365 Days of writing, 2026 – 150/151

Days 150 and 151 – Writing Exercise

It was odd that an unidentified body washed up on shore in a relatively quiet stretch of shoreline.

It was winter, there were very few people about, and the person who found the body had only made a last-minute decision to go for a walk.

As it was, the anticipated rain came early, so it was a grim discovery on an appalling day.

I was well into the second half of the graveyard shift, shortly before dawn, and struggling to stay awake doing the paperwork I had been putting off for weeks.

The phone rang just as I was nodding off.  Surprise nearly saw me fall off the chair.

I grabbed the receiver before the shrill sound set my nerves on edge.  My partner had just left the room in search of some decent coffee.

“Yes?”

I should have answered with name and rank, and ended with How may I help you, but I hadn’t before and wasn’t going to start now.

“A member of the public had reported a body on Wilson’s Beach; uniforms are on their way “

I knew where Wilson’s Beach was, at the end of what used to be an almost impassable track, a short stretch of sand where teens took their alcohol and stupidity for a run.  This wasn’t the first death to turn up there.

And it wouldn’t be the last.

“On my way.”

Not exactly true, I had to wait for Burns to get back from his odyssey.  He would have more success finding Jason, the Argonauts, and the Golden Fleece than finding decent coffee in this building.

He looked disappointed when he arrived back five minutes after I hung up.

“We’ve got a job.”

“A drunk got hit crossing the road?”  That was quite literally our last job.

“A dead body washed up on shore.”

“Let me guess.  Wilson’s Beach?”  He grabbed his coat and walked through the door I’d opened for him.

“How did you know?”

He just gave me one of those looks.

It was every bit as dreary outside as I’d imagined it would be, and rain was sleeting down on the vehicle we’d requisitioned before shift.

It was better than the last one, and at least it had fuel in it.  We would not be lucky enough to get one of the electric vehicles.

I turned the heater up and the fan on full blast.  It blasted cold air.  The windows began to fog, a dangerous thing as the first shards of daylight appeared, making it hard to distinguish anything.

Water streamed off the windscreen and sloshed up from under the car, and those passing in the opposite direction.  It was like driving through a tidal wave.

I was expecting more traffic.

Burns was surly at the best of times, a career detective who had only progressed as far as Detective Sergeant because he put family first.

He was one of the better ones I’d been paired with, except for being often regaled with the details of his life, wife, and six children, all of whom seemed to be larger than life. 

At least he had a family, I didn’t, and the wife I had bailed many years ago after the first time I was nearly fatally shot.  I guess you had to have a certain quality to be a cop’s wife.

It wasn’t a morning for conversation.  Yesterday it was Burns’ 30th wedding anniversary, and their youngest child’s 18th birthday, a double celebration.  He had come straight to work from the party.

I knew from his expression where he’d prefer to be.

Details of the case, if any, would magically appear in my cell phone, hopefully before we reached the crime scene, if it was a crime.

We arrived to join the collection of flashing lights easily seen in the darkened distance.

From the clearing just off the road, it was a longish twisty hike down to the beach.  Not so bad going down, and an absolute bastard getting back up.

A uniformed officer in a raincoat was on guard.

Oliver, a newly assigned Detective Constable, had been assigned to me to learn the ropes.  He was enthusiastic, but given his qualifications, far superior to Burns and mine, I thought he would be better off as a rocket scientist or jet fighter pilot.

Not standing in the rain waiting to fill in the crime scene details.

It was still raining.

“You look far more awake than I am, Oliver,” I said, wishing I could syphon some of his enthusiasm.

“Nothing like a dead body to liven up what might be an otherwise boring day.”

He handed us the necessary gear so we could go down, and we prepared.

“What’s the story?” I asked.

“Male, between 30 and 40, has not been in the water long.  Initial inspection showed a bump to the head, but not severe enough to assume he was dead or unconscious before entering the water.  My thought is that the victim fell overboard before or after hitting his head and face down, drowned.  Sometimes the simple explanation…”

Oliver was like the Chief Superintendent, both liked closed, uncomplicated cases.

“We’ll know more after the post-mortem, I’m guessing.  Anyone reported missing from a boat?”

“Not that I know of, but I’ll do a deeper dive when I get back to the station.”

We were ready, and Oliver led the way.  The path had been recently hacked to clear away the usual entanglement of shrubbery. Several investigators were picking their way through the edges for any evidence.

At the beach level, there was a defined path we could walk along, about 20 yards to the water’s edge, where a tent had been set up over the body.

More investigators were searching the water’s edge.
.
I stopped at the entrance to the tent.  Doc, the name we gave our coroner, was kneeling beside the body.

After a few minutes, she straightened and looked in my direction.

“Henry.”

“Doc.  What have we got here?”

“A dead body.”

Doc had a strange sense of humour, one I got, but few others understood.  Her medical experience came from a stint in the Army and volunteering in African hotspots.  As well as the obligatory years as an intern in ER, in general practise, and specialising, though I was not exactly sure in what.

Didn’t matter, she had seen everything, and then some.

“Aside from the obvious.”

“Wounds consistent with falling overboard.”

“Pushed?”

“Or fell.  Several contusions to the head, again consistent with a fall.  He didn’t dive in on his own volition, though in the rough seas out beyond the bay, a wave could have picked him up and sent him back towards the boat.  We’ll check the weather and tides.”

“Not a fall from a ship?”

“Possible, but there’d be more damage when he hit the water.  I’ll know more when we get him back to the morgue.  Doesn’t look like he’s been in the water too long.  I’d be getting a list of boats in the area.”

“ID?”

“Nothing.  A John Doe for the moment.”

I took a look at the body and surrounds.  Swept in from the sea, and the person who found the body obviously dragged the body out of the water to check for life signs.

The waves were crashing, and it was rougher further out.  Nothing screaming murder, not then.

Burns had spoken to the person who found the body.  “The dog found it, rather than the owner.  He then dragged the victim up the sand and checked for life signs.  None.  Called the police.  Only one set of foot and paw prints.”

Burns put his head in the tent, took a moment, then came out.

“Not a party animal, not a fisherman.  Just a normal person, like someone catching a ferry home.”

“Except there are no ferries.”

“There is that.  I hate John Doe cases.”

