Tag: Book

Well, that was my August

I have been busy, busy, busy writing this month, but as much as I have done, it still feels like I’m not getting anywhere.

For instance, both ‘The Things we do for Love’ and ‘Strangers We’ve Become’ are still with the editor for the final checking, where I’d expected to be in a position to publish them this month.

It may have something to do with the sending of two new novels, ‘If Only’ and ‘Betrayed’ for first perusal after I completed the third edit, and felt both were ready for someone else to look at.

They will be joined by ‘First Dig Two Graves’, the second Zoe thriller later this month.

Then there’s the episodic stories I’ve been writing, each of which will become a novella eventually. But to begin with, they are episodes as and when I can find the time, and published in their raw form on my writing blog as the ideas come.

They are:

What happens after an action-packed start – now finished with the publication of episode 47.

You can find the end here: https://bit.ly/2Yxnh1k

It’s a story inspired by the Castello di Briolio – I have yet to write more episodes

The latest episode, 36, is here: https://bit.ly/3h1DCCC

So you want to go on a treasure hunt – this has been written up to episode 54, and episodes 55 – 60 have been outlined.

Find the latest episode, 47, here: https://bit.ly/31EHunK

Was it just another surveillance job – has been written up to episode 45

Find the latest episode, 36, here: https://bit.ly/3aeMvX5

I’ve started on the replacement episodic story for ‘Action-Packed’ called ‘Motive, Means and Opportunity’ and have several episodes written. Publishing that story will begin some time in September.

Alas, the ideas never stop, and the notebooks are filling up.

And with the pandemic and having to stay in, this had greatly increased the amount of time I have to write. But it is exhausting, and when the travel restrictions are lifted, I will be going away to some quiet place where I can unwind for a week or two.

Some time, we’re told, around mid 2021.

An excerpt from “If Only” – a work in progress

Investigation of crimes don’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was very careful in not leaving any evidence behind, to the extent that the police could not rules out whether it was a male or a  female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective Inspector Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her Sargeant was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be a very bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

I’ve always wanted to go on a Treasure Hunt – Part 47

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new installment of an old feature, and we’re back on the treasure hunt.

…

“A hundred square miles, that must have run up the coast close to Patterson’s Reach?” I asked.

Patterson’s reach was about five miles to the north, a small town, where there was little fishing done and allegedly a lot of ferrying drugs being dropped off by large ships coming along the offshore shipping lanes.  No one could prove it, and every trap set by the coast guard had failed to find any evidence.  That meant that someone was tipping them off.

It was also the domain of the Cossatino’s who discouraged anyone else from living there.  It was said that Cossatino owned all of the lands the town sat on and the people who lived there worked for him.

“Only as far as Patterson’s reach and then inland for about 20 miles, about as far as the Faultline and perhaps the closest point between the foothills and the sea.  Ormiston had bought all the land thinking that the treasure was buried on it.  You see, he had a map too, long before Boggs senior had started forging them for the Cossatino’s.”

And in hearing that it begged the question, who had first found the original map?  If Cossatino found it, then getting Boggs senior to forge a lot of useless maps would hide where it really was.

What if Boggs ‘original’ map was yet another elaborate forgery, given to him by Cossatino to create others?  I put that thought to one side.

I wondered if Boggs had been to see her, to get some background.  If there was going to be an expert on the treasure, if it existed or not, she would know.  In fact, she probably knew old man Ormiston.

“Does that map still exist?”

“Perhaps.  It was not found in his effects after he died.  Spent his last years in an asylum.  It wasn’t not finding the treasure, or losing his fortune that sent him mad, it was Alzheimer’s, poor old man.  Whatever documents that were found when his relatives cleaned the place out were brought to the library to be stored, cataloged at some point, and one day when someone decides to write a history of the area, no doubt they want to see the collection.”

“I couldn’t look at the papers?”

“Are you interested in writing a local history.  I’m sure your hunt for the treasure and the many fruitless other expeditions looking for it would make a very entertaining chapter.”

“Maybe I will.”

