Writing a book in 365 days – 329

Day 329

Tell a Dream, Lose a Reader – Why Your Aspirational Stories May Be Turning Audiences Away (And How to Fix It)

“If you can’t explain it simply, you haven’t understood it well enough.” – Albert Einstein

In the world of blogging, the line between “inspiring” and “incomprehensible” is razor‑thin. You’ve probably heard the old adage: “Tell a dream, lose a reader.” It’s a warning, not a destiny. In this post we’ll unpack why lofty, abstract storytelling can actually drive readers away, and we’ll give you a concrete roadmap to keep those dreams alive and keep your audience glued to the page.


1. The Allure of the “Dream” Narrative

Every great brand, influencer, or thought‑leader has a vision—a big picture that fuels their work. Think of Elon Musk’s Mars colony, Simon Sinek’s “Start With Why,” or a startup’s promise to “revolutionize the way people travel.”

These dreams:

  • Create emotional resonance – they tap into hopes, fears, and aspirations.
  • Differentiate the voice – a compelling vision makes you stand out in a sea of generic how‑tos.
  • Provide long‑term direction – they guide content strategy, product roadmaps, and community building.

So why would sharing a dream ever backfire?


2. When Dreams Become “Dream‑Noise”

Dream‑Heavy SymptomWhy It Turns Readers Off
Vague, lofty language (e.g., “We aim to reshape humanity”)Readers can’t picture the concrete outcome.
All‑talk, no‑action (no steps, no proof)The audience feels you’re all hype, no substance.
Ignoring the audience’s needs (talking about your mission without linking to their problems)Readers wonder, “What’s in it for me?”
Over‑long, meandering storiesAttention spans are limited; the main point gets lost.
Lack of relatable examplesPeople connect with stories they can see themselves in.

These pitfalls cause a cognitive overload: the brain wants a clear mental model, not a cloud of abstract promises. When that model is missing, the reader disengages—often before the first paragraph ends.


3. The Science Behind the Drop‑Off

  • Attention Span: Studies show the average online reader spends only 8‑10 seconds scanning a piece before deciding to stay or leave.
  • Cognitive Fluency: The brain prefers information that’s easy to process. When you bombard readers with nebulous concepts, they experience mental friction and instinctively retreat.
  • Emotional Alignment: Readers stay when they feel the story resonates with their own goals. A dream that feels distant creates an emotional gap—and gaps drive exits.

4. Turning Dream‑Talk Into Reader‑Retention Gold

Below is a step‑by‑step framework that lets you share your grand vision without losing traction.

Step 1: Anchor the Dream in a Tangible Problem

Instead of: “We’ll change the way the world thinks about sustainability.”
Try: “Every year, 1.2 billion tons of plastic end up in oceans. Our platform gives brands a zero‑waste packaging solution that cuts that number by 30 % within two years.”

Why it works: Readers instantly see the stakes and how your dream addresses a real pain point.

Step 2: Break the Vision into Three Concrete Milestones

MilestoneTimeframeReader Benefit
Prototype LaunchQ2 2025Early adopters get 20 % discount & co‑design input
Beta ScalingQ4 2025Access to analytics dashboards to track waste reduction
Full Roll‑outQ2 2026Certification as a “Zero‑Waste Partner” for marketing

Why it works: Short, numbered milestones make the journey digestible and create mini‑wins that keep readers invested.

Step 3: Weave a Relatable Human Story

  • Introduce a protagonist (real or fictional) who embodies the reader.
  • Show their struggle with the problem.
  • Demonstrate how the solution (your dream) changes their life in measurable terms.

Example: “When Maya, a boutique owner in Austin, switched to our biodegradable sleeves, she cut packaging costs by $3,200 in six months and saw a 12 % lift in repeat customers.”

Step 4: Use Concrete Data & Social Proof

  • Include stats, testimonials, or case studies that prove the dream is already moving.
  • Visuals (infographics, before/after photos) reduce abstraction and boost credibility.

Step 5: End With a Clear Call‑to‑Action (CTA) Aligned to the Dream

  • “Join our pilot program and be among the first to showcase a waste‑free storefront.”
  • “Download the free roadmap that walks you through the first step of going plastic‑free.”

Why it works: The CTA transforms inspiration into a next step—the bridge from dream to action.


5. Real‑World Examples: Dream‑Talk Done Right

BrandDream StatementHow They Ground ItResult
Patagonia“We’re in business to save our home planet.”Constantly shares specific initiatives (e.g., 1% for the Planet, repair kits, supply‑chain transparency).Loyal community of 4M+ activists; consistent sales growth.
Airbnb“Belong anywhere.”Provides concrete stories of hosts and guests, clear guidelines for community standards, and data on economic impact.150 M+ users, $5B+ annual revenue.
Tesla“Accelerate the world’s transition to sustainable energy.”Regularly releases measurable milestones (Model 3 production numbers, Supercharger network expansion).Valuation > $1 trillion, massive media buzz.

Notice how each brand starts with a bold dream, but immediately anchors it in specific, relatable, and data‑driven details. The dream becomes a promise you can see, feel, and act upon.


6. Quick Checklist: Is Your Dream Story Reader‑Friendly?

  •  Problem‑First – Do you start with the reader’s pain point?
  •  Three‑Step Roadmap – Is the vision broken into digestible milestones?
  •  Human Hook – Is there a relatable protagonist?
  •  Concrete Evidence – Do you back up claims with data or testimonials?
  •  Clear CTA – Does the post end with a next step tied to the dream?

If you tick four or more boxes, you’re on the right track. If not, it’s time to rewrite.


7. Takeaway: Dream Boldly, Write Clearly

Your audience craves big ideas—but only when those ideas are presented in a way that feels real, relevant, and actionable. The mantra becomes:

“Tell a dream, keep the reader.”

By anchoring ambition in concrete problems, breaking it into bite‑size milestones, and wrapping it in human stories, you turn a lofty vision into a magnetic narrative that inspires and converts.


Ready to Test This On Your Next Post?

  1. Draft your dream statement.
  2. Apply the five‑step framework above.
  3. Run a quick A/B test: original vs. revised version.
  4. Measure dwell time, scroll depth, and CTA clicks.

Share your results in the comments—let’s learn from each other’s journeys toward dreaming and delivering.

Happy writing, and may your dreams never lose a reader again!

Writing a book in 365 days – 329

Day 329

Tell a Dream, Lose a Reader – Why Your Aspirational Stories May Be Turning Audiences Away (And How to Fix It)

“If you can’t explain it simply, you haven’t understood it well enough.” – Albert Einstein

In the world of blogging, the line between “inspiring” and “incomprehensible” is razor‑thin. You’ve probably heard the old adage: “Tell a dream, lose a reader.” It’s a warning, not a destiny. In this post we’ll unpack why lofty, abstract storytelling can actually drive readers away, and we’ll give you a concrete roadmap to keep those dreams alive and keep your audience glued to the page.


