Tag: Books

The 2am Rant: How about this for a plotline?

No matter how hard you try, how seamless, on paper the plan is, the odds are something will go wrong. That is not to say I am a fatalist, or a glass half empty kind of traveler, because most of the trips I have planned, and taken, have been relatively painless.

Except our good luck had to finally run out.

It was not a matter of bad planning; it was just one of those times when events didn’t quite go according to plan. It happens.

For instance, the simple objective was to get from Brisbane in Australia to Florence in Italy. There is no direct flight. Booking on an airline site is a horrendous experience, fares are ridiculously high, and there is no accommodating stopovers.

This is a trip that only a travel agent can handle.

The objective, travel to London via Hong Kong, or Singapore, or any medium distant airport, then on to London, or Paris, or where-ever, then to Florence. No overnight stopover, staying in a hotel, not this time, in either of Hong Kong or London.

Simple.

Not.

It was as horrendous for the agent as it was navigating the airline’s internet site. It was not something that could be done, sitting opposite her as she deftly navigated the highways and byways of the travel system on her computer. This was a longer, more intricate job.

Two days later she had the solution for the Brisbane, Hong Kong, London, and thence Florence trip. It would require a stay of 10 hours in Hong Kong, the connections didn’t align according to price constraints, and then a 14 hour layover in London as flights to Florence were not aligned either. All well and good. Cathay Pacific for the trip to London and Vueling Airlines for the Florence leg. At least we would arrive in Florence at a reasonable hour, about 6pm.

On paper, it was the most practical solution in the circumstances.

Reality proved it to be something else entirely.

At Brisbane airport, we were given boarding passes for the flights through to London, but by some quirk of fate had our baggage checked through to Florence. How this could be done without boarding passes for the London to Florence flight was a surprise. Back in Brisbane, the check-in person told us she could not give us a boarding pass for the London to Florence leg because the system would not issue it. We could she said, get it easy enough when we arrived in London.

The first leg went smoothly enough, though we did not realize until we got on the plane that it stopped over in Cairns for an hour or so. This was not a problem, just made the time between Brisbane and Hong Kong longer than we anticipated.

In Hong Kong, we had no trouble getting into the lounge I’d booked. The problem came with the interpretation of using the bathroom facilities, and it took several hours before we finally realized that the bathroom facilities were not part of the lounge but operated independently and you had to book your place. By that time there were a large number of people ahead of us (who obviously knew the problems associated with these facilities) and it annoyed me that the lounge staff did not mention it when we arrived.

The Hong Kong to London leg was as all long haul flights are. We knew what to expect, and arrived in London around 6 am. We arrived at terminal three and the lounge we’d booked was in terminal three. All we needed was a boarding pass to get in.

Oops.

That was not the case.

Because we could not get back into terminal three without a forward boarding pass we had to exit and go through customs and immigration. We were told that the only way to get a boarding pass for the Florence flight was to go to the airline counter.

The problem was Vueling did not have an airline counter.

This is where tempers started to flare. 7:30 in the morning, no means of getting into the lounge which we had paid a lot on money for, and no one in the terminal being helpful.

The Vueling web site was impossible to use.

The telephone number rang out.

At this point, I was beginning to believe the airline didn’t exist and we had been ripped off.

Only by a quirk of fate, reading the departures board, did I see a flight for Vueling leaving at 10 am, with the check-in counter displayed.

By this time we had spent two very frustrating hours and I was nothing short of angry.
At the gate, the head of the check-in counter, a representative of Vueling was surprised we had any problems, particularly in Brisbane, but happily issued the boarding passes.

When we mentioned the baggage she advised us it was lucky we did, otherwise it would have gone missing. She took the tag numbers and sorted that problem out.

The airline, it seems, is well respected, and based on the service I received, I had to say I agreed

The problem was back in Brisbane with an inexperienced check in person.

There was only one problem in getting to the lounge, now four hours later than we had advised, the fact we had to go back through customs, and in doing so, the duty-free that we had brought from Hong Kong was now outside the limits allowed, and the customs staff were adamant despite the circumstances we could not take it with us. $400 worth of goods finished up in the bin.

It would be true to say that day the customs staff at Heathrow were not the best ambassadors for their country, and one, in particular, would be best doing service elsewhere where human contact was not a requirement. As for the others, they were as helpful as they could be, but rules unfortunately were rules.

At last, rather distressed over the duty-free, and the lateness of our arrival at the lounge, there was no possibility of getting a short sleep before going to Florence. At least we did not have the same problems using the bathroom facilities, our room I’d book had them included in the room.

We rested, and figured nothing else could go wrong.

Not. Again!

The plane was advertised to leave London at about 3 pm. We left the lounge expecting to get to the gate on time. We checked on the departure board for the flight to get the gate number, only to see a notice ‘delayed’. When that delay passed 5 pm, two hours later, we decided to go to the counter and find out what was happening.

Only to find there was no airline counter. Again!

We asked at least a dozen people, including the special helpers the airport who there is plenty of signage to say to go to if you have a problem, but not one of them knew where the counter was or who was looking after the affairs of the airline. By this time other irate passengers of the delayed flight were massing, also seeking answers. One discovered who the agent was, and we descended on the counter as a large group.

The first person I saw at the counter was the woman who had checked us in that morning. For her, it had been a long day, and it was getting longer.

The problem, the plane had been delayed on an earlier leg, yes it would be arriving, having just left the lat airport, and we would be embarking about 7:30. For our trouble, we got a meal voucher, and at least we could have a reasonably good dinner.

The plane arrived, we embarked, the service was good and the people on board as cheerful as they could be given the delays and the discontented passengers.

We arrived in Florence just before midnight, our driver to take us to the hotel was waiting for us, and the hotel upgraded us to a very nice room.

All in all a harrowing journey, but at the end, basically a six-hour delay, and two very tired, but happy people. And we were in Florence, in summer. What more could anyone want?

What I learned about writing: Even my Grandmother’s eerie house was fuel for the imagination

The Highway to Yesterday: When Progress Paves Over Memory

There’s a phrase we hear often: “the march of progress.” It conjures images of innovation, growth, and moving forward. And often, it’s a good thing, bringing advancements that improve our lives. But sometimes, this relentless march brings with it a different kind of change – one that paves over the past, transforming what we held dear into something unrecognizable.

I’ve been thinking a lot about this lately, prompted by a landscape that used to be… something else entirely.

I remember a time, long ago now, when ‘country’ truly meant country. Our holidays at my grandmother’s house, nestled just outside Melbourne, were expeditions into a different world. The drive itself was part of the magic. A comfortable half-hour journey, winding through stretches of open farmland, punctuated by small, charming towns – Beaconsfield, Officer, Berwick – each an oasis amidst the green. Today? That same route is a continuous sprawl of houses, a testament to metropolitan expansion, where those ‘oases’ are now just another indistinguishable part of the urban fabric.

