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The Third Son of a Duke

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So we are getting the back stories for a few of the passengers, a group forms, of which our protagonists are part of; my grandmother is there, but only as a floating member. I have given her a role that gels with the protagonist as a friend, though more aloof than the others.  As the son of a Duke, and therefore of aristocratic bearing, he and my grandmother will act as chaperones for the other girls who attach themselves to the group that gathers in the lounge.

He will prefer her as a companion while the likes of Louise tend to make a more romantic impact.  But, as one might expect of the time, he is uncertain of his arrangement with the arranged marriage, so he cannot commit to anything other than a respectable friendship, which he makes quite plain from the outset.

He is not looking for romance.  Others might be.

I also have a look at the reasons why so many disaffected young women are leaving England for a new life in Australia, far from the poverty, and worse, class distinction, the lack of opportunities for women, and the lack of acceptable husbands, not that they are looking.  There are also aspects of societal expectation that a woman doesn’t work and is meant to have children and look after their husbands.

This is a period where the unwritten rule of what society believes is a woman’s place in society is taking a beating, and women want more from their lives.  After all, suffragettes are fighting for electoral equality; at least in Australia, these girls will have a vote. 

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1455 words, for a total of 16835 words.