When you first think of this word, it is with a slippery slope in mind.
I’ve been on a few of those in my time.
And while we’re on the subject, those inclines measured in degrees are very important if you want a train to get up and down the side of a mountain.
For the train, that’s an incline plane, the point where traction alone won’t get the iron horse up the hill.
Did I say ‘Iron Horse’? Sorry, regressed there, back to the mid-1800s in the American West for a moment.
It’s not that important when it comes to trucks and cars, and less so if you like four-wheel driving; getting up near-vertical mountainsides often present a welcome challenge to the true enthusiast
But for the rest of us, not so much if you find yourself sliding in reverse uncontrollably into the bay. I’m sure it’s happened more than once.
Then…
Are you inclined to go?
A very different sort of incline, ie to be disposed towards an attitude or desire.
An inclination, maybe, not to go four-wheel driving?
There is another, probably more obscure use of the word incline, and that relates to an elevated geological formation. Not the sort of reference that crops up in everyday conversation at the coffee shop.
But, you never know. Try it next time you have coffee and see what happens.
Hang about. Didn’t I read somewhere you need to plan your novel, create an outline setting the plot points, and flesh out the characters?
I’m sure it didn’t say, sit down and start writing!
Time to find a writing pad, and put my thinking cap on.
I make a list, what’s the story going to be about? Who’s going to be in it, at least at the start?
Like a newspaper story, I need a who, what, when, where, and how.
Right now.
I pick up the pen.
Character number one:
Computer nerd, ok, that’s a little close to the bone, a computer manager who is trying to be everything at once, and failing. Still me, but with a twist. Now, add a little mystery to him, and give him a secret, one that will only be revealed after a specific set of circumstance. Yes, I like that.
We’ll call him Bill, ex-regular army, a badly injured and repatriated soldier who was sent to fight a war in Vietnam, the result of which had made him, at times, unfit to live with.
He had a wife, which brings us to,
Character number two:
Ellen, Bill’s ex-wife, an army brat and a General’s daughter, and the result of one of those romances that met disapproval for so many reasons. It worked until Bill came back from the war, and from there it slowly disintegrated. There are two daughters, both by the time the novel begins, old enough to understand the ramifications of a divorce.
Character number three:
The man who is Bill’s immediate superior, the Services Department manager, a rather officious man who blindly follows orders, a man who takes pleasure in making others feel small and insignificant, and worst of all, takes the credit where none is due.
Oops, too much, that is my old boss. He’ll know immediately I’m parodying him. Tone it down, just a little, but more or less that’s him. Last name Benton. He will play a small role in the story.
Character number four:
Jennifer, the IT Department’s assistant manager, a woman who arrives in a shroud of mystery, and then, in time, to provide Bill with a shoulder to cry on when he and Ellen finally split, and perhaps something else later on.
More on her later as the story unfolds.
So far so good.
What’s the plot?
Huge corporation plotting to take over the world using computers? No, that’s been done to death.
Huge corporation, OK, let’s stop blaming the corporate world for everything wrong in the world. Corporations are not bad people, people are the bad people. That’s a rip off cliché, from guns don’t kill people, people kill people! There will be guns, and there will be dead people.
There will be people hiding behind a huge corporation, using a part of their computer network to move billions of illegally gained money around. That’s better.
Now, having got that, our ‘hero’ has to ‘discover’ this network, and the people behind it.
All we need now is to set the ball rolling, a single event that ‘throws a cat among the pigeons’.
Yes, Bill is on holidays, a welcome relief from the problems of work. He dreams of what he’s going to do for the next two weeks. The phone rings. Benton calling, the world is coming to an end, the network is down. He’s needed. A few terse words, but he relents.
Or that’s what I keep telling myself, struggling to stay awake and write the next sentence then the next sentence, and the one after that.
Long after I should have gone to bed.
Does that sound like your life?
Of course, it doesn’t. The rest of the world is sane, goes to work, come home, have dinner, watch a little television or play with the children, or maybe not, then go to bed.
None of this writing business, trying to finish the page, the scene, the chapter while the ideas are fresh in your mind.
Only your mind isn’t fresh, it’s been a long day, an argument with the significant other, a bigger argument with the cat, there’s the washing, the cooking, the cleaning…
When do I get five minutes for myself?
At the dead of night when everyone else has gone to bed, getting their eight hours sleep.
In the dark with only the screen to light the keyboard, I’m trying to find the way around the keyboard and turn out what has to be the next international best selling thriller.
The dog next door barks, it means the cat got out and is terrorizing it.
A door slams, it’s old Joe getting home late from the pub, probably drunk again.
Yep, right on target, the vitriol of a bitter woman, and I have to say, I don’t blame her.
Then I hear it, that voice from the deep, “Poppy.”
The youngest of the grandchildren, the very devil to get to sleep.
Writing for the night is over, time to read other people’s stories.
Mastering the Craft: Must-Read Authors from the 1940s and Beyond to Elevate Your Writing
When it comes to mastering the art of writing—whether it’s crafting intricate plots, developing multidimensional characters, or diving into profound themes—there are countless literary giants whose works serve as masterclasses in storytelling. Starting from the 1940s and moving backwards in time, these authors offer timeless lessons in style, structure, and substance. Here’s a curated list of authors and their works that can transform your approach to writing.
1. William Golding (1954) – Lord of the Flies
Lesson: Human Nature and Allegory Golding’s Lord of the Flies is a masterclass in allegorical storytelling and psychological depth. By placing a group of boys on a deserted island, he peels back the veneer of civilisation to reveal primal instincts. For writers, Golding teaches how to use a microcosmic setting to explore universal themes like power, fear, and morality. His sparse yet brutal prose shows how simplicity can amplify tension and symbolism.
2. Evelyn Waugh (1945) – Brideshead Revisited
Lesson: Structure and Societal Critique Waugh’s semi-autobiographical novel combines lush prose with a fragmented, reflective narrative. Brideshead Revisited is a lesson in balancing character development with thematic depth. Writers can learn how to weave personal introspection with societal critique (e.g., the decline of British aristocracy) and how to structure a narrative around memory and emotional resonance.
