365 Days of writing, 2026 – 65

Day 65 – Don’t wait for inspiration

Don’t Wait for Inspiration – Go Find It (And Write Even When It Doesn’t Show Up)

“Inspiration exists, but it has to find you working.” – Pablo Picasso

If you’re a writer, a designer, a marketer, or anyone whose craft lives on ideas, you’ve probably felt the sting of a blank page. The old myth that “inspiration will magically appear” lures us into procrastination, self‑doubt, and endless scrolling. The truth is far more practical—and far more empowering: inspiration is a habit, not a miracle.

In this post, we’ll unpack why waiting for inspiration is a dead‑end strategy, explore concrete ways to hunt down that creative spark, and learn how to write anyway when the muse is stubbornly silent.


1. The Myth of “Waiting for Inspiration”

What the myth saysWhat reality looks like
“I’ll start when I feel inspired.”Inspiration is a by‑product of work, not the other way around.
“I’m waiting for the perfect idea.”Ideas are often crude drafts that become polished through iteration.
“If I’m not excited, I’m not ready.”Excitement follows progress, not precedes it.

Why the myth is dangerous

  1. Paralysis by perfection: The moment you decide to wait, you hand the reins over to an invisible force you can’t control.
  2. Self‑fulfilling prophecy: No work → no inspiration → more “waiting.”
  3. Lost opportunities: The world moves on while you sit on the sidelines, watching deadlines and ideas slip away.

The reality check: The most prolific creators—from novelists to tech innovators—agree on a single habit: they show up first. The act of sitting down, opening a document, or sketching a line is the catalyst that lights the fire.


2. Turning Inspiration Into a Search Mission

If you’re comfortable with the idea that you have to go looking, the next step is to turn that intention into an actionable plan. Below are five proven “inspiration‑hunt” tactics, each with a quick starter exercise you can try today.

A. Change Your Physical Environment

Why it works: Your brain is wired to associate surroundings with mental states. A new view can break the monotony that fuels creative blocks.

Starter exercise:

  • The 10‑Minute Walk: Step outside for ten minutes—no phone, no playlist, just you and the street. Notice three details you’ve never observed before (e.g., the pattern on a fence, the cadence of a neighbour’s footsteps). Jot them down on a sticky note.

B. Consume Outside Your Niche

Why it works: Cross‑pollination of ideas sparks novel connections. A poet reading a physics article may discover a metaphor that reshapes a stanza.

Starter exercise:

  • Random Article Roulette: Open Wikipedia, click “Random article,” and read for five minutes. Highlight any phrase or concept that resonates, then brainstorm how it could relate to your current project.

C. Use Prompt Generators

Why it works: Prompts force your brain to think in a direction you wouldn’t have chosen on your own, breaking the “blank page” inertia.

Starter exercise:

  • Visit a prompt site (e.g., r/WritingPrompts, The Story Shack) and copy the first prompt you see. Write a 300‑word piece—don’t edit, just let the words flow.

D. Engage in “Creative Cross‑Training”

Why it works: Physical activity releases dopamine and boosts divergent thinking, while creative activities like doodling or mind‑mapping prime the brain for ideation.

Starter exercise:

  • 15‑Minute Stretch + Sketch: Do a quick stretch routine (or a short yoga flow). While your muscles relax, sketch anything that comes to mind—no rules, just shapes.

E. Set a “Bad‑Idea” Deadline

Why it works: Removing the pressure of perfection opens the floodgates. Bad ideas are just raw material; they can be refined or discarded later.

Starter exercise:

  • Set a timer for 8 minutes. Write the worst possible opening line for your piece. After the timer, read it aloud. How many elements can you salvage? Often the most surprising gems hide in the trash.

3. When Inspiration Still Plays Hard‑to‑Get: Write Anyway

You’ve tried the tactics, taken a walk, read a random article, and still hear crickets. This is the perfect moment to embrace the “write anyway” mindset. Below are strategies to turn a dry spell into productive output.

1. Free‑Writing (aka “Morning Pages”)

  • How it works: Set a timer for 10–20 minutes. Write whatever comes to mind—no editing, no judgment. Even if the only thing you write is “I don’t know what to write,” keep typing. The act of movement on the page often unblocks deeper thoughts.
  • Why it helps: It removes the mental barrier of “I have to be good.” By the end of the session, your brain is warmed up and ready for more focused work.

2. The “One‑Sentence” Rule

  • How it works: Tell yourself you only need to write a single sentence. It could be a description, a dialogue line, or a statement of intent. Once that sentence is down, you’re more likely to continue.
  • Why it helps: Small wins create momentum. The brain often resists a large task but is fine with a tiny one.

3. Reverse Outlining

  • How it works: Take an existing piece of your own writing (even a paragraph from a past blog) and outline its structure. Then, using that outline, write a brand‑new piece on a different topic.
  • Why it helps: You’re reusing a proven skeleton, which reduces the cognitive load of figuring out how to start.

4. Turn Constraints into Catalysts

  • How it works: Impose an artificial limitation: write a story without the letter “e,” or draft a blog post in exactly 150 words.
  • Why it helps: Constraints force you to think laterally, often sparking surprising ideas that would never surface in a free‑form environment.

5. Talk It Out—Verbally, Not Textually

  • How it works: Record yourself talking about your topic for five minutes, as if you were explaining it to a friend. Then transcribe the audio (or just listen back) and pull out usable sentences.
  • Why it helps: Speaking loosens the inner critic; you’re less likely to self‑edit in real time. The resulting transcript can become raw material for polished prose.

4. The Science Behind “Doing the Work”

Psychological PrincipleHow it Relates to Writing
The Zeigarnik Effect – unfinished tasks stay on our mindStarting a sentence, even a terrible one, creates a mental “open loop” that pushes us to finish it.
Flow State – deep focus occurs when challenge meets skillBy setting low‑stakes prompts (e.g., 5‑minute free‑write), you hit the sweet spot of challenge, making flow easier to achieve.
Neuroplasticity – the brain builds new pathways through repeated activityConsistently showing up to write rewires your brain to treat writing as a habit, not a rare event.

Understanding that the brain rewards action, not anticipation, flips the script: you’re not waiting for inspiration; you’re creating it through deliberate practice.


5. A Real‑World Example: From “Stuck” to Published

Case Study: Maya, freelance copywriter
Maya hit a wall on a landing‑page project for a wellness startup. She’d stared at the brief for three days, hoping a “big idea” would suddenly appear. Instead, she tried the steps above:

  1. Walked around her neighborhood, noting the colors of sunrise.
  2. Read a short article on the science of habit formation.
  3. Set a 5‑minute timer and wrote the worst possible headline (“Feel Amazing Today—Or Don’t”).
  4. She then turned that bad headline into a list of 10 alternatives, choosing the one that resonated most.
  5. Finally, she drafted the page in 30‑minute bursts, ignoring perfection.
    Result? The client loved the final copy, and Maya delivered the project ahead of schedule. She credits the “write anyway” phase for breaking the mental block that was costing her both time and confidence.

Maya’s story illustrates a simple truth: the more you move, the more ideas surface. You don’t need a mystical muse; you need momentum.


