When you first think of this word, it is with a slippery slope in mind.
I’ve been on a few of those in my time.
And while we’re on the subject, those inclines measured in degrees are very important if you want a train to get up and down the side of a mountain.
For the train, that’s an incline plane, the point where traction alone won’t get the iron horse up the hill.
Did I say ‘Iron Horse’? Sorry, regressed there, back to the mid-1800s in the American West for a moment.
It’s not that important when it comes to trucks and cars, and less so if you like four-wheel driving; getting up near-vertical mountainsides often present a welcome challenge to the true enthusiast
But for the rest of us, not so much if you find yourself sliding in reverse uncontrollably into the bay. I’m sure it’s happened more than once.
Then…
Are you inclined to go?
A very different sort of incline, ie to be disposed towards an attitude or desire.
An inclination, maybe, not to go four-wheel driving?
There is another, probably more obscure use of the word incline, and that relates to an elevated geological formation. Not the sort of reference that crops up in everyday conversation at the coffee shop.
But, you never know. Try it next time you have coffee and see what happens.
Hang about. Didn’t I read somewhere you need to plan your novel, create an outline setting the plot points, and flesh out the characters?
I’m sure it didn’t say, sit down and start writing!
Time to find a writing pad, and put my thinking cap on.
I make a list, what’s the story going to be about? Who’s going to be in it, at least at the start?
Like a newspaper story, I need a who, what, when, where, and how.
Right now.
I pick up the pen.
Character number one:
Computer nerd, ok, that’s a little close to the bone, a computer manager who is trying to be everything at once, and failing. Still me, but with a twist. Now, add a little mystery to him, and give him a secret, one that will only be revealed after a specific set of circumstance. Yes, I like that.
We’ll call him Bill, ex-regular army, a badly injured and repatriated soldier who was sent to fight a war in Vietnam, the result of which had made him, at times, unfit to live with.
He had a wife, which brings us to,
Character number two:
Ellen, Bill’s ex-wife, an army brat and a General’s daughter, and the result of one of those romances that met disapproval for so many reasons. It worked until Bill came back from the war, and from there it slowly disintegrated. There are two daughters, both by the time the novel begins, old enough to understand the ramifications of a divorce.
Character number three:
The man who is Bill’s immediate superior, the Services Department manager, a rather officious man who blindly follows orders, a man who takes pleasure in making others feel small and insignificant, and worst of all, takes the credit where none is due.
Oops, too much, that is my old boss. He’ll know immediately I’m parodying him. Tone it down, just a little, but more or less that’s him. Last name Benton. He will play a small role in the story.
Character number four:
Jennifer, the IT Department’s assistant manager, a woman who arrives in a shroud of mystery, and then, in time, to provide Bill with a shoulder to cry on when he and Ellen finally split, and perhaps something else later on.
More on her later as the story unfolds.
So far so good.
What’s the plot?
Huge corporation plotting to take over the world using computers? No, that’s been done to death.
Huge corporation, OK, let’s stop blaming the corporate world for everything wrong in the world. Corporations are not bad people, people are the bad people. That’s a rip off cliché, from guns don’t kill people, people kill people! There will be guns, and there will be dead people.
There will be people hiding behind a huge corporation, using a part of their computer network to move billions of illegally gained money around. That’s better.
Now, having got that, our ‘hero’ has to ‘discover’ this network, and the people behind it.
All we need now is to set the ball rolling, a single event that ‘throws a cat among the pigeons’.
Yes, Bill is on holidays, a welcome relief from the problems of work. He dreams of what he’s going to do for the next two weeks. The phone rings. Benton calling, the world is coming to an end, the network is down. He’s needed. A few terse words, but he relents.
Today I decided to take some time out and read a few blogs, to see what the rest of the world is doing leading up to CampNaNoWriMo, and sometimes read some news that’s usually a few days old, not that I’m complaining.
And still working on the James Bondish piece that set my mind on fire. Last I heard, he has almost completed a successful, almost suicide, mission. There’s just a small matter of a rebel helicopter with air-to-air missiles trying to shoot down the escape plane.
I try to keep away from the news if it’s possible, but it comes at you from everywhere. My browser somehow decided to allow notifications and every few minutes a little popout slides out from the bottom right corner and tells me what’s gone wrong.
Never any good news by the way.
And yes, I have Windows 10, but I can’t be bothered reading the manual to find out how to stop them. Maybe, subconsciously, I don’t.
I never thought one man could generate so many headlines. We had one, given the nickname, the human headline, but Trump, he is in a class of his own.
I used to like watching him on The Apprentice, believe it or not.
But again I digress…
I saw the word selfish popup in a number of posts, and it reminded me that, at times writers have to be. There are only so many hours in a day, and after emails, blogs, reading, news, life, there’s very little time left to write.
So, we need to be selfish at those times. I am because when I sit down to write, there shouldn’t be any distractions. As a writer, I’m not seeking popularity, maybe one day that will come, but I’m in this writing thing because I have stories to tell and I want to get them down. Nobody may ever read them, I may never rise above mediocrity, but I am doing something I love, and very few of us out there can say that unequivocally.
Most of us have a day job or something else that consumes a great deal of our time.
