There is more going on on the story front, and just to keep my mind active, or tortured, as the case may be, there are a number of other stories I’m working on.

In particular, there is the story with the description, what happens after an action-packed start.

Quite a lot. In the third section of the story, after being shot out of the sky, interrogated, flown into northern Nigeria, and then crossed into the Democratic Republic of the Congo, to search search for two men being held to ransom, our players finally made it home.

Previous attempts to rescue them had failed, this one had to succeed. It’s a matter of dealing with local militias who are tricky to deal with and then get out of the country after affecting the rescue.

At times, while writing it, looking at a map and using google earth to see what it is like, I felt like I was there looking down the barrel of a gun, and then, in the helter-skelter of getting to the evacuation point, I’m sure my heart rate had lifted considerably, particularly when the battered DC3 was about to be shot at with air to air missiles.

Just imagine this …

A DC3 versus a very maneuverable helicopter. I was on the edge of my seat.

Next is the surveillance story where nothing is as it seems, which in the espionage business is nothing unusual. Nor is the fact you cannot trust anyone.

It starts out as a routine surveillance operation until a shop front explodes a moment or two after the target passes it. In the ensuing mayhem, the target reappears, now in fear of his life, and our main character tracks him to an alley where he is murdered before his eyes.

Soon after the two men whom our main character is working for appearing and start asking questions that make our main character think that they had perpetrated a hit on him, and decides that something is not right.

From there, the deeper he probes, the more interesting the characters and developments. Who was the target? What was he doing that got him killed? What does he have that everyone wants?

I’m about to start on the next phase of this story…

Then there is what I call comic light relief, the writing of stories inspired by photographs I’ve taken. Some, however, have exceeded the 1,000-word limit that I’ve set, only because I want to explore the story more, and some are spread over a number of stories.

The first book of stories, 1 to 50 are to be published soon. Currently, I’m working on number 148 of the third volume of stories, but number 88 is my favorite so far, simply because it involves a starship.