If that was what it took to look at the documents.  There might be something interesting to be found.  Especially if he kept a diary.  I thought it best not to ask, and fuel suspicions.

“Elmer said there might be relations of Ormiston still around here?”

“Yes, I did say that which I now regret.  There are, but I don’t know who they are.  I knew his wife’s family name was Maunchen, and that the Maunchens came from California originally, and there’s nothing to say they didn’t go back.  Certainly, the wife would be deceased by now, and they had three daughters, all of whom would have married, and changed names.  You’d have to go digging through wedding records in at least a dozen parishes.  If you were thinking of investigating.”

“Sound like too much hard work.  Besides, the treasure doesn’t; exist.  I’m only helping Boggs to keep him from doing something stupid.”

“Like father, like son, unfortunately.  You do realize the father made some outlandish claim in the hotel one night that he had found the clue to where the treasure was buried.   Trouble was, he was prone to making outlandish claims, and by that time, a drunkard.  He went missing the next day, and has never been seen since.”

“You think he found it?”

“No.  But I’m guessing someone thought he had and killed him trying to find out.  We’ll never know.”

“A lesson to be learned then.  I’ll keep an eye on Boggs junior just in case he’s thinking of making an equally outlandish claim.”

“You do that.”

She opened a drawer and pulled out a form and handed it to me.

“What’s this for?”

“A request to look at the archives.  You have to register, and I have to give you a special card, the key to the history of Arkwon County.”

Where it said signature, I signed it.

“You fill out the rest.  When do you want me to pick up the card?”

“Monday next week.  In the meantime, be careful.”

She said it like she knew I would be walking into trouble.

…

© Charles Heath 2020

Short Story Writing – Don’t try this at home! – Part 4

This is not a treatise, but a tongue in cheek, discussion on how to write short stories.   Suffice to say this is not the definitive way of doing it, just mine.  It works for me – it might not work for you.

…

You’ve got the place, now you want the who.

My main characters are quite often me.

Not the real me, because I’m boring.  No, those characters are what I would like to be, that imaginary superhuman that can do everything.

Until, of course, reality sets in, and the bullets start flying.  When that happens, we should be looking to run or at the very least get under cover, not walk into a hail of bullets, with a huge grin, staring down the enemy.

Hang on, that never happens except in superman comics.

What’s really needed here is a little vulnerability, a little humility and a lot of understanding, qualities at times I don’t have.

So, in order to create a more believable character, I start dragging traits from others I’ve met, or know, or really don’t want to know.  

In a writer’s environment, there are a plethora of people out there that you can draw on for inspiration.  I once spent and afternoon at a railway station just observing people.  Even now, I make observations, some of which are true, and others, wildly off course. 

I once tried to convince my other half that I could pick people’s traits, and we sat at a café outside a church in Venice.  I was lucky, I got more than 75% correct.

Other characters in my stories I have met along the way.

Like a piano player in a restaurant.  It was not so much the playing was bad, it was the way he managed to draw people into his orbit and keep them there.  The man has charisma, but sadly no talent for the instrument.

Like an aunt I met only twice in a lifetime, and who left a lasting impression.  Severe, angry looking, speaking a language I didn’t understand, even though it was English.  It was where I learned we came from England, and she was the closest thing I came to as an example of nineteenth-century prim and proper.  And, no, she didn’t have a sense of humour or time for silly little boys.

Like one of my bosses, a man of indeterminate age, but it had to be over 100, or so it seemed to my sixteen-year-old brain, who spoke and dressed impeccably, and yes, he did once say that I would be the death of him.

I can only hope I wasn’t.

Like a Captain of a ship I once met, a man who didn’t seem to have time for the minions, and a man who reeked authority and respect.  I’ve always wanted to be like him, but unfortunately, it was not in the genes.

Those are only a few, there are thousands of others over the years, a built-in library, if you will, of characters waiting to be taken off the shelf and used where necessary or appropriate.  We all have one of these banks.

You just have to know when to use them.

Short story writing – don’t try this at home! – Part 3

Where is this story going to start?

Let’s forget about the what and the who and the when for the moment, and figure out the location.

