Category: Fiction

“Echoes From The Past”, the past doesn’t necessarily stay there


What happens when your past finally catches up with you?

…

Christmas is just around the corner, a time to be with family. For Will Mason, an orphan since he was fourteen, it is a time for reflection on what his life could have been, and what it could be.

Until a chance encounter brings back to life the reasons for his twenty years of self-imposed exile from a life only normal people could have. From that moment, Will’s life slowly starts to unravel, and it’s obvious to him that it’s time to move on.

This time, however, there is more at stake.

Will has broken his number one rule: don’t get involved.

With his nemesis, Eddie Jamieson, suddenly within reach, and a blossoming relationship with an office colleague, Maria, about to change everything, Will has to make a choice. Quietly leave, or finally, make a stand.

But as Will soon discovers, when other people are involved there is going to be terrible consequences no matter what choice he makes.

https://amzn.to/2CYKxu4

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The cinema of my dreams – It continued in London – Episode 42

Meeting the Rodby’s

…

I picked a safe place to meet Rodby.

I called him directly, which is what none of his agents did, ever.  That was because no one knew his private number.  No one except perhaps Mrs Rodby and, now, myself.

It didn’t elicit kind words.

When he answered with a tentative yes, I started with, “One day you are going to tell me just a little more than you think I need to know.”

“Evan?”

“Who else would have the audacity to talk to you in such a manner?”

“Someone with either suicidal tendencies or one with a death wish.  I don’t see you as having the former, so I’ll run with the second.  You are aware I could have you arrested and worse?”

The thought had occurred to me.  There were certain people in the organisation that were untouchable, and he was one of them.

“You can do that if you like, but there will be consequences.  It might be an idea to wait until after we’ve met.”

“Come into the office.  I’ll be here all morning.”

“Not this morning.  Somewhere else, today.  Trafalgar Square, fifteen minutes.  I won’t bother asking you to come alone but be aware I’m not pleased with you.”

I hung up before he could ask why.

I did several circuits of the perimeter, then observed the tourists from the stairs of the gallery behind, then waited until I saw Rodby, with Mrs Rodby as I hoped, coming towards the square from Haymarket.

The fact it concerned the countess almost ensured that Mrs Rodby would be along to find out what happened to her friend.  But, to me, she could do that just as easily by being on the end of the telephone.  Rodby himself had laid down the law about bringing civilians into organisational matters, and Mrs Rodby was a civilian.

There was not one law for the boss and one law for everyone else.  Rodby was not like that, so there had to be a compelling reason why she was being included.

I watched them walking slowly and thought what an unconventional sight they made.  All the time I knew Rodby, he never walked anywhere. And he definitely would never be seen with Martha.  His enemies if they were out and about would have leverage being dangled in front of them, which is why we seemed to live such monastic lives or quit so we could have a normal one.

Once again, I thought this very unconventional.

Though at this very minute, I could snatch her off the street.

It was incentive enough to maintain vigilance and note where every unsavoury character was.  And there were a lot of them judging by appearances.

As I followed from behind, I sent a text message to Cecelia to tell the countess she would be able to talk to Mrs Rodby in about fifteen minutes.  I had managed to clone Mrs Rodby’s phone and get the number.

I timed my arrival to close to them as they crossed the road in front of the gallery coming up behind them, and as they stepped onto the footpath on the other side I said, “Nice to see you both out and about together.  Is this a prelude to retirement?”

Both stopped and turned around.

OK, there was a mental note about to be stored.  Mrs Rodby was the same height and wearing heels.  What relevance was that she didn’t wear heels for one very specific reason, it made her taller than her husband and that was one part of his ego you didn’t mess with.

Mrs Rodby had got shorter.  Of course, I hadn’t seen her for a while and there didn’t seem to be a height difference the night of the opera, so perhaps it was just my view from where I was standing.

“Are you trying to give us heart attacks, Evan?”  Martha spoke, while Rodby was looking around.  Fifteen minutes was too short a time to get a team of agents on the ground, but there would be one.  He would have people observing via the CCTV camera.

“It was not my intention.”

Standing on the path was blocking the foot traffic and we moved towards one of the fountains.  I kept an eye on the direction from where they came, but they were not being followed.  We were not far from the fountain when we stopped.

