First Dig Two Graves

A sequel to “The Devil You Don’t”

Revenge is a dish best served cold – or preferably so when everything goes right

Of course, it rarely does, as Alistair, Zoe’s handler, discovers to his peril. Enter a wildcard, John, and whatever Alistair’s plan for dealing with Zoe was dies with him.

It leaves Zoe in completely unfamiliar territory.

John’s idyllic romance with a woman who is utterly out of his comfort zone is on borrowed time. She is still trying to reconcile her ambivalence after being so indifferent for so long.

They agree to take a break, during which she disappears. John, thinking she has left without saying goodbye, refuses to accept the inevitable and calls on an old friend for help in finding her.

After the mayhem and being briefly reunited, she recognises an inevitable truth: there is a price to pay for taking out Alistair; she must leave and find them first, and he would be wise to keep a low profile.

But keeping a low profile just isn’t possible, and enlisting another friend, a private detective and his sister, a deft computer hacker, they track her to the border between Austria and Hungary.

What John doesn’t realise is that another enemy is tracking him to find her too. It could have been a grand tour of Europe. Instead, it becomes a race against time before enemies old and new converge for what will be an inevitable showdown.

365 Days of writing, 2026 – 178/179

Days 178 and 179 – Writing Exercise

The Prince rescuing a damsel needs rescuing himself

I was not in the business of saving damsels in distress.  In fact, I had not seen a damsel in distress.  What I did was live in the shadow of the eldest son and heir to the throne, otherwise known as my brother.

He was the one who would be saving damsels in distress if there were any.

And if he could be bothered.

He had just become a knight after years of training.  It was hard, and as the King said, it would make a man of him.

He looked every bit the man his father had expected of him.  What bothered me was that our father did not expect it of me, and had rebuffed any and all of my requests to train as a knight.

Instead, I got to dress up as a palace guard, not as a Sergeant at Arms, but just a guard.  I had to start at the bottom.  In a job that all the other guards thought was a joke.

There were no wars, no battles, no enemy hordes coming up the side of the hill to storm the castle.  I didn’t think the drawbridge raised or the main gates closed; it had been so long since they had been used.

No, put simply, my life was hell.

I went out to the stables, put on my guard armour, got on my horse and headed for the main gate.  Instead of stopping and reporting for duty, I just kept going.  What was the point?  Who was I guarding the castle from?

It was a long and winding road and a warm day.  I was beginning to regret wearing the armour.

I was heading to the next village, half a day’s ride away, and was going to look up Angel, one of the servant girls’ sisters, with whom I had spoken several times.  I liked her, but I didn’t think it went both ways.

I may be a prince, but not one worth marrying.

Up ahead, a man was travelling on foot with a woman.  In the distance, he looked like he was having trouble with her, so I thought I would be chivalrous and see if she needed help

That became more apparent as I got closer.  He was almost dragging her by her hair.

He saw me coming but chose to ignore me.  Even in my armour, I was not as impressive a sight as my brother.

I drew alongside.  He was not treating her well.

“You will treat this good woman more respectfully, sir.”

They stopped, and he turned. “Who are you, sonny?”

“I am the King’s second son, Richard.”

“Yeah, right, and I’m the King’s brother.”

Insolence.  My father rarely tolerated it and had told us it was a problem that had to be handled.

“I am who I say I am.”

“Then prove it.”

I could see he was raring for a fight.  I wasn’t.  Another adage I was taught was not to get involved in fights that didn’t make sense.

“Give me your word of honour you will treat this woman with the respect she deserves.”

He glared at me.  “Respect.  I paid good money for this woman, from the owner who said she was nothing but lazy and indolent.  I intend to teach her respect.”

“No man can own another person.”

He laughed.  “And your King does not own his servants and use them any way he pleases.  You are a fool, sonny.  Go before I put you to the sword for wasting my time.”

He drew his sword and brandished it in my direction.  A direct challenge that could not be ignored.

I slid off my horse, gave him a pat and hoped he would stay put. I walked the ten paces, drawing my sword.  I stopped short of the man, now looking slightly more aware.

“What are you doing?” Perhaps he hadn’t expected me to get off my horse.

“You just laid down a challenge.  Being a gentleman, I cannot let that pass.”

“You’re going to fight me over this piece of garbage?”

“She is a young lady worthy of your respect, sir. If I have to teach you respect, then I shall.”

He snorted, turned his back, and suddenly came swinging his sword.  Unawares, he might have taken my head off.

The girl jumped back out of the way

I was ready, and we exchanged thrusts and parries.  His sword was slightly heavier than mine, and the metal clanged at each blow.

I was dressed for a fight.  He wasn’t.  Nor was he fit, and by the look of him, the worse for wear after many tankards of ale.  He didn’t smell very nice.

We exchanged blows until he collapsed.  Definitely not fit.  I was feeling a little tired too, the exertion under the blue sky making it hot work.

The last thrust had knocked his sword out of his hands, and I pointed the point of mine at his throat.

“I should kill you for being insolent.”

He looked up at me with an odd expression.  “Then get on with it.  My life isn’t worth living anyway.”

I shrugged and withdrew the sword.  “Any other day, maybe.  Not today.  The truth, how much did you pay for this girl?”

“Five coins,” the girl yelled out.  “Don’t let him tell you different.”

“Shut your mouth, wench.”

I dug out 5 coins and put them in his hand.  “Get up and leave now before I change my mind.”

He dragged himself to his feet and shook off the dust.  Looking at her, he muttered, “Good riddance to bad rubbish.  May you never have a day’s luck with her.”

With that, a final glare at her, he walked off.

She sat on the ground and looked at me.  “What now?”

“You’re free.  You can go anywhere you like.”

“You don’t get it.  I’m not free.  No matter where I go, someone will own me.  I mean, where did you come from? Certainly not around here.  No one is free.”

“Well, now you are.”

