First Dig Two Graves

A sequel to “The Devil You Don’t”

Revenge is a dish best served cold – or preferably so when everything goes right

Of course, it rarely does, as Alistair, Zoe’s handler, discovers to his peril. Enter a wildcard, John, and whatever Alistair’s plan for dealing with Zoe was dies with him.

It leaves Zoe in completely unfamiliar territory.

John’s idyllic romance with a woman who is utterly out of his comfort zone is on borrowed time. She is still trying to reconcile her ambivalence after being so indifferent for so long.

They agree to take a break, during which she disappears. John, thinking she has left without saying goodbye, refuses to accept the inevitable and calls on an old friend for help in finding her.

After the mayhem and being briefly reunited, she recognises an inevitable truth: there is a price to pay for taking out Alistair; she must leave and find them first, and he would be wise to keep a low profile.

But keeping a low profile just isn’t possible, and enlisting another friend, a private detective and his sister, a deft computer hacker, they track her to the border between Austria and Hungary.

What John doesn’t realise is that another enemy is tracking him to find her too. It could have been a grand tour of Europe. Instead, it becomes a race against time before enemies old and new converge for what will be an inevitable showdown.

The cinema of my dreams – Was it just another surveillance job – Episode 26

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Maury drops in for a search

 

I moved to the doorway and switched off the light, sending the room back into inky darkness.  Not good for the eyes, going bright light to instant dark.  We stood together behind the door as it opened inwards, Jan ready with her gun.

The door opened slowly, at the same time letting light in from the corridor, making it easier to see.

Opened fully, the visitor tentatively stepped into the room, and once the shape moved past the door, I slammed it shut and Jan lunged with the gun.  

I was not sure what result she was expecting but the person fought back, and as they turned to wrench the gun out of her hand, I let loose a punch, aiming for the head, and as hard as I could.  I head a cracking sound followed by a thump as the body hit the ground.

When I turned the light back on, there were two surprises.  The first, that I’d managed to knock someone out, and the second, Maury was back for a second look.

Why?

It didn’t matter.  He wasn’t going to be unconscious for very long.  Jan had some twine in her room, I wasn’t going to ask why, and she tied his hands and legs together, trussed almost like a turkey.

We left him on the floor when he’d fallen.  Unconscious, he was too heavy to move, or lift.

“Is this man Severin, Maury or Nobbin?” she asked.  She’d saved the questions until after he’d been neutralized, and we’d taken his gun off him.  Also, a knife.  She’d also look through his pockets to see if he carried any identification.  He didn’t, and I wouldn’t expect to find anything.  At the moment I was the same, and since I threw the phone’s sim card, I was now completely anonymous.

“Maury,” I said.

“The attack dog?”

“Not able to attack us at the moment, but yes.  I wonder why he came back?”

“We should ask him,” she said, “when he wakes up.”

We were sitting in the chairs, turned around to face Maury lying on the ground.  He had wriggled, and realizing he was tied up, tried harder to escape the bonds, and then relaxed when he realized he couldn’t.

His eyes turned to us, and it felt like a death stare.  

“This is a mistake,” he said.  “untie these ropes and I might make an exception for you.

“Why are you here?” I asked him.

“That’s none of your business.”

“But it is mine.  This is my flat, and you’re trespassing,” Jan said.

He switched his death gaze to her.

“I’m not here to cause trouble.”

“Then why are you here?”

“To ask you if your next-door neighbor left anything here with you to collect at a later date.”

No doubt with a menacing attitude, which would end in violence because Maury was not the sort to take no for an answer.

“Most people would knock on the door, and politely wait until it was answered.”

Most people.

“I was told there would be no one at home.”

“And it couldn’t wait until I returned?  I’m sorry, but you have broken into my flat and I’m going to call the police.”

He looked at me.

“That’s not a good idea.  Tell her, Jackson.”

“I don’t work for you, or Severin, anymore.  In fact, when I went back into the office, I got dragged aside and interrogated.  No one seems to know who you and Severin are.”

“That’s because our operation was on a need to know basis.  How do you think our business works?  Not by telling everyone what you’re doing.  Now untie me, and I’ll be on my way.”

“No,” Jan said.  “Not until you tell us exactly who you are and who you work for, and why you deemed it necessary to murder O’Connell.”

Maury looked at me again, and there was no mistaking the anger.

“You do understand what the Official Secrets Act means, don’t you Jackson?”

“More or less.  But it depends on who it is you speak to whether that’s relevant or not.”

Back to Jan.  

“Who are you, then?”

“As you keep pulling out of your hat, it’s on a need to know basis, and, of course, we just tell everyone what we’re doing either.  But one thing I’m sure of, we do not go around killing agents.  As far as I can tell, O’Connell was working for an agency, possibly yours but I don’t think so, and in the course of his investigation, he came across some valuable information.  Information, I’m told, you want.  What is it and why?”

“Are you serious?”

He shifted his glare back to me.

“Seriously Jackson, who is this person?”

“Someone, I fear, who is going to cause you a great deal of grief if you don’t answer her questions.”

“Don’t be ridiculous.  I don’t have to tall you or anyone else the nature of my business.”

I saw her shake her head.  “I take it, that’s a no.”  She shrugged and pulled out her phone and dialed a number.  “Always the hard way with you people.”

“Sir,” she said when the call was answered.  “I’ve got a character named Maury tied up in my flat.  Breaking and entering for starters.  Yes, I’ll be here.”

She put the phone back in her bag.  “They’ll be here in ten minutes.”

All we had to do was hope that Maury didn’t have a backup.

© Charles Heath 2020

An excerpt from “Strangers We’ve Become” – Coming Soon

I wandered back to my villa.

It was in darkness.  I was sure I had left several lights on, especially over the door, so I could see to unlock it.

I looked up and saw that the globe was broken.

Instant alert.

I went to the first hiding spot for the gun, and it wasn’t there.  I went to the backup, and it wasn’t there either.  Someone had found my carefully hidden stash of weapons and removed them.

