In a word: Land

 

And, yes, the simple description for this word is that area of the earth that isn’t covered by water.

It could also describe that little patch that my house is built on, and is generally covered by the expression, house and land as a package.

After all, a piece of land is not much used to you unless there’s a dwelling on it, or, on rare occasions, under it.  Does that mean then that land in this instance only as what you can see?

OK, now it’s getting confusing.

What if I wanted to live off the land.  A small patch will not do, in this case, is need a large area, perhaps thousands if hectares.

It is said that the Australian aborigines have lived off the land for thousands of years, with a nomadic lifestyle.

No small patch of land for them.

Now, what if I come down out of the sky. Oddly enough this means I have to land, even if I come back to earth over later.  It’s still a landing.

Now it’s getting interesting.

So what if you wanted to refer to where you live?  That would be your homeland or motherland, and it describes a country.

So it’s my patch, my country, any area where there isn’t water.  What about describing a country, say the land of the long white cloud, or the land of the rising sun?

And just to add to the confusion

I can land a fish

Make land, after being all at sea, and,

Best of all, land that much desired job.

Wow.

I’m beginning to think it’s another one of those ‘four-letter words’

“The Devil You Don’t”, be careful what you wish for

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John Pennington’s life is in the doldrums. Looking for new opportunities, prevaricating about getting married, the only joy on the horizon was an upcoming visit to his grandmother in Sorrento, Italy.

Suddenly he is left at the check-in counter with a message on his phone telling him the marriage is off, and the relationship is over.

If only he hadn’t promised a friend he would do a favor for him in Rome.

At the first stop, Geneva, he has a chance encounter with Zoe, an intriguing woman who captures his imagination from the moment she boards the Savoire, and his life ventures into uncharted territory in more ways than one.

That ‘favor’ for his friend suddenly becomes a life-changing event, and when Zoe, the woman who he knows is too good to be true, reappears, danger and death follow.

Shot at, lied to, seduced, and drawn into a world where nothing is what it seems, John is dragged into an adrenaline-charged undertaking, where he may have been wiser to stay with the ‘devil you know’ rather than opt for the ‘devil you don’t’.

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A moment to slip back into the past

Televison is a great recorder of the past, and most channels, and especially cable tv have great libraries of films that go back more than a hundred years.

And, whilst it’s possible that modern day films and television series can try to recapture the past, the English as an exception being very good at it, often it is impossible to capture it correctly.

But, if you have a film shot in the moment, then you have a visual record of what life, and what was once part of our world before you in all it’s dated glory. The pity of it is that, then, we never appreciated it.

After all, in those particular times, who had the time to figuratively stop and smell the roses. Back then as life was going on, we were all tied up with just trying to get through each day.

Years later, often on reflection, we try to remember the old days, and, maybe, remember some of what it was like, but the chances are that change came far too rapidly, and often too radical, that it erases what we thought we knew existed before.

My grandmothers house is a case in point. In it’s place is a multi lane super highway, and there’s nothing left to remind us, or anyone of it, just some old sepia photographs.

I was reminded of how volatile history really is when watching an old documentary, in black and white, and how the city I grew up in used to look.

Then, even though it seemed large to me then, it was a smaller city, with suburbs that stretched about ten or so miles in every direction, and the outer suburbs were where people moved to get a larger block, and countrified atmosphere.

Now, those outer suburbs are no longer spacious properties, the acreage subdivided and the old owners now much richer for a decision made with profit not being the motivator, and the current suburban sprawl is now out to forty or fifty miles.

The reason for the distance is no longer the thought of open spaces and cleaner air, the reason for moving now is that land further out is cheaper, and can make buying that first house more affordable.

This is where I tip my hat to the writers of historical fiction. I myself am writing a story based in the 1970s, and its difficult to find what is and isn’t time specific.

If only I had a dollar for every time I went to write the character pulling out his or her mobile phone.

What I’ve found is the necessity to research, and this has amounted to finding old films, documentaries of the day, and a more fascinating source of information, the newspapers of the day.

The latter especially has provoked a lot of memories and a lot of stuff I thought I’d forgotten, some of it by choice, but others that were poignant.

Yes, and don’t get me started on the distractions.

If only I’d started this project earlier…

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Have you ever…

Started to write a post, get so far, and another theme or idea slips in, and demands to be written first?