She shook her head.  “I belong to you now.  You paid for me.  I promise not to be lazy or insolent, not unless you give me reason.”

She stood up and dusted herself off.

“I have no use for you.”

“Where do you live?”

“In Ryebourne Castle.”

“Where the King lives?  Are you really a prince?”

“I’m the second son, and of no importance or has any status.  I have no need for a servant girl.”

“I can be a companion.  You can’t leave me here.  Someone just as bad as Harold, or worse, will take me.  At least with you I’d be safe.”

“I’m not so sure.”

“Then take me to the castle, and I’ll sort out my problem myself.”

I didn’t need a servant girl, I didn’t want a companion, though I knew what she was referring to; my brother took servant girls, and others, for his amusement, and I didn’t agree that it was his right.

But I couldn’t leave her there with nothing. 

“The castle.  That’s it.  You can get some work there. I assume you have worked before?”

“In a manner of speaking.”

I helped her up on the horse, then sat behind her.  It might have been my imagination, but she didn’t smell like a servant, but more like the daughter of one of the noblemen in and around the castle.

If I were hoping to get to the stables without any sort of recognition, that was dashed in the last few years. 

Normally, I attracted very little attention because I never made a big event of mingling with the ‘peasants’ as my brother called them.

The next King was in training, if he could be called that, with him being seen by the people and being involved in castle matters, was always a big event.

He was the magistrate for minor offences, where the King decided on only serious matters.

He dealt with land matters and the employment of people on the farms and in the castle.  He was also the Master at Arms for the castle guard.

When not on duty, he could be found in the tavern with several of the noble families’ sons.

This day, he was near the stables with two friends, making life difficult for two of the servant girls who just wanted to get home. 

They both knew what he was capable of and what he could do.  So was I, and it wasn’t pleasant, but until the King chastised him, nothing would change.

Then he saw me.  They made their escape the moment his focus changed.

“Well, what have we here?”

His two friends stood behind him, blocking the short journey to the stables.  The stable hand stopped short, not wanting to get involved.

“Have you lost your memory?” I asked, starting with a polite tone.

“Not you, idiot, the young lady.”

“It’s nothing that concerns you.”

“Everything concerns me.  Who is she?”

Good question.  Up till now, I hadn’t bothered to ask for her name.

“Still none of your business.”

I slid down off the horse and motioned to the stable hand to collect the horse.  He came over and took the reins. 

The girl was looking at my brother, and it wasn’t a curious look.  Perhaps his reputation preceded him.

“Wait for me in the stable,” I said to her. To the stable hand, “Go.”

My brother went to stop him, but I stood in his way.  He went to shove me out of his way, but I shoved him first, sending him backwards into the dirt.

I glared at his two friends.  “You’d better leave before it becomes a mess you don’t want to be explaining to the King.”

They didn’t need a second invitation, glancing at my brother, shrugging, then scuttling away.  It was not the first time my brother and I scuffled in public.  A few of the castle people had gathered in groups to watch.

He dragged himself up from the ground and tried to wipe off the dust and dirt.  He was very angry, and the red tinges in his cheeks were the first indication.

“You would have been better off staying on the ground,” I said, with far more bravado than I felt.

“Who is she that you would risk my wrath?”  There was almost curiosity in his tone.

“Not someone who needs your attention.  I simply brought her here to be safe.  Apparently, that isn’t one of your main interests.”

“She’s a disgusting, lowly servant girl.  She’s nothing to you.”

“She’s a person who deserves respect.  I’m sure that’s not a word in your vocabulary, so you wouldn’t understand.  You want a fight, good.  You can teach me another lesson in humility.”

“And the winner takes all.”

With that, he came at me.  I was used to his tactics, once catching me by surprise.  He had no rules, no etiquette, and for a supposed Knight of the Realm, no chivalry, unless among his contemporaries.

I dodged in time as he ran past and had to stop quickly.  Out of the corner of my eye, I could see the girl standing next to the stable hand in the doorway.

She looked concerned.

He came again, after circling, waiting for that moment when I might be distracted.  Normally, I would be thinking how bad a beating this was going to be.  This time, I was angry.

Not far from me again, I swayed out of the way of his fist and landed a glancing blow that, combined with his momentum, propelled him face-first into the ground, and it made a smacking sound.

Before he could move, I jumped on him, propelling both knees into his back and hearing a satisfying groan as he felt the full weight.

He could not get up, and he could barely move his arms.

I pushed my knees harder into his back.  “Are we done?”

“You’ll regret this.”

“I regret being born second every day of my life.  But I’m darned if I’m going to let you take anything else from me.  You want war, then you’ve got war.”

I got off him and stood up.  Then I dragged him to his feet.  Blood was streaming from several cuts to his head.

“Winner takes all,” I said.  “You’re lucky you didn’t challenge me to a sword fight.”

His squire suddenly appeared, though I suspect he had been watching from close by.  “Come, sir, we need to fix those wounds.”

He glowered at me, said nothing, but allowed the squire to take him away.

I was going to pay dearly for this skirmish.

I just stood there watching my brother retreat.  He only turned once, looking at me over his shoulder, a look that I’d not seen on his face before.

A boy trying to be a man, and coming off only as a bully, who just took a beating.  He was the one who, up to now, had handed out the punishment, the big brother, the one we had to look up to.

Losing had never been factored into who he was to become.  The fact that a number of the castle people had seen it wasn’t going to make it go away.

The girl, whoever she was, came over to me.

“No one has ever taken my side in anything.  Ever.  You didn’t have to do that, not against what I think was your older brother.  Eldest son?  If you are a prince, that makes him…”

“A very sore lover.  Don’t remind me.”

“Why would you do that?”

“I don’t see you as a servant, but just another person trying to get on with your life, and we should respect that.”