Who?

There were four hiding spots, and all were empty.  Someone had removed the weapons.  That could only mean one possibility.

I had a visitor, not necessarily here for a social call.

But, of course, being the well-trained agent I’d once been and not one to be caught unawares, I crossed over to my neighbour and relieved him of a weapon that, if found, would require a lot of explaining.

Suitably armed, it was time to return the surprise.

There were three entrances to the villa: the front door, the back door, and a rather strange escape hatch.  One of the more interesting attractions of the villa I’d rented was its heritage.  It was built in the late 1700s by a man who was, by all accounts, a thief.  It had a hidden underground room, which had been in the past a vault but was now a wine cellar, and it had an escape hatch by which the man could come and go undetected, particularly if there was a mob outside the door baying for his blood.

It now gave me the means to enter the villa without my visitors being alerted, unless, of course, they were in the vicinity of the doorway inside the villa, but that possibility was unlikely.  It was not where anyone could anticipate or expect a doorway to be.

The secret entrance was at the rear of the villa, behind a large copse, two camouflaged wooden doors built into the ground.  I moved aside some of the branches that covered them and lifted one side.  After I’d discovered the doors and rusty hinges, I’d oiled and cleaned them, and cleared the passageway of cobwebs and fallen rocks.  It had a mildew smell, but nothing would get rid of that.  I’d left torches at either end so I could see.

I closed the door after me and went quietly down the steps, enveloped in darkness till I switched on the torch.  I traversed the short passage, which turned ninety degrees about halfway to the door at the other end.  I carried the key to this door on the keyring, found it and opened the door.  It too had been oiled and swung open soundlessly.

I stepped into the darkness and closed the door.

I was on the lower level under the kitchen, now the wine cellar, the ‘door’ doubling as a set of shelves which had very little on them, less to fall and alert anyone in the villa.

Silence, an eerie silence.

I took the steps up to the kitchen, stopping when my head was level with the floor, checking to see if anyone was waiting.  There wasn’t.  It seemed to me to be an unlikely spot for an ambush.

I’d already considered the possibility of someone coming after me, especially because it had been Bespalov I’d killed, and I was sure he had friends, all equally as mad as he was.  Equally, I’d also considered it nigh on impossible for anyone to find out it was me who killed him because the only people who knew that were Prendergast, Alisha, a few others in the Department, and Susan.

That raised the question of who told them where I was.

If I were the man I used to be, my first suspect would be Susan.  The departure this morning, and now this was too coincidental.  But I was not that man.

Or was I?

I reached the start of the passageway that led from the kitchen to the front door and peered into the semi-darkness.  My eyes had got used to the dark, and it was no longer an inky void.  Fragments of light leaked in around the door from outside and through the edge of the window curtains where they didn’t fit properly.  A bone of contention upstairs in the morning, when first light shone and invariably woke me up hours before I wanted to.

Still nothing.

I took a moment to consider how I would approach the visitor’s job.  I would get a plan of the villa in my head, all entrances, where a target could be led to or attacked, and where there would be no escape.

Coming in the front door.  If I were not expecting anything, I’d just open the door and walk in.  One shot would be all that was required.

Contract complete.

I sidled quietly up the passage, staying close to the wall, edging closer to the front door.  There was an alcove where the shooter could be waiting.  It was an ideal spot to wait.

Crunch.

I stepped on some nutshells.

Not my nutshells.

I felt it before I heard it.  The bullet with my name on it.

And how the shooter missed, from point-blank range, and hit me in the arm, I had no idea.  I fired off two shots before a second shot from the shooter went wide and hit the door with a loud thwack.

I saw a red dot wavering as it honed in on me, and I fell to the floor, stretching out, looking up where the origin of the light was coming and pulled the trigger three times, evenly spaced, and a second later I heard the sound of a body falling down the stairs and stopping at the bottom, not very far from me.

Two assassins.

I’d not expected that.

The assassin by the door was dead, a lucky shot on my part.  The second was still breathing.

I checked the body for any weapons and found a second gun and two knives.  Armed to the teeth!

I pulled off the balaclava; a man, early thirties, definitely Italian.  I was expecting a Russian.

I slapped his face, waking him up.  Blood was leaking from several slashes on his face when his head had hit the stairs on the way down.  The awkward angle of his arms and legs told me there were broken bones, probably a lot worse internally.  He was not long for this earth.

“Who employed you?”

He looked at me with dead eyes, a pursed mouth, perhaps a smile.  “Not today, my friend.  You have made a very bad enemy.”  He coughed, and blood poured out of his mouth.  “There will be more …”

Friends of Bespalov, no doubt.

I would have to leave.  Two unexplainable bodies, I’d have a hard time explaining my way out of this mess.  I dragged the two bodies into the lounge, clearing the passageway just in case someone had heard anything.

Just in case anyone was outside at the time, I sat in the dark, at the foot of the stairs, and tried to breathe normally.  I was trying not to connect the dots that led back to Susan, but the coincidence was worrying me.

A half-hour passed, and I hadn’t moved.  Deep in thought, I’d forgotten about being shot, unaware that blood was running down my arm and dripping onto the floor.

Until I heard a knock on my front door.

Two thoughts: it was either the police, alerted by the neighbours, or it was the second wave, though why would they be knocking on the door?

I stood and immediately felt a stabbing pain in my arm.  I took out a handkerchief and turned it into a makeshift tourniquet, then wrapped a kitchen towel around the wound.

If it were the police, this was going to be a difficult situation.  Holding the gun behind my back, I opened the door a fraction and looked out.

No police, just Maria.  I hoped she was not part of the next ‘wave’.

“You left your phone behind on the table.  I thought you might be looking for it.”  She held it out in front of her.

When I didn’t open the door any further, she looked at me quizzically and then asked, “Is anything wrong?”

I was going to thank her for returning the phone, but I heard her breathe in sharply and add, breathlessly, “You’re bleeding.”