3. Graham Greene (1940s–1950s) – The Power and the Glory (1940), The Quiet American (1955)
Lesson: Moral Ambiguity and Pacing Greene’s novels, set against politically turbulent backdrops, explore moral ambiguity with razor-sharp precision. In The Power and the Glory, he uses a flawed priest to ask, “What makes a man good?” Writers can study Greene’s lean, taut prose, his ability to build tension through understatement, and how to embed philosophical questions into action-driven plots.
4. John Steinbeck (1939–1952) – The Grapes of Wrath, East of Eden
Lesson: Social Justice and Emotional Resonance Steinbeck’s unflinching portrayal of the human condition, from the Joad family’s plight in The Grapes of Wrath to the complex family dynamics in East of Eden, teaches the power of empathy in storytelling. His ability to balance epic scope with intimate moments is a guide to creating narratives that are both socially relevant and emotionally gripping.
5. F. Scott Fitzgerald (1925) – The Great Gatsby
Lesson: Symbolism and Narrative Voice Though published in the 1920s, Fitzgerald’s The Great Gatsby remains a touchstone for writers. Nick Carraway’s reflective narration and Gatsby’s glittering, tragic world showcase how symbolism (e.g., the green light, the Valley of Ashes) can anchor themes of aspiration and decay. His lyrical prose reminds us that language itself can be a character in the story.
6. Ernest Hemingway (1940s–1950s) – Across the River and into the Trees (1950)
Lesson: The Iceberg Theory Hemingway’s famous “theory of omission” (hide the deeper meaning beneath the surface) is best learned by studying his sparse, understated prose. His 1950s works, while less celebrated, demonstrate how much can be said with minimal words. A lesson in restraint: show, don’t tell.
7. George Orwell (1949) – 1984
Lesson: Dystopian Storytelling and Warning Narratives Orwell’s 1984 endures as a chilling exploration of authoritarianism and language manipulation. For writers, it’s a blueprint for constructing cautionary tales: how to create a world that feels grounded in reality, yet pushes the boundaries of imagination to provoke thought.
8. Virginia Woolf (1920s–1930s) – To the Lighthouse, Mrs. Dalloway
Lesson: Stream of Consciousness and Subjective Time Woolf’s modernist experiments with time and perspective teach writers how to capture the inner lives of characters. Her fluid narratives, like the fragmented days of Mrs. Dalloway, show how to blur the lines between external action and internal emotion.
9. Truman Capote (1960) – In Cold Blood
Lesson: Narrative Non-Fiction Though published in the 1960s, Capote’s blend of journalism and novelistic technique in In Cold Blood redefined true crime. It’s a masterclass in pacing, interview-driven storytelling, and how to humanise even the most heinous characters.
10. Harper Lee (1960) – To Kill a Mockingbird
Lesson: Moral Courage in Character Development Lee’s iconic novel, published in the early 1960s, is a case study in using a child’s perspective to critique systemic racism. Atticus Finch’s quiet moral authority and Scout’s growth illustrate how to embed ethical dilemmas into character arcs without sermonizing.
Conclusion: The Timeless Classroom of Literature
From Golding’s haunting allegories to Hemingway’s clipped prose, these authors offer a rich tapestry of techniques to inspire modern writers. Whether you’re drawn to the moral complexity of Greene, the symbolic depth of Fitzgerald, or the socio-political acuity of Orwell, reading backward from the 1940s is a journey into the heart of what makes storytelling enduring. So, dive in—your next story’s secret might be hidden in the pages of their masterpieces.
Final Tip: As you explore these works, don’t just read—annotate, imitate, and experiment. The best writing lessons come when you let these authors’ voices influence your own unique style. Happy writing!
The Ultimate Blueprint: Simple Guidelines for Planning and Writing a Series of Novels
Stepping into the world of novel series writing is both exhilarating and terrifying. Whether you are dreaming of an epic fantasy saga like Harry Potter, a sprawling space opera, or a gripping multi-book mystery series, the sheer scale of the project can easily overwhelm even the most disciplined writers.
How do you keep your plot straight across three, five, or ten books? How do you keep readers hooked from the final page of Book 1 without resorting to cheap tricks?
As a copywriter and content strategist, I look at book series through the dual lens of creative storytelling and audience retention. Just like a successful content marketing funnel, a great book series needs structural integrity, consistent branding (or tone), and a compelling journey that keeps the “consumer” coming back for more.
Here are some simple, actionable guidelines to help you plan and write a successful series of novels from conception to publication.
1. Define the Scope: Trilogy, Open-Ended, or Arc-Based?
Before you write a single word of Chapter 1, you need to know the architectural style of your series. Not all series are created equal. Broadly speaking, they fall into three categories:
The Finite Trilogy/Saga: Think The Lord of the Rings or The Hunger Games. There is one overarching plot, a clear beginning, middle, and end, and the series concludes when the main conflict is resolved.
The Episodic/Open-Ended Series: Think classic detective fiction like Sherlock Holmes or Lee Child’s Jack Reacher. The protagonist remains the same, but each book features a standalone mystery or adventure.
The Arc-Based Series: Think most modern urban fantasy or television shows. There is a “case of the week” or book-specific conflict, but a massive, overarching plot unfolds slowly in the background over multiple books.
Pro Tip: If this is your first series, start with a trilogy or a tight arc-based series. Open-ended series can easily suffer from “plot fatigue,” while trilogies force you to respect pacing and finality.
2. Establish the Core Promise (And Honour It)
Every genre has unwritten rules and reader expectations. If you are writing a romance series, the reader expects a happily-ever-after (HEA) or at least a happy-for-now (HFN). If you are writing a thriller, they expect high stakes and resolution.
When planning a series, define your Core Promise:
What emotional or psychological journey are you taking the reader on?
What makes this world and these characters unique?
Deliver a satisfying conclusion to each individual book while advancing the larger narrative promise across the series. If a reader finishes Book 1 and feels like nothing happened because it was “just setup” for Book 2, you’ve broken the contract of trust.
3. Map the Macro and the Micro (Outlining)
You can sometimes “pantser” (write by the seat of your pants) a standalone novel, but doing so for a series is a recipe for massive continuity errors, plot holes, and writer’s block.