“That will never really happen.  Kings, Queens, noblemen and women, they believe they have the fundamental right to rule.  The rest are there just to serve them.  We are taught to take what they give us and be thankful.”

I shrugged.  “Don’t include me in that lot.  I might as well be a peasant as a prince.  I have no say and no life to speak of.  Less so, now that I just dented the pride of our next King.”

“Not the forgive and forget type?’

“Cedric?  No.  You’re free now.  If you go to the marketplace, someone there will tell you where there’s some work.  It won’t be safe for you in the castle.  That’s my fault and I’m sorry.  By the way, what is your name?”

She smiled.  “Anne.  You are?”

“Richard.  I’m sorry.  Maybe if I’d left you alone things might be better.  I fear I’ve just made them worse.”

“No.  I’m grateful you rescued me.  At least I discovered there is one person in this realm who cares about what happens to me.  You shouldn’t be so hard on yourself.  Besides, you paid five coins for me, so until you sell me to someone else, I’m yours.”

I gave my severest expression.  “Neither I nor anyone else, for that matter, can own another person.”

“Not in your world, maybe, but in my world it’s very, very different.  Until I can work out what I’m going to do next, I want to stay with you.  I’m still, technically, a damsel in distress.”

I shook my head.  I wasn’t going to get rid of her anytime soon.

….

There were several ways to get to my quarters in the castle, mercifully in another wing away from all the others.  Cedric was near the King and Queen.

Elizabeth and Mary, my sisters, were in another part, and I was as far away from all of them as possible.

My quarters were made up of half a dozen chambers, which made it easier to house her away from me.  I was not like my brother, bringing women to his chamber, conveniently forgetting he was betrothed to a princess from a distant kingdom.

I’d considered more than once to take a ride over there and tell her what her prospective husband was up to.  Then, it’s probably what all first sons did.

Bertram, my head servant, was on his way to find me, obviously having heard about the scuffle.  He stopped short when he saw the girl.

For some odd reason, I got the impression he knew her.

“We have a guest, Bertram.  Get the guest room made up.  And find Marion, the young lady, will need some clean clothes, and whatever.”

“Yes, sir.”  He followed behind.  “His Majesty was looking for you this morning.  He seems displeased that I could not tell him where you were.”

“He usually doesn’t care.”

“Master Cedric was also looking for you.”

That explained why he was near the stables.  He knew I liked to escape and go for a ride.  Sometimes I didn’t come back for days.  No one usually missed me

As we entered the main hall of my chambers, my mother was sitting down, flanked by two of her ladies’ maids, looking very regal.  I knew this was the mother who had been sent to give me a strong talking to.

Before the yelling and posturing, my father was going to hand out.

Except when she saw Anne, she stood and bowed her head.

Anne stopped and looked straight at her.  “Hello, Aunty Morgana.”

My mother bowed to no one other than her contemporaries and curtsied only to other Kings.

“You did not send word that you would be visiting.  This is highly irregular.”

“It wouldn’t be if you did not have an ass for a son.”

My mother looked at me.  “I’m sorry if Richard has treated you badly…”

I was still catching up with the fact that Anne was not a servant girl but a princess.

Anne glared at her, “You are seriously mistaken.  Aunt.  It’s Cedric who is the ass.  Richard is the only one who defended me.”

“That is not possible.”  My mother sounded horrified.

“You would be wise not to add to the bad report I am compiling on this Kingdom.  I was told Cedric was a kind and gentle man who had the respect of his people, and he respected them.  He just tried to beat the one person who defended me, no questions asked, in Cedric’s own words, a disgusting, dirty servant girl.   There was no doubt what he intended to do to me if he won that fight.  Now, it’s been an arduous and eventful trip to get here, and I need to clean up.  Aunt.”  For effect, she curtsied, then joined Marion and went to her room.

My mother was left standing open-mouthed.

To say I was astonished was an understatement.

“Where did you find her?”  My mother suddenly found her voice.

“On the road from Oberon, in rather dangerous circumstances.  I did not know she was a Princess.”

“No.  She was never one to trade on her royal status.  Feisty, forthright, and what I had hoped would be an excellent match for Cedric.”

“Well, Cedric burned that bridge completely.  She will want nothing to do with him.”

“And you?”

“I do not rate in the eligibility stakes for any Princess.  I doubt she would give me a second look, let alone a first.  Maybe if she were a servant girl…”

She shook her head.  “You are worthy of better than that.  We shall speak of that later.  Right now, your father is livid.”

“Maybe now he’ll rein in that stupid son and try to turn him into a human being, though I suspect it might be too late.”

“What you did was unforgivable.”

“What I did was finally stop taking his nonsense.  He got what he deserved.  The people have a very low opinion of him, so good luck trying to salvage his reputation.”

“Explain that to your father.  He’s waiting in the throne room.”

It was the room where the King handed out punishment.  It didn’t matter whether it was the lowliest serf or a prince.  We all got the same treatment.

There was usually a panel of nobles and officials.

Cedric would be there.  Trying and failing to learn that justice was meant to be fair and equitable and not based on personal feeling.

I changed and went straight there.  Best not to keep them waiting.

Oddly, this time it was only the King, sitting on the throne.  Usually, his Queen joined him, but she was still in my chambers.

He looked up as I entered the room.

I stopped on the edge of the red carpet and stood silently.  Speak only when spoken to.  Do not embellish.  State facts.

Even if he didn’t want to hear them.

“What have you got to say for yourself?”  I wouldn’t say it was the angriest I heard from him, but it was clear he was displeased with me.

“Cedric was being an ass.”

“Cedric is still finding his way.”

Cedric was taught all the wrong lessons when he was too young to know better.  The lesson I learned from my parents’ failure was to take an active interest in my children’s education.

“Cedric will never find his way unless someone with a proper sense of duty takes him in hand.”

“He is the future King.”

“Then maybe the gods will have mercy on us.”

“You would be wise to change your own attitude, Richard.”

