Tag: Story

Taking the headlines and conjuring up the plot of a novel

What do you make of this lot:

What happened at a Russian missile site?  This is also tinged with nuclear fallout.

The US is consulting with allies in Asia about missile sites.  Nothing more inflammatory to a country like China, with whom relations are deteriorating at a rapid rate of knots.

Investors rush to buy bonds.  OK, that’s short term bonds not long term bonds, and that, of course, caused an inverted curve, or a preclusion to a recession.

Gold and silver investment is booming, and in times past, this could be a precursor to war.

China has a huge fishing fleet in the South China Sea.  Why, no one knows.

China is also planning naval exercises in the same area.  Are they flexing muscles or sending a warning?

They’ve also had problems in Hong Kong, but it didn’t escalate into what happened at Tiananmen Square.  But, bottom line, Hong Kong is not a place to go to or stop over any more because of a constant threat of being arrested.  I’m certainly never going there again, which is a shame because it was my second favorite Asian city after Singapore.

And, of course, there’s another flashpoint in Kashmir, which everyone seems to have an opinion, but that had been simmering for a long, long time, and probably will for years to come.

And as for the former world power, the UK, they have got past Brexit, or have they?

So, from a thriller writer’s perspective, it means that if Russia is rearming, the US is trying to pre-empt missile strikes from China, or anything is simmering in North Korea which currently doesn’t seem to be the case, it seems the savvier investors have a notion the world might be on the brink of war, and the US might be in the middle of it all.

The US appears:

  • to be in a trade war with China, or perhaps a war of words
  • are selling billions worth of arms to Taiwan, a red rag to a bull if there was ever one
  • are offering to help out in Kashmir
  • are sending ships to the South China sea to show the ‘flag’
  • are standing back and watching North Korea launch missiles
  • are emphatically denying there will be a recession, at least at home

Can we get a plot line out of all this?

Title:  Flashpoint

Synopsis:

A leaked report on a Russian missile base suggests a recent ‘mishap’ with disarming ‘old nuclear missiles’, was more than just routine issue, and a flyover by satellite shows there are more sinister and unexplainable operations in play.

Meanwhile, the arrival of a Russian nuclear specialist and a group of Chinese scientists in North Korea is quickly followed by several missile tests a week later.  Are the North Koreans, with the help of the Chinese, looking to arm their missiles with Russian nuclear warheads?

The CIA has sent two of their best operatives to find out what is really going on, one, Sam Stockton, borne of Russian parents, and who has yet to exorcise his demons from the last failed mission, and the other, Elizabeth Chen, a North Korean expert who is coming out of retirement for this particular delicate assignment.

Will they discover the truth before the world descends into a nuclear holocaust?

The rainy day effect

I have to say that I prefer that time a month into Autumn (or as it is called in other parts of the world, Fall) when the temperatures become bearable, and often there is the soft patter of rain and it’s a calming effect.

It suits my mood and it helps me with my writing, those days when you don’t feel like going out, you just stare out the window contemplating nothing in particular.  These are days when it’s possible to write like you feel.

Melancholy, reflective.

Unlike a lot of people, I actually like the rain. The pattering of raindrops on the roof and on the leaves of the foliage outside the window, the droplets running down the glass of the windows.

It has a calming effect, a serenity about it, that with a fire burning in the background (and I mean a real fire with burning logs) and soft music, perhaps some gentle jazz, or a symphony (please, not the Pastoral Symphony, but maybe Vivaldi’s Four Seasons).

Moving closer to winter, it gets colder, but not that bone-chilling cold of minus 29 degrees Fahrenheit that Northern Hemisphere winters have) but the 16 degrees centigrade we have, along with the rain and the wind.

Different seasons have different winds.  Summer, they are strong and warm, Autumn, swirling and cool with that rustle through the leaves, Winter, hard and, well, not very cold as they are down south in places like Tasmania, and Spring, the gentle breeze with a hint of the coming summer.

On rare occasions, it can have the un-nerving effect, sort of like the wailing of a banshee.  Or a sort of humming sound as it blows through the electricity lines.

It reminds me of a set of allegories I read about a long time ago,

Winter – sad

Spring – hope

Summer – happy

Autumn – reflective

Perhaps it is a little early for me to be reflective because where I live, Autumn is just about over and Winter is coming.

But, of course, this year will be different.  Aside from the usual spate of colds and flu, we have a bigger problem, the possibility of an outbreak of COVID 19.

