Two novels are on special for $0.99
They are

for “Echoes from the Past” go to

for “The Devil You Don’t” go to
Two novels are on special for $0.99
They are

for “Echoes from the Past” go to

for “The Devil You Don’t” go to
This is sometimes how we must feel when overlooked or ignored, like a nobody.
And some people will treat you like a nobody, i.e someone who is just not important.
That’s just one use of the word.
Another might be…
Who did that to your room?
‘Nobody’ is the plaintiff reply. The infamous Mr. Nobody. We’ve never met him, but he’s always there. And, what’s more, he seems to be able to be in more than one place at a time.
Then there’s that time when there’s nobody in the room, nobody agreed with me, hell, that happens all the time, and when I rang your phone nobody answered.
Nobody? Was I expecting Mr. Nobody to answer? Surely the response should have been, ‘and you didn’t answer’.
Of course, let’s not delve too deep here, lest we might find out something we didn’t want to know.
I went to your house last night, but nobody was home.
How is it we refer to the people whom we know live in that house as ‘nobody’. Shouldn’t we be saying, ‘none of you was at home’?
It seems nobody is one of those words we often use in vain.
I wandered back to my villa.
It was in darkness. I was sure I had left several lights on, especially over the door so I could see to unlock it.
I looked up and saw the globe was broken.
Instant alert.
I went to the first hiding spot for the gun, and it wasn’t there. I went to the backup and it wasn’t there either. Someone had found my carefully hidden stash of weapons and removed them.
Who?
There were four hiding spots and all were empty. Someone had removed the weapons. That could only mean one possibility.
I had a visitor, not necessarily here for a social call.
But, of course, being the well-trained agent I’d once been and not one to be caught unawares, I crossed over to my neighbor and relieved him of a weapon that, if found, would require a lot of explaining.
Suitably armed, it was time to return the surprise.
There were three entrances to the villa, the front door, the back door, and a rather strange escape hatch. One of the more interesting attractions of the villa I’d rented was its heritage. It was built in the late 1700s, by a man who was, by all accounts, a thief. It had a hidden underground room which had been in the past a vault but was now a wine cellar, and it had an escape hatch by which the man could come and go undetected, particularly if there was a mob outside the door baying for his blood.
It now gave me the means to enter the villa without my visitors being alerted, unless, of course, they were near the vicinity of the doorway inside the villa, but that possibility was unlikely. It was not where anyone could anticipate or expect a doorway to be.
The secret entrance was at the rear of the villa behind a large copse, two camouflaged wooden doors built into the ground. I move aside some of the branches that covered them and lifted one side. After I’d discovered the doors and rusty hinges, I’d oiled and cleaned them, and cleared the passageway of cobwebs and fallen rocks. It had a mildew smell, but nothing would get rid of that. I’d left torches at either end so I could see.
I closed the door after me, and went quietly down the steps, enveloped in darkness till I switched on the torch. I traversed the short passage which turned ninety degrees about halfway to the door at the other end. I carried the key to this door on the keyring, found it and opened the door. It too had been oiled and swung open soundlessly.
I stepped in the darkness and closed the door.
I was on the lower level under the kitchen, now the wine cellar, the ‘door’ doubling as a set of shelves which had very little on them, less to fall and alert anyone in the villa.
Silence, an eerie silence.
I took the steps up to the kitchen, stopping when my head was level with the floor, checking to see if anyone was waiting. There wasn’t. It seemed to me to be an unlikely spot for an ambush.
I’d already considered the possibility of someone coming after me, especially because it had been Bespalov I’d killed, and I was sure he had friends, all equally as mad as he was. Equally, I’d also considered it nigh on impossible for anyone to find out it was me who killed him because the only people who knew that were Prendergast, Alisha, a few others in the Department, and Susan.
That raised the question of who told them where I was.
If I was the man I used to be, my first suspect would be Susan. The departure this morning, and now this was too coincidental. But I was not that man.
Or was I?
I reached the start of the passageway that led from the kitchen to the front door and peered into the semi-darkness. My eyes had got used to the dark, and it was no longer an inky void. Fragments of light leaked in around the door from outside and through the edge of the window curtains where they didn’t fit properly. A bone of contention upstairs in the morning, when first light shone and invariably woke me up hours before I wanted to.
