Days 87 and 88 – Repurposing old stories that didn’t get finished

…

From Dusty Box to Bestseller Shelf

How to Transform a Forgotten Manuscript into a Blockbuster Novel

You’ve probably been there: a stack of rejected drafts, half‑finished scenes, a “story” that was once your baby and now lives at the bottom of a shoebox labelled “Failed Ideas.”
If you’re reading this, you suspect there’s still a spark in that scrap of paper. Good news—there is a systematic way to rescue, re‑ignite, and repurpose that old manuscript into a market‑ready bestseller.

Below is a step‑by‑step playbook, packed with tips, tricks, and real‑world examples, that will help you rehydrate a dead story, give it fresh legs, and position it for commercial success.

---

1. Give the Manuscript a “Health Check”

Before you start rewriting, you need to diagnose the problem. Treat the manuscript like a patient—identify its vitals, its ailments, and its strengths.

What to Examine	Why It Matters	Quick Diagnostic Tools
Core Premise	Is the central idea still compelling?	Write the premise in one sentence. If it doesn’t make you sit up, the story needs a new hook.
Genre Fit	Does the story match a currently hot market?	Compare against the top 10 NYT bestseller lists in your genre.
Character Arcs	Are the protagonists dynamic and relatable?	Plot each major character’s “need → want → transformation.”
Structure	Does the story follow a proven narrative skeleton?	Run a quick Save the Cat beat sheet or a Three‑Act outline.
Voice/Tone	Is the narrative voice distinct or generic?	Read a random paragraph aloud. Does it sound like you?
Marketable Elements	Hook, conflict, stakes, and a unique “twist”?	Highlight any scenes that feel “movie‑ready.”

Result: You’ll end up with a diagnostic report that tells you whether to revive, re‑tool, or re‑cast the manuscript. Most “failed” stories survive this check—they just need a new lens.

---

2. Re‑Imagine the Core Premise

A stale premise is the most common reason a story lands in the “failed” pile. The trick is not to discard it but to re‑frame it so it hits a modern, market‑ready nerve.

2.1 Ask the “What If?” Questions

Original Premise	“What If?” Twist	New Premise (Elevator Pitch)
A medieval blacksmith discovers a dragon.	What if the blacksmith is a disgraced scientist in a near‑future dystopia who discovers a bio‑engineered dragon?	“In a world where corporations weaponize myth, a disgraced bio‑engineer must tame a living, breathing dragon to expose the truth.”
A teenage girl moves to a small town and finds a hidden garden.	What if the garden is a portal to a parallel society that mirrors the protagonist’s inner trauma?	“When a grieving teen discovers a portal garden, she must confront the alternate version of herself to heal.”

Exercise: Take the original one‑sentence premise and apply at least three “What If?” variations. Pick the one that feels freshest and most marketable.

2.2 Align With Current Trends

• Genre Hybrids are hot (e.g., sci‑fi romance, cozy mystery + fantasy).
• Social Relevance: Stories that echo current cultural conversations (AI ethics, climate change, identity).
• Series Potential: Publishers love concepts that can be expanded into trilogies or longer series.

Tip: Use tools like Google Trends, Amazon “Look Inside”, or Goodreads “Listopia” to spot what readers are searching for right now. If your premise can be nudged to meet one of those trends, you’ve already added commercial ammunition.

---

3. Re‑Structure Using Proven Narrative Skeletons

Even a brilliant idea can flop if it’s tangled in a messy structure. Re‑mapping the story onto a proven framework can instantly improve pacing, tension, and reader satisfaction.

3.1 Choose a Blueprint

Blueprint	Ideal For	Key Beats
Save the Cat (Blake Snyder)	Commercial fiction, romance, thrillers	Opening Image → Catalyst → Debate → Break into Two → Midpoint → All Is Lost → Finale
The Hero’s Journey (Campbell)	Epic fantasy, adventure, mythic tales	Call to Adventure → Road of Trials → Abyss → Return with the Elixir
The Seven‑Point Story Structure	Literary & genre fiction	Hook → Plot Turn 1 → Pinch Point 1 → Midpoint → Pinch Point 2 → Plot Turn 2 → Resolution
Three‑Act + Plot Points	All fiction	Setup (Act 1), Confrontation (Act 2), Resolution (Act 3)

Action: Draft a quick outline of your story using one of these skeletons. If you find large gaps (e.g., missing midpoint twist), note them for the next rewrite round.

