Tag: Story

There ain’t no mountain high enough

If only it was as easy to write one line of a song as it is to write a sentence, a paragraph, or a page of a book.  Of course, if you were to ask a songwriter the same question, he or she would probably twist it around, and not without reason.

The bottom line in all scenarios, whether writing a story, writing a song, or writing a letter, at times it feels like it is like climbing a mountain.

It’s why we have waste paper bins, and imaginary shooting practice sessions.  By the way, I don’t get very many scrunched paper balls in.

Curiously, we seem to categorize almost insurmountable problems in terms of climbing mountains.  Of course, I’ve yet to attempt to climb the north face of Mount Everest, but I suspect I’ll have to do a lot of practice to do so.

Maybe that’s what I need to do as a writer.  Practice, not climbing mountains.

Mountains have always been part of the metaphor for overcoming obstacles.  So, metaphorically, to overcome this ‘obstacle’, we can choose to climb over it, blow it up, or tunnel through it.

But the salient point is the same in all cases, obstacles, metaphorical or not, are not insurmountable, they just need time to find a solution.

So, in my case, there are two items to note when it comes to mountains, the first, I prefer to go through a tunnel, and the second, there’s not a mountain I’ve been up that hasn’t had a magnificent view.  Of course, getting to the top has been easy, I just hopped on the tram or the gondola.

After all, isn’t that what they’re there for?

Ok, flippancy aside, I have had to climb a few mountains of my own over the years, and, yes, it’s hard work, and, at times, I’ve wanted to give up.

But, not today.  Today is a good day.

And as the title says, ‘There ain’t no mountain high enough!’

 

 

“Trouble in Store” – Short stories my way: Point of view

If this story was being written the first person the only perspective or point of view would be that of the narrator.

Since we need to have a number of perspectives it is better done in the third person so we can change between characters and try to understand their motivation.

We might look at the first-person perspective for each of the characters later.

The second of the protagonists is the girl with the gun.  How did she get it?  How did the situation deteriorate so quickly?   What is she going to do?

This is a short story and we need to know something about her, so we have to get to the heat of the matter quickly, so let’s start with:

Her mother said she would never amount to anything, and here she was, with a broken drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to leverage drugs from his dealer at the end of a gun.  It was her fault, Jerry said and made her feel responsible, much the same as her parents and everyone else in her life.

One of life’s losers or just a victim?  This theme can go in any direction.

Then a moment to reflect on why she was here:

Why had she agreed to go with Jerry?  At that moment when she picked up the gun off the floor, she realized it was not out of responsibility or fault, it was out of fear.

That gives us the why; he had obviously tried to make her feel responsible and when that failed, he threatened her.  But now there’s a bigger issue, the gun and a situation spiraling out of control.  The thing is, she has the gun and the power to walk away or make matters worse.

The problem was, she has outed the shopkeeper as a dealer in front of someone who had not known.  That now made him a victim as much as she was.

She looked at the two men facing her, a shopkeeper who was a dealer and a customer scared shitless.  As much as she was.  Her gun hand was shaking.

The scene is set, something has to give.

Time for the shopkeeper to weigh in.

“I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.”

It’s a typical response from a man who realizes he’s in trouble and is trying to make time while he thinks of how to rescue himself from a potentially dangerous situation.

Time to change the perspective again and explore the shopkeeper.

If only Jack hadn’t come in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

 

Next, actions have consequences, building the tension.

 

This section rewritten, moving from Jack as the narrator to the girl, and then to the shopkeeper:

 

Annalisa looked at the two men facing her, a shopkeeper who, despite his protestations, was a dealer and a customer scared shitless.

The poor bastard was not the only one.  This was meant to be simple, arrive at the shop just before closing, force the shopkeeper to hand over the shit, and leave.  Simple.

Except …

The shopkeeper told them to get out.  Simmo started ranting waving the gun around, then collapsed.  A race for the gun which spilled out of his hand, she won.

He was getting the stuff when the customer burst into the shop.

Shit, shit, shit, shit, she thought.

Why had she agreed to go with Jerry?  It was her fault, Jerry had said, and he made her feel responsible for his problems, much the same as her parents and everyone else in her life.

Her mother said she would never amount to anything, and here she was, with a drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to pick up his score from his dealer at the end of a gun.

She heard a strange sound come from beside her and looked down.  Simmo was getting worse, like he had a fever, and was moaning.