After all, we couldn’t make a movie unless we have somewhere to shoot it.  Those places are called locations, and before a film begins someone has to go out and find locations.

Sometimes it’s easy, because you know where the story is based.

New York, London, Singapore, Moscow.

It’s more likely it will be somewhere you’ve been, or where you live.

I live in Brisbane, in Australia.  Not a lot of people overseas know of it.  Oddly enough before I moved here over 30 years ago, it was just a name on a map.

But the point is, now that I’m here I could write a story based in Brisbane.  Or as easily, in Melbourne, where I also used to live.

Or I could select a place I’ve travelled to, perhaps not once, but a few times, and each time taking photographs and notes about that place, thinking one day I could used it as a location.

I have, and I do.  It’s one of the reasons why I like to travel.  I’m always on the lookout for someplace new.

Several of my books are based in New York, several in London, and various parts of the story find the characters in places like Paris, Rome, Florence, Tuscany, Hong Kong, Singapore, and Moscow.

Then, sometimes when my knowledge is lacking in some of the finer points of the city, Google maps, and Google itself are there to fill in the gaps.  I have virtually driven down streets in London, especially near Kew Gardens and in Knightsbridge, checking locations.

Suffice to say, I know some parts of London like the back of my hand, and recently, before COVID, visited and did a spot check just to be sure.

With COVID 19 causing havoc with travel plans, virtual travel is all I can do at present.

Then there’s building, like houses, apartments, any sort of building which may require some knowledge.

I guess what I’m saying is that there’s more to locations than just saying something is there, it had to fit the area.  Yes, the story is a work of fiction, but sometimes it’s better to have an idea of what’s there, or readers will be disappointed.

Especially if they live in that city, town, village, house or tent.

I actually use the real estate advertisements in a city of town where I want to have a house, because it gives you a map, exterior views, how to get there, and best of all what it looks like inside.

Still can’t afford that $12,000,000 apartment in New York, but the views, there were to die for.

But I, as always, digress…

Now it’s starting to sound like a lot of hard work.

It is.

Even if you go down the ‘pantser’ road, there’s still lot of research to be done.

More confusion tomorrow.

An excerpt from “If Only” – a work in progress

Investigation of crimes don’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was very careful in not leaving any evidence behind, to the extent that the police could not rules out whether it was a male or a  female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective Inspector Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her Sargeant was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be a very bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

Short story writing – don’t try this at home! – Part 2

This is not a treatise, but a tongue in cheek, discussion on how to write short stories. Suffice to say this is not the definitive way of doing it, just mine. It works for me – it might not work for you.

There are two methods of writing, planning, sometimes meticulous planning, or flying by the seat of your pants, or being called a ‘pantser’.

The first has it all planned out before they start writing, from beginning to end, knowing what the end result will be. The second, well, we like to write and see where it takes us.

I like to think I fly by the seat of my pants, you know, like the reader who takes up the story and starts reading, not having a clue where it’s going to go. I prefer that blissful ignorance, of course, until I run out of ideas, roughly the equivalent of hitting a brick wall

Or that common enemy all writers have, the dreaded ‘writers block’.

I’ve tried both methods.

Each work, but in the case of the ‘planner’, you need to know where it’s going to start what’s going to happen in the middle and have the end firmly planted in your mind.

Not much good if a rotten character is making you angry and you want to kill him off, and in the most excruciatingly painful manner.

Flying blind gives you a little more creativeness and be able to go around a corner and see what’s there. It also allows for those complete changes of direction you come up with in the shower, the place that is a fertile ground for new ideas just when you’re running out of them.

But it can sometimes play havoc with word counts and if you’re trying to fit into 2,000 words, 5,000 words, or a lot less, taking the story where it wants to go is not a good idea, and sadly, I tend to let stories run their course.

And sometimes I like the idea of writing three different endings, and then can’t choose which one I like the best.

So, role model I am not. I like writing, and when I’m in the ‘zone’ it’s like I’m in another world.

But then, isn’t that the case for all of us?

More unclarity tomorrow!