You need a two-tier outlining strategy:
The Macro Outline (The Series Arc): Map out the major beats of the entire series before you start. Where does the protagonist start in Book 1? What is the midpoint of the entire series (usually in Book 2 of a trilogy)? How does it end in the final book? Knowing your destination prevents you from writing yourself into a corner.
The Micro Outline (The Individual Book): Once the macro arc is set, zoom in and outline the specific book you are currently writing. Ensure it has its own distinct three-act structure, rising action, climax, and resolution.
4. Design Characters with Built-In Runway
Your protagonist needs room to grow. If your main character starts Book 1 as an all-knowing, all-powerful master of their universe, where do they go by Book 3? Nowhere.
Give them flaws: Flaws create internal conflict, which is just as important as external conflict.
Plan the character arc: Map out how the character’s worldview will shift from book to book.
Don’t neglect the supporting cast: Introduce recurring side characters who can carry subplots, offer contrasting viewpoints, or act as foils for your protagonist.
5. Build a Living, Breathing Bible (Continuity Tracking)
Nothing pulls a reader out of a story faster than a character having blue eyes in Book 1 and brown eyes in Book 3, or a magical rule changing on a whim.
Create a Series Bible—a digital document (using tools like Notion, Scrivener, or even a simple Google Doc) where you track:
Character Profiles: Names, physical descriptions, quirks, key relationships, and character arcs.
World-Building Rules: Geography, history, magic systems, technology, or societal rules.
The Timeline: A chronological master-list of when events happen in your universe.
Update this bible religiously as you write. Future-you will thank present-you.
6. Balance Cliffhangers and Resolution
One of the trickiest parts of writing a series is figuring out how to end each individual book.
Avoid the “Abrupt Stop”: Do not simply cut the story off mid-sentence on page 300 and call it a cliffhanger. That frustrates readers.
Resolve the Main Conflict of the Book: The immediate threat of this specific novel must be dealt with. The villain of Book 1 should be defeated (or the immediate mystery solved).
Introduce the Next Catalyst: Once the dust settles, introduce a new revelation, a twist, or a threat that points directly toward Book 2. The reader should feel a sense of closure plus a massive spike of curiosity about what happens next.
7. Consider Your Release Strategy (For Indie and Hybrid Authors)
If you are self-publishing or working with independent presses, your release strategy matters immensely for series success.
Unlike traditional publishing, where books often come out years apart, modern readers consume content rapidly.
Write ahead: Ideally, write the first two or three books (or even the whole series) before publishing the first one.
Rapid release: Launching books close together (e.g., 1–3 months apart) allows you to capture algorithmic momentum, keep advertising profitable, and hook readers who hate waiting for sequels.
Final Thoughts: Consistency is King
Writing a series of novels is a marathon, not a sprint. The secret ingredient isn’t raw talent—it’s consistency. By setting clear structural goals, keeping meticulous notes in your series bible, and respecting the pacing of both individual books and the overarching narrative, you’ll build a cohesive, immersive world that readers won’t want to leave.
Now, open up that blank document, map out your macro-arc, and start writing the first chapter of your multi-book masterpiece!
Are you planning a book series right now? What genre are you tackling, and what’s your biggest challenge? Let’s chat in the comments below!
The Untouched Side of Lucerne: 5 Off‑the‑Beaten‑Path Experiences Worth Your Time
When most travellers think of Lucerne, the mind instantly jumps to its iconic Chapel Bridge, the towering Lion Monument, and the glittering waters of Lake Lucerne. Those are, of course, must‑see sights—but after you’ve snapped a photo of the medieval wooden bridge, you’ll probably crave something a little more intimate, a little more local.
Below is a curated list of five experiences that sit just beyond the typical tourist trail. They’re perfect for curious explorers who want to feel the pulse of Lucerne’s culture, nature, and history without the crowds.
1. Hike the Seeboden Alp – A Quiet Alpine Meadow With Panoramic Views
Why it’s special: While the classic Rigi‑Panorama trail draws hundreds of hikers each day, the Seeboden Alp route (also called the “Hidden Alpine Meadow”) remains a serene escape. Beginning at the Kreuzlingen train station (a short 10‑minute ride from Lucerne’s main station), the trail winds through pine forests, past crystal‑clear streams, and finally opens onto a broad alpine pasture that offers unobstructed 360° views of the Rigi, Pilatus, and the Central Swiss Alps.
What to expect:
Item
Details
Difficulty
Moderate – steady ascent (≈ 400 m elevation gain) over 3 km (round‑trip).
Time needed
1.5–2 hours (including photo stops).
Best season
Late June to early October – wildflowers in full bloom, snow‑free paths.
What to bring
Sturdy hiking shoes, water bottle, a light jacket (weather changes quickly at altitude).
Hidden gem
Near the meadow’s highest point lies a small, centuries‑old shepherd’s hut that still hosts occasional cheese‑making demonstrations on weekends.
Tip: Grab a Bündner cheese platter from the nearby Kreuzlingen Café before you set off – the fresh alpine cheese pairs perfectly with the panoramic vista.
2. Discover the Münsterplatz Secret Garden – A Verdant Oasis Behind the Cathedral
Why it’s special: Tucked behind the St. Leodegar’s Cathedral (the “Münster”) is a modest, privately‑maintained garden that most visitors never notice. The garden was originally created in the 19th century by a local merchant’s family as a private retreat and was opened to the public only a few years ago.
What you’ll love:
Botanical variety: Over 60 species of Alpine roses, lavender, and wild herbs flourish here, creating a fragrant scent trail that drifts out onto the square.
Historical whispers: A marble bench inscribed with a 1902 dedication reads, “Für die Ruhe der Seele” (“For the peace of the soul”). The bench has become a favoured spot for local poets and book clubs.
Artistic surprises: Every summer, a local artist collective installs rotating sculptures made from reclaimed wood and stone—perfect for Instagram‑ready shots without the crowds.
How to visit:
Access: Walk straight through the cathedral’s side entrance onto Kleinbaslertrasse; a discreet wooden gate leads into the garden.
