Tag: Challenge

Conversations with my cat – 56

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This is Chester.  It’s going to be an interesting morning.

When I finally make it out to the writing room, I find him sitting on my desk, next to the keyboard, with a rather benign expression.

Remembering that cats can’t have expressive expressions, it worried me that he’s working overtime to make me think he has one.

I can feel his eyes boring into me, following me around the room, watching and waiting.

Waiting for what I wonder.

I also remember that cats are hunters and killers.  If he was a lion or a tiger I’d be in a great deal of trouble now.  He’d pounce, and that would be the end.

Is this we hat he’d be doing if I let him outside?

Is he sending me a warning?

I finish what I’m doing on the other side of the room and come over to the seat.

Are you done giving me the death stare? I ask him.

A slight shake of the head, and if I wanted to write anything into it, that would be a no.

A few seconds pass, then he jumps down to the floor and walks off.

Job done, I suspect he’s thinking.

Back to his least favourite dinner tonight, I’m thinking.

Short story writing. Don’t try this at home! (2)

This is not meant to be a treatise on short story writing.  Far be it for me to advise anyone on the subject.  I prefer to say how it is that I do it so you can learn all of the pitfalls in one go.

I like to think I fly by the seat of my pants, you know, like the reader who takes up the story and starts reading, not having a clue where it’s going to go.

I prefer that blissful ignorance, of course, until I have to start editing it into something that resembles a logical story,

It was a revelation when I discovered there are two types (possibly more) or writer, pantsers and planners.

I’ve tried both.  Both work.  But in the case of the latter, you need to know where it’s going to start what’s going to happen in the middle and have the end firmly planted in your mind.  Not much good if a rotten character is pissing you off and you want to kill him, excruciatingly.

Flying blind gives you a little more creativeness, and be able to go around a corner and see what’s there.  it also allows for those complete changes of direction you come up with in the shower, that place that is a fertile ground for new ideas just when you’re running out of them.

But, it can sometimes play havoc with word counts and if you’re trying to fit into 2,000 words, 5,000 words, or a lot less, taking the story where it wants to go is not a good idea, and sadly, I tend to let stories run their course.

And sometimes I like the idea of writing three different endings, and then can’t choose which one I like the best.

So, role model I am not.  I like writing, and when I’m in the ‘zone’ it’s like I’m in another world.

But, then, isn’t that the case for all of us?

More unclarity tomorrow!

Short Story writing: don’t try this at home!

This is not a treatise on how to write short stories.  Everyone has one in them, possibly more, and me, well, it’s how I keep the wolves from the door.

Yes, I read my stories to them and they fall asleep.

Or maybe not, I’m never quite sure what effect anything I write has on anyone.  And, reading a lot of the posts on how to handle bad reviews and rejection, such a recurrent theme, I don’t think I want to.

Ignorance is bliss, is it not?

Well, one day I’m sure something will happen.  It’s probably in the seven stages of writing:

 

Euphoria

Planning

Research

Writing

Failure

Search for the guilty

Distinction for the uninvolved

 

I guess you don’t fail if you don’t put it out there.  Searching for the guilty, well, there’s only one person to blame, the editor, and distinction for the uninvolved, didn’t your friend, relation, confidente, significant other, say it wasn’t going to work?

But, despite everything, I like writing short stories and try to produce one in a single sitting.  I try to keep the word count down, but the stories, somehow they just evolve in my head and don’t want to end the main character’s story.

In reality, there is no end to the story unless they die, and then, of course, the story branches off, just like a family tree,

Some stories are so intricate, they need another story to fill in the gaps, and then another because the plot is running through your head at a thousand miles an hour and your fingers won’t stop typing, because if you do, it will all dissipate into thin air like smoke.

Stories can, you know, dissipate like smoke, one minute your mining a rich vein the next, you’ve hit a ton of worthless quartz.

Then all the constraints come into play, nagging at the back of your mind, and you find yourself waking up in a bath of sweat crying out, I didn’t do it, the crime that is, not lose the best 2,000 words you’ve ever written.

But that’s all of those words you write, isn’t it?

But I digress, and I’ll write some more on the subject, what was it again?

 

 

Conversations with my cat – 55

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This is Chester.  He’s keeping an eye on the weather.

This is the second day of Spring where it has started warm, and by mid-afternoon, it has reached a high of over 30 degrees Celcius.

It’s the start of the heatwave that basically starts in October, and doesn’t go away until April next year.

But it’s not the heat that’s the problem, it’s the humidity, and having a day that’s 35 degrees with 1000% humidity, is like being roasted in an oven.

I see the look on Chester’s face when he comes into the writing room, a sly glance up to the roof to see if the fan is going, and a slight shake of the head when he sees it is not.

