsides often present a welcome challenge to the true enthusiast
But for the rest of us, not so much if you find yourself sliding in reverse uncontrollably into the bay. I’m sure it’s happened more than once.
Then…
Are you inclined to go?
A very different sort of incline, ie to be disposed towards an attitude or desire.
An inclination, maybe, not to go four-wheel driving?
There is another, probably more obscure use of the word incline, and that relates to an elevated geological formation. Not the sort of reference that crops up in everyday conversation at the coffee shop.
But, you never know. Try it next time you have coffee and see what happens.
Hang about. Didn’t I read somewhere you need to plan your novel, create an outline setting the plot points, and flesh out the characters?
I’m sure it didn’t say, sit down and start writing!
Time to find a writing pad, and put my thinking cap on.
I make a list, what’s the story going to be about? Who’s going to be in it, at least at the start?
Like a newspaper story, I need a who, what, when, where, and how.
Right now.
I pick up the pen.
Character number one:
Computer nerd, ok, that’s a little close to the bone, a computer manager who is trying to be everything at once, and failing. Still me, but with a twist. Now, add a little mystery to him, and give him a secret, one that will only be revealed after a specific set of circumstance. Yes, I like that.
We’ll call him Bill, ex-regular army, a badly injured and repatriated soldier who was sent to fight a war in Vietnam, the result of which had made him, at times, unfit to live with.
He had a wife, which brings us to,
Character number two:
Ellen, Bill’s ex-wife, an army brat and a General’s daughter, and the result of one of those romances that met disapproval for so many reasons. It worked until Bill came back from the war, and from there it slowly disintegrated. There are two daughters, both by the time the novel begins, old enough to understand the ramifications of a divorce.
Character number three:
The man who is Bill’s immediate superior, the Services Department manager, a rather officious man who blindly follows orders, a man who takes pleasure in making others feel small and insignificant, and worst of all, takes the credit where none is due.
Oops, too much, that is my old boss. He’ll know immediately I’m parodying him. Tone it down, just a little, but more or less that’s him. Last name Benton. He will play a small role in the story.
Character number four:
Jennifer, the IT Department’s assistant manager, a woman who arrives in a shroud of mystery, and then, in time, to provide Bill with a shoulder to cry on when he and Ellen finally split, and perhaps something else later on.
More on her later as the story unfolds.
So far so good.
What’s the plot?
Huge corporation plotting to take over the world using computers? No, that’s been done to death.
Huge corporation, OK, let’s stop blaming the corporate world for everything wrong in the world. Corporations are not bad people, people are the bad people. That’s a rip off cliché, from guns don’t kill people, people kill people! There will be guns, and there will be dead people.
There will be people hiding behind a huge corporation, using a part of their computer network to move billions of illegally gained money around. That’s better.
Now, having got that, our ‘hero’ has to ‘discover’ this network, and the people behind it.
All we need now is to set the ball rolling, a single event that ‘throws a cat among the pigeons’.
Yes, Bill is on holidays, a welcome relief from the problems of work. He dreams of what he’s going to do for the next two weeks. The phone rings. Benton calling, the world is coming to an end, the network is down. He’s needed. A few terse words, but he relents.
This word, where I live, has taken on a new meaning. We have telephone scammers who ask your name when you answer the phone, and when you say yes, they hang up.
It doesn’t take much imagination to consider how they can use that recording.
So, I now answer the phone with ‘maybe’, which confuses the real callers who want to know if it is you.
Of course, ‘maybe’ is one of those words that can have so many meanings, but the best one is to use it while you have time to think of a proper answer.
For example, did you get the potatoes? You haven’t been out, it slipped your mind, or you just plain forgot, but run with a ‘maybe’ so you can judge the reaction.
Angry face, you know, no matter what, you’re in trouble.
Genial face, you know that it didn’t really matter, and all is forgiven.
Then there’s the person who doesn’t know you and comes up to you in a crowded room. Are you [put name here]?
Maybe. We want to know if we’re in trouble, or if it’s for something good, or if it is the husband or wife of the person you’ve just spent the last twenty minutes in animated conversation with.
Using ‘maybe’ in writing probably isn’t the best word for us, but I like defying the experts. You can always find a ‘maybe’ or two in any of my books.
The Sacred Space: Do You Really Need a Writing Room? And What Are the Bare Bones Requirements?
The romantic image of a writer often conjures up a cozy study, perhaps with a crackling fireplace, shelves overflowing with books, and a perfectly placed vintage desk. But for many of us, the reality is a bit more… chaotic. Squeezed into a corner of the living room, hunched over the kitchen table, or even balancing a laptop on the bed.
So, the burning question arises: Do I really need a writing room?
The short answer? It depends. For some, a dedicated space is the holy grail, the key to unlocking consistent creativity and productivity. For others, the freedom of writing anywhere can be liberating. However, if you’re finding your words are constantly interrupted, your focus is fractured, and your writing sessions feel more like a battle than a flow, the answer might lean towards a resounding “Yes, you probably do!”
Think of it like this: you wouldn’t expect a surgeon to perform a delicate operation in a busy marketplace, would you? While you might be able to grab a few scribbled notes amidst the hustle, sustained deep work often requires a controlled environment.
But before you start picturing an elaborate home renovation, let’s break down the basic requirements of a functional writing space. You don’t need a palace; you need a sanctuary.
The Bare Bones: What Your Writing Space Absolutely Needs
Forget the antique globe and the plush Persian rug for now. Let’s focus on the essentials that will actually help you get words on the page:
A Designated Spot (However Small): This is the cornerstone. It doesn’t have to be a separate room. It could be a corner of your bedroom, a specific chair at the dining table that’s only for writing, or even a visually distinct area in your living room. The key is that when you occupy this space, your brain knows: “It’s writing time.”
A Comfortable and Ergonomic Work Surface: This is where you’ll spend your time. Whether it’s a sturdy desk, a well-positioned table, or even a comfortable lap desk, it needs to allow you to sit or stand in a way that doesn’t cause strain. Think about the height of your chair and table, and the position of your screen. Your body will thank you in the long run.
Adequate Lighting: Straining your eyes in dim light is a recipe for headaches and fatigue. Natural light is ideal, but if that’s not possible, invest in a good desk lamp that provides sufficient, focused light without glare. You should be able to see your work clearly without any discomfort.