6. Quick‑Start Checklist: “Inspiration on Demand”

✔️ActionTime Needed
1Take a 10‑minute walk and note three new observations.10 min
2Read a random article from a field outside yours.5 min
3Write a 300‑word piece using a prompt.15 min
4Do a 5‑minute free‑write (any topic).5 min
5Choose the worst sentence you can think of; improve it.3 min
6Review and select one idea to develop further.5 min

Total: ~43 minutes.
If you can’t spare that much, pick any two items and repeat daily. Consistency beats intensity.


7. Take the First Step Right Now

Your challenge: Pick one of the tactics above, set a timer for 8 minutes, and start writing. Don’t worry about the outcome. When the timer dings, read what you’ve produced. Notice the shift in your mental state—often you’ll feel a spark that wasn’t there before you began.


Closing Thoughts

Waiting for inspiration is like waiting for a bus that may never arrive. By going looking—whether that means walking, reading, prompting, or simply forcing yourself to write—you become the driver of your own creative journey. And when the bus does finally pull up, you’ll be ready with a ticket, a seat, and the confidence to hop aboard.

Remember:

  • Show up first. The act of writing is the catalyst.
  • Seek stimuli actively. Your environment, consumption habits, and prompts are tools, not distractions.
  • Write anyway. Bad ideas, half‑baked sentences, and free‑writes are the raw ore from which gold is refined.

So, next time you stare at a blank screen and hear the internal mantra, “I’ll wait for inspiration,” flip it: “I’m going to find it—and I’ll write, no matter what.”

Your next masterpiece is waiting on the other side of that first typed word.

Happy hunting, and happy writing! 🚀

What I learned about writing – Do you write what you feel, or do you write what you must?

I don’t think I have ever written a story because I had to, well, not until now, in the process of writing a book in 365 days, from my literary calendar.

But..

The stories I write for this are not to any sort of format. Yet, I guess because I have to write something specifically asked for, then in that case, I write what I must.

But for everything else, I write what I feel like, and quite often those stories follow a set of feelings that are created or prompted by what I see around me, what I see on TV, what
I hear on the radio, and what I read.

It’s nothing to glance at the headlines and sift out one or two, or a set and weave them into an idea that might be the basis of a story. I like the idea of unconnected and random events, and from these, I weave them into a story.

For example:

There was a TV show on, one of a series, and it was in part about a spy network being wound up because they were about to be blown. I write about spies, especially those who have tried to escape from their former lives, and this was too good an opportunity to pass up.

Then there was another, of which I only saw a preview, but it had an interesting premise: what if you didn’t really know the person you had been living with for the past twenty-five years? Yes, you guessed it, a spy.

An excerpt from “Mistaken Identity” – a work in progress

The odds of any one of us having a doppelganger are quite high. Whether or not you got to meet him or her, or be confronted by them was significantly lower. Except of course, unless you are a celebrity.

It was a phenomenon remarkable only for the fact, at times, certain high-profile people, notorious or not, had doubles if only to put off enemies or the general public. Sometimes we see people in the street, people who look like someone we knew, and made the mistake of approaching them like a long lost friend, only to discover an embarrassed individual desperately trying to get away for what they perceive is a stalker or worse.

And then sometimes it is a picture that looms up on a TV screen, an almost exact likeness of you. At first, you are fascinated, and then according to the circumstances, and narrative that is attached to that picture, either flattered or horrified.

For me one turned to the other when I saw an almost likeness of me flash up on the screen when I turned the TV on in my room. What looked to be my photo, with only minor differences, was in the corner of the screen, the newsreader speaking in rapid Italian, so fast I could only translate every second or third word.

But the one word I did recognize was murder. The photo of the man up on the screen was the subject of an extensive manhunt. The crime, the murder of a woman in the very same hotel I was staying, and it was being played out live several floors above me. The gist of the story, the woman had been seen with, and staying with the man who was my double, and, less than an hour ago, the body had been discovered by a chambermaid.

The killer, the announcer said, was believed to be still in the hotel because the woman had died shortly before she had been discovered.

I watched, at first fascinated at what I was seeing. I guess I should have been horrified, but at that moment it didn’t register that I might be mistaken for that man.

Not until another five minutes had passed, and I was watching the police in full riot gear, with a camera crew following behind, coming up a passage towards a room. Live action of the arrest of the suspected killer the breathless commentator said.

Then, suddenly, there was a pounding on the door. On the TV screen, plain to see, was the number of my room.
I looked through the peephole and saw an army of police officers. It didn’t take much to realize what had happened. The hotel staff identified me as the man in the photograph on the TV and called the police.

Horrified wasn’t what I was feeling right then.

It was fear.

My last memory was the door crashing open, the wood splintering, and men rushing into the room, screaming at me, waving guns, and when I put my hands up to defend myself, I heard a gunshot.

And in one very confused and probably near-death experience, I thought I saw my mother and thought what was she doing in Rome?

I was the archetypal nobody.

I lived in a small flat, I drove a nondescript car, had an average job in a low profile travel agency, was single, and currently not involved in a relationship, no children, and according to my workmates, no life.

They were wrong. I was one of those people who preferred their own company, I had a cat, and travelled whenever I could. And I did have a ‘thing’ for Rosalie, one of the reasons why I stayed at the travel agency. I didn’t expect anything to come of it, but one could always hope.

I was both pleased and excited to be going to the conference. It was my first, and the glimpse I had seen of it had whetted my appetite for more information about the nuances of my profession.

Some would say that a travel agent wasn’t much of a job, but to me, it was every bit as demanding as being an accountant or a lawyer. You were providing a customer with a service, and arguably more people needed a travel agent than a lawyer. At least that was what I told myself, as I watched more and more people start using the internet, and our relevance slowly dissipating.

This conference was about countering that trend.

The trip over had been uneventful. I was met at the airport and taken to the hotel where the conference was being held with a number of other delegates who had arrived on the same plane. I had mingled with a number of other delegates at the pre conference get together, including one whose name was Maryanne.

She was an unusual young woman, not the sort that I usually met, because she was the one who was usually surrounded by all the boys, the life of the party. In normal circumstances, I would not have introduced myself to her, but she had approached me. Why did I think that may have been significant? All of this ran through my mind, culminating in the last event on the highlight reel, the door bursting open, men rushing into my room, and then one of the policemen opened fire.

I replayed that last scene again, trying to see the face of my assailant, but it was just a sea of men in battle dress, bullet proof vests and helmets, accompanied by screaming and yelling, some of which I identified as “Get on the floor”.

Then came the shot.

Why ask me to get on the floor if all they were going to do was shoot me. I was putting my hands up at the time, in surrender, not reaching for a weapon.

Then I saw the face again, hovering in the background like a ghost. My mother. Only the hair was different, and her clothes, and then the image was going, perhaps a figment of my imagination brought on by pain killing drugs. I tried to imagine the scene again, but this time it played out, without the image of my mother.

I opened my eyes took stock of my surroundings. What I felt in that exact moment couldn’t be described. I should most likely be dead, the result of a gunshot wound. I guess I should be thankful the shooter hadn’t aimed at anything vital, but that was the only item on the plus side.