Not that hot yet, I say.

What did we get the air conditioning for or the solar panels?\

He’s sharp and doesn’t miss a trick.  It’s now more a benefit to run the airconditioning during the day when solar power is being generated.

We’ll be using it soon, I say.  But, just as a matter of interest, don’t you cats like the heat?  After all, in winter, you’re just about sitting in the fire.

A glare, no an insolent stare.  That’s in winter.  This is Summer.

No, it’s Spring.  Let me know when it’s Summer and I’ll be happy to help.

He flops on the ground.

At least you put tiles in, it’s nice an cool down here on the floor, he mutters, feigning going to sleep.

And a wide yawn just to emphasise the fact the conversation’s over.

Why not.  I turn the fan on high.  Just to annoy him.

Yes,, I can feel his eyes burning into my back.

 

 

Sending a final draft to the editor, isn’t quite the end, is it?

Can you actually say you know the exact moment a story is done, finished, and that’s it?

For me, the end never quite seems to be the end, that point where you finally draw a line in the sand and say, that’s it, I’m done, step away from the typewriter.

But are we ever satisfied the story is done, can we not make one more change, it’s just a little tweak, it won’t take long.

Please!

My editor tolerated three ‘minor’ changes.

Firstly, a change of name for a character

Secondly, consistency of word use, such as times and contractions

Thirdly, I wasn’t happy with the overall story, and it needed some more action.  More writing, more editing, more prevaricating.

It took three weeks to sort out all of those issues, and last night I send the final draft to the Editor.

It’s like watching your child go to school on their first day.  Not knowing what will happen but expecting everything will be fine.

But, knowing me, I’ll probably react to a suggestion, and it will create more words rather than less, or some slight dissatisfaction.

I’m not a perfectionist, far from it, but it is hard to finally let go.

Now the draft is gone, it’s time to work on the second book in the series, which had been over half done.  I need to sit down, read, fix, read more, add or subtract as the case may be, and then continue writing.

I think I’m getting the hang of it.

Until I go to bed trying to sleep and thinking of everything that might need fixing.

Damn.

Past conversations with my cat – 16

Character development

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This is Chester, he thinks he is an expert on people

He has meandered in checking out what I’m doing, or maybe he’s here because the room is cooler.

He gives me the ‘What are you doing’ look.

It doesn’t matter how many times I’m a writer, it’s like talking to a brick wall.

I say I’m working on developing a new character.

Name?

I’m thinking of John.

A shake of the head and the eyes roll.  Can you be a little more inventive, like, well, Chester?

Predictable.  How about Xavier?

Would you call your kid Xavier?  He’s going to have a very rough time of it at school.  Unless this character has a tortured soul.

Good point.  How about William?

Bill, that’s what you get in the mail.  Another shake of the head.  You’re not very good at this, are you?

Apparently not.  Haven’t you got some mice to catch?

He yawns, then curls up on the seat.  Wake me when you’ve got some better ideas.

Maybe not.  I’ve come up with a name, Daniel, and I don’t care what he thinks.

For now.

Conversations with my cat – 54

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This is Chester.  Did someone use the word ‘vet’ out loud?

It is odd how some animals can recognise some words and remember what activity is attached to it.

Chester knows the word vet, and his memory attaches a great deal of seemingly horrible experience, not the worst of which is being transported in a pet basket.

Yes, we have just tried carrying him, but there is a sixth sense in every cat that tells them when they’re nearing a vet.  Within 50 metres of the front door, the hair stands up, the cat starts hissing as he would face off against a formidable opponent.

We only carried him once, never again.

But the histrionics start in the house where we have to mound a search party to find hi,  There are innumerable hiding places, and we have to be organised.\

Invariably, each time something like this happens, he finds somewhere new to hide.  We keep forgetting he can use his paws to open sliding doors, and close them again, a talent he had learned.

We’ve also learned to start looking a half-hour earlier than we used to.  The vet is only three minutes away, and we used to leave it to the last minute, but being late for the appointment happens only once.

Vets are worse than doctors when you miss appointments.  PErhaps Chester knows this and tries to use it to his advantage.  It no longer works.

Then, once we find him, the next exercise is to get him into the basket.  I’ve never seen so many tricks on how not to let the humans put him in it.

But, over time, we’ve learned, and sometimes it’s easy, others, I have the scars to prove it.

Then, once we get to the vet, it’ss a completely different cat, not Chester, but some other cat disguised as him.  Chester has never given the vet an ounce of trouble.

Perhaps we should become vets.

