Tag: Reference

You learn something new every day (2)

I got a call this morning from my brother who has been delving into the places we have lived over the years, including those before we were born.

My recollection, hazy at best, is that my father’s parents lived in Camberwell, a suburb of Melbourne, and the boys, those that survived the war, lived there too. He had three brothers, I think, and a sister. From what I’ve read, his older brother was a sensible chap and the peacemaker between him and his parents.

Later one of his brothers went to Sydney, his sister lived among orchards our Ringwood way, and another, much later, moved to Queensland. We very rarely, if ever, saw them, and the last time I did with most in one place, was after my Grandmother died. I do remember Dora, the site, visiting us once, and being young at the time, she seemed a very forbidding woman.

But, this is about where they lived.

My father, presumably before and immediately after the war, at home, and my mother at her home in Pakenham. There her father ran a service station and motor mechanic shop and was well known. Their house, at the time, was built over the road, just a short walk from home to work. The place, the first time I saw it, was a mechanics dream, with old cars and car parts outside and inside garages, and a woodworking shop with every tool imaginable.

Once the place had very elegant gardens, but by the time I got to stay there, in the 1960s, it was all overgrown, and the house was in disrepair. My mother’s brother lived there with my grandmother, and he was a fearsome, huge man who said little. All I knew about him was that, a) he was the one who found his father after he had killed himself, b) he liked fishing and went to a place called Corinella, and c) he was a mechanic like his father.

So, at some point in 1948, my father must have up and left, perhaps after an argument with his parents, and moved to Keiwa House, Bogong, where the Snowy River Hydro-Electric Scheme was being built, as a projectionist, bringing films to the workers in Town Halls.

As I’ve said, my mother stayed in a boarding house for ladies during the week and went home on weekends. I have the first letter that my father wrote to her and references the fact he went calling on her, and she was not there. We’ll never know what she thought, but there’s a second letter, after she wrote back, so a friendship was struck. He told her, almost in minute detail, what he was doing, and presumably, she told him about hers.

A year later, they married.

Now it gets interesting. We both thought that their first house, after getting married was in Carrum. It wasn’t. In the pile of letters were references to the family staying in a rented flat in Camberwell.

Sometime after that, there is a contract for a war service loan in relation to a property in Carrum, which turns out to be the first house they lived in, and where my brother, born in 1950) lived, and where I lived after I was born in 1953. I have interesting if vague memories of this house, and of the people who lived behind us because we could climb through the fence into their property. We knew them during, and after living in Carrum.

Now, today, some interesting new facts came to light about the Carrum house. We always assumed we owned it, but it seems that we didn’t. A copy of the title for that property never had the name Heath on it, so did we rent it? More information is required, and we need to dig deeper. Let’s hope there are no skeletons there.

And something else came out of a discussion with the daughter of my mothers sister, that it was believed my mother’s parents bought them a house in Chelsea, but my father, apparently, refused to live in it and sold it.

OK, I never claimed that my father was the sort that might have accepted charity, so perhaps in a moment of madness, he lost the plot. The question is, what happened to the money?
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You learn something new every day (1)

And it’s not necessarily something that might be good. To be honest, I didn’t know what to think, but in a strange sort of way it put a few things into perspective.

My brother and I have been delving into the family history, or at least my brother is throwing everything at it, and I’m along for the ride.

I did have a trove of stuff that we found when cleaning out my parent’s house when they moved into aged care, and at the time I didn’t think much of it. It was more about getting them settled than figuring out what was kept.

Now, four or so years later, and having finally received an interim output of the family tree, it’s not so much the forebears that interested me, as it was my parents.

It seems that our looking at our immediate family’s potted lives is like walking through a minefield, riddled with contradictions, rumors, and anecdotal evidence that doesn’t, for the moment, have any hard evidence to back it up. Or at least some have, but that’s not the interesting part.

So, picture this. The extent of my knowledge of my immediate family was that my father is Australian, his mother English, and I’m a second-generation Australian with an English grandparent. It doesn’t sound much, but not so long ago I could have applied for and got an English passport and had dual nationality. Unfortunately, that cannot happen anymore, you have to be one or the other.

