365 Days of writing, 2026 – My second novel 1

That dreaded second novel

Beyond the First Draft: How to Survive and Thrive with Your Second Novel

You typed the two most beautiful words in the English language: “The End.”

After months, maybe years, of blood, coffee, and a thousand tiny miracles, you did it. You wrote a novel. You navigated the treacherous waters of the middle, wrestled with a climax, and gave your characters the ending they deserved. There’s a euphoria that comes with that moment, a dizzying, wonderful high.

And then, a quiet question begins to echo in the silence where your keyboard’s clatter used to be.

“So… what’s next?”

For many writers, the prospect of the second novel is more terrifying than the first. The first was fueled by naivete and a story burning so hot it had to be told. It was a great learning curve, the discovery of your own voice. The second novel… that’s different. That’s the one with expectations. The one where you have to prove it wasn’t a fluke.

They say we all have one book in us. But what’s required to start the second one? It’s not just about finding a new idea. It’s about a fundamental shift in your approach as a writer.

1. Give the First Book Its Wings

Before you can even think about Book Two, you have to let Book One go.

This is harder than it sounds. Your first novel is your baby. You’ve obsessed over every sentence, every piece of dialogue. But holding onto it too tightly creates a creative bottleneck. The pressure to replicate its success—or avoid its perceived failures—can be paralysing.

Think of your first book as a beautiful bird you’ve nurtured. It’s time to open the window and let it fly. It has its own life now. Your job is not to clone it. Your job is to move on to the next nest.

2. Be a Beginner Again (Seriously)

You finished a novel. You know what a turning point is. You understand the three-act structure. You’re a veteran, right?

Wrong.

Welcome back to square one.

The sophomore slump is real because writers mistakenly believe they should be experts now. They think this next book should be easier. It won’t be. Every story is a new mountain to climb, and the terrain is always different. The only way to approach it is with a beginner’s mind: curious, open to failure, and ready to learn.

Give yourself permission to not have all the answers. The process that got you through the first draft of your first book might not work this time. Be willing to be a student again.

3. Refill the Creative Well

Writing a novel is an act of extreme emotional and creative output. It is draining. Chances are, your well is looking a little dusty and dry right now. You can’t draw water from an empty well.

You need to refill it. This isn’t a passive act; it’s a crucial part of the process.

  • Read. Read voraciously and widely. Read outside your genre. Read bad books and figure out why they don’t work. Read great books and let them remind you why you wanted to do this in the first place.
  • Live. You cannot just be a writer. You have to be a human first. Go to museums. Take a different route home. Eavesdrop on conversations in a coffee shop. Have new experiences. Your second novel’s inspiration is hiding in the living of your life, not in staring at a blank page.
  • Rest. Your brain has been running a marathon. Let it recover. Take a week—or a month—away from writing. Your story will be there when you get back, and you’ll see it with fresher eyes.

4. Find a New “Why”

Your first novel was likely driven by a story you had to tell. It was a personal demon, a lifelong dream, a world you couldn’t escape. That kind of passion is a powerful engine. It’s hard to manufacture.

The secret to starting the second novel is finding a new “why.” It can’t be about deadlines or agents or reader expectations. It has to be a story that excites you on a fundamental level. A character who intrigues you, a question that won’t leave you alone, a theme you’re burning to explore.

When you find that, the external pressure fades. You’re not just writing a “second novel”; you’re writing your next novel.

5. Embrace the Ugly First Draft (All Over Again)

You know this, but you need to hear it again: the first draft is allowed to be terrible.

Anne Lamott’s concept of the “shitty first draft” is a gift for every writer, but it’s a lifeline for the second-time author. You know what a polished final product looks like now, which makes the messy, chaotic first draft even more discouraging.

Resist the urge to edit as you go. Silence the inner critic that compares this new, messy work to the finished product of your last. Give yourself the freedom to write poorly, to write scenes that will get cut, to follow a plot into a dead end.

The magic isn’t in the first draft. The magic is in the revision. That’s a skill you honed with your first book. Trust it.

Your Next Chapter

The first novel proved you could do it. The second novel proves you are a writer. It’s the transition from a single, magnificent effort to a sustainable practice. It’s about building a career, one word at a time.

So yes, the pressure is real. But so is the experience you’ve gained. You are more capable than you were before. Be kind to your beginner self, find the story that sets your soul on fire, and start climbing.

The view from the top of this next mountain will be worth it.


What’s your biggest fear or excitement for writing a second novel? Share in the comments below!

A long short story that can’t be tamed – I never wanted to be an eyewitness – 8

Eight

Latanzio had given up the notion he was going to go free and escape with Angelina.  Amy had made it very clear that her father, Benito, wanted him dead, and because he had nowhere to go, least of all with Angelina, and even less likely with Gabrielle, it might force him into a corner, or unlikely as it appeared, he might make a mistake.

He hadn’t denied the fact he’d tried to kill me or seem concerned that Amy had referred to me as a very dangerous character.  Latanzio didn’t get where he was in the crime business by being scared.  He was going to be all bluster, until he worked out what was really going on, and then he would become dangerous.

But, when given a choice between the two women in his life, the fact he chose Gabrielle over Angelina said a lot.  She had been circumspect from the beginning when Amy took her into ‘protective custody’.  She was smarter than Angelina, she had to be, given what Angelina’s father would do to her if he found out.

It was time for him to be taken to Gabrielle and explain what was happening.  Amy had implied, in her discussion with Gabrielle, that his facilitated escape and subsequent survival was not assured, hinting that her employers were not happy with him over his most recent mistake in killing a witness.