I looked at my arm and realised it was visible through the door, and not only that, the towel was soaked in blood.

“You need to go away now.”

Should I tell her the truth?  It was probably too late, and if she were any sort of law-abiding citizen, she would go straight to the police.

She showed no signs of leaving, just an unnerving curiosity.  “What happened?”

I ran through several explanations, but none seemed plausible.  I went with the truth.  “My past caught up with me.”

“You need someone to fix that before you pass out from blood loss.  It doesn’t look good.”

“I can fix it.  You need to leave.  It is not safe to be here with me.”

The pain in my arm was not getting any better, and the blood was starting to run down my arm again as the tourniquet loosened.  She was right, I needed it fixed sooner rather than later.

I opened the door and let her in.  It was a mistake, a huge mistake, and I would have to deal with the consequences.  Once inside, she turned on the light and saw the pool of blood just inside the door and the trail leading to the lounge.  She followed the trail and turned into the lounge, turned on the light, and no doubt saw the two dead men.

I expected her to scream.  She didn’t.

She gave me a good, hard look, perhaps trying to see if I was dangerous.  Killing people wasn’t something you looked the other way about.  She would have to go to the police.

“What happened here?”

“I came home from the cafe and two men were waiting for me.  I used to work for the Government, but no longer.  I suspect these men were here to repay a debt.  I was lucky.”

“Not so much, looking at your arm.”

She came closer and inspected it.

“Sit down.”

She found another towel and wrapped it around the wound, retightening the tourniquet to stem the bleeding.

“Do you have medical supplies?”

I nodded.  “Upstairs.”  I had a medical kit, and on the road, I usually made my own running repairs.  Another old habit I hadn’t quite shaken off yet.

She went upstairs, rummaged, and then came back.  I wondered briefly what she would think of the unmade bed, though I was not sure why it might interest her.

She helped me remove my shirt and then cleaned the wound.  Fortunately, she didn’t have to remove a bullet.  It was a clean wound but it would require stitches.

When she’d finished, she said, “Your friend said one day this might happen.”

No prizes for guessing who that friend was, and it didn’t please me that she had involved Maria.

“Alisha?”

“She didn’t tell me her name, but I think she cares a lot about you.  She said trouble has a way of finding you, gave me a phone and said to call her if something like this happened.”

“That was wrong of her to do that.”

“Perhaps, perhaps not.  Will you call her?”

“Yes.  I can’t stay here now.  You should go now.  Hopefully, by the time I leave in the morning, no one will ever know what happened here, especially you.”

She smiled.  “As you say, I was never here.”

© Charles Heath 2018-2022

strangerscover9

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 82

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new installment of an old feature, and we’re back on the treasure hunt.

Alex is a problem

My mother didn’t return after the sheriff and Charlene left, and it didn’t bother me as much as it should.

What did bother me was the extent Alex, and no doubt his new best friend Vince, had muddied the water, but they did have a week to get their stories straight.

A point taken out of the interview with Charlene:  any evidence of Boggs father or Ormiston had been removed, along with the pirate skeletons and anything also that could be identified.

No one would believe us if we said we saw them, we would be classed as delusional, and probably not without reason. 

Another point, we had not been tied up when we were recovered, and there were no noticeable marks, or at least couldn’t be explained away.  It was obvious they had come back, not only to cleanse the site but to make our deaths look more natural.

The last, for that moment, was the fact no one went looking for us after Alex said we had run away together.

The question that had to be asked, was what eventually prompted the police to start looking for us, and why was it in the cave system?  I had not exactly alluded to where it was.

I heard the door to my room open and shut and rolled over, expecting a nurse.

It was Charlene, alone this time, leaning against the door.

“What are you not telling me?”

“What else is there to say?  Apparently, Alex knows more about my situation than I do, so you have to ask yourself, how that’s possible.”

“You tell me.”

“So you can take anything I say to the Benderby’s so they can use it against me?  I’m not surprised the Benderby’s have got you doing their dirty work for then.  After all, your father is up for re-election, and needs their support to stay in office.”

A furrowed brow and dark look told me I was on dangerous ground.  Implying the sheriff was in Benderby’s pocket wasn’t the best idea, even if it was rumored to be true.

“What exactly are you implying?”

Brittle tone, time to back down.  “Nothing.  You managed to get a good result from a bad situation, except for poor Boggs.  What happened to him?”

“Slipped and fell, the medical examiner believes.  No signs of foul play if that’s what you’re asking?”

“Where?”

“On the rocks at the foot of the cliff leading up to the ledge and cave entrance, in full climbing gear.  Had we not found him there, we would not have found you.  We assumed since he didn’t find the treasure, he left, leaving you two behind.”

It fitted the story, no doubt seeded by Alex.  And reasonably true, to a certain extent.  He had left us, but not out of pique.

“You could say he was disappointed.”

“What happened, because I don’t understand why you didn’t leave at the same time.”

“Boggs was there for the treasure.  We wanted to do more exploring, ended up getting lost.”

It was a logical explanation and would fit her narrative.  I didn’t see the point of throwing any curve balls.

I could see her processing.

“You mustn’t think very much of me Sam.”

“Whatever gives you that idea?”

“I don’t think I’ve heard one word of truth from you so far.  I know something happened in that cave, and you were not the only people involved.  Alex can’t lie to save himself, and Vince Cossatino, well, stark staring bonkers doesn’t begin to describe him.  They’re mixed up in this somehow, and I can’t do anything about it unless you tell me the truth.”

“An old newspaper adage I once heard sums up what I think appropriately describes this situation you find yourself in.  Don’t let the truth get in the way of a good story.  You can draw any picture you want, but we both know the person with the best lawyers will win the day, irrespective of what you think happened or what actually happened.  It might be a different story if you found us dead, but you didn’t.”

“There’s Boggs.  He didn’t make it, and I’m not convinced he fell to his death.  I found a climbing expert to review the gear, the site, and the body.  Boggs was left-handed wasn’t he?”

