365 Days of writing, 2026 – 38/39

Days 38 and 39 – Write a story that is difficult to write

I am trying to create a narrative that includes what I believe to be my grandmother’s manner

Now, it was back to cruising, heading for Toulon, and then Naples, and I’d spent a few hours on deck watching the Mediterranean go by, as well as other ships, and a fair number of naval vessels.

It was going to get very hot if war broke out, with the dreadnoughts and battleships facing off against each other.  It would make Nelson’s battle of Trafalgar look very tame indeed.

There was another chair near, and I heard it scrape softly across the floor, then stop.  I glanced over at the girl as she sat down.  She had a magazine in hand, perhaps bought at the railway station to read on the train down to Tilbury.  She glanced around, taking in the situation and appeared to have also assessed the relative peacefulness of the corner.

“Miss Rose, oops, sorry, Rosalie.”

She frowned, then smiled, perhaps accepting that my upbringing would get in the way for a while yet.  We had already decided on first names, though I usually forgot, and manners slipped in, adding a Miss before it.  I should have correctly addressed her as Miss Willshire, but that seemed too formal.

“Privately, like this, I shall call you David.”

“Of course, and I agree with you.  I believe we can blame Debrett’s for the naming protocol.”

She looked puzzled

“Sorry, again.  There’s a book issued every year with all the titled people from the king down.  My father is in there, and unfortunately, so am I.”

“I’ll have to find one.  What does it say about you?”

“Third son, no chance of becoming the Duke, and unmarried.  I don’t know why that would be significant.”

She smiled.  Clearly, she knew something I didn’t.  She said, with a half grin, “To some, you would make an excellent match.  I’m sure there are mothers with plans for their daughters to marry into nobility.  Even some on this ship.”

Again, there was that knowing expression, and I wondered if any of the other girls had said anything.  I hoped I wasn’t giving them or anyone else the wrong impression.

“The eligibles would be in first class.  It’s why I travel second. I’m not worth anything, despite having a job.  Bills to pay, lifestyle to maintain, it’s ridiculous that I have to maintain a standard so the rest of the family can keep up appearances.  You’re lucky.  I understand your father was a well-respected businessman.”

“He was.  Builder of mostly terraces, I think.  Sometimes he worked on specific public buildings.  There’s stonework of his on display in Abergavenny.  I mean to go there one day and see it.”

“Unlike my family, who have no claim to have created a lasting reminder of our existence.”  It often bothered me that we were not making a difference, not in a manner that anyone in a hundred years would look back and see evidence of it.

“What do your parents think of you going to Australia, of all places?”

“My father died about six years back, and my mother, five.  But if they were alive, perhaps they would be a little pensive.  But I am going to visit my uncle’s son, Henry, and his daughter Emma, who is two years older than me.  We have been corresponding for quite some years, and she suggested I might come out, especially now I’m an orphan, of sorts.”

“No brothers and sisters?”

“I would have had another older brother, but he died 17 months after being born.  I know my mother took a while to get over that.  And father, given he was a son.”

It was not spoken with rancour, but there was that undercurrent of how different boys were treated.

“But I have a few stepbrothers and sisters, so I’m not alone.  I get to see them as well as my uncles and aunts from time to time.  But enough about me, you are far more interesting.  Tell me about your family.”

I would have said the opposite was true, but I gave her my usual spiel without glorifying the aristocracy like my brothers would, without making it sound better or worse and with sensitivity to others’ situations.  Not everyone was lucky to have parents like mine; if it could be said, being mired in tradition and expectation was a blessing.

It was clear to me she was not rich but comfortable.  She had the education and manners of a girl who went to decent schools.  She spoke well and was knowledgeable enough to hold her own in a conversation.  She was, however, a little shy or perhaps reserved, and I found that a quality rather than a problem.

And best of all, she made pleasant company of the sort that a companionable silence would not be seen as awkward.

“So,” she said at the end of it, “all children are the same. They just live in different houses.”

“I wish I could say that for some of the children in first class.  Proper little spoilt brats they are.”

I could see from her expression that she agreed but remained silent on the subject.  Those children had nannies travelling with them, but that didn’t guarantee obedience.  In our class, there were no nannies, and the mother coped.  By and large, they were well behaved, and now that the ship school had kicked in, there weren’t so many running around.

“They probably don’t get to see their parents as often,” she said, “with nannies and servants looking after them.  I was lucky my nanny cared, as did the domestic staff.  My father was away for business a lot, but my mother was always there.