I was back in front of the monitors, this time to see Fabio with Gabrielle. Amy had joined me in the control room and sat in the chair next to me.

“Ready to see some sparks fly,” she asked.

“How so?”

“We sat her down and laid the whole scenario out on the table, Fabio’s marriage, his role in the death of a rival, the planned attack on you, and the fact your people are actively seeking vengeance, and that we can’t hold you for longer than 24 hours before we have to hand him over, a time that expires in about an hour.  She also knows, in no uncertain terms, that Benito wants him dead, and that most likely will include her.”

“So not to put any pressure on him, then?”

“His options are extremely limited, and he knows it.  He can go to jail or Benito will get him.  He can go on the run, but Angelina won’t go with him.  If truth be told, she’ll probably kill him before he gets out of here.  And as for what he’s going to do about Gabrielle, that we’re about to find out.”

We watched him be escorted down the narrow passage.   A door at the end of the passage opened, and he was thrust in.  On a second monitor, in the room, we saw him stagger in and the door closed behind him. 

Gabrielle was not pleased to see him, but, unlike Angelina, she was a little more reserved in her responses, thinking, or knowing, they were at the very least wired for sound.

It seemed to me he was more in tune with Gabrielle than with Angelina. Perhaps Gabrielle came without baggage.

Gabrielle was the first to speak.  “That bitch in charge doesn’t like you, but then neither does your wife’s father.  Not a man to be crossed, Fabio, and yet you were dumb enough to do so.”

“She means nothing to me.  The old man always treated me like I was dirt.”

“And this man you killed?”

“I didn’t kill anyone.”

She frowned at him.  “You don’t lie to me, remember.  I know you have for some time now, but this thing, I need to know.  You kill him or not?”

I looked sideways at Amy.  “You ask her to ask him?”

“I did, but she told me in no uncertain terms what to do with myself.  But it seems it sowed some doubt, she’s curious herself now.”

Fabio sat down on the side of the bed and looked over at the boy lying facing the wall on a camp stretcher.  He’d looked when Fabio entered the room, but then went back to his book.

Fabio shrugged.  “It was an accident.  The fool drew a gun on me and in the wrestle, it went off and he died.  I swear that wasn’t my intention to kill him, just make him see sense.”

There could be a shred of truth in that statement, if they had wrestled for the gun, but they didn’t.  One of Fabio’s goons had disarmed him, then when he stepped away, Fabio shot him.  The goon had been horrified.  It was not what was expected of him.

She shook her head.  “That better be the truth of it, Fabio, or I’ll kill you myself.  What was the deal with the witness?”

“It has to be a fabrication, a ruse to try and convict me, but there was no witness.  I asked the boys to find this character to have a talk, but they discovered he was being held in a secret location, one they could find out about.  Now there’s suddenly all this nonsense they’re using as an excuse to hunt me down.”

“But you wanted to find him.  Why?  For him to tell the police your version of the truth?”

He was like a man bailing out a sinking ship, and not making any progress as it sank lower and lower in the water.  Gabrielle was the alligator in the water, circling, waiting.

“It doesn’t matter now.”

“Actually, it does.  I’m told he survived, and he’s now looking for you.  And that means if he’s coming after you, and I’m with you, he’s also coming after me and my son.  So, here’s the deal. You want to leave here with me, you need to square away the witness, sort out the bitch from hell, and get Benito’s contract off your head.  Think you can do that?”

Tall order, with odds ranging from impossible all the way up to needing a miracle.

“Perhaps we should just take him to Benito’s house and drop him off,” Amy said.

Her attitude towards Fabio had changed from the moment Fabio had sent in a hit team.  Once she might have seen matters from a goodness and light perspective, but now, I don’t think Fabio was her list of best friends.  Not after trying to kill us, and succeeding with other members of her team.

“Or give me five minutes in a locked room with him.  I’m sure I could drum some sense into him,” I said.

She looked sideways at me, then shook her head.  “That’s not how we do things.”

I shrugged.  “It could be.  You’ve broken more rules and laws today that you’ve probably done in a lifetime.  What were you expecting to get out of this?”

I waved my hand at the screens.  What she was doing, it didn’t really make much sense.  Fabio wasn’t going to confess, and with Benito on his case, all he could do was run.  Or try to make peace with him, and give up the mistress.

“A confession.”

“Won’t happen, and I think you know it.”

Her turn to shrug.  “We’ll see.”

©  Charles Heath 2024

365 Days of writing, 2026 – 2

Day 2 – A sustainable habit of writing every day

How to Ensure That Writing Daily Is Actually Writing Daily: A Guide to Building a Sustainable Habit

If you’ve ever set a goal to write every day only to falter by day three, you’re not alone. Consistency in writing can feel like a mountain to climb—especially when motivation wanes, life gets busy, or the blank page feels more intimidating than a challenge. The good news? You don’t need superhuman discipline to write daily. You just need strategy, structure, and a plan that works for you. Let’s break it down.


1. Define “Writing Daily” According to Your Needs

The phrase “write daily” can mean different things to different people:

  • Creative writing (a novel, poems, short stories).
  • Journaling (personal reflections or gratitude entries).
  • Content creation (blog posts, emails, social media captions).
  • Freewriting (stream-of-consciousness to clear your mind).

Start by clarifying your purpose. Are you building discipline, working toward a project, or simply expressing yourself? Define what “counted” as a writing day for you. For example:

  • Write 500 words every day.
  • Spend 15 minutes freewriting.
  • Draft one paragraph of a larger project.

