Tag: #amediting

When you’re tired, anything can happen!

It’s late at night and there are twenty other story ideas that are currently running around in my head, instead of the story I should be working on.

These ideas are impinging on the current story, and somehow are finding their way onto the page.

Writing, cursing, deleting, re-writing, deleting, cursing.

I’m working on the latest book and it is not going well.  I don’t have writer’s block, I think it is more a case of self-doubt.  It’s why I can’t concentrate.

It’s why I’m thinking about the next story and not staying on track.

This leads me to be over critical of what I have written and much pressing of the delete key.  Only to realize that an action taken in haste can be regrettable, and makes me feel even more depressed when I realize the deletions are irrecoverable.

Damn.

I think I’d be happier in a garret somewhere channeling van Gogh’s rage.

Lesson learned – don’t delete, save it to a text file so it can be retrieved when sanity returns.

I was not happy with the previous start.  Funny about that, because until a few weeks ago I thought the start was perfect.

It seems it’s been like that for a few weeks now, not being able to stick to the job in hand, doing anything but what I’m supposed to be doing.  I recognize the restlessness, I’m not happy with the story as it is, so rather than getting on with it, I find myself writing words just for the sake of writing words.

Any words are better than none, right?

So I rewrote the start, added about a hundred pages and now I have to do a mass of rewriting of what was basically the whole book.

But here’s the thing.

This morning I woke up and looked at the new start, and it has inspired me.

Perhaps all I needed was several weeks of teeth gnashing, and self-doubt to get myself back on track.

 

“The Things We Do For Love” – Coming soon

Like Sunday in New York, this is another attempt at writing a romance novel.  I’m one of those deluded fools who believe in happy endings.

I guess that was a ‘spoiler’!

This is the description I’m currently working with.

 

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters.

For Henry the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  Tonbright, a small village by the sea, is one such a place, but he never expected to find another, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end both acknowledge that something had happened.  Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

 

The cover, at the moment, looks like this:

lovecoverfinal1

 

Typing those words ‘The End’ isn’t exactly ‘The End’, is it?

Can you actually say you know the exact moment a story is done, finished, and that’s it?

For me, the end never quite seems to be the end, that point where you finally draw a line in the sane and say, that’s it, I’m done, step away from the typewriter.

But are we ever satisfied the story is done, can we not make one more change, it’s just a little tweak, it won’t take long.

Please!

My editor tolerated three ‘minor’ changes.

Firstly, a change of name for a character

Secondly, consistency of word use, such as times and contractions

Thirdly, I wasn’t happy with the overall story, and it needed some more action.  More writing, more editing, more prevaricating.

It took three weeks to sort out all of those issues, and last night I send the final draft to the Editor.

It’s like watching your child go to school on their first day.  Not knowing what will happen but expecting everything will be fine.

This morning I sat in front of the computer, a blank sheet of paper on the screen.  I know it’s not a matter of starting the next story from scratch; I have so many started and finished, sitting in the wings to be ‘tinkered with’.

It’s my way of savoring the moment.

Just before I dive back into the murky waters.

I am my own worst enemy!

I think most authors are.

Just when you think that the story is done, and you’re on the third re-read, just to make sure…

Damn!

I don’t like the way that scene reads.

It doesn’t matter the last three times you read it, it was just fine, or, the editor has read it and the scene passed without comment.

What is the matter with me?

I find sometimes after leaving a finished story for a month before the next reading, the whole picture must formulate itself in my head, so when I re-read, there was always a problem, one I didn’t want to think about until the re-read.

Even then it might survive a second pass.

I know the scene is in trouble when I get to it and alarm bells are going off.  I find anything else to do but look at it.

So, here I am, third re-read, making major changes.

At least now I am satisfied with it.

Only 325 pages to go!

“The Things We Do For Love” – Coming soon

Like Sunday in New York, this is another attempt at writing a romance novel.  I’m one of those deluded fools who believe in happy endings.

I guess that was a ‘spoiler’!

This is the description I’m currently working with.

 

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters.

For Henry the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  Tonbright, a small village by the sea, is one such a place, but he never expected to find another, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end both acknowledge that something had happened.  Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

 

The cover, at the moment, looks like this:

lovecoverfinal1

 

“The Things We Do For Love” – Coming soon

Like Sunday in New York, this is another attempt at writing a romance novel.  I’m one of those deluded fools who believe in happy endings.

I guess that was a ‘spoiler’!

This is the description I’m currently working with.