I was in a hospital room with a policeman by the door. He was reading a newspaper, and sitting uncomfortably on a small chair. He gave me a quick glance when he heard me move slightly, but didn’t acknowledge me with either a nod, or a greeting, just went back to the paper.

If I still had a police guard, then I was still considered a suspect. What was interesting was that I was not handcuffed to the bed. Perhaps that only happened in TV shows. Or maybe they knew I couldn’t run because my injuries were too serious. Or the guard would shoot me long before my feet hit the floor. I knew the police well enough now to know they would shoot first and ask questions later.

On the physical side, I had a large bandage over the top left corner of my chest, extending over my shoulder. A little poking and prodding determined the bullet had hit somewhere between the top of my rib cage and my shoulder. Nothing vital there, but my arm might be somewhat useless for a while, depending on what the bullet hit on the way in, or through.

It didn’t feel like there were any broken or damaged bones.

That was the good news.

On the other side of the ledger, my mental state, there was only one word that could describe it. Terrified. I was looking at a murder charge and jail time, a lot of it. Murder usually had a long time in jail attached to it.

Whatever had happened, I didn’t do it. I know I didn’t do it, but I had to try and explain this to people who had already made up their minds. I searched my mind for evidence. It was there, but in the confused state brought on by the medication, all I could think about was jail, and the sort of company I was going to have.

I think death would have been preferable.

Half an hour later, maybe longer, I was drifting in an out of consciousness, a nurse, or what I thought was a nurse, came into the room. The guard stood, checked her ID card, and then stood by the door.

She came over and stood beside the bed. “How are you?” she asked, first in Italian, and when I pretended I didn’t understand, she asked the same question in accented English.

“Alive, I guess,” I said. “No one has come and told what my condition is yet. You are my first visitor. Can you tell me?”

“Of course. You are very lucky to be alive. You will be fine and make a full recovery. The doctors here are excellent at their work.”

“What happens now?”

“I check you, and then you have a another visitor. He is from the British Embassy I think. But he will have to wait until I have finished my examination.”

I realized then she was a doctor, not a nurse.

My second visitor was a man, dressed in a suit the sort of which I associated with the British Civil Service.  He was not very old which told me he was probably a recent graduate on his first posting, the junior officer who drew the short straw.

The guard checked his ID but again did not leave the room, sitting back down and going back to his newspaper.

My visitor introduced himself as Alex Jordan from the British Embassy in Rome and that he had been asked by the Ambassador to sort out what he labelled a tricky mess.

For starters, it was good to see that someone cared about what happened to me.  But, equally, I knew the mantra, get into trouble overseas, and there is not much we can do to help you.  So, after that lengthy introduction, I had to wonder why he was here.

I said, “They think I am an international criminal by the name of Jacob Westerbury, whose picture looks just like me, and apparently for them it is an open and shut case.”  I could still hear the fragments of the yelling as the police burst through the door, at the same time telling me to get on the floor with my hands over my head.

“It’s not.  They know they’ve got the wrong man, which is why I’m here.  There is the issue of what had been described as excessive force, and the fact you were shot had made it an all-round embarrassment for them.”

“Then why are you here?  Shouldn’t they be here apologizing?”

“That is why you have another visitor.  I only took precedence because I insisted I speak with you first.  I have come, basically to ask you for a favour.  This situation has afforded us with an opportunity.  We would like you to sign the official document which basically indemnifies them against any legal proceedings.”

Curious.  What sort of opportunity was he talking about?  Was this a matter than could get difficult and I could be charged by the Italian Government, even if I wasn’t guilty, or was it one of those hush hush type deals, you do this for us, we’ll help you out with that.  “What sort of opportunity?”

“We want to get our hands on Jacob Westerbury as much as they do.  They’ve made a mistake, and we’d like to use that to get custody of him if or when he is arrested in this country.  I’m sure you would also like this man brought into custody as soon as possible so you will stop being confused with him.  I can only imagine what it was like to be arrested in the manner you were.  And I would not blame you if you wanted to get some compensation for what they’ve done.  But.  There are bigger issues in play here, and you would be doing this for your country.”

I wondered what would happen if I didn’t agree to his proposal.  I had to ask, “What if I don’t?”

His expression didn’t change.  “I’m sure you are a sensible man Mr Pargeter, who is more than willing to help his country whenever he can.  They have agreed to take care of all your hospital expenses, and refund the cost of the Conference, and travel.  I’m sure I could also get them to pay for a few days at Capri, or Sorrento if you like, before you go home.  What do you say?”

There was only one thing I could say.  Wasn’t it treason if you went against your country’s wishes?

“I’m not an unreasonable man, Alex.  Go do your deal, and I’ll sign the papers.”

“Good man.”

After Alex left, the doctor came back to announce the arrival of a woman, by the way she had announced herself, the publicity officer from the Italian police. When she came into the room, she was not dressed in a uniform.

The doctor left after giving a brief report to the civilian at the door. I understood the gist of it, “The patient has recovered excellently and the wounds are healing as expected. There is no cause for concern.”

That was a relief.

While the doctor was speaking to the civilian, I speculated on who she might be. She was young, not more than thirty, conservatively dressed so an official of some kind, but not necessarily with the police. Did they have prosecutors? I was unfamiliar with the Italian legal system.

She had long wavy black hair and the sort of sultry looks of an Italian movie star, and her presence made me more curious than fearful though I couldn’t say why.

The woman then spoke to the guard, and he reluctantly got up and left the room, closing the door behind him.
She checked the door, and then came back towards me, standing at the end of the bed. Now alone, she said, “A few questions before we begin.” Her English was only slightly accented. “Your name is Jack Pargeter?”

I nodded. “Yes.”

“You are in Rome to attend the Travel Agents Conference at the Hilton Hotel?”

“Yes.”

“You attended a preconference introduction on the evening of the 25th, after arriving from London at approximately 4:25 pm.”

“About that time, yes. I know it was about five when the bus came to collect me, and several others, to take us to the hotel.”

She smiled. It was then I noticed she was reading from a small notepad.

“It was ten past five to be precise. The driver had been held up in traffic. We have a number of witnesses who saw you on the plane, on the bus, at the hotel, and with the aid of closed circuit TV we have established you are not the criminal Jacob Westerbury.”

She put her note book back in her bag and then said, “My name is Vicenza Andretti and I am with the prosecutor’s office. I am here to formally apologize for the situation that can only be described as a case of mistaken identity. I assure you it is not the habit of our police officers to shoot people unless they have a very strong reason for doing so. I understand that in the confusion of the arrest one of our officers accidentally discharged his weapon. We are undergoing a very thorough investigation into the circumstances of this event.”

I was not sure why, but between the time I had spoken to the embassy official and now, something about letting them off so easily was bugging me. I could see why they had sent her. It would be difficult to be angry or annoyed with her.

But I was annoyed.

“Do you often send a whole squad of trigger happy riot police to arrest a single man?” It came out harsher than I intended.

“My men believed they were dealing with a dangerous criminal.”