Oh to be a successful author like James Patterson? But how does he do it? I guess it comes down to hard work, and a little bit of luck.
And maybe, one day, if I work hard enough, some of it might come my way.
Breaking Free from Conventional Patterns: A Guide to Classicist, Modernist, and Personalised Visual Storytelling
As creatives, we’re often influenced by the styles and trends of our time. When it comes to visual storytelling, two dominant patterns have emerged: classicism and modernism. While these styles have their roots in art and architecture, they also extend to the world of design, writing, and even social media. But what happens when we want to break free from these conventional patterns and forge our own path? In this post, we’ll explore the characteristics of classicist and modernist patterns, discuss the pros and cons of using them, and provide guidance on creating your own unique visual language.
Classicism: Timeless Elegance
Classicism is characterised by:
Symmetry and balance
Ornate details and embellishments
Traditional typography and serif fonts
Earthy colours and muted tones
References to historical and cultural icons
Classical patterns evoke a sense of tradition, sophistication, and timelessness. They’re often associated with luxury brands, high-end products, and institutions that value heritage and prestige. If you’re aiming to create a sense of authority, trust, and stability, classicist patterns might be the way to go.
Modernism: Bold Innovation
Modernist patterns, on the other hand, are marked by:
Clean lines and minimalism
Geometric shapes and abstract forms
Sans-serif fonts and bold typography
Bright colours and bold contrasts
Emphasis on functionality and simplicity
Modernist patterns embody the spirit of innovation, progress, and experimentation. They’re commonly used in tech, design, and creative industries that prioritize forward thinking and cutting-edge ideas. If you want to convey a sense of dynamism, creativity, and forward momentum, modernist patterns might be your best bet.
The Risks of Conventional Patterns
While both classicist and modernist patterns have their advantages, relying too heavily on them can lead to:
Lack of originality and uniqueness
Overuse and clichés
Inability to stand out in a crowded market
Limited creative freedom and expression
Creating Your Own Patterns: The Power of Personalisation
So, what if you want to break free from these conventional patterns and create something truly unique? The good news is that you can! By combining elements from different styles, experimenting with new forms and shapes, and incorporating personal touches, you can develop a visual language that reflects your brand’s personality and values.
Here are some tips for creating your own patterns:
Experiment with hybrids: Mix and match elements from classicism and modernism to create a style that’s both timeless and innovative.
Draw from personal experiences: Incorporate patterns and motifs that reflect your personal story, interests, or cultural background.
Play with typography: Use custom fonts, handwritten scripts, or unconventional typography to add a touch of personality to your designs.
Incorporate natural elements: Use organic shapes, textures, and colours to bring a sense of warmth and authenticity to your visual storytelling.
Keep it simple: Don’t be afraid to strip away unnecessary elements and focus on simplicity and clarity.
Conclusion
In the world of visual storytelling, patterns and styles can be both a blessing and a curse. While classicist and modernist patterns have their advantages, they can also limit our creative potential and lead to clichés. By embracing the power of personalisation and experimentation, we can break free from conventional patterns and create a visual language that’s truly unique and reflective of our brand’s personality. So, don’t be afraid to take risks, try new things, and forge your own path. The possibilities are endless, and the results can be truly remarkable.
The Great Title Debate: Why Both Short & Long Titles Work (And How to Choose)
We’ve all heard the golden rule of content creation: Keep it short and punchy.
From Ernest Hemingway to modern-day Twitter, brevity is traditionally praised as the ultimate form of wit. Short titles are clean, easy to read on mobile screens, and instantly digestible.
Yet, if you look at the top-ranking articles on Google, viral YouTube videos, and bestselling books, you’ll notice a fascinating paradox: Extremely long titles are just as popular.
Think about it. Would you rather click on “Productivity Tips” or “10 Scientifically Proven Productivity Tips That Will Transform Your Morning Routine Before 8 AM”?
While both work, they serve entirely different psychological triggers. If short and simple titles are so great, why do long titles dominate just as much? And more importantly, which one should you use?
Let’s dive into the psychology of titles and explore the exact guidelines you need to write headlines that convert.
The Case for Short Titles (Why Simple Wins)
Short titles have stood the test of time because of how human brains process information.
Cognitive Load is Low: Readers are lazy (or rather, busy). A short title requires zero effort to scan and comprehend.
Mobile-Friendly: With over 60% of web traffic coming from mobile devices, short titles don’t get awkwardly cut off by screen boundaries.
The Power of Mystery: Short titles often act as curiosity gaps. Think of iconic book titles like Dune, Outliers, or Eats, Shoots & Leaves. They force the reader to ask, “What is this actually about?”
Best used for: Branded content, creative storytelling, news headlines, and audiences who already trust your authority.
The Case for Long Titles (Why Detail Dominates)
If short titles are so efficient, why do long, multi-clause titles consistently rank well on Google and pull massive click-through rates (CTR) on platforms like YouTube?
Here is the secret: Long titles are actually mini-pitches.
Search Engine Optimisation (SEO): Google loves context. A longer title allows you to pack in primary keywords, secondary keywords, and intent-driven modifiers without looking like you’re keyword-stuffing.
Explicit Value Proposition: Long titles remove all ambiguity. The reader instantly knows what they are getting, how much they are getting (e.g., “10 ways”), and why it matters to them.