The shopkeeper saw an opportunity.  “Listen to me, young lady, I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.  Your friend needs medical help and I can call an ambulance.”

The girl switched her attention back to him.  “Shut up, let me think.  Shit.”

The storekeeper glanced over at the customer.  He’s been in once or twice, probably lived in the neighborhood, but looked the sort who’d prefer to be anywhere but in his shop.  More so now.  If only he hadn’t burst in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

 

© Charles Heath 2016 – 2020

 

Where is that glamorous life of an Author?

I’m currently sitting in my car waiting to pick the grandchildren up from school wondering where that dream of the glamorous life of an author went.

Can it be said that any author leads a glamorous life, except for maybe J K Rowling, James Patterson, and a handful of others?

That dream is of course only a dream.  I did not start this writing caper to become rich and famous or live a glamorous life.  I started It, and it continues in the same vein, that I have a lot of stories in my head that I want to get on paper.

If anyone else wants to read them, then that’s a bonus.  If I happen to make enough money, rather than live high on the hog, an expression my father often used to describe the rich, I would happily invest in programs that get young people reading more.

It also strikes me that it would be difficult to write a literary novel in the vein of Jane Austen or the Bronte sisters, to name a few because modern-day life has no real meaning like it did then.

Instant news, instant communications, and the rest of the country, as well as the world, do close, we can go anywhere, and communicate instantly.  In the days of classic literature, the protagonist’s exchange of letters, and the arduous traveling to another part of the same country would be enough to generate a chapter, or the visit itself could generate several.

But those tales of life were always about people of means, not the ordinary people.  Stories that have the minutiae of daily life do not appeal.  No one wants to read about their lives, they want to be transported to another world where there is no such inanity like cooking, cleaning, washing, and picking up children.

I’m using this time to write another episode or chapter, or, in this case, a blog post.

As any parent will tell you, it is the calm before the storm.

“Trouble in Store” – Short stories my way: Setting the scene

I used to like writing short stories, somewhere between two and five thousand words, but, in the end, it was too much hard work.

No chance of getting into stride with a location description, no real chance of giving a background to a character, it was simply a case of diving straight in.

But …

I’ve been thinking about writing a short story, starting it with a short succinct sentence that will set the tone.

Something like:  “Jack was staring down the barrel of a gun”

What then?

Should he start analyzing what sort of gun it was, did it have a light trigger, was the person holding it shaking, a man or a woman, or a child?

Location, in a house, a disused factory, a shop, a petrol station, the side of the road.

So, where was Jack?

Something like:  “He had gone down to the corner shop to get a pack of cigarettes.”

For himself or someone else?  Is it day, is it night, or somewhere in between?

Something like:  “He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp, and came through the door, the sound of the bell ringing loudly and the door bashed into it.”

So, Jack’s state of mind, he is in a hurry, careless coming through the door, not expecting anything out of the ordinary.

How would you react when you saw a gun, pointed at Alphonse until the sound of the door warning bell attracted the gunman’s attention?

Is it a gunman?

Something like:  “It took a second, perhaps three, to sum up the situation.  Young girl, about 16 or 17, scared, looking sideways at a man on the ground, Alphonse, and then Jack.  A Luger, German, a relic of WW2, perhaps her father’s souvenir, now pointing at him.”

The punch line:  Cigarettes can kill in more ways than one.

The revelation:  The corner store also supplied the local drug addicts.

The revised start is now:

Jack was staring down the barrel of a gun.

He had gone down to the corner shop to get a pack of cigarettes.

He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp.  His momentum propelled him through the door, causing the customer warning bell to ring loudly as the door bashed into it, and before the sound had died away, he knew he was in trouble.

It took a second, perhaps three, to sum up the situation. 

Young girl, about 16 or 17, scared, looking sideways at a man on the ground, then Alphonse, and then Jack.  He recognized the gun, a Luger, German, relic of WW2, perhaps her father’s souvenir, now pointing at him then Alphonse, then back to him.

Jack to another second or two to consider if he could disarm her.  No, the distance was too great.  He put his hands out where she could see them.  No sudden movements, try to remain calm, his heart rate up to the point of cardiac arrest.

Pointing with the gun, she said, “Come in, close the door, and move towards the counter.”

Everything but her hand steady as a rock.  The only telltale sign of stress, the bead of perspiration on her brow.  It was 40 degrees Fahrenheit in the shop.

Jack shivered and then did as he was told.  She was in an unpredictable category.

“What’s wrong with your friend?”  Jack tried the friendly approach, as he took several slow steps sideways towards the counter.