But it was Grandma’s house that truly held the enchantment. A rambling, grand old place on extensive grounds, it was a universe waiting to be explored. Gardens, multiple garages overflowing with forgotten treasures, a huge workshop – it was a child’s paradise. One Christmas, my brother and I, armed with a sense of adventure and a few rusty tools, decided to become archaeological explorers. We unearthed a magnificent fountain, hidden beneath years of overgrowth, clearly once the centerpiece of a grand display. It felt like discovering our very own secret garden, complete with a sprawling, mysterious fernery.

Then there were the internal explorations. A whole wing of bedrooms, each a time capsule. I recall an ancient iron bedstead, so high off the ground we had to climb into it, easily a century old. And in another, the faint, lingering presence of my Uncle – a formidable, towering man whom, in our youthful imaginations, we first mistook for an ogre straight out of a Grimm’s fairy tale. The way his heavy footsteps would ‘clomp’ through the silent house after dark still sends a shiver of delicious apprehension down my spine.

But the march, as it always does, continued. And today, all of it is gone. That sprawling house, those secret gardens, the workshop, the echoes of my uncle’s footsteps – replaced. Not by new homes, not by another suburb, but by the relentless concrete and asphalt of a multi-lane highway, carving an alternate coastal route between Melbourne and Sydney. The very ground where those precious memories were made now carries the weight of countless cars, indifferent to the history beneath their tires.

All that remains are the vivid, precious memories of a time that will never return. They are treasures far more valuable than any physical object, etched permanently in the mind’s eye.

The march of progress is inevitable. It brings necessary change, growth, and sometimes, undeniable improvements. But it also exacts a cost, often unseen by those building the future. It’s a powerful reminder to cherish the present, to imbue the places we love with meaning, and to hold onto the stories that define us, because one day, they might be all that’s left.

And for me? It’s provided a rich soil, a fertile ground, for a whole new pile of stories, waiting to be told.

365 Days of Writing, 2026 – 231

Day 231 – Writing in the first person

…

The Power of “I”: Unlocking the Advantages of the First-Person Novel

When you crack open a novel and the very first word you read is “I,” an unspoken social contract is formed between you and the narrator. You aren’t just an observer looking down from a cloud; you are strapped directly into the passenger seat of someone else’s mind.

First-person point of view (POV) is one of the most intimate and enduring tools in a writer’s arsenal. From classic masterpieces like The Catcher in the Rye and Jane Eyre to modern psychological thrillers like Gone Girl, the “I” narrator has the power to grip readers and refuse to let go.

If you’re an aspiring author trying to decide which POV to use, or a passionate reader wondering why certain books feel so visceral, understanding the advantages of the first-person novel is essential.

Let’s dive deep into the unique strengths of the first-person perspective and why it continues to dominate bestseller lists.

1. Unmatched Intimacy and Emotional Resonance

The single greatest advantage of the first-person novel is proximity. In first-person, there is no filter between the character’s internal emotional landscape and the reader.

  • Direct Access to Thoughts: We don’t just see characters cry; we hear the frantic, self-deprecating, or hopeful loops playing in their heads as they wipe away the tears.
  • Instant Empathy: Even if a narrator makes terrible choices, experiencing their motivations, fears, and heartbreaks firsthand makes them deeply human. We understand why they do what they do, even if we don’t agree with it.

This level of intimacy creates a profound bond. Readers often finish a great first-person novel feeling like they have just said goodbye to a real-life friend.

2. A Distinct, Unforgettable Voice

In a crowded literary marketplace, voice is everything. First-person narrative allows authors to showcase a character’s unique personality not just through their actions, but through how they speak and think.

Think of Holden Caulfield’s cynical, slang-heavy cadence in The Catcher in the Rye, or Humbert Humbert’s hyper-articulate, manipulative prose in Lolita. The narrator’s voice becomes the music of the book.

  • Rhythm and Diction: A weary detective, a sarcastic teenager, and a medieval peasant will all describe a rainy Tuesday differently. First-person forces the writing to be utterly specific to that character’s worldview, elevating the prose and making the storytelling infinitely more textured.

3. The Power of the Unreliable Narrator

One of the most thrilling narrative devices available in fiction is the unreliable narrator—and it only truly works in the first person.

Because we are locked inside one character’s perspective, we are vulnerable to their biases, blind spots, delusions, or outright lies.

  • Building Suspense: When a narrator is convinced of something that the reader slowly realises is false, the tension skyrockets.
  • The “Aha!” Moment: Twists hit harder in first-person because the reader has been actively complicit in believing the narrator’s deception. Think of Gillian Flynn’s Gone Girl, where Nick and Amy Dunne’s conflicting first-person accounts keep readers guessing until the very end.

4. Heightened Suspense and Stakes

When the protagonist is the one telling the story, a very specific rule applies: They survived long enough to tell the tale.

While this might seem like a spoiler (we know the protagonist doesn’t die in chapter three), it actually heightens suspense in clever ways.

  • The “How” Over the “If”: Instead of wondering if the character will survive, the reader wonders how they possibly escaped the nightmare they are currently describing.
  • Subjective Danger: Because we only know what the narrator knows, we are ambushed by plot twists right alongside them. If they can’t see the killer sneaking up behind them in the dark, neither can we.

5. Built-In Focus and Streamlined Pacing

Third-person multi-POV novels can sometimes suffer from narrative bloat as authors jump between five different subplots across different continents. First-person acts as a natural anchor.

  • Laser-Focused Narrative: Everything in a first-person novel filters through the protagonist’s experiences. If they aren’t there to witness it, it doesn’t happen (unless they hear about it secondhand). This keeps the plot tight, fast-paced, and intensely focused on the core conflict.
  • Character-Driven Plots: First-person naturally prioritises internal growth and psychological transformation over sprawling world-building, making it the go-to choice for character-driven stories.

Potential Pitfalls to Keep in Mind

While the advantages are powerful, writing in the first person comes with unique challenges:

  • The “Head-Hopping” Restriction: You cannot show scenes where the protagonist is absent.
  • The “I-Ego” Problem: If your narrator is too passive, whiny, or unlikable without being fascinating, readers will drop the book fast.
  • Information Limits: It can be difficult to naturally reveal things the narrator wouldn’t reasonably know.

However, in the hands of a skilled writer, these limitations often force creative solutions that make the story even stronger.

Conclusion: Is First-Person Right for Your Next Read—or Your Next Book?

The first-person novel is more than just a stylistic choice; it is an immersive experience. It transforms reading from a passive activity into a deeply empathetic, psychological journey. Whether you are looking to get lost in a complex character study, unravel a twisty mystery, or feel the raw electricity of a unique literary voice, the “I” narrator delivers like no other POV can.

Are you a writer planning your next project, or a reader with a favourite first-person novel? Let us know your thoughts in the comments below!

…

365 Days of Writing, 2026 – 231

Day 231 – Writing in the first person

…

The Power of “I”: Unlocking the Advantages of the First-Person Novel

When you crack open a novel and the very first word you read is “I,” an unspoken social contract is formed between you and the narrator. You aren’t just an observer looking down from a cloud; you are strapped directly into the passenger seat of someone else’s mind.