Targeting Niche Intent: Someone searching for “Marketing” is a broad, hard-to-please user. Someone searching for “B2B SaaS Content Marketing Strategy for Early-Stage Startups” has high intent. A long title catches that specific, highly valuable fish.
Best used for: How-to guides, SEO-driven blog posts, educational content, and YouTube tutorials.
Guidelines: How to Choose (and Write) Short vs. Long Titles
You don’t have to guess which length to use. Follow these copywriting guidelines to determine the right length for your next piece of content—and how to execute it properly.
Guideline 1: Match Title Length to Search Intent
Informational/How-To: Lean toward long titles. Users want to know they’ve found the exact answer to their specific problem.
Example: “How to Fix a Leaking Faucet” vs. “Step-by-Step Guide: How to Fix a Leaking Single-Handled Kitchen Faucet in 15 Minutes”
Navigational/Branded: Lean toward short titles. The user is already looking for a specific brand or concept.
Example: “Nike Air Max Review”
Guideline 2: Balance SEO with Readability
For SEO, Google generally displays the first 50–60 characters of a title tag (roughly 600 pixels).
If you write a long title, put the most important keyword and hook at the very beginning.
Use the second half of the title for emotional triggers, modifiers (like “2024 Guide”), or brackets.
You don’t have to cram everything into the main title. Use a two-part title structure (Headline + Subheadline) to get the best of both worlds:
Main Title (Short & Punchy): Grabs attention.
Subtitle (Long & Descriptive): Delivers context.
Example:
Headline: The Power of Habit
Subheadline: Why We Do What We Do in Life and Business
Guideline 4: A/B Test Your Titles
Audiences are unpredictable. What works for a B2B SaaS blog might fail for a lifestyle magazine. Whenever possible, run A/B tests on your headlines using tools like MonsterInsights, Optimizely, or built-in email marketing subject line testers. You might find that your audience prefers a punchy 5-word title over a descriptive 12-word title—or vice versa.
The Verdict
So, which is better: short or long?
The truth is, there is no universal “better”—only “more appropriate.”
Short titles win on aesthetics, branding, and punchy curiosity. Long titles win on clarity, search engine optimisation, and explicit value.
Instead of obsessing over character counts, focus on clarity, relevance, and meeting the user’s intent. If a short title says it best, use it. If you need a longer title to explain the immense value hidden inside your content, don’t be afraid to spell it out.
The Road‑Less‑Travelled in Vaduz: 5 Hidden Gems Worth Exploring
Vaduz may be tiny, but it’s brimming with surprises for the curious traveller. While most visitors gravitate toward the iconic castle, the state museum, and the glittering shopping street, the capital of Liechtenstein has a quieter side that rewards those who wander off the main postcard route. Below are my five favourite “off‑the‑beaten‑path” experiences – perfect for a day (or a few hours) when you crave something a little different.
1. Stroll the “Kunstweg” – Vaduz’s Secret Art Trail
Why it’s special
Tucked between the historic centre and the foothills of the Alps, a short footpath leads you past a series of contemporary sculptures and mural‑covered walls that most guidebooks skip. Each piece is curated by the tiny but vibrant Kunstverein Liechtenstein (Art Association) and changes seasonally, so you’ll never see the same lineup twice.
What to look for
The “Glass Feather” – a translucent installation that refracts sunlight into a rainbow on the riverbank.
“Echoes of the Alps” – a series of bronze panels that play faint Alpine wind sounds when you step close.
Hidden mural on a back‑alley building, painted by a local graffiti collective, depicting a mythic Liechtensteinic dragon.
Tips
Bring a small notebook – the artists love hearing visitors’ thoughts, and a quick sketch can become a souvenir.
Go early in the morning; the light makes the glass installations sparkle like gems.
2. Taste the “Heidi‑Style” Alpine Farmstead Café
Why it’s special
While the capital’s cafés cater to tourists, a family‑run farmstead just outside the city gates (about a 10‑minute walk) serves authentic, farm‑to‑table dishes in a rustic barn setting. Think cheese‑fondue made from the farm’s own alps‑milk, freshly baked “Vaterspaß” rye rolls, and a secret herb‑infused jam that locals swear is the best thing since the invention of the internet.
What to order
Schlössli Cheese Fondue – a blend of Gruyère, Emmental, and a pinch of local mountain herbs.
Kaiserschmarrn à la Vaduz – fluffy shredded pancake served with apple‑compote made from the orchard behind the café.
“Alpine Whisper” Liqueur – a house‑made apricot spirit you can sip on the terrace while watching the goats graze.
Tips
Sit on the hay‑straw benches for the full farm‑feeling experience.
Ask the owner, Marta, for a quick tour of the cheese‑aging cellar – it’s a 5‑minute walk in the back, and she loves sharing the process.
3. Explore the “Mysterious Underground Vaults” of the Old Customs House
Why it’s special
Behind the sleek, modern façade of the customs office lies a network of vaulted stone chambers built in the 18th century to store smuggled goods and precious metals. The city council now opens them for guided “Night‑Whisper” tours, featuring low‑light lanterns, storytelling, and a taste of historic Liechtensteinian spirits.
Highlights
The “Silversmith’s Chamber” – where clandestine metalwork took place.