I’m on this nostalgia kick, simply because when I turned on the TV to catch up with the latest COVID news, it was on a channel that shows old movies.

In case you don’t realize it, I love old movies, not just those from Hollywood, but also from Britain.

What was on?

An American in Paris.

Well, it had to be one of my favorites, even though I’m not a great fan of Gene Kelly, the sheer majesty of the music more than makes up for the story in between.

Could it be said, then, this was from the golden years of Hollywood? Such bright and cheerful movies such as Singing in the Rain, and An American in Paris, perhaps exemplify the Hollywood musical.

Years before, Fred Astaire and Ginger Rogers were the quintessential musical stars, followed by the likes of Judy Garland and Deanna Durbin, and later Bing Crosby and Frank Sinatra. A couple of musicals, in particular, comes to mind, firstly the Wizard of Oz and then High Society.

Moving forward to more modern times, several stand out in the1960s, My Fair Lady and Sound of Music. By this time theatergoers were dining on the superb talents of Rogers and Hammerstein, and Learner and Lowe. Of the former, musicals such as Carousel, South Pacific, and The King and I were on my list of favorites.

Even later still in the 1970s, there is Funny Girl, and Hello Dolly, which has a connection to the past with its director, none other than, yes, Gene Kelly.

But it seems once the 60s had passed the notion of the Hollywood blockbuster musical had gone, and we were left with clip shows like That’s Entertainment, put together while Gene Kelly and Fred Astaire were still alive. WE still had the film versions of the stage plays, but the lustre had, somehow, gone.

Perhaps it will return, who knows, after all, everything old is usually new again, it just takes time to go full circle.

Let’s talk history

What happened yesterday is history, but that’s not necessarily how we view what is history and what isn’t.

Similarly what is and what isn’t history is usually decided on by academics, because history texts that are used in schools are not written by ‘the man in the street’ authors. They’re usually university types who specialise in a particular field, or specialise section of history.

Even then one doubts that what is written is not a consensus of a panel.

So, when we talk about re-writing history, that takes a very brave bunch of people who want to buck the norm.

Our history, that which was taught when I went to school,. about our own country, Australia, started in 1770. Some brave soul tried to say it began earlier than that, before Captain Cook and the British arrived, out up a flag pole, and declared it belonged to Britain, like in 1606 when the Dutch explorer Willem Janszoon landed on the Cape York peninsula, only it wasn’t called that then.

And he might have been as surprised as Captain Cook that there were people here to observe their arrival. Yes, people had been living in this country for tens of thousands of years before the Europeans arrived.

But that was not what we were taught. No, Captain Cook, 1770, the a fleet of ships in 1788, and off we run as a new country, and a dumping ground for Britain’s convicts. Our history starts there, and then meanders through time, dividing the country up into states, having famous explorers like Burke and Wills, and Blaxland, Wentworth, and Lawson, Hume and Hovell.

And we commemorate all these people and those who were in charge over the years, with names of states, cities, rivers, mountains, everything under the sun. You’ve only got to glance at the list of hundreds of these forefathers and explorers to see just how many places in this country were named after them.

No heed was taken of what they may have been called before because no one really understood the languages of the first people who lived here. And they never seem to rate as a matter of study for us children back then.

Now, as people have begun to realise our history goes way, way back, and that there should be a nod to those inhabitants, they are considering re-writing some of our history to incorporate these people. And change the names of places to their original. A famous instance of recent renaming is of Ayers Rock, now called Uluru.

Even then, Australian History didn’t rate very highly, and I have to say, as a child at school 50 odd years ago, I learned more about the British Empire/Commonwealth, and about the English kings and queens, than we did about our own Governor Generals, Prime Ministers and State Premiers.

Could I tell you the name of our first Prime Minister? No. I can say when Australia became Australia, yes. 1901. Can I tell you the first King of England? Yes, William the Conqueror in 1066. There were kings before that but they only ruled of parts of England.

But over the years since I have read the odd book of Australian History but for some reason it never quite seems as colourful or as interesting as that of England or Scotland, or even some of the European countries.

Now, since I’ve been reading about what’s happening in the United States I have begin to take an interest in American history, and it, too, seems to suffer the same problems we have with ours, a bunch of academics decided what it was, and what it would not include, and then there is this thing called the 1619 project.

Wow, that seems to have stirred up a hornet’s nest.

Can’t wait to see what happens next.