First-person point of view (POV) is one of the most intimate and enduring tools in a writer’s arsenal. From classic masterpieces like The Catcher in the Rye and Jane Eyre to modern psychological thrillers like Gone Girl, the “I” narrator has the power to grip readers and refuse to let go.

If you’re an aspiring author trying to decide which POV to use, or a passionate reader wondering why certain books feel so visceral, understanding the advantages of the first-person novel is essential.

Let’s dive deep into the unique strengths of the first-person perspective and why it continues to dominate bestseller lists.

1. Unmatched Intimacy and Emotional Resonance

The single greatest advantage of the first-person novel is proximity. In first-person, there is no filter between the character’s internal emotional landscape and the reader.

  • Direct Access to Thoughts: We don’t just see characters cry; we hear the frantic, self-deprecating, or hopeful loops playing in their heads as they wipe away the tears.
  • Instant Empathy: Even if a narrator makes terrible choices, experiencing their motivations, fears, and heartbreaks firsthand makes them deeply human. We understand why they do what they do, even if we don’t agree with it.

This level of intimacy creates a profound bond. Readers often finish a great first-person novel feeling like they have just said goodbye to a real-life friend.

2. A Distinct, Unforgettable Voice

In a crowded literary marketplace, voice is everything. First-person narrative allows authors to showcase a character’s unique personality not just through their actions, but through how they speak and think.

Think of Holden Caulfield’s cynical, slang-heavy cadence in The Catcher in the Rye, or Humbert Humbert’s hyper-articulate, manipulative prose in Lolita. The narrator’s voice becomes the music of the book.

  • Rhythm and Diction: A weary detective, a sarcastic teenager, and a medieval peasant will all describe a rainy Tuesday differently. First-person forces the writing to be utterly specific to that character’s worldview, elevating the prose and making the storytelling infinitely more textured.

3. The Power of the Unreliable Narrator

One of the most thrilling narrative devices available in fiction is the unreliable narrator—and it only truly works in the first person.

Because we are locked inside one character’s perspective, we are vulnerable to their biases, blind spots, delusions, or outright lies.

  • Building Suspense: When a narrator is convinced of something that the reader slowly realises is false, the tension skyrockets.
  • The “Aha!” Moment: Twists hit harder in first-person because the reader has been actively complicit in believing the narrator’s deception. Think of Gillian Flynn’s Gone Girl, where Nick and Amy Dunne’s conflicting first-person accounts keep readers guessing until the very end.

4. Heightened Suspense and Stakes

When the protagonist is the one telling the story, a very specific rule applies: They survived long enough to tell the tale.

While this might seem like a spoiler (we know the protagonist doesn’t die in chapter three), it actually heightens suspense in clever ways.

  • The “How” Over the “If”: Instead of wondering if the character will survive, the reader wonders how they possibly escaped the nightmare they are currently describing.
  • Subjective Danger: Because we only know what the narrator knows, we are ambushed by plot twists right alongside them. If they can’t see the killer sneaking up behind them in the dark, neither can we.

5. Built-In Focus and Streamlined Pacing

Third-person multi-POV novels can sometimes suffer from narrative bloat as authors jump between five different subplots across different continents. First-person acts as a natural anchor.

  • Laser-Focused Narrative: Everything in a first-person novel filters through the protagonist’s experiences. If they aren’t there to witness it, it doesn’t happen (unless they hear about it secondhand). This keeps the plot tight, fast-paced, and intensely focused on the core conflict.
  • Character-Driven Plots: First-person naturally prioritises internal growth and psychological transformation over sprawling world-building, making it the go-to choice for character-driven stories.

Potential Pitfalls to Keep in Mind

While the advantages are powerful, writing in the first person comes with unique challenges:

  • The “Head-Hopping” Restriction: You cannot show scenes where the protagonist is absent.
  • The “I-Ego” Problem: If your narrator is too passive, whiny, or unlikable without being fascinating, readers will drop the book fast.
  • Information Limits: It can be difficult to naturally reveal things the narrator wouldn’t reasonably know.

However, in the hands of a skilled writer, these limitations often force creative solutions that make the story even stronger.

Conclusion: Is First-Person Right for Your Next Read—or Your Next Book?

The first-person novel is more than just a stylistic choice; it is an immersive experience. It transforms reading from a passive activity into a deeply empathetic, psychological journey. Whether you are looking to get lost in a complex character study, unravel a twisty mystery, or feel the raw electricity of a unique literary voice, the “I” narrator delivers like no other POV can.

Are you a writer planning your next project, or a reader with a favourite first-person novel? Let us know your thoughts in the comments below!

…

Harry Walthenson, Private Detective – the second case – A case of finding the “Flying Dutchman”

…

What starts as a search for a missing husband soon develops into an unbelievable story of treachery, lies, and incredible riches.

…

It was meant to remain buried long enough for the dust to settle on what was once an unpalatable truth, when enough time had passed, and those who had been willing to wait could reap the rewards.

The problem was, no one knew where that treasure was hidden or the location of the logbook that held the secret.

At stake, billions of dollars’ worth of stolen Nazi loot brought to the United States in an anonymous tramp steamer and hidden in a specially constructed vault under a specifically owned plot of land on the once docklands of New York.

It may have remained hidden and unknown to only a few, if it had not been for a mere obscure detail being overheard …

… by our intrepid, newly minted private detective, Harry Walthenson …

… and it would have remained buried.

Now, through a series of unrelated events, or are they, that well-kept secret is out there, and Harry will not stop until the whole truth is uncovered.

Even if it almost costs him his life.  Again.

365 Days of Writing, 2026 – 230

Day 230 – Writing Exercise

…

The thing about a quiet neighbourhood – houses not built on top of each other, people next door near but far enough away not to be annoying; if they tended to be annoying, is that you could hear the silence.

We had lived there for nearly ten years, the last family to move into the estate that had about twenty families scattered over acreage.  It was one of those miracle moments, a house popping up in my search browser when I put in the parameters.

One house.  This house.  We came, we saw, we met the neighbours.  We bought.  It was like we were meant to live there.

…

Ten years on, our anniversary neighbourhood party had wrapped up at precisely 10 pm as all parties did, and the participants had dispersed, the last straggler just disappearing around the corner, a few hundred yards from home.

I was on the front verandah looking up at the sky filled with stars, some brighter than others, and then, one that appeared to be moving.

My eyes watered, straining to see it. I blinked several times to squeeze the moisture out, opened them again and whatever it was had gone.  Or blended in, so it was just another star.

I had a telescope out back and would go have another look before I turned in.

Edie poked her head out the door.  “You’re probably breaking some community regulation standing out there after 10pm. What are you doing?”

“Testing them.”

It was a running joke.  The neighbourhood had some rather quirky rules, but nothing that caused us concern.  The lady in charge of community watch, as she called it, was due to retire this year, and everyone was waiting for the new guard.

