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In a word: Incline

When you first think of this word, it is with a slippery slope in mind.

I’ve been on a few of those in my time.

And while we’re on the subject, those inclines measured in degrees are very important if you want a train to get up and down the side of a mountain.

For the train, that’s an incline plane, the point where traction alone won’t get the iron horse up the hill.

Did I say ‘Iron Horse’?  Sorry, regressed there, back to the mid-1800s in the American West for a moment.

It’s not that important when it comes to trucks and cars, and less so if you like four-wheel driving; getting up near-vertical mountainsides often present a welcome challenge to the true enthusiast

But for the rest of us, not so much if you find yourself sliding in reverse uncontrollably into the bay.  I’m sure it’s happened more than once.

Then…

Are you inclined to go?

A very different sort of incline, ie to be disposed towards an attitude or desire.

An inclination, maybe, not to go four-wheel driving?

There is another, probably more obscure use of the word incline, and that relates to an elevated geological formation.  Not the sort of reference that crops up in everyday conversation at the coffee shop.

But, you never know.  Try it next time you have coffee and see what happens.

Featured

Writing about writing a book – Day 2

Hang about.  Didn’t I read somewhere you need to plan your novel, create an outline setting the plot points, and flesh out the characters?

I’m sure it didn’t say, sit down and start writing!

Time to find a writing pad, and put my thinking cap on.

I make a list, what’s the story going to be about? Who’s going to be in it, at least at the start?

Like a newspaper story, I need a who, what, when, where, and how.

Right now.

 

I pick up the pen.

 

Character number one:

Computer nerd, ok, that’s a little close to the bone, a computer manager who is trying to be everything at once, and failing.  Still me, but with a twist.  Now, add a little mystery to him, and give him a secret, one that will only be revealed after a specific set of circumstance.  Yes, I like that.

We’ll call him Bill, ex-regular army, a badly injured and repatriated soldier who was sent to fight a war in Vietnam, the result of which had made him, at times, unfit to live with.

He had a wife, which brings us to,

Character number two:

Ellen, Bill’s ex-wife, an army brat and a General’s daughter, and the result of one of those romances that met disapproval for so many reasons.  It worked until Bill came back from the war, and from there it slowly disintegrated.  There are two daughters, both by the time the novel begins, old enough to understand the ramifications of a divorce.

Character number three:

The man who is Bill’s immediate superior, the Services Department manager, a rather officious man who blindly follows orders, a man who takes pleasure in making others feel small and insignificant, and worst of all, takes the credit where none is due.

Oops, too much, that is my old boss.  He’ll know immediately I’m parodying him.  Tone it down, just a little, but more or less that’s him.  Last name Benton.  He will play a small role in the story.

Character number four:

Jennifer, the IT Department’s assistant manager, a woman who arrives in a shroud of mystery, and then, in time, to provide Bill with a shoulder to cry on when he and Ellen finally split, and perhaps something else later on.

More on her later as the story unfolds.

So far so good.

What’s the plot?

Huge corporation plotting to take over the world using computers?  No, that’s been done to death.

Huge corporation, OK, let’s stop blaming the corporate world for everything wrong in the world.  Corporations are not bad people, people are the bad people.  That’s a rip off cliché, from guns don’t kill people, people kill people!  There will be guns, and there will be dead people.

There will be people hiding behind a huge corporation, using a part of their computer network to move billions of illegally gained money around.  That’s better.

Now, having got that, our ‘hero’ has to ‘discover’ this network, and the people behind it.

All we need now is to set the ball rolling, a single event that ‘throws a cat among the pigeons’.

Yes, Bill is on holidays, a welcome relief from the problems of work.  He dreams of what he’s going to do for the next two weeks.  The phone rings.  Benton calling, the world is coming to an end, the network is down.  He’s needed.  A few terse words, but he relents.

Pen in hand I begin to write.

 

© Charles Heath 2016-2019

365 Days of writing, 2026 – 169

Day 169 – Every character should want something

…

The Simple Secret to Compelling Fiction: Give Your Characters a Glass of Water

In the world of creative writing, there is a tendency to mistake “complexity” for “grandeur.” We feel that to write a compelling story, our protagonists must be saving the galaxy, solving a decade-old murder, or undergoing a sprawling, life-altering metamorphosis.

But the late, great Kurt Vonnegut offered a piece of advice that serves as a necessary reality check for every writer, from the novice to the novelist:

“Every character should want something, even if it is only a glass of water.”