1. The Allure of the “Dream” Narrative

Every great brand, influencer, or thought‑leader has a vision—a big picture that fuels their work. Think of Elon Musk’s Mars colony, Simon Sinek’s “Start With Why,” or a startup’s promise to “revolutionize the way people travel.”

These dreams:

  • Create emotional resonance – they tap into hopes, fears, and aspirations.
  • Differentiate the voice – a compelling vision makes you stand out in a sea of generic how‑tos.
  • Provide long‑term direction – they guide content strategy, product roadmaps, and community building.

So why would sharing a dream ever backfire?


2. When Dreams Become “Dream‑Noise”

Dream‑Heavy SymptomWhy It Turns Readers Off
Vague, lofty language (e.g., “We aim to reshape humanity”)Readers can’t picture the concrete outcome.
All‑talk, no‑action (no steps, no proof)The audience feels you’re all hype, no substance.
Ignoring the audience’s needs (talking about your mission without linking to their problems)Readers wonder, “What’s in it for me?”
Over‑long, meandering storiesAttention spans are limited; the main point gets lost.
Lack of relatable examplesPeople connect with stories they can see themselves in.

These pitfalls cause a cognitive overload: the brain wants a clear mental model, not a cloud of abstract promises. When that model is missing, the reader disengages—often before the first paragraph ends.


3. The Science Behind the Drop‑Off

  • Attention Span: Studies show the average online reader spends only 8‑10 seconds scanning a piece before deciding to stay or leave.
  • Cognitive Fluency: The brain prefers information that’s easy to process. When you bombard readers with nebulous concepts, they experience mental friction and instinctively retreat.
  • Emotional Alignment: Readers stay when they feel the story resonates with their own goals. A dream that feels distant creates an emotional gap—and gaps drive exits.

4. Turning Dream‑Talk Into Reader‑Retention Gold

Below is a step‑by‑step framework that lets you share your grand vision without losing traction.

Step 1: Anchor the Dream in a Tangible Problem

Instead of: “We’ll change the way the world thinks about sustainability.”
Try: “Every year, 1.2 billion tons of plastic end up in oceans. Our platform gives brands a zero‑waste packaging solution that cuts that number by 30 % within two years.”

Why it works: Readers instantly see the stakes and how your dream addresses a real pain point.

Step 2: Break the Vision into Three Concrete Milestones

MilestoneTimeframeReader Benefit
Prototype LaunchQ2 2025Early adopters get 20 % discount & co‑design input
Beta ScalingQ4 2025Access to analytics dashboards to track waste reduction
Full Roll‑outQ2 2026Certification as a “Zero‑Waste Partner” for marketing

Why it works: Short, numbered milestones make the journey digestible and create mini‑wins that keep readers invested.

Step 3: Weave a Relatable Human Story

  • Introduce a protagonist (real or fictional) who embodies the reader.
  • Show their struggle with the problem.
  • Demonstrate how the solution (your dream) changes their life in measurable terms.

Example: “When Maya, a boutique owner in Austin, switched to our biodegradable sleeves, she cut packaging costs by $3,200 in six months and saw a 12 % lift in repeat customers.”

Step 4: Use Concrete Data & Social Proof

  • Include stats, testimonials, or case studies that prove the dream is already moving.
  • Visuals (infographics, before/after photos) reduce abstraction and boost credibility.

Step 5: End With a Clear Call‑to‑Action (CTA) Aligned to the Dream

  • “Join our pilot program and be among the first to showcase a waste‑free storefront.”
  • “Download the free roadmap that walks you through the first step of going plastic‑free.”

Why it works: The CTA transforms inspiration into a next step—the bridge from dream to action.


5. Real‑World Examples: Dream‑Talk Done Right

BrandDream StatementHow They Ground ItResult
Patagonia“We’re in business to save our home planet.”Constantly shares specific initiatives (e.g., 1% for the Planet, repair kits, supply‑chain transparency).Loyal community of 4M+ activists; consistent sales growth.
Airbnb“Belong anywhere.”Provides concrete stories of hosts and guests, clear guidelines for community standards, and data on economic impact.150 M+ users, $5B+ annual revenue.
Tesla“Accelerate the world’s transition to sustainable energy.”Regularly releases measurable milestones (Model 3 production numbers, Supercharger network expansion).Valuation > $1 trillion, massive media buzz.

Notice how each brand starts with a bold dream, but immediately anchors it in specific, relatable, and data‑driven details. The dream becomes a promise you can see, feel, and act upon.


6. Quick Checklist: Is Your Dream Story Reader‑Friendly?

  •  Problem‑First – Do you start with the reader’s pain point?
  •  Three‑Step Roadmap – Is the vision broken into digestible milestones?
  •  Human Hook – Is there a relatable protagonist?
  •  Concrete Evidence – Do you back up claims with data or testimonials?
  •  Clear CTA – Does the post end with a next step tied to the dream?

If you tick four or more boxes, you’re on the right track. If not, it’s time to rewrite.


7. Takeaway: Dream Boldly, Write Clearly

Your audience craves big ideas—but only when those ideas are presented in a way that feels real, relevant, and actionable. The mantra becomes:

“Tell a dream, keep the reader.”

By anchoring ambition in concrete problems, breaking it into bite‑size milestones, and wrapping it in human stories, you turn a lofty vision into a magnetic narrative that inspires and converts.


Ready to Test This On Your Next Post?

  1. Draft your dream statement.
  2. Apply the five‑step framework above.
  3. Run a quick A/B test: original vs. revised version.
  4. Measure dwell time, scroll depth, and CTA clicks.

Share your results in the comments—let’s learn from each other’s journeys toward dreaming and delivering.

Happy writing, and may your dreams never lose a reader again!

Writing a book in 365 days – 325

Day 325

The Zero Draft – that old devil in the ointment, Writer’s block

The Tricksy Zero Draft: Taming the Beast of Writer’s Block

Writer’s block – that mythical monster that lurks in the deepest recesses of our minds, waiting to pounce and paralyse our creative output. Many a writer has fallen prey to its insidious grasp, staring blankly at a blinking cursor or a stack of pristine paper, unable to conjure even a single inspired sentence.

Among the most formidable foes in this battle is the Zero Draft. This elusive entity is the antithesis of progress, a paltry, unformed mass that masquerades as a first draft. It’s the when-in-Rome, throw-every-idea-against-the-wall, see-what-sticks approach that can leave even the most seasoned writers floundering in a sea of confusion and self-doubt.