The “Map Room” – a dusty wall of hand‑drawn cartography showing secret Alpine passes used by traders.
The “Wine Cellar of the Count” – still contains a few bottles of 1913 Riesling, preserved in perfect condition.
Tips
Book at least 48 hours in advance; the tours are limited to ten participants.
Wear comfortable shoes – the stone steps can be slippery when the lanterns are lit.
4. Bike the “Rheintal Loop” – A Scenic Ride the Locals Call “The Green Ribbon”
Why it’s special
Most visitors see Vaduz from a car window or a train seat, but the Rheintal Loop offers a 25‑km bicycle circuit that winds along the calm banks of the Rhine, climbs through pine‑scented hills, and passes tiny hamlets where children still wave from their doorsteps. It’s a perfect blend of nature, history, and quiet village life.
Must‑see stops
The ancient Roman bridge in Nendeln – a stone arch spanning the river, still in use today.
Kleinwalsertal viewpoint – a small plateau with a panoramic bench offering a 180° view of the Alps and the valley below.
The “Butterfly Meadow” near Schaan – a meadow packed with native wildflowers, especially vibrant in late June.
Tips
Rent a hybrid bike from the “Alpine Cycle Co.” on Helvetiaplatz – they provide helmets, a waterproof map, and a complimentary energy bar.
Pack a lightweight rain jacket; weather in the Alps can shift in a heartbeat.
5. Attend a “Silent Film Night” at the Old Town Cinema (Kinemathek)
Why it’s special
The tiny, Art‑Deco cinema on the corner of Gassnerstrasse shows an eclectic mix of classic silent movies, local experimental shorts, and occasional live piano accompaniment. The venue is intimate (just 50 seats), and the décor retains its 1920s charm: velvet curtains, brass sconces, and a historic popcorn machine that still whirs like a miniature steam engine.
Upcoming shows (as of 2025)
“The Prince of the Valley” – a 1923 Liechtensteinic drama about a young aristocrat who renounces his title to become a shepherd.
“Alpine Echoes” – a modern short film series filmed entirely on a smartphone by local students, depicting the lives of mountain rescue dogs.
“Live Piano Night” – a concert where pianist Miriam Keller plays original scores while the audience watches classic Buster Keaton reels.
Tips
Arrive early to snag a seat by the wall; the acoustics are best there.
Grab a cup of “Müesli Latte” from the café downstairs – it’s a warm milk drink with toasted oat flakes and a dash of cinnamon.
Bonus: How to Weave These Gems Into a Perfect Day
Time
Activity
Reason
08:00
Breakfast at the Alpine Farmstead Café
Fresh, local fare to fuel your adventure
09:30
Walk the Kunstweg
Gentle warm‑up while soaking in art & light
11:00
Bike the Rheintal Loop (first half)
Scenic ride & gentle hill climbs
13:00
Picnic lunch (grab a cheese platter from the farmstead)
Picnic by the river – pure bliss
14:30
Underground Vaults tour
Dive into Vaduz’s secret past
16:30
Continue the Loop (second half)
Return via a different side, spotting hidden villages
18:30
Evening coffee at the Old Town Cinema café
Relax before the film
19:30
Silent Film Night
End the day with nostalgic magic
Final Thoughts
Vaduz may wear a crown of polished tourism, but underneath lies a tapestry of quiet corners, local traditions, and hidden stories waiting for the inquisitive traveller. Whether you’re an art lover, a foodie, a history buff, a cyclist, or a cinephile, these five off‑the‑beaten‑path experiences will let you see a side of the capital that most guidebooks overlook.
So next time you wander into this Alpine jewel, stray from the usual map, ask a local for a secret, and let Vaduz’s quieter rhythms surprise you.
Ready to explore? Pack your walking shoes, a sense of adventure, and maybe a notebook for those spontaneous sketches – Vaduz’s hidden treasures are just a few steps away.
Yes, I see the lighthouse, what’s it doing all the way out there? The thing is, these places are sometimes so remote, I start thinking I should rent one for 6 months and then, without any distractions, I’ll get the blasted book finished.
Until there’s a shipwreck, of course!
Light is of course light, duh. Turn on the switch and let there be light.
Hang on, didn’t someone else say that, millennia ago? Someone famous? It’s on the tip of my tongue.
No! It’s not cyanide…
So, whilst we need it to see everything, it has another meaning…
My, that’s a light load your carrying today, which means not very heavy.
Or, that’s a light-coloured jumper, which means pale.
Oh, and did you light the fire?
And, after you light the fire, do you light out to a safe haven in light traffic because really it was arson, and you got a light sentence the last time enabling you to do it again.
If you are trying to rob someone, then it was a kilo light.
And after a long hard struggle, did you light upon the correct answer?
This is not to be confused with another similar word, lite.
It seems this is only used for describing low-calorie drinks and food, such as lite beer, which seems to me to be a lazy way of not using light
Still, there’s not much other use of the word except as a suffix -lite, but then you’d have to mention -lyte as well.
The message here – just use the damn word light and be done with it.
Stranger’s We’ve Become, a sequel to What Sets Us Apart.
The blurb:
Is she or isn’t she? That is the question!