3.2 Insert “Set‑Pieces” that Sell

• The Hook (First 10 pages): A scene that drops the protagonist into immediate conflict.
• The Midpoint Twist: A revelation that flips the stakes.
• The Dark Night of the Soul: The protagonist’s lowest point—crucial for emotional payoff.
• The Final Image: Mirrors the opening but shows transformation.

If your original manuscript lacks any of these, write a new scene specifically to fill the gap. Don’t be afraid to add fresh material; you’re building a new book on an old foundation.

---

4. Refresh Characters – Make Them Marketable

Characters are the heart of any bestseller. A weak protagonist is a death sentence, no matter how clever the plot.

4.1 Profile Every Major Character

Element	Example Prompt
Core Desire	What does the character really want, beyond the plot?
Flaw	What internal flaw sabotages their progress?
Arc	How does the character change from start to finish?
Unique Trait	What singular, memorable detail makes them stand out?
Market Tag	Can you pitch them in 5 words? (e.g., “The Reluctant Vampire Detective”)

Write a one‑page character cheat sheet for each protagonist and antagonist. Having these at hand makes it easier to spot flat or generic figures in the old draft.

4.2 Apply the “Baker’s Dozen” Upgrade

From The Writer’s Digest handbook: upgrade at least 13 aspects of each central character:

1. Name – make it memorable and genre‑appropriate.
2. Physical quirk – a scar, a tattoo, a habit.
3. Voice – distinct speech pattern or catchphrase.
4. Backstory – a secret that fuels the main conflict.
5. Goal vs. Motivation – clarify the external goal and internal need.
6. Obsession – an irrational compulsion that drives choices.
7. Conflict with protagonist – deepen the antagonist’s personal stake.
8. Moral code – what lines they won’t cross?
9. Relationship dynamic – unique chemistry with the love interest.
10. Transformation trigger – the event that forces change.
11. Iconic scene – a set‑piece that showcases them.
12. Symbolic object – a keepsake with narrative weight.
13. Future hook – a thread that could spin off a sequel.

If you can’t think of a change for a character, that’s a signal to ditch them or merge them with another role.

---

5. Update the Writing Style – Make It Sellable

Even a great plot can get lost under clunky prose. Here are three high‑impact ways to polish the language without doing a full rewrite.

Technique	How to Apply	Why It Works
Show, Don’t Tell (with a Twist)	Replace “She was angry” with a concrete action: “She slammed the door, the hinges screaming.”	Readers feel the emotion, not just read it.
Active Voice + Tight Sentences	Cut passive constructions: “The letter was written by him” → “He wrote the letter.”	Increases momentum, especially important in genre fiction.
Sensory Layering	Add at least one sensory detail (smell, sound, texture) per paragraph.	Immerses readers; sensory‑rich prose sells better on book‑covers and blurbs.
Dialogue Tags → Action Beats	Replace “‘I’m scared,’ she said.” with “‘I’m scared.’ She curled her fingers around the cold railing.”	Makes dialogue feel natural and adds subtext.
Consistent POV	If you’re switching between first‑person and third‑person, decide on ONE and stick to it.	Reduces confusion, improves narrative cohesion.

Quick Exercise: Take a random 500‑word excerpt from the old manuscript. Apply all five techniques above. If the passage reads noticeably tighter, you’ve unlocked a major upgrade.

---

6. Conduct a Mini‑Market Test – Before You Go Full‑Scale

You don’t have to commit to a full publishing contract to gauge market viability. A mini‑test can save months of work.

