Tag: Story

The cinema of my dreams – It’s a treasure hunt – Episode 74

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new installment of an old feature, and we’re back on the treasure hunt.

…

Cavorting with a snake?

…

I had no idea that Boggs resented me that much for spending time with Nadia, though I could see how he could assume she was the enemy.

But he knew me, or I thought he did.

That cavorting with a snake statement elicited an instant response from Charlene, a wide-eyed look of total surprise.  I wondered for a moment what her interpretation of cavorting was, certainly not the same as mine.

Something else that was very clear, he hated Nadia.  And I was close to the top of that same hate list, by association.

“I would hardly call it cavorting, Boggs, rather just hanging out.  It’s not what either of you thinks.” I gave Charlene a glare to emphasize my disappointment.

Despite it, it was clear her interpretation was still leaning the wrong way, but the surprise has passed, “I didn’t know Nadia had returned from Florence.”  Charlene obviously kept track of Nadia, because I hadn’t known exactly where she had been staying in Italy.

“I don’t think many people do.”

“Was there a reason?”

“She said her mother was sick and wanted to see her, but I think that was a ruse, and she’s not happy with any of them, which is why she’s not staying with them but just outside the town.”

“That woman is not her mother, but stepmother.  Old man Cossatino tossed her aside for a younger woman, and I’m not surprised.”

Interesting insight, she had not told me that it was her stepmother she was annoyed with, nor where her real mother was.

Boggs however was not interested in the details of Nadia’s parentage, nor Charlene’s opinions.

He turned his attention towards her, “Just what are you doing here.”

“I told you already…”

“Just leave, wait outside, do whatever you want, but leave me alone.”

She went to reiterate her reason for being there, but it was met with a very volatile, “get out now.”

I had expected him to round on me next, as he watched her reluctantly get up and slowly walk out of the room, phone in hand.  The sheriff was about to get a call.

His anger was apparent, but he didn’t say anything for a moment, as if mentally counting to ten before speaking.  Then, “Sit, you’re making me nervous standing there.”

A sigh of relief, I did as he asked.

“In view of this relationship with Nadia, does this mean you are working with Cossatino?”

“Actually I work in Benderby’s warehouse attached to the factory.  I think you know me better than to seek employment with the Cossatino’s, and no, it’s not any sort of relationship other than talking over coffee.”

“In her hotel room,” Boggs added.

So, he had been watching me too.  I should be flattered so many people were interested in whom I spent my time.

“At times, yes, but it’s not anything else, no matter what you might think.  I seriously doubt she thinks of me in that way.”

It was not what he wanted to hear, so he tuned out.    “It’s not the impression you give, but I get it.  She is a contradiction at times.”

I wondered what he meant by that.

It was time to change the conversation.  “Did you ever get to the library to read the documents in the Ormiston collection?”

Yes, it got the desired response.

“What collection?”

“All of the stuff at Ormiston’s house after he died.  His wife had asked the librarian to come and box it up, and it’s been sitting there all this time.  I think so far she’s the only one to read any of it, aside from me.”

“How did you pull that off.”

“You know I was always her protégé at school.  She said Alex had asked her about the documents, but she just told him she didn’t know about them, but that’s not going to hold them off for long.”

He thought about what I’d said, perhaps debating whether to trust me, but I could see curiosity taking over.

“Was there anything useful there?”

“One item scribbled in one of his search diaries.  Look for the big A.”

I watched him carefully when mentioning that piece of information, and it struck a chord, as much as he tried not to react.

“But you knew that already because we both know where that big A is.”

“Does Nadia?”

“No.  Despite what you might think, I’m still on your side, and still working towards finding the location of the treasure, but, I think you need to consider the possibility it’s long gone.  I’m sure the Cossatino’s have made a very extensive search of The Grove, over the years.”

“They don’t act like they’ve found it, or have any idea where it is.  You can see that from the many maps they’ve produced.  I’ve got at least twenty variations, and none of them lead to that spot on the shoreline.”