An excerpt from “Strangers We’ve Become” – Coming Soon

I wandered back to my villa.

It was in darkness.  I was sure I had left several lights on, especially over the door so I could see to unlock it.

I looked up and saw the globe was broken.

Instant alert.

I went to the first hiding spot for the gun, and it wasn’t there.  I went to the backup and it wasn’t there either.  Someone had found my carefully hidden stash of weapons and removed them.

Who?

There were four hiding spots and all were empty.  Someone had removed the weapons.  That could only mean one possibility.

I had a visitor, not necessarily here for a social call.

But, of course, being the well-trained agent I’d once been and not one to be caught unawares, I crossed over to my neighbor and relieved him of a weapon that, if found, would require a lot of explaining.

Suitably armed, it was time to return the surprise.

There were three entrances to the villa, the front door, the back door, and a rather strange escape hatch.  One of the more interesting attractions of the villa I’d rented was its heritage.  It was built in the late 1700s, by a man who was, by all accounts, a thief.  It had a hidden underground room which had been in the past a vault but was now a wine cellar, and it had an escape hatch by which the man could come and go undetected, particularly if there was a mob outside the door baying for his blood.

It now gave me the means to enter the villa without my visitors being alerted, unless, of course, they were near the vicinity of the doorway inside the villa, but that possibility was unlikely.  It was not where anyone could anticipate or expect a doorway to be.

The secret entrance was at the rear of the villa behind a large copse, two camouflaged wooden doors built into the ground.  I move aside some of the branches that covered them and lifted one side.  After I’d discovered the doors and rusty hinges, I’d oiled and cleaned them, and cleared the passageway of cobwebs and fallen rocks.  It had a mildew smell, but nothing would get rid of that.  I’d left torches at either end so I could see.

I closed the door after me, and went quietly down the steps, enveloped in darkness till I switched on the torch.  I traversed the short passage which turned ninety degrees about halfway to the door at the other end.  I carried the key to this door on the keyring, found it and opened the door.  It too had been oiled and swung open soundlessly.

I stepped in the darkness and closed the door.

I was on the lower level under the kitchen, now the wine cellar, the ‘door’ doubling as a set of shelves which had very little on them, less to fall and alert anyone in the villa.

Silence, an eerie silence.

I took the steps up to the kitchen, stopping when my head was level with the floor, checking to see if anyone was waiting.  There wasn’t.  It seemed to me to be an unlikely spot for an ambush.

I’d already considered the possibility of someone coming after me, especially because it had been Bespalov I’d killed, and I was sure he had friends, all equally as mad as he was.  Equally, I’d also considered it nigh on impossible for anyone to find out it was me who killed him because the only people who knew that were Prendergast, Alisha, a few others in the Department, and Susan.

That raised the question of who told them where I was.

If I was the man I used to be, my first suspect would be Susan.  The departure this morning, and now this was too coincidental.  But I was not that man.

Or was I?

I reached the start of the passageway that led from the kitchen to the front door and peered into the semi-darkness.  My eyes had got used to the dark, and it was no longer an inky void.  Fragments of light leaked in around the door from outside and through the edge of the window curtains where they didn’t fit properly.  A bone of contention upstairs in the morning, when first light shone and invariably woke me up hours before I wanted to.

Still nothing.

I took a moment to consider how I would approach the visitor’s job.  I would get a plan of the villa in my head, all entrances, where a target could be led to or attacked where there would be no escape.

Coming in the front door.  If I was not expecting anything, I’d just open the door and walk-in.  One shot would be all that was required.

Contract complete.

I sidled quietly up the passage staying close to the wall, edging closer to the front door.  There was an alcove where the shooter could be waiting.  It was an ideal spot to wait.

Crunch.

I stepped on some nutshells.

Not my nutshells.

I felt it before I heard it.  The bullet with my name on it.

And how the shooter missed, from point-blank range, and hit me in the arm, I had no idea.  I fired off two shots before a second shot from the shooter went wide and hit the door with a loud thwack.

I saw a red dot wavering as it honed in on me and I fell to the floor, stretching out, looking up where the origin of the light was coming and pulled the trigger three times, evenly spaced, and a second later I heard the sound of a body falling down the stairs and stopping at the bottom, not very far from me.

Two assassins.

I’d not expected that.

The assassin by the door was dead, a lucky shot on my part.  The second was still breathing.