Minimal Distractions (Within Reason): This is where the “room” aspect often comes into play, but it’s about managing distractions more than eliminating them entirely.
Visual Clutter: While your dedicated spot might be small, try to keep the immediate area around it as clear as possible. A cluttered space can lead to a cluttered mind.
Auditory Clutter: If you live with others or in a noisy environment, consider noise-canceling headphones or a white noise machine. The goal isn’t absolute silence, but rather to control the auditory landscape so it doesn’t hijack your focus.
Digital Clutter: This is a big one. Turn off unnecessary notifications on your phone and computer. Close irrelevant tabs. Create a digital environment that supports your writing, not hinders it.
Your Essential Tools: What do you need to write?
For Digital Writers: Your laptop or computer, a reliable power source, and perhaps an external keyboard or mouse if that improves your comfort.
For Analog Writers: Pens, paper, notebooks, a dictionary, a thesaurus – whatever your preferred analog tools are.
Beyond the Bare Bones: Making it Your Writing Room
Once you have the essentials covered, you can start to personalize your space. This is where the magic happens and it truly becomes your sanctuary.
Inspiration: Add a few things that spark your creativity – a favorite quote, a piece of art, a plant.
Comfort: A comfortable chair is a huge plus.
Organization: Shelves or drawers to keep your research, notebooks, and other writing-related materials tidy.
Sensory Elements: Perhaps a calming scent or a favorite mug for your tea or coffee.
Ultimately, the most important requirement for a writing room is that it facilitates your ability to write. It’s a space where you can enter a flow state, where distractions melt away, and where your imagination can take flight.
So, do you need a writing room? If you’re struggling to find your focus and consistency, the answer is likely a resounding yes. Start with the bare bones, and then build your personal haven, one word at a time.
What are your must-have elements in a writing space? Share your thoughts in the comments below!
Guilty Pleasures & Best-Sellers: Why “Trashy” Novels Sell (Even When They Make No Sense)
Let’s be honest: we’ve all done it. We’ve stood in an airport bookstore, eyes scanning the spinning racks, and pulled out a paperback with a neon-hued cover, an impossibly sculpted torso, or a plot synopsis that sounds like a fever dream.
We roll our eyes. We scoff at the clunky dialogue. We lambast the predictable tropes and inherently “bad” writing qualities. And then… we buy it. We devour it in a single sitting, hidden behind a polite book cover or glowing dimly on our phone screens at 2:00 AM.
The phenomenon of the “trashy” novel is undeniable. But it goes deeper than mere guilty pleasures. History—and modern publishing data—shows that even when authors intentionally write disjointed, hastily stitched-together, multiple-author novels that make absolutely no sense, they still sell far better than anyone could possibly imagine.
Why? What is the dark magic behind the poorly written page-turner? As a copywriter and consumer psychologist, let’s dissect the anatomy of the trashy novel and uncover why we keep feeding the beast.
1. The Psychology of Cognitive Relief
High-brow literature demands work. When you pick up a Booker Prize winner, you are signing up for an intellectual workout: dense metaphors, unreliable narrators, deeply nuanced character arcs, and social commentary that leaves you pondering the human condition.
Sometimes, we are too tired for that.
Trashy novels offer cognitive offloading. Because the stakes are immediately clear, the villains are cartoonish, and the prose requires zero decoding, the brain can finally switch off. It’s the literary equivalent of eating a bowl of sugary cereal while watching Saturday morning cartoons. There is no guilt in low-stakes entertainment—only pure, unadulterated escapism.
2. Emotional Fast Food (The Dopamine Loop)
Good literature builds tension slowly, like a masterclass in suspense. Trashy novels, however, operate like a slot machine. They hit you with constant, cheap dopamine spikes.
A shocking betrayal on page 3? Ding!
An implausible romance trope introduced by page 10? Ding!
A cliffhanger at the end of every single chapter? Jackpot.
Even when a book is disjointed or nonsensical—especially when multiple authors contribute in a chaotic, Frankenstein-esque fashion—the pacing rarely slows down. If plot logic gets in the way of a sensational scene, trashy fiction simply discards the logic and moves straight to the next explosion, bedroom scene, or plot twist. Our brains are wired to chase that next hit of resolution, even if the overall story is falling apart at the seams.
3. The Power of Subverted Expectations and Camp Value
Sometimes, a book doesn’t sell in spite of making no sense; it sells because it makes no sense.
We live in an era that deeply appreciates camp. Think of the runaway success of The Room in film or the viral TikTok reviews of wildly unhinged self-published romance novels. When a book is so convoluted, absurd, and disconnected from reality that it crosses the threshold of “bad” and enters the realm of the surreal, it becomes an event.
Readers love to be in on the joke. Sharing the most ridiculous excerpts on social media creates a viral marketing loop. A nonsensical, multi-author disasterpiece becomes a badge of honour to read, talk about, and mock lovingly with friends.
4. The Illusion of Speed and Instant Gratification
Modern attention spans are fractured. We scroll through TikTok feeds featuring thirty-second clips of entirely unrelated content, jumping seamlessly from a recipe to a comedy sketch to a DIY project.
In many ways, the disjointed, multi-author, wildly chaotic “trashy” novel mirrors the modern digital feed. Because it lacks a rigid, slow-burning traditional structure, it reads like a rapid-fire sequence of viral moments. For readers accustomed to fast-paced digital consumption, traditional pacing can feel agonisingly slow. Trashy novels keep the velocity high, ensuring you never get bored—even if you have no idea who the secondary antagonist is anymore.
5. Zero Pretentiousness, Total Accessibility
Literary snobbery can be exhausting. The moment a book feels like it’s trying to teach you a lesson or prove how smart the author is, a wall goes up for many readers.
Trashy novels have zero pretension. They make no promises other than to entertain you for a few hours. This radical accessibility makes them universally appealing. You don’t need a degree in English literature to enjoy a book about billionaire shadow-beasts fighting rogue cyborg assassins. You just need a pulse and a willingness to suspend your disbelief—way, way up in the stratosphere.