Clarity removes ambiguity and makes the habit feel achievable.


2. Schedule It Like a Priority

Procrastination thrives in uncertainty. To beat it, treat writing like a non-negotiable appointment.

  • Block time in your calendar (e.g., 7–8 a.m. daily) and protect it as you would a doctor’s appointment.
  • Use the “Two-Minute Rule”: If you think you’ll write for 15 minutes but never feel “ready,” commit to writing for just two minutes. Often, those two minutes turn into 15.
  • Set reminders (phone alarms, sticky notes, voice-to-text prompts).

Pro tip: Writing at the same time and place daily (your favourite coffee spot, a corner of your desk) builds a neural connection: “This is when/where I write.”


3. Overcome the “Wait for Inspiration” Trap

Inspiration is overrated when it comes to consistency. Most of us wait for the “perfect moment” to write, but daily writing becomes its own kind of inspiration.

  • Start with a prompt. Use apps like 750wordsThe Daily Post by Automattic, or even a random object (e.g., “Describe the chair you’re sitting in”).
  • Freewrite without judgment. If you’re stuck, write the first thing that comes to mind—even if it’s “I don’t know what to write.” Often, the act of writing leads you to ideas.
  • Embrace “done is better than perfect.” Aim for progress, not brilliance. You can revise tomorrow.

4. Simplify Your Process

Overcomplicated write-then-edit cycles can kill momentum. For daily writing:

  • Use a low-stakes tool. A voice recorder, a napkin, your phone’s Notes app—anything that gets words down without friction.
  • Batch-edit later. Save revisions for the next day or week. Right now, focus on moving.
  • Track progress visually. Apps like HabiticaStreaks, or even a simple calendar can create a sense of accomplishment with each checkmark.

5. Make It Accountable

Accountability is the secret sauce for habit formation.

  • Share your goal publicly. Tell a friend, post on social media, or join a writing challenge (like NaNoWriMo’s NanoWrimo Daily Prompt).
  • Join a community. Online groups or local writing circles can keep you motivated.
  • Find a writing buddy. Check in weekly to share progress and encourage each other.

6. Be Kind to Yourself—But Stay Curious

Missed a day? Don’t quit. Here’s how to navigate setback:

  • Reflect without judgment. Ask, “What got in the way?” Was it a busy week, burnout, or unclear expectations? Adjust accordingly.
  • Reframe the pause. A single missed day doesn’t erase your progress. Just pick up where you left off.
  • Celebrate small wins. Finished 200 words? That’s still a win.

7. Reconnect to Why You’re Doing This

Why does writing matter to you? Keep that vision alive by:

  • Writing a purpose statement (e.g., “I write to stay grounded, grow, or share my voice”).
  • Revisiting early work to see how far you’ve come.
  • Allowing writing to evolve with you—your habits might shift, but the core practice remains.

Final Thoughts: Daily Writing Is a Practice, Not a Performance

The goal isn’t to mimic perfection but to build a habit that sticks. Over time, daily writing becomes a muscle you can flex even when it’s hard. It’s not about writing every day—it’s about writing daily enough to notice the difference.

So start small. Let go of the pressure. One day at a time, your daily writing habit will grow—and so will you.

Now go write something today. 🖋️

What I learned about writing – Writers must read 3

Writers must read

Set yourself a reading list, and don’t limit yourself to the sort of genre of books that you wish to write. But, I have to admit I’m guilty of not necessarily reading everything because there are genres that I do not like.

But, for the purposes of this exercise, what you are looking for are:

  • Descriptions of locations, the methods by which the author conveys the setting, whether dark, light, eerie, scary, dripping with menace, or inspiring fear. A dark room can be just a dark room, but it can be so much more.
  • Descriptions of people. If anyone who witnessed a crime was asked to describe the guilty, ten different people would give ten different descriptions, and unless there was a distinguishing factor like he only had one arm, it might describe a quarter to half the population. Your job is to see how others do it and refine it for your characterisations.
  • Conversation. We all have conversations, but when it comes to writing them down and making them sound plausible, that’s another story. Conversation is the hardest part of this writing thing, or at least I think so.
  • Writing style. You will eventually get your own, but to begin with, it might be a little strange. Reading many similar-themed or genre books will give you some idea of what the publisher’s editors are looking for.

You will have to read quite a few. I have a library with about 3,000 books, having accumulated them over 50 years. And I think I have learned a great deal from many of them, particularly in how to write the genre of books I prefer.

365 Days of writing, 2026 – 2

Day 2 – A sustainable habit of writing every day

How to Ensure That Writing Daily Is Actually Writing Daily: A Guide to Building a Sustainable Habit

If you’ve ever set a goal to write every day only to falter by day three, you’re not alone. Consistency in writing can feel like a mountain to climb—especially when motivation wanes, life gets busy, or the blank page feels more intimidating than a challenge. The good news? You don’t need superhuman discipline to write daily. You just need strategy, structure, and a plan that works for you. Let’s break it down.


1. Define “Writing Daily” According to Your Needs

The phrase “write daily” can mean different things to different people:

  • Creative writing (a novel, poems, short stories).
  • Journaling (personal reflections or gratitude entries).
  • Content creation (blog posts, emails, social media captions).
  • Freewriting (stream-of-consciousness to clear your mind).

Start by clarifying your purpose. Are you building discipline, working toward a project, or simply expressing yourself? Define what “counted” as a writing day for you. For example:

  • Write 500 words every day.
  • Spend 15 minutes freewriting.
  • Draft one paragraph of a larger project.