“Then you were indeed lucky.  I’m not sure how I would categorise my experience other than that a lot of it was at boarding school.  My brothers loved it.  I hated it.”

“And yet here you are, and a lawyer as well.  My father always talked of sending me to University, but he died before I was of age, and my mother, bless her soul, didn’t believe in girls getting higher education, that our world was one of running a house and having children.  Can’t say the idea of that has appealed to me, but I’m sure that’s where I’ll end up, like it or lump it.”

“Do you work?”

A momentary flash of the eyes.  “Of course.  I have to support myself.  I have a great job in the drapery department at a large store in Gillingham.  Slade and Sons.  They allowed me to live there after my mother died, and the house we had wasn’t ours, so I couldn’t live there.  I’ve been at Gillingham almost since I turned sixteen.  I have been working towards becoming a milliner.”

Clearly, she could see that as a man, I had no idea what she was talking about.

“I design and make hats for ladies, and sometimes they let me work on dresses.  I make all my own.”

For a confessed shop girl, she was so much more.  It explained the hat.  It explained her undeniable elegance, manner and self-confidence.

“Lady Penelope would absolutely love that blue hat you were wearing the day we boarded the ship.  It certainly stood out.”

She smiled.  “Thank you.”

Lady Penelope would like her dresses, too. “Perhaps if I give you an address, you could send a card.  I’m sure Lady Penelope would like to see what you can do for her.  She would definitely like your style.”

Understated but elegant, and yet I was sure Penelope would like to have a personal dress maker that wasn’t trying too hard to make a statement, the gist of her rant the last time she visited and bent my ear on a subject, there was no proper answer I could give to what I discovered was a rhetorical question.

I could see that the magazine she brought with her was about fashion.

“Again, thank you.  It is something I intend to explore when I go home.”

A steward appeared, and we ordered drinks.  I politely requested her to let me pay, but not in any way an obligation on her part for recompense.  I had an arrangement my father had set up, and why not lean on his generosity?

She accepted graciously, but I knew she would find a way to repay me.  It was going to make the voyage all the more interesting.

©  Charles Heath  2025-2026

What I learned about writing – Writers must read, or perhaps it should be, writers should read.

Why?

Well, it is said that you cannot become a quarterback if you have not seen what a quarterback does during a game of gridiron.

And whilst a writer can be good at writing, it helps to have read the sort of books that you intend to write to get some idea of what publishers are looking for.

Certainly, if you are writing nonfiction, there’s definitely going to be a great deal of reading in store.

I actually have a library of books, about three thousand of them, not all of the genre that I choose to write, but certainly, a good cross-section to lay the groundwork of the structure of the stories and how they will play out.

There is a formula behind writing a Mills and Boon romance book.

Of course, I’ve tried to write one, but my usual tendency to drift into thriller land gets me in the end, and I have a romance for half the book, and then all the thriller trimmings to bring it home.

I also have a penchant for writing spy stories, and my shelves are filled with the usual suspects, Charles Cummins, John LeCarre, and Len Deighton, just to name a few. I particularly like those of Len Deighton.

And everyone can see the influence James Patterson and Clive Cussler have had on my writing. If only I were half as good as they are…

First Dig Two Graves

A sequel to “The Devil You Don’t”

Revenge is a dish best served cold – or preferably so when everything goes right

Of course, it rarely does, as Alistair, Zoe’s handler, discovers to his peril. Enter a wildcard, John, and whatever Alistair’s plan for dealing with Zoe was dies with him.

It leaves Zoe in completely unfamiliar territory.

John’s idyllic romance with a woman who is utterly out of his comfort zone is on borrowed time. She is still trying to reconcile her ambivalence, after being so indifferent for so long.

They agree to take a break, during which she disappears. John, thinking she has left without saying goodbye, refuses to accept the inevitable, calls on an old friend for help in finding her.

After the mayhem and being briefly reunited, she recognises an inevitable truth: there is a price to pay for taking out Alistair; she must leave and find them first, and he would be wise to keep a low profile.

But keeping a low profile just isn’t possible, and enlisting another friend, a private detective and his sister, a deft computer hacker, they track her to the border between Austria and Hungary.

What John doesn’t realise is that another enemy is tracking him to find her too. It could have been a grand tour of Europe. Instead, it becomes a race against time before enemies old and new converge for what will be an inevitable showdown.