Chester is fine, just a little off-colour perhaps from something he ate.  Not all pet food is agreeable, and we’ve been trying to get his to have something different.  I even specially cook fish for him, and maybe that was the problem.

What is off-putting is the ease in which he goes back into the basket for the vet.

But all is well, and he will be glad to get out…

Was it just another surveillance job – Episode 16 – Revised

As we all know, writing by the seat of your pants is almost the same as flying by the seat of your pants, a hazardous occupation.

As it happens, I like writing this way because like the reader, I don’t know what to expect next.

And equally, at times, you can write your self into a corner, much like painting, and then have to go back, make a few changes and//or repairs and then move forward.

It’s part of the writing process, only in this case, the changes occur before you’ve finished the novel if you finish.  Quite often a lot of writers get only so far, then the manuscript hits the bottom drawer, to be brought out on a distant rainy day.

Or your cat has mocked your writing ability one too many times.

Therefore, we’re winding back to Episode 16, and moving forward once again, from there.

 

O’Connor seemed to be more affluent than I because he was living in a flat located in an upmarket building.  Getting into the ground floor required a passkey, one I suspect might also be needed to get in the front door of his flat, but I’d worry about that later.

My first problem was that front door, and it was not until a tradesman exited that I took the opportunity to appear to arrive at the same time, pretending to find my card, and brushing past him as he was exiting.  He ignored me, his hands full, being in a hurry.

It took a day and a half of watching the building, waiting for an opportunity.  His flat was on the third floor and although there was an elevator, I took the stairs, hoping that I wouldn’t run into anyone.

Quickly and quietly, and thankfully without seeing another resident, I came out into the passageway, and it was about ten steps to his front door.  Number 37.  Not far away, in one direction, the end of the passage, and numbers 38, 39, and 40.  In the other, four more flats and the end of the corridor.  Windows at either end, perhaps an escape route.  I would not use the elevator if I had to leave in a hurry.

There were two elevators and one staircase.  Both elevators were stationary on the ground floor.

I knocked lightly on the door to number 37.

No answer.

I knocked a little harder on the door.  It was quite solid, and I had to wonder if the knocking sound penetrated the solid wood.

I checked the lock.  Simple to open.  We’d been given instruction by a master locksmith, and I’d brought my tools.

I waited a minute, checked to see if the elevators were still on the ground floor, then picked the lock and was inside within a minute.

Silence.

I felt along the wall for a light switch, usually by the door, and found it, and flicked it on.  The sudden light was almost blinding, but then my eyes adjusted.

Trashed, much the same as my flat.

But, with a difference.

A woman was stretched out on the floor, unmoving.  I could see, from where I was standing, she had been hit on the back of the head and could see the wound, and a trickle of blood through her hair.

Five steps to reach her, I reached down to check for a pulse.

Yes, she was alive.

I shook her gently.  She didn’t react.  I shook her a little more roughly and she stirred, then, as expected, lashed out.

I caught her hands, saying, “I just found you.  I’m not your enemy.”

Of course, considering I was a stranger in what could be her flat without permission, I was not surprised she continued to struggle until I tried being reassuring.  Then she stopped and asked, “Who are you?”

“A friend of O’Connor.  I worked with him.  Something happened to him at work and he said if that happened, I was to come here.  He didn’t say anything about you, though.”

“I live here, in the flat next door.  I heard a noise and came to investigate.  That’s all I remember.”

I helped her up into a sitting position, and, holding her head in her hands, looked around.  “Did you do this?”

“No.  Just got here.  But it’s the same at my place.  The people who did this are looking for something.  By the look of it, they didn’t find it here either.”

“I’ll get a damp cloth for your head.  It doesn’t look serious but there might be a slight concussion that might need attention.”

She felt the back of her head, and, when she touched the wound, gasped, “It hurts though.”

I stood and went over to the kitchenette.  O’Connor was not much of a cook, the benches looked new, and there was nothing out.  I looked in a draw near the sink and found a cloth, still with the price tag on it.  So were several utensils in the drawer.  I ran it under the water, then went back to her, now off the floor and sitting on one of the two chairs.  I handed her the wet cloth and she put it against the injured part of her head.

I made a mental note, it didn’t look like O’Connor had been here long, if at all.  Something was not right here, and if that was the case, I should take care when saying anything to this woman.

“Who are you again?” she asked.

“I worked with him.  My name is irrelevant.  It’s unlikely that he mentioned me to you, or anyone.  It’s the nature of our work.”

“Why should I believe you?  You could be my attacker.”

“If that were the case, why would I still be here trying to be helpful.”

A good question that elicited a curious expression.

“What do you do, what did Oliver do?”

Alarm bells were going off.  Oliver was not O’Connor’s first name.