My mother’s mother was of English descent and her husband of German descent. It was understood that my grandfather on this side died not long after I was born, though for a long time we were never told how. Only recently it came to light that he had committed suicide, and my brother has a copy of the suicide note he wrote. Morbid, eh? It turns out he thought he had cancer, but didn’t and mistakenly ended his life thinking he might have been a burden on my grandmother.

But now we started digging, getting dates of birth, easy, dates of death, easy, marriage certificates, and parents’ names for this limited dip into history, relatively simple.

But the story, the real aspects of genealogy, is where they went to school, their first job, what the did in the war, that fascinating the story of their lives at different times, that’s where I’m more interested. My brother has the facts, I want to give them a story entwining those facts.

Something that adds some flesh to the story is letters.

Another recent addition to the pile of family documents are the letters between my mother and father before they were married, and the fact my mother had another boyfriend, something we never knew until the great clean up. I have those letters, or some of them too.

Those letters, from him, unfortunately, we don’t have hers, are fascinating, as are those from my father. There is no indication of why there was a breakup with the first boyfriend, but I did learn that my father had gone to an introduction agent by the name of Mrs. J Phillips who gave him her name. What factors had led him down this path?

It was, to me, very Dolly Levi-ish.

I discovered my father worked as a projectionist at the Snowy River hydro-electric project after the war., around 1948. He had spoken of showing pictures at the Athenaeum Theatre in Flinders Street, and the King’s Theatre in Melbourne, but not exactly when, which accounted for his amazing knowledge of Hollywood movie stars. It was, however, as much as he had shared for a long time.

I also discovered that he was in Perth, Western Australia immediately after the war, and then went overseas to England by ship 13th August 1947, arriving in London on 12th September, and stayed at Middlesex with relatives.

Ok, now it gets a little weird because when in Bedfordshire he became engaged to an English girl that he had (apparently) known for 10 years. How this came to pass is still a mystery awaiting an answer. The wedding was supposed to be on 21st December 1947 but never happened, because the marriage was forbidden by her parents because they did not want their daughter to move to Australia, and equally forbidden by his parents because she was Catholic.

Yes. Religion was a breaking point in those days because he was a protestant. He returned, perhaps heartbroken, a year after he left, in April 1948.

I found that for a period of two years there would be enough speculative material to fuel a very lively account of their lives, and particularly his.

My mother, by the way, spent the war years attending Dandenong High School, a steam train ride down from Pakenham to Dandenong. After that, she gained employment in Melbourne, and spend the weekdays at a Ladies Boarding House called Chalmers Hall, in Parliament Place, and going home to Pakenham on the weekends. From a note or two, it seems she was something of a ‘wild’ child who craved doing something with her evenings other than ‘staying in’, with references to her going out with her friends.

My father confessed that he was the family’s black sheep, that he didn’t get along with any of the family, and which was why he was never home and always traveling. He wrote, in one letter of October 1948, that when he got into an argument he got mad and walked out on them, and came back when calm had returned. I assume that meant it might take days, weeks, or even months for the dist to settle.

There were disputes with my father with both his brothers and his parents over marrying my mother, and there were problems between my mother and her parents, to the extent they might not attend the wedding. For a few months of tense silence, there might not have been a wedding at all, but eventually, this happened at Trinity Church, Camberwell, on the 28th of June, 1949.

Wow! It shows that illusions of what might have been their happy day turning out to be moments of high dudgeon. Oh, to have been a fly on the wall.

I still have no idea what split her and the original boyfriend, a man she’d known since she was 14, and was from her hometown area, Pakenham. It might have been something she said because there are indications on one of two draft letters that she was prone to speaking her mind, and had a temper which would not have helped in using discretion. I’m guessing a few years of war would make a man lose interest in a high minded, and perhaps a sharp-tongued woman. I suspect we’ll never know.

She is now 93 and has Alzheimer’s and dementia, and unlikely to remember back then.