The snort escaped before I could stop it.

“You think this is a joke?”

“Cedric is rapidly becoming one in the eyes of your subjects.  What I think is that you should personally take him down to the dungeons and beat him until he promises to be a better person.”

“The people respect him.”

“The people fear him.  And so did I until he finally pushed me too far.  Do you not wonder why three eligible princesses have turned down offers of marriage?  Obviously not.”

Clearly, he had no knowledge of, or hadn’t been told of, his son’s proclivities.  It was not for me to say.

He sighed.  “We will speak more on this later.”

“As you wish.”  I bowed and left a man deep in thought.

When I returned, the Queen had gone. 

Marion and her handmaidens were bustling over Anne.  I retired to my chamber and lay down for a rest.  It had been a busy day.

Several hours later, Bernard woke me.  Dinner in the main hall was in an hour, and protocol demanded my presence.

I looked around the room, not for the first time, and wondered why I was there.  Most mornings, I woke without a purpose.

This time, it was to see an astonishingly different Anne sitting in the seat beside the bed, just looking at me.

“You talk in your sleep.”

“Do I?  Anything interesting?”

“You want to be anywhere but here.”

True.  “Why didn’t you tell me who you were?”

“I would not have got a clear picture of who you really are, Richard.  Knowing I’m a princess tends to change people in very strange ways.  Being a disgusting, dirty servant tends to get people to behave exactly how the are.  Your brother and half a dozen others like him treated me like scum, you treated me like a princess, and wanted nothing from me in return.  In this place, I’m beginning to see, it’s an impossibility to expect any better.”

“I don’t think it’s like that with everyone.”

“Rot starts at the top, Richard, and evidences itself in the firstborn son.  I live in a world ruled by men, men who take us for granted, and treat us according to whim, not respect.”

“You came here to judge us.” What else could I assume as her reason for visiting incognito?

“I have been to six other kingdoms in the last year.  Not as dramatic an entrance as with you, but things did go a little sideways before we met.”

“You could have been killed or worse.”

“I put my trust in the Gods, and they didn’t let me down.”

“What are you going to do now?”

“Go to the hastily arranged banquet in my honour, then go home.  Aunty Morgana has sent word for an escort.  I was hoping you would come with me.”

“Why?”

“I don’t think you’re that silly.”

“I thought my mother wanted you to marry Cedric.”

“No, that was never her intention.”

Then it dawned on me.  My mother had known that I was never going to get out from under Cedric’s shadow unless I had a reason to.  Anne was that reason.”

“Would you marry to marry a second son?”

“Would you want to marry a girl who’s always getting into trouble because she prefers adventure to needlework?”

“I’ve only known you for a few hours, enough to know you are infuriating.”

“Then life together isn’t going to be dull, is it?”

It was not.

©  Charles Heath  2026

Another excerpt from ‘Betrayal’; a work in progress

My next destination in the quest was the hotel we believed Anne Merriweather had stayed at.

I was, in a sense, flying blind because we had no concrete evidence she had been there, and the message she had left behind didn’t quite name the hotel or where Vladimir was going to take her.

Mindful of the fact that someone might have been following me, I checked to see if the person I’d assumed had followed me to Elizabeth’s apartment was still in place, but I couldn’t see him. Next, I made a mental note of seven different candidates and committed them to memory.

Then I set off to the hotel, hailing a taxi. There was the possibility that the cab driver was one of them, but perhaps I was slightly more paranoid than I should be. I’d been watching the queue, and there were two others before me.

The journey took about an hour, during which time I kept an eye out the back to see if anyone had been following us. If anyone was, I couldn’t see them.

I had the cab drop me off a block from the hotel and then spent the next hour doing a complete circuit of the block the hotel was on, checking the front and rear entrances, the cameras in place, and the siting of the driveway into the underground carpark. There was a camera over the entrance, and one we hadn’t checked for footage. I sent a text message to Fritz to look into it.

The hotel lobby was large and busy, which was exactly what you’d want if you wanted to come and go without standing out. It would be different later at night, but I could see her arriving about mid-afternoon, and anonymous among the clientele the hotel attracted.

I spent an hour sitting in various positions in the lobby simply observing. I had already ascertained where the elevator lobby for the rooms was, and the elevator down to the car park. Fortunately, it was not ‘guarded’, but there was a steady stream of concierge staff coming and going to the lower levels, and, just from time to time, guests.

Then, when there was a commotion at the front door, what seemed to be a collision of guests and free-wheeling bags, I saw one of the seven potential taggers sitting by the front door. Waiting for me to leave? Or were they wondering why I was spending so much time there?

Taking advantage of that confusion, I picked my moment to head for the elevators that went down to the car park, pressed the down button, and waited.

There was no car on the ground level, so I had to wait, watching, like several others, the guests untangling themselves at the entrance, and keeping an eye on my potential surveillance, still absorbed in the confusion.

The doors to the left car opened, and a concierge stepped out, gave me a quick look, then headed back to his desk. I stepped into the car, pressed the first level down, the level I expected cars to arrive on, and waited what seemed like a long time for the doors to close.

As they did, I was expecting to see a hand poke through the gap, a latecomer. Nothing happened, and I put it down to a television moment.

There were three basement levels, and for a moment, I let my imagination run wild and considered the possibility that there were more levels. Of course, there was no indication on the control panel that there were any other floors, and I’d yet to see anything like it in reality.

With a shake of my head to return to reality, the car arrived, the doors opened, and I stepped out.

A car pulled up, and the driver stepped out, went around to the rear of his car, and pulled out a case. I half expected him to throw me the keys, but the instant glance he gave me told him he was not the concierge, and instead he brushed past me like I wasn’t there.

He bashed the up button several times impatiently and cursed when the doors didn’t open immediately. Not a happy man.

Another car drove past on its way down to a lower level.