And new rules.  More lenient rules.

“Come in.  It’s cold out there.”

It had got cold, especially in the last few minutes.  I shivered, took a last look out at the sky, then went in.  The auto light switched off.  All was well again.

“What were you doing out there?”

She was closing the shutters on the front windows, and the moonlight that had been seeping through the open blinds disappeared.  Except for the passage light, the house was in darkness.

We had streetlights, but they were so low that the light didn’t reach the ground.  Normal street lights put out a lot of light, enough to see the road, but these were deliberately subdued.

Another quirk produced by our fearless Community Watch leader, who seemed to hold such sway with city hall.

“I’m just going out back to check on a shooting star.  I’ll make a wish.”

“I need a new vehicle “

A quick kiss, a touch of hands, she headed towards the bedroom.  I would be back before she got into bed.

The auto lighting lit the way along the passage floor to the back door.  I went out onto the back patio and saw Jake, youngest son and the family astronomer, had left the telescope pointing in the direction of Mars.

He was obsessed with the belief that Martians were coming to Earth, and was adamant he had seen a ship land nearby last year, just before it switched on its cloud of invisibility.

Jake had an excellent imagination.

He was in the middle of writing his first Sci-Fi novel and had asked me to read some of it.  It was quite good but technical.  I hadn’t the heart to tell him it was so boring it put me to sleep.

I peered into the lens up at the sky and focused on the last position.  It was a bright star among many. And something else.  It seemed to be flashing, or a whole lot of stars were passing it, which made it seem like it was flashing.

Or maybe not.  Nothing was happening.

Just before I went in, I looked up, in time to see a shooting star, or what looked like one, light a path across the sky.

I made a wish, and went to bed.

…

I usually slept like a log.  It had been said that a bomb could go off next door and I’d sleep through it.  While no bombs had exploded, there were a number of events I had missed.

Tonight?  There was no reason why I should be awake, and yet I dozed off the moment my head hit the pillow.  I remember seeing the time on the digital clock beside the bed.  11:03.

I looked now, and it said 1:07.  What felt like five minutes later, it said 1:16.  I did not feel sleepy in the slightest.

Edie was sound asleep, her breathing regular.  It always surprised me how easy it was for her to get to sleep.  Perhaps it was because of the early years with the children and the constant care they needed; she had taught mt herself to get what rest she could, no matter how short it was.

It had never been that easy for me.

It wasn’t the first time I had lain awake for hours, searching for that elusive moment.  I tried counting sheep, green sheep at that; I tried emptying my mind, but that was impossible.

1:38.

I slipped out into the cool night air and padded quietly across the room.  The door made a slight squeak as I opened it a fraction, the noise sounding very loud in that silence that came with the middle of the night.

I stepped into the passage, and the first of the footlights came on to guide the way.  I headed down towards the kitchen, where what I assumed was moonlight came through the open slats of the kitchen windows, filling that room with a pale whitish light.

On the tight hand side, the kitchen being on the left, was the dining room, with floor-to-ceiling windows that opened out onto the veranda that wrapped around the back of the house.

Outside the dining room was where the BBQ sat.

On that side, sitting on the veranda, the view stretched across a number the neighbours back yards that stretched down the the stream that divided pur properties from those on the other side, mostly ranches running either cattle or sheep.

Sometimes you could hear them at night, but mostly during the day.  When they were down in the lower pastures.  At the moment, they were higher up in the hills. 

Come Christmas, the vista from the back verandah would look like a Christmas card scene, one I could never get tired of.

Suddenly the dining room was filled with a very bright light, and it was almost as bright as day.  It lasted a few seconds before it just snapped off like someone had flicked a switch.

I had been almost blinded and couldn’t see anything for at least a few minutes before the inky blackness transformed into blurry shapes.

I crossed to the room and looked out the windows to see what I thought was some sort of vehicle, only it couldn’t be one because it was hovering above the ground.

My eyes were sore from the bright light before, and I think I must be hallucinating.  Under the craft were five figures, not human, and yet human-like, and walking towards them were the five members of the Richards, our next-door neighbours.

I just watched in utter fascination.

They stepped into the pool of very subdued light coming from under the floating vehicle, one by one, touched the hands of the newly arrived people and exchanged shapes.

Then the Richards went back to their house; the other creatures, human or otherwise, held hands and then disappeared.

Seconds later, the searing light reappeared and then was gone.  A second dose of light on my poor eyes looked a few minutes longer, and by the time my sight had returned, it was as if nothing had happened.

What had I just seen?

…

I woke up, and it was light.  Edie was already up and about, and it was just another day.

It didn’t feel like I had been awake for an hour or so, and in my head it felt like something had happened, only I couldn’t remember what.

I wasn’t tired, not like I had been awake half the night because I knew what that was like.

Something had happened.  Something significant, but it was just there, on the fringe of my memory, lurking, or waiting for me to find the right key and unlock that door.

“You going to stay in bed all day?”

Edie put her head in the door, on her way from the front door where she had collected the newspaper, to the kitchen where breakfast would be well underway.

It was just another normal day.

“Coming,,” I muttered.

“You snore.  I never realised it until last night.  You woke me.  Normally I can sleep through anything.”

“I don’t snore.”

“You do.  And talk in your sleep.”

I sat up and faced her.  That was frightening if it was true.  I often dreamed I was having strange conversations with people who were basically strangers, but only once.

“What did I say?”

“Something about old man Richards.  Not surprising you think he’s daft.  He hasn’t been the same since the accident.  Don’t hang about.  We have that appointment at the bank this morning.”

Then she was gone.

Richards.  There was that thing in my mind again, that memory that refused to come out of the vault.  Did it have something to do with Richards?

I shrugged.  It would return when it wanted to.  In the meantime, places to go and people to see.

…

Surprises were good, when they were surprises.  We had decided that after Elizabeth, the eldest daughter, got married, we would buy them a house.

With one thing and another, their six-month jaunt through Europe turned into a five-year work-and-play plan; they only decided to return when she fell pregnant.  Twins and a bot later, the place they were living in was too small, hence the house.

Everything was on track until Elizabeth saw us talking to the bank manager; she just happened to be in the neighbourhood and feared the worst: we had to downsize, or worse.

I was never very good at lying. Edie thought she had it under control, but what mother does with that first daughter.  The secret was barely intact.

Then we ran into the Richards, Bill and Betty.  It wasn’t a usual thing, and I couldn’t remember the last time.  Coming after the Elizabeth thing, I was a little shaken.

That nagging thing in the back of my mind got a bit of a shake.  Both the Richards seemed a little distracted, and Bill didn’t seem to recognise me.  Not at first, and I could see he was trying to cover it like people did when they have forgotten your name.

Betty was chatty, which was a change from her usual surly self; the reason she gave me many years ago was that Bill had dragged her out to this godforsaken place as punishment, though she never said what it was for.