It’s a deceptively simple rule, but it cuts to the very heart of human motivation and narrative drive. Here is why this principle is the backbone of any story worth reading.

Desire is the Engine of Story

Think about your own life. You are never truly “at rest.” Even when you are sitting on the couch, you are likely wanting something—a snack, to check your phone, to be done with work, to feel relaxed, or to be somewhere else.

If a character has no desire, they have no movement. If they have no movement, they have no agency. Without agency, the story becomes a series of things that happen to a person, rather than a sequence of choices made by a person.

Desire is the engine. Whether the goal is to conquer a kingdom or simply to reach the kitchen for a glass of water, the desire creates a trajectory.

Scale Doesn’t Equal Stakes

Vonnegut’s specific mention of “a glass of water” is brilliant because it reminds us that the scale of the goal matters less than the intensity of the need.

If a character is trapped in a desert, that glass of water is a matter of life and death. If a character is in a tense, uncomfortable social situation and needs a glass of water just to escape the conversation and compose themselves, it is a matter of psychological survival.

The reader doesn’t need the world to be ending to care about the outcome. They need to believe that the character needs what they are chasing. If the character wants it, we start to want it for them.

Defining Your Characters Through Want

What a character wants tells us everything we need to know about who they are.

  • A character who wants a promotion tells us they are ambitious.
  • A character who wants to be left alone tells us they are guarded.
  • A character who wants a glass of water in the middle of a heated argument tells us they are looking for a way to regain control or avoid confrontation.

By defining these wants, you move away from static, cardboard descriptions and toward dynamic characterisation. You show the reader their soul through their actions.

The “Glass of Water” Test

The next time you are stuck in a scene and feel the momentum stalling, ask yourself: What does my character want right now?

If your character is just standing around, waiting for the plot to happen, you need to give them a “glass of water.” Maybe they need to find their lost keys. Maybe they need to keep a secret from being revealed. Maybe they just need to say something they’ve been holding inside for years.

Once your character has a goal—no matter how small—they have a reason to move. And once they move, the reader will inevitably follow.

The Takeaway: Great fiction doesn’t always require epic quests or world-shattering stakes. It requires a human being who is striving for something. Give your characters a goal, give them an obstacle, and watch as your story begins to breathe on its own.

What is your character reaching for today? Even if it’s just a glass of water, make sure they’re thirsty.

…

‘The Devil You Don’t’ – A beta reader’s view

It could be said that of all the women one could meet, whether contrived or by sheer luck, what are the odds it would turn out to be the woman who was being paid a very large sum to kill you?

John Pennington is a man who may be lucky in business, but not so lucky in love. He has just broken up with Phillipa Sternhaven, the woman he thought was the one, but relatives and circumstances, and perhaps because she was a ‘princess’, may also have contributed to the end result.

So, what do you do when you are heartbroken?

That is a story that slowly unfolds, from the first meeting with his nemesis on Lake Geneva, all the way to a hotel room in Sorrento, where he learns the shattering truth.

What should have been solace after disappointment turns out to be something else entirely, and from that point, everything goes to hell in a handbasket.

He suddenly realises his so-called friend Sebastian has not exactly told him the truth about a small job he asked him to do, the woman he is falling in love with is not quite who she says she is, and he is caught in the middle of a war between two men who consider people becoming collateral damage as part of their business.

The story paints the characters, cleverly displaying all their flaws and weaknesses. The locations add to the story at times, taking me back down memory lane, especially to Venice, where, in those back streets, I confess it’s not all that hard to get lost.

All in all, a thoroughly entertaining story with, for once, a satisfying end.

…

Available on Amazon here: https://amzn.to/2Xyh1ow

…

The cinema of my dreams – I always wanted to write a war story – Episode 13

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination in what happened during the second worlds war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

 …

I remained on the spot, not moving, for at least five minutes before I let out a sigh of relief.  It would be relatively safe because I had heard them walk off, following the river, and Jack, as my eyes and ears, had been out and had come back,. tail wagging slightly.

I was hoping he was not in league with Jackerby.

“So,” I said quietly to him, “you think it is safe out there?”  To be honest, I was not sure why I was asking the dog, or, for that matter, if he understood a word I was saying.

I  took tail wagging as a good sign.

Until, all of a sudden he went quiet and very still again, ears up and listening.

Then, I heard what he had heard.  The cracking sound of a foot on a twig or dry branch.

From behind me.

We both turned slowly.