I looked up and saw the CCTV camera, pointing towards the entrance, visible in the distance. A gate that lifted up was just about back in position, then clunked when it finally closed. The footage from the camera would not prove much, even if it had been working, because it didn’t cover the lift lobby, only what was in the direction of the car entrance.

The doors to the other elevator car opened, and a man in a suit stepped out.

“Can I help you, sir? You seem lost.”

Security, or something else. “It seems that way. I went to the elevator lobby, got in, and it went down rather than up. I must have been in the wrong place.”

“Lost it is, then, sir.” I could hear the contempt for Americans in his tone. “If you will accompany me, please.”

He put out a hand ready to guide me back into the elevator. I was only too happy to oblige him. There had been a sign near the button panel that said the basement levels were only to be accessed by the guests.

Once inside, he turned a key and pressed the lobby button. The doors closed, and we went up. He stood, facing the door, not speaking. A few seconds later, he was ushering me out to the lobby.

“Now, sir, if you are a guest…”

“Actually, I’m looking for one. She called me and said she would be staying in this hotel and to come down and visit her. I was trying to get to the sixth floor.”

“Good. Let’s go over to the desk and see what we can do for you.”

I followed him over to the reception desk, where he signalled one of the clerks, a young woman who looked and acted very efficiently, and told her of my request, but then remained to oversee the proceeding.

“Name of guest, sir?”

“Merriweather, Anne. I’m her brother, Alexander.” I reached into my coat pocket and pulled out my passport to prove that I was who I said I was. She glanced cursorily at it.

She typed the name into the computer, and then we waited a few seconds while it considered what to output. Then, she said, “That lady is not in the hotel, sir.”

Time to put on my best-confused look. “But she said she would be staying here for the week. I made a special trip to come here to see her.”

Another puzzled look from the clerk, then, “When did she call you?”

An interesting question to ask, and it set off a warning bell in my head. I couldn’t say today, it would have to be the day she was supposedly taken.

“Last Saturday, about four in the afternoon.”

Another look at the screen, then, “It appears she checked out Sunday morning. I’m afraid you have made a trip in vain.”

Indeed, I had. “Was she staying with anyone?”

I just managed to see the warning pass from the suited man to the clerk. I thought he had shown an interest when I mentioned the name, and now I had confirmation. He knew something about her disappearance. The trouble was, he wasn’t going to volunteer any information because he was more than just hotel security.

“No.”

“Odd,” I muttered. “I thought she told me she was staying with a man named Vladimir something or other. I’m not too good at pronouncing those Russian names. Are you sure?”

She didn’t look back at the screen. “Yes.”

“OK, now one thing I do know about staying in hotels is that you are required to ask guests with foreign passports their next destination, just in case they need to be found. Did she say where she was going next?” It was a long shot, but I thought I’d ask.

“Moscow. As I understand it, she lives in Moscow. That was the only address she gave us.”

I smiled. “Thank you. I know where that is. I probably should have gone there first.”

She didn’t answer; she didn’t have to, her expression did that perfectly.

The suited man spoke again, looking at the clerk. “Thank you.” He swivelled back to me. “I’m sorry we can’t help you.”

“No. You have more than you can know.”

“What was your name again, sir, just in case you still cannot find her?”

“Alexander Merriweather. Her brother. And if she is still missing, I will be posting a very large reward. At the moment, you can best contact me via the American Embassy.”

Money is always a great motivator, and that thoughtful expression on his face suggested he gave a moment’s thought to it.

I left him with that offer and left. If anything, the people who were holding her would know she had a brother, that her brother was looking for her, and equally that brother had money.

© Charles Heath – 2018-2025

What I learned about writing – Writing what we think

The Unfiltered Mind: Should We Always Write What We Think, Right Now?

We’ve all been there: a thought flares up, an emotion surges, an opinion crystallises in our minds, and the immediate urge is to put it into words. Whether it’s a social media post, a blog entry, or even just an email, the impulse to share what’s on our minds at that very moment can be incredibly powerful.

But should we always succumb to this impulse? And should we worry that our opinions might change, making our current unfiltered thoughts seem inconsistent or even naive in the future? Let’s dive into the fascinating tightrope walk between immediate expression and thoughtful deliberation.

The Immediate Appeal: Pros of Writing What’s On Your Mind Right Now

There’s a lot to be said for capturing the raw, unfiltered essence of your current thoughts and feelings:

Authenticity and Relatability: When you write from the heart, in the moment, it often resonates deeply with others. It’s raw, it’s real, and it allows readers to connect with your humanity, vulnerabilities, and genuine excitement or frustration.

Capturing a Fleeting Moment: Our perspectives are dynamic. Writing what’s on your mind right now captures a snapshot of a specific time, place, and emotional state. This can be invaluable for creative writing, journaling, or even historical documentation of your own growth.

Catharsis and Clarity: For the writer, the act of dumping thoughts onto a page can be incredibly therapeutic. It helps process emotions, organise jumbled ideas, and can even lead to unexpected insights. It’s like talking it out, but with the permanence of the written word.

Sparking Genuine Discussion: Unfiltered thoughts, especially when they challenge norms or express strong emotions, often ignite more passionate and honest conversations. They create a starting point that feels lived-in, rather than perfectly curated.

Unleashing Creativity: Sometimes, the best ideas come from letting our minds wander and capturing those initial sparks before they fade. Overthinking can stifle creativity; immediate expression can unleash it.

The Perils of Impulsivity: Cons of Writing What’s On Your Mind Right Now

However, the “publish now, think later” approach comes with its own set of significant risks:

Regret and Irreversibility: Words, once written and especially once published, can be incredibly difficult to retract. A hastily written thought might cause offence, damage a reputation, or simply be something you deeply regret having shared once the initial emotion has passed.