Clarity removes ambiguity and makes the habit feel achievable.


2. Schedule It Like a Priority

Procrastination thrives in uncertainty. To beat it, treat writing like a non-negotiable appointment.

  • Block time in your calendar (e.g., 7–8 a.m. daily) and protect it as you would a doctor’s appointment.
  • Use the “Two-Minute Rule”: If you think you’ll write for 15 minutes but never feel “ready,” commit to writing for just two minutes. Often, those two minutes turn into 15.
  • Set reminders (phone alarms, sticky notes, voice-to-text prompts).

Pro tip: Writing at the same time and place daily (your favourite coffee spot, a corner of your desk) builds a neural connection: “This is when/where I write.”


3. Overcome the “Wait for Inspiration” Trap

Inspiration is overrated when it comes to consistency. Most of us wait for the “perfect moment” to write, but daily writing becomes its own kind of inspiration.

  • Start with a prompt. Use apps like 750wordsThe Daily Post by Automattic, or even a random object (e.g., “Describe the chair you’re sitting in”).
  • Freewrite without judgment. If you’re stuck, write the first thing that comes to mind—even if it’s “I don’t know what to write.” Often, the act of writing leads you to ideas.
  • Embrace “done is better than perfect.” Aim for progress, not brilliance. You can revise tomorrow.

4. Simplify Your Process

Overcomplicated write-then-edit cycles can kill momentum. For daily writing:

  • Use a low-stakes tool. A voice recorder, a napkin, your phone’s Notes app—anything that gets words down without friction.
  • Batch-edit later. Save revisions for the next day or week. Right now, focus on moving.
  • Track progress visually. Apps like HabiticaStreaks, or even a simple calendar can create a sense of accomplishment with each checkmark.

5. Make It Accountable

Accountability is the secret sauce for habit formation.

  • Share your goal publicly. Tell a friend, post on social media, or join a writing challenge (like NaNoWriMo’s NanoWrimo Daily Prompt).
  • Join a community. Online groups or local writing circles can keep you motivated.
  • Find a writing buddy. Check in weekly to share progress and encourage each other.

6. Be Kind to Yourself—But Stay Curious

Missed a day? Don’t quit. Here’s how to navigate setback:

  • Reflect without judgment. Ask, “What got in the way?” Was it a busy week, burnout, or unclear expectations? Adjust accordingly.
  • Reframe the pause. A single missed day doesn’t erase your progress. Just pick up where you left off.
  • Celebrate small wins. Finished 200 words? That’s still a win.

7. Reconnect to Why You’re Doing This

Why does writing matter to you? Keep that vision alive by:

  • Writing a purpose statement (e.g., “I write to stay grounded, grow, or share my voice”).
  • Revisiting early work to see how far you’ve come.
  • Allowing writing to evolve with you—your habits might shift, but the core practice remains.

Final Thoughts: Daily Writing Is a Practice, Not a Performance

The goal isn’t to mimic perfection but to build a habit that sticks. Over time, daily writing becomes a muscle you can flex even when it’s hard. It’s not about writing every day—it’s about writing daily enough to notice the difference.

So start small. Let go of the pressure. One day at a time, your daily writing habit will grow—and so will you.

Now go write something today. 🖋️

A long short story that can’t be tamed – I never wanted to be an eyewitness – 7

Seven

Watching the body language of both husband and wife, it was hard to tell who was in charge, but if I had to make a guess, Angelina was in front by a nose.

Who had the most clout in that room, that was Angelina, via her father, Benito?  He might have retired and passed the reins onto his eldest son, but in terms of respect, he had it from all the crime families and syndicates, and was, for all intents and purposes, still a force to be reckoned with.

That was even after he and his eldest son, the heir apparent, decided to go straight.  It was a surprising turn of events for a crime family that had been notorious in its heyday.  Now the family were more involved in banks, shopping malls, casinos, and bearer bonds.

As for their illegal activities, those were shared out among the other three major crime syndicates equally so as to avoid a turf war. It also led to the marriage of convenience between Fabio Latanzio and Benito’s eldest daughter Angelina, mutually profitable for both sides.

At that time, Fabio had just been promoted to understudy his father, the heir apparent for that syndicate.  Fabio was ambitious but respectful, until his father was killed in a suspected hit, which led to a few months of tit for tat killings until Benito brokered an uneasy peace.

That meant Fabio became head of the family, and instead of sitting back and letting others do the work for him, he chose to be hands on.  And three suspicious murders later this he had privately said was to avenge the death of his father, here he was, on the brink of a long jail sentence. 

And the fact that he had allowed himself to be broken free of custody was a tell take sign that he knew he was both guilty of the crime, and that he was looking at a long sentence in jail.

Then there was the other undeniable fact, he had sent in a team to kill me.  If he was innocent, why would he bother?

Amy had been watching the family reunion with interest. She too, saw the signs of a rift which she could use against him.

She sat down when they went onto silence each on a separate side of the room, the air between them could be cut with a knife.  Benito, no doubt would be very angry at the turn of events, and of Fabio’s behaviour.  It was common knowledge that Benito thought him too big for his boots.

“Happy families, eh,” I said.

“That’s the trouble with absolute power, you tend to think after a while that you are untouchable.  He’s about to find just how wrong he is.  And, if we’re lucky we might yet get to find out who his high-level police contact is.”

That of course was something else I learned very quickly that a few, a very few cops were corrupt, and one in particular, the one that ratted me out.

It was a bit of a shock to discover that your safety really couldn’t be guaranteed, particularly when a high-profile criminal was involved, like Latanzio.