He was not the only one. “Get a photo of his face.  We’ll get Tech to run a check and see if we can get an ID. Also, check the nearest marinas for boats out last night.”

“Roger that.” Two notes in the pad, and back into the tent for a face photo.

Until we knew who he was and where he came from, this was not going to move quickly.  I made sure he sent a photo to the Chief Constable.  We needed his authority to widen the ID search beyond our jurisdiction.

As it turned out, we didn’t have to wait that long.  An anonymous tip was received telling us that the man on the beach was Joshua Stevens.  It came before the 10 o’clock news, and, oddly, it was on the 10 o’clock news.

A text message came from Wendy, one of the tech staff at the station who was assigned to our investigative team, telling me that there was an item of interest in the local radio station’s 10 o’clock news bulletin, and attached was a sound grab.

“The body of a 41-year-old London man, Joshua Stevens, was found on the shoreline at Wilson’s Beach in the early hours of this morning.

“So far, it is not known who Mr Stevens was, or if he had any family, or why he was in the area.  Police are treating the death as accidental, but investigations are ongoing.”

That was it.  It was more than I knew 10 minutes ago, and I  thought it interesting that someone was more informed than I was.

That someone had to be Alison Brentwater, ace reporter for the local Chronicle, and if it could be said I had a nemesis, it was her.

Alison Brentwater and I were old sparring partners.  It was not for the first time she had gazumped me in getting the juicy details of a murder suspect, and I often suspected she had a spy inside the station house.

I had her number on speed dial.

“Henry.”

“Alison.”

“Perhaps we should switch places,” she said with that special sarcastic tone she saved for me.

“The pay is terrible.”

“Perhaps not, then?”

“How?”

“I have my sources.”

“I’ll shout you coffee and cake, and we will have a talk.”

It wasn’t the first time she had all but thrown a spoke in the works, and I could feel the Chief Super reaching for the phone.  I didn’t feel like a bollocking, not until I knew more.

“20 minutes, usual place.”

That she didn’t tell me where to go in no uncertain terms, like the last time, worried me.

. .

Petra’s Cafe was off the main street and an excellent choice to not be seen in.  Petra was both Alison’s and my friend from University, the one who preferred being a barista to an accountant.

I was going to be a journalist, but the truth was Alison was so much better at it than I was, so I chose another profession.  It wasn’t being a detective at first, that just came out of left field.

Alison thought it amusing, and typically of her, said she made a better detective, and in her inimitable manner set out to prove it.

She was the sort of girl you could love to hate.  I had once considered dating, but it would not have lasted.  She was too competitive in everything.

Petra was a different story, and I was still considering how I could approach her, given that she did not think as much of me as I did of her.

Petra was serving tables when I arrived, and I deposited myself at the back.  It took a few minutes for her to reach me.

“You’re looking glum?”

“The case.”

“The floater?”  Then she got that look.  “Alison and her spies.”  She shook her head.  “You’re going to have to up your game.  Latte?”

“Double shot.”

“That bad?”

We both saw her coming.  It was not hard.  She wasn’t conventional, still sporting green hair from an undercover reporting job in the city’s more seedy nightclubs.  When she told me, I told her I didn’t want to be woken with the news she had been found in an alley somewhere.

It didn’t go down well.

“The usual,” she said, flopping into a chair. 

Petra smiled, “Good morning to you, too.”  And left.

“How do you do it?” I asked.

“It’s not what you know, it’s who you know.”

I knew she had a contact list that was a who’s who of the city, names that would make up an interesting suspect list if anything happened to her, if that book was ever found.

“Don’t spin me a line.  There was no ID on the body, no distinguishing features, nothing except perhaps dental records, but I fear not even that will help us.  How do you know?

“I briefly interviewed him two weeks ago in relation to an altercation in the Burberry Inn.  Not a police matter, a friend was a victim of domestic violence, I was trying to get something on her boyfriend, and Joshua witnessed him being an ass.  That’s it.”

“He was drinking a pint in the pub?”

“By himself, minding his own business.  I got his name, that’s it.  He wasn’t very helpful.  He had a slight accent, I suspect he was born in England to foreign parents, no wedding ring, reasonably expensive clothes, nervous sort, kept looking in the direction of the door like he was expecting someone.”

“From London?”

“The bartender asked if he was new in town.  He said he was up from London on business.”

“You think his death was an accident.”

Our coffee arrived in paper cups.  Petra obviously thought we were both in a hurry.

“First impressions. But knowing now who he is, it depends on who he was doing business with. I guess I’d better set the wheels in motion.”

“I helped you, you have to help me.”

“You think I’m going to find out more than you.  Perhaps it’s more appropriate for you to help me.”

“We’ll see.”

She put the lid back on her coffee, smiled, and left.

By the time I got back to the station, I had Oliver coming back from the crime scene, the body collected and taken to the morgue, and Burns on his way to the Burberry Inn looking for witnesses and CCTV.  Oliver’s first job was to find as much information on Joshua Stevens as he could.

I went to see the Chief Superintendent and advised him on progress, the fact that Alison Brentwater had given us a preliminary identification of the body and the circumstances, and then held my breath. 

I also added that consensus so far considered this the result of an accident, somewhat muddied by the fact that no one reported it, or a missing person within a 50-mile radius, which I’d checked before I got to his office.  I was in the process of checking elsewhere in the country.

He simply wanted the case closed, but also the I’s dotted and the T’s crossed.

An email arrived with a list of missing persons after increasing the scope to Greater London, and Joshua’s name was on it, reported by his brother, and not his wife. 

There were file notes on the interviews with both.  The brother was concerned because they were in constant contact, and he had not sent an email for a week.

His wife said he was often on business trips that were sporadic and of indeterminate length.  She thought he was just being Joshua, though she did say she suspected him of having an affair.  She added that she had no idea where he was, and he rarely called.  It was, I thought, an odd relationship.

I told Oliver to get a hold of his phone records and those of any family members.  They would make interesting reading.

Next, I went down to the wharf where the two boats that offered cruises, fishing trips, and dinner cruises had their offices.

The first hadn’t run any cruises in the last few days.  The second had run three, a fishing trip in the morning, a luncheon cruise, and, after dark, dinner cruises taking in the shore lights.

