Can we believe what we read, and what we hear, even what we see?

Information comes at us at a million miles an hour, reams and reams of it.  Some of it may be true, however, the vast majority of it might not be, but something else, conjecture.

We are all guilty of it, we read something, and then put our own slant on it.  It comes from upbringing, education, and the people around us.  There’s an awful lot of influences around us that shapes the way we interpret what we see, what we hear, and what we read.

This is, of course, literary gold for a writer, particularly if you are a journalist.

Everyone has an agenda, whether they choose to admit it or not.  Sometimes circumstances might get in the way, and then they will have to find a way to influence others to knowingly or u8nknowingly support their p[oint of view.

It sounds a lot like politics, doesn’t it?

This sort of thing not only happens in government, but it also happens in private industry.  Everyone to be successful must find a way to push their product or service, sometimes by any and all means possible.

In both cases, there’s more than just a story to be told, and if people learned the truth of how a certain product finally made it into the marketplace, they might not necessarily buy it.

Conspiracy theories abound, pharmaceutical companies rigging test results knowing their product is faulty or using questionable test subjects, shady government agencies running smear campaigns on people who may have influence in an election, leaders of government and private industry misusing statistics and quoting them as fact.

Some even say the moon landings were a hoax.  Given how advanced the magic of the movies is these days, even back then, who’s to say it’s real or not.

Someone always knows the truth.  It’s like finding a needle in a haystack.

And it will provide writers with a rich vein of plotlines until the end of time.

A Private Investigator’s tale lends itself to being a serial

The write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, but it’s coming to an end very soon.

 

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modeled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breath life into beguiling women and dangerous men alike.

 

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I image back in Hollywood in the 30’s and 40’s, this would be excellent fodder for Abbott and Costello

The Case of the Three Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then it became “The Case of the Bother’s Revenge” because I began to have a notion that there was a brother no one knew about, but that’s stuff for other stories, not mine, so it will change again.

 

Take a look yourself …

 

The first episode – (1) – The Wrong Place, The Wrong Time

http://bit.ly/2J4aEBP

The latest Episode – (35) – Sykes Returns

http://bit.ly/2sAHjaT

 

The Web Page:  https://www.walthensonpi.com

My Website:  http://charles-heath.com

My blog:  https://aloysius5.com/

 

That helicopter story that kept me awake – Part 3

Dreaming I was in the desert…

But it was just another episode of the helicopter story, we’re back on the ground after that fateful jump, things are not going quite as planned.

Do they ever in life or death situations?

…
Yards were like miles, and I didn’t have the time to reach the weapon.  I could see the pickup going around the burning wreck as he of the helicopter and approach me.

But, being the optimist I was I had to try.

And fail.

The pickup was on me before I’d made it halfway, stopping about a foot from me.  Any further and it would have run me over.

I got to my knees and put my hands on my head not giving them any immediate reason to kill me.  The man who had fired the rocket got out of the vehicle moments after it stopped.

A man in military garb, not very old.  And not a foreigner.  I was expecting South American, but not ostensibly one of us.  A glance inside the vehicle showed the driver was a woman, in civilian clothes.

A surprise, yes.

“Mr. James I presume.”  English, well spoken.

Another surprise or more than one, that he spoke English and knew who I was.

“We were expecting you but not be quite so dramatic entrance.  Please stand.”

Kneeling had been difficult; I was not quite sure how standing was going to work.  I was still recovered from the impromptu exit from the helicopter.

I tried and fell back on the ground.  I looked up at him.  “Sorry, the legs are still a little rubbery.”

He simply shook his head, leaned over and dragged me to my feet, then slung me over his shoulder, carried me to the rear of the pickup and tossed me in.  I just managed to avoid hitting my head on the floor.

The man climbed in the back and then slapped the back of the cab.

Crunching gears, an over-revving engine, then a jerky start.  It was not going to be a comfortable journey.

…

© Charles Heath 2019-2021

It’s just another day of the week

I used to like Saturdays, it was the first day of the weekend, and after working Monday through Friday, one could sleep in, have a leisurely breakfast, and then do the shopping.

Then there’s the reality.

Body clocks are dreadful, and never let you sleep in if, in fact, it’s bright daylight shining through the curtains at 5am.  Blackout curtains never seem to quite work.

Shutters are marginally better.

Once awake it is difficult to get back to sleep, so you lie in bed staring at the ceiling or partake in monitoring social media.

I read the latest in the New York Times, online.  Some days I wish I didn’t.

But…

Yes, there’s always a but…

I can, at times, go through the plotline of the latest story in my head, and if it’s boring, it puts me to sleep, and if it’s not, I head to the writing room and start putting it down.