“Do I look like a dangerous criminal?” And then I realized if it was mistaken identity, the answer would be yes.

She saw the look on my face, and said quietly, “I think you know the answer to that question, Mr. Pargeter.”

“Well, it was overkill.”

“As I said, we are very sorry for the circumstances you now find yourself in. You must understand that we honestly believed we were dealing with an armed and dangerous murderer, and we were acting within our mandate. My department will cover your medical expenses, and any other amounts for the inconvenience this has caused you. I believe you were attending a conference at your hotel. I am very sorry but given the medical circumstances you have, you will have to remain here for a few more days.”

“I guess, then, I should thank you for not killing me.”

Her expression told me that was not the best thing I could have said in the circumstances.

“I mean, I should thank you for the hospital and the care. But a question or two of my own. May I?”

She nodded.

“Did you catch this Jacob Westerbury character?”

“No. In the confusion created by your arrest he escaped. Once we realized we had made a mistake and reviewed the close circuit TV, we tracked him leaving by a rear exit.”

“Are you sure it was one of your men who shot me?”

I watched as her expression changed, to one of surprise.

“You don’t think it was one of my men?”

“Oddly enough no. But don’t ask me why.”

“It is very interesting that you should say that, because in our initial investigation, it appeared none of our officer’s weapons had been discharged. A forensic investigation into the bullet tells us it was one that is used in our weapons, but…”

I could see their dilemma.

“Have you any enemies that would want to shoot you Mr Pargeter?”

That was absurd because I had no enemies, at least none that I knew of, much less anyone who would want me dead.

“Not that I’m aware of.”

“Then it is strange, and will perhaps remain a mystery. I will let you know if anything more is revealed in our investigation.”

She took an envelope out of her briefcase and opened it, pulling out several sheets of paper.

I knew what it was. A verbal apology was one thing, but a signed waiver would cover them legally. They had sent a pretty girl to charm me. Perhaps using anyone else it would not have worked. There was potential for a huge litigation payout here, and someone more ruthless would jump at the chance of making a few million out of the Italian Government.

“We need a signature on this document,” she said.

“Absolving you of any wrong doing?”

“I have apologized. We will take whatever measures are required for your comfort after this event. We are accepting responsibility for our actions, and are being reasonable.”

They were. I took the pen from her and signed the documents.

“You couldn’t add dinner with you on that list of benefits?” No harm in asking.

“I am unfortunately unavailable.”

I smiled. “It wasn’t a request for a date, just dinner. You can tell me about Rome, as only a resident can. Please.”

She looked me up and down, searching for the ulterior motive. When she couldn’t find one, she said, “We shall see once the hospital discharges you in a few days.”

“Then I’ll pencil you in?”

She looked at me quizzically. “What is this pencil me in?”

“It’s an English colloquialism. It means maybe. As when you write something in pencil, it is easy to erase it.”

A momentary frown, then recognition and a smile. “I shall remember that. Thank-you for your time and co-operation Mr. Pargeter. Good morning.”

© Charles Heath 2015-2021

365 Days of writing, 2026 – 65

Day 65 – Don’t wait for inspiration

Don’t Wait for Inspiration – Go Find It (And Write Even When It Doesn’t Show Up)

“Inspiration exists, but it has to find you working.” – Pablo Picasso

If you’re a writer, a designer, a marketer, or anyone whose craft lives on ideas, you’ve probably felt the sting of a blank page. The old myth that “inspiration will magically appear” lures us into procrastination, self‑doubt, and endless scrolling. The truth is far more practical—and far more empowering: inspiration is a habit, not a miracle.

In this post, we’ll unpack why waiting for inspiration is a dead‑end strategy, explore concrete ways to hunt down that creative spark, and learn how to write anyway when the muse is stubbornly silent.


1. The Myth of “Waiting for Inspiration”

What the myth saysWhat reality looks like
“I’ll start when I feel inspired.”Inspiration is a by‑product of work, not the other way around.
“I’m waiting for the perfect idea.”Ideas are often crude drafts that become polished through iteration.
“If I’m not excited, I’m not ready.”Excitement follows progress, not precedes it.

Why the myth is dangerous

  1. Paralysis by perfection: The moment you decide to wait, you hand the reins over to an invisible force you can’t control.
  2. Self‑fulfilling prophecy: No work → no inspiration → more “waiting.”
  3. Lost opportunities: The world moves on while you sit on the sidelines, watching deadlines and ideas slip away.

The reality check: The most prolific creators—from novelists to tech innovators—agree on a single habit: they show up first. The act of sitting down, opening a document, or sketching a line is the catalyst that lights the fire.


2. Turning Inspiration Into a Search Mission

If you’re comfortable with the idea that you have to go looking, the next step is to turn that intention into an actionable plan. Below are five proven “inspiration‑hunt” tactics, each with a quick starter exercise you can try today.

A. Change Your Physical Environment

Why it works: Your brain is wired to associate surroundings with mental states. A new view can break the monotony that fuels creative blocks.

Starter exercise:

  • The 10‑Minute Walk: Step outside for ten minutes—no phone, no playlist, just you and the street. Notice three details you’ve never observed before (e.g., the pattern on a fence, the cadence of a neighbour’s footsteps). Jot them down on a sticky note.

B. Consume Outside Your Niche

Why it works: Cross‑pollination of ideas sparks novel connections. A poet reading a physics article may discover a metaphor that reshapes a stanza.

Starter exercise:

  • Random Article Roulette: Open Wikipedia, click “Random article,” and read for five minutes. Highlight any phrase or concept that resonates, then brainstorm how it could relate to your current project.

C. Use Prompt Generators

Why it works: Prompts force your brain to think in a direction you wouldn’t have chosen on your own, breaking the “blank page” inertia.

Starter exercise:

  • Visit a prompt site (e.g., r/WritingPrompts, The Story Shack) and copy the first prompt you see. Write a 300‑word piece—don’t edit, just let the words flow.

D. Engage in “Creative Cross‑Training”

Why it works: Physical activity releases dopamine and boosts divergent thinking, while creative activities like doodling or mind‑mapping prime the brain for ideation.

Starter exercise:

  • 15‑Minute Stretch + Sketch: Do a quick stretch routine (or a short yoga flow). While your muscles relax, sketch anything that comes to mind—no rules, just shapes.

E. Set a “Bad‑Idea” Deadline

Why it works: Removing the pressure of perfection opens the floodgates. Bad ideas are just raw material; they can be refined or discarded later.

Starter exercise:

  • Set a timer for 8 minutes. Write the worst possible opening line for your piece. After the timer, read it aloud. How many elements can you salvage? Often the most surprising gems hide in the trash.

3. When Inspiration Still Plays Hard‑to‑Get: Write Anyway

You’ve tried the tactics, taken a walk, read a random article, and still hear crickets. This is the perfect moment to embrace the “write anyway” mindset. Below are strategies to turn a dry spell into productive output.