We may have won a short term victory but this is war, and as we all know, wars take years to win.

But in self-isolation, there is a silver lining.  I might get to write that trilogy I’ve always wanted to.

Holiday? What holiday?

There’s a reason why I can’t have a holiday.

You might think it’s because of the COVID 19 virus, and, probably that’s a good reason, but I could just move into the motel down the road for a few days.

You know, a change is as good as a holiday!

But the real reason is right in front of me.

I’m sitting at my desk surrounded by any number of scraps of paper with more storylines, written excerpts, parts of stories, and a number of chapters of a work in progress.

Does this happen to anyone else?

The business of writing requires a talent to keep focused on the one project, and silence all the other screaming voices in your head, pouring out their side of the story.

But it’s not working.

I try to be determined in my efforts to edit my current completed novel, after letting it ‘rest’ in my head for a few months.

I planned to have so time off, but all of those prisoners in my head started clamoring for my attention.  A story I started some time ago needs revising, another story I wrote last year of NANOWRIMO has come back to haunt me, and characters, well, they’re out in the waiting room, pacing up and down, ready to tell me their life stories.

Just as well I don’t have a day job, or nothing would get done.

What a dazzling book cover might do…

And, of course, the description.

Probably one of the hardest things for a first-time author is not so much the writing but what is needed after the book is written.

You need a good description.  Short, sharp, incisive!

There’s a ream of advice out there, and I have read it all.

And, still, I got it wrong.

Then there is the cover.

I wanted simplistic, a short description to give the reader a taste of what’s in store, and let the story speak for itself.

No.

Apparently, a good cover will attract the reader to the book.

When I tendered my books on various sites to advertise them, sites such as Goodreads, and ThirdScribe, all was well with what I had done.

Then I submitted my books to a third site and they rejected the covers as too simplistic and the descriptions mundane, and wouldn’t post them.

Wow.

There’s a huge blow to the ego.  And just the sort of advice that would make a writer think twice about even bothering to continue.

But…

Perhaps the person who wrote that critique was being cruel to be kind.

But while I thought my covers were quite good, I made a mock up of them and then put the books n the shelf as they would in a book store, along with a few other books that I have bought, and I could see why they might not have the impact I was looking for.

So, with my graphic designer, both an app, and a person, namely my daughter, we started looking at the plot of the story and of weaving that into the cover, for at least three of my books.

Whilst I am far more impressed with the new covers, I wonder if they’re just too busy.  Certainly, after you’ve read the book, you will understand the nuances and layers.

Will it be a case of ‘what a difference a cover makes’?

A twitter biography

Every year I come back to revisit this, and each year it becomes a harder issue to deal with.  All that’s recently changed is the number of characters you can use

I’ve been trawling the endless collection of twitter descriptions provided by their users, noting that there is a restriction of 280 characters.

How do you sum yourself up in 280 characters?

I don’t think I can, so we tend to put down a few catchphrases, something that will draw followers.  I’m thinking the word ‘aspiring’ will be my catchword.

I’m aspiring to be a writer, or is that author?  Is there a difference, like for instance, one publishes ebooks on Amazon, one publishes hard copies in the traditional manner?

Is there a guide to what I can call myself?

Quite simply put, but in more than 140 characters, married happily, two wonderful children, three amazing grandchildren, and a wealth of experience acquired over the years.

Actually, that sounds rather boring, doesn’t it?

Perhaps it would be better if I was a retired policeman, a retired lawyer, a retired sheriff, a retired private investigator, a retired doctor, someone who had an occupation that was a rich mine of information from which to draw upon.

Retired computer programmers, supermarket shelf stackers, night cleaners, accounts clerks and general dogsbody s don’t quite cut the mustard.

I have also become fascinated with the expression ‘killer biography’.  Does it mean that I have to be a ‘killer’?

Better than the self-confession above.  Should we try to embellish our personal history in order to make it more appealing?

It’s much the same as writing about daily life.  No one wants to read about it, people want to be taken out of the humdrum of normalcy and be taken into a world where they can become the character in the book.

And there you have it, in a nutshell, why I write.

 

The cinema of my dreams – I always wanted to write a war story – Episode 7

This is a story inspired by a visit to an old castle in Italy. It was, of course, written while travelling on a plane, though I’m not sure if it was from Calgary to Toronto, or New York to Vancouver.