So, how do you vanquish this devious demon and finally break free from its stranglehold on your writing muse? Here are a few battle-tested strategies to help you rise triumphant over the Zero Draft:

  1. Lower Your Expectations: Recognise that your first pass at a piece of writing will rarely, if ever, be perfect. It’s the rough blueprint, the scaffolding upon which you’ll build something more substantial later on. Don’t expect to craft a masterpiece in a single, inspired burst; instead, focus on getting words on the page, no matter how messy or imperfect they may be.
  2. Set a Timer and Write Drunk: Inspired by the famous Ernest Hemingway anecdote, this technique involves setting a timer for a fixed interval (20-30 minutes works well) and writing as freely and uninhibitedly as possible during that time. The resulting output may be chaotic, but it’s often a rich source of raw material to mine for later polishing and refinement.
  3. Change Your Environment: Sometimes, a change of scenery can work wonders for sparking creativity and banishing the Zero Draft. Try writing in a different location, or at a different time of day. Even a simple rearrangement of your usual writing space can help jumpstart your imagination.
  4. Collaborate with a Writing Buddy: The old adage “misery loves company” holds true when it comes to writer’s block. Having a fellow writer to share the struggle with can provide a much-needed motivational boost. Set a regular writing schedule with your partner and hold each other accountable for making progress, no matter how small.
  5. Reward Progress, Not Perfection: Give yourself small rewards for reaching certain milestones, even if your writing is still far from polished. This could be something as simple as a favourite meal, a walk in the park, or an extra hour of reading time. By focusing on the journey rather than the destination, you can maintain a sense of momentum and purpose even when the words aren’t flowing as freely as you’d like.

In the end, the Zero Draft is merely a challenge to be overcome, a hurdle on the path to crafting something truly remarkable. By adopting these strategies and maintaining a stubborn commitment to the writing process, even the most intractable blocks can be breached, and the creative floodgates can finally be unleashed. So steel yourself, grab your pen (or keyboard), and march forth into the fray – your inner author is waiting to emerge, Zero Draft be damned.

Writing a book in 365 days – 325

Day 325

The Zero Draft – that old devil in the ointment, Writer’s block

The Tricksy Zero Draft: Taming the Beast of Writer’s Block

Writer’s block – that mythical monster that lurks in the deepest recesses of our minds, waiting to pounce and paralyse our creative output. Many a writer has fallen prey to its insidious grasp, staring blankly at a blinking cursor or a stack of pristine paper, unable to conjure even a single inspired sentence.

Among the most formidable foes in this battle is the Zero Draft. This elusive entity is the antithesis of progress, a paltry, unformed mass that masquerades as a first draft. It’s the when-in-Rome, throw-every-idea-against-the-wall, see-what-sticks approach that can leave even the most seasoned writers floundering in a sea of confusion and self-doubt.

So, how do you vanquish this devious demon and finally break free from its stranglehold on your writing muse? Here are a few battle-tested strategies to help you rise triumphant over the Zero Draft:

  1. Lower Your Expectations: Recognise that your first pass at a piece of writing will rarely, if ever, be perfect. It’s the rough blueprint, the scaffolding upon which you’ll build something more substantial later on. Don’t expect to craft a masterpiece in a single, inspired burst; instead, focus on getting words on the page, no matter how messy or imperfect they may be.
  2. Set a Timer and Write Drunk: Inspired by the famous Ernest Hemingway anecdote, this technique involves setting a timer for a fixed interval (20-30 minutes works well) and writing as freely and uninhibitedly as possible during that time. The resulting output may be chaotic, but it’s often a rich source of raw material to mine for later polishing and refinement.
  3. Change Your Environment: Sometimes, a change of scenery can work wonders for sparking creativity and banishing the Zero Draft. Try writing in a different location, or at a different time of day. Even a simple rearrangement of your usual writing space can help jumpstart your imagination.
  4. Collaborate with a Writing Buddy: The old adage “misery loves company” holds true when it comes to writer’s block. Having a fellow writer to share the struggle with can provide a much-needed motivational boost. Set a regular writing schedule with your partner and hold each other accountable for making progress, no matter how small.
  5. Reward Progress, Not Perfection: Give yourself small rewards for reaching certain milestones, even if your writing is still far from polished. This could be something as simple as a favourite meal, a walk in the park, or an extra hour of reading time. By focusing on the journey rather than the destination, you can maintain a sense of momentum and purpose even when the words aren’t flowing as freely as you’d like.

In the end, the Zero Draft is merely a challenge to be overcome, a hurdle on the path to crafting something truly remarkable. By adopting these strategies and maintaining a stubborn commitment to the writing process, even the most intractable blocks can be breached, and the creative floodgates can finally be unleashed. So steel yourself, grab your pen (or keyboard), and march forth into the fray – your inner author is waiting to emerge, Zero Draft be damned.

Writing a book in 365 days – 324

Day 324

Writing is my passion. Words are the way to know ecstasy. Without them, life is barren

Beyond the Blank Page: The Soul-Stirring Ecstasy of Words

There are some truths that reside so deeply within us, they become the very architecture of our being. For me, one such truth burns with an undeniable intensity: Writing is my passion. It’s not just a hobby, a job, or even a skill; it is an intrinsic part of who I am, a fundamental impulse as vital as breathing.

From the quiet hum of an idea taking root to the frantic dance of fingers across a keyboard, the act of shaping thoughts into tangible form is where I find my truest self. It’s the thrill of discovery, the meticulous craft, the joyous agony of chasing the perfect phrase. Each sentence is a step, each paragraph a journey, and the finished piece, a new world brought into existence. This isn’t merely an urge; it’s a calling, a constant whisper from the muse that demands to be heard and translated.

But it’s more than just the act of writing; it’s what words themselves represent. For me, words are the way to know ecstasy. They are not just symbols on a page; they are vessels of emotion, architects of understanding, and bridges between disparate souls. There’s an almost alchemical magic in finding the exact verb that electrifies a scene, the precise adjective that paints a vivid image, or the perfectly structured sentence that unlocks a complex idea.

That moment when the right words click into place, when a jumbled thought suddenly unfurls into crystalline clarity, is nothing short of pure bliss. It’s a connection to something larger than myself – a universal language of human experience, memory, and imagination. Through words, we can travel across centuries, inhabit different lives, understand profound sorrow and boundless joy. They are the keys to unlocking empathy, the tools for building dreams, and the threads that weave the rich tapestry of human history and culture. The sheer power and beauty contained within a carefully chosen lexicon can make my spirit soar.

Conversely, the thought of a life without words, a world where expression is stifled, where stories are unwritten, and ideas remain trapped and untranslated, fills me with a profound sense of despair. Without them, life is barren. Imagine a landscape devoid of color, a symphony without sound, a conversation without meaning. That, to me, is a life without the richness that words provide.

It would be a silent, desolate existence, stripped bare of the nuances that define our humanity. How would we learn? How would we connect? How would we express love, grief, or triumph? Our history would be lost, our future unimaginable. The very essence of what makes us sentient, feeling beings would be muted, leaving behind only the hollow echo of what could have been.

So, yes, writing is my passion. But it’s because words are so much more than tools; they are the very lifeblood of meaning, connection, and transcendence. They are my anchors and my wings, the echoes of my soul, and the path to ecstasy. And for that, I am eternally grateful for every letter, every sentence, every story waiting to be told.

What about you? What are your words? What do they mean to you?