Similarly, my father is 97 and I doubt sitting down with him would elicit much on the way of a sensible discussion. He was always irascible at best and oddly suffers from PTSD from his war service if that’s still possible. Over the years he was never prone to sharing his past life, except in snippets, and that, some of it was about the war. I guess war did terrible things to the participants back them

And, as for his war service, we have the physical documentation of where and when, but only a potted history of his own account of his service. But even that is a story and a half in itself.

More on that later.

The cinema of my dreams – Was it just another surveillance job – Episode 30

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

 

Collecting the car was easy because it was not kept near my flat.  I could not afford to park nearby, and couldn’t get a permit to park on the street.  I had cursed my bad luck at the time, but now it was very useful.

I spend a few hours resting in the car, stopping along the way at a park, and then, well past nightfall, I drove to the block in Oakwood Avenue, easily recognizable from the exterior photo also provided by the realtor.

Twice around the block, I stopped around the corner, past the block, and noted that I could walk back and then take cover from the trees and shrubs growing in front of, and around the building.  To reach the right flat, I would have to pass down the inner side towards the rear where, hopefully, there might be a door.

Otherwise, it would have to be the hard way.

At 00:45, I left the car, and walked back to the block, keeping an eye out form people walking, or looking out their windows on either side of the street.  Then, satisfied I hadn’t been seen, I ducked through the trees and quickly walked the distance from the front to the side where I stopped and waited.  After a few minutes, and nothing had stirred, I started down the side of the building.

Several flats had lights on, but the curtains were drawn.  Being the ground floor, I doubted whether those curtains would be open at night.  It didn’t take long to be alongside the flat in question.

It was in total darkness, and the curtains had been drawn.

First problem.  There was no back door.  The traditional entry point would be the front door, and no doubt there was a communal back door as well.  Next, I checked the windows, and those that I could see were complete glass and non-opening.  Worse still they had a metal grilled across them to deter thieves.

Near the corner, leading to the rear of the building was a window, higher up and ajar.  By its location, I guessed this was the bathroom or the toilet.  I was hoping for the former.

It took a few minutes to unlatch the window and several more to scramble up the wall, and it through the window opening, which wasn’t much wider than me.  I had to be careful not to drop any of the bottles on the inner ledge.

Once down of the other side, inside the room, it was a narrow bathroom, without a bath, and almost impossible to see.  I fixed the window and put everything back on the ledge, just in case someone did a circuit of the building at a security measure.

Once inside, and after one in the morning, little stirred.

I could just faintly hear the flat owners above, hardly enough noise to be concerned about, and bringing a thought; shouldn’t they be asleep like everyone else.

It was certainly a quiet neighborhood.

I brought a small torch from the car with me and sparingly used it to find my way around.  When my eyes got used to the semi-darkness, I found that the flow from small lights of appliances adequately lit the rooms.

It had two bedrooms, one empty and being used as a storeroom, a lounge room, a dining area, and the bathroom, and kitchen area.  It was big enough for a couple, or even a couple with one child.

Inside what I assumed was the front door, I found several letters shoved under the door.  They were addressed to Mr. Adam Quinley.

I hoped that I’d not made a mistake and broken into a flat belonging to another person.  O’Connell didn’t see to me to be a Quinley, because it was an unusual name.

The dates on the letters went back a week and told me whoever the flat belonged to, they hadn’t visited it for a while.  I went back to the lounge room and over to a desk.  There were the familiar cords leading to no computer, but there was a printer.  It meant he had a laptop he carried with him.

A laptop that no one had found.  It suggested to me that he had it somewhere near him, perhaps in a car, which may be still parked in a garage, or parking station somewhere.

I searched through the neat pile of documents on the desk, and in a folder marked ‘Accounts’ and found one for the car registration, in the name of Quigley.  I noted the registration and type of car, and just in case I forgot it, folded the piece of paper and put it in my pocket.  It would be the subject of my next search if nothing showed up.