“There was a latitude and longitude reference hidden in one of the diary sleeves, and it matched the spot where I saw what looked like the big A.  It had another reference, one in the Caribbean, so it might have been taken from the pirate’s log, as the start and end of the run to stash their plunder.  How did you come across the location?”

“Something I remembered my father saying.  It came to me a week ago, when I was camping out and a storm hit.  He mentioned the letter A, a formation on a rockface he had climbed once at The Grove.  There are several, and it was at the last I saw something that resembled an A.”

“Since that shoreline looks as much the same along the whole cliff face, I suspect the pirate used it as a marker do he could find it again.  The fact it’s a little lopsided tells me there’s been some seismic activity that stretched from the inland mountains across the lake that no longer exists to the shoreline, here, and at the old marina.  That’s what you were looking fir, wasn’t it, a shift in the rocks?”

“No.  Not really.  I thought there might be a cavern that was covered by a rockfall, but if there was seismic activity, all it did was clear a path for the lake water to drain into the sea.  But, now we agree on the most likely location of the treasure, it’s not going to be possible to get back there, not now the Cossatino’s can guess why I was there.”

“There is a way, but it involves Nadia.”

He shook his head.  “No.  She can’t be trusted.”

“Well, she’s your only ticket there.  You make up your mind what you want to do, but I’ll be at her hotel tomorrow night if you want our help.  Otherwise, I’ll go myself.”

“That’s not what we agreed.”

“We didn’t agree on anything.  You just asked me if I wanted to go on a treasure hunt.  I’ll be honest with you, I don’t want the treasure because it’s cursed.  It cost you your father, countless Ormiston’s, and that professor on Rico’s boat.  He was tortured by the way in a secret room at the mall.  Nadia and I found it, and Alex Benderby’s stash of treasure documents and maps.  They think a map is going to lead them there, but I think your father, as the Cossatino’s cartographer, spent more time leading everyone away from the real location, all the while searching for it himself with permission from the Cossatino’s.  The fact he said he’d found it was always going to get him killed.  And, if he did, then the Cossatino’s have it.  But, like I said, come or not, I’ll be going.”

And, not to give him the opportunity to argue, I left, leaving him with a rather bemused expression.

…

© Charles Heath 2020-2022

“Trouble in Store” – Short stories my way: Point of view

If this story was being written the first person the only perspective or point of view would be that of the narrator.

Since we need to have a number of perspectives it is better done in the third person so we can change between characters and try to understand their motivation.

We might look at the first-person perspective for each of the characters later.

The second of the protagonists is the girl with the gun.  How did she get it?  How did the situation deteriorate so quickly?   What is she going to do?

This is a short story and we need to know something about her, so we have to get to the heat of the matter quickly, so let’s start with:

Her mother said she would never amount to anything, and here she was, with a broken drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to leverage drugs from his dealer at the end of a gun.  It was her fault, Jerry said and made her feel responsible, much the same as her parents and everyone else in her life.

One of life’s losers or just a victim?  This theme can go in any direction.

Then a moment to reflect on why she was here:

Why had she agreed to go with Jerry?  At that moment when she picked up the gun off the floor, she realized it was not out of responsibility or fault, it was out of fear.

That gives us the why; he had obviously tried to make her feel responsible and when that failed, he threatened her.  But now there’s a bigger issue, the gun and a situation spiraling out of control.  The thing is, she has the gun and the power to walk away or make matters worse.

The problem was, she has outed the shopkeeper as a dealer in front of someone who had not known.  That now made him a victim as much as she was.

She looked at the two men facing her, a shopkeeper who was a dealer and a customer scared shitless.  As much as she was.  Her gun hand was shaking.

The scene is set, something has to give.

Time for the shopkeeper to weigh in.

“I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.”

It’s a typical response from a man who realizes he’s in trouble and is trying to make time while he thinks of how to rescue himself from a potentially dangerous situation.