It was a can of worms she really didn’t want to open, but those who had helped Fabio stay free as long as he had, it was her intention to find out who it was and make sure they were punished.

It was determination I had seen only intensify since the attacking the hotel, and an escape after seeing several colleagues either killed or injured.

To me, sitting there watching the man who had ordered a hit on me and very nearly succeeded, and being able to observe the whole operation around his capture was, to say the least, fascinating.

It would be interesting to see how Latanzio reacted.

The least expected reaction was a steady pounding on the door, accompanied by yelling, Latanzio wanted to speak to the person in charge.

We watched him for a few minutes, and it looked like Amy wanted him angry, very angry, before she had him taken to an interview room.

She was expecting trouble, because he was not cuffed now, with two men collecting him, and two in the shadows with instructions to shoot a tranquilizer dart into him if he misbehaved.

The passageway was also set up so we could watch him, and there was definite proof he was seriously considering tackling the escort and making a break for it.  Amy could see the signs, but watching his escort, there were very aware of what he might do.

But in the end, he didn’t try to escape.

Not yet.

He was sent into the room, one guard outside, the other inside the door.  He kept what looked like a truncheon visible so the Latanzio would think twice about considering his odds against one rather than two.

For me, I might get past the first but not the second.  Any sensible person could see the odds stacked against them.

Amy stood up.  “Time to have a first pass at him.  Wish me luck.”

She didn’t need luck.  So far her plan was working.

Two minutes, perhaps three, passed before I saw her enter the room.  Latanzio has stopped pacing and had finally sat.  I could see him evaluation the possibility of using her as leverage to escape.

Whatever happened, the guards were instructed to kill him, irrespective of hostages.  It was a hard call, but everyone in the team chose to be there.

She sat but did not speak.  It was up to him to make the first move.

It didn’t take long.

“Just what exactly is going on here?  Who organised this?”

She took a moment to look him up and down, the sort of look that could make another, more ordinary person, squirm.  Latanzio was unmoved.

“The who, as I said before, is irrelevant.  The what is because we are putting the rest of your journey together, and it’s taking some time.  With one person it’s easy, with four it is more difficult.”

“Then forget about the family.  They’re safe.  No one will dare touch them.  I should be your most pressing case.”

Interesting that, if politely put, the rat thinks only of himself.

“You should realise that your wife and children will suffer the consequences of your actions if you leave them behind, so according to my instructions, you all go, or no one goes.”

“What does that mean?”

I thought it was obvious, but I was beginning to think Latanzio was not as clever as I thought he was.

“You don’t want to find out.”

“Is Benito behind this?  This smells like something he would do. More about saving his daughter than worrying about me.  He needs me.”

From what Amy’s sources had learned in the last few hours, the opposite was true.  Benito had put a contract out on him.  It hadn’t helped Fabio’s cause that she had leaked the fact Fabio was cheating on his daughter.

“Not since he was told about Gabrielle.  It is why we had to bring her in, too.  So, Benito is not your benefactor, he had, in fact, put a contract out on your head.  You should be thankful we got you out of jail, or you’d be dead by now.”

I could see his mind working, taking in what she had just told him and processing it.

Amy decided to add another variable.  “You have to decide who you want to go with you, Angelina or Gabrielle.  It can’t be both.”

There were a few seconds delay like a conversation being conducted from the earth to the moon

The he said, ” What will happen to those left behind?”

“I’m sure you know exactly what will happen.  The problem is, if you hadn’t shot that fool in the street in front of a witness, we wouldn’t be in this situation.”

“That witness is dead.  There is no witness.”

She shook her head.  ” No, Mr Latanzio, he is not dead.  You had to take on a very resourceful man, not your average Joe, nor by a long shot.  Special forces, or marines, or something I’m told, and he hasn’t taken it very well that you sent in a team to kill him.  It’s another mess were going to have to clean up.  All in all, you were given a simple job to do, and instead, let your ego and stupidity get us to this point.  You should realise my first instruction was to get you out and then put a bullet in your head.  I might still do it.  My people have been instructed to shoot you if you try anything.  That also means if you die, so does Angelina, Gabrielle, and your children.  My instructions are very clear.”

She stood, signalling the interview was at an end.

“You now have to make a decision.  Who would you like to see now?”

“Gabrielle.”

Angelina was going to be very impressed with her husband when Amy told her.

©  Charles Heath 2024

365 Days of writing, 2026 – 1

Day 1 – The five c’s of writing

The 5 C’s of Writing: Crafting Clear, Compelling, and Captivating Content

In the world of writing—whether you’re crafting a novel, a blog post, a business email, or academic essay—quality matters. But what separates good writing from great writing? Enter the 5 C’s of Writing: a set of guiding principles that help writers produce content that is not only effective but also engaging and impactful.

These five pillars—Clarity, Conciseness, Coherence, Correctness, and Consistency—form the foundation of professional and polished writing. Let’s dive into each one and explore how they can transform your writing from “just okay” to outstanding.


1. Clarity: Say What You Mean

Clarity is the cornerstone of effective communication. No matter how brilliant your ideas are, if they’re buried under jargon, convoluted sentence structures, or vague language, your message will be lost.

Tips to improve clarity:

  • Use simple, precise language.
  • Define technical terms when necessary.
  • Avoid ambiguity—be specific in your descriptions.
  • Structure sentences so the subject, verb, and object are easy to identify.