The Verdict: Long Live the Trashy Read
We may continue to mock them in polite literary circles, but the trashy, nonsensical, hastily assembled page-turner isn’t going anywhere. It fulfils a primal human need for stories that thrill, shock, and entertain without demanding too much in return.
So, the next time you find yourself sliding a trashy paperback onto the checkout counter, don’t blush. You aren’t falling victim to bad taste—you’re simply participating in a time-tested tradition of joyful, unapologetic escapism.
What is the most delightfully ridiculous “trashy” novel you’ve ever secretly loved? Let’s talk about it in the comments below!
Nairobi’s Hidden Gems: 5 Incredible Attractions Without the Crowds
When you think of Nairobi, the mind often leaps to the iconic sights: the silhouettes of giraffes at the Giraffe Centre, the heart-warming sight of orphaned elephants at the Sheldrick Trust, or the breathtaking skyline viewed from a safari in Nairobi National Park.
And for good reason—these are world-class attractions. But they are also, well, popular. If you’re looking to swap the bustling queues for a more intimate, unique, and equally memorable experience, you’re in luck. Nairobi is a city of layers, and just beneath the surface of the main tourist trail lies a treasure trove of hidden gems.
Here are the top five visitor attractions in Nairobi that are rarely crowded but burst with distinctive character and unforgettable stories.
1. The Kenya National Archives: A Treasure Trove of Culture and History
Tucked away in a grand building right in the heart of the city’s central business district, the Kenya National Archives is one of Nairobi’s most-underestimated attractions. While the ground floor is a bustling hive of document services, head upstairs and step into another world.
What Makes It Distinctive: The second floor houses the incredible Murumbi African Heritage Collection. This is a jaw-dropping assortment of artifacts, ethnographic material, books, and art collected by Kenya’s second Vice President, Joseph Murumbi, and his wife, Sheila. From ancient tribal jewelry and textiles to intricate masks and powerful contemporary art, it’s a comprehensive and beautifully curated journey through the art and culture of Kenya and beyond.
Why It’s Not Crowded: Most tourists walk right past it, assuming it’s just a place for official records. It’s a serene, air-conditioned escape from the city heat where you can spend hours lost in the exhibits, often sharing the space with just a handful of local students.
Pro-Tip: Give yourself at least two hours. Don’t miss the stunning collection of African postage stamps or the powerful portraits in the art gallery. The entrance fee is a bargain for the sheer volume of world-class history on display.
2. The Nairobi Railway Museum: A Journey to the City’s Birth
Ever wondered why Nairobi exists in the first place? The answer lies on the tracks. The Nairobi Railway Museum, located right next to the main railway station, is a charming and nostalgic ode to the “Lunatic Express,” the railway line that gave birth to the city.
What Makes It Distinctive: This museum is an open-air gallery of majestic, rusting giants. You can climb aboard historic steam and diesel locomotives, explore royal carriages (including one used for Queen Elizabeth’s visit!), and delve into the fascinating, and often dramatic, history of the railway’s construction. It’s a tangible link to a bygone era of colonial ambition, engineering marvels, and the man-eating lions of Tsavo.
Why It’s Not Crowded: In a city obsessed with wildlife, the history of a railway is often overlooked. It feels like a well-kept secret, offering a peaceful and fascinating stroll through the very machines that shaped the nation.
Pro-Tip: Hire one of the on-site guides. Their personal stories and detailed knowledge bring the old engines and carriages to life in a way that plaques never could. On weekdays, you might even see modern trains rolling past, creating a surreal contrast between past and present.
3. Kazuri Beads Factory: Where Art and Empowerment Meet
For a truly special souvenir and a feel-good experience, leave the city centre and head to the leafy suburb of Karen for a visit to the Kazuri Beads Factory. “Kazuri” means “small and beautiful” in Swahili, and that perfectly describes the handcrafted ceramic beads and pottery made here.
What Makes It Distinctive: This isn’t just a shop; it’s a working factory with a powerful social mission. Kazuri employs over 300 single mothers, providing them with a sustainable livelihood and healthcare. You can take a free tour to see the entire process—from the kiln firing to the meticulous hand-painting—and chat with the talented artisans. It’s a vibrant, colourful, and inspiring place that supports local Kenyan women directly.
Why It’s Not Crowded: It’s slightly off the beaten path compared to the Karen Blixen Museum down the road. Tour groups tend to rush in and out, leaving plenty of space for independent travellers to browse at their own pace without feeling pressured.
Pro-Tip: Go in the morning to see the factory buzzing with activity. The “seconds” section, where you can buy slightly imperfect pieces at a huge discount, is fantastic for finding unique treasures.
4. The Ngong Hills: Nairobi’s Iconic Escape
While the Nairobi National Park offers a safari on the city’s doorstep, the Ngong Hills offer a spectacular escape above it. These iconic, four-ridged peaks are the rolling, green giants immortalised in Karen Blixen’s “Out of Africa.”
What Makes It Distinctive: The views are, simply put, epic. On a clear day, you can see the entire Nairobi skyline to the north and the vast expanse of the Great Rift Valley to the west. A hike along the ridges is a fantastic way to get some exercise, feel the wind on your face, and appreciate the natural beauty that frames the city. It’s a spiritual and rejuvenating experience.
Why It’s Not Crowded: While it gets busy with local hikers and picnickers on weekends, you’ll rarely find international tour buses here. Go on a weekday, and you might have large sections of the trail entirely to yourself, with only the sound of the wind for company.
Pro-Tip: Start early in the morning to avoid the midday sun. It’s an exposed hike, so bring plenty of water, a hat, and sunscreen. You don’t need a guide for the main trail, but hiring one from the local community at the entrance gate can provide fascinating insights and support the local economy.
5. Olorgesailie Prehistoric Site: A Glimpse into Human Origins
For the ultimate off-the-beaten-path adventure, take a day trip south of the city to Olorgesailie. This is not your average tourist attraction; it’s a world-class, paleoanthropological site and a UNESCO World Heritage contender.
What Makes It Distinctive: This dry, dusty basin was once a lakeside prehistoric camp. The ground is literally littered with fossilised bones and, most astoundingly, hundreds of hand-axe tools created by early human ancestors (Homo erectus) over a million years ago. The small, excellent museum and guided walk take you through the incredible discoveries made here, offering a mind-bending perspective on the deep history of humanity in the very place it unfolded.