1. Free‑Writing (aka “Morning Pages”)

  • How it works: Set a timer for 10–20 minutes. Write whatever comes to mind—no editing, no judgment. Even if the only thing you write is “I don’t know what to write,” keep typing. The act of movement on the page often unblocks deeper thoughts.
  • Why it helps: It removes the mental barrier of “I have to be good.” By the end of the session, your brain is warmed up and ready for more focused work.

2. The “One‑Sentence” Rule

  • How it works: Tell yourself you only need to write a single sentence. It could be a description, a dialogue line, or a statement of intent. Once that sentence is down, you’re more likely to continue.
  • Why it helps: Small wins create momentum. The brain often resists a large task but is fine with a tiny one.

3. Reverse Outlining

  • How it works: Take an existing piece of your own writing (even a paragraph from a past blog) and outline its structure. Then, using that outline, write a brand‑new piece on a different topic.
  • Why it helps: You’re reusing a proven skeleton, which reduces the cognitive load of figuring out how to start.

4. Turn Constraints into Catalysts

  • How it works: Impose an artificial limitation: write a story without the letter “e,” or draft a blog post in exactly 150 words.
  • Why it helps: Constraints force you to think laterally, often sparking surprising ideas that would never surface in a free‑form environment.

5. Talk It Out—Verbally, Not Textually

  • How it works: Record yourself talking about your topic for five minutes, as if you were explaining it to a friend. Then transcribe the audio (or just listen back) and pull out usable sentences.
  • Why it helps: Speaking loosens the inner critic; you’re less likely to self‑edit in real time. The resulting transcript can become raw material for polished prose.

4. The Science Behind “Doing the Work”

Psychological PrincipleHow it Relates to Writing
The Zeigarnik Effect – unfinished tasks stay on our mindStarting a sentence, even a terrible one, creates a mental “open loop” that pushes us to finish it.
Flow State – deep focus occurs when challenge meets skillBy setting low‑stakes prompts (e.g., 5‑minute free‑write), you hit the sweet spot of challenge, making flow easier to achieve.
Neuroplasticity – the brain builds new pathways through repeated activityConsistently showing up to write rewires your brain to treat writing as a habit, not a rare event.

Understanding that the brain rewards action, not anticipation, flips the script: you’re not waiting for inspiration; you’re creating it through deliberate practice.


5. A Real‑World Example: From “Stuck” to Published

Case Study: Maya, freelance copywriter
Maya hit a wall on a landing‑page project for a wellness startup. She’d stared at the brief for three days, hoping a “big idea” would suddenly appear. Instead, she tried the steps above:

  1. Walked around her neighborhood, noting the colors of sunrise.
  2. Read a short article on the science of habit formation.
  3. Set a 5‑minute timer and wrote the worst possible headline (“Feel Amazing Today—Or Don’t”).
  4. She then turned that bad headline into a list of 10 alternatives, choosing the one that resonated most.
  5. Finally, she drafted the page in 30‑minute bursts, ignoring perfection.
    Result? The client loved the final copy, and Maya delivered the project ahead of schedule. She credits the “write anyway” phase for breaking the mental block that was costing her both time and confidence.

Maya’s story illustrates a simple truth: the more you move, the more ideas surface. You don’t need a mystical muse; you need momentum.


6. Quick‑Start Checklist: “Inspiration on Demand”

✔️ActionTime Needed
1Take a 10‑minute walk and note three new observations.10 min
2Read a random article from a field outside yours.5 min
3Write a 300‑word piece using a prompt.15 min
4Do a 5‑minute free‑write (any topic).5 min
5Choose the worst sentence you can think of; improve it.3 min
6Review and select one idea to develop further.5 min

Total: ~43 minutes.
If you can’t spare that much, pick any two items and repeat daily. Consistency beats intensity.


7. Take the First Step Right Now

Your challenge: Pick one of the tactics above, set a timer for 8 minutes, and start writing. Don’t worry about the outcome. When the timer dings, read what you’ve produced. Notice the shift in your mental state—often you’ll feel a spark that wasn’t there before you began.


Closing Thoughts

Waiting for inspiration is like waiting for a bus that may never arrive. By going looking—whether that means walking, reading, prompting, or simply forcing yourself to write—you become the driver of your own creative journey. And when the bus does finally pull up, you’ll be ready with a ticket, a seat, and the confidence to hop aboard.

Remember:

  • Show up first. The act of writing is the catalyst.
  • Seek stimuli actively. Your environment, consumption habits, and prompts are tools, not distractions.
  • Write anyway. Bad ideas, half‑baked sentences, and free‑writes are the raw ore from which gold is refined.

So, next time you stare at a blank screen and hear the internal mantra, “I’ll wait for inspiration,” flip it: “I’m going to find it—and I’ll write, no matter what.”

Your next masterpiece is waiting on the other side of that first typed word.

Happy hunting, and happy writing! 🚀

The story behind the story – Echoes from the Past

The novel ‘Echoes from the past’ started out as a short story I wrote about 30 years ago, titled ‘The birthday’.

My idea was to take a normal person out of their comfort zone and led on a short but very frightening journey to a place where a surprise birthday party had been arranged.

Thus the very large man with a scar and a red tie was created.

So was the friend with the limousine who worked as a pilot.

So were the two women, Wendy and Angelina, who were Flight Attendants that the pilot friend asked to join the conspiracy.

I was going to rework the short story, then about ten pages long, into something a little more.

And like all re-writes, especially those I have anything to do with, it turned into a novel.

There was motivation.  I had told some colleagues at the place where I worked at the time that I liked writing, and they wanted a sample.  I was going to give them the re-worked short story.  Instead, I gave them ‘Echoes from the past’

Originally it was not set anywhere in particular.

But when considering a location, I had, at the time, recently been to New York in December, and visited Brooklyn and Queens, as well as a lot of New York itself.  We were there for New Years, and it was an experience I’ll never forget.

One evening we were out late, and finished up in Brooklyn Heights, near the waterfront, and there was rain and snow, it was cold and wet, and there were apartment buildings shimmering in the street light, and I thought, this is the place where my main character will live.

It had a very spooky atmosphere, the sort where ghosts would not be unexpected.  I felt more than one shiver go up and down my spine in the few minutes I was there.

I had taken notes, as I always do, of everywhere we went so I had a ready supply of locations I could use, changing the names in some cases.

Fifth Avenue near the Rockefeller center is amazing at first light, and late at night with the Seasonal decorations and lights.

The original main character was a shy and man of few friends, hence not expecting the surprise party.  I enhanced that shyness into purposely lonely because of an issue from his past that leaves him always looking over his shoulder and ready to move on at the slightest hint of trouble.  No friends, no relationships, just a very low profile.

Then I thought, what if he breaks the cardinal rule, and begins a relationship?

But it is also as much an exploration of a damaged soul, as it is the search for a normal life, without having any idea what normal was, and how the understanding of one person can sometimes make all the difference in what we may think or feel.

And, of course, I wanted a happy ending.

Except for the bad guys.