Rodby looked annoyed.  “Enough with the theatrics.  Where is the countess?  From what Alf told me, she should be with you, the reason why you summoned us here.”

“Toy told me to find her, not bring her to you.”

“You’re not one to interpret orders, Evan, although I should have factored in your unorthodox method of doing the job.”

“I was thinking that was why you asked me, and not one of the other dozen or so people you could have.”

That was another thought that just popped into my head.  Why me?  I was not his first choice for this type of mission, and I had long discounted the original contrived reason for meeting the countess, that Martha might be matchmaking, a suggestion dropped by the countess herself.

I knew Mrs Rodby, and she was not a matchmaker or the sort who would interfere in anyone’s life.  Granted she knew about Violetta, but that was only after she was diagnosed, and Rodby let us into a small part of his life, and that was only because I had retired and there was no conflict of interest.  Which flicked my attention back to Martha.

She had aged a lot since I saw her last when it seemed she could not be perturbed by anything.  Violetta, in fact, had said she was as close to an angel as she would ever get to see.

Now that angel was not looking happy.  “You met and talked to her?”  Mrs Rodby asked.

“Yes, and she insists that she left the hotel as a precautionary measure, unsure of Alesandro’s intentions.  She seemed to believe he was being manipulated by his mother, who I think might be a problem.  I spoke to Alessandro, and he assured me he had nothing to do with her departure.”

Rodby had maintained continuous surveillance of the square and then brought his eyes back to me.  It wasn’t exactly a look of daggers, but close.  “Do you think she might harm the countess?”

“I have no idea where she fits into the equation though on the surface it seems she wants to be in control of the family business, if indeed she hasn’t been all along.”

“It could just be a family feud, fuelled by the fact that it’s possible the running of the business might fall to the countess, who is for all intents and purposes, an outsider.  Everything was fine while he was alive, it’s only since he died, that she has been having difficulties.”

Could that be a subtle hint that she might have killed the count herself to get control of everything?  Would the countess do that?  Not the woman that I met at the opera, and then later on, whether she was brandishing a gun at me or not.

“So, it’s possible the family might be trying to stop her from inheriting.  That’s a bit hard under Italian law isn’t it?”

“Not if she’s dead.”

“And if there’s a daughter?”

“Same problem arises, needing a similar solution.”

With mafia connections that wouldn’t be too much of a difficulty to arrange.  Not surprising then that Mrs Rodby was worried about her friend.

“Then given Anthony told us that we were, yes, to find her, but also to make the problems go away, though not exactly in those words, what exactly was I supposed to do.  I didn’t interpret that as going in and taking out the family.  He didn’t mention any extraction team, nor did he say I had to tell you where she was, only to provide an update.  I am, here.”

“What about that daughter you mentioned, Juliet Ambrose.  Don’t you find it coincidental she pops up as a key player, the daughter of a maid, Vittoria Romano, who by all accounts is trying to eliminate the countess?”

“It’s a small world.  What can I say?  It was a surprise to learn of her involvement, and no doubt Alfie told you I met up with her and also told that I saved her from being killed?”

“By whom?”

“It could be anybody.  She had dealt with one too many bad people of the years, but it’s possible it might be the Burkehardt’s.  The count did tell the countess that she existed, as he did to Alessandro, but he would not have disclosed her actual identity.”

“Then the countess doesn’t know who she is?” Martha seemed surprised.

“She does now.  that’s where I found the countess, in Juliet’s flat.”

“And they’re together still?”

“Last I heard.”

“Would that be a very bad idea, especially if the mother found them?  You can be sure this Juliet and her mother are not plotting…”

“…to kill the countess and step in as another legitimate heir?  I don’t think so.”

I found it surprising that Martha was so well-read into the case, perhaps better than I was.

“Have you met her mother?”

“Cecelia has.  And that’s another question.  Why did you reassign me to her, that’s not usual practice.”

“She’s used to your maverick ways, and last assignment you two worked well together.”

“It might also mean she’s become a maverick too?”

“I told her to learn only the good aspects of being an agent from you, though I’m beginning to question that decision.  Where is she?”

“In Italy watch over the countess, and keep an eye on the mother.”

Mrs Rodby had been watching us.  “Are you two like this all the time?  How did anything get done?”

