Time to move on – perhaps a sequel?

…

The Second Chapter: To Sequel or Not to Sequel?

Every writer dreams of publishing the book—the novel that captures hearts, lands on bestseller lists, and finally sees their name in print. But once the final page is turned and the final edit approved, a new question often creeps in, quiet but persistent: What about a sequel? Or a prequel?

For some, the journey doesn’t end with one book. For others, the idea of expanding their world feels unnecessary or even overwhelming. So where’s the line? Does every author have a second book in them? And more importantly, how do we know when a standalone story deserves to become a series?

Does Everyone Have a Second Book In Them?

In short—yes, but maybe not the same way.

Every storyteller has more tales to tell. Whether it’s within the same universe, through new characters, or a return to old favourites—there’s always more to explore. But here’s the truth: having a second story idea isn’t the same as having a necessary sequel.

A sequel shouldn’t exist simply because the first book sold well. It must earn its place. It should deepen the themes, evolve the characters, or expand a world in a way that feels organic—not forced. A prequel, meanwhile, must offer something the original didn’t: untold motivations, hidden histories, or emotional context that reframes the entire narrative.

Not every book needs to be part of a trilogy. In fact, some of the most powerful stories are those that end with finality. Consider The Great Gatsby or To Kill a Mockingbird. These stories are complete, and their strength lies in closure. Adding a sequel wouldn’t enhance them—it might even dilute their impact.

When Do You Know a Story is Meant to Be More Than One?

The shift from standalone to series often starts unconsciously.

Maybe it’s a character whose arc feels unfinished. Perhaps it’s a world so richly imagined that the first book only scratched the surface. Or it could be a central conflict that can’t be fully resolved in one narrative arc.

Here are a few signs your book might be destined for more:

• Your characters won’t let you go. They start speaking in your head again. They have unfinished business—even if they don’t realise it yet.
• The world feels alive. Readers ask, “What happens next?” or “What was it like before?” That curiosity is a signal.
• The stakes grow beyond the personal. If the first book dealt with individual survival, but the world itself is now at risk—congratulations, you’ve laid the foundation for a series.
• You’ve left intentional threads. Foreshadowing a larger mythology, introducing mysterious factions, or dropping cryptic lore can all be clues you’re building for more.

Timing matters too. Some authors plan series from the start—George R.R. Martin mapped out A Song of Ice and Fire with multiple volumes in mind. Others, like J.K. Rowling, realised the story was bigger than expected only after Harry Potter and the Philosopher’s Stone exploded in popularity.

But here’s the secret: you don’t have to know from page one. You can begin writing a standalone and let the story tell you where it wants to go. Trust the process. Listen to your instincts. And don’t rush to monetize your success with a sequel that isn’t ready.

How Long Before We Begin?

That depends on why you want to return.

If the story is still burning in you—go ahead. Start drafting ideas, notes, and character journals. But if you’re writing a sequel just because fans demand it or you feel obligated, take a breath. Step away.

Many authors benefit from a cooling-off period. A year. Two. Time to reflect, gain perspective, and return with fresh eyes. Think of it this way: your first book was a discovery. Your sequel should be deeper, wiser, and more intentional.

Some writers begin thinking about a sequel during the final edits of Book One. Others wait until they’ve written something entirely new. There’s no right timeline—only the right reason.

Final Thoughts: Is a Second Book Necessary?

No. But it can be meaningful.

A sequel or prequel shouldn’t be a cash grab or a filler. It should feel inevitable—like the story demanded continuation. Whether it’s one more chapter in an epic saga or a deep dive into a character’s past, the second book must stand on its own merit.

So ask yourself:

• Does this story need more?
• Am I returning for the right reasons?
• Do I have something meaningful to add?

If the answer is yes—then welcome to the next chapter. Your audience is waiting. And who knows? Maybe your second book will be the one that changes everything.

Now, tell me—do you have a sequel in you?