But, there’s more to come. Those were long flights…

And sadly when I read what I’d written, off the plane and in the cold hard light of dawn, there were problems, which now in the second draft, should provide the proper start.

 

If it had been Jackerby in charge and not Johansson, I had no doubt I’d be at the end of a firing squad now.

Jackerby was not Army, nor a man of honour.  His gait, his manner gave him away, despite the fact he was out of his usual uniform.  I suspect now I had been taken care of, that would change, and we’d get to see his true colours.

After leaving the hall, I was escorted downstairs to the cellar, and where I knew there were a number of rooms with iron gated fronts, places I suspected, in olden days, enemies of the castle were held, enslaved or executed in these cells.

There were several male prisoners is the first two cells, awaiting their fate, one which would not include escaping to the other side, but perhaps something a lot worse than death.

At the end, there was another corridor, and several smaller cells, where second from the end, I was roughly shoved by one of the guards.  He was going to add the butt of his rifle to the back of my head for good measure, but Jackerby stopped him.

I was sure it wasn’t out of respect for Johansson.  It appeared that Johansson needed me for something else.

After the door closed I yelled out, “All the rooms upstairs filled?”

“Yes.  It’s high season.”  So Jackerby had a semblance of a sense of humour.

 

The room, if it could be called that, had a camp stretcher, a seat, and a bucket.  The light came from a burning torch out in the corridor, an interesting touch that electricity had not made it down this far.

The floor was cobbled, and, like the walls, damp.  There was an overbearing odour of mustiness in the room.

It was also cold, so these cells must be located not only under the old castle but underground.  That meant centuries of history, and probably a ghost or two.  I was sure terrible things had happened, down in these cells, not just back then but also recently.

Outside the wall, I could hear the sound of running water, so the back wall must border onto the stream.  And there must be a gap, or hole somewhere for the sound to reach me, but it was too dark to see.

When night fell, it was going to be a lot worse; the light wouldn’t be affected, but it was going to get a lot colder.  As it was the torchlight from the passage barely made an impact, and it took a few minutes for my eyes to adjust.  And I was sure there were rats, just waiting for the dark to come out to play.

I moved the seat to beside the door and sat down, trying to make myself comfortable, in a position where I might hear them coming if they came back.

Then a voice quite near, said, “What are you here for?”

 

© Charles Heath 2019

I find myself in a very strange world

And I don’t know how I got here. I have a sneaking suspicion that I stepped through a portal, only I didn’t recognise it as one until I reached this side.

I say this side because the world I’m in now is not the world I remember from a while back, well, perhaps a year or so. Time passes very slowly here.

Before everything made sense, China didn’t hate us, and we had just finished touring some of the most remarkable sights of that very country.

There was no coronavirus and I didn’t fear for my life, and the fact I had a compromised immune system didn’t matter a hoot, except for the constant pain in my lower back and hands, the result of psoriatic arthritis going berserk as I get older.

My grandchildren were in school, alternately loving and hating it, and every Friday I would get one from school and she would tell me how her world was hell, and I had no idea what it was like.

Another would start all her sentences with ‘basically’, and the other would end hers with ‘like’.

I would lament the fact our schools no longer teach proper English, and we could sit around and talk about the YA novel I was writing for them, and that they were the characters in this mythical kingdom. And, yes, they are princesses, if not crotchety one day, and all smiles and goodness the next.

And, in an instant, that whole world was blown away.

Am I angry? I was. A year is too long to be mad at everyone and everything.

Have I a different outlook on life? Yes, I live every day as if it was my last, because the truth is, it just might be.

Can I travel anywhere? No. There’s too much risk in a world where few people under the age of 65 care about consequences.

Is there a reason to live? You may well ask.

I have thought about this often, lying awake in bed every morning, asking myself why I would bother getting up. I can’t go anywhere, I can’t do very much.

But…

We have here an almost remarkable record in keeping the coronavirus at bay, so we have some freedom. We can’t leave the country, and every other month a state or two closes its borders, so travelling outside the state is too risky. The schools are back, and I resumed pick-up duties last Friday, and, yes, the sweetness of the complaints about school life is like music to my ears.

Have I a reason to live? Yes. There are three girls, and grandchildren, one 13, one 16, and one 19. The 13-year-old is in the first year of secondary school, the 16-year-old lamenting the fourth year of secondary school, and the 19-year-old is about to embark on the terrors of tertiary education. She can also drive herself, a shred of independence that has changed her outlook, going from a child to someone more mature.