“Slowly,” I said.  “It’s a bit hard to do anything when you don’t get the whole story.  But, for now, the countess is safe.  Cecelia is investigating Vittoria and I know where Juliet is, and what her involvement is.  None.  For now.  But that might change when her mother appears.”

A few seconds of silence, and then Mrs Rodby’s phone rang.

She pulled the phone out of her bag, looked at the screen, and then answered it with a tentative ‘Yes?”

She then turned to Rodby, “It’s the countess.”  She put it on speakerphone, and I moved away so I couldn’t hear her, but within reach of them if anything happened.

Nothing did.

Five minutes later, Rodby stepped away and came over to me.  “Get over to Italy and find the lawyer handling her side of the inheritance.  You need to get her to him before they meet with the family lawyers.  Whatever you do, ensure you keep her safe.”

“What about the matriarch?”

“Ignore her.  Your priority is the countess.”

I watched them walk away thinking I’d got out of that way too easily.  And wondering if I should have remained within earshot of the conversation.  Something about this whole affair suddenly wasn’t adding up.

© Charles Heath 2023

What I learned about writing – Poetry – or my thoughts on it

I have often wondered what the interest in poetry is because I have read those same poems that people wax lyrical about, and they just don’t have the same effect.

But…

Then I did some digging…

Poetry requires words written in lines for a specified number of lines about almost anything.

Two, three, four, five lines, and more.

Words that rhyme, words that do not, there are rules and types, and then there is not.

It encompasses anything and everything. It can read at a fast or slow pace, professing undying love or utter hatred, and can describe something familiarly or make the familiar sound like something else.

Objects become feelings, and feelings become objects.

Some poets are famous; there are poets we like and poets we hate.  Some poets are just there.  There are poets we should read and poets we shouldn’t, though why is anyone’s guess.

There are poets we know, not because we have read them but because they are in the collective consciousness, poets like Burns, W B Yeats, Walter Whitman, Shakespeare, and Emily Dickinson.

I even know them because people who are in the TV shows and movies are always reciting them.

Perhaps I appreciate poetry more than I care to admit.

In writing this and taking a deep dive into the world of poems and what it is all about, I have come across some rather meaningful poetry.

Perhaps I might find one that encapsulates my life and ask for it to be read at my funeral.  At the very least, the attendees will be utterly surprised. 

365 Days of writing, 2026 – 128

Day 128 – A Thousand words a day

…

Beyond the Grind: Why Writing 1,000 Words a Day is Your Greatest Asset

In the modern world of “hustle culture,” we are constantly bombarded with advice on how to optimise every second of our lives. It’s easy to get cynical about productivity. We’re told to wake up at 4:00 a.m., take ice baths, and track our output down to the millisecond.

Let’s be clear: productivity isn’t everything. Your worth as a human being is not tied to your daily tax output or the number of rows in your spreadsheet. If you neglect your health, your relationships, and your peace of mind in the name of output, you’ve missed the point of living.

However, productivity is important. It is the bridge between having a dream and holding a finished product. For writers, designers, and creators, the gap between “I have an idea” and “I have a career” is filled with consistent, disciplined work.

If you want to sharpen your craft, there is one rule of thumb that stands above the rest: write a thousand words a day.

The Arithmetic of Ambition

A thousand words might sound like a lot, especially when you’re staring at a blinking cursor on a blank screen. But let’s look at the numbers. If you write 1,000 words a day, you are producing 7,000 words a week. By the end of a month, you have a 30,000-word manuscript. In three months, you have a book.

The math is undeniable, but it isn’t just about the volume. It’s about the compounding interest of skill.

Writing is a Muscle

There is a common misconception that writing is a magical act of inspiration that strikes only when the muses are aligned. Professional writers know better: writing is a muscle. The more you use it, the stronger it gets.

When you commit to writing 1,000 words daily, you aren’t just filling pages; you are refining your voice. You learn how to cut the fluff. You learn how to structure an argument, how to build suspense, and how to transition between thoughts.

The more you write, the better you get. But there is a secondary benefit that is arguably even more practical: the more you write, the more you have to publish.

The “Publishing Paradox”

Many aspiring writers spend years—or even decades—polishing the same fifty pages. They are terrified of hitting “publish” because they feel their work isn’t “perfect” yet.