Margaret Bently, married to the son of the ship’s master and owner of Seaside Voyagers, according to the staff photographs posted behind the counter, was in the middle of a charter booking, city folk looking for an ocean adventure, or so it seemed.

The sales pitch was far more graphically interesting than the reality.  Unless the picture I had in my mind was wrong.

I waited the five minutes before the conversation ended, not quite as expected.  She did not seem pleased.

Putting the phone down, she gave me her attention.

I showed her my warrant card, and before I said a word, she was on the defensive.  “We had nothing to do with anyone washing up on shore.”

To me, that sounded more like they did, but we’re not going to admit it.

“I take it you heard the news.”

“Who hasn’t?”

“Your company ran three tours yesterday.  I would like a passenger manifest for each and proof they got on and got off the boat.”

“Do you have a warrant?”

“I can order the shutdown of this business, and impounding of all your vessels as potential crime scenes, and a complete audit of your operation, as well as a complete audit of your accounts.

“Apparently, the coast guard is about to investigate the possibility of small operations like yours picking up drugs brought in by large ships.  It will only take one call.”

I had seen a memo hinting at a joint operation between services on drug importation, so I simply added a little embellishment. 

She glared at me.  “We have nothing to hide.”  Her tone suggested otherwise.  She pulled a binder out from under the counter and extracted three sheets, copied them and then gave them to me.

Passenger lists.

“Thank you.”

She ignored me.  The phone had started ringing again.

The afternoon was taken up with Burns putting together a board that had Joshua Stevens on the centre, his brother Roger on one side, and his wife Stella, nee Williams, on the other.  The photographs were missing.

The timeline working back from the time of discovery on Wilson’s Beach at about 6 am, time of death from 8 pm to 4 am, and before that, not a lot.

I listed Joshua in the Inn and Seaside Voyagers.  Joshua’s name was not on any of the passengers’ lists, but it was possible he could have used an assumed name.  Oliver was going to follow up on all the names.

We needed a coroner’s report, and that was in progress.

Joshua had a very small social media footprint.  In face it was a Facebook page that had an icon and name and little else.  There were no friends or family, and no wife.  It was like he created it and then forgot it.

His wife had a similar page, a photo of EmWonder Woman, not hers, and no friends’ posts. 

His brother had nothing but a name.

It seemed odd that the whole family just didn’t exist, outside a dead body and two ghosts.  I asked the station that took the missing persons report to bring them in and ask more questions.  And get photographs of them.

It was very unusual to be so anonymous.  What struck me as a possibility was that Joshua and his wife were in some witness protection scheme, and he had been flushed out into the open.

There were no newspaper articles about either of them, which was a red flag.  I set Wendy to dig deeper into the mire to see if anything was available anywhere on the internet.

Our board was very scant on details.

Before going home, I was called into the Morgue, where the results of the post mortem were in.

Death was not by drowning.  He was not alive before he went into the water.  In fact, he had suffered a severe heart attack and died quickly, not dragged out, and perhaps that was a good thing.

He had lipstick and scent about his person so he had been with a woman shortly before he died.  No clues as to where he had been before ending up in the water, and equally, his time in the water hadn’t washed away the trace evidence.

It led to another possibility: he was murdered on the beach, and that put the man who discovered the body back on the list.

I went back to the office and added more items to the board, including the man who found the body, Jake Williams, and a photo Oliver had taken of him.

It was then that I noticed a slight similarity between him and Margaret at Seaside Voyagers.  And the fact that both shared a surname.

Out of curiosity, I typed in the name Stella Williams and found an old Facebook page with a young photo of Stella.

No mistaking the resemblance.

What were the odds that Stella, Margaret and Jack were related?

©  Charles Heath  2026

In a word: Good

There is a TV show on at the moment called ‘The Good Place’.

It’s really the bad place which makes you wonder if there really is a ‘good place’.

This started me thinking.

How many people do you know, when you ask them how they are, they say ‘good’?

Can we see behind the facade that is their expression and see how they really feel?

Quite often, not.  It is sometimes amazing just how good people are at hiding their true feelings.

And, thinking about that, how many of us reveal our true feelings?

It seems to me there is an acceptable level of understanding that we take people at their word and move on from there.

How many times when we suspect there is something wrong, we tend to overlook it in what is regarded as respect for that person?

What if something awful happened?

What if we could have prevented it?

What if we could have tried to gently probe deeper?

The problem is we seem to be too polite and there is nothing wrong with that.

But maybe, just maybe, the next time …

It’s just a thought.

 

365 Days of writing, 2026 – 150/151

Days 150 and 151 – Writing Exercise

It was odd that an unidentified body washed up on shore in a relatively quiet stretch of shoreline.

It was winter, there were very few people about, and the person who found the body had only made a last-minute decision to go for a walk.

As it was, the anticipated rain came early, so it was a grim discovery on an appalling day.

I was well into the second half of the graveyard shift, shortly before dawn, and struggling to stay awake doing the paperwork I had been putting off for weeks.

The phone rang just as I was nodding off.  Surprise nearly saw me fall off the chair.

I grabbed the receiver before the shrill sound set my nerves on edge.  My partner had just left the room in search of some decent coffee.

“Yes?”

I should have answered with name and rank, and ended with How may I help you, but I hadn’t before and wasn’t going to start now.

“A member of the public had reported a body on Wilson’s Beach; uniforms are on their way “

I knew where Wilson’s Beach was, at the end of what used to be an almost impassable track, a short stretch of sand where teens took their alcohol and stupidity for a run.  This wasn’t the first death to turn up there.

And it wouldn’t be the last.

“On my way.”

Not exactly true, I had to wait for Burns to get back from his odyssey.  He would have more success finding Jason, the Argonauts, and the Golden Fleece than finding decent coffee in this building.

He looked disappointed when he arrived back five minutes after I hung up.

“We’ve got a job.”

“A drunk got hit crossing the road?”  That was quite literally our last job.

“A dead body washed up on shore.”

“Let me guess.  Wilson’s Beach?”  He grabbed his coat and walked through the door I’d opened for him.

“How did you know?”

He just gave me one of those looks.

It was every bit as dreary outside as I’d imagined it would be, and rain was sleeting down on the vehicle we’d requisitioned before shift.