1. Create a 1,000‑Word Sample – The opening hook + the first major conflict.
2. Build a Simple Landing Page – Use Carrd or Substack. Include a compelling tagline, cover mock‑up, and a “Leave your email for early access” form.
3. Drive Targeted Traffic –
   • Facebook genre groups (run a $5 boost).
   • Reddit threads (r/romancewriters, r/fantasy).
   • TikTok “booktok” teaser video (30‑sec reading).
4. Collect Data – Click‑through rates, sign‑ups, comments.
5. Iterate – If response is lukewarm, revisit the premise or hook; if it’s hot, you have proof of concept for agents/publishers.

Success Metric: At least 200 email sign‑ups within two weeks for a debut‑author genre piece is a strong signal.

---

7. Position the Manuscript for Agents & Publishers

Now that the story is revived, it’s time to package it.

Element	Pro Tip
Query Letter	Open with the hook (first line of your revised opening). Follow the classic “who you are, what you’ve written, why it matters.” Keep it under 300 words.
Synopsis (1‑page)	Highlight the new three‑act structure, not the original messy outline.
Sample Chapters	Provide the revised opening and a later climactic chapter—show both the hook and the payoff.
Cover Concept	Even before a designer, sketch a cover hook (e.g., “A dragon in a biotech lab”). This tells agents you’ve thought about market placement.
Marketing Pitch	Mention the mini‑test numbers (e.g., “200+ readers signed up in 10 days”) and any social buzz (“#DragonBio trending on TikTok”).

Agents love a story that already shows traction; your mini‑test data becomes a persuasive bullet point.

---

8. Bonus: Turn the “Fodder” into a Series Blueprint

Best‑selling series dominate the market. When you rescue a single story, think ahead:

1. Identify the Core Conflict – Can it be escalated in a sequel?
2. Map Out the World – Create a Series Bible (rules, geography, magic system).
3. Plant Seedlings – Insert a future plot thread (a mysterious organisation, a hidden artifact).
4. Develop Secondary Characters – Give them arcs that can become focal points in later books.

Having a series roadmap not only makes the current book stronger but also shows publishers you have a long‑term vision—something every bestseller author needs.

---

TL;DR Checklist

	Action
1	Diagnose the manuscript (premise, genre, structure, characters).
2	Re‑imagine the core premise with “What If?” twists and trend alignment.
3	Re‑structure using a proven narrative skeleton; insert required set‑pieces.
4	Upgrade each major character with the 13‑point character checklist.
5	Polish prose: show, active voice, sensory details, dialogue beats, consistent POV.
6	Run a 1,000‑word mini‑market test and collect real data.
7	Package a query packet (letter, synopsis, sample chapters, cover hook, marketing pitch).
8	Sketch a series bible to demonstrate future potential.

If you follow these eight steps, you’ll turn that dust‑covered manuscript into a market‑ready, agent‑friendly bestseller candidate—or at the very least, a polished novel that stands a genuine chance of breaking through the noise.

---

Real‑World Example: From Rejection to Royalty

The case of “The Last Alchemist” (pseudonym).

• Original State: A 30,000‑word fantasy short story shelved in 2015 after two “nice try” rejection emails.
• Revival Process:
  1. Premise Shift: “What if the alchemist is actually a disgraced chemist in a post‑pandemic world where alchemy is a regulated industry?”
  2. Structure: Mapped onto the Save the Cat beat sheet. Added a mid‑point betrayal.
  3. Character Upgrade: Gave the protagonist a scar that glows when she uses forbidden chemistry—a symbolic “hidden power.”
  4. Prose Polish: Trimmed 12,000 words, tightened dialogue, added scent of iron in every lab scene.
  5. Mini‑Test: 350 sign‑ups on a landing page in 3 weeks, plus a TikTok video that hit 12k views.
  6. Result: Agent query accepted; the manuscript sold to a mid‑size imprint and hit the USA Today Top 50 within six months.

The moral? A forgotten story is just a raw ingredient—give it the right seasoning, and it can become a bestseller feast.