Here is the secret: perfection is the enemy of progress. If you are writing 1,000 words a day, you stop obsessing over every single syllable because you have another 1,000 words to write tomorrow. You become comfortable with the idea of a “first draft.” By creating a high volume of work, you give yourself the freedom to experiment. You’ll find that your best ideas often come from the quantity, not the agonising deliberation of a single sentence.

Furthermore, having a backlog of content gives you the leverage to build an audience. In the digital age, visibility is currency. If you have nothing to publish, you have no presence. If you write 1,000 words a day, you have a constant stream of content to share, iterate on, and refine.

Is it Daunting? Maybe.

It is perfectly natural to feel intimidated by the idea of writing a thousand words every single day. Some days, your brain will feel like a dry well. Other days, life will get in the way.

But here is the truth that sets you free: anyone can write a thousand words a day.

It doesn’t have to be a masterpiece. It doesn’t have to be published in The New York Times. Sometimes, those 1,000 words will be trash. Sometimes, they will be the best things you’ve ever written. The magic isn’t in the quality of the words you write today; it’s in the habit of showing up.

How to Start

If you want to make this a reality, stop aiming for “greatness” and start aiming for “completion.”

  1. Set a timer: Give yourself an hour. If you don’t hit 1,000, don’t sweat it—just keep going tomorrow.
  2. Eliminate distractions: Close your email, put your phone in another room, and silence your notifications.
  3. Embrace the “Bad” Draft: Give yourself permission to write poorly. You can’t edit a blank page, but you can always fix a bad paragraph.

Productivity is a tool, not a lifestyle. Use it to build the life you want, one thousand words at a time. Your future self will thank you for the progress you made today.

‘What Sets Us Apart’ – A beta reader’s view

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well, not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end of it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum: find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father, who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

…

The book can be purchased here:  http://amzn.to/2Eryfth

…

365 Days of writing, 2026 – 128

Day 128 – A Thousand words a day

…

Beyond the Grind: Why Writing 1,000 Words a Day is Your Greatest Asset

In the modern world of “hustle culture,” we are constantly bombarded with advice on how to optimise every second of our lives. It’s easy to get cynical about productivity. We’re told to wake up at 4:00 a.m., take ice baths, and track our output down to the millisecond.

Let’s be clear: productivity isn’t everything. Your worth as a human being is not tied to your daily tax output or the number of rows in your spreadsheet. If you neglect your health, your relationships, and your peace of mind in the name of output, you’ve missed the point of living.

However, productivity is important. It is the bridge between having a dream and holding a finished product. For writers, designers, and creators, the gap between “I have an idea” and “I have a career” is filled with consistent, disciplined work.

If you want to sharpen your craft, there is one rule of thumb that stands above the rest: write a thousand words a day.

The Arithmetic of Ambition

A thousand words might sound like a lot, especially when you’re staring at a blinking cursor on a blank screen. But let’s look at the numbers. If you write 1,000 words a day, you are producing 7,000 words a week. By the end of a month, you have a 30,000-word manuscript. In three months, you have a book.

The math is undeniable, but it isn’t just about the volume. It’s about the compounding interest of skill.

Writing is a Muscle

There is a common misconception that writing is a magical act of inspiration that strikes only when the muses are aligned. Professional writers know better: writing is a muscle. The more you use it, the stronger it gets.

When you commit to writing 1,000 words daily, you aren’t just filling pages; you are refining your voice. You learn how to cut the fluff. You learn how to structure an argument, how to build suspense, and how to transition between thoughts.

The more you write, the better you get. But there is a secondary benefit that is arguably even more practical: the more you write, the more you have to publish.

The “Publishing Paradox”

Many aspiring writers spend years—or even decades—polishing the same fifty pages. They are terrified of hitting “publish” because they feel their work isn’t “perfect” yet.

Here is the secret: perfection is the enemy of progress. If you are writing 1,000 words a day, you stop obsessing over every single syllable because you have another 1,000 words to write tomorrow. You become comfortable with the idea of a “first draft.” By creating a high volume of work, you give yourself the freedom to experiment. You’ll find that your best ideas often come from the quantity, not the agonising deliberation of a single sentence.

Furthermore, having a backlog of content gives you the leverage to build an audience. In the digital age, visibility is currency. If you have nothing to publish, you have no presence. If you write 1,000 words a day, you have a constant stream of content to share, iterate on, and refine.

Is it Daunting? Maybe.