The next half hour I made a thorough search of the flat and found nothing of use.  I checked for all the spots he might have hidden the USB, but it was not there.  He had kept it somewhere else.

Done, I left the flat by the front door, and for good measure, checked his mailbox, outside, and found a number of letters.  I took them and would look at them back in the car.  Just as I made the tree line to walk back, a car stopped outside the building.

The door opened and I watched the driver get out of the car, stop and look up and down the street, then walk towards the front door,

By chance, the occupant of the flat above the door switched on a light in the room which, uncurtained, spilled out to shed light on the person now at the front entrance.

I recognized her immediately, just before the light was switched off and darkness took over.

It was Jan.

 

© Charles Heath 2020

Short story writing – don’t try this at home! – Part 2

This is not a treatise, but a tongue in cheek, discussion on how to write short stories. Suffice to say this is not the definitive way of doing it, just mine. It works for me – it might not work for you.

There are two methods of writing, planning, sometimes meticulous planning, or flying by the seat of your pants, or being called a ‘pantser’.

The first has it all planned out before they start writing, from beginning to end, knowing what the end result will be. The second, well, we like to write and see where it takes us.

I like to think I fly by the seat of my pants, you know, like the reader who takes up the story and starts reading, not having a clue where it’s going to go. I prefer that blissful ignorance, of course, until I run out of ideas, roughly the equivalent of hitting a brick wall

Or that common enemy all writers have, the dreaded ‘writers block’.

I’ve tried both methods.

Each work, but in the case of the ‘planner’, you need to know where it’s going to start what’s going to happen in the middle and have the end firmly planted in your mind.

Not much good if a rotten character is making you angry and you want to kill him off, and in the most excruciatingly painful manner.

Flying blind gives you a little more creativeness and be able to go around a corner and see what’s there. It also allows for those complete changes of direction you come up with in the shower, the place that is a fertile ground for new ideas just when you’re running out of them.

But it can sometimes play havoc with word counts and if you’re trying to fit into 2,000 words, 5,000 words, or a lot less, taking the story where it wants to go is not a good idea, and sadly, I tend to let stories run their course.

And sometimes I like the idea of writing three different endings, and then can’t choose which one I like the best.

So, role model I am not. I like writing, and when I’m in the ‘zone’ it’s like I’m in another world.

But then, isn’t that the case for all of us?

More unclarity tomorrow!

An unfortunate side-effect of a pandemic

As writers, we put ourselves in the shoes of many different people.

We have extraordinary lives, sometimes more than one, but never more than the regulatory nine.

We get shot at, manage to run into cars and miraculously bounce off with only a few scratches, fall off three-story balconies, and sometimes get in the way of stray, and almost perfectly aimed bullets.

Near-death, almost dead, mostly dead, but always, somehow, we come back to life.

But, in reality, this rarely happens.  You get shot; you often die.  You get hit by a car, or, worse, a bus, you quite often die.

You certainly do not get back up again, leap out of hospital beds, and chase after bad guys.

So, what does any or all of these things feel like in reality?

In my case, I have no idea, other than what I have read, and what I’ve been told by experts it might be like.

But what if…

…you are facing what might be certain death?

It’s not a realistic statement, is it?  You can’t possibly know when and how you’re going to die.

So, let’s factor in a possibility, and let’s call it Covid-19.

What do we know about it?  It is a killer if you have respiratory problems, heart problems, in fact, any sort of problem with organs, and, if you have a weakened immune system.

And, it is far more dangerous if you have any of these conditions and are over the age of 60.

I’m 68.

I have psoriatic arthritis and use methotrexate which is an immunosuppressive medicine

It means, in not so many words, I have a compromised immune system.  That’s the doctor’s polite way of saying I’m in deep trouble if I get Covid-19.

So…

I now have to face what is most like man’s worst fear: death.

I fit into a category where I have a 40% chance of survival.

There is no cure, there are vaccines but they might also kill me even though the odds are very slim, so really it is simply a matter of the body fighting off the virus itself, and, more or less, wait and see.

To say I’m scared of what might happen is an understatement.