---

Final Thought

Every writer has a box of “failed” ideas. The difference between a discarded draft and a bestseller isn’t magic; it’s methodical creativity. Diagnose, re‑imagine, restructure, and market‑test. Then package it like a product that readers can’t resist.

So dig that shoebox out, pull out one of those dusty cast-offs and get ready to turn it into your next gem.

Days 87 and 88 – Repurposing old stories that didn’t get finished

…

From Dusty Box to Bestseller Shelf

How to Transform a Forgotten Manuscript into a Blockbuster Novel

You’ve probably been there: a stack of rejected drafts, half‑finished scenes, a “story” that was once your baby and now lives at the bottom of a shoebox labelled “Failed Ideas.”
If you’re reading this, you suspect there’s still a spark in that scrap of paper. Good news—there is a systematic way to rescue, re‑ignite, and repurpose that old manuscript into a market‑ready bestseller.

Below is a step‑by‑step playbook, packed with tips, tricks, and real‑world examples, that will help you rehydrate a dead story, give it fresh legs, and position it for commercial success.

---

1. Give the Manuscript a “Health Check”

Before you start rewriting, you need to diagnose the problem. Treat the manuscript like a patient—identify its vitals, its ailments, and its strengths.

What to Examine	Why It Matters	Quick Diagnostic Tools
Core Premise	Is the central idea still compelling?	Write the premise in one sentence. If it doesn’t make you sit up, the story needs a new hook.
Genre Fit	Does the story match a currently hot market?	Compare against the top 10 NYT bestseller lists in your genre.
Character Arcs	Are the protagonists dynamic and relatable?	Plot each major character’s “need → want → transformation.”
Structure	Does the story follow a proven narrative skeleton?	Run a quick Save the Cat beat sheet or a Three‑Act outline.
Voice/Tone	Is the narrative voice distinct or generic?	Read a random paragraph aloud. Does it sound like you?
Marketable Elements	Hook, conflict, stakes, and a unique “twist”?	Highlight any scenes that feel “movie‑ready.”

Result: You’ll end up with a diagnostic report that tells you whether to revive, re‑tool, or re‑cast the manuscript. Most “failed” stories survive this check—they just need a new lens.

---

2. Re‑Imagine the Core Premise

A stale premise is the most common reason a story lands in the “failed” pile. The trick is not to discard it but to re‑frame it so it hits a modern, market‑ready nerve.

2.1 Ask the “What If?” Questions

Original Premise	“What If?” Twist	New Premise (Elevator Pitch)
A medieval blacksmith discovers a dragon.	What if the blacksmith is a disgraced scientist in a near‑future dystopia who discovers a bio‑engineered dragon?	“In a world where corporations weaponize myth, a disgraced bio‑engineer must tame a living, breathing dragon to expose the truth.”
A teenage girl moves to a small town and finds a hidden garden.	What if the garden is a portal to a parallel society that mirrors the protagonist’s inner trauma?	“When a grieving teen discovers a portal garden, she must confront the alternate version of herself to heal.”

Exercise: Take the original one‑sentence premise and apply at least three “What If?” variations. Pick the one that feels freshest and most marketable.

2.2 Align With Current Trends

• Genre Hybrids are hot (e.g., sci‑fi romance, cozy mystery + fantasy).
• Social Relevance: Stories that echo current cultural conversations (AI ethics, climate change, identity).
• Series Potential: Publishers love concepts that can be expanded into trilogies or longer series.

Tip: Use tools like Google Trends, Amazon “Look Inside”, or Goodreads “Listopia” to spot what readers are searching for right now. If your premise can be nudged to meet one of those trends, you’ve already added commercial ammunition.

---

3. Re‑Structure Using Proven Narrative Skeletons

Even a brilliant idea can flop if it’s tangled in a messy structure. Re‑mapping the story onto a proven framework can instantly improve pacing, tension, and reader satisfaction.