Why It’s Not Crowded: It’s a drive (about 90 minutes from Nairobi) and requires a dedicated trip. This geological and historical marvel is simply too remote and niche for the standard tourist itinerary, making it one of the most peaceful and profound places you can visit in the region.
Pro-Tip: A 4×4 vehicle is recommended, especially after rain. Combine the trip with a visit to Lake Magadi, a spectacular soda lake often tinged pink with flamingos. Pack a picnic and make a full day of it—the journey is as spectacular as the destination.
So next time you find yourself in Nairobi, I urge you to venture beyond the well-trodden path. Ditch the crowds for a morning at the Railway Museum, find your cultural bearings at the National Archives, and discover that the city’s most distinctive features are often its quietest. Happy travels
Investigations of crimes don’t always go according to plan, nor does the perpetrator get found or punished.
That was particularly true in my case. The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.
At one stage, the police thought I had murdered my own wife, though how I could be on a train at the time of the murder was beyond me. I had witnesses and a cast-iron alibi.
The officer in charge was Detective First Grade Gabrielle Walters. She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbours reckon there were heated discussions the day before.
Routine was the word she used.
Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible. I could sense the raging violence within him. Fortunately, common sense prevailed.
Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.
After three months, the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.
But it was not the last time I saw Gabrielle.
The shock of finding Vanessa was more devastating than the fact that she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.
For months, I was barely functioning, to the extent that I had all but lost my job and quite a few friends, particularly those who were more attached to Vanessa rather than me.
They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts. Some questioned my sanity, even, for a time, so did I.
No one, it seemed, could understand what it was like, no one except Gabrielle.
She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy. Her story varied only in that she had been made to witness his execution. Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.
It was a story she told me one night, some months after the investigation had been scaled down. I was still looking for the bottom of a bottle and an emotional mess. Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.
What happened became our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again. It was as if she knew exactly what was required to set me on the path to recovery.
And it had.
Since then, we saw each other about once a month in a cafe. I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.
We generally talked for hours over wine, then dinner and coffee. It took a while for me to realise that all she had was her work; personal relationships were nigh on impossible in a job that left little or no spare time for anything else.
She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.
I wondered if this text message was in that category. I was certain it would interest the police, and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt about whether or not I could trust her to tell me what the message meant.
I reached for the phone, then put it back down again. I’d think about it and decide tomorrow.
The Accra You Haven’t Seen: 5 Unique & Uncrowded Tourist Spots
Accra, Ghana’s dazzling coastal capital, is a city that pulses with life. From the vibrant beats of highlife music to the aromatic symphony of street food, every corner offers an adventure. But with adventure often comes a crowd. The usual suspects—the Kwame Nkrumah Mausoleum, the bustling Arts Centre, the sun-soaked Labadi Beach on a Sunday—are rightfully famous, but they can sometimes feel overwhelming.
What if you could peel back a layer of the city and find the spaces where its true, quiet soul resides? Places brimming with distinctive character, history, and beauty, yet blissfully free from the tourist throngs?
Forget the long lines and the jostling crowds. Here are the top five visitor attractions in Accra that offer a richer, more intimate encounter with the city.
1. For the Soulful Historian: The W.E.B. Du Bois Centre
Tucked away in the serene residential neighbourhood of Cantonments is a place of profound historical significance and hushed reverence: The W.E.B. Du Bois Memorial Centre for Pan-African Culture. This isn’t just a museum; it was the final home of Dr. William Edward Burghardt Du Bois, the iconic American civil rights activist and Pan-Africanist who spent his final years in Ghana.
What Makes It Distinctive: The centre offers a deeply personal journey into the life of a giant. You can walk through his preserved study, see his personal library, and visit his simple yet moving grave, which lies in the peaceful courtyard alongside the tomb of his wife, Shirley Graham Du Bois. It’s a place for quiet reflection, not just sightseeing, offering a powerful connection to the global quest for African liberation.
Why It’s Not Crowded: It’s often overshadowed by the larger, more centrally located monuments. Its scholarly nature naturally attracts a more contemplative crowd, meaning you can often have the entire space to yourself to absorb its powerful history.
Pro Tip: Give yourself at least an hour. The exhibits are detailed and the atmosphere invites you to slow down and read, reflect, and appreciate the legacy of this incredible figure.
2. For the Art Lover: Artists Alliance Gallery
If the chaotic, beautiful energy of the Arts Centre market feels like too much, there is a sublime alternative. Located near the Tetteh Quarshie Interchange, the Artists Alliance Gallery is a magnificent three-story haven for Ghanaian art.
What Makes It Distinctive: This is not a market; it’s a curated gallery experience. Housed in a beautiful, traditional-style building, it features an astounding collection of high-quality art, from intricate contemporary paintings and sculptures to stunning Ashanti kente cloth and ancient beads. All pieces are for sale, and there’s no pressure to buy. You can simply wander through the airy rooms and appreciate the sheer breadth of Ghanaian creative talent.
Why It’s Not Crowded: Many tourists flock to the bargain-hunting vibe of the main Arts Centre, leaving this gallery as a hidden gem for those in the know. Its tranquil, almost museum-like atmosphere is a welcome escape.
Pro Tip: Even the building itself is a work of art. Be sure to explore the courtyards and every floor, as each one hosts different styles and mediums of work.
3. For the Nature Seeker: Legon Botanical Gardens
Need a break from the concrete and traffic? Head to the Legon Botanical Gardens, a sprawling green oasis located within the University of Ghana campus. This isn’t your typical “garden”; it’s a vast, natural reserve offering a genuine breath of fresh air.
What Makes It Distinctive: The gardens are a destination for both relaxation and light adventure. You can wander through the lush forests, spot exotic birds, and enjoy the serene scenery around the central lake. For the more active, there are rope courses, canopy walks, and canoeing. It’s the perfect place for a family picnic, a romantic stroll, or some peaceful solo time with a book.
Why It’s Not Crowded: Its sheer size means that even on a busy day, the crowds dissipate across the lawns and trails. It feels less like a tourist spot and more like a local’s secret escape from the city heat.
Pro Tip: Go in the late afternoon when the sun is less intense. The golden light filtering through the trees is absolutely magical.