Get it here:  https://amzn.to/2CYKxu4

newechocover5rs

365 Days of writing, 2026 – 64

Day 64 – Pick a side

Speak Yourself Your Own Way – In Other Words, Pick a Side

“The most courageous act is still to think for yourself. Aloud.”
— Coco Chanel

In a world that rewards smoothness, consensus, and “politically correct” chatter, it can feel dangerously easy to slip into the comfortable grey zone of “neutrality.” We skim the headlines, like‑share the most palatable meme, and keep our opinions tucked away in the safety of the private inbox. Yet the very act of living—of showing up in the world—requires us to speak ourselves our own way. In practice, that means picking a side and letting that choice shape the language, the tone, and the conviction behind our words.

Below is a roadmap for anyone who’s ever felt the tug‑of‑war between wanting to belong and yearning to be heard. It’s a call to step out of the echo chamber, sharpen your voice, and own the space you occupy—both online and offline.


1. Why “Neutral” Is Actually a Position

Neutrality isn’t a blank page; it’s a faint watermark.

When you decide not to take a stance, you implicitly endorse the status quo. If you stay silent on climate change, you’re indirectly supporting the systems that keep emissions high. If you never voice your discomfort with workplace micro‑aggressions, you let the culture that tolerates them persist.

The hidden cost:

  • Moral fatigue – you expend mental energy worrying about offending, which erodes authenticity.
  • Lost influence – decision‑makers notice those who speak up; the quiet ones fade into the background statistics.
  • Identity drift – without a declared side, your personal brand becomes a vague, undifferentiated blur.

Understanding that “neutral” is a covert side helps the first step: recognising the need to speak for yourself, your own way.


2. Discover Your Core Compass

Before you can speak confidently, you need a compass—a set of values that feels as unshakeable as a lighthouse in a storm.

ExerciseWhat It Looks LikeOutcome
Values InventoryWrite down 12–15 values (e.g., justice, curiosity, humor). Highlight the top 5 that feel non‑negotiable.A distilled list that guides every decision.
Story MiningRecall moments when you felt most alive, proud, or outraged. What values were in play?Patterns that reveal hidden convictions.
Future LetterImagine yourself 10 years from now, looking back. What would you be proud to have stood for?A forward‑looking “mission statement.”

When you can articulate why you care, you’ll know what side you’re picking.


3. The Anatomy of an Authentic Voice

A voice isn’t just what you say; it’s how you say it. Below are the elements that, once calibrated, make your speech unmistakably yours.

ComponentGuidelineExamples
ToneMatch the emotion of your message. Empathy for personal stories, urgency for calls to action.“I feel deeply about this” vs. “We must act now.”
VocabularyChoose words that are true to your background—no need for pretentious jargon.A tech‑entrepreneur might say “scalable,” while a teacher says “student‑centered.”
PacingVary sentence length to keep listeners engaged. Short bursts for impact, longer sentences for nuance.“Enough.” (pause) “We need change.”
StorytellingAnchor abstract ideas in concrete anecdotes.“When I first saw the polluted river, I thought….”
ConsistencyReinforce your side across platforms—social media, meetings, email signatures.A sustainability advocate consistently shares zero‑waste tips.

Practice these elements in low‑stakes situations (Twitter threads, group chats) before moving to higher‑visibility arenas.


4. Picking a Side Without Burning Bridges

You might wonder, “Will I alienate friends, colleagues, or customers?” The answer is yes—but not necessarily in a bad way. When you clearly declare a side, you attract people who align with you and filter out those who don’t. That’s the secret to building a community that actually supports your mission.

Tips for a graceful side‑pick:

  1. Start with “I.” Frame statements as personal convictions rather than universal mandates.
    “I believe we need a living wage” sounds less confrontational than “Everyone must agree we need a living wage.”
  2. Invite Dialogue, Not Debate.
    Offer a why and ask what others think.
    “I’m curious—how do you see the impact of remote work on work‑life balance?”
  3. Show Humility. Acknowledge you’re still learning; be open to data that refutes your stance.
    “I’m still reading up on this, but here’s why I’m leaning toward X.”
  4. Find Common Ground. Even on polarised topics, there’s usually a shared value (e.g., safety, fairness). Anchor your side there.
    “Both of us want safer streets; I think redesigning traffic flow is the most effective route.”
  5. Set Boundaries. If a conversation turns toxic, politely disengage. Your reputation benefits more from consistency than from endless argument.

5. Real‑World Examples: When Speaking Your Own Way Made a Difference

PersonSide PickedImpact
Greta ThunbergClimate crisis urgencyBecame a global catalyst for youth climate activism; policy discussions shifted.
Malala YousafzaiGirls’ right to educationInternational legislation and funding for girls’ schools surged.
Simon SinekLeadership rooted in “Why”Companies adopted purpose‑first strategies, boosting employee engagement.
Megan RapinoeGender equality & LGBTQ+ rights in sportAccelerated NFL and FIFA policy reviews on equality.
John Green (author)Mental‑health openness in YA literatureDestigmatized depression among teens; inspired school counseling programs.

These figures didn’t shy away from controversy. They picked a side early, refined their message, and let authenticity drive their influence.


6. Action Plan: 7 Steps to Speak Yourself Your Own Way Today

  1. Write a One‑Sentence Declaration – “I stand for ___ because ___.” Keep it visible (phone lock screen, notebook cover).
  2. Pick One Platform – Twitter, Instagram Stories, a team Slack channel—choose where you’ll post your first statement.
  3. Craft a Mini‑Story – Share a personal anecdote that illustrates why that side matters to you.
  4. Invite Feedback – End with a genuine question that prompts others to share their view.
  5. Schedule Follow‑Up – Set a reminder to revisit the conversation in a week; iterate based on responses.
  6. Audit Your Presence – Look at past posts; remove or revise anything that contradicts your declared side.
  7. Celebrate Small Wins – Did a colleague thank you for your perspective? Did you feel lighter after posting? Acknowledge it.

7. Overcoming the Fear of “Being Labelled”

The biggest mental block is the fear that once you pick a side, you’ll be pigeonholed forever. Remember:

  • Labels are tools, not prisons. “Activist” can open doors to collaborations you’d otherwise miss.
  • Your side can evolve. As new information arrives, you can pivot—just be transparent about the change.
  • People respect consistency more than conformity. A brand that constantly flips its stance loses trust faster than one that stands firm, even when unpopular.

Closing Thought

“Speak yourself your own way” isn’t a call for loudness; it’s a summons for honesty. It’s the invitation to pick a side, not because the world demands it, but because your inner compass demands it. When you do, you carve out a space where others can find you, understand you, and, most importantly, choose to walk alongside you.

So, what side will you claim today? Write it, shout it, tweet it, discuss it over coffee—just make sure it’s yours, unmistakably and unapologetically.

Your voice is the most valuable currency you have. Spend it wisely.


Ready to take the first step? Drop a comment below with your one‑sentence declaration. Let’s start a dialogue that proves speaking for yourself, your own way, really does change the conversation.

What I learned about writing – Do you have a pet writing project or subject

In my case, I do. The history of my family. This had only become a project in the last few months, and it is one of those things that we would all like to know something about, and probably think it’s too hard to do.

After all, time passes, the first-hand sources of material die, and you have to go the hard road and start digging for information. I’m lucky in a sense, my older brother has been doing this for a few years now and has been visiting the places where we came from.