I checked the body for any weapons and found a second gun and two knives.  Armed to the teeth!

I pulled off the balaclava; a man, early thirties, definitely Italian.  I was expecting a Russian.

I slapped his face, waking him up.  Blood was leaking from several slashes on his face when his head had hit the stairs on the way down.  The awkward angle of his arms and legs told me there were broken bones, probably a lot worse internally.  He was not long for this earth.

“Who employed you?”

He looked at me with dead eyes, a pursed mouth, perhaps a smile.  “Not today my friend.  You have made a very bad enemy.”  He coughed and blood poured out of his mouth.  “There will be more …”

Friends of Bespalov, no doubt.

I would have to leave.  Two unexplainable bodies, I’d have a hard time explaining my way out of this mess.  I dragged the two bodies into the lounge, clearing the passageway just in case someone had heard anything.

Just in case anyone was outside at the time, I sat in the dark, at the foot of the stairs, and tried to breathe normally.  I was trying not to connect dots that led back to Susan, but the coincidence was worrying me.

 

A half-hour passed and I hadn’t moved.  Deep in thought, I’d forgotten about being shot, unaware that blood was running down my arm and dripping onto the floor.

Until I heard a knock on my front door.

Two thoughts, it was either the police, alerted by the neighbors, or it was the second wave, though why would they be knocking on the door?

I stood, and immediately felt a stabbing pain in my arm.  I took out a handkerchief and turned it into a makeshift tourniquet, then wrapped a kitchen towel around the wound.

If it was the police, this was going to be a difficult situation.  Holding the gun behind my back, I opened the door a fraction and looked out.

No police, just Maria.  I hoped she was not part of the next ‘wave’.

“You left your phone behind on the table.  I thought you might be looking for it.”  She held it out in front of her.

When I didn’t open the door any further, she looked at me quizzically, and then asked, “Is anything wrong?”

I was going to thank her for returning the phone, but I heard her breathe in sharply, and add, breathlessly, “You’re bleeding.”

I looked at my arm and realized it was visible through the door, and not only that, the towel was soaked in blood.

“You need to go away now.”

Should I tell her the truth?  It was probably too late, and if she was any sort of law-abiding citizen she would go straight to the police.

She showed no signs of leaving, just an unnerving curiosity.  “What happened?”

I ran through several explanations, but none seemed plausible.  I went with the truth.  “My past caught up with me.”

“You need someone to fix that before you pass out from blood loss.  It doesn’t look good.”

“I can fix it.  You need to leave.  It is not safe to be here with me.”

The pain in my arm was not getting any better, and the blood was starting to run down my arm again as the tourniquet loosened.  She was right, I needed it fixed sooner rather than later.

I opened the door and let her in.  It was a mistake, a huge mistake, and I would have to deal with the consequences.  Once inside, she turned on the light and saw the pool of blood just inside the door and the trail leading to the lounge.  She followed the trail and turned into the lounge, turned on the light, and no doubt saw the two dead men.

I expected her to scream.  She didn’t.

She gave me a good hard look, perhaps trying to see if I was dangerous.  Killing people wasn’t something you looked the other way about.  She would have to go to the police.

“What happened here?”

“I came home from the cafe and two men were waiting for me.  I used to work for the Government, but no longer.  I suspect these men were here to repay a debt.  I was lucky.”

“Not so much, looking at your arm.”

She came closer and inspected it.

“Sit down.”

She found another towel and wrapped it around the wound, retightening the tourniquet to stem the bleeding.

“Do you have medical supplies?”

I nodded.  “Upstairs.”  I had a medical kit, and on the road, I usually made my own running repairs.  Another old habit I hadn’t quite shaken off yet.

She went upstairs, rummaged, and then came back.  I wondered briefly what she would think of the unmade bed though I was not sure why it might interest her.

She helped me remove my shirt, and then cleaned the wound.  Fortunately, she didn’t have to remove a bullet.  It was a clean wound but it would require stitches.

When she’d finished she said, “Your friend said one day this might happen.”

No prizes for guessing who that friend was, and it didn’t please me that she had involved Maria.

“Alisha?”

“She didn’t tell me her name, but I think she cares a lot about you.  She said trouble has a way of finding you, gave me a phone and said to call her if something like this happened.”

“That was wrong of her to do that.”

“Perhaps, perhaps not.  Will you call her?”