An Italian man, about mid 30’s with a dated rifle in his hands, aimed at my head, not twenty feet away.  I was not going to take the chance he couldn’t hit the broadside of a barn.

“Who are you?”  He started with schoolboy German, obviously not his first language.

The problem I had was deciding whether he was the traitor, or with the resistance that hadn’t been betrayed.

“Not a German for starters,” I said.

I noticed Jack was standing very still with teeth bared.  He didn’t like this man.  Perhaps he too didn’t like the odds of rushing the man with the gun.

“Englander?”

The way a German would call an Englishman.

“In a manner of speaking.”

“Are you from the castle?”

That was a trick question if I say no, he wouldn’t believe me, and if I said yes, I’d be tarred with the German brush.

“I escaped from there, so in a manner of speaking, yes I am from the castle.”

“Name?”

It couldn’t hurt to tell him.  “Sam Atherton.”

He let the gun drop, but it was still in a position to shoot me if I tried anything.

“Are you from the resistance?  I mean the group that hasn’t been compromised by a traitor?”

“I don’t know anything about the resistance if there is one.  I’m a farmer, trying to go about his business in the middle of a war.  What are you doing here?”

It might seem to anyone rather odd to be standing around in the woods.  “Hiding from two men who have come from the castle to follow me.”

He looked around.  “Where are they now?”

“Supposedly following me into the village, in that direction,” I pointed to where I thought the village was, “where I’m supposed to be leading them to the resistance, which, you said, doesn’t exist.”

“I didn’t say it didn’t exist, only that I don’t know anything about it.  What makes you think there is a resistance unit in these parts?”

Good question.  And, depending on what side he was on, still to be determined, I was not going to give them away.  “I’m acting on some sketchy intelligence we got in London, along with the possibility that the men in the castle, who are supposed to be Englanders, as you call them, but who are actually working with the Germans.  Seems they were right on one count, because they caught me and put me in a cell, and possibly wrong, according to you, on the other.”

“How did you manage to get away, if you were in a cell.”

So, here comes the part that sounds totally improbable.  “One of the two men following me broke me out.”

Yes, the look on his face said it all.

I shrugged.  “Ask the dog.  He’ll tell you.  His name is Jack by the way, but I’m not sure if he understands English.”

The dog went still again and turned his head.

Another crack, another person in the undergrowth, coming from the other side of the bushes.  My first thought, my two pursuers, realizing they’d lost me, had circled back to find me.

The man in front didn’t raise his gun, so it was someone he knew.

“Who is he?”

A woman’s voice.  I turned my head slightly.  She was older, perhaps this man’s mother.  She had a pistol in her left hand.

“Claims he escaped from the castle.”

“They all do.”

I heard a soft bang, and then something in my back, like a needle.

Seconds later my heard started spinning, and few more seconds later my legs gave out, and darkness followed.

 …

© Charles Heath 2019

An excerpt from “Betrayal” – a work in progress

It could have been anywhere in the world, she thought, but it wasn’t.  It was in a city where if anything were to go wrong…

She sighed, came away from the window and looked around the room.  It was quite large and expensively furnished.  It was one of several she had been visiting in the last three months.

Quite elegant too, as the hotel had its origins dating back to before the revolution in 1917.  At least, currently, there would not be a team of KGB agents somewhere in the basement monitoring everything that happened in the room.

There was no such thing as the KGB anymore, though there was an FSB, but such organisations were of no interest to her.

She was here to meet with Vladimir.

She smiled to herself when she thought of him, such an interesting man whose command of English was as good as her command of Russian, though she had not told him of that ability.

All he knew of her was that she was American, worked in the Embassy as a clerk, nothing important, whose life both at work and at home was boring.  Not that she had blurted that out the first time they met, or even the second.

That first time, at a function in the Embassy, was a chance meeting, a catching of his eye as he looked around the room, looking, as he had told her later, for someone who might not be as boring as the function itself.

It was a celebration honouring one of the Embassy officials’ service in Moscow, soon to be returning home after 10 years.  She had been there one and still hadn’t met all the staff.

They had talked; Vladimir knew a great deal about England, having been stationed there for a year or two, and had politely asked questions about where she lived, her family, and, of course, what her role was, all questions she fended off with an air of disinterested interest.

It fascinated him, as she knew it would, a sort of mental sparring as one would do with swords if this were a fencing match.

They had said they might or might not meet again when the party was over, but she suspected there would be another opportunity.  She knew the signs of a man interested in her, and Vladimir was.