Perhaps I might have misjudged her, and her tenacity for investigating.  But, there was a problem.  “Ambidextrous when climbing, right-handed when playing most sports.  The guy was an enigma at times, and a bit of a daredevil.”

“Still…”

“You’re going to need more than that before casting aspersions that will destroy his mother if she’s not already there.”

“I don’t get it, Sam.  Why won’t you help me?”

“No point.  We both know who runs this town, always has.  You were at school the same as I was, and Alex was always untouchable.  You don’t want to make an enemy of him.  I did and look where it got me.”

“I have a job…”

“The wrong job, or maybe the wrong place.  There’s a reason why your father is not pushing this.  Alex will get what he deserves, perhaps sooner rather than later.”

“You think the Cossatino’s will exact their own justice?  That’s not going to happen.  At the moment the Cossatino’s and the Benderby’s are like peas in a pod.”

That was disconcerting news, and I wondered how Nadia had taken that.

“How is Nadia, by the way?”

“She’s apparently taken a vow of silence.  I suspect the first visit from her father was to warn her against making any accusations.  She hasn’t told us anything, except how you convinced her that she would be rescued.  It must have been terrible.”

Worse.  Not knowing if anyone would come, and as time passed, that feeling this was your time to die.  I had gotten to the point where I regretted wasting all those years after leaving school and doing nothing.  The fact my mother needed me had made that decision all too easy, but now I realized, she hadn’t needed me, that she was contented with her two suitors and remaining just out of reach, playing them against each other.

A commotion outside the door took my mind away from those thoughts, and seconds later Alex came into the room.

“You shouldn’t be here, Alex,” Charlene said, standing between him and me.

“You don’t know your place, Charlene, and that’s not here.  Go play detective somewhere else.”

“You want to be careful Alex.”

“Or what?  You’ll get your father to sort me out?”  He laughed.  “So naive and stupid.  We own him, and he’ll do what he’s told.  As will you.  Now, get out before I throw you out.”

I watched her consider how she was going to respond, even to the point of telling him off, but there was that hesitation, confirmation of what I’d just told her, which was far worse than I suspected.  Then, a shake of the head, and, “I’ll be just outside, you do anything, I’ll be a witness “

Brave, but pointless.  He shoved her out, and closed the blind, and the door.

“So Smidge, you’ve been spreading lies.”

“Have I ?  What lies, specifically?”

“Your mother came around and told my father Vince and I tied you up and left you for dead “

“Rather accurate, don’t you think?”

“Lies, Smidge.  The result of our differences perhaps, but whatever the reason, don’t repeat them again.  Not if you want a ton of bricks to rain down on you, literally.”

So my mother had gone straight to Benderby.  No surprise there, but was it because she cared, or was she reporting my comments?

“I wouldn’t be worried about me, Alex.  You have bigger problems to deal with.”

“Oh?  I don’t think so, if you’re referring to Nadia.  We have a deal with the Cossatinos.  If she says anything, they’ll deal with her.”

“In all the time you dated her, Alex, did she show you her true colors?”

“She’s just a stupid girl like all the rest.  What are you talking about?”

There was no hint of concern, and that might just be his Achilles heel.  If I could just sow a few seeds of doubt in his mind…

“I’d run Alex.  As far and as fast as you can.”

The door crashed open and the Sheriff came in, red-faced and very angry.

“Get out Alex.”

“Do you need to be reminded who you are talking to?”

The sheriff apparently didn’t, and with one punch propelled Alex across the room and into the wall, before he crashed to the ground.  He wisely stayed on the floor, as the sheriff was standing over him, ready for round two.

“My father will hear about this,” he said, pulling out his phone.

“He will.  I have two witnesses who will testify you threw the first punch and were resisting a direct order to leave.  If you know what’s good for you, you’ll stay put and shut your mouth.”

Alex did.

He turned to me.  “Where’s Nadia?”

“Last I heard she was in a hospital bed.”

“She left.”

“You talk to her parents?”  Alex joined the conversation.   Perhaps he was hoping that was the case.  I didn’t think it was.

“They’re surprised.  We have CCTV footage of her leaving, alone.  I ask again, Sam, where is she?”

“What makes you think I would know where she is.”

“You were alone with her in that cave, in a near-death situation.  People tend to confide their deepest innermost secrets at such a time.”

“Not with me.  The girl is as much an enigma to me as she is to everyone else.  But one thing she did say, she’s nothing like her parents, so much so, she reckoned they adopted her.”

“Not helping Sam.”

I looked over at Alex.  “You should ask the sheriff to put you in protective custody, Alex.”

He snorted in disbelief, obviously remembering what I’d said earlier.

The sheriff picked up on it.  “Why would you say that?”

“Sometimes it’s what is not said that is most telling.”

“Then you’re saying that Alex and Vince had something to do with you being left in that cave because, for the life of me, I can’t understand why you didn’t just walk out of there.  I don’t believe for one minute you got lost, Sam.  Not you.  I know you.”

He might, but Alex was still in the room and it was still unfounded allegations.  But there was a slight look of panic on his face.

“Well, believe it or not, that’s what happened.  I would appreciate it if you took Alex away, and stopped him from harassing me.  As for Nadia, if she has any sense, she should go back to Italy.  For what it’s worth, she won’t go back to the Grove, that isn’t home to her, but she might go back to her hotel room.”

I told him which hotel and the room number, and told him to leave and take Alex with him.  I suggested protective custody, just in case, but neither seemed to think he would need it, which left me with a curious notion, did the sheriff want Nadia to take care of a problem he couldn’t.

© Charles Heath 2020-2022

The 2am rant: If only something made sense!

It seems rather fortuitous that we have a holiday at the end of the year.

I mean, who sat around a table however many years ago and decided that holidays like Christmas should be at the end of the year?  And who decided one half of the world could freeze to death on their holidays, and the other half burn?