 

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters.

For Henry the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  Tonbright, a small village by the sea, is one such a place, but he never expected to find another, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end both acknowledge that something had happened.  Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

 

The cover, at the moment, looks like this:

lovecoverfinal1

 

On renovations and editing

There are a lot of words in the English language that can strike fear into the hearts of even the bravest of men and women.

Two are renovations and editing.

We are currently deep in the first and it’s running something like this:

Firstly, we are updating the ensuite, and this has been relatively painless.

Secondly, we are fixing up the outside of the house.  The intention was to put in a retaining wall and build a stone garden with succulents.

Ah, the best-laid plans!

This led to, let’s render the walls, get rid of the unsightly bricks.

Fine.

But before that, we need to repaint the roof an appropriate colour to match the walls.

Fine.

Got the roof done, got the walls rendered.

Now we need a carport.  Fine.

Back to the garden, and so on, and so forth.  Much is still to be done.

It’s like editing, a chore that I’m beginning to like less and less because it’s taking on the dimensions of a renovation.

It isn’t a matter of correcting spelling mistakes, sentence structure errors, or badly place punctuation.

It’sd a matter of weeding out the superfluous text, cutting and more cutting, taking out anything that does not propel the story to a logical and unexpected end, let alone having to rewrite at the beginning because of an afterthought later on.

Starting to sound like the garden, rendering, roof scenario?

It’s harder editing than writing.

So many words, so much brilliance, ending up on the cutting room floor.

Perhaps it’s time to go back to the renovations.  They seem more fun than editing.

No?

 

 

Getting words on paper, easy to say, not so easy to do!

Everything I’ve read, and understand, about this writing ‘thing’ is that it’s better to get words on paper, even if none of it fits the story.

Go to keep up the word count.

But, to me, it has to make sense.  I’ve written 2,000 words or four pieces of paper, or 20 sheets longhand in a notebook, but it doesn’t feel right.

It doesn’t make any sense, it doesn’t fit, it doesn’t progress the story, they are just words on a piece of paper.

For example:

 

My life was going nowhere.  If I took a step back and took a good, long, hard look at it, what could I say was the one defining moment?

There was no defining moment.

I’d bounced around schools till the day I decided I was not cut out to learn anything more, or perhaps the teachers had given up trying to impart knowledge.  Whatever the reason, I dropped out of college, and drifted.  Seasonal laborer, farm hand, factory worker, night watchman.

At least now I had a uniform and looked like I’d made something of myself.

Until I went home.

My parents were distinctly disappointed I was not married with children.

My overachieving brother always said I was a loser, and would never make anything of myself.

My ultra successful sister, married into a very wealthy family, had the regulation 2.4 children, and lived in the lap of luxury, mostly pretended I didn’t exist, didn’t invite me to the wedding, and I had yet to meet the husband and children.  I guess she was ashamed of me.

This year I was avoiding going home.

This year I volunteered to work the holidays.

 

It’s about as gloomy and depressing as it gets.  We’re supposed to entertain, take people out of their humdrum, mundane lives, put them in the passenger seat of a car, bus, or truck careening out of control.

Yep, time to walk away and do something entirely different, like wrapping Christmas presents, my second favorite job to mowing the lawn.  Maybe if I contrive an accident with the lawn mower …

Back in front of the words, some hours later, an idea pops into my head.  The story continues:

 

It was 3 a.m. and it was like standing on the exact epicenter of the South Pole.  I’d just stepped from the warehouse into the car park.

The car was covered in snow.  The weather was clear now, but more snow was coming.

A white Christmas?  That’s all I needed.  I hoped I remembered to put the anti freeze in my radiator this time.

As I approached my car, the light went on in a SUV parked next to my car.  The door opened and what looked to be a woman was getting out of the car.

“Graham?”

It was a voice I was familiar with, though I hadn’t heard it for a long time.

My ultra successful sister, Penelope.  She was leaning against her car door, and from what I could see, didn’t look too well.

“What do you want?”

“Help.”

My help, I was the last person to help her, or anyone for that matter.  But curiosity got the better of me.  “Why?”

“Because my husband is trying to kill me.”

With that said, she slid down the side of the car, and I could see, in the arc lamps lighting the car park, a trail of blood.

 

OK, so not such a good idea to cut close to the bone here, but rivalries do make for great thrillers.  Even if they are not your own!

Maybe it’s not such a bad day after all.