Still nothing.
I took a moment to consider how I would approach the visitor’s job. I would get a plan of the villa in my head, all entrances, where a target could be led to or attacked where there would be no escape.
Coming in the front door. If I was not expecting anything, I’d just open the door and walk-in. One shot would be all that was required.
Contract complete.
I sidled quietly up the passage staying close to the wall, edging closer to the front door. There was an alcove where the shooter could be waiting. It was an ideal spot to wait.
Crunch.
I stepped on some nutshells.
Not my nutshells.
I felt it before I heard it. The bullet with my name on it.
And how the shooter missed, from point-blank range, and hit me in the arm, I had no idea. I fired off two shots before a second shot from the shooter went wide and hit the door with a loud thwack.
I saw a red dot wavering as it honed in on me and I fell to the floor, stretching out, looking up where the origin of the light was coming and pulled the trigger three times, evenly spaced, and a second later I heard the sound of a body falling down the stairs and stopping at the bottom, not very far from me.
Two assassins.
I’d not expected that.
The assassin by the door was dead, a lucky shot on my part. The second was still breathing.
I checked the body for any weapons and found a second gun and two knives. Armed to the teeth!
I pulled off the balaclava; a man, early thirties, definitely Italian. I was expecting a Russian.
I slapped his face, waking him up. Blood was leaking from several slashes on his face when his head had hit the stairs on the way down. The awkward angle of his arms and legs told me there were broken bones, probably a lot worse internally. He was not long for this earth.
“Who employed you?”
He looked at me with dead eyes, a pursed mouth, perhaps a smile. “Not today my friend. You have made a very bad enemy.” He coughed and blood poured out of his mouth. “There will be more …”
Friends of Bespalov, no doubt.
I would have to leave. Two unexplainable bodies, I’d have a hard time explaining my way out of this mess. I dragged the two bodies into the lounge, clearing the passageway just in case someone had heard anything.
Just in case anyone was outside at the time, I sat in the dark, at the foot of the stairs, and tried to breathe normally. I was trying not to connect dots that led back to Susan, but the coincidence was worrying me.
A half-hour passed and I hadn’t moved. Deep in thought, I’d forgotten about being shot, unaware that blood was running down my arm and dripping onto the floor.
Until I heard a knock on my front door.
Two thoughts, it was either the police, alerted by the neighbors, or it was the second wave, though why would they be knocking on the door?
I stood, and immediately felt a stabbing pain in my arm. I took out a handkerchief and turned it into a makeshift tourniquet, then wrapped a kitchen towel around the wound.
If it was the police, this was going to be a difficult situation. Holding the gun behind my back, I opened the door a fraction and looked out.
No police, just Maria. I hoped she was not part of the next ‘wave’.
“You left your phone behind on the table. I thought you might be looking for it.” She held it out in front of her.
When I didn’t open the door any further, she looked at me quizzically, and then asked, “Is anything wrong?”
I was going to thank her for returning the phone, but I heard her breathe in sharply, and add, breathlessly, “You’re bleeding.”
I looked at my arm and realized it was visible through the door, and not only that, the towel was soaked in blood.
“You need to go away now.”
Should I tell her the truth? It was probably too late, and if she was any sort of law-abiding citizen she would go straight to the police.
She showed no signs of leaving, just an unnerving curiosity. “What happened?”
I ran through several explanations, but none seemed plausible. I went with the truth. “My past caught up with me.”
“You need someone to fix that before you pass out from blood loss. It doesn’t look good.”
“I can fix it. You need to leave. It is not safe to be here with me.”
The pain in my arm was not getting any better, and the blood was starting to run down my arm again as the tourniquet loosened. She was right, I needed it fixed sooner rather than later.
I opened the door and let her in. It was a mistake, a huge mistake, and I would have to deal with the consequences. Once inside, she turned on the light and saw the pool of blood just inside the door and the trail leading to the lounge. She followed the trail and turned into the lounge, turned on the light, and no doubt saw the two dead men.
I expected her to scream. She didn’t.
She gave me a good hard look, perhaps trying to see if I was dangerous. Killing people wasn’t something you looked the other way about. She would have to go to the police.
“What happened here?”
“I came home from the cafe and two men were waiting for me. I used to work for the Government, but no longer. I suspect these men were here to repay a debt. I was lucky.”