Time to change the perspective again and explore the shopkeeper.

If only Jack hadn’t come in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

 

Next, actions have consequences, building the tension.

 

This section rewritten, moving from Jack as the narrator to the girl, and then to the shopkeeper:

 

Annalisa looked at the two men facing her, a shopkeeper who, despite his protestations, was a dealer and a customer scared shitless.

The poor bastard was not the only one.  This was meant to be simple, arrive at the shop just before closing, force the shopkeeper to hand over the shit, and leave.  Simple.

Except …

The shopkeeper told them to get out.  Simmo started ranting waving the gun around, then collapsed.  A race for the gun which spilled out of his hand, she won.

He was getting the stuff when the customer burst into the shop.

Shit, shit, shit, shit, she thought.

Why had she agreed to go with Jerry?  It was her fault, Jerry had said, and he made her feel responsible for his problems, much the same as her parents and everyone else in her life.

Her mother said she would never amount to anything, and here she was, with a drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to pick up his score from his dealer at the end of a gun.

She heard a strange sound come from beside her and looked down.  Simmo was getting worse, like he had a fever, and was moaning.

The shopkeeper saw an opportunity.  “Listen to me, young lady, I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.  Your friend needs medical help and I can call an ambulance.”

The girl switched her attention back to him.  “Shut up, let me think.  Shit.”

The storekeeper glanced over at the customer.  He’s been in once or twice, probably lived in the neighborhood, but looked the sort who’d prefer to be anywhere but in his shop.  More so now.  If only he hadn’t burst in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

 

© Charles Heath 2016 – 2020

 

“Trouble in Store” – Short stories my way: Adding a catalyst

Just when there’s enough complication in the story, we could leave it there with the current three protagonists and see what happens.

But I like mayhem.

So rather than another customer, it’s time to add a complication; an off duty policeman, or more to the point, policewoman.  A beat cop, if they still exist.

Her back story in a sentence or so:

It had been another long day at the office for Officer Margaret O’Donnell, or, out in the streets, coping with people who either didn’t know or didn’t care about the law.

People who couldn’t cross the road where there were crossings and lights to protect them, silly girls shoplifting on a dare, and boys who thought they were men and could walk on water.

The one they scraped of the road would never get to grow up, and his mother, well, she was not doing another call on a family to give them the bad news.

That was her day.  So far.

What is she doing near the shop?  She lives around the corner.  Perhaps she knows the reputation of the shopkeeper or perhaps not.  It’s not relevant, then, as it is a place she avoids.

Now, she may not have the option.  She sees the shop is still open, past the usual closing time.

Let’s continue:

She came around the corner into the street where she lived and saw the lights were on in the corner store.

She looked at her watch and saw it was ten minutes to midnight.  Long past closing time.  She looked through the window but from the other side of the road and could only see three heads and little else.

Damn, she thought, I’m going to have to check it out.  There were rumors, and she hoped they were not true.

Meanwhile, back in the shop how are the others faring?

The shopkeeper is in an invidious position, he can’t supply the kids with the drugs and get them out, not in front of the customer.

The fact the girl has a gun makes the situation almost impossible.  What would happen if he suggests the customer leave?  Without him, the situation would be simpler.

Alphonse had only a few moments to sum up the situation, and the sum of those deliberations was the remove the only problem, the customer.

He could still salvage this:

The shopkeeper changed his expression to one more placatory, and said quietly to the girl, ‘Look, this is not this chap’s problem.’  He nodded in the direction of the customer.  ‘I’m sure he’d rather not be here, and you would glad of one less distraction.’

He could see she was wavering, she was not holding the gun so steadily, and the longer this dragged on, the more nervous and unpredictable she would become.

And in the longer game, the customer would sing his praises no matter what happened after he left.

The girl looked at Jack.  The shopkeeper was right.  If he wasn’t here this could be over.  But there was another problem.  It didn’t look like Simmo was in any shape to get away.  In fact, this was looking more like a suicide mission.