Susan has returned to David, but he is having difficulty dealing with the changes. Her time in captivity has changed her markedly, so much so that David decides to give her some time and space to re-adjust to normal life.
But doubts about whether he chose the real Susan remain.
In the meantime, David has to deal with Susan’s new security chief, the discovery of her rebuilding a palace in Russia, evidence of an affair, and several attempts on his life. And, once again, David is drawn into another of Predergast’s games, one that could ultimately prove fatal.
From being reunited with the enigmatic Alisha, a strange visit to Susan’s country estate, to Russia and back, to a rescue mission in Nigeria, David soon discovers that those whom he thought he could trust each have their own agenda, one that apparently doesn’t include him.
The Un‑Seen Sarajevo: 5 Off‑The‑Beaten‑Path Experiences Worth the Detour
When you picture Sarajevo, you probably picture the iconic Baščaršija market, the Latin Bridge, or the panoramic tram ride up to the Sarajevo Bascarsija‑Tunnel Museum. Those sites are undeniably worth a visit, but the city’s real soul lives in the nooks and crannies that tourists rarely discover. If you’re the type of traveller who prefers a side‑street over a main avenue, a hidden café over a crowded restaurant, or a quiet trail over a bustling viewpoint, keep reading. Below are five truly “road‑less‑travelled” activities that will give you a deeper, more intimate connection with Bosnia’s capital.
Wander the Secret Gardens of Vrelo Bosna – Beyond the Main Walkway
Why it feels off‑the‑map Most visitors stroll the short, well‑signposted path that leads straight to the river’s mouth and snap a quick photo of the iconic meadow. Few venture farther up the valley where a network of stone‑lined footpaths winds through secluded glades, ancient oak groves, and a series of tiny, crystal‑clear pools that look like something out of a fairy‑tale.
What to do
Follow the “Old Trapper’s Trail.” Starting at the main parking lot, veer left after the first wooden bridge and look for a faded wooden sign reading “Staza lovca” (hunter’s trail).
Spot the “Stone‑Heart” (Kameni Srž). A natural limestone formation shaped like a heart, half‑submerged in a shallow pool—perfect for a quiet moment or a Instagram story that will genuinely surprise your followers.
Pack a light snack. The area is a perfect spot for a picnic under the shade of centuries‑old beech trees. Bring a small blanket, some local cheese (bjelica), and a bottle of Bosnian fruit‑wine.
Practical tips
Getting there: Take bus line 16 from the city centre to the “Vrelo Bosna” stop (≈15 min). The trailhead is a few minutes’ walk from the stop.
Best time: Early morning (7–9 am) in spring or early autumn. The lighting is soft, the crowds are non‑existent, and the air smells of wild mint.
What to bring: Sturdy walking shoes (the path includes a few rocky sections), a reusable water bottle, and a small rain jacket—weather can change quickly in the valleys.
Sip Coffee at Kovačevići’s “Mali Hram” – A Hidden Bosnian‑Austro‑Hungarian Café
Why it feels off‑the‑map Tucked inside a modest residential block of the Kovačevići neighbourhood, “Mali Hram” (The Little Temple) is a tiny, family‑run coffee house that has been serving Bosnian coffee the same way since the 1900s. Its interior is a living museum: brass coffee pots, hand‑stitched tablecloths, and a faded photograph of a young Emperor Franz Julius I strolling through Sarajevo’s streets.
What to do
Order the “Bosanska Cevapi” espresso. It’s a double‑shot, dark roasted brew served with a slice of “hurmašice” (traditional sweet dumpling) on the side.
Chat with the owners. The elderly couple love sharing stories about how the café survived the siege, the Austro‑Hungarian era, and the city’s post‑war revival.
Listen to the old radio. A vintage 1930s German radio plays folk songs in the background, giving you a tangible sense of Sarajevo’s multicultural past.
Practical tips
Getting there: From the central train station, hop on tram line 1 toward “Ilidža” and get off at “Kovačevići” (≈12 min). Walk two blocks east; the café is marked only by a tiny hand‑painted sign.
Best time: Mid‑afternoon, when locals gather for “kafa i razgovor.” Expect a relaxed, unhurried pace.
What to bring: Cash (most small cafés don’t accept cards) and a notebook—many visitors leave a short message on the community board.
Trek to Hajdučke Kule – The Forgotten Ottoman Watchtowers
Why it feels off‑the‑map While most tourists flock to the historic Clock Tower, few know that a row of three smaller stone towers – the “Hajdučke Kule” (Bandit Towers) – sit on the steep hillside overlooking the old town. Built in the 16th century to spot incoming raiders, they now offer an unobstructed panorama of Sarajevo’s red‑tile roofs, the Miljacka River snaking below, and the distant peaks of the Dinaric Alps.
What to do
Climb the middle tower. A narrow spiral staircase (≈30 steps) leads to a small viewing platform with a rusted iron railing. Bring a compact camera; the view is unfiltered – no tourist crowds, just the city’s raw silhouette.
Explore the “Stone Labyrinth.” At the base of the towers lies a network of ancient stone walls that locals used for rope‑making. Walk the labyrinth and feel the cool stone under your feet.
Capture sunset light. The western orientation floods the towers with golden light just before sunset, creating dramatic shadows ideal for photography.