It was better than the last one, and at least it had fuel in it.  We would not be lucky enough to get one of the electric vehicles.

I turned the heater up and the fan on full blast.  It blasted cold air.  The windows began to fog, a dangerous thing as the first shards of daylight appeared, making it hard to distinguish anything.

Water streamed off the windscreen and sloshed up from under the car, and those passing in the opposite direction.  It was like driving through a tidal wave.

I was expecting more traffic.

Burns was surly at the best of times, a career detective who had only progressed as far as Detective Sergeant because he put family first.

He was one of the better ones I’d been paired with, except for being often regaled with the details of his life, wife, and six children, all of whom seemed to be larger than life. 

At least he had a family, I didn’t, and the wife I had bailed many years ago after the first time I was nearly fatally shot.  I guess you had to have a certain quality to be a cop’s wife.

It wasn’t a morning for conversation.  Yesterday it was Burns’ 30th wedding anniversary, and their youngest child’s 18th birthday, a double celebration.  He had come straight to work from the party.

I knew from his expression where he’d prefer to be.

Details of the case, if any, would magically appear in my cell phone, hopefully before we reached the crime scene, if it was a crime.

We arrived to join the collection of flashing lights easily seen in the darkened distance.

From the clearing just off the road, it was a longish twisty hike down to the beach.  Not so bad going down, and an absolute bastard getting back up.

A uniformed officer in a raincoat was on guard.

Oliver, a newly assigned Detective Constable, had been assigned to me to learn the ropes.  He was enthusiastic, but given his qualifications, far superior to Burns and mine, I thought he would be better off as a rocket scientist or jet fighter pilot.

Not standing in the rain waiting to fill in the crime scene details.

It was still raining.

“You look far more awake than I am, Oliver,” I said, wishing I could syphon some of his enthusiasm.

“Nothing like a dead body to liven up what might be an otherwise boring day.”

He handed us the necessary gear so we could go down, and we prepared.

“What’s the story?” I asked.

“Male, between 30 and 40, has not been in the water long.  Initial inspection showed a bump to the head, but not severe enough to assume he was dead or unconscious before entering the water.  My thought is that the victim fell overboard before or after hitting his head and face down, drowned.  Sometimes the simple explanation…”

Oliver was like the Chief Superintendent, both liked closed, uncomplicated cases.

“We’ll know more after the post-mortem, I’m guessing.  Anyone reported missing from a boat?”

“Not that I know of, but I’ll do a deeper dive when I get back to the station.”

We were ready, and Oliver led the way.  The path had been recently hacked to clear away the usual entanglement of shrubbery. Several investigators were picking their way through the edges for any evidence.

At the beach level, there was a defined path we could walk along, about 20 yards to the water’s edge, where a tent had been set up over the body.

More investigators were searching the water’s edge.
.
I stopped at the entrance to the tent.  Doc, the name we gave our coroner, was kneeling beside the body.

After a few minutes, she straightened and looked in my direction.

“Henry.”

“Doc.  What have we got here?”

“A dead body.”

Doc had a strange sense of humour, one I got, but few others understood.  Her medical experience came from a stint in the Army and volunteering in African hotspots.  As well as the obligatory years as an intern in ER, in general practise, and specialising, though I was not exactly sure in what.

Didn’t matter, she had seen everything, and then some.

“Aside from the obvious.”

“Wounds consistent with falling overboard.”

“Pushed?”

“Or fell.  Several contusions to the head, again consistent with a fall.  He didn’t dive in on his own volition, though in the rough seas out beyond the bay, a wave could have picked him up and sent him back towards the boat.  We’ll check the weather and tides.”

“Not a fall from a ship?”

“Possible, but there’d be more damage when he hit the water.  I’ll know more when we get him back to the morgue.  Doesn’t look like he’s been in the water too long.  I’d be getting a list of boats in the area.”

“ID?”

“Nothing.  A John Doe for the moment.”

I took a look at the body and surrounds.  Swept in from the sea, and the person who found the body obviously dragged the body out of the water to check for life signs.

The waves were crashing, and it was rougher further out.  Nothing screaming murder, not then.

Burns had spoken to the person who found the body.  “The dog found it, rather than the owner.  He then dragged the victim up the sand and checked for life signs.  None.  Called the police.  Only one set of foot and paw prints.”

Burns put his head in the tent, took a moment, then came out.

“Not a party animal, not a fisherman.  Just a normal person, like someone catching a ferry home.”

“Except there are no ferries.”

“There is that.  I hate John Doe cases.”

He was not the only one. “Get a photo of his face.  We’ll get Tech to run a check and see if we can get an ID. Also, check the nearest marinas for boats out last night.”

“Roger that.” Two notes in the pad, and back into the tent for a face photo.

Until we knew who he was and where he came from, this was not going to move quickly.  I made sure he sent a photo to the Chief Constable.  We needed his authority to widen the ID search beyond our jurisdiction.

As it turned out, we didn’t have to wait that long.  An anonymous tip was received telling us that the man on the beach was Joshua Stevens.  It came before the 10 o’clock news, and, oddly, it was on the 10 o’clock news.

A text message came from Wendy, one of the tech staff at the station who was assigned to our investigative team, telling me that there was an item of interest in the local radio station’s 10 o’clock news bulletin, and attached was a sound grab.

“The body of a 41-year-old London man, Joshua Stevens, was found on the shoreline at Wilson’s Beach in the early hours of this morning.

“So far, it is not known who Mr Stevens was, or if he had any family, or why he was in the area.  Police are treating the death as accidental, but investigations are ongoing.”

That was it.  It was more than I knew 10 minutes ago, and I  thought it interesting that someone was more informed than I was.

That someone had to be Alison Brentwater, ace reporter for the local Chronicle, and if it could be said I had a nemesis, it was her.

Alison Brentwater and I were old sparring partners.  It was not for the first time she had gazumped me in getting the juicy details of a murder suspect, and I often suspected she had a spy inside the station house.

I had her number on speed dial.

“Henry.”

“Alison.”

“Perhaps we should switch places,” she said with that special sarcastic tone she saved for me.

“The pay is terrible.”

“Perhaps not, then?”

“How?”

“I have my sources.”