But, from my standpoint, this is an excellent exercise in characterisation, especially if you want to write historical fiction. It has led me down a path of searching for records in the most unlikely places, discovering just how much information from the past has been digitised and is accessible.

It has also led to the discovery of newspaper archives, one of the more interesting sources of information, and just a little thrill every time I uncover another snippet about one of my ancestors.

And no, not yet, have I discovered a true gem of a discovery, though one path led to a possible connection, very remote, to J R R Tolkien, and another to Harriet Beecher Stowe.

They have yet to be proved, but I don’t think we could be that lucky.

365 Days of writing, 2026 – 64

Day 64 – Pick a side

Speak Yourself Your Own Way – In Other Words, Pick a Side

“The most courageous act is still to think for yourself. Aloud.”
— Coco Chanel

In a world that rewards smoothness, consensus, and “politically correct” chatter, it can feel dangerously easy to slip into the comfortable grey zone of “neutrality.” We skim the headlines, like‑share the most palatable meme, and keep our opinions tucked away in the safety of the private inbox. Yet the very act of living—of showing up in the world—requires us to speak ourselves our own way. In practice, that means picking a side and letting that choice shape the language, the tone, and the conviction behind our words.

Below is a roadmap for anyone who’s ever felt the tug‑of‑war between wanting to belong and yearning to be heard. It’s a call to step out of the echo chamber, sharpen your voice, and own the space you occupy—both online and offline.


1. Why “Neutral” Is Actually a Position

Neutrality isn’t a blank page; it’s a faint watermark.

When you decide not to take a stance, you implicitly endorse the status quo. If you stay silent on climate change, you’re indirectly supporting the systems that keep emissions high. If you never voice your discomfort with workplace micro‑aggressions, you let the culture that tolerates them persist.

The hidden cost:

  • Moral fatigue – you expend mental energy worrying about offending, which erodes authenticity.
  • Lost influence – decision‑makers notice those who speak up; the quiet ones fade into the background statistics.
  • Identity drift – without a declared side, your personal brand becomes a vague, undifferentiated blur.

Understanding that “neutral” is a covert side helps the first step: recognising the need to speak for yourself, your own way.


2. Discover Your Core Compass

Before you can speak confidently, you need a compass—a set of values that feels as unshakeable as a lighthouse in a storm.

ExerciseWhat It Looks LikeOutcome
Values InventoryWrite down 12–15 values (e.g., justice, curiosity, humor). Highlight the top 5 that feel non‑negotiable.A distilled list that guides every decision.
Story MiningRecall moments when you felt most alive, proud, or outraged. What values were in play?Patterns that reveal hidden convictions.
Future LetterImagine yourself 10 years from now, looking back. What would you be proud to have stood for?A forward‑looking “mission statement.”

When you can articulate why you care, you’ll know what side you’re picking.


3. The Anatomy of an Authentic Voice

A voice isn’t just what you say; it’s how you say it. Below are the elements that, once calibrated, make your speech unmistakably yours.

ComponentGuidelineExamples
ToneMatch the emotion of your message. Empathy for personal stories, urgency for calls to action.“I feel deeply about this” vs. “We must act now.”
VocabularyChoose words that are true to your background—no need for pretentious jargon.A tech‑entrepreneur might say “scalable,” while a teacher says “student‑centered.”
PacingVary sentence length to keep listeners engaged. Short bursts for impact, longer sentences for nuance.“Enough.” (pause) “We need change.”
StorytellingAnchor abstract ideas in concrete anecdotes.“When I first saw the polluted river, I thought….”
ConsistencyReinforce your side across platforms—social media, meetings, email signatures.A sustainability advocate consistently shares zero‑waste tips.

Practice these elements in low‑stakes situations (Twitter threads, group chats) before moving to higher‑visibility arenas.


4. Picking a Side Without Burning Bridges

You might wonder, “Will I alienate friends, colleagues, or customers?” The answer is yes—but not necessarily in a bad way. When you clearly declare a side, you attract people who align with you and filter out those who don’t. That’s the secret to building a community that actually supports your mission.

Tips for a graceful side‑pick:

  1. Start with “I.” Frame statements as personal convictions rather than universal mandates.
    “I believe we need a living wage” sounds less confrontational than “Everyone must agree we need a living wage.”
  2. Invite Dialogue, Not Debate.
    Offer a why and ask what others think.
    “I’m curious—how do you see the impact of remote work on work‑life balance?”
  3. Show Humility. Acknowledge you’re still learning; be open to data that refutes your stance.
    “I’m still reading up on this, but here’s why I’m leaning toward X.”
  4. Find Common Ground. Even on polarised topics, there’s usually a shared value (e.g., safety, fairness). Anchor your side there.
    “Both of us want safer streets; I think redesigning traffic flow is the most effective route.”
  5. Set Boundaries. If a conversation turns toxic, politely disengage. Your reputation benefits more from consistency than from endless argument.

5. Real‑World Examples: When Speaking Your Own Way Made a Difference

PersonSide PickedImpact
Greta ThunbergClimate crisis urgencyBecame a global catalyst for youth climate activism; policy discussions shifted.
Malala YousafzaiGirls’ right to educationInternational legislation and funding for girls’ schools surged.
Simon SinekLeadership rooted in “Why”Companies adopted purpose‑first strategies, boosting employee engagement.
Megan RapinoeGender equality & LGBTQ+ rights in sportAccelerated NFL and FIFA policy reviews on equality.
John Green (author)Mental‑health openness in YA literatureDestigmatized depression among teens; inspired school counseling programs.

These figures didn’t shy away from controversy. They picked a side early, refined their message, and let authenticity drive their influence.


6. Action Plan: 7 Steps to Speak Yourself Your Own Way Today

  1. Write a One‑Sentence Declaration – “I stand for ___ because ___.” Keep it visible (phone lock screen, notebook cover).
  2. Pick One Platform – Twitter, Instagram Stories, a team Slack channel—choose where you’ll post your first statement.
  3. Craft a Mini‑Story – Share a personal anecdote that illustrates why that side matters to you.
  4. Invite Feedback – End with a genuine question that prompts others to share their view.
  5. Schedule Follow‑Up – Set a reminder to revisit the conversation in a week; iterate based on responses.
  6. Audit Your Presence – Look at past posts; remove or revise anything that contradicts your declared side.
  7. Celebrate Small Wins – Did a colleague thank you for your perspective? Did you feel lighter after posting? Acknowledge it.

7. Overcoming the Fear of “Being Labelled”

The biggest mental block is the fear that once you pick a side, you’ll be pigeonholed forever. Remember:

  • Labels are tools, not prisons. “Activist” can open doors to collaborations you’d otherwise miss.
  • Your side can evolve. As new information arrives, you can pivot—just be transparent about the change.
  • People respect consistency more than conformity. A brand that constantly flips its stance loses trust faster than one that stands firm, even when unpopular.

Closing Thought

“Speak yourself your own way” isn’t a call for loudness; it’s a summons for honesty. It’s the invitation to pick a side, not because the world demands it, but because your inner compass demands it. When you do, you carve out a space where others can find you, understand you, and, most importantly, choose to walk alongside you.