“If you can’t explain it simply, you don’t understand it well enough.”
— Attributed to Albert Einstein

Clarity means respecting your reader’s time and intelligence. Aim for transparency, not complexity.


2. Conciseness: Brevity with Purpose

Great writing doesn’t waste words. Conciseness is about delivering your message using the fewest words possible—without sacrificing meaning.

Avoid:

  • Redundant phrases (e.g., “free gift,” “past history”)
  • Overuse of adverbs and adjectives
  • Filler words like “very,” “really,” “just,” “actually”

Instead of saying:

“Due to the fact that it was raining, we decided to cancel the outdoor event.”
Say:
“Because it was raining, we canceled the outdoor event.”

Concise writing is powerful. It keeps readers engaged and ensures your key points stand out.


3. Coherence: Logical Flow and Connectivity

Even if your writing is clear and concise, it won’t resonate if it lacks coherence. Coherent writing guides the reader smoothly from one idea to the next. Paragraphs and sentences should connect logically, building a narrative or argument that makes sense.

How to boost coherence:

  • Use transition words (e.g., “however,” “furthermore,” “as a result”)
  • Maintain a logical progression—introduce ideas in a structured way
  • Ensure each paragraph supports the central theme or thesis

Think of coherence as the “glue” that holds your content together. It ensures your reader never gets lost midway.


4. Correctness: Grammar, Spelling, and Grammar, Spelling, and Punctuation

Correctness is non-negotiable. Errors in grammar, punctuation, spelling, or usage can undermine your credibility and distract from your message—even if your content is insightful.

Common areas to check:

  • Subject-verb agreement
  • Proper use of apostrophes
  • Tense consistency
  • Punctuation (commas, semicolons, quotation marks)

Invest time in proofreading, use tools like Grammarly or Hemingway Editor wisely, and when in doubt, consult a style guide (APA, MLA, Chicago, or AP).

Remember: correctness isn’t about perfectionism—it’s about respect for your audience and your craft.


5. Consistency: Maintain Your Voice and Style

Consistency involves maintaining a uniform tone, style, formatting, and voice throughout your piece. It’s what gives your writing a professional, polished feel.

Examples of consistency in action:

  • Using the same tense (past vs. present) throughout
  • Sticking with one spelling convention (e.g., American vs. British English)
  • Keeping a uniform style for headings, lists, and citations
  • Maintaining an appropriate tone (formal, conversational, persuasive, etc.)

Whether you’re writing a personal essay or a corporate report, consistency builds trust. It shows that your writing is deliberate and well-considered.


Why the 5 C’s Matter

The 5 C’s aren’t just rules—they’re tools. When applied together, they elevate your writing to a level where it’s not only understood but appreciated. Whether you’re:

  • Persuading decision-makers,
  • Informing readers,
  • Or simply sharing ideas,

Mastering clarity, conciseness, coherence, correctness, and consistency ensures your words land with impact.


Final Thoughts

Writing is both an art and a craft. The 5 C’s help you refine the craft so the art can shine through. As you revise your next piece, ask yourself:

  • Is this clear?
  • Could it be more concise?
  • Does it flow logically?
  • Is it correct?
  • Is my tone and style consistent?

By holding your writing to these five standards, you’ll produce content that’s not only professional but also memorable.

Start small. Focus on one C at a time. And remember—the best writers aren’t born. They’re made—one clear, concise, coherent, correct, and consistent draft at a time.


What’s your biggest writing challenge? Clarity? Grammar? Let us know in the comments—and share your own tips for mastering the 5 C’s!

What I learned about writing – Always look for words of wisdom

And learn from the works of other writers, famous or not…

Can you find the words to describe what you think fiction means to you? Or even what it is for a particular novel?

One opinion, Russian, is that it’s aesthetic bliss. To me, most works by Russian writers tend to go on and on and on. Fyodor Dostoevsky is a case in point. I grant you that if you can sit through the novel, which is very good, your opinion might be a little different. Not so much Aleksandr Solzhenitsyn and some of his works.

In my younger days of reading when a large book never fazed me, a thousand plus pages (And Quietly Flows The Don – War and Peace) to a few hundred (One Day in the Life of Ivan Denisovich) to mid-range five hundred pages (Doctor Zhivago) they all could tend to be tedious, though I have to say Doctor Zhivago as a book was fascinating, the film by David Lean, captivating, and the stage play, boring beyond words.

That is to say, once you get past the Russians, there were British authors like Charles Dickens who could get up to that magic number of pages, and whose works could reach that lofty thousand. They were, however, perhaps more interesting, and most having been made into mini series for television, far more interesting as a spectacle than in reading the book.

And, of course, there is Jane Austen. Need I say more?

But there are times when you pick up a book and start reading the first page, and then stop. It tells a budding author that, on the one hand, it’s not going to be your genre, and on the other, that the opinion of the book is in the eye of the beholder.

365 Days of writing, 2026 – 1

Day 1 – The five c’s of writing

The 5 C’s of Writing: Crafting Clear, Compelling, and Captivating Content

In the world of writing—whether you’re crafting a novel, a blog post, a business email, or academic essay—quality matters. But what separates good writing from great writing? Enter the 5 C’s of Writing: a set of guiding principles that help writers produce content that is not only effective but also engaging and impactful.

These five pillars—Clarity, Conciseness, Coherence, Correctness, and Consistency—form the foundation of professional and polished writing. Let’s dive into each one and explore how they can transform your writing from “just okay” to outstanding.


1. Clarity: Say What You Mean

Clarity is the cornerstone of effective communication. No matter how brilliant your ideas are, if they’re buried under jargon, convoluted sentence structures, or vague language, your message will be lost.