365 Days of writing, 2026 – 38/39

Days 38 and 39 – Write a story that is difficult to write

I am trying to create a narrative that includes what I believe to be my grandmother’s manner

Now, it was back to cruising, heading for Toulon, and then Naples, and I’d spent a few hours on deck watching the Mediterranean go by, as well as other ships, and a fair number of naval vessels.

It was going to get very hot if war broke out, with the dreadnoughts and battleships facing off against each other.  It would make Nelson’s battle of Trafalgar look very tame indeed.

There was another chair near, and I heard it scrape softly across the floor, then stop.  I glanced over at the girl as she sat down.  She had a magazine in hand, perhaps bought at the railway station to read on the train down to Tilbury.  She glanced around, taking in the situation and appeared to have also assessed the relative peacefulness of the corner.

“Miss Rose, oops, sorry, Rosalie.”

She frowned, then smiled, perhaps accepting that my upbringing would get in the way for a while yet.  We had already decided on first names, though I usually forgot, and manners slipped in, adding a Miss before it.  I should have correctly addressed her as Miss Willshire, but that seemed too formal.

“Privately, like this, I shall call you David.”

“Of course, and I agree with you.  I believe we can blame Debrett’s for the naming protocol.”

She looked puzzled

“Sorry, again.  There’s a book issued every year with all the titled people from the king down.  My father is in there, and unfortunately, so am I.”

“I’ll have to find one.  What does it say about you?”

“Third son, no chance of becoming the Duke, and unmarried.  I don’t know why that would be significant.”

She smiled.  Clearly, she knew something I didn’t.  She said, with a half grin, “To some, you would make an excellent match.  I’m sure there are mothers with plans for their daughters to marry into nobility.  Even some on this ship.”

Again, there was that knowing expression, and I wondered if any of the other girls had said anything.  I hoped I wasn’t giving them or anyone else the wrong impression.

“The eligibles would be in first class.  It’s why I travel second. I’m not worth anything, despite having a job.  Bills to pay, lifestyle to maintain, it’s ridiculous that I have to maintain a standard so the rest of the family can keep up appearances.  You’re lucky.  I understand your father was a well-respected businessman.”

“He was.  Builder of mostly terraces, I think.  Sometimes he worked on specific public buildings.  There’s stonework of his on display in Abergavenny.  I mean to go there one day and see it.”

“Unlike my family, who have no claim to have created a lasting reminder of our existence.”  It often bothered me that we were not making a difference, not in a manner that anyone in a hundred years would look back and see evidence of it.

“What do your parents think of you going to Australia, of all places?”

“My father died about six years back, and my mother, five.  But if they were alive, perhaps they would be a little pensive.  But I am going to visit my uncle’s son, Henry, and his daughter Emma, who is two years older than me.  We have been corresponding for quite some years, and she suggested I might come out, especially now I’m an orphan, of sorts.”

“No brothers and sisters?”

“I would have had another older brother, but he died 17 months after being born.  I know my mother took a while to get over that.  And father, given he was a son.”

It was not spoken with rancour, but there was that undercurrent of how different boys were treated.

“But I have a few stepbrothers and sisters, so I’m not alone.  I get to see them as well as my uncles and aunts from time to time.  But enough about me, you are far more interesting.  Tell me about your family.”

I would have said the opposite was true, but I gave her my usual spiel without glorifying the aristocracy like my brothers would, without making it sound better or worse and with sensitivity to others’ situations.  Not everyone was lucky to have parents like mine; if it could be said, being mired in tradition and expectation was a blessing.

It was clear to me she was not rich but comfortable.  She had the education and manners of a girl who went to decent schools.  She spoke well and was knowledgeable enough to hold her own in a conversation.  She was, however, a little shy or perhaps reserved, and I found that a quality rather than a problem.

And best of all, she made pleasant company of the sort that a companionable silence would not be seen as awkward.

“So,” she said at the end of it, “all children are the same. They just live in different houses.”

“I wish I could say that for some of the children in first class.  Proper little spoilt brats they are.”

I could see from her expression that she agreed but remained silent on the subject.  Those children had nannies travelling with them, but that didn’t guarantee obedience.  In our class, there were no nannies, and the mother coped.  By and large, they were well behaved, and now that the ship school had kicked in, there weren’t so many running around.

“They probably don’t get to see their parents as often,” she said, “with nannies and servants looking after them.  I was lucky my nanny cared, as did the domestic staff.  My father was away for business a lot, but my mother was always there.