Betty confused me with one of the other neighbours who looked a little like me, which I thought odd, but it wasn’t a thing.  Edie thought they were just the same as usual, vague and borderline rude.

Driving home, my head had got as far as deciding whatever was trying to get out had something to do with the Richards.

…

Once again I spent some time out with the telescope, studying the moon surface, and wondering if I’d live long enough to go there.  Every now and then a billionaire comes up with this idea of a weekend on the moon in a lunar hotel, and I dare to believe it might be possible in my lifetime.

The other day it had moved to Mars.  I’m sure the Martians wouldn’t mind, though I had no idea why I would think that.  It was like the day someone asked me what the Martians looked like, and I said, like us, only with synthetic bodies, so they could live in the atmosphere there.

It got me some very strange looks.

The sky was less crowded with stars, and there were clouds drifting by blocking the view.  It was a full moon, and I had a momentary thought of werewolves.  Not that they existed, but they were a part of folklore.

Then when the cloud cover was too thick, and the first spits of rain came, I went inside, made coffee and went to stand over by the patio windows.

A shard of lightning lit up the back yards of a number of the neighbours’ yards, as bright as day before darkness returned.

The rain became torrential.  The lightning was sporadic, and each time it lit up a different part of the countryside. 

There was a huge rumble just about overhead, followed by a bolt of lightning which, in the fraction of a second as it lit up the scene in front of me, I saw it land on Bill Richards, who had been standing out in his yard.

Another bolt hit our house, and there was a huge explosion.

That was all I remembered.

…

I was lying down in a brightly lit room; on one side, a man in a white coat was looking down at me.  On the other side, Edie was looking concerned.

“He’s been forgetting things, and talking in his sleep.  He hasn’t done that before.”

“It might be the settling process.  Sometimes it takes a few days.  The last upgrade was a little bigger than usual.”

“It worked for me.”

“You’re a 6AZ model.  More sophisticated algorithms because you are female.”

“You’re saying the male units are not as smart.”

What were they talking about?  Models, smart, sophistication.  I was just another person who was suffering from lack of sleep and hallucinations.

At least I think that was what I was there for.  This was a hospital?

Edie glanced at me.  “Oh, you’re awake?”

“That might be a matter of opinion.  I think I just woke in the middle of a nightmare.”

She smiled.  It didn’t fill me with confidence.

“You can’t go around telling people you saw aliens, Sam.  People get antsy when you say stuff like that.”

“I never said I saw aliens. When did I see aliens?”

“You said the Martians had landed next door and took the Richards away.  I mean, Sam, we saw them just a few hours ago.”

I was confused.  I could see in my head the spacecraft that was hovering next door and the body exchange of the Richards family.  I could remember meeting the Richards at the cafe, and how disoriented they had been.

The transfer process had still not been perfected.

Then I realised the truth.

“There it is,” the doctor said.  “It just needed a tweak.”

The doctor stepped away from the console, and I could see the twin flat lines running across the screen.  Memories and reality aligned.

I closed my eyes; everything went dark, and then opened them again.

Edie was looking concerned but relieved.  “How do you feel?”

“About sixty-four, give or take a week.  Getting old is not what it’s cracked up to be.”  I could feel something had happened, but couldn’t quite remember what it was.  “Another fall?”

“You need to remember to use your cane, Sam.  You are not as spry as you used to be.”

“No.  I guess not.”  I slowly got off the bed and stood.  I felt steady.

“Doc?”

“You’ll get there, Sam.  We all do in the end.  Just take care out there.”

“I will.”

Edie took my hand.  “Come on.  Places to go; people to see.”

Funny.  I was thinking that myself.  It was like I was reading her mind.

She opened the door and glared at me as I went past her.

“Don’t,” she said, not in words but in her thoughts.  “I don’t want to go home, so stop being difficult.  Earth is so much better than Mars.”

I looked at her as she followed me out and closed the door.

That doctor was our supervisor and had been assessing me.  The Richards had cracked the week before, and he had them replaced.  We’d be next if I didn’t appear ‘fixed’.

She was right.  Back home we’d be in a factory, chained to a production line.

“Understood.”

“Good.”  Then out loud, for the benefit of those around us.  “I need you because we have a housewarming to plan.  The bank just approved the house purchase.  Elizabeth is going to be so surprised.”

In more ways than one.

…

©  Charles Heath  2026

365 Days of Writing, 2026 – 230

Day 230 – Writing Exercise

…

The thing about a quiet neighbourhood – houses not built on top of each other, people next door near but far enough away not to be annoying; if they tended to be annoying, is that you could hear the silence.

We had lived there for nearly ten years, the last family to move into the estate that had about twenty families scattered over acreage.  It was one of those miracle moments, a house popping up in my search browser when I put in the parameters.

One house.  This house.  We came, we saw, we met the neighbours.  We bought.  It was like we were meant to live there.

…

Ten years on, our anniversary neighbourhood party had wrapped up at precisely 10 pm as all parties did, and the participants had dispersed, the last straggler just disappearing around the corner, a few hundred yards from home.

I was on the front verandah looking up at the sky filled with stars, some brighter than others, and then, one that appeared to be moving.

My eyes watered, straining to see it. I blinked several times to squeeze the moisture out, opened them again and whatever it was had gone.  Or blended in, so it was just another star.

I had a telescope out back and would go have another look before I turned in.

Edie poked her head out the door.  “You’re probably breaking some community regulation standing out there after 10pm. What are you doing?”

“Testing them.”

It was a running joke.  The neighbourhood had some rather quirky rules, but nothing that caused us concern.  The lady in charge of community watch, as she called it, was due to retire this year, and everyone was waiting for the new guard.

And new rules.  More lenient rules.

“Come in.  It’s cold out there.”

It had got cold, especially in the last few minutes.  I shivered, took a last look out at the sky, then went in.  The auto light switched off.  All was well again.

“What were you doing out there?”

She was closing the shutters on the front windows, and the moonlight that had been seeping through the open blinds disappeared.  Except for the passage light, the house was in darkness.

We had streetlights, but they were so low that the light didn’t reach the ground.  Normal street lights put out a lot of light, enough to see the road, but these were deliberately subdued.

Another quirk produced by our fearless Community Watch leader, who seemed to hold such sway with city hall.

“I’m just going out back to check on a shooting star.  I’ll make a wish.”

“I need a new vehicle “

A quick kiss, a touch of hands, she headed towards the bedroom.  I would be back before she got into bed.

The auto lighting lit the way along the passage floor to the back door.  I went out onto the back patio and saw Jake, youngest son and the family astronomer, had left the telescope pointing in the direction of Mars.

He was obsessed with the belief that Martians were coming to Earth, and was adamant he had seen a ship land nearby last year, just before it switched on its cloud of invisibility.

Jake had an excellent imagination.

He was in the middle of writing his first Sci-Fi novel and had asked me to read some of it.  It was quite good but technical.  I hadn’t the heart to tell him it was so boring it put me to sleep.