4. For the Beach Escapist: Bojo Beach
While Labadi and Kokrobite beaches have their charms, they can get packed. For a truly unique seaside experience, take a short trip to Bojo Beach Resort. What makes it special is its location—it sits on a pristine strip of land between a lagoon and the Atlantic Ocean.
What Makes It Distinctive: The adventure begins the moment you arrive. You are taken across the calm waters of the Densu Delta in a small wooden boat to reach the beach resort. This short journey immediately sets a festive, exclusive tone. On one side, you have the tranquil lagoon, and on the other, the roaring Atlantic. It’s the best of both worlds, with cleaner sand and a far more relaxed vibe than the main city beaches.
Why It’s Not Crowded: The boat crossing naturally filters the crowds, creating a more intimate and exclusive atmosphere. It feels like you’ve discovered your own private island paradise just minutes from the city.
Pro Tip: Plan to spend a few hours. Rent a relaxing beach hut, enjoy a freshly prepared meal at the restaurant, and take a dip in both the lagoon and the ocean.
5. For the Inquisitive Explorer: The Forts of Ussher Town
Everyone knows about Jame Town’s vibrant street art and boxing gyms, but fewer take the time to explore its deep, layered history. Beyond the iconic lighthouse lie the Forts of Ussher Town: James Fort and Ussher Fort.
What Makes It Distinctive: These forts are a poignant and powerful reminder of Ghana’s role in the transatlantic slave trade. While not as large as the castles in Cape Coast or Elmina, their history is just as significant. Walking through the dungeons and standing on the ramparts, with the crashing waves of the Atlantic below, is an incredibly moving experience. They also offer some of the most stunning, uncrowded panoramic views of Accra’s coastline.
Why It’s Not Crowded: They are often missed by standard tour itineraries that focus on the more monumental sites. The forts can sometimes be under renovation or have limited access, adding to their mysterious, overlooked quality. Always check if they are open to visitors before you go.
Pro Tip: Hire a local guide from the Jamestown community. Their personal stories and historical knowledge will bring the stones of these forts to life in a way no guidebook ever could.
Discover Your Accra
The true heart of Accra isn’t found only in its busiest plazas or on its most popular beaches. It lives in these quiet corners, these spaces of reflection, creativity, and natural beauty. By stepping off the beaten path, you’re not just avoiding a queue; you’re choosing to connect with the city on a deeper, more authentic level.
So next time you’re in Accra, dare to explore. Your greatest adventure might just be where the crowds aren’t.
I’d read about out-of-body experiences, and like everyone else, thought it was nonsense. Some people claimed to see themselves in the operating theatre, medical staff frantically trying to revive them, and being surrounded by white light.
I was definitely looking down, but it wasn’t me I was looking at.
It was two children, a boy and a girl, with their parents, in a park.
The boy was Alan. He was about six or seven. The girl was Louise, and she was five years old. She had long red hair and looked the image of her mother.
I remember it now, it was Louise’s birthday and we went down to Bournemouth to visit our Grandmother, and it was the last time we were all together as a family.
We were flying homemade kites our father had made for us, and after we lay there looking up at the sky, making animals out of the clouds. I saw an elephant, Louise saw a giraffe.
We were so happy then.
Before the tragedy.
When I looked again ten years had passed and we were living in hell. Louise and I had become very adept at survival in a world we really didn’t understand, surrounded by people who wanted to crush our souls.
It was not a life a normal child had, our foster parents never quite the sort of people who were adequately equipped for two broken-hearted children. They tried their best, but their best was not good enough.
Every day it was a battle, to avoid the Bannister’s and Archie in particular, every day he made advances towards Louise and every day she fended him off.
Until one day she couldn’t.
Now I was sitting in the hospital, holding Louise’s hand. She was in a coma, and the doctors didn’t think she would wake from it. The damage done to her was too severe.
The doctors were wrong.
She woke, briefly, to name her five assailants. It was enough to have them arrested. It was not enough to have them convicted.
Justice would have to be served by other means.
I was outside the Bannister’s home.
I’d made my way there without really thinking, after watching Louise die. It was like being on autopilot, and I had no control over what I was doing. I had murder in mind. It was why I was holding an iron bar.
Skulking in the shadows. It was not very different from the way the Bannister’s operated.
I waited till Archie came out. I knew he eventually would. The police had taken him to the station for questioning, and then let him go. I didn’t understand why, nor did I care.
I followed him up the towpath, waiting till he stopped to light a cigarette, then came out of the shadows.
“Wotcha got there Alan?” he asked when he saw me. He knew what it was, and what it was for.
It was the first time I’d seen the fear in his eyes. He was alone.
“Justice.”
“For that slut of a sister of yours. I had nuffing to do with it.”
“She said otherwise, Archie.”
“She never said nuffing, you just made it up.” An attempt at bluster, but there was no confidence in his voice.
I held up the pipe. It had blood on it. Willy’s blood. “She may or may not have Archie, but Willy didn’t make it up. He sang like a bird. That’s his blood, probably brains on the pipe too, Archie, and yours will be there soon enough.”
“He dunnit, not me. Lyin’ bastard would say anything to save his own skin.” Definitely scared now, he was looking to run away.
“No, Archie. He didn’t. I’m coming for you. All of you Bannisters. And everyone who touched my sister.”
It was the recurring nightmare I had for years afterwards.
I closed my eyes and tried to shut out the thoughts, the images of Louise, the phone call, the visit to the hospital and being there when she succumbed to her injuries. Those were the very worst few hours of my life.
She had asked me to come to the railway station and walk home with her, and I was running late. If I had left when I was supposed to, it would never have happened and for years afterwards, I blamed myself for her death.
If only I’d not been late…
When the police finally caught the rapists, I’d known all along who they’d be; antagonists from school, the ring leader, Archie Bannister, a spurned boyfriend, a boy whose parents, ubiquitously known to all as ‘the Bannister’s, dealt in violence and crime and who owned the neighbourhood. The sins of the father had been very definitely passed onto the son.
At school, I used to be the whipping boy, Archie, a few grades ahead of me, made a point of belting me and a few of the other boys, to make sure the rest did as they were told. He liked Louise, but she had no time for a bully like him, even when he promised he would ‘protect’ me.
