An unfortunate side-effect of a pandemic

As writers, we put ourselves in the shoes of many different people.

We have extraordinary lives, sometimes more than one, but never more than the regulatory nine.

We get shot at, manage to run into cars and miraculously bounce off with only a few scratches, fall off three-story balconies, and sometimes get in the way of stray, and almost perfectly aimed bullets.

Near-death, almost dead, mostly dead, but always, somehow, we come back to life.

But, in reality, this rarely happens. You get shot; you often die. You get hit by a car, or, worse, a bus, you quite often die.

You certainly do not get back up again, leap out of hospital beds, and chase after bad guys.

So, what does any or all of these things feel like in reality?

In my case, I have no idea, other than what I have read, and what I’ve been told by experts it might be like.

But what if…

…you are facing what might be certain death?

It’s not a realistic statement, is it? You can’t possibly know when and how you’re going to die.

So, let’s factor in a possibility, and let’s call it Covid-19.

What do we know about it? It is a killer if you have respiratory problems, heart problems, in fact, any sort of problem with organs, and, if you have a weakened immune system.

And, it is far more dangerous if you have any of these conditions and are over the age of 60.

I’m 68.

I have psoriatic arthritis and use methotrexate which is an immunosuppressive medicine

It means, in not so many words, I have a compromised immune system. That’s the doctor’s polite way of saying I’m in deep trouble if I get Covid-19.

So…

I now have to face what is most like man’s worst fear: death.

I fit into a category where I have a 40% chance of survival.

There is no cure, there are vaccines but they might also kill me even though the odds are very slim, so really it is simply a matter of the body fighting off the virus itself, and, more or less, wait and see.

To say I’m scared of what might happen is an understatement.

In this country, up till now, we have managed to avoid a disaster, but with the new variant, everyone is all but saying that in a short time that will change … for the worse.

I hope not.

I do not want to have a first-hand experience of what it like to die.

I go missing for a day, and…

It’s like dying a literary death.

The silence is deafening.

It seems, after a lot of trial and error, trying this that and the other, I’ve discovered that you only get out of social media what you put into it.

And it means that unless you are on it 24 hours a day, every day, spruiking, or whatever it is we writers are supposed to do promoting ourselves and our work, nothing happens.

Don’t get me wrong, there are those who are raging successes, and I am happy for them.

But for us living on the fringe, and there is quite a lot of us, trying valiantly to reach the public eyes, the battle is just that, a battle.

When do you get time to write?

Is it a choice between writing, or trying to garner support and a following?

The authors who are published by the large publishers will tell you that it is the only way to become an author, where all of the marketing is done by the publisher and all they have to do is put in an appearance and pocket the royalties.

I don’t think that’s necessarily true.

But when I find that happy medium between marketing and writing, I’ll let you know.

Until then, I guess there will be more days like today, and that battle going on in your head that is telling you to give up, it’s never going to get any better.

Maybe not.

But give up? Not today, nor tomorrow.

After all, we live in a world where anything is possible.

I go missing for a day, and…

It’s like dying a literary death.

The silence is deafening.

It seems, after a lot of trial and error, trying this that and the other, I’ve discovered that you only get out of social media what you put into it.

And it means that unless you are on it 24 hours a day, every day, spruiking, or whatever it is we writers are supposed to do promoting ourselves and our work, nothing happens.

Don’t get me wrong, there are those who are raging successes, and I am happy for them.

But for us living on the fringe, and there is quite a lot of us, trying valiantly to reach the public eyes, the battle is just that, a battle.

When do you get time to write?

Is it a choice between writing, or trying to garner support and a following?

I don’t think that’s necessarily true.

But when I find that happy medium between marketing and writing, I’ll let you know.

Until then, I guess there will be more days like today, and that battle going on in your head that is telling you to give up, it’s never going to get any better.

Maybe not.

But give up? Not today, nor tomorrow.

After all, we live in a world where anything is possible.

There’s more time for TV

Being confined to home because of COVID not only gives me, and a lot of others more time to write, it also enables us to explore a few more leisure options to fill in the time.

After all, we can hardly just keep writing endlessly.

Well, perhaps some of us could.

At first I decided I would do some virtual travelling, you know, go to places I would never go in person, like South Africa, Kenya, Egypt, South America, you know the sort of places I mean, the ones where you can’t get travel insurance cover, or not without mortgaging your home.

That lasted about a day. Seeing the pyramids online was not the same as being there, getting the sand blown in your face, or the tour bus being hijacked, and you spend the next three months in a dark, hot, hell hole while the kidnappers negotiate with governments that refuse to negotiate with terrorists.