She waved the gun in his direction.  ‘Get out now, before I change my mind.’

As the gun turned to the shopkeeper, Jack wasn’t going to wait to be asked twice and started sidling towards the door.

What happens next?

 

And the story for this section, with a few minor changes:

 

It had been another long day at the office for Officer Margaret O’Donnell, or, out in the streets, coping with people who either didn’t know or didn’t care about the law.

People who couldn’t cross the road where there were crossings and lights to protect them, silly girls shoplifting on a dare, and boys who thought they were men and could walk on water.

The one they scraped of the road would never get to grow up, and his mother, well, she was not doing another call on a family to give them the bad news.

That was her day.  So far.  For now, she was glad to be getting home, putting her feet up, and forgetting about everything until the next morning when it would start all over again.

Coming around that last corner, the home stretch she called it, she was directly opposite the corner shop, usually closed at this hour of the night.  It was not.  The lights were still on.

She looked at her watch and saw it was ten minutes to midnight, and long past closing time.  She looked through the window but from the other side of the road and could only see three heads and little else.

Damn, she thought, I’m going to have to check it out.  There were rumors, and she hoped they were not true.

 

The shopkeeper changed his expression to one more placatory, and said quietly to the girl, ‘Look, this is not this chap’s problem.’  He nodded in the direction of the customer.  ‘I’m sure he’d rather not be here, and you would glad of one less distraction.’

He could see she was wavering, she was not holding the gun so steadily, and the longer this dragged on, the more nervous and unpredictable she would become.

And in the longer game, the customer would sing his praises no matter what happened after he left.

The girl looked at Jack.  The shopkeeper was right.  If he wasn’t here this could be over.  But there was another problem.  It didn’t look like Simmo was in any shape to get away.  In fact, this was looking more like a suicide mission.

She waved the gun in his direction.  ‘Get out now, before I change my mind.’

As the gun turned to the shopkeeper, Jack wasn’t going to wait to be asked twice and started sidling towards the door.

 

Next:  Actions have consequences

 

© Charles Heath 2016-2020

“Trouble in Store” – Short stories my way: Setting the scene

I used to like writing short stories, somewhere between two and five thousand words, but, in the end, it was too much hard work.

No chance of getting into stride with a location description, no real chance of giving a background to a character, it was simply a case of diving straight in.

But …

I’ve been thinking about writing a short story, starting it with a short succinct sentence that will set the tone.

Something like:  “Jack was staring down the barrel of a gun”

What then?

Should he start analyzing what sort of gun it was, did it have a light trigger, was the person holding it shaking, a man or a woman, or a child?

Location, in a house, a disused factory, a shop, a petrol station, the side of the road.

So, where was Jack?

Something like:  “He had gone down to the corner shop to get a pack of cigarettes.”

For himself or someone else?  Is it day, is it night, or somewhere in between?

Something like:  “He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp, and came through the door, the sound of the bell ringing loudly and the door bashed into it.”

So, Jack’s state of mind, he is in a hurry, careless coming through the door, not expecting anything out of the ordinary.

How would you react when you saw a gun, pointed at Alphonse until the sound of the door warning bell attracted the gunman’s attention?

Is it a gunman?

Something like:  “It took a second, perhaps three, to sum up the situation.  Young girl, about 16 or 17, scared, looking sideways at a man on the ground, Alphonse, and then Jack.  A Luger, German, a relic of WW2, perhaps her father’s souvenir, now pointing at him.”

The punch line:  Cigarettes can kill in more ways than one.

The revelation:  The corner store also supplied the local drug addicts.

The revised start is now:

Jack was staring down the barrel of a gun.

He had gone down to the corner shop to get a pack of cigarettes.

He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp.  His momentum propelled him through the door, causing the customer warning bell to ring loudly as the door bashed into it, and before the sound had died away, he knew he was in trouble.

It took a second, perhaps three, to sum up the situation. 