So, what side will you claim today? Write it, shout it, tweet it, discuss it over coffee—just make sure it’s yours, unmistakably and unapologetically.

Your voice is the most valuable currency you have. Spend it wisely.


Ready to take the first step? Drop a comment below with your one‑sentence declaration. Let’s start a dialogue that proves speaking for yourself, your own way, really does change the conversation.

365 Days of writing, 2026 – 63

Day 63 – Criticism

To What Extent Should We Take on Criticism?

When feedback feels like a gift, a weapon, or something in‑between, how do we decide what to keep?


1. The Three Faces of Criticism

TypeWhat It Looks LikeWhat It Does to YouHow to Spot It
Constructive“I love your concept, but the pacing feels rushed. Maybe try a slower intro?”Sparks curiosity, nudges improvement, builds confidence.Specific, actionable, delivered with respect.
Soul‑Destroying“You’re terrible at this. Nobody will ever take you seriously.”Triggers shame, self‑doubt, and in extreme cases, burnout.Vague, personal attacks, “you’re” language, often unqualified.
Context‑Dependent“Your work is okay, but… [insert personal bias]Can feel uplifting or crushing depending on your mindset that day.Mixed signals: compliments tangled with criticism, delivered by someone whose opinion you value (or fear).

Bottom line: Not all criticism is created equal. Recognizing the category is the first step toward deciding whether to let it in.


2. Why Our State of Mind Matters

Our brain is a filter—it amplifies what it’s primed to hear.

  • Stress‑High, Confidence‑Low → Even a gentle suggestion can feel like a dagger.
  • Rested, Curious, & Secure → The same suggestion is a roadmap.

Neuroscience backs this up: under cortisol spikes, the amygdala hijacks the prefrontal cortex, making us react emotionally before we can reason. In other words, the same words can be a lifeline or a landmine—depending on the internal weather.


3. A Quick Self‑Check Before You Swallow (or Spit Out) Feedback

  1. Pause. Take three breaths.
  2. Identify the source.
    • Authority? Peer? Stranger?
    • Do they have expertise or a vested interest?
  3. Ask yourself:
    • Is the feedback specific?
    • Does it focus on the work, not the person?
    • Is there a pattern or is this a one‑off?
  4. Rate the impact (1‑5).
    • 1‑2 = Minimal (maybe let it drift away).
    • 3 = Worth a second look.
    • 4‑5 = Deep dive required—either to apply or to guard against toxicity.

If the answer to “Is it specific?” is no, you’re probably dealing with soul‑destroying or context‑dependent criticism. If it’s yes, you’ve likely encountered something constructive.


4. Strategies for Each Kind

A. Constructive Criticism – Welcome It Home

  • Summarise and confirm. “So you’re saying the climax needs more tension?”
  • Create an action plan. Turn the suggestion into a tiny experiment.
  • Give thanks. A simple “Thanks for pointing that out” reinforces healthy feedback loops.

B. Soul‑Destroying Criticism – Set Boundaries

  • Detach the person from the message. “I hear you’re upset, but I’m not going to let this define me.”
  • Limit exposure. If it’s a chronic source (e.g., a toxic boss), consider escalation, mediation, or a change in environment.
  • Re‑anchor with evidence. List recent successes, testimonials, or metrics that counteract the negativity.

C. Context‑Dependent Criticism – Check Your Lens

  • Mind‑state audit. Ask, “Am I already feeling insecure about this?” If yes, give yourself a grace period before reacting.
  • Seek a second opinion. Ask a trusted colleague: “What do you think of this feedback?”
  • Experiment with reframing. Turn “Your design feels too busy” into “How can we simplify the visual hierarchy?” – you keep agency over the direction.

5. Building a Resilient Feedback Muscle

PracticeHow It WorksTime Investment
Morning “Feedback Forecast”Write down one thing you’re open to hearing that day.5 min
Weekly “Critique De‑brief”Review all feedback received, categorize, and log actions taken.15 min
Monthly “Mindset Reset”Meditate or journal on successes; remind yourself of your core values.10‑20 min
Quarterly “Source Audit”Evaluate who’s influencing your perception—keep the constructive, prune the toxic.30 min

Consistent practice turns the act of receiving criticism from a high‑stakes gamble into a low‑stakes habit.


6. When to Say “No, Thanks”

  • If the criticism is a personal attack – you have the right to walk away.
  • If it’s coming from someone who consistently undermines you – consider limiting that relationship.
  • If it’s irrelevant to your goals – politely thank them and redirect: “I appreciate your viewpoint; I’m focusing on X right now.”

Saying “no” isn’t a sign of weakness; it’s a declaration that you are the steward of your own growth.


7. Takeaway Cheat Sheet

QuestionAnswerAction
Is the feedback specific and about the work?Yes → Likely constructive.Take notes, apply, thank.
Is the tone attacking or demeaning?Yes → Soul‑destroying.Set boundaries, seek support, document.
Am I feeling vulnerable right now?Yes → Context‑dependent.Pause, revisit later, get a second opinion.
Do I trust the source’s expertise?No → Treat with caution.Verify, ask clarifying questions, research.

Print this table, stick it on your desk, and refer to it the next time a comment lands in your inbox.


Closing Thought

Criticism is inevitable—like the weather, it will come in sun, rain, or storms. The art isn’t in how much we take on; it’s in what we choose to carry forward. By learning to read the type of feedback, checking our mental climate, and setting intentional boundaries, we transform criticism from a potential wrecking ball into a sculptor’s tool.

So, the next time someone says, “That could be better,” ask yourself: “Is this a chisel or a hammer?” And then decide whether to pick it up, set it down, or toss it aside.

Happy creating, staying resilient, and curating the feedback that truly serves you.


If this post resonated with you, share it with a friend who could use a healthier relationship with criticism, or drop a comment below with your own strategies for sifting the good from the gut‑punch.

What I learned about writing – Good grammar!

This is the sort that doesn’t leave beta readers saying “Good Grief!” over and over.

But…

There is writing the way people sometimes speak, which is hard, good grammar, and the way it should be written. Especially in historical fiction, I find that the lower classes in the 1700s and 1800s were literate enough to speak properly, after a fashion, when employed as servants and other staff. Still, the question is what level of education they reached.

Of course, it is a matter of deciding whether these characters will speak as they would have at the time, or in a manner the reader can understand.

Other than that, good writing is literate and understandable, with no overuse of adjectives that the common reader will not understand, and there should not be obscure similies and sayings, an order I sometimes forget to tell myself.

Perhaps it is an idea to keep several grammar references on the desk just in case you start having fights with the grammar checker, which I do from time to time. It doesn’t recognise the speech that I use, which is basically common knowledge, but not built into the grammar checker.

Grammar checkers are like artificial intelligence; they are only as good as the person who programs them and provides them with grammar examples.

When running it across a 500-page document, and its eccentricities start flaring, it gets a little annoying, particularly when you can’t turn it off. Still, it picked up quite a few errors that
I didn’t, and I guess that left me a little miffed.