I hadn’t realized how much their lives were in such a constant state of change. Nor had I realized how much they prefer to tell me about it rather than their parents.

So, the answer to that deep and meaningful question is, is there a reason to live?

Yes. We can have so many things we think are essential to living our lives taken away, but in the end, they are all but superficial. You can lose a car, some of your mobility, a house, or any sort of chattel, but they are insignificant. What matters most, and always will, is family. I’m lucky, and indeed, extremely grateful, to have mine so near.

Now I suppose I should be getting to bed. Tomorrow, I have just been informed, I’m rostered on in what is known as ‘poppy’s taxi’.

And ready to hear the next enthralling episode of school life these days.

My disdain for some reporters, and reporting these days

It is sometimes quite trashy and that’s saying something!

Having been a journalist in a previous lifetime, and one that always believed that the truth mattered, it didn’t take long to realize that journalists should never let the truth get in the way of a good story.

Newspapers, and all other forms of media, will only write what they believe will sell, or what they think the public wants to read. The truth, sadly, is not the first thing on the reader’s mind, only that someone is to blame for something they have no control over, and it doesn’t matter who.

And the more outlandish the situation, the more the public will buy into it.

This, I guess, is why we like reading about celebrities and royalty, not for the good they might do, but the fact they stumble and make mistakes, and that somehow makes us feel better about ourselves.

Similarly, if the media can beat up a subject, like the coronavirus, and make it worse than it is, then people will lap up the continuing saga, as it relates to them, and will take one of two stances, that they believe the horror of it, and do as they’re asked, or disbelieve it because nothing can be that bad, and ignore it and the consequences of disobedience. knowing the government will not press too hard against the non-compliers simply because of democracy issues it will stir up.

That is, then the media will get a hold of this angle and push it, and people will start to think disobedience is a good thing, not a bad one.

So, our problem of trying to get a fair and balanced look at what the coronavirus is all about is nigh on impossible. We are continuously bombarded with both right and wrong information, and the trouble is, both sides are very plausibly supported by facts.

And that’s the next problem we have in reporting. We can get facts to prove anything we want. It’s called the use and abuse of statistics and was an interesting part of the journalism degree I studied for. We were told all about statistics, good and bad, and using them to prove the veracity of our piece.

I remember writing a piece for the tutor extolling the virtues of a particular person who was probably the worst human since Vlad the Impaler, using only the facts that suited my narrative. I also remember the bollocking he gave me for doing so but had to acknowledge that sometimes that would happen.

The integrity of reporting only went as far as the editor, and if the editor hated something, you had to hate it too. This is infamously covered in various texts where newspaper publishers pick sides and can influence elections, and governments. It still happens.

So, the bottom line is, when I’m reading an article in the media, I always take it with a grain of salt, and do my own fact-checking, remembering, of course, not just to fact check to prove the bias one way of the other, but then get a sense of balance.

We have state elections coming up where I live, but it does not sink to the personal sniping level as it does in the US, we haven’t sunk that low yet, but we haven’t got past the sniping about all the wrongs and failed promises of the government of the day, or the endless tirade against the opposition and how bad a job they did when they were previously in government.

You can see, no one is talking about what they’re going to do for us, no one is telling us what their policies are. It’s simply schoolyard tit for tat garbage speak. What happened to the town hall meeting, a long and winding speech encompassing the policies, what the government plans to do for its people in the next three years, and then genuinely answering questions?

Perhaps we should ban campaigning, and just get each party to write a book about what they intend to do, and keep them away from the papers, the TV, and any other form of media, in other words, don’t let them speak!

And don’t get me started about the drivel they speak in the parliament. Five-year-olds could do a better job.

OK, rant over.

A life so ordinary – the beginning

When I was trying to think of a title for this post, and probably a lot more in the same vein, I thought of using

The Life of an Ordinary man

or

The life of an ordinary person

and realized that political correctness wasn’t going to make the title any easier to create.

The other thing is that should we have the right to say our life is ordinary?

What is ordinary life?

Is it the life the Joe and Jane Average have?

Dear God, I think I’ll just give up and go home.

Then I started thinking about school and the first girl I liked. I was five, and with absolutely no understanding of what I was feeling, I think it was great we were just friends.

It was 1958.

That was a long, long time ago.

No need to worry about politics, where the next paycheck was coming from, can I afford the car payments, and why do my children hate me so much.