Practical tips
Getting there: Take bus line 21 to “Koševo” and follow the signs to “Hajdučke Kule.” The trailhead is a short, steep stairwell leading up the hill.
Best time: Late afternoon in late spring or early summer, when the hillside is lush but the path isn’t slick.
What to bring: A flashlight (the interior of the towers is dim), a small first‑aid kit (the stairs are uneven), and a lightweight rain poncho.
Discover the Underground Art Gallery of the Sarajevo Tunnel – A Post‑War Secret
Why it feels off‑the‑map The Sarajevo Tunnel Museum is a well‑known symbol of resilience, but beneath its concrete entrance lies a concealed, community‑run art space called “Podzemni Studio.” Created in 1997 by a group of former tunnel workers, it showcases raw, politically charged artworks made from salvaged war materials—metal, bullet casings, and glass shards.
What to do
Take the “Hidden Passage” tour. A volunteer guide leads a small group (max 8 people) down a dimly lit corridor to the studio. You’ll hear personal anecdotes about how the space helped heal trauma after the siege.
Interact with the installations. Some pieces are tactile; you can run your fingers over a sculpture made of welded railway tracks, symbolising the city’s connection between past and future.
Purchase a “Tunnel‑Made” souvenir. Small items—keychains, magnets, or hand‑crafted ceramic mugs—are sold to support the artists.
Practical tips
Getting there: Walk from the main tunnel museum (just a 5‑minute stroll). Look for the narrow door on the left side of the parking lot marked “Studio.”
Best time: Weekdays, early in the morning (9–11 am). The studio limits visitors to preserve the intimate atmosphere.
What to bring: A modest donation (the gallery is non‑profit), a respectful demeanour (some works deal with heavy themes), and curiosity.
Attend a Traditional “Sevdalinka” Evening in the Village of Bojan
Why it feels off‑the‑map Sevdalinka, the soulful Bosnian folk song, is often performed in touristy restaurants in the Old Town. In Bojan—a small farming village 12 km south of Sarajevo—elder musicians gather every Saturday night in the courtyard of a centuries‑old stone house, singing unaccompanied a cappella renditions passed down through generations.
What to do
Join the circle. Bring a small portable seat or blanket, and sit on the low stone steps while locals welcome you with a warm “Dobrodošli.”
Learn a line. The host will hand you a lyric sheet and teach you the chorus—an unforgettable way to become part of the tradition.
Taste homemade “pita.” Freshly baked burek and honey‑drizzled pita (pie) are served on rustic wooden plates.
Practical tips
Getting there: Rent a car or take a local “taxi‑bush” (mini‑bus) from the “Ilidža” bus station to Bojan. The trip takes about 30 minutes on winding country roads.
Best time: Late summer (July–August) when the evenings are warm and the village’s olive trees are in full bloom.
What to bring: A respectful attitude, a small contribution (a bottle of local rakija or a few euros) for the host, and a camera with a discreet flash setting—photos are welcomed, but flash isn’t.
How to Fit All Five Into a 3‑Day Itinerary
Day
Morning
Afternoon
Evening
1
Vrelo Bosna hidden trails – hike & picnic
Hajdučke Kule – climb towers & sunset
Mali Hram café – coffee & conversation
2
Underground art gallery – Tunnel Studio tour
Bojan Sevdalinka evening – travel to village
Return to Sarajevo for a nightcap in the Old Town
3
Free day – revisit favorite spot or explore other museums
Optional: River rafting on the Miljacka or a museum of contemporary Bosnian art
Wrap‑up dinner at a local konoba (tavern) featuring live folk music
Feel free to shuffle the order—each activity stands on its own, but the rhythm above balances active exploration with relaxed cultural immersion.
Final Thoughts: Why the “Road‑Less‑Travelled” Matters
Travel isn’t just a checklist of monuments; it’s a conversation with the people, the landscapes, and the hidden histories that shape a place. In Sarajevo, the well‑trodden path tells you what the city is, while the side streets, secret gardens, and tucked‑away cafés whisper how Sarajevo has survived, adapted, and continued to sing its unique song.
So next time you book a trip to Bosnia’s capital, consider swapping one of those popular sights for a hidden trail, a modest coffee shop, or an underground gallery. You’ll return home with stories that are truly yours, and you’ll leave a lighter footprint—one that respects the intimacy of the places you discover.
Ready to venture off the map? Pack your walking shoes, bring an open heart, and let Sarajevo’s quieter corners reveal themselves. Happy exploring!
The novel ‘Echoes from the Past’ started out as a short story I wrote about 30 years ago, titled ‘The Birthday’.
My idea was to take a normal person out of their comfort zone and led on a short but very frightening journey to a place where a surprise birthday party had been arranged.
Thus, the very large man with a scar and a red tie was created.
So was the friend with the limousine who worked as a pilot.
So were the two women, Wendy and Angelina, who were Flight Attendants that the pilot friend asked to join the conspiracy.
I was going to rework the short story, then about ten pages long, into something a little more.
And like all rewrites, especially those I have anything to do with, it turned into a novel.
There was motivation. I had told some colleagues at the place where I worked at the time that I liked writing, and they wanted a sample. I was going to give them the re-worked short story. Instead, I gave them ‘Echoes from the past’
Originally, it was not set anywhere in particular.