The second time came in the form of an invitation to an art gallery and a viewing of the works of a prominent Russian artist, an invitation she politely declined.  After all, invitations issued to Embassy staff held all sorts of connotations, or so she was told by the Security officer when she told him.

Then, it went quiet for a month.  There was a party at the American embassy, and along with several other staff members, she was invited.  She had not expected to meet Vladimir, but it was a pleasant surprise when she saw him, on the other side of the room, talking to several military men.

A pleasant afternoon ensued.

And it was no surprise that they kept running into each other at the various events on the diplomatic schedule.

By the fifth meeting, they were like old friends.  She had broached the subject of being involved in a platonic relationship with him with the head of security at the embassy.  Normally, for a member of her rank, it would not be allowed, but in this instance, it was.

She did not work in any sensitive areas, and, as the security officer had said, she might just happen upon something useful.  In that regard, she was to keep her eyes and ears open and file a report each time she met him.

After that discussion, she got the impression her superiors considered Vladimir more than just a casual visitor on the diplomatic circuit.  She also formed the impression that he might consider her an ‘asset’, a word that had been used at the meeting with security and the ambassador.

It was where the word ‘spy’ popped into her head and sent a tingle down her spine.  She was not a spy, but the thought of it, well, it would be fascinating to see what happened.

A Russian friend.  That’s what she would call him.

And over time, that relationship blossomed, until, after a visit to the ballet, late and snowing, he invited her to his apartment not far from the ballet venue.  It was like treading on thin ice, but after champagne and an introduction to caviar, she felt like a giddy schoolgirl.

Even so, she had made him promise that he would remain on his best behaviour.  It could have been very easy to fall under the spell of a perfect evening, but he promised, showed her to a separate bedroom, and after a brief kiss, their first, she did not see him until the next morning.

So, it began.

It was an interesting report she filed after that encounter, one she had expected to be reprimanded.

She wasn’t.

It wasn’t until six weeks had passed that he asked her if she would like to take a trip to the country.  It would involve staying in a hotel, as always, in separate rooms.  When she reported the invitation, no objection was raised, only a caution: keep her wits about her.

Perhaps, she had thought, they were looking forward to a more extensive report.  After all, her reports on the places, the people, and the conversations she overheard were no doubt entertaining reading for some.

But on this visit, the nature of the relationship changed, and it was one that she did not immediately report.  She had realised at some point before the weekend away that she had feelings for him, and it was not that he was pushing her in that direction or manipulating her in any way.

It was just one of those moments where, after a grand dinner, a lot of champagne, and delightful company, things happen.  Standing at the door to her room, a lingering kiss, not intentional on her part, just happened.

And for not one moment did she believe she had been compromised, but for some reason she had not reported that subtle change in the relationship to the powers that be, and so far, no one had any inkling.

She took off her coat and placed it carefully on the back of one of the ornate chairs in the room.  She stopped for a moment to look at a framed photograph on the wall, one representing Red Square.

Then, after a minute or two, she went to the minibar and took out the bottle of champagne left there for them, a treat Vladimir arranged for each encounter.

There were two champagne flutes set aside on the bar, next to a bowl of fruit.  She picked up the apple and thought about how Eve must have felt in the Garden of Eden, and the temptation.

Later perhaps, after…

She smiled at the thought and put the apple back.

A glance at her watch told her it was time for his arrival.  It was, if anything, the one trait she didn’t like, and that was his punctuality.  A glance at the clock on the room wall was a minute slow.

The doorbell rang, right on the appointed time.

She put the bottle down and walked over to the door.

A smile on her face, she opened the door.

It was not Vladimir.  It was her worst nightmare.

…

© Charles Heath 2020-2026

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 14

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.

…

Before the waterfront cleanup, the Shingle Inn was another of those places respectable people didn’t go to.  And those from out of town only stayed there if everything else was taken, or they were looking for a reason to visit a hospital.

I knew this not because it was advertised on the radio or television, or it was in the newspapers, or it probably was but I never read any of them, but because several of my senior year classmates went there on a dare to sample ‘the fare’.

They learned the lesson the hard way so all the rest of us wouldn’t make the same mistake.

So, the question I had to ask myself when I reached the safety of a bus shelter about 100 yards from the bar, was the reason Nadia was staying there, or if she was not, how did she have a room key.

I was hoping she had not fallen into the ways some of the girls did, going down the path of drugs, loans they couldn’t pay, and ending being owned by some seedy man.  That had happened too, and to girls, I had believed knew better.