Opening hours: 9 am–6 pm (closed on Mondays).
Cost: Free – donations are welcome at a small, tastefully designed donation box.
Tip: Pair your visit with a quick stop at the Café du Lac just across the square for a slice of Zuger Roggenbrot and a steaming cup of locally roasted coffee.
3. Board a Traditional Schiff to Ufenau Island – Switzerland’s Smallest Inhabited Island
Why it’s special: While most lake tours circle the main harbours, a morning “Ufenau Express” departs from the Kornmarkt dock and takes you to the tiny island of Ufenau, situated just a few kilometres downstream from Lucerne. The island hosts an 11th‑century Benedictine chapel, a modest vineyard, and a tranquil walking trail that circles the perimeter.
Highlights:
Historical depth: The chapel, St. Peter & St. Paul, survived the Reformation and still hosts occasional organ concerts in the summer.
Wine tasting: A small family‑run winery produces a crisp Riviera Pinot Noir that you can sample right on the island’s sun‑warmed terrace.
Birdwatching: Ufenau is a protected nesting ground for white‑tailed eagles and golden plovers—bring binoculars for a rewarding encounter.
Practicalities:
Item
Details
Departure
9:15 am and 2:30 pm daily (July–September).
Duration
45 minutes each way, plus 1‑hour island stay.
Ticket price
CHF 12 return (includes a brief guided tour).
What to pack
Comfortable shoes, a light windbreaker, and a reusable water bottle.
Accessibility
Small ramp available for wheelchair users; however, the island’s paths are uneven, so assistance may be needed.
Tip: Combine this trip with a lunch at the Lakeside Restaurant “Seespitz” in nearby Weggis—order the fresh‑caught perch with a side of herb‑infused potatoes for an authentic lakeside feast.
4. Explore the Musegg Wall’s Hidden Courtyards – Medieval Fortifications With a Modern Twist
Why it’s special: The iconic Musegg Wall—the well‑preserved part of Lucerne’s old city fortifications—features six towers (including the famous Zytturm). While most tourists climb the Zytturm for its city views, the inner courtyards behind the lesser‑known towers, especially the Löwendenkmal Tower (Lion Tower), remain quiet and surprisingly artistic.
What you’ll find:
Secret exhibitions: Each courtyard hosts rotating pop‑up galleries showcasing works by emerging Swiss photographers and sculptors.
Interactive history: QR codes installed on stone walls lead to short augmented‑reality videos that reconstruct medieval daily life—watch a blacksmith at work or a merchant’s stall bustling with trade.
Rooftop café: The “Turmlounge” atop the Schaulaufen Tower (open only on Saturdays) serves a selection of local pastries, honey‑infused tea, and a spectacular view of the Reuss River in a peaceful setting.
How to make the most of it:
Start at the Schnürschlösschen Gate—enter the wall’s pathway and follow the wooden signposts labelled “Kunst & Geschichte”.
Take your time in each courtyard; the installations are designed for contemplation, not rush.
Check the calendar on the city’s tourism website for the “Musegg Night” event, where the courtyards are lit by candlelight and local musicians perform acoustic sets.
Tip: Bring a small sketchbook. The quiet corners are perfect for drawing, and you might catch a street performer impromptu sketching session.
5. Ride the Historic Pilatus Bahn to Kriens‑Imfeld – A Scenic Railway Journey With a Surprise Picnic Spot
Why it’s special: Everyone knows about the Pilatus Railway (the world’s steepest cogwheel line) that rockets tourists up to the summit of Mount Pilatus. However, the first leg of the line, from Alpnachstad to Kriens‑Imfeld, is a gorgeous, lesser‑known ride that offers sweeping views of Lake Lucerne, the surrounding alpine ridges, and quaint farming villages—all without the crowds that flood the summit during peak season.
What makes it unique:
Historic carriages: The early‑20th‑century wooden carriages retain their original brass fittings and plush leather seats, creating a nostalgic travel experience.
Picnic paradise: At the Imfeld Station, a small meadow opens up beside the railway, dotted with wild strawberries in early summer. A traditional “Bürli”—a wooden table with benches—invites you to lay out a picnic while enjoying the gentle hum of the passing train.
Local flavours: The nearby Imfeld Bakery sells freshly baked “Saffron‑Rosinen‑Brot” (saffron raisin bread) and a selection of homemade jams made from locally harvested berries.
Logistics:
Item
Details
Departure
Trains run every hour from Alpnachstad between 8 am–5 pm (May–September).
Ticket
CHF 7 one‑way (discounted day‑pass available).
Duration
15 minutes to Imfeld; optional onward hike of 2 km to the Bergsee (mountain lake).
Best time to visit
Early morning (8–10 am) for tranquil light and fewer passengers.
Accessibility
Carriages are wheelchair‑compatible, but the meadow has uneven ground.
Tip: Purchase a “Picnic Pass” at the Imfeld ticket window – it includes a voucher for a slice of Alpine cheese tart from the station café, plus a reusable wooden cutlery set (eco‑friendly and perfect for your spontaneous snack).
Bonus: How to Blend These Experiences Into One Perfect Day
If you’re staying in Lucerne for a short visit and want to sample a slice of each hidden gem, here’s a suggested itinerary:
Time
Activity
08:00
Grab a quick croissant at Café Heini and head to Alpnachstad for the Pilatus Bahn ride.
09:00
Arrive at Kriens‑Imfeld, enjoy the meadow picnic and stroll to the Bergsee.
11:30
Take the train back to Lucerne, then hop on the Ufenau Express from Kornmarkt.
13:00
Disembark on Ufenau Island, explore the chapel, and sip wine on the terrace.
14:30
Return to Lucerne; walk through the Münsterplatz Secret Garden for a quiet afternoon tea.
16:00
Head to Musegg Wall – wander the hidden courtyards and perhaps catch a pop‑up gallery.
18:00
Finish the day with a gentle hike to Seeboden Alp for sunset views over the lakes and mountains.
20:00
Dinner at Restaurant Nidelgau (book a table with lake view).
Adjust the timing according to the season and your personal pace—each stop can easily become a half‑day adventure if you wish!