“Then you were indeed lucky.  I’m not sure how I would categorise my experience other than that a lot of it was at boarding school.  My brothers loved it.  I hated it.”

“And yet here you are, and a lawyer as well.  My father always talked of sending me to University, but he died before I was of age, and my mother, bless her soul, didn’t believe in girls getting higher education, that our world was one of running a house and having children.  Can’t say the idea of that has appealed to me, but I’m sure that’s where I’ll end up, like it or lump it.”

“Do you work?”

A momentary flash of the eyes.  “Of course.  I have to support myself.  I have a great job in the drapery department at a large store in Gillingham.  Slade and Sons.  They allowed me to live there after my mother died, and the house we had wasn’t ours, so I couldn’t live there.  I’ve been at Gillingham almost since I turned sixteen.  I have been working towards becoming a milliner.”

Clearly, she could see that as a man, I had no idea what she was talking about.

“I design and make hats for ladies, and sometimes they let me work on dresses.  I make all my own.”

For a confessed shop girl, she was so much more.  It explained the hat.  It explained her undeniable elegance, manner and self-confidence.

“Lady Penelope would absolutely love that blue hat you were wearing the day we boarded the ship.  It certainly stood out.”

She smiled.  “Thank you.”

Lady Penelope would like her dresses, too. “Perhaps if I give you an address, you could send a card.  I’m sure Lady Penelope would like to see what you can do for her.  She would definitely like your style.”

Understated but elegant, and yet I was sure Penelope would like to have a personal dress maker that wasn’t trying too hard to make a statement, the gist of her rant the last time she visited and bent my ear on a subject, there was no proper answer I could give to what I discovered was a rhetorical question.

I could see that the magazine she brought with her was about fashion.

“Again, thank you.  It is something I intend to explore when I go home.”

A steward appeared, and we ordered drinks.  I politely requested her to let me pay, but not in any way an obligation on her part for recompense.  I had an arrangement my father had set up, and why not lean on his generosity?

She accepted graciously, but I knew she would find a way to repay me.  It was going to make the voyage all the more interesting.

©  Charles Heath  2025-2026

365 Days of writing, 2026 – My Second Story 6

More about my second novel

OK. So the story is about Alistair’s mother seeking revenge on Zoe for killing her son.

She’s not the only one.

Zoe is or was an assassin. She had a substantial number of kills to her credit, but she doesn’t share numbers, so we won’t find out exactly how many, and others seek revenge, too.

One is co-incidentally, the head of the intelligence service John’s friend Sebastian works for, a man by the name of Worthington, who had a twin brother whom she killed by mistake.

He has been using his position in intelligence to track the woman who executed his brother for some time, and being in Venice at the time of the Alistair affair, he catches sight of Zoe recovering in a hospital after requesting to meet Sebastian’s newest recruit.

Of course, Sebastian is playing fast and loose with the truth, as always, but the damage is done.

Zoe, aka Mary Anne, aka Chantal, is now being hunted by three different people and has just had a bounty put on her head, guaranteeing even more people searching for her.

All while heading to a meeting in Marseilles about a freelance hit.

Yes, it’s going to be the proverbial rollercoaster ride…

What I learned about writing – Editing – 1

The message I’m getting from the inspirational piece is quite bluntly telling you, the author, to be ruthless.

But, is it as much about cutting words as it is about rearranging those you have better?

Some writers write chapters instead of paragraphs, paragraphs instead of sentences, and end up with a book the size of War and Peace. That is not to say Tolstoy should have taken a blue pencil to his work and made it 250 pages. It would not have made sense.

A friend of mine once told me that Harold Robbins was one of those writers who needed to be concise rather than verbose. I didn’t agree with him. I read all of Robbins’ books and loved them.

But…

It is always suggested that first, you write the story. Just get it all down on paper, or in a file on your computer. However long it takes to get it there. One of mine came in at 85,000 words. At the time, I was told the optimum size was around 50 to 60,000 words.

So, it came time for the first edit. I reduced it to around 45,000 words by tasking out what I first deemed unnecessary verbosity. Then I sent it to the editor, who told me there were gaps, gaps that ruined the continuity. He then asked for the missing pages.

I then made the second edit, and it came back at 78,000 words.

Three visits to the editor and four rewrites, the story now has 85,000 words again, but it reads much, much better. It was, in fact, a story I wrote originally about 50 years ago, at a time when love was new to me, and I didn’t understand girls or the myriad of mistakes you could make, and I think what I did back then was chronicle the path I took.