“Yes.  I can’t stay here now.  You should go now.  Hopefully, by the time I leave in the morning, no one will ever know what happened here, especially you.”

She smiled.  “As you say, I was never here.”

 

© Charles Heath 2018-2020

What do I do next?

I’m finding it hard to get into the groove.  I suspect I have not been in one lately, but I was writing, and the stories were coming together.

My biggest accomplishments seem to come when I’m writing 50,000 words or more for a NANOWRIMO book.  It’s interesting that it seems to be the only time I can focus my mind on writing.  And as another November is coming up, I’m looking forward to working on the next novel.

I have no idea why on those occasions the creative mind is organised and the ideas and words flowed.  I know it was just supposed to be raw writing, but one one occasion I even had time to rewrite the start.  As we all know, by the time you get to the end, a lot of stuff at the start needs to be fixed, especially in light of plot changes and continuity.

Unless of course you’re a planner, which I’m not.

Now, looking at one of the novels on the screen, I have the job of editing and re-writing, after waiting the requisite few months between finishing the rough draft, and starting on the polishing.

It seems that April is the month to be doing the first editing, but that has passed, and it’s time I looked at the one I wrote last November.  That month came and went, and the file had not been looked at since.

Then there’s the sequel to What Sets Us Apart, called Strangers We’ve Become I’ve finally got to editing several times, and it’s nearly done.

But here’s the thing.

It’s all but done and dusted, and I was doing a final read before handing to the editor for one last check.  That was a mistake.  I seem to be one of those writers that can’t let it go.  I should not have picked it up for a re-read!

I don’t know if anyone else has the same problem, but as soon as I had finished it, I had a feeling (oh no not one of those feelings, I can hear the editor saying) and something was not quite right.  Perhaps I’ll put it back down again, and think some more on it.

Perhaps I should just pour another drink and go back to watching the ice hockey, only I just remember the Maple Leafs crashed out in the first round of the playoffs.

OK, I just had an idea for the third book in the series.

In a word: Cell

For those who break the law, they will be very familiar with the eaning of the word cell.  It’s a room a jail, not very big, with an uncomfortable bed, and no sharp edges.

And I’m sure the prisoners are not supplied with knives so they can dig through the mortar and remove bricks on their way to the great escape.  That, I’m sure only happens at the movies.

A cell can also be a building block in the creation of humans, animals, fish, and plants.  No doubt there are a million other things that require cells.

Perhaps the most interesting aspect of this cellular activity is whether or not there is life, and therefore cells, on Mars.  I’m guessing we’ll have to wait a little longer to find out.

We can have a cell phone, which in some parts of the world is also the name of a mobile phone.

Don’t get me started on what I think of cell phones, or how intrusive they are on our everyday lives, the number of people who seem to be continually glued to the screen, or how many near misses there are in the street and crossing the road.

On the other hand cell phones in the hands of a writer are very useful because when we get flashes of story or plotlines in one of those once awkward moments, we can now jot it down on a cell phone scribbling pad.

A cell can also be used to describe a smaller unit within a larger organisation, or, if you are a thriller writer who dabbles in espionage, you will be very familiar with the concept of a sleeper cell.

Who knows, in reality, there might be some living next door to us and we would never know.  Oops, been watching too much television again.

Digging deeper into the more obscure definitions of the word cell, we come up with a single transparent sheet that has a single drawing on it, one of many that make up an animated film, or film.  If a film runs at 32 frames per second, that means there are 32 cells.

There are fuel cells

There are dry cell batteries

And as a general warning, don’t go too near cell towers or you will be a victim of radiation that might be extremely harmful to your health.

Looking back at the photo archive…

I came across this:

This is like so many roads off in what is known as the Gold Coast hinterland, that tract of land between the ocean and the mountain range that runs along the eastern side of the country, known as the Great Dividing Range.

This is the road that runs behind where friends of ours live, and runs on down into a valley where a river runs, and when the rains come down, floods.

It’s hard to imagine that a few hundred years ago all of this would have been tropical jungle, and intrepid explorers would be making their way north or west, just to see what was there.

I imagine in another 100 years, all of this will be gone, given over to housing, shopping malls, and factories, and anything that resembles country living will have been moved out to far beyond the mountain range and towards the what is called the ‘red’ centre.

Or there is a reckoning with mother nature, and if there is, I know who I’d put my money on.