I knew the gang members, the boys who tow-kowed to save getting beaten up, and after the police couldn’t get enough information to prosecute them because everyone was too afraid to speak out, I went after Willy. There was always a weak link in a group, and he was it.
He worked in a factory, did long hours on a Wednesday and came home after dark alone. It was a half mile walk, through a park. The night I approached him, I smashed the lights and left it in darkness. He nearly changed his mind and went the long way home.
He didn’t.
It took an hour and a half to get the names. At first, when he saw me, he laughed. He said I would be next, and that was four words more than he knew he should have said.
When I found him alone the next morning I showed him the iron bar and told him he was on the list. I didn’t kill him then, he could wait his turn, and worry about what was going to happen to him.
When the police came to visit me shortly after that encounter, no doubt at the behest of the Bannister’s, the neighbourhood closed ranks and gave me an ironclad alibi. The Bannister’s then came to visit me and threatened me. I told them their days were numbered and showed them the door.
At the trial, he and his friends got off on a technicality. The police had failed to do their job properly, but it was not the police, but a single policeman, corrupted by the Bannisters.
Archie could help but rub it in my face. He was invincible.
Joe Collins took 12 bullets and six hours to bleed out. He apologized, he pleaded, he cried, he begged. I didn’t care.
Barry Mills, a strong lad with a mind to hurting people, Archie’s enforcer, almost got the better of me. I had to hit him more times than I wanted to, and in the end, I had to be satisfied that he died a short but agonizing death.
I revisited Willy in the hospital. He’d recovered enough to recognize me, and why I’d come. Suffocation was too good for him.
David Williams, second in command of the gang, was as tough and nasty as the Bannisters. His family were forging a partnership with the Bannister’s to make them even more powerful. Outwardly David was a pleasant sort of chap, affable, polite, and well mannered. A lot of people didn’t believe he could be like, or working with, the Bannisters.
He and I met in the pub. We got along like old friends. He said Willy had just named anyone he could think of, and that he was innocent of any charges. We shook hands and parted as friends.
Three hours later he was sitting in a chair in the middle of a disused factory, blindfolded and scared. I sat and watched him, listened to him, first threatening me, and then finally pleading with me. He’d guessed who it was that had kidnapped him.
When it was dark, I took the blindfold off and shone a very bright light in his eyes. I asked him if the violence he had visited upon my sister was worth it. He told me he was just a spectator.
I’d read the coroner’s report. They all had a turn. He was a liar.
He took nineteen bullets to die.
Then came Archie.
The same factory only this time there were four seats. Anna Bannister, brothel owner, Spike Bannister, head of the family, Emily Bannister, sister, and who had nothing to do with their criminal activities. She just had the misfortune of sharing their name.
Archie’s father told me how he was going to destroy me, and everyone I knew.
A well-placed bullet between the eyes shut him up.
Archie’s mother cursed me. I let her suffer for an hour before I put her out of her misery.
Archie remained stony-faced until I came to Emily. The death of his parents meant he would become head of the family. I guess their deaths meant as little to him as they did me.
He was a little more worried about his sister.
I told him it was confession time.
He told her it was little more than a forced confession and he had done nothing to deserve my retribution.
I shrugged and shot her, and we both watched her fall to the ground screaming in agony. I told him if he wanted her to live, he had to genuinely confess to his crimes. This time he did, it all poured out of him.
I went over to Emily. He watched in horror as I untied her bindings and pulled her up off the floor, suffering only from a small wound in her arm. Without saying a word she took the gun and walked over to stand behind him.
“Louise was my friend, Archie. My friend.”
Then she shot him. Six times.
To me, after saying what looked like a prayer, she said, “Killing them all will not bring her back, Alan, and I doubt she would approve of any of this. May God have mercy on your soul.”
Now I was in jail. I’d spent three hours detailing the deaths of the five boys, everything I’d done; a full confession. Without my sister, my life was nothing. I didn’t want to go back to the foster parents; I doubt they’d take back a murderer.
They were not allowed to.
For a month I lived in a small cell, in solitary, no visitors. I believed I was in the queue to be executed, and I had mentally prepared myself for the end.
Then I was told I had a visitor, and I was expecting a priest.
Instead, it was a man called McTavish. Short, wiry, and with an accent that I could barely understand.
“You’ve been a bad boy, Alan.”
When I saw it was not the priest I told the jailers not to let him in, I didn’t want to speak to anyone. They ignored me. I’d expected he was a psychiatrist, come to see whether I should be shipped off to the asylum.
I was beginning to think I was going mad.
I ignored him.
“I am the difference between you living or dying Alan, it’s as simple as that. You’d be a wise man to listen to what I have to offer.”
Death sounded good. I told him to go away.
He didn’t. Persistent bugger.
I was handcuffed to the table. The prison officers thought I was dangerous. Five, plus two, murders, I guess they had a right to think that. McTavish sat opposite me, ignoring my request to leave.
“Why’d you do it?”
“You know why.” Maybe if I spoke he’d go away.
“Your sister. By all accounts, the scum that did for her deserved what they got.”
“It was murder just the same. No difference between scum and proper people.”
“You like killing?”
“No-one does.”
“No, I dare say you’re right. But you’re different, Alan. As clean and merciless killing I’ve ever seen. We can use a man like you.”
“We?”
“A group of individuals who clean up the scum.”
I looked up to see his expression, one of benevolence, totally out of character for a man like him. It looked like I didn’t have a choice.
Trained, cleared, and ready to go.
I hadn’t realized there were so many people who were, for all intents and purposes, invisible. People that came and went, in malls, in hotels, trains, buses, airports, everywhere, people no one gave a second glance.
People like me.
In a mall, I became a shopper.
In a hotel, I was just another guest heading to his room.
On a bus or a train, I was just another commuter.
At the airport, I became a pilot. I didn’t need to know how to fly; everyone just accepted a pilot in a pilot suit was just what he looked like.
I had a passkey.
I had the correct documents to get me onto the plane.
That walk down the air bridge was the longest of my life. Waiting for the call from the gate, waiting for one of the air bridge staff to challenge me, stepping onto the plane.
Two pilots and a steward. A team. On the plane early before the rest of the crew. A group that was committing a crime, had committed a number of crimes and thought they’d got away with it.