At the end of a long year at that, you know, 52 weeks, 12 months, 365 days, where even when some of us get a weekend off once in a blue moon, it still seems like we’re working 7 days a week, 52 weeks a year.

So, who decided a week would have seven days, a year would have 12 months, and while we’re at it, who decided to give each month a different name?  And who named names?

Was it Father Time?  As children, we all learn about Father Time, or has political correctness stepped in and we now call ‘Father Time’, ‘person time’.

Anyway…

Who do we blame for this mess? We have to blame someone.  It’s not our fault.  If it were up to me I’d have Christmas in September when there’s more temperate weather in both halves of the world.

And who decided that Christmas should be attached to Winter and not Summer?

It’s like the whole mess was designed by a group of academics majoring in philosophy sitting in a back room and fed Coca-Cola and Pizza until they came up with an answer, which was probably to send it all to a parliamentary committee made up of candidates from Bellevue Asylum.

The same people, by the way, who are responsible for coordinating traffic lights.

And then there’s that other mystery I’ve never quite understood.

If you work for the FBI, your first name suddenly becomes ‘Agent’.  Everyone gets that name change, whether you like it or not.

Which is much the same as how all Russians once called each other ‘comrade’.  Beats the hell, I suppose, out of remembering people’s first names, especially in Russia, where, to us, they’re unpronounceable.

Sorry.

You can tell I haven’t got over last Christmas.

Nor missing out, again, due to the world getting crazier.

Perhaps things will be better next Christmas.

365 Days of Writing, 2026 – 236

Day 236 – In a world ruled by fiction

Inventing Reality: Why J.G. Ballard’s Warning Matters More Than Ever in the Age of Fiction

“We live in a world ruled by fictions of every kind—mass merchandising, advertising, politics, popular psychology, and so on. It is our job as writers to invent reality. For better or for worse, we are the creators of the reality of the 20th [and 21st] century.” — J.G. Ballard

In 1971, British visionary J.G. Ballard made a startling observation about the trajectory of human culture. Long before the advent of social media algorithms, deepfakes, 24-hour news cycles, and virtual reality, Ballard understood a fundamental truth: humanity no longer experiences raw reality. Instead, we navigate a labyrinth of manufactured narratives, corporate mythologies, and political spectacle.

Ballard argued that because the “real” world had been entirely overwritten by fictions, the traditional role of the novelist—to simply mirror society—was dead. Writers could no longer afford to be passive observers. To make sense of the world, they had to become active participants in the construction of a new reality.

Decades later, as we grapple with “fake news,” curated digital identities, and hyper-reality, Ballard’s manifesto feels less like a literary theory and more like a survival guide.

Here is an exploration of what Ballard meant, how his thesis manifests today, and why the job of the writer is more crucial—and subversive—than ever.


The Architecture of Illusion: How We Live in Fictions

Take a moment to look around you. Almost everything you interact with on a daily basis is underpinned by a fiction.

  • Money is a collective fiction—a piece of paper or digital code that holds value only because we agree it does.
  • Brands sell us fictions of identity, belonging, and happiness, convincing us that a specific pair of sneakers or smartphone will fundamentally alter who we are as people.
  • Politics has long traded policy for narrative, where electability is performance art, and truth is treated as a flexible commodity.

Ballard didn’t view these fictions merely as harmless lies; he saw them as powerful, active forces reshaping human psychology. In novels like CrashHigh-Rise, and The Atrocity Exhibition, he explored how modern technology and media blur the line between the artificial and the authentic until the artificial becomes our lived experience.

When the boundaries dissolve, the people living inside the illusion no longer know what is real. This is the condition Ballard diagnosed, and it is the exact landscape we inhabit today.


Why Traditional Realism is Broken

For centuries, the primary goal of fiction was mimesis—holding a mirror up to nature. Authors like Jane Austen, Charles Dickens, and Leo Tolstoy documented the social structures, moral dilemmas, and daily rhythms of their times with pinpoint accuracy.

However, Ballard argued that nineteenth-century realism was no longer equipped to handle the twentieth century (let alone the twenty-first). How do you write a realistic novel about a world where the President of the United States communicates via late-night social media posts, where artificial intelligence can write poetry, and where billions of people spend hours a day interacting with people who don’t exist?

If a writer simply writes a traditional, kitchen-sink drama today, they are ignoring the elephant in the room: the overwhelming, suffocating presence of media and manufactured myth.

To write realistically about the modern world, a writer has to acknowledge that we are drowning in fictions. This is why Ballard leaned into the surreal, the clinical, and the provocative. He used heightened, bizarre fictions to puncture the mundane fictions of everyday life.


“It is Our Job as Writers to Invent Reality”

What did Ballard mean when he said writers must invent reality?

He didn’t mean writers should lie, nor did he mean they should retreat into escapist fantasy. Instead, he meant that because our cultural reality is artificial, constructed by marketers and politicians, writers have a duty to construct better, truer, or more revealing counter-fictions.

A great writer acts as a diagnostic physician for the cultural psyche. By inventing extreme scenarios, speculative futures, or surreal narratives, fiction exposes the invisible mechanisms holding our society together.

Consider how visionary science fiction and speculative fiction have “invented” our current reality:

  • William Gibson coined the term “cyberspace” and anticipated the internet age in Neuromancer long before most people owned a computer.
  • George Orwell mapped out the mechanics of surveillance capitalism and state propaganda in 1984.
  • Margaret Atwood drew from existing patriarchal structures to invent the chillingly plausible world of The Handmaid’s Tale.

These authors did not simply record the world; they diagnosed it by inventing fictions that revealed deeper, unspoken truths. They exposed the matrix by building a better map of it.


The Writer’s Duty in the Age of Algorithms

Today, Ballard’s call to action takes on an urgent new meaning. We are no longer just consumers of fiction—we are its products. Algorithms feed us custom-tailored realities designed to keep our attention, polarise our views, and monetise our anxieties.