Five was a great age. You go to school, sit around having fun, have an afternoon sleep, you always got a bottle of milk mid-morning (pity there was no flavoring in it) and lunchtimes you sat outside near the oval and made daisy chains in summer, or ran through the puddles in winter.

Or play on the monkey bars.

I remember the school, Dandenong State School. A large gothic, or so I thought then, building, that looked really scary from the outside, and then, when you met the teachers, really scary inside.

It had a quadrangle and a bell.

We had an assembly every morning and sang God Save the Queen.

Halcyon days indeed.

We lived in a house in Bess Court.

It was odd how our places of residence were reduced to a street name.

From my first, Valetta street, I think the first house my parents moved into.

Later in a foray into the past via genealogy we discovered my father had qualified for a war service loan and built the house himself.

We stayed there for a few years, then moved to Warren Road, for a very short time. There was no rhyme or reason for this move but it was notable for one reason, my younger brother was born while we were there.

And one single other memory I have, that I used to go picking jonquils in a field behind the house

Then we moved to Bess Court, where we stayed for a number of years, what literally become a house of horrors, a time that consisted on only bad memories.

While here, I started grade school.

Then it was a move to Henty Street, where I spent the rest of my life before getting married and moving out.

Each had a significance, and a definitive set of memories, some good, some bad, some really bad, some all at the same time.

As for that ordinary, perhaps we’ll explore it tomorrow.

“Do you believe in g..g..ghosts…?”, a short story

Inside the old building, it was very quiet and almost cold.

Strange, perhaps, because outside the temperature was bordering on the record hottest day ever, nearly 45 degrees centigrade.

The people who’d built this building nearly a hundred years before must have known how to keep that heat at bay, using sandstone.

Back then, the sandstone would have looked very impressive, but now after many years of being closed off and left abandoned, the outside was stained by modern-day pollutants giving it a black streaky look, and inside layers of dust, easily stirred up as we walked slowly into the main foyer.

It was huge, the roof, ornate, with four huge chandelier lights hanging down, and wood panelling, giving way to a long counter with brass serving cages highlighting its former use; a bank.

In its day it would have conveyed the power and wealth so that its customers could trust the money to. Of course, that was before the global economy, online banking, and a raft of the new and different institutions all vying for that same money.

Then it was a simple choice of a few, now it was a few thousand.

“How many years had this been closed up?” I asked.

“Close to twenty, maybe twenty-five. It was supposed to be pulled down, but someone got it on the heritage list, and that put an end to it. “

Phil was the history nut. He’s spent a month looking into the building, finding construction plans, and correspondence dating back to before and during the construction.

Building methods, he said, that didn’t exist today and were far in advance of anything of its type for the period. It was the reason we were standing in the foyer now.

We were budding civil engineers, and the university had managed to organize a visit, at our own risk. The owner of the building had made sure we’d signed a health and safety waiver before granting access.

And the caretaker only took us as far as the front door. He gave us his cell number to call when we were finished. When we asked him why he didn’t want to come in with us, he didn’t say but it was clear to me he was afraid of something.

But neither of us believed in ghosts.

“You can see aspects of cathedrals in the design,” Phil said. ” You could quite easily turn this space into a church.”

“Or a very large wine cellar.” I brought a thermometer with me, and inside where we were standing it was the ideal temperature to store wine.

Behind the teller cages were four large iron doors to the vaults. They were huge, and once contained a large amount of cash, gold, and whatever else was deemed valuable.

They were all empty now, the shelves and floor had scattered pieces of bank stationery, and in a corner, several cardboard boxes, covered in even more dust.

Behind the vaults were offices, half-height with glass dividers, the desks and chairs still in place, and some with wooden filing cabinets drawers half-open.

Others had benches, and one, set in the corner, very large, and looked like the manager’s office. Unlike the other office which had linoleum tiles, this one had carpet. In a corner was a large mirror backed cabinet, with several half-empty bottles on it.

“Adds a whole new meaning to aged whiskey, don’t you think.” Phil looked at it but didn’t pick it up.

“I wonder why they left it,” I muttered. The place had the feel of having been left in a hurry, not taking everything with them.

I shivered, but it was not from the cold.

We went back to the foyer and the elevator lobby. They were fine examples of the sort of caged elevators that belonged in that time, and which there were very few working examples these days.

