Tag: Fiction

“Do you believe in g..g..ghosts…?”, a short story

Inside the old building, it was very quiet and almost cold.

Strange, perhaps, because outside the temperature was bordering on the record hottest day ever, nearly 45 degrees centigrade.

The people who’d built this building nearly a hundred years before must have known how to keep that heat at bay, using sandstone.

Back then, the sandstone would have looked very impressive, but now after many years of being closed off and left abandoned, the outside was stained by modern-day pollutants giving it a black streaky look, and inside layers of dust, easily stirred up as we walked slowly into the main foyer.

It was huge, the roof, ornate, with four huge chandelier lights hanging down, and wood panelling, giving way to a long counter with brass serving cages highlighting its former use; a bank.

In its day it would have conveyed power and wealth so that its customers could trust their money to. Of course, that was before the global economy, online banking, and a raft of new and different institutions all vying for that same money.

Then it was a simple choice of a few, now it was a few thousand.

“How many years had this been closed up?” I asked.

“Close to twenty, maybe twenty-five. It was supposed to be pulled down, but someone got it on the heritage list, and that put an end to it. “

Phil was the history nut. He’s spent a month looking into the building, finding construction plans, and correspondence dating back to before and during the construction.

Building methods, he said, that didn’t exist today and were far in advance of anything of its type for the period. It was the reason we were standing in the foyer now.

We were budding civil engineers, and the university had managed to organize a visit, at our own risk. The owner of the building had made sure we’d signed a health and safety waiver before granting access.

And the caretaker only took us as far as the front door. He gave us his cell number to call when we were finished. When we asked him why he didn’t want to come in with us, he didn’t say but it was clear to me he was afraid of something.

But neither of us believed in ghosts.

“You can see aspects of cathedrals in the design,” Phil said. ” You could quite easily turn this space into a church.”

“Or a very large wine cellar.” I brought a thermometer with me, and inside where we were standing it was the ideal temperature to store wine.

Behind the teller cages were four large iron doors to the vaults. They were huge, and once contained a large amount of cash, gold, and whatever else was deemed valuable.

They were all empty now, the shelves and floor had scattered pieces of bank stationery, and in a corner, several cardboard boxes were covered in even more dust.

Behind the vaults were offices, half-height with glass dividers, the desks and chairs still in place, and some with wooden filing cabinets with drawers half-open.

Others had benches, and one, set in the corner, was very large, and looked like the manager’s office. Unlike the other office which had linoleum tiles, this one had carpet. In a corner was a large mirror-backed cabinet, with several half-empty bottles on it.

“Adds a whole new meaning to aged whiskey, don’t you think.” Phil looked at it but didn’t pick it up.

“I wonder why they left it,” I muttered. The place had the feel of having been left in a hurry, not taking everything with them.

I shivered, but it was not from the cold.

We went back to the foyer and the elevator lobby. They were fine examples of the sort of caged elevators that belonged at that time, and there were very few working examples these days.

The elevators would have a driver, who would pull back an inner and outer door when the car arrived on a floor, and close both again when everyone was aboard.

Both cars were on the ground floor, with the shutter doors closed, and when I tried to open one, I found it had been welded shut. The other car was not sitting level with the floor and the reason for that, the cable that raised and lowered it was broken.

Restoring them would be a huge job and would not be in their original condition due to occupational health and safety issues.

The staircase wound around the elevator cage, going up to the mezzanine floor or down to the basement.

“Up or down?” He asked.

“Where do you want to go first?”

“Down. There’s supposed to be a large vault, probably where the safety deposit boxes are.”

And the restrooms I thought. Not that I was thinking of going.

As we descended the stairs it was like going down into a mine shaft, getting darker, and the rising odour of dampness, and mustiness. I suspect it would have been the same back when it was first built being so close to the shoreline of the bay, not more than half a mile away.

The land this building and a number of others in a similar style, was built on was originally a swamp, and it was thought that the seawater still found its way this far inshore. But the foundations were incredibly strong and extensive which was why there’d been no shifting or cracking anywhere in the ten-story structure.

At the bottom, there was a huge arch, with built-in brass caging with two huge gates, both open. It was like the entrance to a mythical Aladdin’s cave.

There was also an indefinable aura coming from the depths of that room. That, and a movement of cold air. Curiously, the air down there was not musty but had a tinge of saltiness to it.

Was there a natural air freshener effect coming from somewhere within that vault?

“Are we going in?”

I checked my torch beam, still very bright. I pointed it into the blackness and after a minute of checking, I said, “We’re here, so why not.”