Thoughts impinging on reality

You know how it is, you’re sitting at the lights waiting for the green, and everything is calm around you.

It’s a warm day, the sun is out, the sky is blue, and because they’re taking so long to change, you’re almost drifting off, somewhere else than in traffic.

Bang!

That awful sound of two metal cars crashing, short, sharp, incisive, intruding.

Lights changed, driver next to me, in a lane that ends on the other side of the intersection, pushes his foot to the floor, trying to get in front.  Another driver running a red light hits him.

I sit in stunned silence before moments after the scene bursts into life, people getting out of cars to help.

My eyes are on the car than ran the red light.  The door slowly opens, and a person is getting out.  I look closer, it’s a woman, bright red hair, and blood running down her face.

She is standing, stunned, looking around, then sees a man coming towards her.

Is that panic.  She looks in my direction, our eyes meeting for a brief second, then she’s running.

Towards my car.

Seconds later the door opens, she gets in, and the door slams shut.

Two men are now running towards my car.

“Drive,” she yells.

“You’re injured, you should wait for …”

“Drive, now, or I’ll shoot you.”

I see the gun, now pointing at me.

“You’re joking.”

One of the men is pounding on her door, which I noticed she’d locked.

“Drive.”

I did, pushing the accelerator pedal to the floor.

The two men were now running towards another car, reaching it before I’d got more than 50 yards.  My car was tired, old, and not very quick in a standing 100.

I didn’t tell her she’d picked the wrong car and driver if she hoped to make a getaway.

Before I made a 100 yards, there was a large black 4×4 hurtling towards us.

“Turn left here,” she commanded, pushing the barrel of the gun into my side for emphasis.

I did, nearly losing the rear end of the car in a slide towards the curb, just touching it before moving forward.

My heart was now in my mouth and pounding.

Death by a bullet or an accident, both were high probabilities.

Who was this woman, now indistinguishable because her face was covered in blood.  She should be bleeding out.  Perhaps she might, and that would save me from an ignominious death.

I could see the 4×4 closing the distance between us quickly.

Perhaps there was another way to die.

“Right,”

Another swerving turn.

“Left,” she yelled almost instantly after the last order.

A few seconds later, “Right”.  Then another “left, then floor it.”

The wrong car, I muttered under my breath.

No sign of the 4×4.  Had we lost it?

At intersection coming up, one I recognized.  The railway station.

“Don’t slow down, straight across.”

“Are you mad?”

Prod.

Apparently so, and with a death wish.

The front of the car crunched on the driveway, as I hit it at speed, the slammed my foot on the brake.  A train was waiting at the platform.

She was out and gone before the car had stopped, and the doors of the carriage had closed, all just before the 4×4 pulled into the station carpark.

 

Tap, tap, tap.

I looked over at the passenger side and saw my granddaughter looking in.

“Have you been daydreaming again, Poppy?”

 

© Charles Heath 2018

 

An old story, or perhaps a new story

It’s late at night and there are twenty other story ideas that are currently running around in my head, instead of the story I should be working on.

These ideas are impinging on the current story, and somehow are finding their way onto the page.

Writing, cursing, deleting, re-writing, deleting, cursing.

I’m working on the latest book and it is not going well, and I think it is more a case of self-doubt.  It’s why I can’t concentrate.

It’s why I’m thinking about the next story and not staying on track.

This leads me to be over critical of what I have written and much pressing of the delete key.  Only to realize that an action taken in haste can be regrettable, and makes me feel even more depressed when I realize the deletions are irrecoverable.

Damn.

I think I’d be happier in a garret somewhere channeling van Gogh’s rage.

Lesson learned – don’t delete, save it to a text file so it can be retrieved when sanity returns.

I was not happy with the previous start.  Funny about that, because until a few weeks ago I thought the start was perfect.

What a difference a week makes or is that politics?

Perhaps I should consider adding some political satire.

But I digress…

It seems it’s been like that for a few weeks now, not being able to stick to the job in hand, doing anything but what I’m supposed to be doing.  I recognize the restlessness, I’m not happy with the story as it is, so rather than getting on with it, I find myself writing words just for the sake of writing words.

Any words are better than none, right?

So I rewrote the start, added about a hundred pages and now I have to do a mass of rewriting of what was basically the whole book.

But here’s the thing.

This morning I woke up and looked at the new start, and it has inspired me.

Perhaps all I needed was several weeks of teeth gnashing, and self-doubt to get myself back on track.

Who would want to be a writer?

Me!  First in line, every time!