In this country, up till now, we have managed to avoid a disaster, but with the new variant, everyone is all but saying that in a short time that will change … for the worse.

I hope not.

I do not want to have a first-hand experience of what it like to die.

I go missing for a day, and…

It’s like dying a literary death.

The silence is deafening.

It seems, after a lot of trial and error, trying this that and the other, I’ve discovered that you only get out of social media what you put into it.

And it means that unless you are on it 24 hours a day, every day, spruiking, or whatever it is we writers are supposed to do promoting ourselves and our work, nothing happens.

Don’t get me wrong, there are those who are raging successes, and I am happy for them.

But for us living on the fringe, and there is quite a lot of us, trying valiantly to reach the public eyes, the battle is just that, a battle.

When do you get time to write?

Is it a choice between writing, or trying to garner support and a following?

The authors who are published by the large publishers will tell you that it is the only way to become an author, where all of the marketing is done by the publisher and all they have to do is put in an appearance and pocket the royalties.

I don’t think that’s necessarily true.

But when I find that happy medium between marketing and writing, I’ll let you know.

Until then, I guess there will be more days like today, and that battle going on in your head that is telling you to give up, it’s never going to get any better.

Maybe not.

But give up? Not today, nor tomorrow.

After all, we live in a world where anything is possible.

I go missing for a day, and…

It’s like dying a literary death.

The silence is deafening.

It seems, after a lot of trial and error, trying this that and the other, I’ve discovered that you only get out of social media what you put into it.

And it means that unless you are on it 24 hours a day, every day, spruiking, or whatever it is we writers are supposed to do promoting ourselves and our work, nothing happens.

Don’t get me wrong, there are those who are raging successes, and I am happy for them.

But for us living on the fringe, and there is quite a lot of us, trying valiantly to reach the public eyes, the battle is just that, a battle.

When do you get time to write?

Is it a choice between writing, or trying to garner support and a following?

The authors who are published by the large publishers will tell you that it is the only way to become an author, where all of the marketing is done by the publisher and all they have to do is put in an appearance and pocket the royalties.

I don’t think that’s necessarily true.

But when I find that happy medium between marketing and writing, I’ll let you know.

Until then, I guess there will be more days like today, and that battle going on in your head that is telling you to give up, it’s never going to get any better.

Maybe not.

But give up? Not today, nor tomorrow.

After all, we live in a world where anything is possible.

There’s more time for TV

Being confined to home because of COVID not only gives me, and a lot of others more time to write, it also enables us to explore a few more leisure options to fill in the time.

After all, we can hardly just keep writing endlessly.

Well, perhaps some of us could.

At first I decided I would do some virtual travelling, you know, go to places I would never go in person, like South Africa, Kenya, Egypt, South America, you know the sort of places I mean, the ones where you can’t get travel insurance cover, or not without mortgaging your home.

That lasted about a day. Seeing the pyramids online was not the same as being there, getting the sand blown in your face, or the tour bus being hijacked, and you spend the next three months in a dark, hot, hell hole while the kidnappers negotiate with governments that refuse to negotiate with terrorists.

So far, I’m not filling in my time very well.

There are weeds to be pulled, lawns to be cut, shrubs and trees to be pruned, painting to be done, you know, all of those chores that you put off until tomorrow, knowing tomorrow will never come.

Don’t ask me to explain that.

So, we’re left with television.

Firstly there was a series called Yellowstone, a western in a modern setting, three series worth. Yes, we watched all of them, no, didn’t like the swearing, or Beth Dutton, Rip was channelling the Duke, and Kevin Kostner, well, his stint in Dances with Wolves stood him in good stead.

Geez though, how much trouble can one ranch attract? Indians, speculators, developers, and an international airport? To be honest, at times it spiralled out of control, but for sheer entertainment value, it was slightly better than I thought it might be. As for Jamie, how could one person be so complicated?

Then there was another series, Away. OK, this was about as far fetched as a premise could get, and the characters, as diverse, and sometimes as obtuse as any I’ve seen thrown together for over eight months. Thank god we didn’t have to suffer eight months of it.