Until the judge, the jury and their executioner arrived.
Me.
Quick, clean, merciless. Done.
I was now an operational field agent.
I was older now, and I could see in the mirror I was starting to go grey at the sides. It was far too early in my life for this, but I expect it had something to do with my employment.
I didn’t recognize the man who looked back at me.
It was certainly not Alan McKenzie, nor was there any part of that fifteen-year-old who had made the decision to exact revenge.
Given a choice; I would not have gone down this path.
Or so I kept telling myself each time a little more of my soul was sold to the devil.
I was Barry Gamble.
I was Lenny Buckman.
I was Jimmy Hosen.
I was anyone but the person I wanted to be.
That’s what I told Louise, standing in front of her grave, and trying to apologize for all the harm, all the people I’d killed for that one rash decision. If she was still alive she would be horrified, and ashamed.
Head bowed, tears streamed down my face.
God had gone on holiday and wasn’t there to hand out any forgiveness. Not that day. Not any day.
New York, New Years Eve.
I was at the end of a long tour, dragged out of a holiday and back into the fray, chasing down another scumbag. They were scumbags, and I’d become an automaton hunting them down and dispatching them to what McTavish called a better place.
This time I failed.
A few drinks to blot out the failure, a blonde woman who pushed my buttons, a room in a hotel, any hotel, it was like being on the merry-go-round, round and round and round…
Her name was Silvia or Sandra, or someone I’d met before, but couldn’t quite place her. It could be an enemy agent for all I knew or all I cared right then.
I was done.
I’d had enough.
I gave her the gun.
I begged her to kill me.
She didn’t.
Instead, I simply cried, letting the pent up emotion loose after being suppressed for so long, and she stayed with me, holding me close, and saying I was safe, that she knew exactly how I felt.
How could she? No one could know what I’d been through.
I remembered her name after she had gone.
Amanda.
I remembered she had an imperfection in her right eye.
Someone else had the same imperfection.
I couldn’t remember who that was.
Not then.
I had a dingy flat in Kensington, a place that I rarely stayed in if I could help it. After five-star hotel rooms, it made me feel shabby.
The end of another mission, I was on my way home, the underground, a bus, and then a walk.
It was late.
People were spilling out of the pub after the last drinks. Most in good spirits, others slightly more boisterous.
A loud-mouthed chap bumped into me, the sort who had one too many, and was ready to take on all comers.
He turned on me, “Watch where you’re going, you fool.”
Two of his friends dragged him away. He shrugged them off, squared up.
I punched him hard, in the stomach, and he fell backwards onto the ground. I looked at his two friends. “Take him home before someone makes mincemeat out of him.”
They grabbed his arms, lifted him off the ground and took him away.
Out of the corner of my eye, I could see a woman, early thirties, quite attractive, but very, very drunk. She staggered from the bar, bumped into me, and finished up sitting on the side of the road.
I looked around to see where her friends were. The exodus from the pub was over and the few nearby were leaving to go home.
She was alone, drunk, and by the look of her, unable to move.
I sat beside her. “Where are your friends?”
“Dunno.”
“You need help?”
She looked up, and sideways at me. She didn’t look the sort who would get in this state. Or maybe she was, I was a terrible judge of women.
“Who are you?” she asked.
“Nobody.” I was exactly how I felt.
“Well Mr Nobody, I’m drunk, and I don’t care. Just leave me here to rot.”
She put her head back between her knees, and it looked to me she was trying to stop the spinning sensation in her head.
Been there before, and it’s not a good feeling.
“Where are your friends?” I asked again.
“Got none.”
“Perhaps I should take you home.”
“I have no home.”
“You don’t look like a homeless person. If I’m not mistaken, those shoes are worth more than my weekly salary.” I’d seen them advertised, in the airline magazine, don’t ask me why the ad caught my attention.
She lifted her head and looked at me again. “You a smart fucking arse are you?”
“I have my moments.”
“Have them somewhere else.”
She rested her head against my shoulder. We were the only two left in the street, and suddenly in darkness when the proprietor turned off the outside lights.
“Take me home,” she said suddenly.
“Where is your place?”
“Don’t have one. Take me to your place.”
“You won’t like it.”
“I’m drunk. What’s not to like until tomorrow.”
I helped her to her feet. “You have a name?”
“Charlotte.”
The wedding was in a small church. We had been away for a weekend in the country, somewhere in the Cotswolds, and found this idyllic spot. Graves going back to the dawn of time, a beautiful garden tended by the vicar and his wife, an astonishing vista over hills and down dales.
On a spring afternoon with the sun, the flowers, and the peacefulness of the country.
I had two people at the wedding, the best man, Bradley, and my boss, Watkins.
Charlotte had her sisters Melissa and Isobel, and Isobel’s husband Giovanni, and their daughter Felicity.
And one more person who was as mysterious as she was attractive, a rather interesting combination as she was well over retirement age. She arrived late and left early.
Aunt Agatha.
She looked me up and down with what I’d call a withering look. “There’s more to you than meets the eye,” she said enigmatically.
“Likewise I’m sure,” I said. It earned me an elbow in the ribs from Charlotte. It was clear she feared this woman.
“Why did you come,” Charlotte asked.
“You know why.”
Agatha looked at me. “I like you. Take care of my granddaughter. You do not want me for an enemy.”
OK, now she officially scared me.
She thrust a cheque into my hand, smiled, and left.
“Who is she,” I asked after we watched her depart.
“Certainly not my fairy godmother.”
Charlotte never mentioned her again.
Zurich in summer, not exactly my favourite place.
Instead of going to visit her sister Isobel, we stayed at a hotel in Beethovenstrasse and Isobel and Felicity came to us. Her husband was not with her this time.
Felicity was three or four and looked very much like her mother. She also looked very much like Charlotte, and I’d remarked on it once before and it received a sharp rebuke.
We’d been twice before, and rather than talk to her sister, Charlotte spent her time with Felicity, and they were, together, like old friends. For so few visits they had a remarkable rapport.
I had not broached the subject of children with Charlotte, not after one such discussion where she had said she had no desire to be a mother. It had not been a subject before and wasn’t once since.
Perhaps like all Aunts, she liked the idea of playing with a child for a while and then give it back.