Until notifications start distracting me.

Twitter, Facebook, WordPress, Linked In, Tumblr, and Instagram.

News headlines, the world is ending, or close enough, a car accident is causing traffic delays even though I’m not going out, yet another school shooting massacre in the USA, and my crossword for the day has arrived.

Why can’t the computer make me coffee, and toast and marmalade?

From 6am to 9am shot to hell, not a word on paper, perhaps I should go back to bed.

I remember Saturdays before computers, before social media, before any of those modern distractions.

What is referred to, these days, as the good old days!

 

Conversations with my cat – 6

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This is Chester.  He is giving me the ‘Come back when you’ve rewritten the start’ look.

Yet another ‘disagreement’ over such a small matter!

Here’s the thing.

Like many authors with cats, I like to use Chester as my audience of one, my sounding board.  It is better to be reading to him, rather than reading out loud by yourself.

Reading what you have written often points out tongue tangling or ‘drippy’ dialog, and  unfortunate mix ups in words.  Proof reading sometimes misses these.

Hitherto, Chester has been patient, lying on the floor, or sitting on the couch.

I guess a few pats doesn’t go astray in the process.

But, this morning, reading him the new start to ‘First Dig Two Graves’ the sequel to ‘The Devil You Don’t’, he just gave me one of his angry ‘meow’s’ and left.

Obviously he didn’t like it.

Of course, after I re-read it again, I could see the problem, so the days writing is not over yet.

As a matter of fact…

But, is it?

This oft used expression is one we pull out of our argument arsenal every now and then, but the problem is, are we quoting actual facts, or are we just trying to get a point of view across?

What are facts?

There seems to be a wide disparity of explanations on what facts are, depending on what purpose they’re used for.

We’re all familiar with a certain line of information being put forward as factual in defense of a particular wall, but are these facts?

Can we disprove these facts with other facts, and are these facts factual or otherwise.

The real facts may never be known because they may well be buried underneath a welter of auxiliary information that is factual but can be twisted any which way.

So…

Would we be better of with conjecture?

To be honest, I’m not quite sure what conjecture is, but at a guess, conjecture is a series of assumptions based on facts (oh no, here we go again!)

Over here we built a fence to keep out the rabbits.

Walls, fences, it didn’t work.  It cost a lot of money but didn’t achieve the intended result.

Humans are more inventive than rabbits.  We seem to be better keeping them in, rather than keeping them out.

And I’m off track yet again, distracted by current affairs.

I just wanted to say that any story can be based on fact, and then generally go down the path of conjecture.  Historically, we might keep people who have died alive, places that have disappeared in place, follow history accurately for a while and then make assumptions of what might have happened rather than what did.

Unfortunately, it involves a lot of studies, and, sometimes, the unearthing of a fact that no one really knew about.

Make of that what you will.

I think I’ve got a plan

You see, it’s the result of a New Year’s resolution which I only told myself, mainly because I didn’t think I’d be able to execute it.

The plan, that is, not some of the people around me.

Be more organized.

Have a writing plan for each story, a synopsis if you will, something that can be used to plan and write to, instead of the hodgepodge of trying to remember where I was, or what I was intending to write as a follow on.

And it’s working to a certain degree.

In the morning, an hour to check social media, Instagram, WordPress, twitter.  I don’t bother with Facebook because everything I’ve tried there has failed, and I don’t think it’s for want of trying, it’s because Facebook will not give you reasonable coverage.  If you want that, you have to pay, and even if I did, I would still not get anything like I’d want.

Best left for the Fake News we keep hearing about, or people who want their details sold off to the highest bidder.

Then it’s time to write some new blog posts, I have more than one blog, each a different subject or aspect of either writing or traveling.

Rest.  Sometimes.

Afternoon, writing.  Yep, I have managed to get a few words on paper and editing the next two novels.  Bandy words with Chester, the cat, and generally come off second best.  He had the best ‘I don’t care’ face I’ve ever seen.

Then chores, dinner, what laughingly can be called TV, then maybe some more writing.

There, how’s that for a plan.

And…

How long do you think it will last?

 

Where do you write?

Here’s an interesting question, where do you find the most comfortable place to write?  Is it in an office, in a room overlooking the ocean, and basement where you can make it dark and creepy for atmosphere, is it at a train station, at work, which could end up presenting you with problems, or somewhere else.

Some people have an office, mine is a converted garage, and the walls are lined with books.  It isn’t the greatest place though.  There’s a smart alec cat always on my case.

There’s a couch in the living room where, late at night, I sometimes sit and ponder over about a thousand words of whatever the current story is in my head.  Cat withstanding.