It was good, I guess, with people being the way they are, and I’d expected in the confines of that small space for so long, they might have killed each other off one at a time, like in Lord of the Flies, but no such luck.

My favourite? The Russian. He might have been blind but he was interesting. Just would have liked a few subtitles for us non-Ghana, Chinese, Russian, Indian people.

As for White House Farm, I’m still trying to work out who killed them all, because it definitely wasn’t the daughter. It had to be the indifferent son, or at his behest. Full marks to the dogged detective, who, the last time I saw him, he was a rather improbable Hercules. Funny how your impression of a performance goes back to one you’ve seen him before.

Which is another of our viewing interests, watching a show and trying to work out where we’ve seen the actors before. Some are familiar and seem to be in everything, others rarely seen, or remembered. I hope this is not a sign of their acting talent, or more to the point, lack of it.

At the moment we are in the middle of Young Wallender. Those who may have seen Branagh in the Wallender series would remember this as being the most stultifying of series, filmed bleakly in a bleak country with bleak characters, and bleak crimes.

Fortunately, the Young Wallender series is not as bleak, but it has dark undertones. Some might call this gritty. There are four more to go so it can only get better.

Like jumping off a ten storey building, it’s so far so good…

The Perils of Travelling: Every plane trip is, well, different

The course of plane travel can run like clockwork, or rapidly come apart at the seems.

Every time you go to the airport, it can become an adventure.  Checking in, battling the airline’s kiosk, printing and attaching bag labels, going to bag drop, remembering that every airline does it differently.

Hong Kong airport is huge and there are endless boarding gates.  Being dropped off in the zone that belongs to the airline you’re flying is simple.  The next step is to find the aisle letter where your flight is checking in and then do the automated boarding pass and baggage label.

If it’s international travel which it is today, there’s the added stress of negotiating immigration and the duty-free stores.  We followed the rules, got there early, had the usual problems at the kiosk requiring the assistance of two Cathay Pacific staff, and finally made it to the initial departure concourse.

Next, there’s the temptation of overpriced airport food if you’re hungry which we are not.  But we have a McCafe coffee to satisfy a caffeine fix before the flight.

The shops are all expensive at the initial departure concourse, so we decide to see if there are other shops near our departure gate.  To get to our particular departure gate we descend to the train and get off at the 40-80 station.  It’s a short journey, and once back up on the concourse level we find a collection of more affordable shops where we buy every man and his dog a selection of sweets.

From there it’s a couple of travellators, which sounds rediculously short, but are, in reality, very, very long, to our gate and we get there ten minutes before boarding is supposed to commence.
Today we are traveling on an Airbus A350-900, a relatively new plane so you would think there couldn’t be anything wrong with it.  We had the same plane coming to Hong Kong and was, literally, plain sailing.

We find a seat in the gate lounge and wait along with everyone else.  I’m still surprised at the number of able-bodied people who take the disabled seats for the sake of being closer to the start of the line and worse was a woman who not only took up one of the seats but also another for her cabin baggage which was extensive.

Boarding starts late, and routinely for the first and business, and disabled passengers.  The rest now start to line up in the economy line.  Some people haven’t moved, perhaps they know something we don’t.

We eventually join the line and go through initial formalities while waiting.  And waiting.  As the minute’s tick by nothing is happening other than what appears to be growing consternation by the gate staff.  The tipping point for immediate concern is when the previously boarded passengers begin to come back through the boarding gate.

One of those who had been on board came our way and said there was a problem with the plane.  They were told it was due to technical difficulties the official non-scary description for your plane Is broken.  Because of consternation among the queued economy passengers, there was an official announcement that advised of the technical difficulties, and boarding would be delayed.

We all sit back down, but this time there were a number of disabled and elderly people who needed seats, and our able-bodied lady and her baggage didn’t move.  Shame on her.  We are lucky that where we were in the waiting line it was adjacent to nearby seats putting us closer to the head of the line when it reformed.