Final Thoughts
Lucerne’s charm isn’t confined to its postcard‑perfect bridges and bustling promenades. By stepping off the well‑trodden path, you’ll discover serene alpine meadows, hidden gardens, intimate islands, and living pieces of history that reveal the city’s authentic soul.
Whether you’re a seasoned backpacker, a history buff, or simply a curious traveller seeking a quieter connection with Switzerland’s heart, these five hidden gems promise unforgettable moments—far from the crowds but close to the spirit of Lucerne.
Pack your camera, bring an open mind, and let the road less travelled become your favourite story to tell.
We’ve all heard of the expression, he’s playing it fast and loose, or more interestingly, he’s fast and loose with the truth.
I’ve never really got a proper definition of that expression, but it sounds good, and people have to use their imaginations and put their own interpretation to it.
And if this was the 1930s, and Clarke Gable was playing opposite Jean Harlow, it’s exactly how the posters would describe the blonde bombshell.
Loose, however, in a more literal sense means not tight, so a loose nut on a bolt might be the cause of a catastrophe.
And speaking of catastrophes, there’s a fox loose in the hen house. Sadly it would be very difficult to catch and tie up.
Of course, in hot weather, you’d rather be wearing something loose, to keep cool.
Women, in particular, can wear their hair loose, as distinct from ‘up’, or in a ponytail or braids.
Some people make a loose interpretation, which inevitably creates grey areas, and loose lips, well, they’ve been known to sink ships.
This word can sometimes be confused with lose, which means something else entirely.
Like, lose a watch, lose your head, in more ways than one, lose your life, as if it was one of nine when it isn’t, and lose everything, perhaps, in the 1930’s stock market crash.
Quite literally, it means to be deprived of, or cease to gain or have.
You can lose weight, have a clock that loses time, or you can lose your temper.
In the distance, he could hear the dinner bell ringing and roused himself. Feeling the dampness of the pillow and fearing the ravages of pent-up emotion, he considered not going down but thought it best not to upset Mrs Mac, especially after he said he would be dining.
In the event, he wished he had reneged, especially when he discovered he was not the only guest staying at the hotel.
Whilst he’d been reminiscing, another guest, a young lady, had arrived. He’d heard her and Mrs Mac coming up the stairs and then shown to a room on the same floor, perhaps at the other end of the passage.
Henry caught his first glimpse of her when she appeared at the door to the dining room, waiting for Mrs Mac to show her to a table.
She was in her mid-twenties, slim, with long brown hair, and the grace and elegance of a woman associated with countless fashion magazines. She was, he thought, stunningly beautiful with not a hair out of place, and make-up flawlessly applied. Her clothes were black, simple, elegant, and expensive, the sort an heiress or wife of a millionaire might condescend to wear to a lesser occasion than dinner.
Then there was her expression; cold, forbidding, almost frightening in its intensity. And her eyes, piercingly blue and yet laced with pain. Dracula’s daughter was his immediate description of her.
All in all, he considered, the only thing they had in common was, like him, she seemed totally out of place.
Mrs Mac came out of the kitchen, wiping her hands on her apron. She was, she informed him earlier, chef, waitress, hotelier, barmaid, and cleaner all rolled into one. Coming up to the new arrival, she said, “Ah, Miss Andrews, I’m glad you decided to have dinner. Would you like to sit with Mr Henshaw, or would you like to have a table of your own?”
Henry could feel her icy stare as she sized up his appeal as a dining companion, making the hair on the back of his neck stand up. He purposely didn’t look back. In his estimation, his appeal rating was minus six. Out of a thousand!
“If Mr Henshaw doesn’t mind….” She looked at him, leaving the query in mid-air.
He didn’t mind and said so. Perhaps he’d underestimated his rating.
“Good.” Mrs Mac promptly ushered her over. Henry stood, made sure she was seated properly and sat.
“Thank you. You are most kind.” The way she said it suggested snobbish overtones.
“I try to be when I can.” It was supposed to nullify her sarcastic tone, but it made him sound a little silly, and when she gave him another of her icy glares, he regretted it.
Mrs Mac quickly intervened, asking, “Would you care for the soup?”
They did, and, after writing the order on her pad, she gave them each a look, imperceptibly shook her head, and returned to the kitchen.
Before Michelle spoke to him again, she had another quick look at him, trying to fathom who and what he might be. There was something about him.
His eyes mirrored the same sadness she felt, and, yes, there was something else, that it looked like he had been crying. There was a tinge of redness.
Perhaps, she thought, he was here for the same reason she was.
No. That wasn’t possible.
Then she said, without thinking, “Do you have any particular reason for coming here?” Seconds later, she realised she’d spoken it out loud, hadn’t meant to actually ask, it just came out.
It took him by surprise, obviously not the first question he was expecting her to ask of him.
“No, other than it is as far from civilisation, and home as I could get.”
At least we agree on that, she thought.
It was obvious he was running away from something as well.
Given the isolation of the village and lack of geographic hospitality, it was, from her point of view, ideal. All she had to do was avoid him, and that wouldn’t be difficult.
After getting through this evening first.
“Yes,” she agreed. “It is that.”
A few seconds passed, and she thought she could feel his eyes on her and wasn’t going to look up.
Until he asked, “What’s your reason?”
Slightly abrupt in manner, perhaps, because of her question and how she asked it.
She looked up. “Rest. And have some time to myself.”
She hoped he would notice the emphasis she had placed on the word ‘herself’ and take due note. No doubt, she thought, she had completely different ideas of what constituted a holiday than he, not that she had said she was here for a holiday.
Mrs Mac arrived at a fortuitous moment to save them from further conversation.
Over the entree, she wondered if she had made a mistake coming to the hotel. Of course, there had been no conceivable way she could know that anyone else might have booked the same hotel, but she realised it was foolish to think she might end up in it by herself.
Was that what she was expecting?
Not a mistake then, but an unfortunate set of circumstances, which could be overcome by being sensible.
Yet, there he was, and it made her curious, not that he was a man, by himself, in the middle of nowhere, hiding like she was, but for quite varied reasons.