Lack of Nuance and Context: Immediate thoughts are often driven by strong emotions and may lack the necessary context, research, or empathy that a more considered piece would have. This can lead to misinterpretation, oversimplification, or even spreading misinformation.

Inconsistency and Perceived Fickleness: If your opinions are constantly shifting (which is natural!), a steady stream of “in-the-moment” posts might make you appear inconsistent, unreliable, or not fully committed to any particular stance.

Emotional Overload for the Audience: While authenticity is good, a constant stream of highly charged, unfiltered emotions might be overwhelming or even off-putting for your audience. There’s a fine line between relatable vulnerability and incessant venting.

Digital Footprints: Everything you write online leaves a digital footprint. An opinion expressed in a moment of anger or naivete could resurface years later and impact your professional or personal life in unforeseen ways.

Should We Worry About Our Opinions Changing?

This brings us to the crucial question: should the fact that our opinions might change deter us from expressing what we feel at a particular time?

Absolutely not. To worry about opinion change is to worry about growth.

Our opinions are not static monuments; they are living, breathing entities that evolve with new information, experiences, and reflections. To pretend otherwise is to deny our own human capacity for learning and adaptation.

Embrace the Journey: Your past opinions are part of your journey. They show where you’ve been, what you’ve learned, and how you’ve grown. There’s power in being able to say, “This is what I believed then, and here’s how my perspective has shifted and why.”

Context is Key: The key isn’t to never express a current thought, but to understand the context. If you’re writing a personal blog or journal, documenting your evolving thoughts is a feature, not a bug. If you’re writing a manifesto for a political party, perhaps a more measured and consistent tone is expected.

Transparency Builds Trust: Being transparent about your evolving views can actually build trust with your audience. It shows vulnerability and intellectual honesty, demonstrating that you’re open to new ideas and capable of critical self-reflection.

Finding the Balance: Fleeting Feelings vs. A Set Tone

The true art of writing lies in finding the balance between these two poles:

For Fleeting Feelings: Use platforms and formats that allow for ephemerality and personal reflection. Your private journal, a “thoughts-of-the-day” section on a blog, creative writing, or even temporary social media stories are perfect for capturing the moment without the pressure of eternal consistency.

For a Set Tone or Attitude: When your writing has a specific purpose – building a brand, advocating for a cause, informing a professional audience, writing a definitive guide – then careful consideration, research, and a consistent tone become paramount. This requires pausing, editing, and often seeking feedback.

The “Pause Button” is Your Friend: Before hitting “send” or “publish,” consider asking yourself:

Is this merely venting, or does it contribute something valuable?

Who is my audience, and how might they interpret this?

Will I still stand by these words in an hour, a day, a month?

Am I presenting this as an immutable truth, or as a current perspective? (Adding disclaimers like “My current thinking on this is…” can be incredibly helpful).

Ultimately, our opinions should change. It’s a sign of a vibrant, engaged mind. The goal isn’t to suppress our immediate thoughts, but to develop the wisdom to know when to share them raw, when to refine them, and when to keep them for personal reflection.

The most compelling writing often comes from those who are brave enough to share their authenticity, but wise enough to wield their words with care.

What are your thoughts on this? Do you lean towards immediate expression or careful deliberation? Share your perspectives in the comments below!

365 Days of writing, 2026 – My Second Story 25

More about my second novel

So, what really happened to Worthington?

Did John get reunited with his mother in the hospital?

What of Rupert and Isobel?  Did she get to meet the elusive and enigmatic Tsar?

These are all questions that will be answered in due course.

There is also the matter of what happens when John and Zoe/Irina finally meet up after he learns that she regarded him as expendable, and, knowing her as he did, he didn’t doubt for a minute that she meant it.

Is it the folly of falling in love with an assassin?

Once again, we end up at the grandmother’s residence in Sorrento, languishing sans Zoe, contemplating a future that might not include Zoe.

His idea of setting up an investigation bureau is alive and well, run by Rupert, staffed by people who have the skills but not the confidence of others who had employed them.  Rupert is the master of picking lame ducks and turning them into swans.

Isobel, on the other hand, does not improve with age or being in a somewhat iffy, long-range, possible romance thing.

Does Zoe return? Does she call? Can she drag herself away from her recently rediscovered father?

Again, you’ll have to read the book.

365 Days of writing, 2026 – My Second Story 25

More about my second novel

So, what really happened to Worthington?

Did John get reunited with his mother in the hospital?

What of Rupert and Isobel?  Did she get to meet the elusive and enigmatic Tsar?

These are all questions that will be answered in due course.

There is also the matter of what happens when John and Zoe/Irina finally meet up after he learns that she regarded him as expendable, and, knowing her as he did, he didn’t doubt for a minute that she meant it.

Is it the folly of falling in love with an assassin?

Once again, we end up at the grandmother’s residence in Sorrento, languishing sans Zoe, contemplating a future that might not include Zoe.

His idea of setting up an investigation bureau is alive and well, run by Rupert, staffed by people who have the skills but not the confidence of others who had employed them.  Rupert is the master of picking lame ducks and turning them into swans.

Isobel, on the other hand, does not improve with age or being in a somewhat iffy, long-range, possible romance thing.

Does Zoe return? Does she call? Can she drag herself away from her recently rediscovered father?

Again, you’ll have to read the book.

PI Walthenson’s second case – A case of finding the ‘Flying Dutchman’.

Known only to a few, there is a legend that a ship named the ‘Flying Dutchman’ left Nazi Germany in the last weeks of the war and set sail for America, escorted by U-boats, under a different name. Aboard was a trove of treasure and gold worth a ‘king’s ransom’.

It was said that it had been sent to a group of American Nazis to create the Fourth Reich at an appropriate time. Over the years, many expeditions off the coast had searched, but found no trace of the vessel or the treasure.

In other words, it was just a legend created to boost tourism.