It could be a cafe or restaurant, where it starts out as notes on the ambiance, the food, the people, then a little more, and gets me into trouble with my dining companions.

They should not have created writing programs for mobile phones.  Or for that matter, allow the phones to get smarter than their users.

But…

That’s a whole other story.

So having found that special or nonspecial spot in the house, or out there in the universe, how do you become creative?

Is it you’ve been carrying the ideas around in your head for a while and you just need somewhere neutral to get them on paper, or in that pesky smartphone?

Is it sitting by the window with a cup of coffee and a mice cream-filled cake, when something catches your eye, and instantly the words begin forming?

Are you with someone, a muse, a partner, a spouse, a friend, a secret friend, or just a stranger, and you start getting the wrong ideas?  Or the right ideas if it’s a different sort of book.

Sometimes I move seats and sit opposite the writer’s chair to take a good long hard look at the person, the so-called writer, conjuring up in my mind, if I was someone I’d just dragged in off the street, what would I ask?

They, no doubt would be cynical.

Why bother when there are a million others out there trying to do the same thing?

That’s the easy question.  Every story is different.  Why?  Because every writer has a different point of view, a different set of experiences, a different personality, different friends, this could go on forever…

Here’s a test, outline a story and give that outline to ten different writers.  You’d get ten different stories.

Where do you get the motivation?

Don’t know.  Some days I don’t want to get out of bed, others, I can’t go to sleep until the words have stopped.  Go figure.

What do you do for inspiration?

Inside, outside, upside down, everywhere and anywhere.

Just remember, always have a notebook and pencil on hand.  Why pencil, I never have any luck with pens.

 

 

 

It’s late, I’m tired…

But…

There’s more to this story.

Or that’s what I keep telling myself, struggling to stay awake and write the next sentence then the next sentence, and the one after that.

Long after I should have gone to bed.

Does that sound like your life?

Of course, it doesn’t.  The rest of the world is sane, goes to work, come home, have dinner, watch a little television or play with the children, or maybe not, then go to bed.

None of this writing business, trying to finish the page, the scene, the chapter while the ideas are fresh in your mind.

Only your mind isn’t fresh, it’s been a long day, an argument with the significant other, a bigger argument with the cat, there’s the washing, the cooking, the cleaning…

When do I get five minutes for myself?

At the dead of night when everyone else has gone to bed, getting their eight hours sleep.

In the dark with only the screen to light the keyboard, I’m trying to find the way around the keyboard and turn out what has to be the next international best selling thriller.

The dog next door barks, it means the cat got out and is terrorizing it.

A door slams, it’s old Joe getting home late from the pub, probably drunk again.

Yep, right on target, the vitriol of a bitter woman, and I have to say, I don’t blame her.

Then I hear it, that voice from the deep, “Poppy.”

The youngest of the grandchildren, the very devil to get to sleep.

Writing for the night is over, time to read other people’s stories.

Nothing is infallible, computers or memory

It’s late at night and there are twenty other story ideas that are currently running around in my head, instead of the story I should be working on.

These ideas are impinging on the current story, and somehow are finding their way onto the page.

Writing, cursing, deleting, re-writing, deleting, cursing.

I’m working on the latest book and it is not going well.  I don’t have writer’s block, I think it is more a case of self-doubt.  It’s why I can’t concentrate.

It’s why I’m thinking about the next story and not staying on track.  And that pesky outline, or synopsis, or whatever it wants to be called has gone missing under a pile of paper.

Next resolution, clean up this goddam mess!

This leads me to be over critical of what I have written and much pressing of the delete key.  Only to realize that an action taken in haste can be regrettable, and makes me feel even more depressed when I realize the deletions are irrecoverable.

Damn.  Whatever happened to ‘undo’?

I think I’d be happier in a garret somewhere channeling van Gogh’s rage.

Lesson learned – don’t delete, save it to a text file so it can be retrieved when sanity returns.

If it returns…

I was not happy with the previous start.  Funny about that, because until a few weeks ago I thought the start was perfect.

What a difference a week makes or is that politics?

Perhaps I should consider adding some political satire.

But I digress…

It seems it’s been like that for a few weeks now, not being able to stick to the job in hand, doing anything but what I’m supposed to be doing.  I recognize the restlessness, I’m not happy with the story as it is, so rather than getting on with it, I find myself writing words just for the sake of writing words.

Any words are better than none, right?

So I rewrote the start, added about a hundred pages and now I have to do a mass of rewriting of what was basically the whole book.

But here’s the thing.

This morning I woke up and looked at the new start, and it has inspired me.

Perhaps all I needed was several weeks of teeth gnashing, and self doubt to get myself back on track.