The Things We Do For Love – The final editor’s draft – Day 12

This is just not going to work

I had in mind right about now to find all the reasons why this romance would not work.

Michelle is not telling him the truth about her situation.  We want to believe she had found the love of her life, but is it that she has found something that she’s not had before, and it’s too late?

Her path was chosen for her, perhaps, when she allowed others to lead her down a path that eventually led to self-destruction.  Yes, she has tried to escape, twice, but inevitably she finds her way back, thinking the city is large enough she can make a new start.

She is wrong.  Why didn’t she move to the other side of the country, or even overseas?  Perhaps it was an obligation she felt to help those who had helped her escape.

The big question here is whether we let our past define us.  Do we try and find a way out of the wreckage, and try to get back on track?  It seems the situation is hopeless, or so we are led to believe.

However, the last date was when she was supposed to tell Henry it was over, that she could not be his girlfriend., but couldn’t.  He had to hear that from another source.

And, what he hears, leads him to believe there is no future for them.

Ships are great places to hide away from the rest of the world.

Henry has to endure a short period when he cannot bring himself to tell anyone what had happened, and then, at the end of the tour he takes a position on another ship, roaming the ocean for at least three months, island hopping.

He needs a sojourn, time to think, and any letters she sends, for what reason he cannot fathom, are consigned to the bottom drawer, unopened.  He is, he tells himself, done with her.

But never far from his thoughts, he decided to learn as much about her as he can, and turns to the newspaper archives, and the reporter who wrote most of the articles, none very flattering about her, and then talks to her about Michelle.

High flying model, absolute success, met the wrong man, got into drugs, and spiralled downwards from there.  She ended up addicted, and eventually a prostitute.  Not exactly what he wanted to hear, but it explained everything.

And yet, the person he met, the girl he fell in love with, was so far removed from that description, he could not understand anything.

Meanwhile, Michelle, oblivious to the fact he had overheard her conversation, cannot understand why he does not communicate with her, and cannot be found.

Time passes, and she cannot keep the man who runs her life now at bay for much longer, and then, it’s back to the snake pit with her friends; and the drugs, sitting on the kitchen bench, are a strong reminder of how she used to shut it all out.

Will the temptation get the better of her?

It’s a pivotal part of the story, and in the traditional romance, it’s the ‘boy loses the girl’ usually to a misunderstanding.

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