But when considering a location, I had, at the time, recently been to New York in December, and visited Brooklyn and Queens, as well as a lot of New York itself. We were there for New Year’s, and it was an experience I’ll never forget.
One evening, we were out late and finished up in Brooklyn Heights, near the waterfront, and there was rain and snow; it was cold and wet, and apartment buildings were shimmering in the street light, and I thought, “This is the place where my main character will live”.
It had a very spooky atmosphere, the sort where ghosts would not be unexpected. I felt more than one shiver go up and down my spine in the few minutes I was there.
I had taken notes, as I always do, of everywhere we went, so I had a ready supply of locations I could use, changing the names in some cases.
Fifth Avenue near the Rockefeller Centre is amazing at first light, and late at night with the Seasonal decorations and lights.
The original main character was a shy man with few friends, hence not expecting the surprise party. I enhanced that shyness into purposely lonely because of an issue from his past that leaves him always looking over his shoulder and ready to move on at the slightest hint of trouble. No friends, no relationships, just a very low profile.
Then I thought, what if he breaks the cardinal rule and begins a relationship?
But it is also as much an exploration of a damaged soul as it is the search for a normal life, without having any idea what normal was, and how the understanding of one person can sometimes make all the difference in what we may think or feel.
The Great Title Debate: Why Both Short & Long Titles Work (And How to Choose)
We’ve all heard the golden rule of content creation: Keep it short and punchy.
From Ernest Hemingway to modern-day Twitter, brevity is traditionally praised as the ultimate form of wit. Short titles are clean, easy to read on mobile screens, and instantly digestible.
Yet, if you look at the top-ranking articles on Google, viral YouTube videos, and bestselling books, you’ll notice a fascinating paradox: Extremely long titles are just as popular.
Think about it. Would you rather click on “Productivity Tips” or “10 Scientifically Proven Productivity Tips That Will Transform Your Morning Routine Before 8 AM”?
While both work, they serve entirely different psychological triggers. If short and simple titles are so great, why do long titles dominate just as much? And more importantly, which one should you use?
Let’s dive into the psychology of titles and explore the exact guidelines you need to write headlines that convert.
The Case for Short Titles (Why Simple Wins)
Short titles have stood the test of time because of how human brains process information.
Cognitive Load is Low: Readers are lazy (or rather, busy). A short title requires zero effort to scan and comprehend.
Mobile-Friendly: With over 60% of web traffic coming from mobile devices, short titles don’t get awkwardly cut off by screen boundaries.
The Power of Mystery: Short titles often act as curiosity gaps. Think of iconic book titles like Dune, Outliers, or Eats, Shoots & Leaves. They force the reader to ask, “What is this actually about?”
Best used for: Branded content, creative storytelling, news headlines, and audiences who already trust your authority.
The Case for Long Titles (Why Detail Dominates)
If short titles are so efficient, why do long, multi-clause titles consistently rank well on Google and pull massive click-through rates (CTR) on platforms like YouTube?
Here is the secret: Long titles are actually mini-pitches.
Search Engine Optimisation (SEO): Google loves context. A longer title allows you to pack in primary keywords, secondary keywords, and intent-driven modifiers without looking like you’re keyword-stuffing.
Explicit Value Proposition: Long titles remove all ambiguity. The reader instantly knows what they are getting, how much they are getting (e.g., “10 ways”), and why it matters to them.
Targeting Niche Intent: Someone searching for “Marketing” is a broad, hard-to-please user. Someone searching for “B2B SaaS Content Marketing Strategy for Early-Stage Startups” has high intent. A long title catches that specific, highly valuable fish.
Best used for: How-to guides, SEO-driven blog posts, educational content, and YouTube tutorials.
Guidelines: How to Choose (and Write) Short vs. Long Titles
You don’t have to guess which length to use. Follow these copywriting guidelines to determine the right length for your next piece of content—and how to execute it properly.
Guideline 1: Match Title Length to Search Intent
Informational/How-To: Lean toward long titles. Users want to know they’ve found the exact answer to their specific problem.
Example: “How to Fix a Leaking Faucet” vs. “Step-by-Step Guide: How to Fix a Leaking Single-Handled Kitchen Faucet in 15 Minutes”
Navigational/Branded: Lean toward short titles. The user is already looking for a specific brand or concept.
Example: “Nike Air Max Review”
Guideline 2: Balance SEO with Readability
For SEO, Google generally displays the first 50–60 characters of a title tag (roughly 600 pixels).
If you write a long title, put the most important keyword and hook at the very beginning.
Use the second half of the title for emotional triggers, modifiers (like “2024 Guide”), or brackets.
You don’t have to cram everything into the main title. Use a two-part title structure (Headline + Subheadline) to get the best of both worlds:
Main Title (Short & Punchy): Grabs attention.
Subtitle (Long & Descriptive): Delivers context.
Example:
Headline: The Power of Habit
Subheadline: Why We Do What We Do in Life and Business
Guideline 4: A/B Test Your Titles
Audiences are unpredictable. What works for a B2B SaaS blog might fail for a lifestyle magazine. Whenever possible, run A/B tests on your headlines using tools like MonsterInsights, Optimizely, or built-in email marketing subject line testers. You might find that your audience prefers a punchy 5-word title over a descriptive 12-word title—or vice versa.