I guess I was no judge of character, then or now.

Should I go there now and wait for her, perhaps check the place out, and the room, and see if she was staying there.

Or should I read between the lines, and consider this might be a trap of some sort, and that her brother, Vince, would turn up and ‘teach me a lesson not to meddle in their affairs’.  The latter seemed more likely.

And yet it was the dumb ass stupid streak I had that was telling me to go, just to see what happened.  I wasn’t looking for nor did I expect that she was offering me anything, so, giving her the benefit of the doubt, it might mean she was entertaining my suggestion of getting the map to get her off Alex’s hook.

That would then leave only one question, what did I want from her in return.

Fifteen minuted before the hour was up, I was standing in the shadows watching the Inn.  In the hour since the bar, the sun had gone down, and now the Inn, shrouded in gaudy colours from broken neon lights, and a sign that made it look like a hotel in paradise, looked like it was, a den of iniquity.

The girls for hire were still there.  The rooms had different lights above the door of each room that I could see, one red one green which I guessed let others know the room was free or occupied.

The room the key Nadia had given me had no lights on, so I was not sure what that meant.

Ten minutes to go, a car pulled up outside the office, and I saw Vince get out.

Illusion shattered.  It was a setup, she was upset by my appearance at the bar and had called in the punishment crew.  Two minutes later he came back out of the office with a briefcase, got in the car, and drove off.

Was the Inn one of the Cossatino’s establishments, or was that for protection, or picking up drugs?  Or all three?

I shrugged.  Time to find out what Nadia’s intentions were.

I kept to the shadows, crossed the road where it was darkest, and came upon the room from the rear fire stairs.  The room was the second from the end, so I would not have to walk along the balcony very far, and risk being seen.

At the door, a look in either direction, I unlocked the door, opened it, and waited to see if there were any surprises inside waiting, nothing stirred, so I went in and closed the door behind me.

There were no surprises inside; it was just a room with two beds and a bathroom.  A suitcase was beside one of the beds, and its contents spread over the bed.

The aroma of some recognisable perfume came from the bathroom, looking a mess with worn clothes on the floor in one corner, and used towels in the other.

She was staying here.  One of the questions I was going to ask was why?

…

© Charles Heath 2019-2023

Travelling after a pandemic: Destination Hobart – Day 4

Hobart in June – Winter – Day 4 – Tuesday

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Day 4 – Tuesday

We’re up early because there’s an informal breakfast put on by the resort at 9, with waffles, ice cream, and berries.

It also meant that we would be able to embark on an adventure a lot earlier than we had previously, somewhere about 10:30.

Breakfast ends at about 10, and we take a few minutes to decide what we’re going to do.  The best option is to go to Port Arthur, nearly 100km away, about an hour and a half drive.

The weather is great considering so far we’ve had rain and more rain, insidious cold, and snow, so for the day to be sunny with blue skies is as if the planets have lined up.

Nearly 100 km driving in the rain to visit a penal colony in the rain was not a good prospect.

Along the way, there are several scenic points and intermittent views of the water, which in places give views out to sea, but it seems mostly over estuaries because the water is quite calm.

Only as we approach Port Arthur do we get to see the ocean stretch out to the horizon, and there are lookout points over rocks that display the end result of the ocean’s fury with land.

There are several viewing points for landmarks such as the Blowhole. These we will stop at on the way back

Along with a lavender factory and cafe.

Not far from that lavender factory is a Tasmanian Devil union, which seems to be an odd name for scything, but we don’t stop to see exactly what it is

Just at noon, we arrive at the Port Arthur site to be greeted by two overflow carparks, then a three-tiered carpark.  We try for the first, and closest, and get a park, more by good luck than anything else.

Good luck getting into the settlement other than through the edifice built across the whole front.  This is how you make people feel secure.  Not even an ant could get past it.

There us a restaurant, a Cafe, a gift shop, and an entrance.  The cost is $45 for an adult, $20 for children, and $36 for us.

And from what I can see, if the settlement and the activities included in the admission price, we could not do any of it, so coming was not exactly a waste of time; we had to come to at least see it.

Maybe when Rosemary can walk again.

We spend time in the gift shop, I get a book that has photos of what we’re missing, sad, then we head back.

Lunch at a seafood restaurant beckons.

On the way back, we visit the Lavender farm and, of course, pick up a few lavender items.

Hotel Dunally Seafood Restaurant, or so the sign outside says.