Young girl, about 16 or 17, scared, looking sideways at a man on the ground, then Alphonse, and then Jack.  He recognized the gun, a Luger, German, relic of WW2, perhaps her father’s souvenir, now pointing at him then Alphonse, then back to him.

Jack to another second or two to consider if he could disarm her.  No, the distance was too great.  He put his hands out where she could see them.  No sudden movements, try to remain calm, his heart rate up to the point of cardiac arrest.

Pointing with the gun, she said, “Come in, close the door, and move towards the counter.”

Everything but her hand steady as a rock.  The only telltale sign of stress, the bead of perspiration on her brow.  It was 40 degrees Fahrenheit in the shop.

Jack shivered and then did as he was told.  She was in an unpredictable category.

“What’s wrong with your friend?”  Jack tried the friendly approach, as he took several slow steps sideways towards the counter.

The shopkeeper, Alphonse, seemed calmer than usual, or the exact opposite spoke instead, “I suspect he’s an addict, looking for a score.  At the end of his tether, my guess, and came to the wrong place.” 

Wrong time, wrong place, in more ways than one Jack thought, now realizing he had walked into a very dangerous situation.  She didn’t look like a user.  The boy on the ground, he did, and he looked like he was going through the beginnings of withdrawal.

 “Simmo said you sell shit.  You wanna live, ante up.”  She was glaring at Alphonse. 

The language was not her own, she had been to a better class of school, a good girl going through a bad boy phase.

Nest time, point of view.

…

© Charles Heath 2016-2021

“Trouble in Store” – Short stories my way: Point of view

If this story was being written the first person the only perspective or point of view would be that of the narrator.

Since we need to have a number of perspectives it is better done in the third person so we can change between characters and try to understand their motivation.

We might look at the first-person perspective for each of the characters later.

The second of the protagonists is the girl with the gun.  How did she get it?  How did the situation deteriorate so quickly?   What is she going to do?

This is a short story and we need to know something about her, so we have to get to the heat of the matter quickly, so let’s start with:

Her mother said she would never amount to anything, and here she was, with a broken drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to leverage drugs from his dealer at the end of a gun.  It was her fault, Jerry said and made her feel responsible, much the same as her parents and everyone else in her life.

One of life’s losers or just a victim?  This theme can go in any direction.

Then a moment to reflect on why she was here:

Why had she agreed to go with Jerry?  At that moment when she picked up the gun off the floor, she realized it was not out of responsibility or fault, it was out of fear.

That gives us the why; he had obviously tried to make her feel responsible and when that failed, he threatened her.  But now there’s a bigger issue, the gun and a situation spiraling out of control.  The thing is, she has the gun and the power to walk away or make matters worse.

The problem was, she has outed the shopkeeper as a dealer in front of someone who had not known.  That now made him a victim as much as she was.

She looked at the two men facing her, a shopkeeper who was a dealer and a customer scared shitless.  As much as she was.  Her gun hand was shaking.

The scene is set, something has to give.

Time for the shopkeeper to weigh in.

“I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.”

It’s a typical response from a man who realizes he’s in trouble and is trying to make time while he thinks of how to rescue himself from a potentially dangerous situation.

Time to change the perspective again and explore the shopkeeper.

If only Jack hadn’t come in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

 

Next, actions have consequences, building the tension.

 

This section rewritten, moving from Jack as the narrator to the girl, and then to the shopkeeper:

 

Annalisa looked at the two men facing her, a shopkeeper who, despite his protestations, was a dealer and a customer scared shitless.

The poor bastard was not the only one.  This was meant to be simple, arrive at the shop just before closing, force the shopkeeper to hand over the shit, and leave.  Simple.

Except …

The shopkeeper told them to get out.  Simmo started ranting waving the gun around, then collapsed.  A race for the gun which spilled out of his hand, she won.

He was getting the stuff when the customer burst into the shop.

Shit, shit, shit, shit, she thought.

Why had she agreed to go with Jerry?  It was her fault, Jerry had said, and he made her feel responsible for his problems, much the same as her parents and everyone else in her life.