The elevators would have a driver, he would pull back an inner and outer door when the car arrived on a floor, and close both again when everyone was aboard.

Both cars were on the ground floor, with the shutter doors closed, and when I tried to open one, I found it had been welded shut. The other car was not sitting level with the floor and the reason for that, the cable that raised and lowered it was broken.

Restoring them would be a huge job and would not be in their original condition due to occupational health and safety issues.

The staircase wound around the elevator cage, going up to the mezzanine floor or down to the basement.

“Up or down?” He asked.

“Where do you want to go first?”

“Down. There’s supposed to be a large vault, probably where the safety deposit boxes are.”

And the restrooms I thought. Not that I was thinking of going.

As we descended the stairs it was like going down into a mine shaft, getting darker, and the rising odor of damp, and mustiness. I suspect it would have been the same back when it was first built being so close to the shoreline of the bay, not more than half a mile away.

The land this building and a number of others in a similar style, was built on was originally a swamp, and it was thought that the seawater still found its way this far inshore. But the foundations were incredibly strong and extensive which was why there’d been no shifting or cracking anywhere in the ten-story structure.

At the bottom, there was a huge arch, with built-in brass caging with two huge gates, both open. It was like the entrance to a mythical Aladdin’s cave.

There was also an indefinable aura coming from the depths of that room. That, and a movement of cold air. Curiously, the air down there was not musty but had a tinge of saltiness to it.

Was there a natural air freshener effect coming from somewhere within that vault.

“Are we going in?”

I checked my torch beam, still very bright. I pointed it into the blackness and after a minute checking, I said, “We’re here, so why not.”

We had to walk down a dozen steps then pass under through the open gates into the room. There was a second set of gates, the same as the first, about thirty feet from the first, and, in between, a number of cubicles where customers collected their boxes.

Beyond the second set of gates was a large circular reinforced safe door high enough for us to walk through.

This cavernous space stretched back quite a distance, and along the walls, rows, and rows of safety deposit boxes, some half hanging out of their housing, and a lot more stacked haphazardly on the floor.

I checked a few but they were all empty.

I shivered again. It felt like there was a presence in the room. I turned to ask Phil, but he wasn’t there. I hadn’t heard him walk away, and there were only two sets of footprints on the floor, his and mine, and both ended where I was standing.

It was as if he had disappeared into thin air.

I called out his name, and it echoed off the walls in the confined space. No answer from him.

I went further into the room, thinking he might have ventured towards the end while my back was turned, but he hadn’t. Nor had he left because there were only footprints coming in, not going out.

I turned to retrace my steps and stopped suddenly. An old man, in clothes that didn’t belong to this era, was standing where Phil had last been.

He was looking at me, but not inclined to talk.

“Hello. I didn’t see you come down.”

Seconds later the figure dissolved in front of me and there was no one but me standing in the room.

“Joe.”

Phil, from behind me. I turned and there he was large as life.

“Where were you?”

“I’ve been here all the time. Who were you just talking to?”

“There was an old man, standing just over there,” I said pointing to somewhere between Phil and the entrance.

“I didn’t see anyone. Are you sure you’re not having me on?”

“No. He’s right behind you.” The old man had reappeared.

Phil shook his head, believing I was trying to fool him.

That changed when the man touched his shoulder, and Phil shrieked.

And almost ran out of the room. It took a few minutes for him to catch his breath and steady the palpitating heart.

“Are you real?” I asked, not quite sure what to say.

“To me, I am. To anyone else, let’s just say you are the first not got faint, or run away.”

“Are you a ghost?” Phil wasn’t exactly sure what he was saying.

“Apparently I am and will be until you find out who killed me “

Ok, so what was it called, stuck in the afterlife or limbo until closure?

“When?”

“25 years ago, just before the bank closed. It’s the reason why it’s empty now.”

“And you’re saying we find the killer and you get to leave?”

“Exactly. Now shoo. Go and find him.”

We looked at each other in surprise, or more like shock, then back to the man. Only he was no longer there.

“What the…” Phil sail. “It’s time to go.”

“What about the man and finding his killer?”

“What man? We saw nothing. We’re done here.”

I shrugged. Phil turned to leave, but only managed to take three steps before the gates at the entrance closed with a loud clang.

When he crossed the room to stand in front, he tried pulling them open.

“Locked,” he said. Flat, and without panic, he added, “I guess it looks like we have a murder to solve.”

© Charles Heath 2019-2020