We had to walk down a dozen steps and then pass under through the open gates into the room. There was a second set of gates, the same as the first, about thirty feet from the first, and, in between, a number of cubicles where customers collected their boxes.

Beyond the second set of gates was a large circular reinforced safe door high enough for us to walk through.

This cavernous space stretched back quite a distance, and along the walls, rows, and rows of safety deposit boxes, some half hanging out of their housing, and a lot more stacked haphazardly on the floor.

I checked a few but they were all empty.

I shivered again. It felt like there was a presence in the room. I turned to ask Phil, but he wasn’t there. I hadn’t heard him walk away, and there were only two sets of footprints on the floor, his and mine, and both ended where I was standing.

It was as if he had disappeared into thin air.

I called out his name, and it echoed off the walls in the confined space. No answer from him.

I went further into the room, thinking he might have ventured towards the end while my back was turned, but he hadn’t. Nor had he left because there were only footprints coming in, not going out.

I turned to retrace my steps and stopped suddenly. An old man, in clothes that didn’t belong to this era, was standing where Phil had last been.

He was looking at me, but not inclined to talk.

“Hello. I didn’t see you come down.”

Seconds later the figure dissolved in front of me and there was no one but me standing in the room.

“Joe.”

Phil, from behind me. I turned and there he was large as life.

“Where were you?”

“I’ve been here all the time. Who were you just talking to?”

“There was an old man, standing just over there,” I said pointing to somewhere between Phil and the entrance.

“I didn’t see anyone. Are you sure you’re not having me on?”

“No. He’s right behind you.” The old man had reappeared.

Phil shook his head, believing I was trying to fool him.

That changed when the man touched his shoulder, and Phil shrieked.

And almost ran out of the room. It took a few minutes for him to catch his breath and steady his palpitating heart.

“Are you real?” I asked, not quite sure what to say.

“To me, I am. To anyone else, let’s just say you are the first not to faint, or run away.”

“Are you a ghost?” Phil wasn’t exactly sure what he was saying.

“Apparently I am and will be until you find out who killed me “

Ok, so what was it called, stuck in the afterlife or limbo until closure?

“When?”

“25 years ago, just before the bank closed. It’s the reason why it’s empty now.”

“And you’re saying we find the killer and you get to leave?”

“Exactly. Now shoo. Go and find him.”

We looked at each other in surprise, or more like shock, then back to the man. Only he was no longer there.

“What the…” Phil sail. “It’s time to go.”

“What about the man and finding his killer?”

“What man? We saw nothing. We’re done here.”

I shrugged. Phil turned to leave, but only managed to take three steps before the gates at the entrance closed with a loud clang.

When he crossed the room to stand in front, he tried pulling them open.

“Locked,” he said. Flat, and without panic, he added, “I guess it looks like we have a murder to solve.”

…

© Charles Heath 2019-2020

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 2

Here’s the thing.

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

I never realized Boggs had this thing for treasure.  Seems a long time ago one of his relatives was a diver, found a wreck, and with it gold bullion.  He became rich, and the wealth in the family lasted till Boggs’ grandfather, who frittered away the last of the fortune on dodgy land schemes and supposed match tree forests in Ecuador.

It was up to him, Boggs told me, to restore the family fortune.

I couldn’t see how this was going to happen sitting in a bar that openly advertised treasure maps and an owner who was only too happy to tell the story of the Spaniard to anyone who’d listen.

The problem was, no two versions of the story were the same.

Whilst Boggs was taking in the fourth or fifth rendition of the story, I looked around at the clientele.  They were certainly more interesting than the treasure.

Mostly here for the sun and surf, there were two notable exceptions, and if I was to guess, they looked Spanish.

Or was it my imagination working overtime.

They seemed very interested in Boggs, from time to time looking over at him, and then muttering to each other.  Conveniently, they were along the path to the restroom, so I took a stroll, and lingering a moment near their table, I listened to the conversation.

In Spanish.

My Spanish was a little rusty but what I thought I heard, “Boy, map, find out what he knows, gold, and it’s in the hills somewhere.

The phrase, there’s gold in them thar hills came to mind.

But for the moment I think we had a problem.

When I came out of the restroom, the first thing I noticed was the two Spaniards had left.  When I looked over towards the bar, where I left Boggs, I noticed he too, was missing.

All of a sudden I had a very bad feeling.

I ran outside, just in time to see the two men bundling Boggs into the back of a car, and drive off.

That’s where I fell asleep

© Charles Heath 2023

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 1

My mind will not rest.

Down here, it is summer, and the last few days have been rather hot, well, it is summer after all, but tonight it is particularly hot.