It is perfectly natural to feel intimidated by the idea of writing a thousand words every single day. Some days, your brain will feel like a dry well. Other days, life will get in the way.

But here is the truth that sets you free: anyone can write a thousand words a day.

It doesn’t have to be a masterpiece. It doesn’t have to be published in The New York Times. Sometimes, those 1,000 words will be trash. Sometimes, they will be the best things you’ve ever written. The magic isn’t in the quality of the words you write today; it’s in the habit of showing up.

How to Start

If you want to make this a reality, stop aiming for “greatness” and start aiming for “completion.”

  1. Set a timer: Give yourself an hour. If you don’t hit 1,000, don’t sweat it—just keep going tomorrow.
  2. Eliminate distractions: Close your email, put your phone in another room, and silence your notifications.
  3. Embrace the “Bad” Draft: Give yourself permission to write poorly. You can’t edit a blank page, but you can always fix a bad paragraph.

Productivity is a tool, not a lifestyle. Use it to build the life you want, one thousand words at a time. Your future self will thank you for the progress you made today.

Inspiration, Maybe – Volume 2

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

And, the story:

Have you ever watched your hopes and dreams simply fly away?

Everything I thought I wanted and needed had just left in an aeroplane, and although I said I was not going to, I came to the airport to see the plane leave.  Not the person on it, that would have been far too difficult and emotional, but perhaps it was symbolic, the end of one life and the start of another.

But no matter what I thought or felt, we had both come to the right decision.  She needed the opportunity to spread her wings.  It was probably not the best idea for her to apply for the job without telling me, but I understood her reasons.

She was in a rut.  Though her job was a very good one, it was not as demanding as she had expected, particularly after the last promotion, but with it came resentment from others on her level that she, the youngest of the group, would get the position.

It was something that had been weighing her down for the last three months, and if she noticed it, the late nights, the moodiness, sometimes a flash of temper.  I knew she had one; no one could have such red hair and not, but she had always kept it in check.

And then there was us, together, and after seven years, it felt like we were going nowhere.  Perhaps that was down to my lack of ambition, and though she never said it, lack of sophistication.  It hadn’t been an issue, well, not until her last promotion, and the fact that she had to entertain more, and frankly, I felt like an embarrassment to her.

So, there it was, three days ago, the beginning of the weekend, and we had planned to go away for a few days and take stock.  We both acknowledged we needed to talk, but it never seemed the right time.

It was then that she said she had quit her job and found a new one.  Starting the following Monday.

Ok, that took me by surprise, not so much that it was something I sort of guessed might happen, but that she would just blurt it out.

I think that right then, at that moment, I could feel her frustration with everything around her.

What surprised her was my reaction.  None.

I simply asked who, where, and when.

A world-class newspaper in New York, and she had to be there in a week.

A week.

It was all the time I had left with her.

I remember just shrugging and asking if the planned weekend away was off.

She stood on the other side of the kitchen counter, hands around a cup of coffee she had just poured, and that one thing I remembered was the lone tear that ran down her cheek.

Is that all you want to know?

I did, yes, but we had lost the intimacy we used to have, where she would have told me what was happening, and we would have brainstormed solutions. I might be a cabinet maker, but I still had a brain, was what I overheard her tell a friend once.

There’s not much to ask, I said.  You’ve been desperately unhappy and haven’t been able to hide it all that well, you have been under a lot of pressure trying to deal with a group of troglodytes, and you’ve been leaning on Bentley’s shoulder instead of mine, and I get it, he’s got more experience in that place,  and the politics that go with it, and is still an ally.

Her immediate superior was instrumental in her getting the position, but unlike some men in his position, he had not taken advantage of the situation like some might.  And even if she had made a move, which I doubted, that was not the sort of woman she was, he would have politely declined.

One of the very few happily married men in that organisation, so I heard.

So, she said, you’re not just a pretty face.

Par for the course for a cabinet maker whose university degree is in psychology.  It doesn’t take rocket science to see what was happening to you.  I just didn’t think it was my place to jump in unless you asked me, and when you didn’t, well, that told me everything I needed to know.

Yes, our relationship had a use-by date, and it was in the next few days.

I was thinking, she said, that you might come with me; you can make cabinets anywhere.

I could, but I think the real problem wasn’t just the job.  It was everything around her and going with her that would just be a constant reminder of what had been holding her back. I didn’t want that for her and said so.