Her mother said she would never amount to anything, and here she was, with a drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to pick up his score from his dealer at the end of a gun.

She heard a strange sound come from beside her and looked down.  Simmo was getting worse, like he had a fever, and was moaning.

The shopkeeper saw an opportunity.  “Listen to me, young lady, I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.  Your friend needs medical help and I can call an ambulance.”

The girl switched her attention back to him.  “Shut up, let me think.  Shit.”

The storekeeper glanced over at the customer.  He’s been in once or twice, probably lived in the neighborhood, but looked the sort who’d prefer to be anywhere but in his shop.  More so now.  If only he hadn’t burst in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

 

© Charles Heath 2016 – 2020

 

The bane of our existence: social media

I’m back to writing, sitting at the desk, pad in front of me, pen in hand.

The only thing lacking is an idea.

It’s 9:03 am, too early to start on a six-pack.

I need a distraction.

Blogging, websites, Twitter, and Facebook, all of these social media problems are swirling around in my mind.

The more I read the more it bothers me that if I don’t have the right social media presence if I do not start to build an email list, all of my efforts in writing a book will come to naught.

Then I start trawling the internet for information on marketing and found a plethora of people offering any amount of advice for anything between a ‘small amount’ to a rather large amount that gives comprehensive coverage of most social media platforms for periods of a day, a week or a month.  I don’t have a book so it’s a bit early to be worrying about that.

I move on to the people who offer advice for a cost on how to build a following, how to build a web presence, how to get a thousand Twitter followers, and how to get thousands of email followers before the launch.

The trouble is I’m writing a novel, not a nonfiction book, or have some marvellous 30 page ebook on how to do something, for free just to drive people to my site.

I’m a novelist, not a handyman so those ideas while good are not going to help me.

Yet another problem to wrestle with along with actually creating a product to sell in the first place.

Except I’m supposed to be writing for the love of it without the premeditated idea of writing for gain or getting rich quick.

What am I missing here?

So should l be writing short stories and offering them for free to drive people to my site?  These would have to be genre-specific so it needs time and effort and fit into a convenient size story that will highlight or showcase my talent.

Or should I create a website for the novel and set up pages for the characters and get some interaction going that way?

It will be difficult without giving the whole plot away so if I do it will have to be carefully managed.

I don’t think I will have a good night’s sleep again with all of these social media problems I’m going to have.

Oh well, back to the book.  It’s time to have a nightmare of a different sort!

“Trouble in Store” – Short stories my way: Setting the scene

I used to like writing short stories, somewhere between two and five thousand words, but, in the end, it was too much hard work.

No chance of getting into stride with a location description, no real chance of giving a background to a character, it was simply a case of diving straight in.

But …

I’ve been thinking about writing a short story, starting it with a short succinct sentence that will set the tone.

Something like:  “Jack was staring down the barrel of a gun”

What then?

Should he start analyzing what sort of gun it was, did it have a light trigger, was the person holding it shaking, a man or a woman, or a child?

Location, in a house, a disused factory, a shop, a petrol station, the side of the road.

So, where was Jack?

Something like:  “He had gone down to the corner shop to get a pack of cigarettes.”

For himself or someone else?  Is it day, is it night, or somewhere in between?

Something like:  “He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp, and came through the door, the sound of the bell ringing loudly and the door bashed into it.”

So, Jack’s state of mind, he is in a hurry, careless coming through the door, not expecting anything out of the ordinary.

How would you react when you saw a gun, pointed at Alphonse until the sound of the door warning bell attracted the gunman’s attention?

Is it a gunman?

Something like:  “It took a second, perhaps three, to sum up the situation.  Young girl, about 16 or 17, scared, looking sideways at a man on the ground, Alphonse, and then Jack.  A Luger, German, a relic of WW2, perhaps her father’s souvenir, now pointing at him.”

The punch line:  Cigarettes can kill in more ways than one.