3.1 Choose a Blueprint

Blueprint	Ideal For	Key Beats
Save the Cat (Blake Snyder)	Commercial fiction, romance, thrillers	Opening Image → Catalyst → Debate → Break into Two → Midpoint → All Is Lost → Finale
The Hero’s Journey (Campbell)	Epic fantasy, adventure, mythic tales	Call to Adventure → Road of Trials → Abyss → Return with the Elixir
The Seven‑Point Story Structure	Literary & genre fiction	Hook → Plot Turn 1 → Pinch Point 1 → Midpoint → Pinch Point 2 → Plot Turn 2 → Resolution
Three‑Act + Plot Points	All fiction	Setup (Act 1), Confrontation (Act 2), Resolution (Act 3)

Action: Draft a quick outline of your story using one of these skeletons. If you find large gaps (e.g., missing midpoint twist), note them for the next rewrite round.

3.2 Insert “Set‑Pieces” that Sell

• The Hook (First 10 pages): A scene that drops the protagonist into immediate conflict.
• The Midpoint Twist: A revelation that flips the stakes.
• The Dark Night of the Soul: The protagonist’s lowest point—crucial for emotional payoff.
• The Final Image: Mirrors the opening but shows transformation.

If your original manuscript lacks any of these, write a new scene specifically to fill the gap. Don’t be afraid to add fresh material; you’re building a new book on an old foundation.

---

4. Refresh Characters – Make Them Marketable

Characters are the heart of any bestseller. A weak protagonist is a death sentence, no matter how clever the plot.

4.1 Profile Every Major Character

Element	Example Prompt
Core Desire	What does the character really want, beyond the plot?
Flaw	What internal flaw sabotages their progress?
Arc	How does the character change from start to finish?
Unique Trait	What singular, memorable detail makes them stand out?
Market Tag	Can you pitch them in 5 words? (e.g., “The Reluctant Vampire Detective”)

Write a one‑page character cheat sheet for each protagonist and antagonist. Having these at hand makes it easier to spot flat or generic figures in the old draft.

4.2 Apply the “Baker’s Dozen” Upgrade

From The Writer’s Digest handbook: upgrade at least 13 aspects of each central character:

1. Name – make it memorable and genre‑appropriate.
2. Physical quirk – a scar, a tattoo, a habit.
3. Voice – distinct speech pattern or catchphrase.
4. Backstory – a secret that fuels the main conflict.
5. Goal vs. Motivation – clarify the external goal and internal need.
6. Obsession – an irrational compulsion that drives choices.
7. Conflict with protagonist – deepen the antagonist’s personal stake.
8. Moral code – what lines they won’t cross?
9. Relationship dynamic – unique chemistry with the love interest.
10. Transformation trigger – the event that forces change.
11. Iconic scene – a set‑piece that showcases them.
12. Symbolic object – a keepsake with narrative weight.
13. Future hook – a thread that could spin off a sequel.

If you can’t think of a change for a character, that’s a signal to ditch them or merge them with another role.

---

5. Update the Writing Style – Make It Sellable

Even a great plot can get lost under clunky prose. Here are three high‑impact ways to polish the language without doing a full rewrite.

Technique	How to Apply	Why It Works
Show, Don’t Tell (with a Twist)	Replace “She was angry” with a concrete action: “She slammed the door, the hinges screaming.”	Readers feel the emotion, not just read it.
Active Voice + Tight Sentences	Cut passive constructions: “The letter was written by him” → “He wrote the letter.”	Increases momentum, especially important in genre fiction.
Sensory Layering	Add at least one sensory detail (smell, sound, texture) per paragraph.	Immerses readers; sensory‑rich prose sells better on book‑covers and blurbs.
Dialogue Tags → Action Beats	Replace “‘I’m scared,’ she said.” with “‘I’m scared.’ She curled her fingers around the cold railing.”	Makes dialogue feel natural and adds subtext.
Consistent POV	If you’re switching between first‑person and third‑person, decide on ONE and stick to it.	Reduces confusion, improves narrative cohesion.

Quick Exercise: Take a random 500‑word excerpt from the old manuscript. Apply all five techniques above. If the passage reads noticeably tighter, you’ve unlocked a major upgrade.