Then the only question left was, what do we do now?

Go shopping for suitcases.  Bags to pack, and places to go.

Getting on the roller coaster is easy.  At the beginning, it’s a slow, easy ride, followed by the slow climb to the top.  It’s much like some relationships; they start out easy, they require a little work to get to the next level, followed by the adrenaline rush when it all comes together.

What most people forget is that what comes down must go back up, and life is pretty much a roller coaster with highs and lows.

Our roller coaster had just come out of the final turn, and we were braking so that it would stop at the station.

There was no question of going with her to New York.  Yes, I promised I’d come over and visit her, but that was a promise with crossed fingers behind my back.  After a few months in the new job, the last thing she’d want was a reminder of what she left behind.  New friends, new life.

We packed her bags, threw out everything she didn’t want, a free trip to the op shop with stuff she knew others would like to have, and basically, by the time she was ready to go, there was nothing left of her in the apartment, or anywhere.

Her friends would be seeing her off at the airport, and that’s when I told her I was not coming; that moment, the taxi arrived to take her away forever.  I remember standing there, watching the taxi go.  It was going to be, and was, as hard as it was to watch the plane leave.

So, there I was, finally staring at the blank sky, around me a dozen other plane spotters, a rather motley crew of plane enthusiasts.

Already that morning, there had been 6 different types of planes departing, and I could hear another winding up its engines for take-off.

People coming, people going.

Maybe I would go to New York in a couple of months, not to see her, but just to see what the attraction was.  Or maybe I would drop in, just to see how she was.

As one of my friends told me when I gave him the news, the future is never written in stone, and it’s about time you broadened your horizons.

Perhaps it was.

© Charles Heath 2020-2026

…

Coming soon.  Find the above story and 49 others like it in:

The cinema of my dreams – I never wanted to go to Africa – Episode 19

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in.

…

It didn’t take much effort to come to the only viable explanation of why a buried operation had been brought back to life.

Colonel Bamfield.

And it didn’t take much more effort to realise that operation had been one of his, not that any of us knew that at the time, but for whatever reason, it had gone badly and now he was looking for answers.

Answers to what though?

It was a simple extraction; two operatives had their cover blown and were in hiding.  A seven-man team in two choppers, get in, collect them, and get out.  Seven men were overkill, but they were important operatives with vital intelligence.

I was a last minute addition to the team, replacing one of the sergeants who had been injured in an accident.  It was a tight-knit team and I was not made to feel welcome.  It was the usual fate of outsiders and it didn’t bother me.

It was their leader that did.  Lieutenant Treen.  But that came later, all it was, at first, was a sense of unease with his informal manner of command, and somewhat edgy disposition.

When I landed at the airfield, I was met by the other Sergeant, Mason, and taken to the briefing, which had been delayed until my arrival.  Treen was there, pacing up and down like a caged tiger.  It was apparent there were still some details still being worked on.  Being so close to wheels up, I was not surprised at the tension among the group.

A Captain, a man named Worsefell, conducted the briefing, and it was patchy.  Not the worst I’d been to, but it appeared the situation on the ground had changed considerably in the last 12 hours, necessitating a change in plans.

 The operative had managed to get cover in an old abandoned building.  That was fine until a group of enemy soldiers arrived and set up camp in the field not 100 yards from their position.  Now, it was not possible to leave without being seen, day or night.

We now had to either distract or remove the enemy soldiers, an enemy we had no numbers or how heavily armed they were because our source on the ground had gone quiet.  To me, it was possible the source had been captured, and if that was the case, it was also possible the enemy knew we were coming.  But according to the Captain, this particular source had gone quiet before, in similar circumstances, so my suggestion was ignored.

Instead, the consensus was to go in and make an assessment on the ground.  It meant we had to land further away, and have a long journey by foot with all the problems that might involve, and then return.  That was the plan.  The Captain had left it in Treen’s hands.

And Treen was not one to back away from a fight, not even when it was clear to everyone in that room, with or without the necessary intelligence, that the odds were stacked against success.

I looked at Lallo who was waiting for an answer.  “I guess the brass didn’t know what to do with me, sir.”

My use of the word sir was noted.

“Be that as it may, I have a few questions about that operation.”

“I’m afraid it’s classified, and I’m under oath not to speak about it.”