Felicity was curious as to who I was, but never ventured too close. I believed a child could sense the evil in adults and had seen through my facade of friendliness. We were never close.
But…
This time, when observing the two together, something quite out of left field popped into my head. It was not possible, not by any stretch of the imagination, but I thought she looked like my mother.
And Charlotte had seen me looking in their direction. “You seem distracted,” she said.
“I was just remembering my mother. Odd moment, haven’t done so for a very long time.”
“Why now?” I think she had a look of concern on her face.
“Her birthday, I guess,” I said, the first excuse I could think of.
Another look and I was wrong. She looked like Isobel or Charlotte, or if I wanted to believe it possible, Melissa too.
I was crying, tears streaming down my face.
I was in pain, searing pain from my lower back stretching down into my legs, and I was barely able to breathe.
It was like coming up for air.
It was like Snow White bringing Prince Charming back to life. I could feel what I thought was a gentle kiss and tears dropping on my cheeks, and when I opened my eyes, I saw Charlotte slowly lifting her head, a hand gently stroking the hair off my forehead.
And in a very soft voice, she said, “Hi.”
I could not speak, but I think I smiled. It was the girl with the imperfection in her right eye. Everything fell into place, and I knew, in that instant that we were irrevocably meant to be together.
Guilty Pleasures & Best-Sellers: Why “Trashy” Novels Sell (Even When They Make No Sense)
Let’s be honest: we’ve all done it. We’ve stood in an airport bookstore, eyes scanning the spinning racks, and pulled out a paperback with a neon-hued cover, an impossibly sculpted torso, or a plot synopsis that sounds like a fever dream.
We roll our eyes. We scoff at the clunky dialogue. We lambast the predictable tropes and inherently “bad” writing qualities. And then… we buy it. We devour it in a single sitting, hidden behind a polite book cover or glowing dimly on our phone screens at 2:00 AM.
The phenomenon of the “trashy” novel is undeniable. But it goes deeper than mere guilty pleasures. History—and modern publishing data—shows that even when authors intentionally write disjointed, hastily stitched-together, multiple-author novels that make absolutely no sense, they still sell far better than anyone could possibly imagine.
Why? What is the dark magic behind the poorly written page-turner? As a copywriter and consumer psychologist, let’s dissect the anatomy of the trashy novel and uncover why we keep feeding the beast.
1. The Psychology of Cognitive Relief
High-brow literature demands work. When you pick up a Booker Prize winner, you are signing up for an intellectual workout: dense metaphors, unreliable narrators, deeply nuanced character arcs, and social commentary that leaves you pondering the human condition.
Sometimes, we are too tired for that.
Trashy novels offer cognitive offloading. Because the stakes are immediately clear, the villains are cartoonish, and the prose requires zero decoding, the brain can finally switch off. It’s the literary equivalent of eating a bowl of sugary cereal while watching Saturday morning cartoons. There is no guilt in low-stakes entertainment—only pure, unadulterated escapism.
2. Emotional Fast Food (The Dopamine Loop)
Good literature builds tension slowly, like a masterclass in suspense. Trashy novels, however, operate like a slot machine. They hit you with constant, cheap dopamine spikes.
A shocking betrayal on page 3? Ding!
An implausible romance trope introduced by page 10? Ding!
A cliffhanger at the end of every single chapter? Jackpot.
Even when a book is disjointed or nonsensical—especially when multiple authors contribute in a chaotic, Frankenstein-esque fashion—the pacing rarely slows down. If plot logic gets in the way of a sensational scene, trashy fiction simply discards the logic and moves straight to the next explosion, bedroom scene, or plot twist. Our brains are wired to chase that next hit of resolution, even if the overall story is falling apart at the seams.
3. The Power of Subverted Expectations and Camp Value
Sometimes, a book doesn’t sell in spite of making no sense; it sells because it makes no sense.
We live in an era that deeply appreciates camp. Think of the runaway success of The Room in film or the viral TikTok reviews of wildly unhinged self-published romance novels. When a book is so convoluted, absurd, and disconnected from reality that it crosses the threshold of “bad” and enters the realm of the surreal, it becomes an event.
Readers love to be in on the joke. Sharing the most ridiculous excerpts on social media creates a viral marketing loop. A nonsensical, multi-author disasterpiece becomes a badge of honour to read, talk about, and mock lovingly with friends.
4. The Illusion of Speed and Instant Gratification
Modern attention spans are fractured. We scroll through TikTok feeds featuring thirty-second clips of entirely unrelated content, jumping seamlessly from a recipe to a comedy sketch to a DIY project.
In many ways, the disjointed, multi-author, wildly chaotic “trashy” novel mirrors the modern digital feed. Because it lacks a rigid, slow-burning traditional structure, it reads like a rapid-fire sequence of viral moments. For readers accustomed to fast-paced digital consumption, traditional pacing can feel agonisingly slow. Trashy novels keep the velocity high, ensuring you never get bored—even if you have no idea who the secondary antagonist is anymore.
5. Zero Pretentiousness, Total Accessibility
Literary snobbery can be exhausting. The moment a book feels like it’s trying to teach you a lesson or prove how smart the author is, a wall goes up for many readers.
Trashy novels have zero pretension. They make no promises other than to entertain you for a few hours. This radical accessibility makes them universally appealing. You don’t need a degree in English literature to enjoy a book about billionaire shadow-beasts fighting rogue cyborg assassins. You just need a pulse and a willingness to suspend your disbelief—way, way up in the stratosphere.
The Verdict: Long Live the Trashy Read
We may continue to mock them in polite literary circles, but the trashy, nonsensical, hastily assembled page-turner isn’t going anywhere. It fulfils a primal human need for stories that thrill, shock, and entertain without demanding too much in return.
So, the next time you find yourself sliding a trashy paperback onto the checkout counter, don’t blush. You aren’t falling victim to bad taste—you’re simply participating in a time-tested tradition of joyful, unapologetic escapism.
What is the most delightfully ridiculous “trashy” novel you’ve ever secretly loved? Let’s talk about it in the comments below!
David is a man troubled by a past he is trying to forget.
Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.
They are two people brought together by chance. Or was it?
When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.
When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.
Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.
Thrills, Spills, and just a dash of Romance 