An excerpt from “Mistaken Identity” – a work in progress

The odds of any one of us having a doppelganger are quite high. Whether or not you got to meet him or her, or be confronted by them was significantly lower. Except of course, unless you are a celebrity.

It was a phenomenon remarkable only for the fact, at times, certain high-profile people, notorious or not, had doubles if only to put off enemies or the general public. Sometimes we see people in the street, people who look like someone we knew, and made the mistake of approaching them like a long lost friend, only to discover an embarrassed individual desperately trying to get away for what they perceive is a stalker or worse.

And then sometimes it is a picture that looms up on a TV screen, an almost exact likeness of you. At first, you are fascinated, and then according to the circumstances, and narrative that is attached to that picture, either flattered or horrified.

For me one turned to the other when I saw an almost likeness of me flash up on the screen when I turned the TV on in my room. What looked to be my photo, with only minor differences, was in the corner of the screen, the newsreader speaking in rapid Italian, so fast I could only translate every second or third word.

But the one word I did recognize was murder. The photo of the man up on the screen was the subject of an extensive manhunt. The crime, the murder of a woman in the very same hotel I was staying, and it was being played out live several floors above me. The gist of the story, the woman had been seen with, and staying with the man who was my double, and, less than an hour ago, the body had been discovered by a chambermaid.

The killer, the announcer said, was believed to be still in the hotel because the woman had died shortly before she had been discovered.

I watched, at first fascinated at what I was seeing. I guess I should have been horrified, but at that moment it didn’t register that I might be mistaken for that man.

Not until another five minutes had passed, and I was watching the police in full riot gear, with a camera crew following behind, coming up a passage towards a room. Live action of the arrest of the suspected killer the breathless commentator said.

Then, suddenly, there was a pounding on the door. On the TV screen, plain to see, was the number of my room.
I looked through the peephole and saw an army of police officers. It didn’t take much to realize what had happened. The hotel staff identified me as the man in the photograph on the TV and called the police.

Horrified wasn’t what I was feeling right then.

It was fear.

My last memory was the door crashing open, the wood splintering, and men rushing into the room, screaming at me, waving guns, and when I put my hands up to defend myself, I heard a gunshot.

And in one very confused and probably near-death experience, I thought I saw my mother and thought what was she doing in Rome?

I was the archetypal nobody.

I lived in a small flat, I drove a nondescript car, had an average job in a low profile travel agency, was single, and currently not involved in a relationship, no children, and according to my workmates, no life.

They were wrong. I was one of those people who preferred their own company, I had a cat, and travelled whenever I could. And I did have a ‘thing’ for Rosalie, one of the reasons why I stayed at the travel agency. I didn’t expect anything to come of it, but one could always hope.

I was both pleased and excited to be going to the conference. It was my first, and the glimpse I had seen of it had whetted my appetite for more information about the nuances of my profession.

Some would say that a travel agent wasn’t much of a job, but to me, it was every bit as demanding as being an accountant or a lawyer. You were providing a customer with a service, and arguably more people needed a travel agent than a lawyer. At least that was what I told myself, as I watched more and more people start using the internet, and our relevance slowly dissipating.

This conference was about countering that trend.

The trip over had been uneventful. I was met at the airport and taken to the hotel where the conference was being held with a number of other delegates who had arrived on the same plane. I had mingled with a number of other delegates at the pre conference get together, including one whose name was Maryanne.

She was an unusual young woman, not the sort that I usually met, because she was the one who was usually surrounded by all the boys, the life of the party. In normal circumstances, I would not have introduced myself to her, but she had approached me. Why did I think that may have been significant? All of this ran through my mind, culminating in the last event on the highlight reel, the door bursting open, men rushing into my room, and then one of the policemen opened fire.

I replayed that last scene again, trying to see the face of my assailant, but it was just a sea of men in battle dress, bullet proof vests and helmets, accompanied by screaming and yelling, some of which I identified as “Get on the floor”.

Then came the shot.

Why ask me to get on the floor if all they were going to do was shoot me. I was putting my hands up at the time, in surrender, not reaching for a weapon.

Then I saw the face again, hovering in the background like a ghost. My mother. Only the hair was different, and her clothes, and then the image was going, perhaps a figment of my imagination brought on by pain killing drugs. I tried to imagine the scene again, but this time it played out, without the image of my mother.

I opened my eyes took stock of my surroundings. What I felt in that exact moment couldn’t be described. I should most likely be dead, the result of a gunshot wound. I guess I should be thankful the shooter hadn’t aimed at anything vital, but that was the only item on the plus side.

I was in a hospital room with a policeman by the door. He was reading a newspaper, and sitting uncomfortably on a small chair. He gave me a quick glance when he heard me move slightly, but didn’t acknowledge me with either a nod, or a greeting, just went back to the paper.

If I still had a police guard, then I was still considered a suspect. What was interesting was that I was not handcuffed to the bed. Perhaps that only happened in TV shows. Or maybe they knew I couldn’t run because my injuries were too serious. Or the guard would shoot me long before my feet hit the floor. I knew the police well enough now to know they would shoot first and ask questions later.

On the physical side, I had a large bandage over the top left corner of my chest, extending over my shoulder. A little poking and prodding determined the bullet had hit somewhere between the top of my rib cage and my shoulder. Nothing vital there, but my arm might be somewhat useless for a while, depending on what the bullet hit on the way in, or through.

It didn’t feel like there were any broken or damaged bones.

That was the good news.

On the other side of the ledger, my mental state, there was only one word that could describe it. Terrified. I was looking at a murder charge and jail time, a lot of it. Murder usually had a long time in jail attached to it.

Whatever had happened, I didn’t do it. I know I didn’t do it, but I had to try and explain this to people who had already made up their minds. I searched my mind for evidence. It was there, but in the confused state brought on by the medication, all I could think about was jail, and the sort of company I was going to have.

I think death would have been preferable.

Half an hour later, maybe longer, I was drifting in an out of consciousness, a nurse, or what I thought was a nurse, came into the room. The guard stood, checked her ID card, and then stood by the door.

She came over and stood beside the bed. “How are you?” she asked, first in Italian, and when I pretended I didn’t understand, she asked the same question in accented English.

“Alive, I guess,” I said. “No one has come and told what my condition is yet. You are my first visitor. Can you tell me?”

“Of course. You are very lucky to be alive. You will be fine and make a full recovery. The doctors here are excellent at their work.”

“What happens now?”

“I check you, and then you have a another visitor. He is from the British Embassy I think. But he will have to wait until I have finished my examination.”

I realized then she was a doctor, not a nurse.

My second visitor was a man, dressed in a suit the sort of which I associated with the British Civil Service.  He was not very old which told me he was probably a recent graduate on his first posting, the junior officer who drew the short straw.

The guard checked his ID but again did not leave the room, sitting back down and going back to his newspaper.

My visitor introduced himself as Alex Jordan from the British Embassy in Rome and that he had been asked by the Ambassador to sort out what he labelled a tricky mess.