If I was hoping it would make it easier, I was wrong. It was not a revelation to discover that all women are different.

But I digress…

Editing can be about ruthless cutting, but it can also be about adding for clarity and continuity or to make a part of the story clearer by using context or backstory.

Another excerpt from ‘Betrayal’; a work in progress

My next destination in the quest was the hotel we believed Anne Merriweather had stayed at.

I was, in a sense, flying blind because we had no concrete evidence she had been there, and the message she had left behind didn’t quite name the hotel or where Vladimir was going to take her.

Mindful of the fact that someone might have been following me, I checked to see if the person I’d assumed had followed me to Elizabeth’s apartment was still in place, but I couldn’t see him. Next, I made a mental note of seven different candidates and committed them to memory.

Then I set off to the hotel, hailing a taxi. There was the possibility the cab driver was one of them, but perhaps I was slightly more paranoid than I should be. I’d been watching the queue, and there were two others before me.

The journey took about an hour, during which time I kept an eye out the back to see if anyone had been following us. If anyone was, I couldn’t see them.

I had the cab drop me off a block from the hotel and then spent the next hour doing a complete circuit of the block the hotel was on, checking the front and rear entrances, the cameras in place, and the siting of the driveway into the underground carpark. There was a camera over the entrance, and one we hadn’t checked for footage. I sent a text message to Fritz to look into it.

The hotel lobby was large and busy, which was exactly what you’d want if you wanted to come and go without standing out. It would be different later at night, but I could see her arriving about mid-afternoon, and anonymous among the type of clientele the hotel attracted.

I spent an hour sitting in various positions in the lobby simply observing. I had already ascertained where the elevator lobby for the rooms was, and the elevator down to the car park. Fortunately, it was not ‘guarded’ but there was a steady stream of concierge staff coming and going to the lower levels, and, just from time to time, guests.

Then, when there was a commotion at the front door, what seemed to be a collision of guests and free-wheeling bags, I saw one of the seven potential taggers sitting by the front door. Waiting for me to leave? Or were they wondering why I was spending so much time there?

Taking advantage of that confusion, I picked my moment to head for the elevators that went down to the car park, pressed the down button, and waited.

The was no car on the ground level, so I had to wait, watching, like several others, the guests untangling themselves at the entrance, and an eye on my potential surveillance, still absorbed in the confusion.

The doors to the left car opened, and a concierge stepped out, gave me a quick look, then headed back to his desk. I stepped into the car, pressed the first level down, the level I expected cars to arrive on, and waited what seemed like a long time for the doors to close.

As they did, I was expecting to see a hand poke through the gap, a latecomer. Nothing happened, and I put it down to a television moment.

There were three basement levels, and for a moment, I let my imagination run wild and considered the possibility that there were more levels. Of course, there was no indication on the control panel that there were any other floors, and I’d yet to see anything like it in reality.

With a shake of my head to return to reality, the car arrived, the doors opened, and I stepped out.

A car pulled up, and the driver stepped out, went around to the rear of his car, and pulled out a case. I half expected him to throw me the keys, but the instant glance he gave me told him was not the concierge, and instead brushed past me like I wasn’t there.

He bashed the up button several times impatiently and cursed when the doors didn’t open immediately. Not a happy man.

Another car drove past on its way down to a lower level.

I looked up and saw the CCTV camera, pointing towards the entrance, visible in the distance. A gate that lifted up was just about back in position and then made a clunk when it finally closed. The footage from the camera would not prove much, even if it had been working, because it didn’t cover the life lobby, only in the direction of the car entrance.

The doors to the other elevator car opened, and a man in a suit stepped out.

“Can I help you, sir? You seem lost.”

Security, or something else. “It seems that way. I went to the elevator lobby, got in, and it went down rather than up. I must have been in the wrong place.”

“Lost it is, then, sir.” I could hear the contempt for Americans in his tone. “If you will accompany me, please.”

He put out a hand ready to guide me back into the elevator. I was only too happy to oblige him. There had been a sign near the button panel that said the basement levels were only to be accessed by the guests.

Once inside, he turned a key and pressed the lobby button. The doors closed, and we went up. He stood, facing the door, not speaking. A few seconds later, he was ushering me out to the lobby.

“Now, sir, if you are a guest…”

“Actually, I’m looking for one. She called me and said she would be staying in this hotel and to come down and visit her. I was trying to get to the sixth floor.”