So far, I’m not filling in my time very well.

There are weeds to be pulled, lawns to be cut, shrubs and trees to be pruned, painting to be done, you know, all of those chores that you put off until tomorrow, knowing tomorrow will never come.

Don’t ask me to explain that.

So, we’re left with television.

Firstly there was a series called Yellowstone, a western in a modern setting, three series worth. Yes, we watched all of them, no, didn’t like the swearing, or Beth Dutton, Rip was channelling the Duke, and Kevin Kostner, well, his stint in Dances with Wolves stood him in good stead.

Geez though, how much trouble can one ranch attract? Indians, speculators, developers, and an international airport? To be honest, at times it spiralled out of control, but for sheer entertainment value, it was slightly better than I thought it might be. As for Jamie, how could one person be so complicated?

Then there was another series, Away. OK, this was about as far fetched as a premise could get, and the characters, as diverse, and sometimes as obtuse as any I’ve seen thrown together for over eight months. Thank god we didn’t have to suffer eight months of it.

It was good, I guess, with people being the way they are, and I’d expected in the confines of that small space for so long, they might have killed each other off one at a time, like in Lord of the Flies, but no such luck.

My favourite? The Russian. He might have been blind but he was interesting. Just would have liked a few subtitles for us non-Ghana, Chinese, Russian, Indian people.

As for White House Farm, I’m still trying to work out who killed them all, because it definitely wasn’t the daughter. It had to be the indifferent son, or at his behest. Full marks to the dogged detective, who, the last time I saw him, he was a rather improbable Hercules. Funny how your impression of a performance goes back to one you’ve seen him before.

Which is another of our viewing interests, watching a show and trying to work out where we’ve seen the actors before. Some are familiar and seem to be in everything, others rarely seen, or remembered. I hope this is not a sign of their acting talent, or more to the point, lack of it.

At the moment we are in the middle of Young Wallender. Those who may have seen Branagh in the Wallender series would remember this as being the most stultifying of series, filmed bleakly in a bleak country with bleak characters, and bleak crimes.

Fortunately, the Young Wallender series is not as bleak, but it has dark undertones. Some might call this gritty. There are four more to go so it can only get better.

Like jumping off a ten storey building, it’s so far so good…

The Perils of Travelling: Every plane trip is, well, different

The course of plane travel can run like clockwork, or rapidly come apart at the seems.

Every time you go to the airport, it can become an adventure. Checking in, battling the airline’s kiosk, printing and attaching bag labels, going to bag drop, remembering that every airline does it differently.

Hong Kong airport is huge and there are endless boarding gates. Being dropped off in the zone that belongs to the airline you’re flying is simple. The next step is to find the aisle letter where your flight is checking in and then do the automated boarding pass and baggage label.

If it’s international travel which it is today, there’s the added stress of negotiating immigration and the duty-free stores. We followed the rules, got there early, had the usual problems at the kiosk requiring the assistance of two Cathay Pacific staff, and finally made it to the initial departure concourse.

Next, there’s the temptation of overpriced airport food if you’re hungry which we are not. But we have a McCafe coffee to satisfy a caffeine fix before the flight.

The shops are all expensive at the initial departure concourse, so we decide to see if there are other shops near our departure gate. To get to our particular departure gate we descend to the train and get off at the 40-80 station. It’s a short journey, and once back up on the concourse level we find a collection of more affordable shops where we buy every man and his dog a selection of sweets.

From there it’s a couple of travellators, which sounds rediculously short, but are, in reality, very, very long, to our gate and we get there ten minutes before boarding is supposed to commence.
Today we are traveling on an Airbus A350-900, a relatively new plane so you would think there couldn’t be anything wrong with it. We had the same plane coming to Hong Kong and was, literally, plain sailing.

We find a seat in the gate lounge and wait along with everyone else. I’m still surprised at the number of able-bodied people who take the disabled seats for the sake of being closer to the start of the line and worse was a woman who not only took up one of the seats but also another for her cabin baggage which was extensive.

Boarding starts late, and routinely for the first and business, and disabled passengers. The rest now start to line up in the economy line. Some people haven’t moved, perhaps they know something we don’t.

We eventually join the line and go through initial formalities while waiting. And waiting. As the minute’s tick by nothing is happening other than what appears to be growing consternation by the gate staff. The tipping point for immediate concern is when the previously boarded passengers begin to come back through the boarding gate.