In this landscape, propaganda is automated, and mass delusion is industrialised.

If we surrender the invention of reality entirely to tech monopolies, politicians, and advertisers, our cultural imagination shrivels. This is why the creative act of writing is an act of resistance.

When a writer sits down to craft a story, a poem, or a novel, they are refusing the pre-packaged narratives handed down by the culture industry. They are carving out a space of radical imagination, forcing readers to pause, question their assumptions, and see the world through a completely new lens.


Conclusion: Writing the World Anew

J.G. Ballard challenged writers to step out of the shadows of passive storytelling and take responsibility for the psychological architecture of their era.

We do not live in a neutral world. We live in a world saturated with manufactured desires, political mythologies, and digital illusions. To accept this passively is to be shaped by it. But to write against it—to dissect the illusions and invent new, more honest realities—is the ultimate calling of the modern writer.

The fiction of the world is loud, relentless, and persuasive. It is up to writers to be louder, stranger, and truer.


What are your thoughts on Ballard’s manifesto? How do you see modern fiction reflecting—or fighting against—the manufactured realities of today? Let us know in the comments below!

Another excerpt from ‘Betrayal’; a work in progress

My next destination in the quest was the hotel we believed Anne Merriweather had stayed at.

I was, in a sense, flying blind because we had no concrete evidence she had been there, and the message she had left behind didn’t quite name the hotel or where Vladimir was going to take her.

Mindful of the fact that someone might have been following me, I checked to see if the person I’d assumed had followed me to Elizabeth’s apartment was still in place, but I couldn’t see him. Next, I made a mental note of seven different candidates and committed them to memory.

Then I set off to the hotel, hailing a taxi. There was the possibility that the cab driver was one of them, but perhaps I was slightly more paranoid than I should be. I’d been watching the queue, and there were two others before me.

The journey took about an hour, during which time I kept an eye out the back to see if anyone had been following us. If anyone was, I couldn’t see them.

I had the cab drop me off a block from the hotel and then spent the next hour doing a complete circuit of the block the hotel was on, checking the front and rear entrances, the cameras in place, and the siting of the driveway into the underground carpark. There was a camera over the entrance, and one we hadn’t checked for footage. I sent a text message to Fritz to look into it.

The hotel lobby was large and busy, which was exactly what you’d want if you wanted to come and go without standing out. It would be different later at night, but I could see her arriving about mid-afternoon, and anonymous among the clientele the hotel attracted.

I spent an hour sitting in various positions in the lobby simply observing. I had already ascertained where the elevator lobby for the rooms was, and the elevator down to the car park. Fortunately, it was not ‘guarded’, but there was a steady stream of concierge staff coming and going to the lower levels, and, just from time to time, guests.

Then, when there was a commotion at the front door, what seemed to be a collision of guests and free-wheeling bags, I saw one of the seven potential taggers sitting by the front door. Waiting for me to leave? Or were they wondering why I was spending so much time there?

Taking advantage of that confusion, I picked my moment to head for the elevators that went down to the car park, pressed the down button, and waited.

There was no car on the ground level, so I had to wait, watching, like several others, the guests untangling themselves at the entrance, and keeping an eye on my potential surveillance, still absorbed in the confusion.

The doors to the left car opened, and a concierge stepped out, gave me a quick look, then headed back to his desk. I stepped into the car, pressed the first level down, the level I expected cars to arrive on, and waited what seemed like a long time for the doors to close.

As they did, I was expecting to see a hand poke through the gap, a latecomer. Nothing happened, and I put it down to a television moment.

There were three basement levels, and for a moment, I let my imagination run wild and considered the possibility that there were more levels. Of course, there was no indication on the control panel that there were any other floors, and I’d yet to see anything like it in reality.

With a shake of my head to return to reality, the car arrived, the doors opened, and I stepped out.

A car pulled up, and the driver stepped out, went around to the rear of his car, and pulled out a case. I half expected him to throw me the keys, but the instant glance he gave me told him he was not the concierge, and instead he brushed past me like I wasn’t there.

He bashed the up button several times impatiently and cursed when the doors didn’t open immediately. Not a happy man.

Another car drove past on its way down to a lower level.

I looked up and saw the CCTV camera, pointing towards the entrance, visible in the distance. A gate that lifted up was just about back in position, then clunked when it finally closed. The footage from the camera would not prove much, even if it had been working, because it didn’t cover the lift lobby, only what was in the direction of the car entrance.

The doors to the other elevator car opened, and a man in a suit stepped out.

“Can I help you, sir? You seem lost.”

Security, or something else. “It seems that way. I went to the elevator lobby, got in, and it went down rather than up. I must have been in the wrong place.”

“Lost it is, then, sir.” I could hear the contempt for Americans in his tone. “If you will accompany me, please.”

He put out a hand ready to guide me back into the elevator. I was only too happy to oblige him. There had been a sign near the button panel that said the basement levels were only to be accessed by the guests.

Once inside, he turned a key and pressed the lobby button. The doors closed, and we went up. He stood, facing the door, not speaking. A few seconds later, he was ushering me out to the lobby.

“Now, sir, if you are a guest…”

“Actually, I’m looking for one. She called me and said she would be staying in this hotel and to come down and visit her. I was trying to get to the sixth floor.”

“Good. Let’s go over to the desk and see what we can do for you.”

I followed him over to the reception desk, where he signalled one of the clerks, a young woman who looked and acted very efficiently, and told her of my request, but then remained to oversee the proceeding.

“Name of guest, sir?”

“Merriweather, Anne. I’m her brother, Alexander.” I reached into my coat pocket and pulled out my passport to prove that I was who I said I was. She glanced cursorily at it.

She typed the name into the computer, and then we waited a few seconds while it considered what to output. Then, she said, “That lady is not in the hotel, sir.”

Time to put on my best-confused look. “But she said she would be staying here for the week. I made a special trip to come here to see her.”

Another puzzled look from the clerk, then, “When did she call you?”