For starters, it was good to see that someone cared about what happened to me.  But, equally, I knew the mantra, get into trouble overseas, and there is not much we can do to help you.  So, after that lengthy introduction, I had to wonder why he was here.

I said, “They think I am an international criminal by the name of Jacob Westerbury, whose picture looks just like me, and apparently for them it is an open and shut case.”  I could still hear the fragments of the yelling as the police burst through the door, at the same time telling me to get on the floor with my hands over my head.

“It’s not.  They know they’ve got the wrong man, which is why I’m here.  There is the issue of what had been described as excessive force, and the fact you were shot had made it an all-round embarrassment for them.”

“Then why are you here?  Shouldn’t they be here apologizing?”

“That is why you have another visitor.  I only took precedence because I insisted I speak with you first.  I have come, basically to ask you for a favour.  This situation has afforded us with an opportunity.  We would like you to sign the official document which basically indemnifies them against any legal proceedings.”

Curious.  What sort of opportunity was he talking about?  Was this a matter than could get difficult and I could be charged by the Italian Government, even if I wasn’t guilty, or was it one of those hush hush type deals, you do this for us, we’ll help you out with that.  “What sort of opportunity?”

“We want to get our hands on Jacob Westerbury as much as they do.  They’ve made a mistake, and we’d like to use that to get custody of him if or when he is arrested in this country.  I’m sure you would also like this man brought into custody as soon as possible so you will stop being confused with him.  I can only imagine what it was like to be arrested in the manner you were.  And I would not blame you if you wanted to get some compensation for what they’ve done.  But.  There are bigger issues in play here, and you would be doing this for your country.”

I wondered what would happen if I didn’t agree to his proposal.  I had to ask, “What if I don’t?”

His expression didn’t change.  “I’m sure you are a sensible man Mr Pargeter, who is more than willing to help his country whenever he can.  They have agreed to take care of all your hospital expenses, and refund the cost of the Conference, and travel.  I’m sure I could also get them to pay for a few days at Capri, or Sorrento if you like, before you go home.  What do you say?”

There was only one thing I could say.  Wasn’t it treason if you went against your country’s wishes?

“I’m not an unreasonable man, Alex.  Go do your deal, and I’ll sign the papers.”

“Good man.”

After Alex left, the doctor came back to announce the arrival of a woman, by the way she had announced herself, the publicity officer from the Italian police. When she came into the room, she was not dressed in a uniform.

The doctor left after giving a brief report to the civilian at the door. I understood the gist of it, “The patient has recovered excellently and the wounds are healing as expected. There is no cause for concern.”

That was a relief.

While the doctor was speaking to the civilian, I speculated on who she might be. She was young, not more than thirty, conservatively dressed so an official of some kind, but not necessarily with the police. Did they have prosecutors? I was unfamiliar with the Italian legal system.

She had long wavy black hair and the sort of sultry looks of an Italian movie star, and her presence made me more curious than fearful though I couldn’t say why.

The woman then spoke to the guard, and he reluctantly got up and left the room, closing the door behind him.
She checked the door, and then came back towards me, standing at the end of the bed. Now alone, she said, “A few questions before we begin.” Her English was only slightly accented. “Your name is Jack Pargeter?”

I nodded. “Yes.”

“You are in Rome to attend the Travel Agents Conference at the Hilton Hotel?”

“Yes.”

“You attended a preconference introduction on the evening of the 25th, after arriving from London at approximately 4:25 pm.”

“About that time, yes. I know it was about five when the bus came to collect me, and several others, to take us to the hotel.”

She smiled. It was then I noticed she was reading from a small notepad.

“It was ten past five to be precise. The driver had been held up in traffic. We have a number of witnesses who saw you on the plane, on the bus, at the hotel, and with the aid of closed circuit TV we have established you are not the criminal Jacob Westerbury.”

She put her note book back in her bag and then said, “My name is Vicenza Andretti and I am with the prosecutor’s office. I am here to formally apologize for the situation that can only be described as a case of mistaken identity. I assure you it is not the habit of our police officers to shoot people unless they have a very strong reason for doing so. I understand that in the confusion of the arrest one of our officers accidentally discharged his weapon. We are undergoing a very thorough investigation into the circumstances of this event.”

I was not sure why, but between the time I had spoken to the embassy official and now, something about letting them off so easily was bugging me. I could see why they had sent her. It would be difficult to be angry or annoyed with her.

But I was annoyed.

“Do you often send a whole squad of trigger happy riot police to arrest a single man?” It came out harsher than I intended.

“My men believed they were dealing with a dangerous criminal.”

“Do I look like a dangerous criminal?” And then I realized if it was mistaken identity, the answer would be yes.

She saw the look on my face, and said quietly, “I think you know the answer to that question, Mr. Pargeter.”

“Well, it was overkill.”

“As I said, we are very sorry for the circumstances you now find yourself in. You must understand that we honestly believed we were dealing with an armed and dangerous murderer, and we were acting within our mandate. My department will cover your medical expenses, and any other amounts for the inconvenience this has caused you. I believe you were attending a conference at your hotel. I am very sorry but given the medical circumstances you have, you will have to remain here for a few more days.”

“I guess, then, I should thank you for not killing me.”

Her expression told me that was not the best thing I could have said in the circumstances.

“I mean, I should thank you for the hospital and the care. But a question or two of my own. May I?”

She nodded.

“Did you catch this Jacob Westerbury character?”

“No. In the confusion created by your arrest he escaped. Once we realized we had made a mistake and reviewed the close circuit TV, we tracked him leaving by a rear exit.”

“Are you sure it was one of your men who shot me?”

I watched as her expression changed, to one of surprise.

“You don’t think it was one of my men?”

“Oddly enough no. But don’t ask me why.”

“It is very interesting that you should say that, because in our initial investigation, it appeared none of our officer’s weapons had been discharged. A forensic investigation into the bullet tells us it was one that is used in our weapons, but…”

I could see their dilemma.

“Have you any enemies that would want to shoot you Mr Pargeter?”

That was absurd because I had no enemies, at least none that I knew of, much less anyone who would want me dead.

“Not that I’m aware of.”

“Then it is strange, and will perhaps remain a mystery. I will let you know if anything more is revealed in our investigation.”

She took an envelope out of her briefcase and opened it, pulling out several sheets of paper.

I knew what it was. A verbal apology was one thing, but a signed waiver would cover them legally. They had sent a pretty girl to charm me. Perhaps using anyone else it would not have worked. There was potential for a huge litigation payout here, and someone more ruthless would jump at the chance of making a few million out of the Italian Government.

“We need a signature on this document,” she said.

“Absolving you of any wrong doing?”

“I have apologized. We will take whatever measures are required for your comfort after this event. We are accepting responsibility for our actions, and are being reasonable.”

They were. I took the pen from her and signed the documents.

“You couldn’t add dinner with you on that list of benefits?” No harm in asking.

“I am unfortunately unavailable.”