The shopkeeper, Alphonse, seemed calmer than usual, or the exact opposite spoke instead, “I suspect he’s an addict, looking for a score.  At the end of his tether, my guess, and came to the wrong place.” 

Wrong time, wrong place, in more ways than one Jack thought, now realizing he had walked into a very dangerous situation.  She didn’t look like a user.  The boy on the ground, he did, and he looked like he was going through the beginnings of withdrawal.

 “Simmo said you sell shit.  You wanna live, ante up.”  She was glaring at Alphonse. 

The language was not her own, she had been to a better class of school, a good girl going through a bad boy phase.

Nest time, point of view.

…

© Charles Heath 2016-2021

In a word: Line

The English language has some marvelous words that can be used so as to have any number of meanings

For instance,

Draw a line in the sand

We would all like to do this with our children, our job, our relationships, but for some reason, the idea sounds really good in our heads, but it never quite works out in reality. What does it mean, whatever it is, this I’d where it ends or changes because it can’t keep going the way it is.

Inevitably it leads to,

You’ve crossed the line

Which at some point in our lives, and particularly when children, we all do a few times until, if we’re lucky we learn where that line is. It’s usually considered 8n tandem with pushing boundaries.

Of course, there is

A line you should never cross

And I like to think we all know where that is. Unfortunately, some do not and often find their seemingly idyllic life totally shattered beyond repair. An affair from either side of a marriage or relationship can do that.

You couldn’t walk a straight line if you tried

While we might debate what straight might mean in this context, for this adaptation it means staying on the right side of legality. Some people find a life of crime more appealing than doing honest days work.

This goes hand in hand with,

You’re spinning me a line

Which means you are being somewhat loose with the truth, perhaps in explaining where you’ve been and what you’ve been doing. I think sometimes liars forget they need to have good memories.

Then there are the more practical uses of the word, such as

I have a new line of products

Is that a new fishing line?

Those I think most of us get, but it’s the more ambiguous that we have trouble with. Still, ambiguity is a writer’s best friend and we can make up a lot of stuff from just using one word.

I think the asylum is beckoning

I’m sitting at my desk surrounded by any number of scraps of paper with more storylines, written excepts, parts of stories, and a number of chapters of a work in progress.

Does this happen to anyone else?

The business of writing requires a talent to keep focused on the one project, and silence all the other screaming voices in your head, pouring out their side of the story.

But it’s not working.

I try to be determined in my efforts to edit my current completed novel, after letting it ‘rest’ in my head for a few months.

I planned to have so time off, but all of those prisoners in my head started clamoring for my attention.  A story I started some time ago needs revising, another story I wrote last year of NANOWRIMO has come back to haunt me, and characters, well, they’re out in the waiting room, pacing up and down, ready to tell me their life stories.

Is the temporary cure coffee or wine?

Now I think I really do need a holiday

Or a trip to the asylum.  Thank God this is not the early 20th century, or I might never return.  And if it’s named Bellview, it would be just another story to be written.

The Author that went Bonkers!

Does it ever end?

 

 

 

Setting goals, bad idea

Unfortunately, I’m not one of those people who work well to plans, so setting goals is not a good idea.

But…

I did make several new year’s resolutions that I would try and do things differently each year.

Except…

This year, I set a goal to restart editing one of my novels on 1st Feb.  I thought, setting it so far into the year it would be easy.

It would give me the time to clear up all the outstanding writing tasks that have been getting in the way, what are more commonly known as distractions, and be free to finally finish it.

No such luck.

Going away, spending long, sleepless hours flying from one side of the world to the other had fuelled my imagination more than I expected and I now have three stories that need either a continuing plot outline or be written as ideas come to me.

If only I could focus on one story at a time.

So…

I’ve been working hard on getting those stories done, and now that November is approaching, I have come up with a brilliant idea.

I’ll work on the novel then as my NANOWRIMO project.  At least I have completed every one I’ve started over the last four years.

Let’s see if I can stick to it.

Almost nonsensical descriptions we sometimes use without thinking

I found this explanation on the internet which seems to sum up what odd phrases like ‘you can’t judge a book by its cover’ mean: ‘a word or phrase used in a non-literal sense for rhetorical or vivid effect.’

We, as writers, are constantly reminded that we should not use these in our writing because most people might not understand their use.

But, being that unconventional, never to be told, type, I honestly think that it sometimes adds a degree of whimsy to the story.