One of those who had been on board came our way and said there was a problem with the plane. They were told it was due to technical difficulties the official non-scary description for your plane Is broken. Because of consternation among the queued economy passengers, there was an official announcement that advised of the technical difficulties, and boarding would be delayed.

We all sit back down, but this time there were a number of disabled and elderly people who needed seats, and our able-bodied lady and her baggage didn’t move. Shame on her. We are lucky that where we were in the waiting line it was adjacent to nearby seats putting us closer to the head of the line when it reformed.

Now we were able to watch the other passengers jockeying for position to race to be first in the economy class boarding queue the second time around. I think they realize they have the same seat if they are at the front of the line or the back. Because we were all asked to sit down, those at the front of the queue would now find themselves at the end if they’d decided to sit and wait.

After a delay of about an hour and a half, we are finally boarding. The worst aspect of this delay is losing our slot in the departures and I’m guessing this was going to have an effect on our actual takeoff time. It appears to be the case. Boarding does not take very long and shortly after the doors are closed we’re pushing back from the gate.

From there, it becomes a chess game when we get a slot. We are in a queue of planes waiting their turn, and before the main runway planes are separated into two queues, and we are in the second. Since we are the only one, I suspect we’re in the delayed take-off queue, and sit watching four or so other planes take off before we finally get on the runway.

All around us, planes seem to be going by and taking off while we wait, and wait, and wait…

On the plane, we discover one of the toilets is out of action so perhaps that was the technical difficulty. It’s not full so one toilet down will have little effect.

Leaving in the early afternoon will get us into Brisbane late at night. It was meant to be around 11 pm, but with the delays, and possibly making up time in flight, it will now be after midnight when we arrive. Fortunately, we have a 24-hour airport.

The flight from HongKong to Brisbane is without event. Lunch after takeoff, then a few hours later, an hour or so before landing, we have dinner. Both of us are not hungry.

We land after midnight, tired but glad to be home. I guess it could have been worse.

Using Hollywood as a source of inspiration

I’m not one for writing Western, I’ll leave the honours for that to Louis L’Amore, whose acquaintence I made when I saw How The West Was Won on the big screen, then read the book.

That led to reading a few more by Zane Grey, but it was not in the reading of the stories, but in the visual splendour of the west depicted in these films that made the actors almost secondary.

But my interest in watching Westerns had been fuelled by the fact my parents watched them on TV, though back on those days, they were in black and white, and starred John Wayne, Gary Cooper, Alan Ladd and, later on, Clint Eastwood among a great may others.

But the mainstay of my interest in the archetypal Western centred on John Wayne whose movies may have almost the same plot line, just a substitution of actors and locations.

Often it was not so much that John Wayne was in it, but the actors he surrounded himself with, like Dean Martin, Ricky Nelson, Walter Brennan, and Robert Mitcham, all of whom made the experience all the better.

Films like The Sons of Katie Elder, True Grit, Rio Bravo, and El Dorado.

Who can forget the vast open spaces, the dry dusty stresses lines with wooden buildings and endless walkways that substituted for footpaths. Bars in hotels, rooms overlookinf street, havens for sharpshooters, when bad guys outnumbers the good guys, and typically the sherrif who always faced insurmountable odds.

Or the attacks staged by Indians who were routinely killed, in fact there was not one film I saw where they ended up winning any battle. Only in recent years did they get a more sympathetic role, one film that comes to mind Soldier Blue, which may have painted then as savages, but a possible reason why they ended up so.

But for those without Indians, there were plenty of others whose intentions were anything but for the good of the settlers.

A lot of films ended in the classic gun fight. High Noon, 3:10 to Yuma are two, or where the story led to gun fights between good and bad in unlikely places like El Dorado or Rio Bravo.

There are countless others I could name, like Shane, or became to be called, the spaghetti westerns with Clint Eastwood, or last but not least, The Magnificent Seven, or Once Upon a time in the west.

All have contributed to a picture in my mind of how the American West was, fearsome men, beleaguered sheriffs, people with good intentions, and those driven by greed and power. All of this playing out in the harshest of conditions where life and death could be determined by a wrong word or a stray bullet.

And let’s not forget the role of the guns, Colt, Winchester, Remington. And Smith and Wesson, and the gunslingers of the day. Some were good, most according to the film world were bad.

So, against the lifelong interest of watching and reading about the archetypal view of the old West, shall I attempt to put pen to paper. Thank God it will be a work of fiction, because I don’t think there’s many who knew what it was really like.