An interesting question to ask, and it set off a warning bell in my head. I couldn’t say today, it would have to be the day she was supposedly taken.

“Last Saturday, about four in the afternoon.”

Another look at the screen, then, “It appears she checked out Sunday morning. I’m afraid you have made a trip in vain.”

Indeed, I had. “Was she staying with anyone?”

I just managed to see the warning pass from the suited man to the clerk. I thought he had shown an interest when I mentioned the name, and now I had confirmation. He knew something about her disappearance. The trouble was, he wasn’t going to volunteer any information because he was more than just hotel security.

“No.”

“Odd,” I muttered. “I thought she told me she was staying with a man named Vladimir something or other. I’m not too good at pronouncing those Russian names. Are you sure?”

She didn’t look back at the screen. “Yes.”

“OK, now one thing I do know about staying in hotels is that you are required to ask guests with foreign passports their next destination, just in case they need to be found. Did she say where she was going next?” It was a long shot, but I thought I’d ask.

“Moscow. As I understand it, she lives in Moscow. That was the only address she gave us.”

I smiled. “Thank you. I know where that is. I probably should have gone there first.”

She didn’t answer; she didn’t have to, her expression did that perfectly.

The suited man spoke again, looking at the clerk. “Thank you.” He swivelled back to me. “I’m sorry we can’t help you.”

“No. You have more than you can know.”

“What was your name again, sir, just in case you still cannot find her?”

“Alexander Merriweather. Her brother. And if she is still missing, I will be posting a very large reward. At the moment, you can best contact me via the American Embassy.”

Money is always a great motivator, and that thoughtful expression on his face suggested he gave a moment’s thought to it.

I left him with that offer and left. If anything, the people who were holding her would know she had a brother, that her brother was looking for her, and equally that brother had money.

© Charles Heath – 2018-2025

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact that his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just several small, interconnecting events, when piled on top of each other, point to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints at impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovers piece by piece, damning evidence that she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence are about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

365 Days of Writing, 2026 – 236

Day 236 – In a world ruled by fiction

Inventing Reality: Why J.G. Ballard’s Warning Matters More Than Ever in the Age of Fiction

“We live in a world ruled by fictions of every kind—mass merchandising, advertising, politics, popular psychology, and so on. It is our job as writers to invent reality. For better or for worse, we are the creators of the reality of the 20th [and 21st] century.” — J.G. Ballard

In 1971, British visionary J.G. Ballard made a startling observation about the trajectory of human culture. Long before the advent of social media algorithms, deepfakes, 24-hour news cycles, and virtual reality, Ballard understood a fundamental truth: humanity no longer experiences raw reality. Instead, we navigate a labyrinth of manufactured narratives, corporate mythologies, and political spectacle.

Ballard argued that because the “real” world had been entirely overwritten by fictions, the traditional role of the novelist—to simply mirror society—was dead. Writers could no longer afford to be passive observers. To make sense of the world, they had to become active participants in the construction of a new reality.

Decades later, as we grapple with “fake news,” curated digital identities, and hyper-reality, Ballard’s manifesto feels less like a literary theory and more like a survival guide.

Here is an exploration of what Ballard meant, how his thesis manifests today, and why the job of the writer is more crucial—and subversive—than ever.


The Architecture of Illusion: How We Live in Fictions

Take a moment to look around you. Almost everything you interact with on a daily basis is underpinned by a fiction.

  • Money is a collective fiction—a piece of paper or digital code that holds value only because we agree it does.
  • Brands sell us fictions of identity, belonging, and happiness, convincing us that a specific pair of sneakers or smartphone will fundamentally alter who we are as people.
  • Politics has long traded policy for narrative, where electability is performance art, and truth is treated as a flexible commodity.

Ballard didn’t view these fictions merely as harmless lies; he saw them as powerful, active forces reshaping human psychology. In novels like CrashHigh-Rise, and The Atrocity Exhibition, he explored how modern technology and media blur the line between the artificial and the authentic until the artificial becomes our lived experience.

When the boundaries dissolve, the people living inside the illusion no longer know what is real. This is the condition Ballard diagnosed, and it is the exact landscape we inhabit today.


Why Traditional Realism is Broken

For centuries, the primary goal of fiction was mimesis—holding a mirror up to nature. Authors like Jane Austen, Charles Dickens, and Leo Tolstoy documented the social structures, moral dilemmas, and daily rhythms of their times with pinpoint accuracy.

However, Ballard argued that nineteenth-century realism was no longer equipped to handle the twentieth century (let alone the twenty-first). How do you write a realistic novel about a world where the President of the United States communicates via late-night social media posts, where artificial intelligence can write poetry, and where billions of people spend hours a day interacting with people who don’t exist?

If a writer simply writes a traditional, kitchen-sink drama today, they are ignoring the elephant in the room: the overwhelming, suffocating presence of media and manufactured myth.

To write realistically about the modern world, a writer has to acknowledge that we are drowning in fictions. This is why Ballard leaned into the surreal, the clinical, and the provocative. He used heightened, bizarre fictions to puncture the mundane fictions of everyday life.


“It is Our Job as Writers to Invent Reality”

What did Ballard mean when he said writers must invent reality?

He didn’t mean writers should lie, nor did he mean they should retreat into escapist fantasy. Instead, he meant that because our cultural reality is artificial, constructed by marketers and politicians, writers have a duty to construct better, truer, or more revealing counter-fictions.

A great writer acts as a diagnostic physician for the cultural psyche. By inventing extreme scenarios, speculative futures, or surreal narratives, fiction exposes the invisible mechanisms holding our society together.

Consider how visionary science fiction and speculative fiction have “invented” our current reality:

  • William Gibson coined the term “cyberspace” and anticipated the internet age in Neuromancer long before most people owned a computer.
  • George Orwell mapped out the mechanics of surveillance capitalism and state propaganda in 1984.
  • Margaret Atwood drew from existing patriarchal structures to invent the chillingly plausible world of The Handmaid’s Tale.