I peered into the lens up at the sky and focused on the last position.  It was a bright star among many. And something else.  It seemed to be flashing, or a whole lot of stars were passing it, which made it seem like it was flashing.

Or maybe not.  Nothing was happening.

Just before I went in, I looked up, in time to see a shooting star, or what looked like one, light a path across the sky.

I made a wish, and went to bed.

…

I usually slept like a log.  It had been said that a bomb could go off next door and I’d sleep through it.  While no bombs had exploded, there were a number of events I had missed.

Tonight?  There was no reason why I should be awake, and yet I dozed off the moment my head hit the pillow.  I remember seeing the time on the digital clock beside the bed.  11:03.

I looked now, and it said 1:07.  What felt like five minutes later, it said 1:16.  I did not feel sleepy in the slightest.

Edie was sound asleep, her breathing regular.  It always surprised me how easy it was for her to get to sleep.  Perhaps it was because of the early years with the children and the constant care they needed; she had taught mt herself to get what rest she could, no matter how short it was.

It had never been that easy for me.

It wasn’t the first time I had lain awake for hours, searching for that elusive moment.  I tried counting sheep, green sheep at that; I tried emptying my mind, but that was impossible.

1:38.

I slipped out into the cool night air and padded quietly across the room.  The door made a slight squeak as I opened it a fraction, the noise sounding very loud in that silence that came with the middle of the night.

I stepped into the passage, and the first of the footlights came on to guide the way.  I headed down towards the kitchen, where what I assumed was moonlight came through the open slats of the kitchen windows, filling that room with a pale whitish light.

On the tight hand side, the kitchen being on the left, was the dining room, with floor-to-ceiling windows that opened out onto the veranda that wrapped around the back of the house.

Outside the dining room was where the BBQ sat.

On that side, sitting on the veranda, the view stretched across a number the neighbours back yards that stretched down the the stream that divided pur properties from those on the other side, mostly ranches running either cattle or sheep.

Sometimes you could hear them at night, but mostly during the day.  When they were down in the lower pastures.  At the moment, they were higher up in the hills. 

Come Christmas, the vista from the back verandah would look like a Christmas card scene, one I could never get tired of.

Suddenly the dining room was filled with a very bright light, and it was almost as bright as day.  It lasted a few seconds before it just snapped off like someone had flicked a switch.

I had been almost blinded and couldn’t see anything for at least a few minutes before the inky blackness transformed into blurry shapes.

I crossed to the room and looked out the windows to see what I thought was some sort of vehicle, only it couldn’t be one because it was hovering above the ground.

My eyes were sore from the bright light before, and I think I must be hallucinating.  Under the craft were five figures, not human, and yet human-like, and walking towards them were the five members of the Richards, our next-door neighbours.

I just watched in utter fascination.

They stepped into the pool of very subdued light coming from under the floating vehicle, one by one, touched the hands of the newly arrived people and exchanged shapes.

Then the Richards went back to their house; the other creatures, human or otherwise, held hands and then disappeared.

Seconds later, the searing light reappeared and then was gone.  A second dose of light on my poor eyes looked a few minutes longer, and by the time my sight had returned, it was as if nothing had happened.

What had I just seen?

…

I woke up, and it was light.  Edie was already up and about, and it was just another day.

It didn’t feel like I had been awake for an hour or so, and in my head it felt like something had happened, only I couldn’t remember what.

I wasn’t tired, not like I had been awake half the night because I knew what that was like.

Something had happened.  Something significant, but it was just there, on the fringe of my memory, lurking, or waiting for me to find the right key and unlock that door.

“You going to stay in bed all day?”

Edie put her head in the door, on her way from the front door where she had collected the newspaper, to the kitchen where breakfast would be well underway.

It was just another normal day.

“Coming,,” I muttered.

“You snore.  I never realised it until last night.  You woke me.  Normally I can sleep through anything.”

“I don’t snore.”

“You do.  And talk in your sleep.”

I sat up and faced her.  That was frightening if it was true.  I often dreamed I was having strange conversations with people who were basically strangers, but only once.

“What did I say?”

“Something about old man Richards.  Not surprising you think he’s daft.  He hasn’t been the same since the accident.  Don’t hang about.  We have that appointment at the bank this morning.”

Then she was gone.

Richards.  There was that thing in my mind again, that memory that refused to come out of the vault.  Did it have something to do with Richards?

I shrugged.  It would return when it wanted to.  In the meantime, places to go and people to see.

…

Surprises were good, when they were surprises.  We had decided that after Elizabeth, the eldest daughter, got married, we would buy them a house.

With one thing and another, their six-month jaunt through Europe turned into a five-year work-and-play plan; they only decided to return when she fell pregnant.  Twins and a bot later, the place they were living in was too small, hence the house.

Everything was on track until Elizabeth saw us talking to the bank manager; she just happened to be in the neighbourhood and feared the worst: we had to downsize, or worse.

I was never very good at lying. Edie thought she had it under control, but what mother does with that first daughter.  The secret was barely intact.

Then we ran into the Richards, Bill and Betty.  It wasn’t a usual thing, and I couldn’t remember the last time.  Coming after the Elizabeth thing, I was a little shaken.

That nagging thing in the back of my mind got a bit of a shake.  Both the Richards seemed a little distracted, and Bill didn’t seem to recognise me.  Not at first, and I could see he was trying to cover it like people did when they have forgotten your name.

Betty was chatty, which was a change from her usual surly self; the reason she gave me many years ago was that Bill had dragged her out to this godforsaken place as punishment, though she never said what it was for.

Betty confused me with one of the other neighbours who looked a little like me, which I thought odd, but it wasn’t a thing.  Edie thought they were just the same as usual, vague and borderline rude.

Driving home, my head had got as far as deciding whatever was trying to get out had something to do with the Richards.

…

Once again I spent some time out with the telescope, studying the moon surface, and wondering if I’d live long enough to go there.  Every now and then a billionaire comes up with this idea of a weekend on the moon in a lunar hotel, and I dare to believe it might be possible in my lifetime.

The other day it had moved to Mars.  I’m sure the Martians wouldn’t mind, though I had no idea why I would think that.  It was like the day someone asked me what the Martians looked like, and I said, like us, only with synthetic bodies, so they could live in the atmosphere there.

It got me some very strange looks.

The sky was less crowded with stars, and there were clouds drifting by blocking the view.  It was a full moon, and I had a momentary thought of werewolves.  Not that they existed, but they were a part of folklore.

Then when the cloud cover was too thick, and the first spits of rain came, I went inside, made coffee and went to stand over by the patio windows.

A shard of lightning lit up the back yards of a number of the neighbours’ yards, as bright as day before darkness returned.

The rain became torrential.  The lightning was sporadic, and each time it lit up a different part of the countryside. 

There was a huge rumble just about overhead, followed by a bolt of lightning which, in the fraction of a second as it lit up the scene in front of me, I saw it land on Bill Richards, who had been standing out in his yard.