“Not so much, looking at your arm.”
She came closer and inspected it.
“Sit down.”
She found another towel and wrapped it around the wound, retightening the tourniquet to stem the bleeding.
“Do you have medical supplies?”
I nodded. “Upstairs.” I had a medical kit, and on the road, I usually made my own running repairs. Another old habit I hadn’t quite shaken off yet.
She went upstairs, rummaged, and then came back. I wondered briefly what she would think of the unmade bed though I was not sure why it might interest her.
She helped me remove my shirt, and then cleaned the wound. Fortunately, she didn’t have to remove a bullet. It was a clean wound but it would require stitches.
When she’d finished she said, “Your friend said one day this might happen.”
No prizes for guessing who that friend was, and it didn’t please me that she had involved Maria.
“Alisha?”
“She didn’t tell me her name, but I think she cares a lot about you. She said trouble has a way of finding you, gave me a phone and said to call her if something like this happened.”
“That was wrong of her to do that.”
“Perhaps, perhaps not. Will you call her?”
“Yes. I can’t stay here now. You should go now. Hopefully, by the time I leave in the morning, no one will ever know what happened here, especially you.”
She smiled. “As you say, I was never here.”
© Charles Heath 2018-2020
Every year I come back to revisit this, and each year it becomes a harder issue to deal with. All that’s recently changed is the number of characters you can use.
I’ve been trawling the endless collection of twitter descriptions provided by their users, noting that there is a restriction of 280 characters.
How do you sum yourself up in 280 characters?
I don’t think I can, so like everyone else, I tend to put down a few catchphrases, something that will draw followers. I’m thinking the word ‘aspiring’ will be my catchword.
I’m aspiring to be a writer, or is that author? Is there a difference, like for instance, one publishes eBooks on Amazon, one publishes hard copies in the traditional manner?
The thing is, I want to be different from everyone else. The real fact of the matter is that I’m not. Like every other writer, or author, I put words on paper, and some people will read them, and a whole lot of others won’t.
And it’s not because they don;t want to, it’s simply because they don’t know my work is pout there.
So, the question is, how the hell do I make myself heard?
Taking the tradition route, saying I’k a father, I have children, I have a long suffering but accommodation wife, that hours of shutting myself away is a necessity, but creates hardship on others, how an I different?
What is it about me that makes me different from anyone else? Am I different, do I want to be different? Certainly I want to be heard, so do I shout at the top of my vices from the top of the highest hill?
Perhaps it would be better if I was a retired policeman, a retired lawyer, a retired sheriff, a retired private investigator, a retired doctor, someone who had an occupation that was a rich mine of information from which to draw upon.
Retired computer programmers, supermarket shelf stackers, night cleaners, accounts clerks and general dogsbody s don’t quite cut the mustard. A mundane life does a writer not make.
Perhaps I need a ‘killer biography’. Does it mean that I have to be a ‘killer’?
Anything has to be better than the self-confession above, and it begs the question, should we try to embellish our personal history in order to make ourselves more appealing?
All very good questions which deserve really good answers. The pity of it is no one wants to address them.
So maybe it’s time I take a leaf out of the book of one of my characters, and become larger than like, be the character that people want to read about, the one that translators them from their everyone mundane life, if only for a few short hours. AS a writer, perhaps I simply want to be something, someone other than myself.
And there you have it, in a nutshell, why I write.
“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.
When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.
From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.
There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.
Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.
Can we trust what we see with our eyes or trust what we hear?
Haven’t we all jumped to conclusions at least once in our lives?
Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?
As they say in the classics, read on!
Purchase:
http://tinyurl.com/Amazon-SundayInNewYork

I’ve been toiling away in the attic putting the pieces together, and continuing to get the story written.
This means I’ve almost got Chapter 2 somewhere near the first draft, or maybe second. I didn’t expect it would take this long, but most authors, I suppose, take a year, or more, to write a book.
It’s been hot in the attic and making it hard to think let alone write, but it is a good background for the steamy jungles of Southeast Asia, and it has given me a few more ideas for the background sequences.
I’ll share one or two of those next.
In the meantime, so far so good.
The following is the first musings of what Chapter 2 might read like:
The first sign of anything amiss was the three police cars outside the building, parked awkwardly on the plaza in front of the building. Their lights were still flashing, and several policemen were standing near them, talking.