Tips to improve clarity:

  • Use simple, precise language.
  • Define technical terms when necessary.
  • Avoid ambiguity—be specific in your descriptions.
  • Structure sentences so the subject, verb, and object are easy to identify.

“If you can’t explain it simply, you don’t understand it well enough.”
— Attributed to Albert Einstein

Clarity means respecting your reader’s time and intelligence. Aim for transparency, not complexity.


2. Conciseness: Brevity with Purpose

Great writing doesn’t waste words. Conciseness is about delivering your message using the fewest words possible—without sacrificing meaning.

Avoid:

  • Redundant phrases (e.g., “free gift,” “past history”)
  • Overuse of adverbs and adjectives
  • Filler words like “very,” “really,” “just,” “actually”

Instead of saying:

“Due to the fact that it was raining, we decided to cancel the outdoor event.”
Say:
“Because it was raining, we canceled the outdoor event.”

Concise writing is powerful. It keeps readers engaged and ensures your key points stand out.


3. Coherence: Logical Flow and Connectivity

Even if your writing is clear and concise, it won’t resonate if it lacks coherence. Coherent writing guides the reader smoothly from one idea to the next. Paragraphs and sentences should connect logically, building a narrative or argument that makes sense.

How to boost coherence:

  • Use transition words (e.g., “however,” “furthermore,” “as a result”)
  • Maintain a logical progression—introduce ideas in a structured way
  • Ensure each paragraph supports the central theme or thesis

Think of coherence as the “glue” that holds your content together. It ensures your reader never gets lost midway.


4. Correctness: Grammar, Spelling, and Grammar, Spelling, and Punctuation

Correctness is non-negotiable. Errors in grammar, punctuation, spelling, or usage can undermine your credibility and distract from your message—even if your content is insightful.

Common areas to check:

  • Subject-verb agreement
  • Proper use of apostrophes
  • Tense consistency
  • Punctuation (commas, semicolons, quotation marks)

Invest time in proofreading, use tools like Grammarly or Hemingway Editor wisely, and when in doubt, consult a style guide (APA, MLA, Chicago, or AP).

Remember: correctness isn’t about perfectionism—it’s about respect for your audience and your craft.


5. Consistency: Maintain Your Voice and Style

Consistency involves maintaining a uniform tone, style, formatting, and voice throughout your piece. It’s what gives your writing a professional, polished feel.

Examples of consistency in action:

  • Using the same tense (past vs. present) throughout
  • Sticking with one spelling convention (e.g., American vs. British English)
  • Keeping a uniform style for headings, lists, and citations
  • Maintaining an appropriate tone (formal, conversational, persuasive, etc.)

Whether you’re writing a personal essay or a corporate report, consistency builds trust. It shows that your writing is deliberate and well-considered.


Why the 5 C’s Matter

The 5 C’s aren’t just rules—they’re tools. When applied together, they elevate your writing to a level where it’s not only understood but appreciated. Whether you’re:

  • Persuading decision-makers,
  • Informing readers,
  • Or simply sharing ideas,

Mastering clarity, conciseness, coherence, correctness, and consistency ensures your words land with impact.


Final Thoughts

Writing is both an art and a craft. The 5 C’s help you refine the craft so the art can shine through. As you revise your next piece, ask yourself:

  • Is this clear?
  • Could it be more concise?
  • Does it flow logically?
  • Is it correct?
  • Is my tone and style consistent?

By holding your writing to these five standards, you’ll produce content that’s not only professional but also memorable.

Start small. Focus on one C at a time. And remember—the best writers aren’t born. They’re made—one clear, concise, coherent, correct, and consistent draft at a time.


What’s your biggest writing challenge? Clarity? Grammar? Let us know in the comments—and share your own tips for mastering the 5 C’s!

A long short story that can’t be tamed – I never wanted to be an eyewitness – 6

Six

Given the time we had from getting off the helicopter and the pickup of Latanzio, Amy had managed to collect his wife Angelina and her two children, and Gianna and her son, Latanzio’s mistress whom very few knew about.

It transpired Amy’s people had only discovered the mistress by accident during a surveillance mix-up.  It was, in Amy’s opinion, pure gold if it came to needing leverage, though she didn’t say what she might need leverage for.

Both were kept in separate rooms in different parts of the underground complex, each with their own guards.

And, what’s more, the wife had no idea her husband had a mistress, and even though she doubted his fidelity, it was not something a woman in her position could talk to anyone about because there was no knowing who she could trust, or whether it would get back to her husband with disastrous consequences.

Trust in anyone when being married to such a man, was non-existent.  To a degree, I felt sorry for her, though she had to know what she was getting into because he’d been a part of the family crime business from a very early age.  And, for that matter, so had she, but in her case of my was unfortunate in that she had very little chance of picking who she wanted to spend the rest of her life with.

It seemed that being a Latanzio caused a great deal of grief for anyone who knew him or got in his way.

Both rooms were set up with CCTV cameras, and we were recording everything.  Amy wasn’t expecting much from their conversation, if there was any, as it was well known that Angelina was kept out of the loop deliberately.

As I sat in front of the monitors, set up in a room well away from the holding rooms, I could see Amy over on one side talking earnestly to a man I had not seen before, but the suit told me he was some sort of law enforcement, perhaps a superior and they were planning the next move

I slipped on the headphones at just the right moment, Latanzio being escorted into the room where Angelina was being kept.

She watched him come in, the door closed, but I could see him gesture for her not to speak. 