We saw this place on the way to Poet Arthur, and if time allowed, we would check it out for lunch.

About 1 30 pm, we go in.

Sadly, the locally caught Flounder is unavailable; no one has been able to go out and get it, so there is no fresh fish at all, not even the flathead.

Asked about the flathead, but it’s frozen seafood out of a bag and fried.  For a seafood restaurant, it’s very disappointing that it lacks fresh seafood.

We opt for the seafood bake, with chips and salad.  It’s not going to be fresh seafood, but maybe the closest thing to it, with prawns, scallops, and calamari, as well as fish pieces.

We then decided to go back to Daci and Daci again, for another cake.

And got a look at some of the other cakes

What I learned about writing – Writing a novel is not a sprint but a marathon

Navigating the Darkness: Sprinting Through Your Marathon Novel

E.L. Doctorow, a titan of American literature, once famously described the writing process as akin to “driving a car at night – you can only see as far as the headlight go.” This beautifully encapsulates the inherent uncertainty, the step-by-step progression, and the reliance on instinct that comes with crafting a narrative.

Then there’s the other, equally valid, piece of advice: writing a book isn’t a sprint, it’s a marathon. This speaks to the endurance, the discipline, and the long-haul commitment required to bring a sprawling story from conception to completion.

On the surface, these two nuggets of wisdom feel contradictory. How can you sprint through a marathon? How can you navigate the darkness with pinpoint precision if you’re also settling in for a long, gruelling race?

The truth is, they aren’t contradictions at all. They are two essential facets of successful authorship, and the key to achieving the best of both worlds lies in understanding how they can and should work together.

Embrace the Headlight: The Power of the Present

Doctorow’s metaphor is a powerful reminder to ground ourselves in the immediate. When you’re staring at a blank page or a daunting plot point, the sheer magnitude of the “marathon” can be paralysing. This is where the headlight comes in.

  • Focus on the Next Scene: Don’t worry about how you’re going to end the book. Just focus on writing the next scene, the next chapter, the next conversation. What needs to happen right now to move the story forward?
  • Trust Your Intuition: The headlight illuminates the path immediately ahead. This is where your creative impulse, your gut feeling about character motivation, or your instinct for dialogue takes over. Allow yourself to explore without needing to see the entire roadmap.
  • Embrace the Unknown: Sometimes, the best stories emerge from the unexpected detours revealed by the headlight. Don’t be afraid to go where the light takes you, even if it wasn’t part of your original plan. This is how discovery happens.

Pace Yourself for the Long Haul: The Marathon Mindset

While the headlight keeps you moving forward, the marathon mindset provides the structure and resilience to keep going. Without it, you’ll burn out before you even hit the halfway point.

  • Establish a Routine: Whether it’s a daily word count, a dedicated writing time, or a weekly goal, consistency is your marathon fuel. It’s about showing up, even when the inspiration feels dim.
  • Break Down the Giant Task: The marathon is made up of many miles. Similarly, your book is made up of chapters, plot arcs, and character development. Break down the larger goal into smaller, manageable chunks. This makes the journey less daunting.
  • Cultivate Patience and Persistence: There will be days, weeks, even months where the writing feels like wading through molasses. This is normal. Understanding that this is part of the marathon allows you to persevere through the tough patches without losing sight of the finish line.
  • The Long Game of Revision: The marathon isn’t over when you type “The End.” The real work of refining, shaping, and polishing is a crucial part of the longer journey. Trust that the initial draft, guided by the headlight, will be the raw material for a more polished creation.

Achieving the Best of Both Worlds: The Dynamic Duo

The magic happens when you stop seeing these as opposing forces and start integrating them.

  1. Start with the Headlight, Build with the Marathon: Begin by focusing on the immediate scene, letting your creativity flow. As you complete sections, start to see the broader strokes, the emerging patterns that define your marathon.
  2. Use the Marathon Structure to Guide the Headlight: Have a general outline or a compelling premise? This “marathon vision” can act as your distant parklights, giving direction to your immediate headlight-led explorations.
  3. Allow for Detours, But Keep Moving: The headlight might reveal an exciting side road, but the marathon’s awareness of the destination ensures you don’t get lost indefinitely. You can explore, but always with a sense of returning to the main path.
  4. Celebrate Small Victories (Headlight Moments) on the Long Journey (Marathon): Finishing a chapter is a milestone in the marathon. A particularly brilliant piece of dialogue is a shining moment in the headlight’s beam. Acknowledge and appreciate both.