I smiled. “It wasn’t a request for a date, just dinner. You can tell me about Rome, as only a resident can. Please.”

She looked me up and down, searching for the ulterior motive. When she couldn’t find one, she said, “We shall see once the hospital discharges you in a few days.”

“Then I’ll pencil you in?”

She looked at me quizzically. “What is this pencil me in?”

“It’s an English colloquialism. It means maybe. As when you write something in pencil, it is easy to erase it.”

A momentary frown, then recognition and a smile. “I shall remember that. Thank-you for your time and co-operation Mr. Pargeter. Good morning.”

© Charles Heath 2015-2021

Writing a book in 365 days – 324

Day 324

Writing is my passion. Words are the way to know ecstasy. Without them, life is barren

Beyond the Blank Page: The Soul-Stirring Ecstasy of Words

There are some truths that reside so deeply within us, they become the very architecture of our being. For me, one such truth burns with an undeniable intensity: Writing is my passion. It’s not just a hobby, a job, or even a skill; it is an intrinsic part of who I am, a fundamental impulse as vital as breathing.

From the quiet hum of an idea taking root to the frantic dance of fingers across a keyboard, the act of shaping thoughts into tangible form is where I find my truest self. It’s the thrill of discovery, the meticulous craft, the joyous agony of chasing the perfect phrase. Each sentence is a step, each paragraph a journey, and the finished piece, a new world brought into existence. This isn’t merely an urge; it’s a calling, a constant whisper from the muse that demands to be heard and translated.

But it’s more than just the act of writing; it’s what words themselves represent. For me, words are the way to know ecstasy. They are not just symbols on a page; they are vessels of emotion, architects of understanding, and bridges between disparate souls. There’s an almost alchemical magic in finding the exact verb that electrifies a scene, the precise adjective that paints a vivid image, or the perfectly structured sentence that unlocks a complex idea.

That moment when the right words click into place, when a jumbled thought suddenly unfurls into crystalline clarity, is nothing short of pure bliss. It’s a connection to something larger than myself – a universal language of human experience, memory, and imagination. Through words, we can travel across centuries, inhabit different lives, understand profound sorrow and boundless joy. They are the keys to unlocking empathy, the tools for building dreams, and the threads that weave the rich tapestry of human history and culture. The sheer power and beauty contained within a carefully chosen lexicon can make my spirit soar.

Conversely, the thought of a life without words, a world where expression is stifled, where stories are unwritten, and ideas remain trapped and untranslated, fills me with a profound sense of despair. Without them, life is barren. Imagine a landscape devoid of color, a symphony without sound, a conversation without meaning. That, to me, is a life without the richness that words provide.

It would be a silent, desolate existence, stripped bare of the nuances that define our humanity. How would we learn? How would we connect? How would we express love, grief, or triumph? Our history would be lost, our future unimaginable. The very essence of what makes us sentient, feeling beings would be muted, leaving behind only the hollow echo of what could have been.

So, yes, writing is my passion. But it’s because words are so much more than tools; they are the very lifeblood of meaning, connection, and transcendence. They are my anchors and my wings, the echoes of my soul, and the path to ecstasy. And for that, I am eternally grateful for every letter, every sentence, every story waiting to be told.

What about you? What are your words? What do they mean to you?

Writing a book in 365 days – 323

Day 323

Is speculative fiction a series of what-ifs, perhaps gleaned from the headlines of the papers over time?

Beyond the Fold: Is Speculative Fiction Just a Series of ‘What Ifs’ Gleaned from Today’s Headlines?


Ever read a news story – a groundbreaking scientific discovery, a chilling political development, a startling environmental report – and felt a tiny tremor in your imagination? That whisper of a thought: “What if this continued? What if this went wrong? What if this changed everything?”

If so, you’ve touched the very essence of speculative fiction.

The idea that speculative fiction – encompassing science fiction, fantasy, dystopia, and alternate history – is simply a series of “what-ifs” is compelling. And the notion that these “what-ifs” are often gleaned from the headlines of the papers over time is not just plausible, it’s often the very engine driving the genre.

Let’s unpack this fascinating relationship.

The “What If” Generator: Curiosity as a Catalyst

At its heart, speculative fiction is the ultimate thought experiment. It doesn’t merely invent worlds; it interrogates ours. Authors take a single variable – a technological leap, a societal shift, a historical divergence, a potential disaster – and push it to its logical (or terrifyingly illogical) conclusion.

The “what if” is the seed. What if humans could genetically engineer their children? What if artificial intelligence achieved sentience? What if a virus wiped out most of humanity? What if a forgotten magic re-emerged? What if a certain political leader never came to power?

These questions aren’t born in a vacuum.

Headlines as a Crucible of Inspiration

The news, whether the morning paper, the evening broadcast, or the relentless scroll of our digital feeds, is a rich and constantly evolving source of these “what-ifs.” It reflects humanity’s biggest fears, our grandest ambitions, our ethical dilemmas, and our scientific breakthroughs.

Consider these historical and ongoing examples:

Technological Advancements: The discovery of electricity led to tales of Frankenstein. Early computer science gave rise to cyberpunk visions of interconnected digital worlds. Today, headlines about AI development, CRISPR gene editing, quantum computing, and space tourism are actively feeding new narratives about our future and what it means to be human.
Environmental Concerns: From Rachel Carson’s “Silent Spring” to modern reports on climate change, deforestation, and plastic pollution, environmental headlines have directly inspired dystopian futures where resources are scarce, and humanity battles the consequences of its own hubris.
Societal and Political Upheaval: Totalitarian regimes, surveillance states, economic inequalities, and political polarisation are not new. 1984, Brave New World, and The Handmaid’s Tale are poignant examples of authors extrapolating from contemporary political anxieties and societal trends, pushing them to their extreme conclusions to serve as warnings.
Epidemics and Public Health: Long before recent global events, authors explored fictional plagues and pandemics, drawing on real-world outbreaks throughout history to imagine scenarios of societal collapse, survival, and the ethical dilemmas of containment.
Scientific Discoveries: From the discovery of new planets to breakthroughs in neuroscience, astrophysics, and biology, every scientific headline offers a potential portal to a new fictional reality. What if we found alien life? What if we unlocked the secrets of the brain?
Speculative fiction doesn’t just copy the headlines; it amplifies them. It takes the disquieting whispers of today’s news and turns them into roaring narratives, exploring the deeper implications that headlines can only hint at.

Beyond the Event: The Human Element

But it’s crucial to remember that speculative fiction isn’t just about the event or the discovery. It’s about what those what-ifs do to people. How do individuals adapt, resist, thrive, or crumble under these altered circumstances? It explores human nature in a crucible of change, examining our ethics, our resilience, and our capacity for both cruelty and compassion.

The headlines provide the stage and the initial conflict, but the human drama unfurls within.