On discreet observation, whilst they ate, she gained the impression his air of light-heartedness was forced, and he had no sense of humour.
This feeling was engendered by his looks, unruly dark hair, and permanent frown. And then there was his abysmal taste in clothes on a tall, lanky frame. They were quality but totally unsuited to the wearer.
Rebellion was written all over him.
The only other thought crossing her mind, and incongruously, was that he could do with a decent feed. In that respect, she knew now from the mountain of food in front of her, he had come to the right place.
“Mr Henshaw?”
He looked up. “Henshaw is too formal. Henry sounds much better,” he said, with a slight hint of gruffness.
“Then my name is Michelle.”
Mrs Mac came in to take their order for the only main course, gather up the entree dishes, and then return to the kitchen.
“Staying long?” she asked.
“About three weeks. Yourself?”
“About the same.”
The conversation dried up.
Neither looked at the other, but rather at the walls, out the window, towards the kitchen, anywhere. It was, she thought, unbearably awkward.
Mrs Mac returned with a large tray with dishes on it, setting it down on the table next to theirs.
“Not as good as the usual cook,” she said, serving up the dinner expertly, “but it comes a good second, even if I do say so myself. Care for some wine?”
Henry looked at Michelle. “What do you think?”
“I’m used to my dining companions making the decision.”
You would, he thought. He couldn’t help but notice the cutting edge of her tone. Then, to Mrs Mac, he named a particular White Burgundy he liked, and she bustled off.
“I hope you like it,” he said, acknowledging her previous comment with a smile that had nothing to do with humour.
“Yes, so do I.”
Both made a start on the main course, a concoction of chicken and vegetables that were delicious, Henry thought when compared to the bland food he received at home and sometimes aboard my ship.
It was five minutes before Mrs Mac returned with the bottle and two glasses. After opening it and pouring the drinks, she left them alone again.
Henry resumed the conversation. “How did you arrive? I came by train.”
“By car.”
“Did you drive yourself?”
And he thought, a few seconds later, that was a silly question; otherwise, she would not be alone, and certainly not sitting at this table. With him.
“After a fashion.”
He could see that she was formulating a retort in her mind, then changed it, instead, smiling for the first time, and it served to lighten the atmosphere.
And in doing so, it showed him she had another, more pleasant side despite the fact she was trying not to look happy.
“My father reckons I’m just another of ‘those’ women drivers,” she added.
“Whatever for?”
“The first and only time he came with me, I had an accident. I ran up the back of another car. Of course, it didn’t matter to him that the other driver was driving like a startled rabbit.”
“It doesn’t help,” he agreed.
“Do you drive?”
“Mostly people up the wall.” His attempt at humour failed. “Actually,” he added quickly, “I’ve got a very old Morris that manages to get me where I’m going.”
The apple pie and cream for dessert came and went, and the rapport between them improved as the wine disappeared and the coffee came. Both had found, after getting to know each other better, that their first impressions were not necessarily correct.
“Enjoy the food?” Mrs Mac asked, suddenly reappearing.
“Beautifully cooked and delicious to eat,” Michelle said, and Henry endorsed her remarks.
“Ah, it does my heart good to hear such genuine compliments,” she said, smiling. She collected the last of the dishes and disappeared yet again.
“What do you do for a living?” Michelle asked in an offhand manner.
He had a feeling she was not particularly interested, and it was just making conversation.
“I’m a purser.”
“A what?”
“A purser. I work on a ship doing the paperwork, that sort of thing.”
“I see.”
“And you?”
“I was a model.”
“Was?”
“Until I had an accident, a rather bad one.”
“Oh, I’m sorry.”
So that explained the odd feeling he had about her.
As the evening wore on, he began to think there might be something wrong, seriously wrong with her because she didn’t look too well. Even the carefully applied makeup, from close, didn’t hide the very pale, tired look, or the sunken, dark-ringed eyes.
“I try not to think about it, but it doesn’t necessarily work. I’ve come here for peace and quiet, away from doctors and parents.”
“Then you will not have to worry about me annoying you. I’m one of those fall-asleep-reading-a-book types.”
Perhaps it would be like ships passing in the night, and then he smiled to himself about the analogy.
Dinner over, they separated.
Henry went back to the lounge to read a few pages of his book before going to bed, and Michelle went up to her room to retire for the night.
But try as he might, he was unable to read, his mind dwelling on the unusual, yet compellingly mysterious person he would be sharing the hotel with.
Overlaying that original blurred image of her standing in the doorway was another of her haunting expressions that had, he finally conceded, taken his breath away, and a look that had sent more than one tingle down his spine.
She may not have thought much of him, but she had certainly made an impression on him.
The Road‑Less‑Travelled in Vaduz: 5 Hidden Gems Worth Exploring
Vaduz may be tiny, but it’s brimming with surprises for the curious traveller. While most visitors gravitate toward the iconic castle, the state museum, and the glittering shopping street, the capital of Liechtenstein has a quieter side that rewards those who wander off the main postcard route. Below are my five favourite “off‑the‑beaten‑path” experiences – perfect for a day (or a few hours) when you crave something a little different.
1. Stroll the “Kunstweg” – Vaduz’s Secret Art Trail
Why it’s special
Tucked between the historic centre and the foothills of the Alps, a short footpath leads you past a series of contemporary sculptures and mural‑covered walls that most guidebooks skip. Each piece is curated by the tiny but vibrant Kunstverein Liechtenstein (Art Association) and changes seasonally, so you’ll never see the same lineup twice.
What to look for
The “Glass Feather” – a translucent installation that refracts sunlight into a rainbow on the riverbank.
“Echoes of the Alps” – a series of bronze panels that play faint Alpine wind sounds when you step close.
Hidden mural on a back‑alley building, painted by a local graffiti collective, depicting a mythic Liechtensteinic dragon.
Tips
Bring a small notebook – the artists love hearing visitors’ thoughts, and a quick sketch can become a souvenir.
Go early in the morning; the light makes the glass installations sparkle like gems.