In a few seconds, he had summed up the room, the two cots provided for the children who were asleep, a state Amy had arranged to spare them the memories of being there, and then a glance at his wife which didn’t spark much of a reaction.

There was still a degree of residual anger in his manner, still trying to come to grips with the manner of how this escape was being run.

The lack of any outside communication. Or news on what was happening might become a concern at some point so it would be interesting how Amy handled it.

I had seen the surveillance reports and it seemed that for a married couple, they spent a lot of time apart, but that was mainly due to the fact she had insisted he not bring his work home, and that gave her plausible deniability.

And, because of that position, there was no surprise it had led to the affair.  Although Angelina had not mentioned it to anyone, whether she knew about it or not, there was no doubt in my mind she did but may have not known who it was.

When she did, it was going to be a very interesting few minutes.

He knew the room was bugged, but may not necessarily suspect he was on CCTV given the time frame in getting this together.  Perhaps he had been looking for obvious cameras as he came in, and during the time the guards removed the cuffs and shackles and saw none.

I hadn’t either until she showed me.

Not even a close inspection would find any cameras, but there were several obvious points where microphones were placed so he’d find them, enough that after he had discovered them, he would believe the room was clean.

As with most parts of the underground complex, it had been made over by a team of very experienced set decorators.  I had seen the before and the after and it was difficult to believe it was the same place.

I watched him systematically search and find four devices, and after the last, the triumphant expression.

“So, why am I here?” Angelina asked after he had finished his search.

“I was told that we would be removed to a safe location “

“But you don’t think so?”

“This whole operation doesn’t feel right.  If Benny had arranged this,  we would not be languishing in a dump like this.”

“Who then?”

“Either one of the Carmichaels or the cops.”

“Why would the cops kidnap you?  They already had you in custody.”

He didn’t answer, but I could see he was weighing the possibilities, and in his position, given he hadn’t been executed, which by my understanding of the rivalry between the two families, the only option if they had been responsible for his liberation.

So that left his own people or in his mind, the police.  It seemed to me if it had been his brother, another of our guests, he would not be languishing in that small room, and Benny would be there to greet him.

I wondered briefly whether we had been too clever.

From what I understood of the operation, no one knew what we had been planning and then executed it, and outside the world we had created, all hell was breaking loose.  It had to be done this way for realism and having a legitimate reason to scoop up all of the necessary parties associated with him, operations that would have failed without the right background.

To every media outlet, he had been taken in a daring raid on the prison transfer convoy. That in itself had been a carefully staged scene, right down to the last detail including ambulances for the injured guards.  But it wouldn’t take long before questions would be asked.

But, for now, he was the subject of a city-wide manhunt, and it was also noted that both his brother and his family were also missing, and the Carmichaels were top of the police department list of suspects.

“Frankly,” he said, I have no idea what’s going on, but if this is Benny’s doing, he’s not doing a very good job of it.  We should be a long way away from here.”

“You might think so, but I’d say we’re lucky we’re still alive.  Do you have any idea what’s going on outside?  Did you ever consider that it’s your actions that have brought this on?  Benny told me you killed someone, which can’t be true because you promised me you would not be like your father.”

“I’m nothing like my father, and you don’t want to believe everything Benny tells you.”

“This isn’t the first time, is it?  I told you I didn’t want to know about your business, and I trusted you to keep your word.  Trust, I’m afraid, that was misplaced.  I listened to your lies when the police accused you of murdering some rival not wanting to believe it was true, and now, on top of that, the police say you’ve either kidnapped or killed some guy who witnessed that murder.  I’ve given you the benefit of the doubt, now it’s time to tell me the truth.”

“It a frame-up.  The cops have been accusing me of everything they can’t solve, and none of it’s true.  I swear.  But this isn’t the time or the place to be talking about such matters.”

“No, perhaps not.  But tell me this, if you’ve got Benny to break you out of custody, that doesn’t strike me as the actions of an innocent man.  An innocent man would stay and take his chances in a court of law.”

“A court of law that’s stacked against me.  All they have is circumstantial evidence.  All they’ve ever had is circumstantial evidence.”

“Because all the so-called witnesses either disappear, recant their testimony, or turn up dead.  This has to end, if only for the children’s sake.”

Angelina, then, was no fool.  She knew exactly who it was she married, and I suspect she had, until now, overlooked the lies.  And in saying what she had, she was taking a very big risk.

“Like I said, this is neither the time or the place to be discussing such matters, so you will stop talking or there will be consequences.”

Even from where I was viewing the discussion, and in particular Angelina, I could plainly see he had hit a raw nerve.

I felt a hand on the back of my chair and looked up.  Amy had returned and was looking at the monitor.   She had put on the other headphones but left one ear uncovered.

I did the same. 

“What have I missed,”

“A joyous reunion, not.  I think Angelina is about to wring a confession of sorts out of the bastard.”

We both went back to the screen.

“Is that a threat, Tony?” 

Her voice had changed, not the sound of a wife who was disappointed, or was tired of her husband’s lies.  This was different.

“What do you mean?  No.  I wouldn’t threaten you, or anyone.”  Slightly apologetic. 

There was a change in the atmosphere in that room, and he had lost some of that bravado.

“Then you’d better remember that.  When we get out of here, you will be having a discussion with my father.  He had been taking a keen interest in your recent activities, and he tells me you have been indiscreet.  He wouldn’t tell me what it’s about, but I will find out, and you better not have broken your promise.”

With that, the conversation was over.  Perhaps there was more to Angelina than I first thought.

©  Charles Heath  2024