“I’ll shout you coffee and cake, and we will have a talk.”

It wasn’t the first time she had all but thrown a spoke in the works, and I could feel the Chief Super reaching for the phone.  I didn’t feel like a bollocking, not until I knew more.

“20 minutes, usual place.”

That she didn’t tell me where to go in no uncertain terms, like the last time, worried me.

. .

Petra’s Cafe was off the main street and an excellent choice to not be seen in.  Petra was both Alison’s and my friend from University, the one who preferred being a barista to an accountant.

I was going to be a journalist, but the truth was Alison was so much better at it than I was, so I chose another profession.  It wasn’t being a detective at first, that just came out of left field.

Alison thought it amusing, and typically of her, said she made a better detective, and in her inimitable manner set out to prove it.

She was the sort of girl you could love to hate.  I had once considered dating, but it would not have lasted.  She was too competitive in everything.

Petra was a different story, and I was still considering how I could approach her, given that she did not think as much of me as I did of her.

Petra was serving tables when I arrived, and I deposited myself at the back.  It took a few minutes for her to reach me.

“You’re looking glum?”

“The case.”

“The floater?”  Then she got that look.  “Alison and her spies.”  She shook her head.  “You’re going to have to up your game.  Latte?”

“Double shot.”

“That bad?”

We both saw her coming.  It was not hard.  She wasn’t conventional, still sporting green hair from an undercover reporting job in the city’s more seedy nightclubs.  When she told me, I told her I didn’t want to be woken with the news she had been found in an alley somewhere.

It didn’t go down well.

“The usual,” she said, flopping into a chair. 

Petra smiled, “Good morning to you, too.”  And left.

“How do you do it?” I asked.

“It’s not what you know, it’s who you know.”

I knew she had a contact list that was a who’s who of the city, names that would make up an interesting suspect list if anything happened to her, if that book was ever found.

“Don’t spin me a line.  There was no ID on the body, no distinguishing features, nothing except perhaps dental records, but I fear not even that will help us.  How do you know?

“I briefly interviewed him two weeks ago in relation to an altercation in the Burberry Inn.  Not a police matter, a friend was a victim of domestic violence, I was trying to get something on her boyfriend, and Joshua witnessed him being an ass.  That’s it.”

“He was drinking a pint in the pub?”

“By himself, minding his own business.  I got his name, that’s it.  He wasn’t very helpful.  He had a slight accent, I suspect he was born in England to foreign parents, no wedding ring, reasonably expensive clothes, nervous sort, kept looking in the direction of the door like he was expecting someone.”

“From London?”

“The bartender asked if he was new in town.  He said he was up from London on business.”

“You think his death was an accident.”

Our coffee arrived in paper cups.  Petra obviously thought we were both in a hurry.

“First impressions. But knowing now who he is, it depends on who he was doing business with. I guess I’d better set the wheels in motion.”

“I helped you, you have to help me.”

“You think I’m going to find out more than you.  Perhaps it’s more appropriate for you to help me.”

“We’ll see.”

She put the lid back on her coffee, smiled, and left.

By the time I got back to the station, I had Oliver coming back from the crime scene, the body collected and taken to the morgue, and Burns on his way to the Burberry Inn looking for witnesses and CCTV.  Oliver’s first job was to find as much information on Joshua Stevens as he could.

I went to see the Chief Superintendent and advised him on progress, the fact that Alison Brentwater had given us a preliminary identification of the body and the circumstances, and then held my breath. 

I also added that consensus so far considered this the result of an accident, somewhat muddied by the fact that no one reported it, or a missing person within a 50-mile radius, which I’d checked before I got to his office.  I was in the process of checking elsewhere in the country.

He simply wanted the case closed, but also the I’s dotted and the T’s crossed.

An email arrived with a list of missing persons after increasing the scope to Greater London, and Joshua’s name was on it, reported by his brother, and not his wife. 

There were file notes on the interviews with both.  The brother was concerned because they were in constant contact, and he had not sent an email for a week.

His wife said he was often on business trips that were sporadic and of indeterminate length.  She thought he was just being Joshua, though she did say she suspected him of having an affair.  She added that she had no idea where he was, and he rarely called.  It was, I thought, an odd relationship.

I told Oliver to get a hold of his phone records and those of any family members.  They would make interesting reading.

Next, I went down to the wharf where the two boats that offered cruises, fishing trips, and dinner cruises had their offices.

The first hadn’t run any cruises in the last few days.  The second had run three, a fishing trip in the morning, a luncheon cruise, and, after dark, dinner cruises taking in the shore lights.

Margaret Bently, married to the son of the ship’s master and owner of Seaside Voyagers, according to the staff photographs posted behind the counter, was in the middle of a charter booking, city folk looking for an ocean adventure, or so it seemed.

The sales pitch was far more graphically interesting than the reality.  Unless the picture I had in my mind was wrong.

I waited the five minutes before the conversation ended, not quite as expected.  She did not seem pleased.

Putting the phone down, she gave me her attention.

I showed her my warrant card, and before I said a word, she was on the defensive.  “We had nothing to do with anyone washing up on shore.”

To me, that sounded more like they did, but we’re not going to admit it.

“I take it you heard the news.”

“Who hasn’t?”

“Your company ran three tours yesterday.  I would like a passenger manifest for each and proof they got on and got off the boat.”

“Do you have a warrant?”

“I can order the shutdown of this business, and impounding of all your vessels as potential crime scenes, and a complete audit of your operation, as well as a complete audit of your accounts.

“Apparently, the coast guard is about to investigate the possibility of small operations like yours picking up drugs brought in by large ships.  It will only take one call.”

I had seen a memo hinting at a joint operation between services on drug importation, so I simply added a little embellishment. 

She glared at me.  “We have nothing to hide.”  Her tone suggested otherwise.  She pulled a binder out from under the counter and extracted three sheets, copied them and then gave them to me.

Passenger lists.

“Thank you.”

She ignored me.  The phone had started ringing again.

The afternoon was taken up with Burns putting together a board that had Joshua Stevens on the centre, his brother Roger on one side, and his wife Stella, nee Williams, on the other.  The photographs were missing.

The timeline working back from the time of discovery on Wilson’s Beach at about 6 am, time of death from 8 pm to 4 am, and before that, not a lot.