Lallo took out a piece of folded paper from the inside pocket of his uniform jacket unfolded it and passed it to me.

From the very General who had ordered my silence.

…

© Charles Heath 2019-2022

‘The Devil You Don’t’ – A beta reader’s view

It could be said that of all the women one could meet, whether contrived or by sheer luck, what are the odds it would turn out to be the woman who was being paid a very large sum to kill you?

John Pennington is a man who may be lucky in business, but not so lucky in love. He has just broken up with Phillipa Sternhaven, the woman he thought was the one, but relatives and circumstances, and perhaps because she was a ‘princess’, may also have contributed to the end result.

So, what do you do when you are heartbroken?

That is a story that slowly unfolds, from the first meeting with his nemesis on Lake Geneva, all the way to a hotel room in Sorrento, where he learns the shattering truth.

What should have been solace after disappointment turns out to be something else entirely, and from that point, everything goes to hell in a handbasket.

He suddenly realises his so-called friend Sebastian has not exactly told him the truth about a small job he asked him to do, the woman he is falling in love with is not quite who she says she is, and he is caught in the middle of a war between two men who consider people becoming collateral damage as part of their business.

The story paints the characters, cleverly displaying all their flaws and weaknesses. The locations add to the story at times, taking me back down memory lane, especially to Venice, where, in those back streets, I confess it’s not all that hard to get lost.

All in all, a thoroughly entertaining story with, for once, a satisfying end.

…

Available on Amazon here: https://amzn.to/2Xyh1ow

…

The cinema of my dreams – It continued in London – Episode 41

Who’s telling the truth?

…

After the three women left, I stretched out in one of the chairs and closed my eyes.

Cecelia had disappeared into one of the bedrooms, I suspect the one with the biggest bed and its own private bathroom, and I tried not to think about her.  I tried not to think about Juliet either.

I heard Cecelia flop into the other chair opposite me a few minutes later.  “They’re all lying in one way or another.”

I opened my eyes, hoping she hadn’t changed into something more ‘comfortable’, like in the movies.

“Welcome to the real world.  I’m glad you played along.  It was a bit of a limb we’re out on at the moment, and I’m sure Alfie, after bursting into the flat will be having kittens.”

“Can we trust any of those three?”

“You’d think the countess being a countess would be trustworthy.”

“But…”

“She does come from a class of people who are a law unto themselves.  I don’t see her as a master criminal though, but she’s not telling the whole truth, just the parts she thinks we need to hear.  It’s the same with everyone in this business.  They try to anticipate our requirements.”

“I like the idea of being a bit player.”

“Never tell anyone who you really are.  I find it helps to allay their fears and stops them from thinking you can save them from anything.  First lesson I learned; I couldn’t save everyone.”

“Noted.”

“So, what do you think after hearing everything.”

“Anthony got some of it right, but his suppositions didn’t meet the facts on the ground.”

“Which is always the case.  Sometimes a lot worse for us when we get there.  We’re lucky this time we have a familiar face, Juliet.  It buys us some credibility.”

“You think it’s the old woman or Alessandro trying to kill them, or someone else, or was that attack staged…”

It was a thought I had in passing too, as real as it appeared.  If I thought too much about it, the fact was, just before the shooting started, we were both sitting ducks and he could have shot both of us dead.

A point to be noted and filed for later reference.

“Assuming it wasn’t, we have to get them over to Italy.”

“How?”

“How Larry got there.  A small plane flying under the radar.  If Rodby put you to work with me for a reason, it was probably to teach you all my tricks of the trade.  You accumulate a lot of them as you progress, and don’t get killed.  Moving secretly from place to place is a useful tool and you gather assets over time.  I know a guy who knows a guy, and tomorrow, with the three women, you will go find him and take yourselves off to Italy.  You will have two envelopes, the first the name of the pilot.  The second, is an address of a safe house near Sorrento.  Once they are safe, you will take up surveillance on the Sorrento Chateau, and the movements of the matriarch.  After I’ve dealt with Rodby, I’ll be over to talk to her.”

“Don’t you think that’s dangerous, I mean, Rodby will be very angry.”

“Do you want to go see him?”

“No.”

“Then let me worry about him.”

“You sure he won’t lock you up and throw away the key?

“Not if he wants the countess.”

© Charles Heath 2023