Another bolt hit our house, and there was a huge explosion.

That was all I remembered.

…

I was lying down in a brightly lit room; on one side, a man in a white coat was looking down at me.  On the other side, Edie was looking concerned.

“He’s been forgetting things, and talking in his sleep.  He hasn’t done that before.”

“It might be the settling process.  Sometimes it takes a few days.  The last upgrade was a little bigger than usual.”

“It worked for me.”

“You’re a 6AZ model.  More sophisticated algorithms because you are female.”

“You’re saying the male units are not as smart.”

What were they talking about?  Models, smart, sophistication.  I was just another person who was suffering from lack of sleep and hallucinations.

At least I think that was what I was there for.  This was a hospital?

Edie glanced at me.  “Oh, you’re awake?”

“That might be a matter of opinion.  I think I just woke in the middle of a nightmare.”

She smiled.  It didn’t fill me with confidence.

“You can’t go around telling people you saw aliens, Sam.  People get antsy when you say stuff like that.”

“I never said I saw aliens. When did I see aliens?”

“You said the Martians had landed next door and took the Richards away.  I mean, Sam, we saw them just a few hours ago.”

I was confused.  I could see in my head the spacecraft that was hovering next door and the body exchange of the Richards family.  I could remember meeting the Richards at the cafe, and how disoriented they had been.

The transfer process had still not been perfected.

Then I realised the truth.

“There it is,” the doctor said.  “It just needed a tweak.”

The doctor stepped away from the console, and I could see the twin flat lines running across the screen.  Memories and reality aligned.

I closed my eyes; everything went dark, and then opened them again.

Edie was looking concerned but relieved.  “How do you feel?”

“About sixty-four, give or take a week.  Getting old is not what it’s cracked up to be.”  I could feel something had happened, but couldn’t quite remember what it was.  “Another fall?”

“You need to remember to use your cane, Sam.  You are not as spry as you used to be.”

“No.  I guess not.”  I slowly got off the bed and stood.  I felt steady.

“Doc?”

“You’ll get there, Sam.  We all do in the end.  Just take care out there.”

“I will.”

Edie took my hand.  “Come on.  Places to go; people to see.”

Funny.  I was thinking that myself.  It was like I was reading her mind.

She opened the door and glared at me as I went past her.

“Don’t,” she said, not in words but in her thoughts.  “I don’t want to go home, so stop being difficult.  Earth is so much better than Mars.”

I looked at her as she followed me out and closed the door.

That doctor was our supervisor and had been assessing me.  The Richards had cracked the week before, and he had them replaced.  We’d be next if I didn’t appear ‘fixed’.

She was right.  Back home we’d be in a factory, chained to a production line.

“Understood.”

“Good.”  Then out loud, for the benefit of those around us.  “I need you because we have a housewarming to plan.  The bank just approved the house purchase.  Elizabeth is going to be so surprised.”

In more ways than one.

…

©  Charles Heath  2026

The story behind the story – Echoes from the Past

The novel ‘Echoes from the Past’ started out as a short story I wrote about 30 years ago, titled ‘The Birthday’.

My idea was to take a normal person out of their comfort zone and led on a short but very frightening journey to a place where a surprise birthday party had been arranged.

Thus, the very large man with a scar and a red tie was created.

So was the friend with the limousine who worked as a pilot.

So were the two women, Wendy and Angelina, who were Flight Attendants that the pilot friend asked to join the conspiracy.

I was going to rework the short story, then about ten pages long, into something a little more.

And like all rewrites, especially those I have anything to do with, it turned into a novel.

There was motivation.  I had told some colleagues at the place where I worked at the time that I liked writing, and they wanted a sample.  I was going to give them the re-worked short story.  Instead, I gave them ‘Echoes from the past’

Originally, it was not set anywhere in particular.

But when considering a location, I had, at the time, recently been to New York in December, and visited Brooklyn and Queens, as well as a lot of New York itself.  We were there for New Year’s, and it was an experience I’ll never forget.

One evening, we were out late and finished up in Brooklyn Heights, near the waterfront, and there was rain and snow; it was cold and wet, and apartment buildings were shimmering in the street light, and I thought, “This is the place where my main character will live”.

It had a very spooky atmosphere, the sort where ghosts would not be unexpected.  I felt more than one shiver go up and down my spine in the few minutes I was there.

I had taken notes, as I always do, of everywhere we went, so I had a ready supply of locations I could use, changing the names in some cases.

Fifth Avenue near the Rockefeller Centre is amazing at first light, and late at night with the Seasonal decorations and lights.

The original main character was a shy man with few friends, hence not expecting the surprise party.  I enhanced that shyness into purposely lonely because of an issue from his past that leaves him always looking over his shoulder and ready to move on at the slightest hint of trouble.  No friends, no relationships, just a very low profile.

Then I thought, what if he breaks the cardinal rule and begins a relationship?

But it is also as much an exploration of a damaged soul as it is the search for a normal life, without having any idea what normal was, and how the understanding of one person can sometimes make all the difference in what we may think or feel.

And, of course, I wanted a happy ending.

Except for the bad guys.

…

Get it here:  https://amzn.to/2CYKxu4

newechocover5rs

What I learned about writing: The murky art of plotting! (1)

Truth is stranger than fiction

…

Google Maps: More Than Just Directions – A Portal to Phantom Mysteries?

We all use Google Maps. It’s our trusty co-pilot, guiding us through unfamiliar streets, helping us find the nearest coffee shop, and even letting us snoop on our old childhood homes (admit it, you’ve done it!). But what if I told you that sometimes, beneath the familiar satellite imagery, Google Maps offers a glimpse into something far stranger than your aunt’s meticulously manicured lawn?

Lately, chatter has been building around peculiar anomalies popping up on the platform – digital specters appearing where they absolutely shouldn’t. Imagine panning over a dense, untouched forest, far from any airport, only to find a colossal Airbus A320 or Boeing 737 perfectly intact, sitting in a clearing. No missing plane reports, no emergency landings, just a commercial jetliner chilling amongst the trees. How did it get there? And more importantly, why?

This isn’t an isolated incident. There are numerous reports of cars, sometimes multiple vehicles, resting eerily at the bottom of lakes, visible from above. While many of these are indeed phantom images, some chillingly prove to be real. You might recall the story of the car discovered in a lake in Florida, which, upon investigation, contained the remains of a man who had been missing for over two decades. The digital anomaly led to a very real, very tragic discovery.

So, before we reach for our tinfoil hats, there’s a rational explanation for most of these ghostly appearances. The phenomenon is often an instance of image overlay or “ghosting.” Google Maps stitches together countless satellite and aerial photographs taken at different times. When an object, like a low-flying aircraft, is captured in one image over a particular spot, and a later, object-free image of the same spot is layered on top, a faint “ghost” of the original object can remain visible. The plane in the forest? It’s highly probable it was just flying incredibly low when the initial photograph was taken, leaving its digital imprint on the landscape.

Mystery solved, right? Well, mostly.