The Verdict
So, which is better: short or long?
The truth is, there is no universal “better”—only “more appropriate.”
Short titles win on aesthetics, branding, and punchy curiosity. Long titles win on clarity, search engine optimisation, and explicit value.
Instead of obsessing over character counts, focus on clarity, relevance, and meeting the user’s intent. If a short title says it best, use it. If you need a longer title to explain the immense value hidden inside your content, don’t be afraid to spell it out.
This case has everything: red herrings, jealous brothers, femme fatales, and at the heart of it all, greed.
See below for an excerpt from the book…
Coming soon!
An excerpt from the book:
…
When Harry took the time to consider his position, a rather uncomfortable position at that, he concluded that he was somehow involved in another case that meant very little to him.
Not that it wasn’t important in some way he was yet to determine, it was just that his curiosity had got the better of him, and it had led to this: sitting in a chair, securely bound, waiting for someone, one of his captors had called Doug.
It was not the name that worried him so much; it was the evil laugh that had come after the name was spoken.
Doug what? Doug the ‘destroyer’, Doug the ‘dangerous’, Doug the ‘deadly’; there were several sinister connotations, and perhaps that was the point of the laugh, to make it more frightening than it was.
But there was no doubt about one thing in his mind right then: he’d made a mistake. A very big. and a costly mistake. Just how big the cost, no doubt, he would soon find out.
His mother and his grandmother, the wisest person he had ever known, had once told him never to eavesdrop.
At the time, he couldn’t help himself, and instead of minding his own business, listening to a one-sided conversation that ended with a time and a place. The very nature of the person receiving the call was, at the very least, sinister, and, because of the cryptic conversation, there appeared to be, or at least to Harry, criminal activity involved.
For several days, he had wrestled with the thought of whether he should go. Stay on the fringe, keep out of sight, observe and report to the police if it was a crime. Instead, he had willingly gone down the rabbit hole.
Now, sitting in an uncomfortable chair, several heat lamps hanging over his head, he was perspiring, and if perspiration could be used as a measure of fear, then Harry’s fear was at the highest level.
Another runnel of sweat rolled into his left eye, and, having his hands tied, it literally made it impossible to clear it. The burning sensation momentarily took his mind off his predicament. He cursed and then shook his head, trying to prevent a recurrence. It was to no avail.
Let the stinging sensation be a reminder of what was right and what was wrong.
It was obvious that it was the right place and the right time, but in considering his current perilous situation, it definitely was the wrong place to be, at the worst possible time.
It was meant to be his escape, an escape from the generations of lawyers, what were to Harry, dry, dusty men who had been in business since George Washington said to the first Walthenson to step foot on American soil, ‘Why don’t you become a lawyer?” when asked what he could do for the great man.
Or so it was handed down as lore, though Harry didn’t think Washington meant it literally, the Walthenson’s, then as now, were not shy of taking advice.
Except, of course, when it came to Harry.
He was, Harry’s father was prone to saying, the exception to every rule. Harry guessed his father was referring to the fact that his son wanted to be a Private Detective rather than a dry, dusty lawyer. Just the clothes were enough to turn Harry off the profession.
So, with a little of the money Harry inherited from one of his aunts, he leased an office in Gramercy Park and had it renovated to look like the Sam Spade detective agency, you know the one, Spade and Archer, and The Maltese Falcon.
There’s a movie and a book by Dashiell Hammett if you’re interested.
So, there it was, painted on the opaque glass inset of the front door, ‘Harold Walthenson, Private Detective’.
There was enough money to hire an assistant, and it took a week before the right person came along, or, more to the point, didn’t just see his business plan as something sinister. Ellen, a tall, cool woman in a long black dress, or so the words of a song in his head told him, fitted in perfectly.
She’d seen the movie, but she said with a grin, Harry was no Humphrey Bogart.
Of course not, he said, he didn’t smoke.
Three months on the job, and it had been a few calls, no ‘real’ cases, nothing but missing animals, and other miscellaneous items. What he really wanted was a missing person. Or perhaps a beguiling, sophisticated woman who was as deadly as she was charming, looking for an errant husband, perhaps one that she had already ‘dispatched’.
Or for a tall, dark and handsome foreigner who spoke in riddles and in heavily accented English, a spy, or perhaps an assassin, in town to take out the mayor. The man was such an imbecile that Harry had considered doing it himself.
Now, in a back room of a disused warehouse, that wishful thinking might be just about to come to a very abrupt end, with none of the romanticised trappings of the business befalling him. No beguiling women, no sinister criminals, no stupid policemen.
Just a nasty little man whose only concern was how quickly or how slowly Harry’s end was going to be.
Wander the Secret Gardens of Vrelo Bosna – Beyond the Main Walkway
Sip Coffee at Kovačevići’s “Mali Hram” – A Hidden Bosnian‑Austro‑Hungarian Café
Trek to Hajdučke Kule – The Forgotten Ottoman Watchtowers
Discover the Underground Art Gallery of the Sarajevo Tunnel – A Post‑War Secret
Attend a Traditional “Sevdalinka” Evening in the Village of Bojan
Thrills, Spills, and just a dash of Romance 