Fast forward to 2024. Our intrepid private detective, Harry Walthenson, overhears a conversation at Grand Central Station. It was the oddness of the message that caught his attention. An investigation turned up nothing out of the ordinary, and he thinks no more about it.

Then Harry is kidnapped, interrogated, and asked questions over and over about a date and a place, why he went there, and when he could not give satisfactory answers, he was beaten half to death and left for dead on a rubbish heap. He was lucky that it was a living space for homeless men; otherwise, he would have died.

In the aftermath, he once again gives it no more thought.

After resolving his first case successfully, there’s no rest. Harry’s angry mother comes to his office and demands that he find out where his father has gone. She believes he has run off with a mistress, not for the first time.

Perhaps it was not the wisest decision she has made, because Harry promises to investigate, and adds that she might not like what he finds.

He soon discovered he does not like what he finds, that his father’s friends, a cabal formed at University, have two who are his mother’s current lovers, and another, a criminal blackmailing his father.

Felicity, now his partner, working on a different case, and trying to get answers, uncovers a crime family involved in guarding a disused warehouse on the docks, where she believes Harry had been taken for interrogation, and subsequently dumped nearby to die.

Why are they up to? What is so important that the empty warehouse needs guarding? Who is employing them?

Harry, following up on the death of the blackmailer, traces his death back to an enforcer employed by his grandfather. His mother’s grandfather was a pre-war industrialist who made his fortune in war munitions and shipbuilding.

He was also a member of the American Nazi party.

When Harry also discovers a logbook belonging to a so-called wartime Liberty ship the “Paul Revere” in brackets ‘Freiheitskämpfer’, hidden by his father, and written in a code that is not readily identifiable.

It is no longer a matter of a father who has run off with his mistress; it is a very frightened man in fear of his life, running from a group who will stop at nothing to get the logbook back. And when Harry discovers a family connection to the group, it becomes a race against time to decode the log and find his father before his grandfather does.

Coming soon: Harry Walthenson’s new adventure – A case of finding the ‘Flying Dutchman’

A 2am rant: Is that a light at the end of the tunnel?

It’s a long-standing joke that the light at the end of the tunnel is the headlight of an express train coming right at you.

Metaphorically speaking, this is quite often true if you are a pessimist, but since I’ve converted to being an optimist, a bit like changing religions, I believe I’ve seen the ‘light’.  It’s a lot like coming up from the bottom of a deep pool, breaking the surface and taking that first long gulp of air.

Along with that elated feeling that you’re not going to drown.

What’s this got to do with anything, you ask?

Perhaps nothing.

As an allegory, it represents, to me, a time when I finally got over a period of self-doubt, a period where a series of events started to make me question why I wanted to be a writer.

I mean, why put yourself through rejections, sometimes scathing criticism, and then have the people whom you thought were your friends suddenly start questioning your choices after initially wholeheartedly supporting them?

Are we only successful or supportable if we are earning a sufficient wage?  Or better still, a New York Times No. 1 bestselling author?  Or, even better, having sold a million copies?

Is this why so many people don’t give up their day job and then find themselves plying the ‘other’ trade into the dark hours of the night, only to find themselves being criticised for other but no less disparaging reasons?

It seems like a no-win situation, the times when your mettle is tested severely.  But, in the end, it is worth it when the book is finished and published, even if it is only on Amazon.

You can sit back and say with pride, I did that.

That metaphorical light, you may ask.

When somebody buys that first copy!

What I learned about writing – The Accuracy of Non-fiction

The Unbreakable Vow: How Accurate Must Non-Fiction Really Be?

The Ethical Tightrope Walk of the Storyteller

In an age where information is constantly challenged and fact-checking seems like a lost art, the role of the non-fiction writer has never been more vital—or more scrutinised. When a reader picks up a memoir, a history book, or a piece of investigative journalism, they enter into a sacred contract with the author.

That contract is simple: This is the truth.

But how absolute is that requirement? Writing, after all, is an art form, not a police report. Where does artistic license end, and fabrication begin? And what happens when a writer breaks the cardinal vow of non-fiction?


1. The Currency of Trust: Defining Accuracy

Non-fiction is built on trust. Unlike the novelist, whose power lies in invention, the non-fiction writer’s power rests entirely on verifiability.

The Standard is Rigour

For true accuracy, a writer must adhere to several key principles:

  • Verifiability: All key facts, dates, events, and quotes must be traceable to reliable sources (documents, interviews, established historical record).
  • Contextual Honesty: Presenting a fact accurately is not enough; it must be presented within its proper context. Omitting crucial context can turn a truth into a lie of implication.
  • Due Diligence: The writer has an ethical obligation to actively seek out and include information that might contradict their central thesis, rather than cherry-picking facts that bolster their argument.

The Grey Area: When Narrative Needs Taming

The truth is often messy, disorganised, and tedious. To shape a compelling narrative, even the most rigorous writer must perform certain operations that skirt the edges of pure objectivity:

  • Composite Characters: Combining minor, unnamed figures into one character for the sake of narrative flow (e.g., “a nurse” who represents three different nurses the author spoke to). Ethical Boundary: This is acceptable only if the composite character does not perform actions that never happened or fundamentally alter the setting or plot.
  • Dialogue Recreation: Human memory is imperfect. Few people remember the exact wording from conversations years ago. Writers often recreate dialogue based on notes, journals, or the known speaking style of the person. Ethical Boundary: The reconstructed dialogue must faithfully reflect the actual intent and meaning of the original exchange.
  • Compression of Time: Events that occurred over weeks may be described as happening over a day to maintain momentum. Ethical Boundary: This cannot mislead the reader about cause and effect.

In essence, the rule for navigating the grey area is this: You can compress, simplify, or rephrase, but you cannot introduce invention. If the event, the essential characters, or the core outcome did not happen or exist, you have crossed into fiction.


2. The Cardinal Sin: Fabrication and Lying

Fabricating material in non-fiction is not merely a mistake; it is an act of fraud.