2. Taste the “Heidi‑Style” Alpine Farmstead Café
Why it’s special
While the capital’s cafés cater to tourists, a family‑run farmstead just outside the city gates (about a 10‑minute walk) serves authentic, farm‑to‑table dishes in a rustic barn setting. Think cheese‑fondue made from the farm’s own alps‑milk, freshly baked “Vaterspaß” rye rolls, and a secret herb‑infused jam that locals swear is the best thing since the invention of the internet.
What to order
Schlössli Cheese Fondue – a blend of Gruyère, Emmental, and a pinch of local mountain herbs.
Kaiserschmarrn à la Vaduz – fluffy shredded pancake served with apple‑compote made from the orchard behind the café.
“Alpine Whisper” Liqueur – a house‑made apricot spirit you can sip on the terrace while watching the goats graze.
Tips
Sit on the hay‑straw benches for the full farm‑feeling experience.
Ask the owner, Marta, for a quick tour of the cheese‑aging cellar – it’s a 5‑minute walk in the back, and she loves sharing the process.
3. Explore the “Mysterious Underground Vaults” of the Old Customs House
Why it’s special
Behind the sleek, modern façade of the customs office lies a network of vaulted stone chambers built in the 18th century to store smuggled goods and precious metals. The city council now opens them for guided “Night‑Whisper” tours, featuring low‑light lanterns, storytelling, and a taste of historic Liechtensteinian spirits.
Highlights
The “Silversmith’s Chamber” – where clandestine metalwork took place.
The “Map Room” – a dusty wall of hand‑drawn cartography showing secret Alpine passes used by traders.
The “Wine Cellar of the Count” – still contains a few bottles of 1913 Riesling, preserved in perfect condition.
Tips
Book at least 48 hours in advance; the tours are limited to ten participants.
Wear comfortable shoes – the stone steps can be slippery when the lanterns are lit.
4. Bike the “Rheintal Loop” – A Scenic Ride the Locals Call “The Green Ribbon”
Why it’s special
Most visitors see Vaduz from a car window or a train seat, but the Rheintal Loop offers a 25‑km bicycle circuit that winds along the calm banks of the Rhine, climbs through pine‑scented hills, and passes tiny hamlets where children still wave from their doorsteps. It’s a perfect blend of nature, history, and quiet village life.
Must‑see stops
The ancient Roman bridge in Nendeln – a stone arch spanning the river, still in use today.
Kleinwalsertal viewpoint – a small plateau with a panoramic bench offering a 180° view of the Alps and the valley below.
The “Butterfly Meadow” near Schaan – a meadow packed with native wildflowers, especially vibrant in late June.
Tips
Rent a hybrid bike from the “Alpine Cycle Co.” on Helvetiaplatz – they provide helmets, a waterproof map, and a complimentary energy bar.
Pack a lightweight rain jacket; weather in the Alps can shift in a heartbeat.
5. Attend a “Silent Film Night” at the Old Town Cinema (Kinemathek)
Why it’s special
The tiny, Art‑Deco cinema on the corner of Gassnerstrasse shows an eclectic mix of classic silent movies, local experimental shorts, and occasional live piano accompaniment. The venue is intimate (just 50 seats), and the décor retains its 1920s charm: velvet curtains, brass sconces, and a historic popcorn machine that still whirs like a miniature steam engine.
Upcoming shows (as of 2025)
“The Prince of the Valley” – a 1923 Liechtensteinic drama about a young aristocrat who renounces his title to become a shepherd.
“Alpine Echoes” – a modern short film series filmed entirely on a smartphone by local students, depicting the lives of mountain rescue dogs.
“Live Piano Night” – a concert where pianist Miriam Keller plays original scores while the audience watches classic Buster Keaton reels.
Tips
Arrive early to snag a seat by the wall; the acoustics are best there.
Grab a cup of “Müesli Latte” from the café downstairs – it’s a warm milk drink with toasted oat flakes and a dash of cinnamon.
Bonus: How to Weave These Gems Into a Perfect Day
Time
Activity
Reason
08:00
Breakfast at the Alpine Farmstead Café
Fresh, local fare to fuel your adventure
09:30
Walk the Kunstweg
Gentle warm‑up while soaking in art & light
11:00
Bike the Rheintal Loop (first half)
Scenic ride & gentle hill climbs
13:00
Picnic lunch (grab a cheese platter from the farmstead)
Picnic by the river – pure bliss
14:30
Underground Vaults tour
Dive into Vaduz’s secret past
16:30
Continue the Loop (second half)
Return via a different side, spotting hidden villages
18:30
Evening coffee at the Old Town Cinema café
Relax before the film
19:30
Silent Film Night
End the day with nostalgic magic
Final Thoughts
Vaduz may wear a crown of polished tourism, but underneath lies a tapestry of quiet corners, local traditions, and hidden stories waiting for the inquisitive traveller. Whether you’re an art lover, a foodie, a history buff, a cyclist, or a cinephile, these five off‑the‑beaten‑path experiences will let you see a side of the capital that most guidebooks overlook.
So next time you wander into this Alpine jewel, stray from the usual map, ask a local for a secret, and let Vaduz’s quieter rhythms surprise you.
Ready to explore? Pack your walking shoes, a sense of adventure, and maybe a notebook for those spontaneous sketches – Vaduz’s hidden treasures are just a few steps away.
A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovered his wife having dinner in their favourite restaurant with another man.
A single event where it could be said Ben was in the wrong place at the wrong time.
Who was this man? Why was she having dinner with him?
A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.
A single event that forces Ben to question everything he thought he knew about his wife and the people who are around her.
After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.
From London to a small village in Tuscany, little by little, Ben discovers who the woman he married is, and the real reason why fate had brought them together.
The Ultimate Blueprint: Simple Guidelines for Planning and Writing a Series of Novels
Stepping into the world of novel series writing is both exhilarating and terrifying. Whether you are dreaming of an epic fantasy saga like Harry Potter, a sprawling space opera, or a gripping multi-book mystery series, the sheer scale of the project can easily overwhelm even the most disciplined writers.
How do you keep your plot straight across three, five, or ten books? How do you keep readers hooked from the final page of Book 1 without resorting to cheap tricks?