I remember some years ago when I working with a Russian chap who’d not been in the country very long, and though he had a reasonable use of English, was not quite up with our figures of speech.

And made me realize when he kept asking me what they meant, just how many I used in everyday conversation.

Most of these figures of speech use descriptions that do not necessarily match the word being described, such as ‘I dance like I have two left feet’.

And that pretty much sums up how good I can dance.  But …

‘Like a bat out of hell’, not sure how this got into the vernacular, but it means to get the hell out of dodge quickly.  Hang on, that’s another saying, American, and the way Dodge city was in western American folklore, if you irritated a gunslinger, then best be on your way, fast.

Otherwise, yes, you guessed it, you were at the end of another saying, you would get a one-way ticket to boot hill.  In other words, the cemetery.

And while I’m digressing, again, Yul Brynner made a trip to boot hill very memorable in The Magnificent Seven.

Then,

‘Like a bull in a china shop’, describes a toddler let loose, not necessarily in a china shop, but I have seen it happen in reality and it wasn’t pretty

‘More front than Myers’, as my mother used to say, but in context, Myers is the Australian version of the English Selfridges or Harrods or Paris Galleries Lafayette.  It refers to the width of street frontage of the stores, and means that someone has the nerve to be so confronting

‘As mad as a hatter’, though not necessarily of the millinery kind, but, well, you can guess, it’s from Alice in Wonderland

‘As nutty as a fruitcake’, provided your fruitcake has nuts in it, we seemed to have coined the phrase nutty, or nuts for people who are a little, or a lot, eccentric

You can see, if you get the references, they are somewhat apt, and, yes, they sometimes creep into my stories.

 

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 45

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new installment of an old feature, and we’re back on the treasure hunt.

The shrill ring tone of my phone woke me.

And, for a moment I was in a state of panic because I’d woken in unfamiliar surroundings.  Until my eyes cleared and I realized I was still at Nadia’s.

And it was morning.

What the….

The phone was still ringing, and Nadia, lying on the bed beside me rolled over and said, sleepily, “Are you going to answer that?”

I picked up the phone off the bedside table and pressed the green button.  

I already knew it was Boggs.

“Don’t you know what time it is?”  It was nine, a respectable hour of the morning to call.  It was just that I was tired.

“Where are you?”

I could lie, or I could tell the truth.  I don’t think I should say at home because I suspect that was where Boggs was now.  And my mother would be there, wondering what happened to me.

“Out and about.  Nice day for some exercise.  Why?”

“Your mother is not happy you didn’t come home.  And I’m surprised.  Where were you?”

Good question.  One that needed time to consider, time I didn’t have.

“Surveillance.  I’ve been watching Alex and his friends.  It’s been a long night.  What do you want?”

“I was going to head down towards Kentville, check on the other river.  We need to drive down there.”

“Well, right now I’m busy, so it will have to wait until tomorrow morning.  Sorry.  I have a job to do, and then I have to get home before I go to work.”

“What was Alex up to?”

“Not over the phone.  I’ll tell you when I see you.  Come back home about lunchtime.”
I could tell by the silence he wasn’t happy. 

“OK.”  He hung up.

I glared at the phone and put it back on the table, then turned to look at Nadia.  First thing I noted, we were both still in the clothes we were wearing the previous night.

“What happened?”

“Nothing.”  A momentary look of disappointment crossed her face.  “You were tired and I told you to stay.”

“Nothing can happen, or I’ll become Vince fodder.”

“I wouldn’t tell him.”

“He’d find out.  He has walls as spies.”  I looked around the room looking for potential spy cameras or bug locations.

“He wouldn’t dare.”

I climbed off the bed and smoothed out my clothes.  It didn’t make much difference to the crumpled look.  “At least it looks like I’ve been on an all-night surveillance assignment.”

“What are you going to tell Boggs.”

“Nothing.  There’s nothing concrete to tell him yet, just that Alex is, like the rest of us, running around in circles.

Nadia remained on the bed, and even though she looked as messy as I did, hers was a far more alluring messy.  I could feel the pangs of a forbidden desire.  Time to go.

“Come back tonight.  We can go on a voyage of discovery, see the mall as you’ve never seen it before.”

“Sounds like a Discovery Channel documentary advert.”

She sat up then stood and teased the knots out of her hair.  It was the first time I’d seen it out.  It gave her a whole new, softer look.

“Is that a look of desire I see in your eyes, Smidge?”

And the whole moment was shot to pieces.