As I went through the front revolving door I could see several uniformed and plainclothes police in the lobby. Two were by the door, perhaps to prevent someone from leaving, one on the desk with two of the building security guards, and another near the elevator lobby.
Temporary barriers had been erected, funneling everyone through a narrow gap, where building security was checking ID cards and building passes, both of which I handed to one of the guards. These men were new, I hadn’t seen them before, and, when I took a closer look, saw they were from a different security company.
I guess with the shooting of Richardson, our management had decided the existing building security was not good enough. These new men looked a lot tougher if the number of visible tattoos on each were anything to go by, the sort of men I’d call mercenaries or ex-soldiers.
One of them gave me a good look, at my face to see if it was the same as that looking back at him on the ID card. It was not a good photo of me, and it was no surprise he was having difficulty. I’d cut my hear, I was wearing glasses, and I have the makings of a three-day beard.
I had not intended to shave while I was on holiday, and, given the urgent nature of the recall, had no time to do so before coming into the office. Benton could have warned me of the new security arrangements, but it did not surprise me he didn’t.
He called over a friend, not by turning and motioning to him, but talking into his collar communication device. It was rather pointless, the man he spoke to was no more than 20 feet away. He checked me versus the ID photo and let me pass. Perhaps his eyesight was better.
In the elevator heading up to my floor, 18, I had a few moments to consider the implications. New security meant trouble. It had happened once before, and it caused all manner of trouble for me and my staff. We had been locked out of the server room then.
The elevator jerked to a stop, and the doors opened. Everything looked quiet. I could not see any police or security personnel. But waiting for me in the lobby was Benton’s personal assistant, waiting to tell me that Benton had been dragged off to an emergency meeting, one, she said, that involved share prices or stock exchange announcements. I could not make sense of what she was saying, because his hysteria had become hers. The events of the morning so far had traumatized both of them.
I smiled, trying to be my usual charming self, and then wrote a message on a scrap of paper, and gave it to her to give to him when he returned from wherever he had gone. I was quite sure it was not a meeting. She reminded me Aitchison was still waiting to see me, and then walked off.
I turned and pressed the ‘up’ button, and the doors to the elevator car I’d stepped out of opened. I stepped in, pressed the button for 59, and the doors closed. Once again I was alone with my thoughts in an elevator. I had just enough time to realize that the investigation into Richardson must be more serious than first thought if the police were still here in numbers.
I thought I might visit the 17th floor after seeing Aitchison, and see what was happening. A decision was still pending when the doors opened, and I stepped out into ‘Fantasyland’.
It was the unofficial nickname we mortals from the lower floors called the Executive levels. They were the top three in the 60 story building. The mortals lived on levels 17 through 22.
This level housed all the Assistant General Managers. We had six. Aitchison was the AGM – Security. Goldstein, who was waiting in the lobby for an elevator, was the AGM – Administration. He was a surly chap near the age of retirement and spent more time on holiday than in the office. Preparing for retirement some said. Others were less charitable.
He nodded in my direction as we passed, I came out of the elevator car, he went in. The doors closed behind me and I let the silence envelop me.
© Charles Heath 2016-2020
To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.
But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.
That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.
It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years. Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?
My private detective, Harry Walthenson
I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.
But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modeled Harry and his office on it. Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.
Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life. I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.
Then there’s the title, like
The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I image back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello
The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister. And if made out of plaster, yes, they’re always something else inside.
But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.
Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.
Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.
I have high hopes of publishing it in May 2020. It even has a cover.

Yes, this is an easy one.
I want to keep the car. Especially if it’s a Lamborghini and it didn’t cost $500,000.
This form of the word simply means to hang on to something, or up the proper definition, to have or retain possession of
Paring it with other words is where it gets complicated.
For instance,
Keepings off, make sure that the ball doesn’t get into someone else’s possession.
Keep it to yourself, yes, here’s your chance to become the harbinger of secrets and not tell anyone else. Not unless a lot of money is involved, or a Lamborghini.
You guessed it, the car is the running joke on this post.
How about, keep a low profile, been there tried that, it’s a lot harder than you think.
What about keeping your cards close to your chest, yes, this had both a literal and figurative meaning which makes it sort of unique.
That might follow the second definition, to continue, or cause to continue a particular state.