As a copywriter and content strategist, I look at book series through the dual lens of creative storytelling and audience retention. Just like a successful content marketing funnel, a great book series needs structural integrity, consistent branding (or tone), and a compelling journey that keeps the “consumer” coming back for more.
Here are some simple, actionable guidelines to help you plan and write a successful series of novels from conception to publication.
1. Define the Scope: Trilogy, Open-Ended, or Arc-Based?
Before you write a single word of Chapter 1, you need to know the architectural style of your series. Not all series are created equal. Broadly speaking, they fall into three categories:
The Finite Trilogy/Saga: Think The Lord of the Rings or The Hunger Games. There is one overarching plot, a clear beginning, middle, and end, and the series concludes when the main conflict is resolved.
The Episodic/Open-Ended Series: Think classic detective fiction like Sherlock Holmes or Lee Child’s Jack Reacher. The protagonist remains the same, but each book features a standalone mystery or adventure.
The Arc-Based Series: Think most modern urban fantasy or television shows. There is a “case of the week” or book-specific conflict, but a massive, overarching plot unfolds slowly in the background over multiple books.
Pro Tip: If this is your first series, start with a trilogy or a tight arc-based series. Open-ended series can easily suffer from “plot fatigue,” while trilogies force you to respect pacing and finality.
2. Establish the Core Promise (And Honour It)
Every genre has unwritten rules and reader expectations. If you are writing a romance series, the reader expects a happily-ever-after (HEA) or at least a happy-for-now (HFN). If you are writing a thriller, they expect high stakes and resolution.
When planning a series, define your Core Promise:
What emotional or psychological journey are you taking the reader on?
What makes this world and these characters unique?
Deliver a satisfying conclusion to each individual book while advancing the larger narrative promise across the series. If a reader finishes Book 1 and feels like nothing happened because it was “just setup” for Book 2, you’ve broken the contract of trust.
3. Map the Macro and the Micro (Outlining)
You can sometimes “pantser” (write by the seat of your pants) a standalone novel, but doing so for a series is a recipe for massive continuity errors, plot holes, and writer’s block.
You need a two-tier outlining strategy:
The Macro Outline (The Series Arc): Map out the major beats of the entire series before you start. Where does the protagonist start in Book 1? What is the midpoint of the entire series (usually in Book 2 of a trilogy)? How does it end in the final book? Knowing your destination prevents you from writing yourself into a corner.
The Micro Outline (The Individual Book): Once the macro arc is set, zoom in and outline the specific book you are currently writing. Ensure it has its own distinct three-act structure, rising action, climax, and resolution.
4. Design Characters with Built-In Runway
Your protagonist needs room to grow. If your main character starts Book 1 as an all-knowing, all-powerful master of their universe, where do they go by Book 3? Nowhere.
Give them flaws: Flaws create internal conflict, which is just as important as external conflict.
Plan the character arc: Map out how the character’s worldview will shift from book to book.
Don’t neglect the supporting cast: Introduce recurring side characters who can carry subplots, offer contrasting viewpoints, or act as foils for your protagonist.
5. Build a Living, Breathing Bible (Continuity Tracking)
Nothing pulls a reader out of a story faster than a character having blue eyes in Book 1 and brown eyes in Book 3, or a magical rule changing on a whim.
Create a Series Bible—a digital document (using tools like Notion, Scrivener, or even a simple Google Doc) where you track:
Character Profiles: Names, physical descriptions, quirks, key relationships, and character arcs.
World-Building Rules: Geography, history, magic systems, technology, or societal rules.
The Timeline: A chronological master-list of when events happen in your universe.
Update this bible religiously as you write. Future-you will thank present-you.
6. Balance Cliffhangers and Resolution
One of the trickiest parts of writing a series is figuring out how to end each individual book.
Avoid the “Abrupt Stop”: Do not simply cut the story off mid-sentence on page 300 and call it a cliffhanger. That frustrates readers.
Resolve the Main Conflict of the Book: The immediate threat of this specific novel must be dealt with. The villain of Book 1 should be defeated (or the immediate mystery solved).
Introduce the Next Catalyst: Once the dust settles, introduce a new revelation, a twist, or a threat that points directly toward Book 2. The reader should feel a sense of closure plus a massive spike of curiosity about what happens next.
7. Consider Your Release Strategy (For Indie and Hybrid Authors)
If you are self-publishing or working with independent presses, your release strategy matters immensely for series success.
Unlike traditional publishing, where books often come out years apart, modern readers consume content rapidly.
Write ahead: Ideally, write the first two or three books (or even the whole series) before publishing the first one.
Rapid release: Launching books close together (e.g., 1–3 months apart) allows you to capture algorithmic momentum, keep advertising profitable, and hook readers who hate waiting for sequels.
Final Thoughts: Consistency is King
Writing a series of novels is a marathon, not a sprint. The secret ingredient isn’t raw talent—it’s consistency. By setting clear structural goals, keeping meticulous notes in your series bible, and respecting the pacing of both individual books and the overarching narrative, you’ll build a cohesive, immersive world that readers won’t want to leave.
Now, open up that blank document, map out your macro-arc, and start writing the first chapter of your multi-book masterpiece!
Are you planning a book series right now? What genre are you tackling, and what’s your biggest challenge? Let’s chat in the comments below!
What starts as a search for a missing husband soon develops into an unbelievable story of treachery, lies, and incredible riches.
…
It was meant to remain buried long enough for the dust to settle on what was once an unpalatable truth, when enough time had passed, and those who had been willing to wait could reap the rewards.
The problem was, no one knew where that treasure was hidden or the location of the logbook that held the secret.
At stake, billions of dollars’ worth of stolen Nazi loot brought to the United States in an anonymous tramp steamer and hidden in a specially constructed vault under a specifically owned plot of land on the once docklands of New York.
It may have remained hidden and unknown to only a few, if it had not been for a mere obscure detail being overheard …
… by our intrepid, newly minted private detective, Harry Walthenson …
… and it would have remained buried.
Now, through a series of unrelated events, or are they, that well-kept secret is out there, and Harry will not stop until the whole truth is uncovered.
Thrills, Spills, and just a dash of Romance 