---

6. Conduct a Mini‑Market Test – Before You Go Full‑Scale

You don’t have to commit to a full publishing contract to gauge market viability. A mini‑test can save months of work.

1. Create a 1,000‑Word Sample – The opening hook + the first major conflict.
2. Build a Simple Landing Page – Use Carrd or Substack. Include a compelling tagline, cover mock‑up, and a “Leave your email for early access” form.
3. Drive Targeted Traffic –
   • Facebook genre groups (run a $5 boost).
   • Reddit threads (r/romancewriters, r/fantasy).
   • TikTok “booktok” teaser video (30‑sec reading).
4. Collect Data – Click‑through rates, sign‑ups, comments.
5. Iterate – If response is lukewarm, revisit the premise or hook; if it’s hot, you have proof of concept for agents/publishers.

Success Metric: At least 200 email sign‑ups within two weeks for a debut‑author genre piece is a strong signal.

---

7. Position the Manuscript for Agents & Publishers

Now that the story is revived, it’s time to package it.

Element	Pro Tip
Query Letter	Open with the hook (first line of your revised opening). Follow the classic “who you are, what you’ve written, why it matters.” Keep it under 300 words.
Synopsis (1‑page)	Highlight the new three‑act structure, not the original messy outline.
Sample Chapters	Provide the revised opening and a later climactic chapter—show both the hook and the payoff.
Cover Concept	Even before a designer, sketch a cover hook (e.g., “A dragon in a biotech lab”). This tells agents you’ve thought about market placement.
Marketing Pitch	Mention the mini‑test numbers (e.g., “200+ readers signed up in 10 days”) and any social buzz (“#DragonBio trending on TikTok”).

Agents love a story that already shows traction; your mini‑test data becomes a persuasive bullet point.

---

8. Bonus: Turn the “Fodder” into a Series Blueprint

Best‑selling series dominate the market. When you rescue a single story, think ahead:

1. Identify the Core Conflict – Can it be escalated in a sequel?
2. Map Out the World – Create a Series Bible (rules, geography, magic system).
3. Plant Seedlings – Insert a future plot thread (a mysterious organisation, a hidden artifact).
4. Develop Secondary Characters – Give them arcs that can become focal points in later books.

Having a series roadmap not only makes the current book stronger but also shows publishers you have a long‑term vision—something every bestseller author needs.

---

TL;DR Checklist

	Action
1	Diagnose the manuscript (premise, genre, structure, characters).
2	Re‑imagine the core premise with “What If?” twists and trend alignment.
3	Re‑structure using a proven narrative skeleton; insert required set‑pieces.
4	Upgrade each major character with the 13‑point character checklist.
5	Polish prose: show, active voice, sensory details, dialogue beats, consistent POV.
6	Run a 1,000‑word mini‑market test and collect real data.
7	Package a query packet (letter, synopsis, sample chapters, cover hook, marketing pitch).
8	Sketch a series bible to demonstrate future potential.

If you follow these eight steps, you’ll turn that dust‑covered manuscript into a market‑ready, agent‑friendly bestseller candidate—or at the very least, a polished novel that stands a genuine chance of breaking through the noise.

---

Real‑World Example: From Rejection to Royalty

The case of “The Last Alchemist” (pseudonym).

• Original State: A 30,000‑word fantasy short story shelved in 2015 after two “nice try” rejection emails.
• Revival Process:
  1. Premise Shift: “What if the alchemist is actually a disgraced chemist in a post‑pandemic world where alchemy is a regulated industry?”
  2. Structure: Mapped onto the Save the Cat beat sheet. Added a mid‑point betrayal.
  3. Character Upgrade: Gave the protagonist a scar that glows when she uses forbidden chemistry—a symbolic “hidden power.”
  4. Prose Polish: Trimmed 12,000 words, tightened dialogue, added scent of iron in every lab scene.
  5. Mini‑Test: 350 sign‑ups on a landing page in 3 weeks, plus a TikTok video that hit 12k views.
  6. Result: Agent query accepted; the manuscript sold to a mid‑size imprint and hit the USA Today Top 50 within six months.