Another way of using keep is by delaying or stopping someone from doing something or getting somewhere; ie, I was kept waiting at the doctor’s surgery because he was late.
There are any number of examples of using the word keep in tandem with other words
One that specifically doesn’t relate to all the former examples, is simply the word keep.
What is it?
Usually the strongest part of the castle, and the last to fall in an attack.
At least, that was the theory.
The novel ‘Echoes from the past’ started out as a short story I wrote about 30 years ago, titled ‘The birthday’.
My idea was to take a normal person out of their comfort zone and led on a short but very frightening journey to a place where a surprise birthday party had been arranged.
Thus the very large man with a scar and a red tie was created.
So was the friend with the limousine who worked as a pilot.
So were the two women, Wendy and Angelina, who were Flight Attendants that the pilot friend asked to join the conspiracy.
I was going to rework the short story, then about ten pages long, into something a little more.
And like all re-writes, especially those I have anything to do with, it turned into a novel.
There was motivation. I had told some colleagues at the place where I worked at the time that I liked writing, and they wanted a sample. I was going to give them the re-worked short story. Instead, I gave them ‘Echoes from the past’
Originally it was not set anywhere in particular.
But when considering a location, I had, at the time, recently been to New York in December, and visited Brooklyn and Queens, as well as a lot of New York itself. We were there for New Years, and it was an experience I’ll never forget.
One evening we were out late, and finished up in Brooklyn Heights, near the waterfront, and there was rain and snow, it was cold and wet, and there were apartment buildings shimmering in the street light, and I thought, this is the place where my main character will live.
It had a very spooky atmosphere, the sort where ghosts would not be unexpected. I felt more than one shiver go up and down my spine in the few minutes I was there.
I had taken notes, as I always do, of everywhere we went so I had a ready supply of locations I could use, changing the names in some cases.
Fifth Avenue near the Rockefeller center is amazing at first light, and late at night with the Seasonal decorations and lights.
The original main character was a shy and man of few friends, hence not expecting the surprise party. I enhanced that shyness into purposely lonely because of an issue from his past that leaves him always looking over his shoulder and ready to move on at the slightest hint of trouble. No friends, no relationships, just a very low profile.
Then I thought, what if he breaks the cardinal rule, and begins a relationship?
But it is also as much an exploration of a damaged soul, as it is the search for a normal life, without having any idea what normal was, and how the understanding of one person can sometimes make all the difference in what we may think or feel.
And, of course, I wanted a happy ending.
Except for the bad guys.
Get it here: https://amzn.to/2CYKxu4

It’s a terrible job. Especially when you’ve been in the house for over 40 years, and over 15 since the last time we did a paint refresh.
The last time we simply moved the cupboards, shelves, and cabinets, not daring to look in and see what we had accumulated over the years.
And, now, someone said we might as well start getting rid of the junk before we have to downsize and/or move into an old folks home.
Just to say, here, now, the COVID 19 pandemic has brought to light a lot of damning details about old folks homes and how badly the residents are treated, and how easily it is for viruses to get in, and kill so many old people.
Before COVID they had a chance, at least, to live a few years longer. COVID in a lot of those cases has snuffed out their lives.
Now, I don;t want to become just another statistic, a life that in the end meant nothing other than a distressing mess the government should have fixed and didn’t, and nothing will happen on the other side because there will be too many other problems to fix in the post COVID world.
Enough rant.
SO, we started today. I bought so moving boxed and put some together, that being a trial in itself. Those sticky tape dispensers never quite work the same as they do in those YouTube videos.
Have you noticed that too?
Anyway, boxes constructed, time for a tea break over, we started with the photographs in frames.
Did you ever notice how quickly they disintegrate? It has been off and on, nearly forty years for the oldest, and ten for the youngest. Precious few photos of the boys as they were growing up because we have all that on slides, now buried somewhere in the roof, and mostly of the grandchildren.
There were some of the house before the last major renovation, photos of our children before they had their current partners, and it’s always interesting to reflect back on each being, at one time, the love of their life.
Romance was as tricky as it was in our day, except for the constraints of movement. in our day a parent took up, or public transport, we didn’t have cars, or money for that matter, like the kids today.
So, nostalgia crept in, and vbery little cleaning got done.
Perhaps tomorrow.