What happens after the action packed start – Part 47

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in, and because of it, he has now been roped into what might be called a suicide mission.

…

At least the helicopter pilot hadn’t hit the fuel tanks or any of the control wires.

Because of the holes in the fuselage, we couldn’t fly any higher than between two and five thousand feet or go as fast as Davies would like, but the plane settled into a routine and got us where we wanted to go.

Just a few miles from the base, fuel almost exhausted, we got a fighter escort.

At first, I thought the base commander thought we were an unidentified flying object, mainly because something else had been hit, our communications. We couldn’t tell the base we were coming, and they only had the Colonel’s transmission of an approximate arrival time, much earlier than the actual time we were supposed to arrive.

On the ground, we were met with fire trucks, and a military escort, with weapons that could take out a mouse at one thousand yards. Just in case we were terrorists, I suppose.

We were parked in a bay away from the main terminal area and had to wait for a half-hour before we were met by Lallo. Monroe’s comment, that he was probably finishing his lunch which would be more important than meeting us, had kept us waiting.

The two abductees were the first to leave the aircraft, then Shurl’s body was removed after the doctor certified he was dead.

Then the rest of us were allowed to leave the aircraft. A bus was waiting, and everyone bar Monroe and I had boarded and been taken away. Under guard. Perhaps their service had not mitigated their prison sentences. I didn’t ask Lallo why; I’d probably not get the truth anyway.

“Good job,” he said, after watching the bus depart. “Pity, it wasn’t done right the first time.”

A compliment followed by disparagement.

“Next time you can do the job yourself,” Monroe said. “And until you’ve been in the field and actually got shot at, you’d do well to keep that trap of yours shut.”

“May I …”

“…remind me you’re my superior officer? No. I’m sure that status won’t last much longer. I’m applying for a transfer.”

He looked at me. “What about you?”

“Nothing to say, except I don’t blame her. Now, since all you’ve done is prove to me you’re an idiot, I’ll take my leave.”

In the distance I could see a large American car, the sort that proliferated in the 1950s and 1960s before petrol prices were a problem, cutting across the runway at speed. Was it the owner of the DC3 coming to see the damage?

No. When it got closer I could see Bamfield, cigar in mouth, beaming. I suppose no one felt they had the authority to tell him not to.

The car stopped behind Lallo’s jeep and Bamfield got out, then leaned against the driver’s side door and looked at us over the roof.

“James, Monroe. Still alive I see. Pity about the plane; I know the chap who owns it. He’s going to be pissed when he sees the cannon holes. What happened?”

“Bad guys,” Monroe said.

“Of course. Get in, I’ll give you a ride back to the terminal. We can talk on the way.”

Neither of us moved. If Monroe wasn’t going to suffer fools gladly, neither was I.

“Well…”

“I’d rather walk,” I said.

“We’d rather walk, sir.” With a heavy emphasis on the ‘sir’.

“Look, you did a great job, minimal losses, and we got two assets back. Everyone is happy. But, we have a small problem down in South America…”

…

© Charles Heath 2020

I’ve always wanted to go on a Treasure Hunt – Part 46

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new installment of an old feature, and we’re back on the treasure hunt.

…

Aside from working on what I was going to tell my mother, and Boggs for that matter, where I’d been all night, the last thing I could say was that I spent the night with Nadia.

It had a curious ring to it when I said to myself, I slept with Nadia.  Most people would take it the wrong way, but, by a quirk of fate, it was true.  I guess that little gem of truth would have to stay locked away in my head.

One the other hand, if I told my mother I was out doing reconnaissance work for Boggs, she would get very angry, messing around in Boggs’ fantasies.  She had no time for people who didn’t want to get a job, and work hard for a living.

At least I’d gone up in her estimation when I started working for the Benderby’s.

But the reconnaissance line would work with Boggs, and all I had to do was come up with a plausible set of circumstances he would believe.  At the moment, all I had was Alex going to the mall, and that I waited to see when he came out.  The question I would pose, what was he doing in there for four or five hours.

All I had to do was hope Alex had been out of town and Boggs hadn’t seen him.  Always a chance of coming unstuck.  Perhaps I should just not volunteer anything.