“Don’t call me that.  I’ll see you tonight, though I’m not sure why.”

I let myself out, after carefully checking to see if the way out was clear.  The last thing I wanted, or needed, was to tangle with Vince.

Or ending up letting the dream become reality.

 
© Charles Heath 2020

The cinema of my dreams – I never wanted to go to Africa – Episode 46

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in, and because of it, he has now been roped into what might be called a suicide mission.

…

It took longer, as everything does when you’re in a hurry.
 
The plane was loaded, the fuel truck had just disconnected the final hose, and was leaving the field, and Davies was firing up the engines.
 
Everyone was on board and strapped in.  I gave my thanks to the Colonel and shut the door before joining Davies in the cockpit.
 
Looking at her cool, calm demeanor gave me confidence.  If anyone could get us out of here in one piece, she could.
 
I put the headphones on and put on the seat belt, just as she revved the engines, saw the wave from the ground crewman who removed the wheel chocks, and we started moving.
 
15 minutes to spare.  Would it be enough?
 
The Colonel had said that it was possible the helicopter might be one of those belonging to the air force and might have missiles that could shoot us down.  Not a good thought.  At the very least it would have a cannon, and if the bullets hit us, it could make an awful mess of the fuselage.
 
He didn’t have any good news though.
 
I was hoping it would just be a commercial helicopter with a couple of thugs with handguns shooting at us.
 
At the top of the runway, she didn’t waste time going to full throttle, and we started rumbling down the runway.  Unfortunately, the wind had changed and to take off we had to initially fly towards Congo airspace before turning towards our destination.
 
Then we lifted off and started gaining altitude.
 
Then I heard Davies mutter, “Fuck.”
 
Trouble.  I saw what elicited the curse.  The helicopter, heading towards us.
 
“Military,” she added.
 
Not that I had any idea what I was looking for, but it didn’t seem to have rockets, but it did have a cannon barrel under the fuselage.
 
“Brace yourself,” she said.  “We’re about to get on the roller coaster.”
 
Still climbing we were getting closer, and I could just see the cannon move.  If it was shooting rounds, they didn’t hit us, not from such a distance, but they were getting closer because we were still flying towards them.
 
Then, suddenly, she turned the planes to the right and down, a plunge so quick that my stomach was in my mouth.  I hate to think what it would be like for those in the back.
 
Aside from the fact my hearing was blocked by the headphones, I could still hear several mini-explosions coming from behind me.
 
Another curse, rather longer this time, from Davies and she twisted the plane back in the opposite direction, and heading around towards the airfield again, much lower down this time, with the helicopter in hot pursuit.
 
Now we couldn’t see it, but it would have a good view of our engines and tail.
 
If any of the bullets hit, we’d be in big trouble.
 
I was bracing myself for disaster.
 
Davies was coaxing the plane upwards, but it seemed sluggish.
 
Nothing happened.
 
“Gun’s jammed.” She said.  “If you don’t maintain your equipment…”
 
That statement was cut off by a huge explosion and turning as far as I could in my seat I just saw the remnants of a firewall, what was once a helicopter.
 
“Ground to air rocket.  The Colonel must have some interesting toys at his disposal.”  Davies sounded very relieved.
 
I started breathing again.
 
“Are we damaged?”  It was a valid question.  The plane seemed like it was flying awkwardly.
 
“I’d say so., Those explosions.  Cannon fire hitting the fuselage.  Probably took out some controls, or failing that, since there’s still maneuverability, probably just a few holes creating drag.”
 
She was a matter of fact like, but that was more because she was fighting the controls to keep us moving in the right direction.
 
Away from trouble.
 
“Go check it out,” she said.
 
At the head of the cabin, I saw the problem, a row of neat holes carved from one window through to halfway along the fuselage, going down.  We’d be lucky if one of the bullets hadn’t struck one of the wires that drove the flaps/
 
There was a hell of a noise from the air coming in through the holes.  
 
By the second window, slumped forward, was Shurl.  There was blood and blood spatter on the floor.  Monroe came up to me and yelled in my ear.
 
“Damned good flying, and only one casualty.  We were incredibly lucky.  Shurl wasn’t quick enough to get on the floor.  Other than that, we’re still in the air, and I’m guessing someone shot the helo down?”
 
“Ground to air missile.  Any sooner, that would have been us.  Try and sit back, rest, and enjoy the in-flight service.  Oh, and a prayer or two might help.”

© Charles Heath 2020-2021