I listed Joshua in the Inn and Seaside Voyagers.  Joshua’s name was not on any of the passengers’ lists, but it was possible he could have used an assumed name.  Oliver was going to follow up on all the names.

We needed a coroner’s report, and that was in progress.

Joshua had a very small social media footprint.  In face it was a Facebook page that had an icon and name and little else.  There were no friends or family, and no wife.  It was like he created it and then forgot it.

His wife had a similar page, a photo of EmWonder Woman, not hers, and no friends’ posts. 

His brother had nothing but a name.

It seemed odd that the whole family just didn’t exist, outside a dead body and two ghosts.  I asked the station that took the missing persons report to bring them in and ask more questions.  And get photographs of them.

It was very unusual to be so anonymous.  What struck me as a possibility was that Joshua and his wife were in some witness protection scheme, and he had been flushed out into the open.

There were no newspaper articles about either of them, which was a red flag.  I set Wendy to dig deeper into the mire to see if anything was available anywhere on the internet.

Our board was very scant on details.

Before going home, I was called into the Morgue, where the results of the post mortem were in.

Death was not by drowning.  He was not alive before he went into the water.  In fact, he had suffered a severe heart attack and died quickly, not dragged out, and perhaps that was a good thing.

He had lipstick and scent about his person so he had been with a woman shortly before he died.  No clues as to where he had been before ending up in the water, and equally, his time in the water hadn’t washed away the trace evidence.

It led to another possibility: he was murdered on the beach, and that put the man who discovered the body back on the list.

I went back to the office and added more items to the board, including the man who found the body, Jake Williams, and a photo Oliver had taken of him.

It was then that I noticed a slight similarity between him and Margaret at Seaside Voyagers.  And the fact that both shared a surname.

Out of curiosity, I typed in the name Stella Williams and found an old Facebook page with a young photo of Stella.

No mistaking the resemblance.

What were the odds that Stella, Margaret and Jack were related?

©  Charles Heath  2026

What I learned about writing – Storytelling

More Than Just Words: Why We’re All Hungry for Stories

Ever found yourself completely engrossed in a book, a captivating film, or even a friend’s animated anecdote? There’s a reason for that. It’s not just our idle entertainment; it’s a primal, fundamental part of who we are. We are, quite literally, hardwired for stories.

Think about it. From the earliest cave paintings depicting hunts and rituals to the grand epics passed down through generations, humanity has always relied on narrative. It’s how we make sense of the world, how we connect with each other, and how we leave our mark.

The Ancient Art of Immortality

At its core, storytelling is a form of history. It’s how we preserve the experiences, the triumphs, and the struggles of those who came before us. Before written records, oral traditions were the lifeblood of cultures, passing down knowledge, wisdom, and identity. The stories of elders became the lessons for the young, the myths explained the inexplicable, and the legends inspired courage.

But it’s more than just a historical record. Storytelling is also a profound act of immortality. When we share a story, we breathe life back into memories. We keep alive the spirit of individuals, the essence of moments, and the impact of events. A well-told story can transcend time, allowing us to feel present with people who are no longer with us, to understand perspectives different from our own, and to learn from their journeys. It’s through stories that our ancestors, our heroes, and even our ordinary lives can continue to resonate in the present and echo into the future.

Feeding the Soul

Beyond its historical and immortalising qualities, storytelling simply feeds our souls. In a world often characterised by fleeting information and digital overload, a good story offers depth, connection, and emotional resonance.

  • Connection: Stories allow us to step into someone else’s shoes, fostering empathy and understanding. They remind us that despite our differences, we share universal human experiences – love, loss, fear, hope.
  • Meaning-Making: We use stories to process our own lives and the complexities of the world around us. They help us identify patterns, understand causes and effects, and find meaning in the chaos.
  • Inspiration: Stories of resilience, innovation, and courage can ignite our own imaginations and empower us to pursue our dreams. They show us what’s possible.
  • Escape and Joy: Sometimes, we just need to get lost in a different world. Stories offer a welcome escape, a chance to experience adventure, romance, or mystery, and to simply find joy in a well-crafted narrative.

The Power is in Your Hands (and Voice!)

So, the next time you’re drawn to a narrative, remember you’re tapping into something ancient and essential. And even more importantly, remember that you, too, are a storyteller. Your experiences, your memories, your unique perspective – they all have the power to inspire, to connect, and to offer a piece of yourself to the world.

Don’t underestimate the stories you hold. Share them. Write them down. Tell them to your children, your friends, your colleagues. Because in a world hungry for connection and meaning, every story is a gift, a tiny act of immortality, and a vital thread in the rich tapestry of human experience.

365 Days of writing, 2026 – My second story 21

More about my second novel

Zoe is now painfully reminded why she did not get involved with other people, why it was better to be responsible only for herself.  It was easy, perhaps to blame John for making his own problems by not heeding her advice, but, just the same, she felt a small shred of responsibility for his current situation.

After learning that John has been kidnapped by Olga, Zoe first goes to see an old colleague, and Yuri’s friend, Dominica to interrogate her, then meets up with Yuri, and it does not end well for one of them.  After telling her he’s the elusive Romanov, Yuri informs her of the fact that Olga has taken John and that Worthington is about to use John’s mother as leverage against her.

Not knowing immediately where Olga is, but believing she will not kill him because Zoe will come to her, she detours to take care of Worthington, having finally realised why he was searching for her.  In another of her many disguises, room service visits his room, and Worthington gets more than dinner served up to him.

Of course, Yuri lies. He is not Romanov, and Romanov is not trying to kill her, but find her.

Who is she? Well, you’ll have to read the book to find out.

And, as for Olga, well, hell hath no fury than a woman avenging a woman avenging her son!

365 Days of writing, 2026 – My second story 21

More about my second novel

Zoe is now painfully reminded why she did not get involved with other people, why it was better to be responsible only for herself.  It was easy, perhaps to blame John for making his own problems by not heeding her advice, but, just the same, she felt a small shred of responsibility for his current situation.

After learning that John has been kidnapped by Olga, Zoe first goes to see an old colleague, and Yuri’s friend, Dominica to interrogate her, then meets up with Yuri, and it does not end well for one of them.  After telling her he’s the elusive Romanov, Yuri informs her of the fact that Olga has taken John and that Worthington is about to use John’s mother as leverage against her.