These authors did not simply record the world; they diagnosed it by inventing fictions that revealed deeper, unspoken truths. They exposed the matrix by building a better map of it.


The Writer’s Duty in the Age of Algorithms

Today, Ballard’s call to action takes on an urgent new meaning. We are no longer just consumers of fiction—we are its products. Algorithms feed us custom-tailored realities designed to keep our attention, polarise our views, and monetise our anxieties.

In this landscape, propaganda is automated, and mass delusion is industrialised.

If we surrender the invention of reality entirely to tech monopolies, politicians, and advertisers, our cultural imagination shrivels. This is why the creative act of writing is an act of resistance.

When a writer sits down to craft a story, a poem, or a novel, they are refusing the pre-packaged narratives handed down by the culture industry. They are carving out a space of radical imagination, forcing readers to pause, question their assumptions, and see the world through a completely new lens.


Conclusion: Writing the World Anew

J.G. Ballard challenged writers to step out of the shadows of passive storytelling and take responsibility for the psychological architecture of their era.

We do not live in a neutral world. We live in a world saturated with manufactured desires, political mythologies, and digital illusions. To accept this passively is to be shaped by it. But to write against it—to dissect the illusions and invent new, more honest realities—is the ultimate calling of the modern writer.

The fiction of the world is loud, relentless, and persuasive. It is up to writers to be louder, stranger, and truer.


What are your thoughts on Ballard’s manifesto? How do you see modern fiction reflecting—or fighting against—the manufactured realities of today? Let us know in the comments below!

The cinema of my dreams – Was it just another surveillance job – Episode 25

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

 

Jan hailed a taxi and had it drop us off a block from her building.  It was agreed that we would not just arrive out the front and trust to luck that everything would be fine.

I had a feeling that Nobbin would have come to the same conclusion I had, that it was possible the USB might be in the neighbor’s flat.  I’m sure Josephine hadn’t thought of that possibility.  Severin had, but I suspect he might not know of the cat.

Nor would Nobbin.

We did a circuit of the building before going in.  There were no suspicious cars, nr anyone lurking in the shadows.  If we had surveillance, it was really good, or there was none.  I preferred to think the latter option was right.  After all, neither Nobbin nor Severin knew exactly where I was.

Jan unlicked the front door and we went into the brightly lit foyer.

During the day there was a concierge sitting at the desk.  At night, it was empty.  The building manager couldn’t afford 24-hour security, beyond the bright lights, and camera in each quadrant recording the comings and goings of residents.  I’m not sure how Josephine got in, but I would have like to have the time to go through the old footage to check on O’Connell in the past, and Josephine, if she came through the front door, recently.

I glanced at the monitor, at present on screen saver mode, then followed Jan to the elevator lobby.

She pressed the button to go up, and the doors to the left-hand elevator opened.  We stepped in, she pressed the floor button, the doors closed, and we slowly went up.

It hesitated at the floor, jerked up about an inch or two, then a click signified it was level and the doors opened.

I could see her door from the elevator.  As we got closer, I could see it was open, ajar by about half an inch.  There was no tell-tale strip of light behind the opening so it could mean someone was in her flat searching by torchlight, or there was no one there.

After a minute waiting to see if there was a moving light somewhere in the flat, it remained dark.

Standing behind me, I could see she had pulled a gun out of her handbag and had it in one hand ready to use.  She could have used it any time since we first met, but she hadn’t.  

I pushed the door open slowly, and thankfully it didn’t make a creaking sound.  Wide enough to walk in, I took a few tentative steps into the first room.  There was little light, and my eyes took a while to adjust to the darkness.  

I could feel her going past me, further into the room, and with the gun raised and in two hands to steady the shot.  She took more steps, slowly towards the passage leading to her bedroom, I assumed, as it was a reverse copy of that next door, O’Connell’s.

There was no one in this part of the flat, and she had disappeared up the corridor and into her room.  Nothing there either.

“Clear,” she called out.

I stepped back to close and lock the door.  At the same time, she switched on the main room light and for a second it was almost blinding.

When my sight cleared, I could see the signs of a search, furniture tipped over, books dragged from the shelves, other items tossed on the floor, one of which was a vase, now broken into a number of pieces.

“Looks like they were in a hurry,” she said.

“Or frustrated.”  I could see clear marks of an item that had been thrown against the wall and dented the plasterwork.  The broken shards of the ornament were on the ground beneath the indentation.

I heard her sigh when she saw the broken pieces.

“Not the best way to treat a genuine Wedgewood antique.”

She disappeared into the bedroom again, and I could hear her calling the cat, Tibbles.  Interesting name for a cat.

I didn’t hear it answer back.  It was probably traumatized after the breaking and the smashing of crockery.

I had a quick look in places I thought the cat might hide, but it was not in any of them.  And, oddly enough, no traces of cat hair.  Usually, cats left fur wherever they lay down.  At least one cat I knew did that.  

She came back empty-handed. 

“I think it’s done a runner,” she said.  “He’s not in the usual place he hides, nor under the bed, or under the covers, as he sometimes does, usually when I’m trying to sleep.”

“Well, it was a good idea.  We might have to search outside.  The cat was allowed to go outside?”

“He’d escape, yes, but no.  O’Connell thought if he got out, he’d get run over.  It’s a reasonably busy road outside.”

“Better out there than in here, though.  Open windows?”

She did a quick check, but none were open.

“Did O’Connell ever come in here?”

“Once or twice, but he only dropped in if he was going away to ask if I would look after the cat, or when he came back.  Never further than the front door.”

“Knowing who is was, now, do you think he might have come in and hidden the USB in here?”

“He might, but there isn’t anywhere I could think he could put it.”

“But that doesn’t mean he didn’t.”

Both of us heard the scratching sound at the front door, not the sort made by a cat trying to get in, but by someone using a tool to unlock the door.

Someone was trying to break in.

© Charles Heath 2019-2020