In essence, writing a book is about learning to be both a navigator of the immediate journey and a seasoned long-distance runner. You need the courage to step into the darkness, guided by the light you have, and the wisdom to understand that this is a race that requires stamina, strategy, and unwavering dedication. By embracing the power of the present while respecting the demands of the long haul, you can indeed achieve the best of both worlds, and bring your story magnificently to life.

365 Days of writing, 2026 – 168

Day 168 – Facing that rejection slip

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The Art of Being Told “No”: Lessons from Rudyard Kipling

In the world of professional writing, rejection isn’t just a possibility—it’s a rite of passage.

Every writer knows the sting of the form letter. But occasionally, a rejection arrives that is so spectacularly wrong, so jarringly dismissive, that it drifts into the realm of legend.

Perhaps the most famous example involves Rudyard Kipling. Before he became the Nobel Prize-winning author of The Jungle Book, Kipling was a young journalist struggling to break into the literary scene. He submitted his work to the San Francisco Examiner, only to receive a rejection letter that read:

“I’m sorry, Mr. Kipling, but you just don’t know how to use the English language.”

If you’ve ever had your pitch ignored, your manuscript shredded by an editor, or your creative spark doused by a cold professional “no,” take a moment to sit with that quote. One of the greatest masters of the English language was told, in black and white, that he lacked the fundamental skills to use it.

So, how do you handle rejection when it feels like a total erasure of your talent? How do you keep going when the gatekeepers tell you that you don’t belong?

1. Separate “The Work” from “The Worth”

The editor at the San Francisco Examiner wasn’t critiquing Kipling’s soul; they were critiquing a piece of paper, filtered through their own subjective taste, bias, and likely a bad mood.

When you get a rejection, the immediate psychological reflex is to internalise it as a verdict on your identity. Don’t. A rejection is data, not a definition. It tells you that this specific piece of work did not fit this specific person’s expectations at this specific time. It is a localised event, not a reflection of your inherent value as a creator.

2. Recognise the “Gatekeeper’s Blind Spot”

History is littered with the corpses of “expert” opinions. J.K. Rowling was rejected by a dozen publishers who thought Harry Potter wouldn’t sell. Stephen King’s Carrie was rejected 30 times.

Sometimes, what looks like a lack of skill is actually just a voice that hasn’t been categorised yet. Kipling’s style was bold, rhythmic, and unconventional. The editor who rejected him didn’t see “genius”—they saw a deviation from the norm they were comfortable with. Often, you are rejected because you are doing something new, and “new” is hard for people to recognise at first.

3. Use Rejection as a Refinement Tool (but stay selective)

Kipling didn’t stop writing. He didn’t take that editor’s advice to “learn how to use the language.” Instead, he kept writing in his unique, unmistakable voice.

There is a difference between constructive criticism and malicious dismissal. If 20 people tell you your plot is confusing, you might have a clarity issue. If one person tells you you “don’t know how to use the language” while you are actively crafting award-winning prose, you ignore them. Learn to discern between feedback that helps you grow and feedback that simply isn’t for you.

4. Let Your Success Be the Longest Game

There is a profound, quiet satisfaction in proving the naysayers wrong—not by screaming at them, but by moving forward until your work is so loud they can no longer ignore it.

Kipling didn’t need to write a scathing response to the Examiner. He didn’t need to post a “revenge” tweet. He just wrote Kim. He wrote If—. He wrote The Man Who Would Be King. He built a legacy that made that editor’s rejection letter look like a footnote in a history book.

The Takeaway

If you are currently staring at a rejection letter, take a breath. Know that you are in the best possible company. You are standing alongside Hemingway, Woolf, Dickens, and Kipling.

The rejection isn’t a wall; it’s a hurdle. It’s the universe’s way of asking, “How badly do you want this?”

Don’t let a stranger’s bad taste dictate your creative future. Pick up your pen, refine your craft, and keep going. After all, the best way to deal with the person who says you don’t know the language is to write something they’ll be forced to read for the rest of their lives.

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Top 5 sights on the road less travelled – Barcelona

Beyond the Gaudi Glow: 5 Barcelona Gems Off the Beaten Path

Barcelona. The name conjures images of soaring Sagrada Familia, vibrant Las Ramblas, and the sun-drenched beaches of Barceloneta. And while these iconic sights are undeniably spectacular, there’s a whole other layer to this Catalan capital waiting to be discovered by those willing to venture a little further. If you’re tired of jostling for elbow room and crave a taste of authentic Barcelona, this list of five things to do on the road less travelled is for you.