But what if, just what if, these digital echoes aren’t always mere glitches? What if, sometimes, they are whispers of something more, waiting to be heard?

Mick knew all about those lonely leisure hours when there was nothing else to do. He wasn’t one for idly scrolling social media; Mick was a tramper, a genuine trailblazer. His idea of relaxation was poring over topographical maps, looking for untouched corners of the world, sketching out potential new paths through forests, and dreaming of odd discoveries. Years ago, one such expedition had led him to uncover a lost village of significant archaeological value. He had a knack for finding things.

One drizzly afternoon, with the rain drumming against his window, Mick found himself drifting through Google Maps, exploring remote stretches of a national forest known for its dense, ancient foliage. He zoomed in, panned around, his cursor tracing imaginary trails. He wasn’t looking for glitches, but for inspiration, for the subtle hints of untamed beauty.

Then he saw it.

Not a ghost, not a blur, but what seemed to be distinct wreckage dispersed in a clearing. Glimpses of what looked like metal fragments, incongruous against the deep green canopy. It wasn’t the clean, whole plane of famous internet anomalies, but a scattering, undeniably man-made and out of place. He noted the date of the photograph – nearly a year prior.

A chill ran down his spine. He immediately checked local news archives, aviation reports, anything about missing small planes or crashes in the area. Nothing. Not a single mention. It was too remote for a simple crash to go unnoticed, yet too significant to be naturally occurring.

He kept the location saved, revisiting it over the next few days. It gnawed at him. Was it a trick of the light? A bizarre anomaly of the photo processing? He called a friend, an equally seasoned bushwalker, and explained his digital discovery, asking him to verify it on his own map.

“Right, mate, I’m looking,” came his friend’s voice over the phone a few minutes later. “Where exactly did you say?”

Mick guided him, pixel by pixel. “See it? Right there, by that cluster of three oaks…”

There was a pause. “Uh, Mick? There’s just… trees.”

Mick’s stomach dropped. He clicked back to his own map. The wreckage was gone. The clearing was pristine, just an unbroken expanse of forest. He felt a wave of self-doubt. Had his mind been playing tricks, wanting to find something remarkable, perhaps fabricating the whole thing?

But then he noticed it. The date of the photograph displayed on his screen had updated. It was no longer the nearly-a-year-old image. It was a new one, taken just a few weeks ago.

The digital ghost had vanished, but the seed of a real-world mystery had been planted. With the rain still falling and nothing better to do, Mick knew exactly what his next walking holiday would entail. He wasn’t just going to look at maps anymore. He was going to see what was really there.

365 Days of Writing, 2026 – 229

Day 229 – Write a little every day

…

Write a Little Every Day, Without Hope and Without Despair: The Ultimate Mantra for Creative Resilience

“Write a little every day, without hope and without despair.”

Attributed to the brilliant Danish author Isak Dinesen (pen name of Karen Blixen, author of Out of Africa), this single sentence is perhaps the most liberating piece of writing advice ever committed to paper.

In a modern creator economy obsessed with viral hits, massive word counts, and relentless hustle culture, Dinesen’s words feel like a cool breeze on a fevered brow. They strip away the performance, the anxiety, and the delusion, leaving behind the pure, quiet act of creation.

Let’s unpack this profound philosophy and explore how it can completely transform your relationship with your craft—whether you’re writing a novel, building a blog, or working on any long-term creative project.

The Anatomy of the Mantra

To truly understand Dinesen’s advice, we need to break it down into its three core components: consistency, the surrender of false hope, and the banishment of despair.

1. “Write a little every day…”

The first rule of Dinesen’s philosophy is deceptively simple: consistency over intensity.

Many aspiring writers fall into the trap of the “binge and burn” cycle. You wait for the muse to strike. You clear an entire weekend, chug espresso, write 5,000 words in a manic haze, and then—exhausted and drained—don’t write another word for three weeks.

Dinesen advocates for the compound interest of creativity. Writing 200 or 300 words a day might not feel like much, but over the course of a year, you will have a draft of a book. More importantly, showing up daily builds a creative identity. You stop identifying as someone who wants to write and start identifying as someone who writes.

2. “…without hope…”

This is usually the part that makes people double-take. Without hope? Isn’t hope what keeps writers going?

Dinesen isn’t telling you to be a pessimist; rather, she is warning you against the toxicity of conditional motivation.

  • Hope that this sentence will be a masterpiece.
  • Hope that this chapter will go viral.
  • Hope that this book will get a six-figure book deal and land you on the bestseller list.

When you write with hope (in this specific, transactional sense), your self-worth becomes tethered to the outcome. If the writing is hard today, you feel hopeless. If the external validation doesn’t come, you want to quit. Dinesen urges us to detach from the result. Write because it is what you do, not because you are hoping the universe will grant you a reward for doing it.

3. “…and without despair.”

Just as we must let go of frantic hope, we must also release despair.

Every writer knows the voice of despair. It whispers: This is garbage. You have nothing to say. Everyone else is better than you. Why bother?

Despair paralyzes. It turns a blank page into a terrifying monolith. Dinesen’s antidote to despair is radical acceptance. Some days your writing will be brilliant; other days it will be clunky and mediocre. Both are a normal part of the process. By refusing to despair over a bad writing session, you keep the door open for tomorrow’s session. You remove the emotional drama from the craft.

Why Modern Creators Need This Philosophy More Than Ever

We live in an era of metrics. Every tweet, blog post, and video comes with a dashboard tracking views, likes, and shares. It is easier than ever to fall into the trap of writing for the algorithm rather than writing from the soul.

When you apply Dinesen’s “without hope and without despair” rule to the digital age, it acts as a powerful shield:

  • Algorithm changes? Without hope, without despair. You keep writing.
  • A piece bombs and gets zero engagement? Without hope, without despair. You keep writing.
  • A piece goes viral and your inbox is flooded? Without hope, without despair. You keep writing.

This mindset keeps you grounded. It reminds you that the work is the reward, and the validation (or lack thereof) is just noise.

How to Apply Isak Dinesen’s Wisdom Today

If you want to integrate this legendary writing advice into your daily routine, here are three practical steps to take right now:

  1. Lower the Bar: Commit to a ridiculously small daily goal—say, 150 words or 15 minutes. Make it so easy that you can do it even on your worst days.
  2. Separate Creating from Editing: When you sit down to write your daily quota, turn off your inner critic. Do not judge the quality. Just get the words on the page. You can fix bad writing; you cannot fix a blank page.
  3. Audit Your Motivations: Notice when you are writing for applause versus writing for the joy of expression. Gently steer your focus back to the simple act of putting pen to paper (or fingers to keys).

Final Thoughts

Writing is a marathon through a fog. You rarely know where you are going, and the destination is always changing. But if you can learn to put one foot in front of the other—to write a little every day, without hope and without despair—you will not only survive the journey; you might just find joy in the mist.

What did you write today? Let’s keep moving forward, one small word at a time.

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