“Good. Let’s go over the the desk and see what we can do for you.”

I followed him over to the reception desk, where he signalled one of the clerks, a young woman who looked and acted very efficiently, and told her of my request, but then remained to oversee the proceeding.

“Name of guest, sir?”

“Merriweather, Anne. I’m her brother, Alexander.” I reached into my coat pocket and pulled out my passport to prove that I was who I said I was. She glanced cursorily at it.

She typed the name into the computer, and then we waited a few seconds while it considered what to output. Then, she said, “That lady is not in the hotel, sir.”

Time to put on my best-confused look. “But she said she would be staying here for the week. I made a special trip to come here to see her.”

Another puzzled look from the clerk, then, “When did she call you?”

An interesting question to ask, and it set off a warning bell in my head. I couldn’t say today, it would have to be the day she was supposedly taken.

“Last Saturday, about four in the afternoon.”

Another look at the screen, then, “It appears she checked out Sunday morning. I’m afraid you have made a trip in vain.”

Indeed, I had. “Was she staying with anyone?”

I just managed to see the warning pass from the suited man to the clerk. I thought he had shown an interest when I mentioned the name, and now I had confirmation. He knew something about her disappearance. The trouble was, he wasn’t going to volunteer any information because he was more than just hotel security.

“No.”

“Odd,” I muttered. “I thought she told me she was staying with a man named Vladimir something or other. I’m not too good at pronouncing those Russian names. Are you sure?”

She didn’t look back at the screen. “Yes.”

“OK, now one thing I do know about staying in hotels is that you are required to ask guests with foreign passports their next destination, just in case they need to be found. Did she say where she was going next?” It was a long shot, but I thought I’d ask.

“Moscow. As I understand it, she lives in Moscow. That was the only address she gave us.”

I smiled. “Thank you. I know where that is. I probably should have gone there first.”

She didn’t answer; she didn’t have to, her expression did that perfectly.

The suited man spoke again, looking at the clerk. “Thank you.” He swivelled back to me. “I’m sorry we can’t help you.”

“No. You have more than you can know.”

“What was your name again, sir, just in case you still cannot find her?”

“Alexander Merriweather. Her brother. And if she is still missing, I will be posting a very large reward. At the moment, you can best contact me via the American Embassy.”

Money is always a great motivator, and that thoughtful expression on his face suggested he gave a moment’s thought to it.

I left him with that offer and left. If anything, the people who were holding her would know she had a brother, that her brother was looking for her, and equally that brother had money.

© Charles Heath – 2018-2025

365 Days of writing, 2026 – My Second Story 6

More about my second novel

OK. So the story is about Alistair’s mother seeking revenge on Zoe for killing her son.

She’s not the only one.

Zoe is or was an assassin. She had a substantial number of kills to her credit, but she doesn’t share numbers, so we won’t find out exactly how many, and others seek revenge, too.

One is co-incidentally, the head of the intelligence service John’s friend Sebastian works for, a man by the name of Worthington, who had a twin brother whom she killed by mistake.

He has been using his position in intelligence to track the woman who executed his brother for some time, and being in Venice at the time of the Alistair affair, he catches sight of Zoe recovering in a hospital after requesting to meet Sebastian’s newest recruit.

Of course, Sebastian is playing fast and loose with the truth, as always, but the damage is done.

Zoe, aka Mary Anne, aka Chantal, is now being hunted by three different people and has just had a bounty put on her head, guaranteeing even more people searching for her.

All while heading to a meeting in Marseilles about a freelance hit.

Yes, it’s going to be the proverbial rollercoaster ride…

365 Days of writing, 2026 – 37

Day 37 – Do writers need to be interested in everything

Is the Accomplished Writer Someone Who Is Interested in Everything?


Introduction

When you flip through the pages of a novel that feels almost cinematic, or when a nonfiction essay makes you see the world in a new light, you’re often witnessing the work of a writer who seems to know everything. From the delicate anatomy of a hummingbird’s wing to the gritty economics of a 19th‑century railway boom, the writer’s knowledge appears boundless.

That impression fuels a common myth: “If you want to be an accomplished writer, you must be interested in everything.”

Is this hyper‑curiosity a prerequisite for literary greatness, or merely a romantic exaggeration? In this post, we’ll unpack the myth, explore the real relationship between curiosity and craft, and give you practical takeaways for your own writing journey.