So, as I can’t sleep, I’m lying on the couch staring at the ceiling, otherwise known as the cinema of my dreams.

Where am I?

Well, it has to be someplace cool, of course.

 

I have no idea where or when I got sucked into this game of searching for treasure.  Boggs had been reading some newspaper article relating to a Spaniard who had survived a shipwreck off the coast and had supposedly come ashore dragging his treasure chest, all that he could save from the sinking ship.

I think my priorities may have been slightly different.

Standing on the beach where Boggs believed the man came ashore, we looked inland at the coastal plain now overbuilt with holiday houses and apartments, behind that, some parkland, under threat from the developers, and behind that, the mountains.

I could guess what Boggs was going to say next.

“It has to be somewhere in the mountains, a cave perhaps.”

My map told me there was a mountain face for about 25 miles in either direction and rising to two to three thousand feet up.  I didn’t calculate the area, I just considered it big.

“If he came ashore here, dragging a heavy chest, and barring all of this building, he would take the most direct route inland.”

He pointed in the direction he thought the Spaniard took.

My eyes followed his arm and stopped at a beacon halfway up the hillside. 

That was a long way, pulling a heavy chest.

“Not up the hill, maybe, but somewhere along the base.”

“And don’t you think every man and his dog would have made the same assumption, and covered the ground already.”  The treasure hunt was beginning to bore me.

His expression changed, the sort that told me he might not have considered that possibility.  Boggs was like that, always thinking he had the original idea.

“Perhaps, then, a drink and more thought on the matter.”

We trudged through the soft sand to the bar just off the sand, a small place called The Spaniard.  A sign on the window said ‘Treasure Maps for sale’.

 

Well, the bar was air-conditioned, and the beer was cold.  I have one myself and see where this cinematic experience goes

 

 

Plots ripped from newspaper headlines – 2

What if … (2)

…

So, today’s seeming straightforward news event that didn’t make the front page, nor the next three,  
is about the death of a man and a woman who had just begun dating, their bodies being found in an ordinary suburban house.

The police received a call regarding their welfare and upon visiting the house, found the man and woman lying side by side on the floor, deceased.

The police were not treating the deaths as suspicious.

So …

What if …

The first thing that leaps off the page is the fact the police are not treating the deaths as suspicious.

That’s exactly the moment that investigators should be looking at the situation a little more closely because, in our scenario, the scene has a staged look about it, and on the surface, it appears to be a simple case of a dual drug overdose.

Firstly, the friends of the two were not aware they were ‘doing drugs’ and if they were, lying on the floor at home was the last place it would happen.

No drugs were found in the house, and the sniffer dogs could find no trace of any except on the bodies.

Secondly, in the upstairs office, a laptop computer was missing, only the cable and mouse were still sitting on the table.  Curiously both their cell phones were missing, but nothing else.  Between them, they had about 500 pounds, which meant, if there was foul play, the perpetrator had very specific items to take.

Nothing else was disturbed.

Thirdly, a quick examination of the bodies showed the woman had bruising to her neck, a sign that someone had held her in a choke hold perhaps, but the coroner would have a closer look.

Fourthly, a simple check on the names comes back with an access denied flag on the male.

That, as far as Detective Chief Inspector Barnes was concerned, was enough to change the investigation from death by misadventure, to a suspicious, possible murder.

“Strangers We’ve Become” – Countdown to publishing in 12 Days

A hard slog

…

Surveillance wasn’t easy.  Some thought it was a doddle, just sitting around waiting for something to happen, and, in the meantime, filling up on takeaway and endless coffee.

Some thought it boring because in all likelihood little happened over a long time.

Quite often the funding ran out long before a result was available.

David had nothing else to do, so it was his only option, other than finding a way to annoy the new security.

He found premises near the Featherington London residence, then when the place was least populated, planted listening devices in various places, some to be found, others not.

He tracked the limousine, now driven by the head of security to see where it was going promptly every morning, with the mistress of the house.

Located other premises to be watched, a result no doubt of being able to go through documents at the main residence.

Got an accurate guide to how many men were in the security team, where they went and what times they performed basic duties.

And watched Susan as she slept in her room, making him feel almost like a stalker.

But it didn’t take long for several revelations to surface, the first, Susan had a new relative that he had known of before, but only by sight, and second, someone he thought he could trust was not what he appeared to be.

Time to throw the cat among the pigeons.

…

Writing about writing a book – Day 13 supplemental

I was going to say ‘Captain’s log supplemental’ and add a stardate, but the analogy might get lost because not everyone is a Star Trekker.