A Mirror and a Lantern

Ultimately, by taking these “what-ifs” gleaned from the continuous narrative of our world, speculative fiction serves a vital dual purpose:

It holds up a mirror: Reflecting our current anxieties, hopes, and moral quandaries back at us, often in exaggerated forms, forcing us to confront them.
It acts as a lantern: Illuminating potential futures, both utopian and dystopian, allowing us to consider the paths we might be heading down and perhaps, to choose a different course.
So, yes, speculative fiction is indeed largely a series of “what-ifs,” and the headlines of the papers – both today’s and yesterday’s – are its constant, fertile ground. It’s a testament to our enduring curiosity, our inherent need to understand consequences, and our powerful imagination to dream up not just what is, but what could be. And in doing so, it helps us better understand what we want our present to become.

Writing a book in 365 days – 323

Day 323

Is speculative fiction a series of what-ifs, perhaps gleaned from the headlines of the papers over time?

Beyond the Fold: Is Speculative Fiction Just a Series of ‘What Ifs’ Gleaned from Today’s Headlines?


Ever read a news story – a groundbreaking scientific discovery, a chilling political development, a startling environmental report – and felt a tiny tremor in your imagination? That whisper of a thought: “What if this continued? What if this went wrong? What if this changed everything?”

If so, you’ve touched the very essence of speculative fiction.

The idea that speculative fiction – encompassing science fiction, fantasy, dystopia, and alternate history – is simply a series of “what-ifs” is compelling. And the notion that these “what-ifs” are often gleaned from the headlines of the papers over time is not just plausible, it’s often the very engine driving the genre.

Let’s unpack this fascinating relationship.

The “What If” Generator: Curiosity as a Catalyst

At its heart, speculative fiction is the ultimate thought experiment. It doesn’t merely invent worlds; it interrogates ours. Authors take a single variable – a technological leap, a societal shift, a historical divergence, a potential disaster – and push it to its logical (or terrifyingly illogical) conclusion.

The “what if” is the seed. What if humans could genetically engineer their children? What if artificial intelligence achieved sentience? What if a virus wiped out most of humanity? What if a forgotten magic re-emerged? What if a certain political leader never came to power?

These questions aren’t born in a vacuum.

Headlines as a Crucible of Inspiration

The news, whether the morning paper, the evening broadcast, or the relentless scroll of our digital feeds, is a rich and constantly evolving source of these “what-ifs.” It reflects humanity’s biggest fears, our grandest ambitions, our ethical dilemmas, and our scientific breakthroughs.

Consider these historical and ongoing examples:

Technological Advancements: The discovery of electricity led to tales of Frankenstein. Early computer science gave rise to cyberpunk visions of interconnected digital worlds. Today, headlines about AI development, CRISPR gene editing, quantum computing, and space tourism are actively feeding new narratives about our future and what it means to be human.
Environmental Concerns: From Rachel Carson’s “Silent Spring” to modern reports on climate change, deforestation, and plastic pollution, environmental headlines have directly inspired dystopian futures where resources are scarce, and humanity battles the consequences of its own hubris.
Societal and Political Upheaval: Totalitarian regimes, surveillance states, economic inequalities, and political polarisation are not new. 1984, Brave New World, and The Handmaid’s Tale are poignant examples of authors extrapolating from contemporary political anxieties and societal trends, pushing them to their extreme conclusions to serve as warnings.
Epidemics and Public Health: Long before recent global events, authors explored fictional plagues and pandemics, drawing on real-world outbreaks throughout history to imagine scenarios of societal collapse, survival, and the ethical dilemmas of containment.
Scientific Discoveries: From the discovery of new planets to breakthroughs in neuroscience, astrophysics, and biology, every scientific headline offers a potential portal to a new fictional reality. What if we found alien life? What if we unlocked the secrets of the brain?
Speculative fiction doesn’t just copy the headlines; it amplifies them. It takes the disquieting whispers of today’s news and turns them into roaring narratives, exploring the deeper implications that headlines can only hint at.

Beyond the Event: The Human Element

But it’s crucial to remember that speculative fiction isn’t just about the event or the discovery. It’s about what those what-ifs do to people. How do individuals adapt, resist, thrive, or crumble under these altered circumstances? It explores human nature in a crucible of change, examining our ethics, our resilience, and our capacity for both cruelty and compassion.

The headlines provide the stage and the initial conflict, but the human drama unfurls within.

A Mirror and a Lantern

Ultimately, by taking these “what-ifs” gleaned from the continuous narrative of our world, speculative fiction serves a vital dual purpose:

It holds up a mirror: Reflecting our current anxieties, hopes, and moral quandaries back at us, often in exaggerated forms, forcing us to confront them.
It acts as a lantern: Illuminating potential futures, both utopian and dystopian, allowing us to consider the paths we might be heading down and perhaps, to choose a different course.
So, yes, speculative fiction is indeed largely a series of “what-ifs,” and the headlines of the papers – both today’s and yesterday’s – are its constant, fertile ground. It’s a testament to our enduring curiosity, our inherent need to understand consequences, and our powerful imagination to dream up not just what is, but what could be. And in doing so, it helps us better understand what we want our present to become.

Writing a book in 365 days – 322

Day 322

Writing exercise – The tea cart was at least five minutes late; something had to be done.

I worked in an office full of self-absorbed people, who cared only about themselves and what the company could do for them.

It was always about the bonus, about the amenities, about anything they can get for nothing.

So, don’t get me started on the morning tea.

And afternoon tea.

Because of the nature of the work, it wasn’t a good idea to leave the desk, except at lunch when they had to have a break, and when they went home, which sometimes some forgot to.

Or so they said.

I wasn’t that dedicated, so perhaps that was the only reason why I wasn’t rocketing up the promotions ladder.  The higher you went, the more the company owned you.

I looked around.  Five-thousand-dollar suits, car keys for Maseratis and Ferraris proudly on display.  An ancient Ford wasn’t a status symbol, but then I was never about status, just about getting the job done.

Walters, the current ‘ace employee of the month’, was sitting back in his chair and looking at his watch, a Rolex, of course, then the office clock, which was never on time.

“Where’s the tea lady?”

There were two options: going up to the breakout area on the floor below the executive suite or having it at the desk.

Several elderly ladies ran the trolley, a nice, easy job for an hour or so in the morning and the afternoon.  The three that serviced our floor were Doris, my favourite, Matilda, who always had a dour demeanour, and Lizzie, younger, once a showgirl, or so she said.

I was never quite sure what ‘showgirl’ meant.

Today, it should have been Lizzie.

“Still boiling the water.”  Frazer, equally boorish as Walters, was known for smart ass remarks.

“It’s not as if you haven’t been late when you have to be somewhere.”

Like any appointment with his supervisor.

“Be a good chap, Roly, and find out where it is.”

I glared at him.  My name was Rollins, but he called me Rolly.  He had a name for everyone he considered beneath him in status.

His other name, Roly Poly, he said when he was with the others at the Friday night drinks at a nearby bar.  I went once, heard his slanging off the lesser employees and the others laughing, and decided it was not my thing.