The revelation:  The corner store also supplied the local drug addicts.

The revised start is now:

Jack was staring down the barrel of a gun.

He had gone down to the corner shop to get a pack of cigarettes.

He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp.  His momentum propelled him through the door, causing the customer warning bell to ring loudly as the door bashed into it, and before the sound had died away, he knew he was in trouble.

It took a second, perhaps three, to sum up the situation. 

Young girl, about 16 or 17, scared, looking sideways at a man on the ground, then Alphonse, and then Jack.  He recognized the gun, a Luger, German, relic of WW2, perhaps her father’s souvenir, now pointing at him then Alphonse, then back to him.

Jack to another second or two to consider if he could disarm her.  No, the distance was too great.  He put his hands out where she could see them.  No sudden movements, try to remain calm, his heart rate up to the point of cardiac arrest.

Pointing with the gun, she said, “Come in, close the door, and move towards the counter.”

Everything but her hand steady as a rock.  The only telltale sign of stress, the bead of perspiration on her brow.  It was 40 degrees Fahrenheit in the shop.

Jack shivered and then did as he was told.  She was in an unpredictable category.

“What’s wrong with your friend?”  Jack tried the friendly approach, as he took several slow steps sideways towards the counter.

The shopkeeper, Alphonse, seemed calmer than usual, or the exact opposite spoke instead, “I suspect he’s an addict, looking for a score.  At the end of his tether, my guess, and came to the wrong place.” 

Wrong time, wrong place, in more ways than one Jack thought, now realizing he had walked into a very dangerous situation.  She didn’t look like a user.  The boy on the ground, he did, and he looked like he was going through the beginnings of withdrawal.

 “Simmo said you sell shit.  You wanna live, ante up.”  She was glaring at Alphonse. 

The language was not her own, she had been to a better class of school, a good girl going through a bad boy phase.

Nest time, point of view.

…

© Charles Heath 2016-2021

My cell phone is going off

I’m back to writing, sitting at the desk, pad in front of me, pen in hand.

The only thing lacking, an idea.

It’s 9:03 am, too early to start on a six-pack.

To be honest, the last thing I needed was a distraction, and, having forgotten to put my cell phone on silent, it starts buzzing, indicating there are new messages, or notifications from all those social media sites like Twitter, Facebook, WordPress, Blogger…

Then the advice from all the so-called marketing gurus starts to swirl around in my head, and instead of writing, I’m now fretting over my social media presence.

The more I read the more it bothers me that if I don’t have the right social media presence if I do not start to build an email list, all of my efforts in writing a book will come to naught.

That’s when I start trawling the internet for information on marketing and found a plethora of people offering any amount of advice for anything between a ‘small amount’ to a rather large amount that gives comprehensive coverage of most social media platforms for periods of a day, a week or a month. 

I move on to the people who offer advice for a cost on how to build a following, how to build a web presence, how to get a thousand Twitter followers, how to get thousands of email followers before the launch.

The trouble is I’m writing a novel, not a nonfiction book, or have some marvelous 30-page ebook on how to do something, for free just to drive people to my site.

I’m a novelist, not a handyman so those ideas while good is not going to help me.

Yet another problem to wrestle with along with actually creating a product to sell in the first place.

Except I’m supposed to be writing for the love of it without the premeditated idea of writing for gain or getting rich quick.

What am I missing here?

So should l be writing short stories and offering them for free to drive people to my site?  These would have to be genre-specific so it needs time and effort and fit into a convenient size story that will highlight or showcase my talent.

Some time ago I created a website on one of those so-called free sites, but it’s rather basic and not great. Of course, if I want it to be better, all I have to do is hand over a great wad of money I don’t have to make it better. So much for free!

I don’t think I will have a good night’s sleep again with all of these social media problems I’m having.

Oh well, back to the book.  It’s time to have a nightmare of a different sort!

Searching for locations: Shanghai, China, by night.