Needless to say, there’s always more to say about an event, especially when the mind is casting about for ideas to add or enhance a story.

It comes down to, does art imitate life, or does life imitate art?  It’s an interesting question because, in this instance, art will be imitating, to a certain extent, life.

Perhaps what is lost in the telling is the inability of newly divorced people in working out where the boundaries are, whether or not they are entitled to know about the other person’s private life, and how that will make them feel.

I’m guessing when a marriage breaks down, there’s always a cause, and while the word amicable gets bandied around a lot, it’s said, but quite often not meant.

Does mummy have a boyfriend?

Does daddy have a girlfriend?

What generally happens is the children are the only ones who know what’s really happening to each of the parents, because they get transported between the two, as neither parent would want to be seen stopping the other from seeing them/

Of course, where the children are grown up and leading their own lives, the situation should be a lot easier.

But, where does this fit in with the story I hear you asking.

 

Marriages fall apart for many reasons.  In the story, Bill acknowledges that it is largely his fault, and one suspects it’s probably an undiagnosed case of PTSD that back in the sixties and seventies was not really understood.

It led to both he and Ellen leading individual but separate lives whilst keeping up appearances for the sake of their children.  There’s no doubting who brought them up, Ellen, and who had the greater influence over them, although, for the sake of this story, both couldn’t wait to leave home and live somewhere else.

They do, and together.  They are not married and do not have children.  They were not the cause of the breakup, and fortunately, neither of the girls blame one or the other parent.

But that doesn’t mean, over the years, that either parent hasn’t tried to use them to glean information about the other.  It is how Bill discovered, some time ago, that Ellen had ‘a special friend’.

Yet, neither of the daughters have seen him, and not surprisingly, he had made sure that Bill has never seen him.  It’s for a particular reason, one that will become obvious later in the story.  It is, I think, a rather clever twist.

Also, Ellen is not a bad person and certainly wasn’t bad to Bill, perhaps more long-suffering.  She did stay with him for a long time, mainly for the children, but also because she genuinely cared for Bill.

And Bill had not had another woman friend, not until he discovers his feelings towards Jennifer and even then, he keeps that to himself, even when he really doesn’t have to.

Sigh.

Time to return to my fictional world.

I just want to be finished

Just when you think that the story is done, and you’re on the third re-read, just to make sure…

Damn!

I don’t like the way that chapter reads, and what’s worse, it’s about the tenth time I’ve looked at it.

It doesn’t matter the last three times you read it, it was just fine, or, the editor has read it and the chapter passed without any major comment.

I think the main problem I have is letting go.  For some odd reason, certain parts of a story sometimes seem to me as though they are not complete, or can be missing a vital clue or connection for the continuity of the story.

That, of course, happens when you rewrite a section that is earlier on in the story, and then have to make ongoing changes.

Yes, I hear the stern warnings, that I should have made a comprehensive outline at the beginning, but the trouble is, I can change the ending, as I’m writing it and then have to go back and add the hooks earlier on.  Not the best method, but isn’t that what an editor is for, to pick up the missed connections, and out of the blue events that happen for no reason?

I find that often after leaving a finished story for a month before the next reading, the whole picture must formulate itself in my head, so when I re-read, there was always a problem, one I didn’t want to think about until the re-read.

Even then it might survive a second pass.

I know the scene is in trouble when I get to it and alarm bells are going off.  I find anything else to do but look at it.

So, here I am, making major changes.

But, at least now I am satisfied with where it’s going.

Only 325 pages to go!

I’m writing a detective story…

But the devil is in the detail.

OK, so I’ve seen a lot of detective shows on TV, from America and from Britain.

The British version of detectives is somewhat easier since they call their detectives, Detective Constable, Detective, Sargent, Detective Inspector and Detective Chief Inspector. Easy enough to remember, along with coroners and forensic teams.

The Americans, well they like to do things the hard way, with just Detective, but with grades. Then they have Medical Examiners, and Crime Scene Investigators.

Pity then that I opted for the American version, with a crime committed at the Queens Botanical Gardens car park.

But as we all know, it’s not the what and where, it’s the who, and the zany cast of characters that have to be sifted through, questioned, eliminated, until the guilty party is caught. In the meantime, people will lie, secrets will be uncovered, and red herrings will abound.

My first notion when this was an idea buzzing around in my head, it was going to be an innocent man banged up by circumstantial evidence, and then has to get someone on the outside to prove his innocence.

I’m guessing every felon in jail will swear on a stack of bibles that he or she didn’t do it, but what if it is true? A detective can proceed in the collection of evidence, witness statements, corroboration of facts, and still come to the wrong conclusion, only, at the time, and based on the evidence, it didn’t seem like it.