I was going to tell him off, but it would simply go through one ear and out the other.

The breakout area had an annexe where the tea ladies prepared before coming down to their designated food by the freight elevator.

I’d been in it once, and it was lucky to be working.  The day I was in it, it stopped twice without reason and missed the floor by a foot which would make it impossible to unload a negotiating.

I went up via the main elevator lobby.  Mt first thought was that the freight elevator was stuck, and she was in it

I crossed the breakout area, very spacious and airy, walls without windows lined with vending machines, free tea, coffee and cold water all day.

Today, there were cookies, which sometimes found their way onto the tea cart.

I knocked on the door to the tea lady’s room, and there was no answer.  I opened the door and stepped in.  It was a restricted area, but there was no key card entry required.

The room was a mess.  It looked to me as though someone had a tantrum and started throwing stuff.  Until I looked closely and realised someone had been searching through everything in a methodical manner.

There was another door on the other side of the room.  I picked my way carefully through the mess; security was going to have to find out what happened here.

Again, I knocked, but there was no answer.

I opened the door

The three ladies were bound and gagged, sitting on the floor.  It was then that I realised the tea carts were missing.

I called security.  “You have a situation.   The tea ladies are bound and gagged, and their trolleys are missing.”

No questions or instructions, a few seconds later, the fire evacuation siren was blaring, a voice over, “This is not a drill.  I repeat, this is not a drill.  Please evacuate the building in a calm and orderly manner as directed.  Floor wardens are to immediately supervise and evaluate floors as directed.”

While that announcement was being made, I untied and removed Lizzie’s gag, then she helped one and I the other.

When they were free, I asked, “What happened?”

Two men and a woman came in and started asking questions.  We thought they were health inspectors until they started tossing stuff everywhere, looking for a pass.”

“A pass?”

“Floor access key.  Or maybe a master key.  Then, because Lizzie went for the phone we finished up where you found us.”

“Did they say anything else?”

“Only they were going to kill some bloke because he didn’t do his job properly.”

“Someone who works here?”

“That would be my guess,” Lizzie said. “Anything important happening?”

Important in this place.  Nothing that was ever exciting enough to incite what just happened.”

“Did they find the pass?”

“Yes.  It had a man’s face on it, but it was too far away to recognise it.”

I called security again.

“You’re looking for two men, a woman, three tea carts, and they have a pass key that someone else left for them to collect.  Do you have CCTV up here?”

He didn’t answer, just hung up.  I took that as a no.

When I turned around to tell the ladies we had to evacuate the building, Lizzie was by the door holding a gun.

A gun.  Where did she get it? Why did she have it?

“Join the other two and go back into the room.” She motioned with the gun for emphasis.  “Now.”

She looked at her watch.

Time was a factor.  

“Why are you doing this?  Are you in league with those criminals?”

“They’re not criminals.  You lot are the criminals.  Get in the room, I won’t ask again.”

You can’t argue with a gun.  “Let’s go, do as she asks.  Not worth the trouble refusing.”

They looked to me like they were going to say something, then thought twice about it and went into the room.  I followed, and before she shut the door, I said, “Whatever you’re doing, I hope it’s worth it.”

“It will be.”

The door closed, and I heard the turn of the key in the lock.  It was a flimsy door, but this wasn’t the time to kick it in.  I waited by the door, and a minute or so later, I heard the outer room door close and I assumed she had locked that too.

“If I hadn’t come, she would have got away with it,” I said.

“She didn’t look like she was working with them.  Just goes to show, you think you know someone.”

“And there’s someone else out there working with them.”

“To do what?”

Good question.  I was wondering that myself.  Lizzie had called the company criminals.  All we did was invest money, make the clients richer.  Admittedly, it had become that much harder to pick the market given the volatility, which, some argued, was deliberately being manipulated.

One negative word from a government official could send a stock higher or plummet in value, leaving investors with huge losses.

Walters had been flying high on a lot of good tips, but the last stock that went up, he should have sold, instead, waited just a little too long.  Perhaps he’d crossed his tipster.  That would mean he was effectively insider trading.

Interesting how something comes together with the right catalyst. 

The thing is, investors knew who their trader was, so if anyone was upset, they could complain or demand an explanation.  The supervisor was tough but fair. You cause a mess, you clean it up.

I doubted Lizzie was one of those high roller investors, but in such a job, a few bucks to supply a pass key was nothing to her.  Unless it turned into a murder.  Brandishing guns in a highly volatile situation was a recipe for disaster.

“It might have something to do with bad investments.”

And something else just dredged up from the back of my mind.  A sighting about a month back of one of the directors of the company having lunch at a fancy restaurant I had wanted to go to, passed most days on the way home from work.

It was not because he was dining there; it was the woman he was with.  I thought he might be having an affair, but several days after that, her face popped up on TV, and she was being linked to a government project that was worth billions of dollars.

And the report was about the next big thing in the construction industry

Interesting.

“Not a good look for an investment company to have bad investments.”

“It’s a volatile market, and a lot of investment houses have problems.  But you’re right, not a good look, and very problematic if the investors start getting itchy feet.”

“And that happened here?”

“Everyone praises you when you back the right horse, but like a horse race, you never really know which horse is going to win.  Sometimes, even dead certs lose.  It happens everywhere.”

I don’t think I sold the ‘we are the best of the best’ to her.  At that moment, the fire alarm stopped, and the silence was blessed.  She just shrugged and produced a set of keys.

“You have the keys to the door?”

“Of course.  Senior tea lady.  It just wasn’t safe to go out there, until now.”

I stepped back, and she unlocked the door. 

“You open it.  Lizzie must still be out there.”

I debated whether I should tell her I heard Lizzie leave, but decided not to.  I opened the door a crack and peered out.

Nothing.

I pushed the door open and came out into the room.

Silence, which was strange in itself.  There was always noise.

She gave me the keys to open the outset door and check.  Once again, only opening it slightly, I glanced down both sides of the corridor.  If Lizzie had any sense, she would have left quickly

“Stay here and lock the door.  I’ll go and see what’s happening.”

I took the closest staircase to go down.  In a fire alarm, all the doors on each floor were unlocked.  It was eerily quiet on the stairwell as I slowly went down to my floor.  I told myself that it could not have been about Walters and the others.

At the level, I slowly opened the door.  Silence.  If anyone was there, there would be noise, at the very least, Walters babbling on about the intrusion.

I waited a minute.  Two.  Nothing.

Then, slowly walking up the corridor to the pit, the workspaces of the half dozen of us in the group, and in the office overlooking the outside, the supervisor.

I stopped at the door and nearly vomited.  They were all dead, shot multiple times, with blood and bodies everywhere.  My five colleagues and the supervisor.  Dead.

Walters had done me a favour by sending me off to find the tea lady.  Otherwise, I’d be with them, just another dead body.

That’s when the police arrived, about a dozen of them screaming for me to get on the floor, hands behind my head.

©  Charles Heath 2025