1. Get Lost (and Found) in Gràcia’s Bohemian Labyrinth

Step away from the Gothic Quarter’s throngs and find yourself in the charming neighbourhood of Gràcia. Once a separate town, Gràcia retains its distinct village feel with a network of narrow, winding streets, hidden plazas, and a wonderfully bohemian atmosphere. Spend an afternoon simply wandering. You’ll stumble upon independent boutiques, artisan workshops, and inviting cafes where locals gather. Don’t miss Plaça del Sol or Plaça de la Vila de Gràcia – perfect spots to sip a coffee and people-watch. In the evening, Gràcia truly comes alive with its array of tapas bars and intimate restaurants, offering a more local and affordable dining experience.

2. Ascend to the Untamed Beauty of Parc del Laberint d’Horta

While Park Güell gets all the glory for its whimsical mosaics, Barcelona’s oldest garden, Parc del Laberint d’Horta, offers a more serene and romantic escape. This neoclassical gem boasts a breathtaking cypress maze that’s a delight to navigate. Beyond the labyrinth, discover neoclassical sculptures, hidden grottoes, peaceful ponds, and stunning manicured gardens. It’s a tranquil oasis far removed from the city’s hustle, perfect for a leisurely stroll, a romantic picnic, or simply a moment of quiet contemplation. Pack a book and let the gentle murmur of fountains wash over you.

3. Uncover History and Art at the Sant Pau Recinte Modernista

Often overshadowed by Gaudí’s more famous works, the Sant Pau Recinte Modernista is a UNESCO World Heritage site that deserves its own spotlight. This former hospital complex, designed in the early 20th century by architect Lluís Domènech i Montaner, is a masterpiece of Catalan Modernisme. Wander through its beautifully preserved pavilions, adorned with intricate tilework, stained glass, and stunning sculptures. The sheer scale and artistic detail are astounding, offering a fascinating glimpse into the era’s architectural innovation and a poignant reminder of its philanthropic past. It’s a place that inspires awe and contemplation in equal measure.

4. Immerse Yourself in Local Flavours at Mercat de Sant Antoni

While La Boqueria is a vibrant sensory overload, the Mercat de Sant Antoni offers a more authentic and less tourist-centric market experience. Recently renovated, this grand market hall is a haven for local produce, fresh seafood, and regional delicacies. Come here for breakfast, sample some empanadas, pick up ingredients for a picnic, or simply soak in the lively atmosphere as locals go about their daily shopping. On Sundays, the surrounding streets transform into a bustling book and antique market, adding another layer of discovery to your visit.

5. Hike to the Iconic Bunkers del Carmel for Panoramic Vistas

For the most breathtaking, unobstructed views of Barcelona, skip the crowded viewpoints and head to the Bunkers del Carmel. These anti-aircraft fortifications from the Spanish Civil War offer a dramatic historical backdrop to arguably the best panoramic vistas of the city. While the climb can be a bit of a trek (or a short bus ride up), the reward is immense. Watch the sunset paint the sky in fiery hues, with the entire cityscape spread out before you like a miniature wonderland. It’s a favourite spot for locals to gather with friends, enjoy a picnic, and simply admire their beloved city from above.

Barcelona is a city that rewards curiosity. By venturing beyond the well-trodden paths, you’ll uncover its hidden heart, meet its friendly locals, and create memories that are truly your own. So, next time you find yourself in this Catalan gem, dare to stray from the guidebooks and embrace the magic of the road less travelled. You won’t be disappointed.

In a word: Green

Of course, it is a colour, one used for traffic lights, grass, and a lot of different shades.

It’s made up of blue and yellow, adjusting the amounts of each to get the shade you want.

I once had a dark green suit.

I don’t have any green emeralds.

When you get a green light, it means to go ahead, or just go, in traffic, or for the starting of a project

And a green run on the ski fields denotes the easiest run – just about my level!

Green with envy, yes, though I’m not sure why they picked green for envy

In England especially, green is a patch of grassy land, usually in the middle of a village

A green worker is one that is new to the job, and usually gets all the rotten jobs

Then there is the biggest money-spinner of all time: going green, which means eco-friendly.

I have only one question, why is it to go ‘green’ is to charge far more than normal

Oh, and by the way, political parties that are eco-centric are usually called the greens

And, these are the same people who chain themselves to trees, deterring bulldozers

The blue sea is really green, believe it or not!