The moral? A forgotten story is just a raw ingredient—give it the right seasoning, and it can become a bestseller feast.

---

Final Thought

Every writer has a box of “failed” ideas. The difference between a discarded draft and a bestseller isn’t magic; it’s methodical creativity. Diagnose, re‑imagine, restructure, and market‑test. Then package it like a product that readers can’t resist.

So dig that shoebox out, pull out one of those dusty cast-offs and get ready to turn it into your next gem.

More about my second novel

…

Yesterday, there was a moment where I went back over the plot, and whilst that exercise was a success in a way, it also got me thinking, and like always, I couldn’t sleep, thinking about how the timeline was working, but the narrative wasn’t.

Yes, I made the fatal mistake of considering editing in the middle of a writing marathon.

What brought this self-destructive mood on? A movie. No relevance at all to my story, but it was a study in interactions between disparate people, which is what I have going on between John and Zoe.

It works in the first story because they are thrown together and everything is new and crazy.

In the second, the premise is that the novelty of the thing they had is wearing off.

Zoe needs to keep occupied and doing something other than all she’s ever known, which is not exactly on her to-do list.

Of course, that’s all put on hold because she is now a target because of the death of Alistair, and it’s a problem she has to take care of. Alone.

I realise now there needs to be some discussion around this, and the way the story starts does not set the scene.

Similarly, there should be more definition of the relationship as it stands, or not as the case may be, and reasons why John decides to go after her, if only to get the truth, because he believes she is using the people seeking revenge as an excuse to keep him at arm’s length.

And, from her perspective, it’s not so much that she doesn’t want to be with him; it’s because she doesn’t want him to end up dead, given the sort of people she was up against. Not being able to articulate her feelings, as it’s not something she really knew how to do, there’s bound to be some confusion.

Inevitably, he is going to find her, and when they do, the reasons why they are together are clear, but there are still many reasons why he shouldn’t be there. Her life is not the sort of life he would want, by choice, and it’s not going to improve, so where is this thing going to take them?

I haven’t thought it through, so I’m going to take some time out to sort it out. I’m 47,000 odd words into the narrative, so I have a day, two at the most, to review, and perhaps rewrite to get the missing perspective I’m looking for

More about my second novel

…

Yesterday, there was a moment where I went back over the plot, and whilst that exercise was a success in a way, it also got me thinking, and like always, I couldn’t sleep, thinking about how the timeline was working, but the narrative wasn’t.

Yes, I made the fatal mistake of considering editing in the middle of a writing marathon.

What brought this self-destructive mood on? A movie. No relevance at all to my story, but it was a study in interactions between disparate people, which is what I have going on between John and Zoe.

It works in the first story because they are thrown together and everything is new and crazy.

In the second, the premise is that the novelty of the thing they had is wearing off.

Zoe needs to keep occupied and doing something other than all she’s ever known, which is not exactly on her to-do list.

Of course, that’s all put on hold because she is now a target because of the death of Alistair, and it’s a problem she has to take care of. Alone.

I realise now there needs to be some discussion around this, and the way the story starts does not set the scene.

Similarly, there should be more definition of the relationship as it stands, or not as the case may be, and reasons why John decides to go after her, if only to get the truth, because he believes she is using the people seeking revenge as an excuse to keep him at arm’s length.

And, from her perspective, it’s not so much that she doesn’t want to be with him; it’s because she doesn’t want him to end up dead, given the sort of people she was up against. Not being able to articulate her feelings, as it’s not something she really knew how to do, there’s bound to be some confusion.

Inevitably, he is going to find her, and when they do, the reasons why they are together are clear, but there are still many reasons why he shouldn’t be there. Her life is not the sort of life he would want, by choice, and it’s not going to improve, so where is this thing going to take them?

I haven’t thought it through, so I’m going to take some time out to sort it out. I’m 47,000 odd words into the narrative, so I have a day, two at the most, to review, and perhaps rewrite to get the missing perspective I’m looking for