Not knowing immediately where Olga is, but believing she will not kill him because Zoe will come to her, she detours to take care of Worthington, having finally realised why he was searching for her.  In another of her many disguises, room service visits his room, and Worthington gets more than dinner served up to him.

Of course, Yuri lies. He is not Romanov, and Romanov is not trying to kill her, but find her.

Who is she? Well, you’ll have to read the book to find out.

And, as for Olga, well, hell hath no fury than a woman avenging a woman avenging her son!

What I learned about writing – Using another author’s style

The Echo Chamber vs. The Trailblazer: Finding Your Authorial Voice

The blank page stares back, a vast expanse of possibility. As writers, we stand at a familiar crossroads, a debate as old as storytelling itself: should we meticulously study and emulate the voices of those who have come before us, or forge a path entirely our own? Should we lean into the comfortable and the familiar, or strive to create a new artistic vogue?

This isn’t just an abstract literary question; it’s a fundamental one that shapes our creative journey and ultimately, the impact of our words.

The Allure of the Echo: Why Copying Feels Right (Sometimes)

Let’s be honest, there’s a powerful temptation to mimic. When we encounter an author whose prose sings, whose characters leap off the page, or whose plot twists leave us breathless, it’s natural to want to bottle that magic.

  • Learning the Craft: Studying established authors is an invaluable apprenticeship. By dissecting their sentence structures, their pacing, and their use of metaphor, we learn the mechanics of compelling storytelling. It’s like a musician learning scales before composing symphonies.
  • Finding Your Feet: Especially when starting out, adopting a style that resonates can provide a scaffolding. It offers a sense of direction and a model to follow, reducing the paralysing fear of the unknown.
  • Connecting with an Audience: Sometimes, a familiar style taps into a pre-existing reader base. If you write in a genre with established conventions, a comfortable and predictable style can be a draw for those seeking that specific experience.

However, a life spent solely in the echo chamber risks becoming a pale imitation. The danger lies in mistaking appreciation for appropriation, and in becoming so enamoured with another’s voice that we silence our own.

The Audacity of the Original: Charting Your Own Course

Conversely, the call to create something new, to be the trailblazer, is equally potent. It’s the spirit of innovation, of pushing boundaries, of leaving an indelible mark that is uniquely yours.

  • Authenticity and Connection: A truly original voice resonates deeply because it’s born from genuine experience, observation, and perspective. Readers connect with authenticity; they feel a genuine spark when they encounter something that feels fresh and true to the author.
  • Innovation and Evolution: Literature, like any art form, needs to evolve. New voices bring new ideas, new ways of seeing the world, and new techniques that can invigorate the literary landscape. Think of the authors who fundamentally changed how we tell stories – they weren’t afraid to deviate from the norm.
  • Finding Your Unique Power: Your life experiences, your quirks, your individual way of processing the world – these are the raw materials of your unique voice. To suppress them in favour of someone else’s is to dim your own light.

The Sweet Spot: Where Familiarity Meets the New

So, where does this leave us? Is it an either/or proposition? Not necessarily. The most compelling authors often strike a delicate balance.

  • Influence, Not Imitation: We are all influenced by what we read. The key is to absorb those influences, to understand why they work, and then to filter them through your own unique lens. Your voice is not built in a vacuum; it’s a tapestry woven with the threads of your experiences and the inspiration you’ve drawn from others.
  • Mastering the Familiar to Subvert It: Sometimes, the most groundbreaking work arises from a deep understanding of existing conventions. By mastering the familiar, you gain the power to play with it, to bend it, and ultimately, to subvert it in exciting and unexpected ways.
  • Seeking Your “Why”: Before you choose your path, ask yourself: Why am I writing this? What is the core message or feeling I want to convey? Your “why” will often guide you towards the most authentic and impactful voice, whether it’s a whisper of the familiar or a roar of the new.

The Verdict: Cultivate Your Own Garden

Ultimately, the pursuit of a unique authorial voice is not about rejecting all external influence. It’s about engaging with those influences critically, learning from them, and then, crucially, integrating them into your own distinct expression.

Don’t be afraid to experiment. Don’t be afraid to stumble. Don’t be afraid to sound a little like yourself, even if that self is still under construction. The world of literature is rich because of its diversity. It needs your echoes, yes, but more importantly, it thirsts for your original song. So, embrace the challenge, cultivate your own garden of words, and let your unique voice bloom.

365 Days of writing, 2026 – 149

Day 149 – What really is writer’s block

The Myth of the Blank Page: Why “Writer’s Block” Is More Than Just a Stuck Pen

Every writer knows the sensation: you stare at the cursor, blinking rhythmically against a stark white screen, and your brain feels like a locked door. You can’t find the key. You call it “writer’s block.” You blame it on the caffeine crash, the deadline pressure, or a lack of inspiration.

But have you ever stopped to wonder if the term itself is actually to blame?

If you trace the history of those two words back to their source, you’ll find that “writer’s block” isn’t a medical condition or an inevitable creative cycle. It’s a diagnosis—and one that carries a heavy, somewhat dark, psychological weight.

The Invention of a Diagnosis

For most of literary history, writers simply struggled. They had “dry spells,” they “hit a wall,” or they were “out of ideas.” Then, in 1947, a psychoanalyst named Edmund Bergler coined the term “writer’s block.”

To understand Bergler, you have to understand the era. He was working in the shadow of Sigmund Freud, and he viewed the creative process through a very specific, psychoanalytic lens. Bergler didn’t think you were stuck because you were tired or uninspired. He believed that the “block” was actually an unconscious act of self-sabotage.

According to Bergler, writers were suffering from a deep-seated, masochistic drive. He argued that the writer unconsciously sabotaged their own work to enjoy the “self-constructed defeat” of failing to write. In his view, the agony of not being able to finish a manuscript wasn’t a struggle against a narrative problem; it was a psychological compulsion to suffer.

Is This Really About Word Counts?

If we accept Bergler’s definition, then “writer’s block” stops being a productivity issue and starts being an internal conflict.