1. The Appeal of the “Jack‑of‑All‑Trades” Writer

1.1. Breadth as a Narrative Engine

A wide knowledge base gives a writer an arsenal of storytelling tools. When you can weave together disparate subjects—say, a scientist’s obsession with quantum entanglement and a chef’s pursuit of umami—you create surprising juxtapositions that keep readers hooked.

  • Example: Don DeLillo’s novels are peppered with references to pop culture, physics, and corporate jargon, turning his prose into a kaleidoscope of modern life.
  • Result: Readers feel that the author “gets” the world, and they trust the narrative to transport them across it.

1.2. Credibility and Authority

When a writer can cite accurate details, it builds legitimacy. In nonfiction, especially, expertise (or the appearance of it) can be the difference between a bestseller and a footnote.

  • Example: Malcolm Gladwell isn’t a psychologist, sociologist, or historian, yet he commands authority because he consistently digests research from each field and reframes it in accessible stories.

2. Why “Everything” Is a Misleading Goal

2.1. The Curse of the “Polymath‑Trap”

Trying to master everything leads to shallow knowledge, which can manifest as:

  • Superficiality: Dropping jargon without context, leaving readers confused.
  • Inconsistent Voice: Switching tones every time you switch subjects erodes narrative cohesion.

“A writer who knows a little about many things is often less effective than a writer who knows a lot about one thing.” – Haruki Murakami (paraphrased)

2.2. Depth Trumps Breadth in Most Genres

  • Literary Fiction: The emotional truth of a character’s inner life often outweighs how many facts you can slip in.
  • Genre Writing (e.g., mystery, sci‑fi): World‑building thrives on focused expertise. A detective novel benefits more from a deep dive into police procedure than from an encyclopedic survey of kitchen appliances.

2.3. The Opportunity Cost of Over‑Curiosity

Every hour you spend chasing a new hobby is an hour you could be honing your prose, revising drafts, or reading the works that inspired you. The best writers allocate their curiosity strategically, not indiscriminately.


3. What Successful Writers Actually Do

WriterPrimary InterestsHow They Leverage Curiosity
Toni MorrisonAfrican‑American history, music, mythologyIntegrated cultural memory into layered narratives.
Neil GaimanFolklore, comics, filmCross‑medium storytelling, creating a mythic voice.
J.K. RowlingClassical mythology, alchemy, educationBuilt a richly detailed magical world anchored in real‑world concepts.
Rebecca SolnitGeography, politics, art historyCombines seemingly unrelated topics to reveal hidden connections.
George R.R. MartinMedieval history, anthropology, linguisticsConstructs a believable fantasy realm through meticulous research in specific fields.

Key Takeaway: Each writer has a core constellation of interests that they explore deeply, while allowing peripheral curiosities to spark fresh ideas.


4. The Science of Curiosity and Creativity

  • Neuroscience: Studies show that divergent thinking—the ability to generate many possible solutions—strengthens when the brain forms connections across unrelated concepts.
  • Psychology: The “Broaden‑and‑Build” theory (Barbara Fredrickson) posits that positive emotions, often triggered by curiosity, expand our mental repertoire, giving us more raw material for creative work.

In plain terms: Being curious does help you write better—but you don’t need to be curious about everything. You just need enough variety to keep the mental pathways open.


5. How to Cultivate a Productive Curiosity (Without Going Overboard)

  1. Identify Your “Anchor Interests.”
    • List 3–5 subjects you love (e.g., vintage photography, urban gardening, Renaissance art).
    • Make a habit of reading news, books, or podcasts in these areas weekly.
  2. Adopt a “Research‑First” Mindset for Projects.
    • Before you start a story, ask: What knowledge does the world need?
    • Set a research budget (e.g., 5 hours) and focus on depth, not breadth.
  3. Cross‑Pollinate Intentionally.
    • Pair two unrelated interests (e.g., marine biology + corporate law) and brainstorm story premises.
    • Use the “Random Prompt” method: Write a one‑sentence logline that forces you to combine the two.
  4. Limit Consumption, Amplify Production.
    • For every hour spent watching a documentary, write at least 300 words.
    • This “ratio rule” ensures curiosity fuels output rather than replaces it.
  5. Maintain a “Curiosity Journal.”
    • Jot down fleeting questions (“Why do some birds migrate at night?”).
    • Review monthly; pick one that resonates and research it thoroughly.