As for my mother, I couldn’t say I was working overtime for Benderby.  She was likely to call him and tell him off for making me work so hard. 

I was still no further advanced on that point when I got to the library. 

It was a familiar place for me, and I had spent a lot of my time there escaping the real world, and of course, being able to keep away from Alex and Vince.

The librarian, Gwen, had been there for a hundred years or more, or so they said, and she should have retired about 20 years ago.

Pity the poor mayor who got the job of telling her to leave.  Three had tried, and three had failed.  The current incumbent was smarter than that.  He just hired an assistant and told her that she had no problems handing over the reins when she was ready.

That woman, Winifred Pankhurst, no relation to the suffragette, was quiet, polite but firm in doing her duties and dealing with the public.  She and I had butted heads a few times, especially when Gwen wasn’t in, but today was not going to be one of those days.

I could see Gwen in her office, and headed straight there, under Winnie’s watchful eye.  And no, I didn’t dare call her Winnie.  Her name, she said, was Miss Pankhurst thank you very much.

Gwen looked up as I knocked on the door, and she smiled.

“Long time no see.”

It had been several weeks.  The job and everything else had made it less of a priority to get there,

“New job, crazy hours.  Never thought I’d become a working stiff.”

“About time.  All that talent being wasted.”

I came in and sat down opposite her.

“How are you?”

“Getting old.”

For her to admit that was a worry.  She was, last time I checked, somewhere between 93 and 95.  She never quite told anyone her actual date of birth, not even the Mayor’s office who employed her.  And she didn’t look a day over 80.  Good, clean living she said.

“Isn’t that inevitable?”

“For some of us.  Now, enough of being maudlin, what can I do for you?”

“What makes you think I want something?”

“That expression.  A cat’s curiosity.”

She could still see through me.  The only other people who could was my English teacher in the final year at school and my mother.

“What do you know about the Ormiston’s.”

A change in expression on her face told me it was not a surprise I was asking.  Alex’s thug had been here earlier, had someone else?

“They’re popular this week.  Young Elmer was in here a few days ago asking the same question.  I suspect he was working for Alex Benderby.”

The way she said his name, it was with the usual venom used for him.  She had a run in with Benderby a long time ago, and she’d never forgotten.  Or ever will.  That’s why Alex would never get anything from her about anything.

“He was.”

“Is this in relation to the treasure you and that lad Boggs are searching for?”

Of course, she’d know who and what was going on in this town.  No one could keep a secret from her.  Or her extensive network of old ladies in the knitting club.

“Boggs seems to think he had some idea of where it might be, though I’m not so sure.  I just go along for the ride, it balances out the depressive life we have to live living here.”

“Oh, come now.  It’s not all that bad.”

“Perhaps not, now that I have a job.  What can you tell me, if there’s anything to tell?”

“Ormiston was as bad if not worse than the Boggs, father and son alike.  He had the treasure bug too.  Obsessed.  In the end drove away his wife and family, eventually ran out of money after mounting six different search operations, and then, when that happened, sold the land to the Navy.  Quite an extensive area, about 100 square miles or so, from the coast back to the fault line.  Used to be a lake, once, now it’s just a dustbowl.”

A fault line?  This was something Boggs didn’t know about, and it could be significant.  But just how significant?

…

© Charles Heath 2020

The picture does not tell the story.

Like a lot of photographs, what you see is not quite what you get.

Consider this..

To anyone who has travelled on a plane and was lucky enough to get a Windows seat, it’s simply a picture of the plane on its way to the destination.

But…

What’s really going on?

Is the plane off course, and heading in a different direction, and since the navigation systems are out, no one knows where they’re going?

Or has someone or something taken pout all the satellites and communications, so they occupants are all alone, up in the sky?

Is there a problem with the landing gear, and they’re circling to dump fuel?  Will it be a crash landing?  Who will survive, who will not?

And, is there a hero aboard?

All very good questions, and plot lines for a story.  I have to pick one, and will write the accompanying story soon.

What does this photograph inspire for you?