When we arrive at the embarkation site we find at least 100 buses all lined up and parked, and literally thousands of Chinese and other Asians streaming through the turnstiles to get on another boat leaving earlier than ours.

Buses were just literally arriving one after the other stopping near where we were standing with a dozen or so other groups waiting patiently, and with people were everywhere it could only be described as organized chaos.

Someone obviously knew where everyone was supposed to go, and when it was our turn, we joined the queue.  There were a lot of people in front of us, and a lot more behind, so I had to wonder just how big the boat was.

We soon found out.

And it was amusing to watch people running, yes, they were actually running, to get to the third level, or found available seating.  Being around the first to board, we had no trouble finding a seat on the second level.

I was not quite sure what the name of the boat was, but it had 3 decks and VIP rooms and it was huge, with marble staircases, the sort you could make a grand entrance on.  The last such ornate marble staircase we had seen was in a hotel in Hong Kong, and that was some staircase.

But who has marble staircases in a boat?

We’re going out across the water as far as the Bund and then turn around and come back about 30 to 40 minutes.   By the time everyone was on board, there was no room left on the third level, no seats on the second level nor standing room at the end of the second level where the stairs up to the third level were.

No one wanted to pay the extra to go into the VIP lounge.

We were sitting by very large windows where it was warm enough watching the steady procession of the colored lights of other vessels, and outside the buildings.

It was quite spectacular, as were some of the other boats going out on the harbor.

All the buildings of the Bund were lit up

And along that part of the Bund was a number of old English style buildings made from sandstone, and very impressive to say the least.

On the other side of the harbour were the more modern buildings, including the communications tower, a rather impressive structure.

I had to go to the rear of the vessel to get a photo, a very difficult proposition given here was no space on the railing, not even on the stairs going up or down.  It was just luck I managed to get some photos between passengers heads.

And, another view of that communications tower:

There was no doubt this was one of the most colourful night-time boat tours I’ve ever been on.  Certainly, when we saw the same buildings the following day, they were not half as spectacular in daylight.

I never did get up to the third level to see what the view was like.

It’s winter, it should be raining

Here’s the thing.

People just don’t like rain.  All I ever hear is complaints because they want to go away camping, they want to go shopping, or they have to go to children’s sports.

Not, of course, because they can’t mow the lawn!

And that pesky rain, well, it just makes everything more difficult.  Mud and dirt get trampled inside, the washing can’t be hung out to dry, it causes floods, it stops games being played, well, sometimes.  The pitch would have to be six feet under water before that happens.

But…

Let’s think about the rain for a moment.

What if we didn’t get any rain?

There would be a drought.  There might not be any water.  Everything outside that needed water to survive, the sort of water rain provides, would die.  Then we’d have no flowers, no trees, no grass, oh, quite possibly no food, or oxygen.

A bit radical don’t you think, no food, no water, and no oxygen?

Hey, wouldn’t that be an interesting premise for an apocalyptic novel?

Usually, in a post-apocalyptic world, there’s still rain, water, and oxygen, you’d p[robably have to fight for food, but no one seems to go down that unthinkable path of losing everything.

Seems that happened around the time of the dinosaurs, when that comet hit the earth, blotted out the sun, and everything died, well, nearly everything.  It’s what I think is called an Earth Life Extinction Event.

Some say the same might happen if we have a nuclear holocaust, say America and Russia deciding to launch nuclear weapons on each other for some insane reason, knowing full well they would be condemning the whole world to a terrible end.

Nearly happened, I’m guessing.  That would make a good story.  Hang on, it’s been done before, a dozen or more times, and usually saved by a single man or woman whose actions never reach the ears of what would be a grateful public.

We’re a long way from simply wishing the rain to go away and come again some other day, aren’t we?

Let’s let someone else worry about the big picture.

And let’s not start thinking about post-apocalyptic novels that could get scarily real one day.

Sigh!   Only three more months of winter to endure, and it’ll be spring again.

Oh, and it’s raining again outside.