A writer lies when they invent interviews, invent sources, invent data, or fundamentally alter the outcome of a factual event simply to make the story “better.”

The motivation for lying is almost always narrative convenience—the truth wasn’t exciting enough, complete enough, or emotionally satisfying. This choice, driven by desperation or arrogance, guarantees catastrophic consequences.


3. The Scorched-Earth Consequences of Lying

The consequences for writers who fabricate or lie about non-fiction material are swift, catastrophic, and often permanent. They touch every aspect of the writer’s professional and personal life.

A. Reputational Death

For a non-fiction writer, reputation is their lifeblood. Once fabrication is discovered, the writer is professionally toxic.

  • Loss of Credibility: A single lie taints every word the writer has ever published and ever will publish. The reader instantly wonders, “If they lied about this date, did they lie about the entire premise?”
  • Ostracization: Publishers, editors, journalists, and academic institutions will severely limit or cease association with the writer. The writer is no longer a professional peer; they are a liability.
  • The Loss of the Subject: If the work was a biography or history, the writer loses the ability to access primary sources or interview subjects, as no one will risk having their story distorted again.

B. Financial and Legal Ruin

Fabrication often leads to substantial financial and legal actions:

  • Book Recalls and Returns: Publishers are often forced to recall and pulp thousands of copies, costing millions. Royalties are stopped immediately, and the author may be required to pay back advances (a “clawback”) based on breach of contract.
  • Lawsuits: If the fabricated material slanders or libels a real person, or invades privacy, the author and publisher face costly civil lawsuits. This is especially true in memoirs, where the writer has misrepresented the actions or character of family members or acquaintances.

C. The Death of the Work

When fabrication is exposed, the work itself ceases to be viewed as literature or history; it becomes a footnote in the history of literary scandal.

  • Academic institutions remove the book from reading lists.
  • Awards won by the book are often revoked.
  • The work, no matter how engaging the fictional elements were, loses its cultural permanence because its foundation is rotten.

The Example of Literary Hoaxes

History is littered with examples of celebrated non-fiction—particularly memoirs—that were revealed to be frauds. These incidents rarely end with the writer receiving a slap on the wrist. They often involve public confession, professional exile, and a permanent asterisk next to their name in literary history. The narrative satisfaction gained by lying is never worth the loss of an entire career.


The Ultimate Responsibility

The job of the non-fiction writer is the challenging, often frustrating, task of wrestling the truth into a readable shape. It means accepting that sometimes, the real story is incomplete, ambiguous, or less dramatic than we might wish.

The commitment to accuracy is not just an ethical preference; it is the scaffolding upon which the entire genre is built. When we pick up a pen or open a keyboard to write non-fiction, we make an unbreakable vow to the reader to stay true to the facts, not because it’s easy, but because the alternative is professional and sometimes personal extinction.

The truth may be messy, but in non-fiction, it is the only story that matters.

365 Days of writing, 2026 – 177

Day 177 – Things to avoid

Write Like a Pro: 3 Common Writing Pitfalls to Avoid

Great writing is like a good conversation: it should be clear, engaging, and easy to follow. However, even experienced writers sometimes fall into habits that obstruct the reader’s experience. To help you sharpen your prose, let’s look at three common mistakes—run-on sentences, overlong anecdotes, and unnecessary Latin phrases—and how to fix them.


1. Ditch the Run-On Sentences

A run-on sentence happens when two or more independent clauses are joined improperly, often without the necessary punctuation or conjunctions. They force the reader to hold their breath until they hit a period, which kills the rhythm of your content.

What NOT to write:

“I went to the store to buy groceries for the party but they were closed so I had to go to the neighbor’s house to ask for some sugar and then I realized I forgot my wallet at home anyway.”

How to do it properly:

  • Use a period: “I went to the store to buy groceries for the party, but it was closed. I had to go to my neighbour’s house for sugar, only to realise I’d left my wallet at home.”
  • Use a semicolon: “The store was closed; consequently, I had to ask my neighbour for sugar.”

2. Stop Cramming Stories into One Sentence

New writers often try to pack an entire narrative arc—the setting, the conflict, and the resolution—into a single, breathless sentence. If a story requires more than one sentence to explain, give it the space it needs. Breaking your thoughts into multiple sentences allows the reader to digest the information one piece at a time.

What NOT to write:

“When I was hiking in the Rockies last summer, I saw a massive grizzly bear standing just a few yards away from the trail, and my heart started racing as I slowly backed away, hoping it wouldn’t notice me while I reached for my bear spray, and eventually, I made it back to safety without a scratch.”

How to do it properly:

“While hiking in the Rockies last summer, I saw a massive grizzly bear standing just yards from the trail. My heart raced as I slowly backed away, praying it wouldn’t notice me reaching for my bear spray. Thankfully, I made it back to the trailhead without a scratch.”


3. Avoid Obscure Latin Phrases

Using Latin phrases like ad hocpost hoc, or quid pro quo can make your writing feel pretentious or exclusionary. Unless you are writing for an academic, legal or medical journal, your goal should be clarity. If a simple English word does the job, use it.

What NOT to write:

“We formed the committee ad hoc to handle the budget crisis, but their efforts were ipso facto doomed from the start.”

How to do it properly:

“We formed a temporary committee to handle the budget crisis, but their efforts were inherently doomed from the start.”

Note: If you feel a specific Latin phrase is essential, ensure it is widely understood (like “et cetera” or “per se”), but even then, using plain English is almost always the more professional choice.


The Takeaway

Good writing isn’t about how many complex structures you can cram into a paragraph; it’s about how much value you can provide to the reader with the least amount of friction.

Remember:

  1. Break up your clauses to avoid run-ons.
  2. Give your stories the breathing room of multiple sentences.
  3. Choose common English over dusty Latin.

Your readers will thank you for it!