6. Frequently Asked Questions

QuestionShort Answer
Do I need a formal education in every field I write about?No. A disciplined research process and a willingness to ask experts can substitute for a degree.
Can I become a bestselling author by focusing on a single niche?Absolutely. Ernest Hemingway famously limited his subject matter to war, hunting, and love, yet his work is timeless.
Is it okay to write about topics I’m not an expert in?Yes, if you do thorough research, credit your sources, and avoid misrepresentation.
How do I avoid “information overload” when I’m curious?Set clear limits on research time per project, and prioritize depth over quantity.
Should I read only within my genre to stay “focused”?No. Reading outside your genre fuels innovation, but keep a balance so you don’t lose sight of genre conventions.

7. Bottom Line: Curiosity, Not Everything, Makes the Accomplished Writer

  • Curiosity is the engine. It drives you to ask questions, seek stories, and discover connections.
  • Depth is the fuel. Master a few subjects enough to write with authority and nuance.
  • Focus is the map. Align your curiosity with the story you’re telling, rather than letting it wander aimlessly.

An accomplished writer is not a person who knows everything, but a person who knows how to learn what they need, when they need it, and then transform that knowledge into compelling prose.


Action Plan: 3 Steps to Start Today

  1. Pick Your Anchor: Write down three topics you could talk about for hours.
  2. Schedule a Research Sprint: Allocate a 2‑hour block this week to dig deep into one of those topics—read a scholarly article, watch a documentary, or interview an expert.
  3. Write a Mini‑Story: Using the new knowledge, craft a 500‑word piece that integrates the information organically.

Repeat the cycle, and watch your writing evolve from “interesting” to illuminating.


Closing Thought

The next time you admire a writer who seems to have woven the universe into their pages, remember: they didn’t achieve that by trying to master everything. They mastered the art of selective curiosity—knowing what to explore, how deep to go, and, most importantly, how to turn that exploration into a story that matters.

If you adopt that mindset, you’ll be well on your way to joining the ranks of accomplished writers—without ever having to become a walking encyclopedia.

Happy writing!


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What I learned about writing – Check your work

By any and all means possible, because if you are using the English language, then you’re going to be tripped up.

For instance, just the use of simple words like then, and than, there, and their, and many others. Just the very simplest of words have many meanings, some of them obscure, some of them, well, you get my drift.

ESL students often tear what little hair they have left out over the words. We English users, we are different again, being American English, English English, and a dozen other variations.

There’s centre and centre, just to name one, when it comes to American and English.

It depends on what spell checker you use to check the spelling, and what grammar checker you use, and generally not 100 per cent effective.

I let Microsoft Editor have fun with my writing, and then tend to ignore a lot of the suggestions. They just sound weird.

I have a basic Grammarly, but it doesn’t do a whole lot, and it costs a lot of money to get the so-called good one.

You have to decide the way you want to go, but you will have to have your work checked for grammar, spelling and facts.

And probably read a dozen grammar texts to get the best way to write your sentences. Mine often start out somewhat strange, but we get there in the end.

As a case in point: the word Line

The English language has some marvellous words that can be used to have any number of meanings

For instance,

Draw a line in the sand

We would all like to do this with our children, our jobs, and our relationships, but for some reason, the idea sounds really good in our heads, yet it never quite works out. What does it mean, whatever it is, this I’d where it ends or changes because it can’t keep going the way it is.

Inevitably, it leads to,

You’ve crossed the line

Which, at some point in our lives, and particularly when we were children, we all do a few times until, if we’re lucky, we learn where that line is. It’s usually considered 8n tandem with pushing boundaries.

Of course, there is

A line you should never cross

And I like to think we all know where that is. Unfortunately, some do not and often find their seemingly idyllic life totally shattered beyond repair. An affair from either side of a marriage or relationship can do that.

You couldn’t walk a straight line if you tried

While we might debate what straight might mean in this context, for this adaptation, it means staying on the right side of legality. Some people find a life of crime more appealing than doing honest day’s work.

This goes hand in hand with,

You’re spinning me a line

This means you are being somewhat loose with the truth, perhaps in explaining where you’ve been and what you’ve been doing. I think sometimes liars forget they need to have good memories.

Then there are the more practical uses of the word, such as

I have a new line of products

Is that a new fishing line?

Those, I think, most of us get, but it’s the more ambiguous ones that we have trouble with. Still, ambiguity is a writer’s best friend, and we can make up a lot of stuff from just using one word.