This is where things get interesting. If you’re struggling to reach your daily word count, you usually look for practical solutions: try the Pomodoro technique, change your environment, or outline your chapters more clearly. But if the problem is actually a subconscious desire to sabotage yourself, those practical fixes will never work.

By framing our struggles as “writer’s block,” we’ve inherited a diagnosis that suggests the problem lies deep within our psyche, rather than on the page. It turns a professional hurdle into a personal failing.

Moving Beyond the “Block”

Maybe it’s time we retire the phrasing. When we tell ourselves we have “writer’s block,” we are giving ourselves permission to stop. We are turning a temporary lapse in flow into an identity—a “blocked” writer.

Perhaps the next time you feel stuck, you shouldn’t ask, “Why am I sabotaging myself?” or “How do I overcome this block?” Instead, try asking:

  • Is this section actually necessary for the story? (Maybe you’re stuck because the narrative is heading in the wrong direction.)
  • Am I exhausted or burnt out? (Sometimes, the tank is just empty.)
  • Is my goal too big? (Breaking a chapter into 100-word segments is far less daunting than “finishing the book.”)

Writer’s block might be a useful shorthand for the frustration of the craft, but it’s worth remembering that it was invented by a man who looked for internal demons behind every closed door. You don’t have to be a masochist to struggle with a sentence. Sometimes, a hard day of writing is just a hard day of writing—no analysis required.

Next time the words won’t come, don’t blame your subconscious. Just close the laptop, take a walk, and remember: you aren’t “blocked.” You’re just in the middle of the work.

365 Days of writing, 2026 – 149

Day 149 – What really is writer’s block

The Myth of the Blank Page: Why “Writer’s Block” Is More Than Just a Stuck Pen

Every writer knows the sensation: you stare at the cursor, blinking rhythmically against a stark white screen, and your brain feels like a locked door. You can’t find the key. You call it “writer’s block.” You blame it on the caffeine crash, the deadline pressure, or a lack of inspiration.

But have you ever stopped to wonder if the term itself is actually to blame?

If you trace the history of those two words back to their source, you’ll find that “writer’s block” isn’t a medical condition or an inevitable creative cycle. It’s a diagnosis—and one that carries a heavy, somewhat dark, psychological weight.

The Invention of a Diagnosis

For most of literary history, writers simply struggled. They had “dry spells,” they “hit a wall,” or they were “out of ideas.” Then, in 1947, a psychoanalyst named Edmund Bergler coined the term “writer’s block.”

To understand Bergler, you have to understand the era. He was working in the shadow of Sigmund Freud, and he viewed the creative process through a very specific, psychoanalytic lens. Bergler didn’t think you were stuck because you were tired or uninspired. He believed that the “block” was actually an unconscious act of self-sabotage.

According to Bergler, writers were suffering from a deep-seated, masochistic drive. He argued that the writer unconsciously sabotaged their own work to enjoy the “self-constructed defeat” of failing to write. In his view, the agony of not being able to finish a manuscript wasn’t a struggle against a narrative problem; it was a psychological compulsion to suffer.

Is This Really About Word Counts?

If we accept Bergler’s definition, then “writer’s block” stops being a productivity issue and starts being an internal conflict.

This is where things get interesting. If you’re struggling to reach your daily word count, you usually look for practical solutions: try the Pomodoro technique, change your environment, or outline your chapters more clearly. But if the problem is actually a subconscious desire to sabotage yourself, those practical fixes will never work.

By framing our struggles as “writer’s block,” we’ve inherited a diagnosis that suggests the problem lies deep within our psyche, rather than on the page. It turns a professional hurdle into a personal failing.

Moving Beyond the “Block”

Maybe it’s time we retire the phrasing. When we tell ourselves we have “writer’s block,” we are giving ourselves permission to stop. We are turning a temporary lapse in flow into an identity—a “blocked” writer.

Perhaps the next time you feel stuck, you shouldn’t ask, “Why am I sabotaging myself?” or “How do I overcome this block?” Instead, try asking:

  • Is this section actually necessary for the story? (Maybe you’re stuck because the narrative is heading in the wrong direction.)
  • Am I exhausted or burnt out? (Sometimes, the tank is just empty.)
  • Is my goal too big? (Breaking a chapter into 100-word segments is far less daunting than “finishing the book.”)

Writer’s block might be a useful shorthand for the frustration of the craft, but it’s worth remembering that it was invented by a man who looked for internal demons behind every closed door. You don’t have to be a masochist to struggle with a sentence. Sometimes, a hard day of writing is just a hard day of writing—no analysis required.

Next time the words won’t come, don’t blame your subconscious. Just close the laptop, take a walk, and remember: you aren’t “blocked.” You’re just in the middle of the work.

What I learned about writing – Some pointers for reviewing your work

Sharpen Your Words: Simple Tips for Better Writing

Ever finish writing something and feel like it’s just… not quite right? We’ve all been there. Polishing your writing is key to making sure your message shines through. Here are a few handy tips to help you review your work and make it stronger.

Keep it Concise

Don’t write long sentences. Shorter sentences are easier to follow. They pack a punch.

Each sentence should make a clear statement. Get straight to the point. Avoid rambling. Every sentence needs a purpose.

Watch Your Vocabulary

Don’t use big words. Choose words that everyone understands. Simple language is powerful language.

Never use words whose meanings you are not sure of. If you’re second-guessing a word, swap it out. Clarity is king.

Be Concrete

Avoid the abstract. Stick to what you can see, hear, touch, taste, and smell. Give examples. Paint a picture with your words.

What Else?

These are great starting points, but what else can help you make your writing shine?

  • Read it aloud: This is a game-changer. You’ll catch awkward phrasing and sentences that are too long. Your ears will tell you what your eyes miss.
  • Get a second opinion: Ask a friend or colleague to read your work. They’ll see things you’re too close to notice.
  • Take a break: Step away from your writing. Come back with fresh eyes.
  • Focus on flow: Do your ideas connect smoothly? Are your paragraphs logically ordered?
  • Check for repetition: Are you saying the same thing over and over? Find different ways to express your ideas.

Reviewing your writing doesn’t have to be a chore. By keeping these simple tips in mind, you can transform your drafts into clear, engaging pieces that truly connect with your readers. Happy writing!