“Nothing very interesting, I can assure you, and definitely nothing that would warrant this happening.  If it had only been me, I would have not thought any more of it, but since we worked together, and this has also happened to him, it seems we are mixed up in something bad.”

“Where is he, by the way?”

“I was hoping you could tell me.  If you live next door and know him well enough to be here, he might have told you.”

“No.  He never spoke about work.”

She was trying to stand so I helped her up and held on when it looked like she was about to collapse.  Last time I had a knock to the head, I had dizziness for a minute of two.  Her knock had been a lot harder.”

“Are you alright?”  She didn’t look it.

“I will be, I’m sure.”

I let her go, and she took several steps, then gave me a rather hard look.  “Why are you here again?”

“Trying to find my friend.”

“How did you get in here?”

Rather than make her disorientated, the knock must have sharpened her senses.  Time to test a theory. 

“I think we should call the police now, and report the break-in.”

I pulled out my phone.

“Look, I don’t want to get mixed up in this.  You go, and I report this when I get back home.  And, if you find him, tell him Josephine is looking for him.”

As I thought.  She was not able to explain to the authorities why she was in this flat, as I’m sure she believed I couldn’t either.

She started walking towards the door.  My staying any longer would raise her suspicions about me, and any search I was going to do would have to wait.  I opened the door, she walked out, and I followed shutting the door after me.

I left her standing outside the door and headed for the stairs.  A last glance back showed her still where I left her.  I went down to the first landing, then stopped.  It was part of the training, to treat everyone as suspicious.

Then I heard her voice, as she passed the top of the staircase, on her way back to her flat.  “He was here, looking for the files.  No, he’s gone.”  A minute’s silence, then “On my way.”

Another minute, I heard the elevator car arrive on the third floor.

I quickly ran down the stairs to the ground floor and waited at the door until she came out of the elevator, heading for the door.

Then as she passed through the front door, I came out into the foyer just in time to see a car stop out the front, and a familiar face out through the rear window.

Nobbin.

 

© Charles Heath 2019

Conversations with my cat – 53

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This is Chester.  He’s feeling poorly today.

When I used this expression, he looked at me quizzically, which is not bad for a cat with a constant poker face.

Where did you get that from?

It’s a favourite expression of my mother’s when she wasn’t feeling very well.  She had another, ‘not feeling elegant’ today.

It stops and makes me wonder where these expressions come from, and I suspect, because my mother’s mother was of German descent, that it was one of those translation to English things.

Chester seems disinterested.  I’m beginning to think there may be something wrong with him because he’s not his usual sardonic self.

Perhaps, I say, it’s time to go to the vet, get checked out.  You’re not getting any younger.

His head pops up at the mention of the vet.  He knows what this means.  The cat basket.

He leaps up with newfound energy and heads for the door.

I get out of my chair to follow, and he’s gone, moving quickly up the passage to one of his hiding spots.

Maybe he’s not that bad.  I’ll monitor the situation.

“You’re safe,” I yell out.  “For now.”

That notion that I could be organised…

Well, toss that baby out with the bathwater.

It’s something that I have never been able to get a handle on, and I seem to stagger from one day to the next without getting anything done.  I guess I’m one of those freeform sorts of people and I guess it goes with the star sign, Gemini.

Over the years many people tried, some with limited success, others completely failing.

I’ve created outlines and created chapters as sections, and scenes within chapters, as best I could.   Once upon a time, I used to teach Microsoft Project, and having this application on hand, I used this to create a timeline, using ‘slack’ time to make up for my inability to keep to a schedule.

This is like taking a sledgehammer to a tack.

Just the time to set it up took longer than it would to just sit down and write the blasted novel.

But, I’m a fly by the seat of my pants writer.  The book starts, often with a start and a finish, and the rest fills itself in, not necessarily in the order of final events.  Of course, this means some backwards revision from time to time, but I get there in the end.

Perhaps a little longer than it should but at least I don’t get halfway and suddenly decide on going in a different direction because I’ve suddenly got writers’ block.  That doesn’t happen.  It usually plays out as the start of another story, and then I mull over the changes necessary to get the original story back on track.

Yes, I’ve been to those time management courses with the books and diaries to seem to want you to time manage your life.  it works to a certain extent, but you live your like inside another type of book.

Nor do I work well with deadlines.

But oddly enough most of the jobs I’ve had over the years have involved time management of one sort or another and I have survived.

Now, in retirement, I really need something to organize my days so something gets done.  As a writer allocating 12 midnight to 2am for writing doesn’t seem to be a good idea.

Unfortunately, it is the best time for me to write.

Anyone else out there with the same problem, and if so what was your answer to the getting stuff done?