Now we were able to watch the other passengers jockeying for position to race to be first in the economy class boarding queue the second time around.  I think they realize they have the same seat if they are at the front of the line or the back.  Because we were all asked to sit down, those at the front of the queue would now find themselves at the end if they’d decided to sit and wait.

After a delay of about an hour and a half, we are finally boarding.  The worst aspect of this delay is losing our slot in the departures and I’m guessing this was going to have an effect on our actual takeoff time.  It appears to be the case.  Boarding does not take very long and shortly after the doors are closed we’re pushing back from the gate.

From there, it becomes a chess game when we get a slot.  We are in a queue of planes waiting their turn, and before the main runway planes are separated into two queues, and we are in the second.  Since we are the only one, I suspect we’re in the delayed take-off queue, and sit watching four or so other planes take off before we finally get on the runway.

All around us, planes seem to be going by and taking off while we wait, and wait, and wait…

On the plane, we discover one of the toilets is out of action so perhaps that was the technical difficulty.  It’s not full so one toilet down will have little effect. 

Leaving in the early afternoon will get us into Brisbane late at night.  It was meant to be around 11 pm, but with the delays, and possibly making up time in flight, it will now be after midnight when we arrive.  Fortunately, we have a 24-hour airport.

The flight from HongKong to Brisbane is without event.  Lunch after takeoff, then a few hours later, an hour or so before landing, we have dinner.  Both of us are not hungry.

We land after midnight, tired but glad to be home.  I guess it could have been worse.

Using Hollywood as a source of inspiration

I’m not one for writing Western, I’ll leave the honours for that to Louis L’Amore, whose acquaintence I made when I saw How The West Was Won on the big screen, then read the book.

That led to reading a few more by Zane Grey, but it was not in the reading of the stories, but in the visual splendour of the west depicted in these films that made the actors almost secondary.

But my interest in watching Westerns had been fuelled by the fact my parents watched them on TV, though back on those days, they were in black and white, and starred John Wayne, Gary Cooper, Alan Ladd and, later on, Clint Eastwood among a great may others.

But the mainstay of my interest in the archetypal Western centred on John Wayne whose movies may have almost the same plot line, just a substitution of actors and locations.

Often it was not so much that John Wayne was in it, but the actors he surrounded himself with, like Dean Martin, Ricky Nelson, Walter Brennan, and Robert Mitcham, all of whom made the experience all the better.

Films like The Sons of Katie Elder, True Grit, Rio Bravo, and El Dorado.

Who can forget the vast open spaces, the dry dusty stresses lines with wooden buildings and endless walkways that substituted for footpaths. Bars in hotels, rooms overlookinf street, havens for sharpshooters, when bad guys outnumbers the good guys, and typically the sherrif who always faced insurmountable odds.

Or the attacks staged by Indians who were routinely killed, in fact there was not one film I saw where they ended up winning any battle. Only in recent years did they get a more sympathetic role, one film that comes to mind Soldier Blue, which may have painted then as savages, but a possible reason why they ended up so.

But for those without Indians, there were plenty of others whose intentions were anything but for the good of the settlers.

A lot of films ended in the classic gun fight. High Noon, 3:10 to Yuma are two, or where the story led to gun fights between good and bad in unlikely places like El Dorado or Rio Bravo.

There are countless others I could name, like Shane, or became to be called, the spaghetti westerns with Clint Eastwood, or last but not least, The Magnificent Seven, or Once Upon a time in the west.

All have contributed to a picture in my mind of how the American West was, fearsome men, beleaguered sheriffs, people with good intentions, and those driven by greed and power. All of this playing out in the harshest of conditions where life and death could be determined by a wrong word or a stray bullet.

And let’s not forget the role of the guns, Colt, Winchester, Remington. And Smith and Wesson, and the gunslingers of the day. Some were good, most according to the film world were bad.

So, against the lifelong interest of watching and reading about the archetypal view of the old West, shall I attempt to put pen to paper. Thank God it will be a work of fiction, because I don’t think there’s many who knew what it was really like.