I’m guessing that’s why the justice system is the way it is, for the protection of the innocent, but, quite often, the law seems to protect the guilty and lock up the innocent. This is just a little tale that is designed to make people think.

What if they were wrong?

Sounds like a good title too

“Strangers We’ve Become” – Countdown to publishing in 15 Days

A new edition of the Spanish inquisition

…

At what point do you stop ignoring the signs and start considering the possibility that:

  1.  Susan is no longer the woman he married, or
  2.  Susan has undergone such a transformation after the traumatising time her father put her through that she has completely changed, or
  3. The demands of running the Featherington commercial empire are such that there is no time left for David and Susan to spend time together in a meaningful way, or
  4. Susan is not his Susan, but another of the clones.

David certainly doesn’t want to believe the last option was the case.  There is enough from their current interactions to convince him that his Susan is in there somewhere, but those photographs he received in Moscow before the assassination attempt convinced him that it was possible the damage done by her father had changed her.

He never expected she would have an affair.

The thing is, did he know here all that well given the little time they had spent together?

Still reeling from the assassination attempt in Yaroslavl, and the fact it nearly cost Alisha her life, David decides it’s time to do a little investigating into the woman that is his wife.

For now.

And being on the inside, that surveillance job was going to be easy.

Except…

He just has to get past the new security detail Susan has hired.

…

Writing about writing a book – Day 9

Blogging, Social  Media, and other stuff.

 

Aren’t there more important things to do like writing?

I think reading the 101 things to do to establish your author brand is finally getting to me.  I leave this to read the last thing before I go to bed and it’s beginning to give me nightmares.

So, for starters, I’ve created a twitter page but I’m not sure what to do with it.  Yet.

Then I created a Facebook page but there is one for authors and I think l have created the wrong one.  It’s very confusing.

And reading 10 things an author shouldn’t do, one of them was not to use Facebook.  Who to believe?

Now I’m lingering at WordPress after googling writer blogs and got a choice of so many, some free, others quite expensive, and I’m not sure what half the stuff is they’re offering.

There’s also Site blog, and there’s collaborative blogging.  Perhaps it’s time to get back to the easy stuff like plotting and writing my book!

That might have been easy if a little voice in my head wasn’t screaming ‘you need a website’.

Once again I’m googling my fingers to the bone trying to decide if I want a free one or pay.  At least if I pay there might not be ghastly ads for porn sites.  That’s one criticism I read that can be a problem.

I decided to pay a nominal amount but now I strike a new problem, I need to get a domain name such as ‘authorname.com’.

I put in my name and it is taken already so in order not to pay the person who snapped it up in the hope of making a million dollars, or perhaps because he has the same name as me and thought of it first, I have to accept one of the variations.

It then gives me the opportunity to buy right now that particular name because it is free, and I found myself working with a hyphen.  It could be worse, I suppose.

It also offers a few extra web domains with different endings such as .com,.info, etc.

What the hell it’s only a few extra dollars and I’ll worry about what to do with them in two years’ time except for the .com which I’ll use now.

The website started and a month paid for, got a .com to link it to, and now all I have to do something with it.  No, I’m not a web designer even after I picked a template that looked author like.

It can wait.

Social media investigated but looks like its going to suck up a lot of my time.

Better get back to the book and write my page, or 1000 words, or 2000 words for the day.

 

I look over at the rubbish bin and it is overflowing.  It looks like a scene out of a bad movie, where the writer pretends he’s a pro basketball player who can’t shoot.

It’s just not flowing.  I’m beginning to hate Bill as a name.  Perhaps I’ll change it to Tarquin.  No, that’s not quite a name that suits the character.  It leads to a mental debate about what is an appropriate name for a character and sends me off into Google land again to see what various names mean.

The name is Bill until I find something better.

I guess that leads to some introspection on how I see, or what I want, the character to be.  So far he’s been married, and divorced, not been much of a husband to his wife, or children, maybe because of what happened to him when he was in the army, something he knows about in a peripheral sense but is about to learn a whole lot more.

Being shot, ending up in a hospital, sparks a memory, in a dream, brought on by a particular type of painkiller, and he is about to remember who and what he was, stuff that he has previously not realized, or knew about.  Those last traumatic events in the war zone caused his memory to be wiped.

It’s not the sort of memories certain people want to be brought into the open.

OK, finally something to work with.

I need to work on the dream or nightmare sequence.

Pen in hand, I start writing…

 

© Charles Heath 2018-2020