The cinema of my dreams – I always wanted to write a war story – Episode 8

This is a story inspired by a visit to an old castle in Italy. It was, of course, written while travelling on a plane, though I’m not sure if it was from Calgary to Toronto, or New York to Vancouver.

But, there’s more to come. Those were long flights…

And sadly when I read what I’d written, off the plane and in the cold hard light of dawn, there were problems, which now in the second draft, should provide the proper start.

A voice with a German accent, a male, middle-aged.  A scientist?  He sounded very frightened.

“Apparently I’m on the wrong side.”

“Englander?”  The voice sounded very close, perhaps the cell next to mine.

“Yes.  Seems the men upstairs are not, even though they look like my fellow soldiers, so you can imagine my surprise when I discovered they were German.  Did you come here looking for a better life away from the Reich?”

“I heard rumours of such a place in Italy where if you had certain information, they, the British and Americans would help you escape.  I thought it was another SS ruse, but a friend told me he believed it was true, and we came together.”

“Is he still here?”

“No.  He was granted safe passage with another group who left a week ago, or so I was told.”

“And why are you still here?”

“Waiting to be sent in the next group.”

I arrived a week ago, probably just after the last group had been dispatched, more than likely to their deaths, or back to the Reich.  No more had been processed since I’d arrived.  No one had come or gone.

“How did you specifically get here?”

“The Resistance.  We had a name to contact in the town not far from here.  He then arranged for us to be brought here.”

Not the resistance that may have originally been involved, but a collaborator.  I’d been having problems communicating with the resistance cells in this area, and now I think I knew why.  They’d been informed on by one of their own.  Because of the problems, we’d decided not to use the normal channels to get, and because they didn’t know I was coming it was the reason why there ‘d been the last minute botched attempt on my life in transit.

The problem was far worse than any of us had imagined.

And there was a lot less hope for a rescue by the local resistance.

“How many others are here?”

“Three.  There have been no new arrivals for several days.  And I think there are a few prisoners who are being tortured by the sound of it.”

And if Jackerby gets his way, I might be added to the list of suspects to be questioned.  I’m sure it wouldn’t be long before they realised I had usable information, especially about the resistance cells.  It certainly gave credence as to why Jackerby hadn’t been so rough with me.

It looked like it wasn’t going to be long before being asked a few sticky questions.

© Charles Heath 2019

“What are the odds…”, a short story


I’m not a betting man.

I’d been to the horse races a few times, but every time I backed a horse to win, it would come last, and if I backed it to place, it would come fourth.

Then, every time I bought a lottery ticket, my numbers never seemed to come out, as if they were lighter than the others.

You get the picture, gambling, and I didn’t get along.

That being said, Vernon, a friend from school days, and then, having made the graduate program for the same company, remained friends into adult life. He was a betting man, he bet me he would be married first, he picked horses that came first, and always walked out of a casino with more than he walked in with.

And he was right, he got married first, had children first, settled into a manager’s role, and was content.

I was not so eager to follow in his footsteps; I often said that I hadn’t found the right girl yet, but the truth was, I wasn’t exactly putting myself out there. A couple of bad experiences had put me off the whole idea.

He had a side bet with another of our friends that I would not get married before I was forty. He had mentioned it to me some time ago, and I’d agreed with him; it was a safe bet.

The thing was, Evie had learned about that bet, and it was, in her mind, a situation tailor-made for her, being Vernon’s very popular wife, and not one to pass up a romantic challenge. Not after Vernon had suddenly decided to make a bet with her, to find me a girlfriend. With a time limit, of course, of six weeks. Just to make it interesting.

Of course, I had no clue this challenge existed, not until much later.

What I did know was that she had a vast array of both married and single girlfriends and acquaintances and was known to throw memorable parties on a Friday night. She had issued me with a standing invitation a long time ago, one that I kept promising to honour, but I never seemed to get there.

I knew some of her friends were single, and that she had a reputation of being something of a matchmaker. Vernon told me that those Friday night affairs were where some of his other friends had found romance and that it wouldn’t surprise him if I was not a target.

I agreed with him, but coincidentally, right after he said this, I got a call from Evie, who all but ordered me to attend this Friday’s festivities. I was going to decline, but she added that it was Chloe’s fifth birthday, and as her Godfather, I was obligated to attend.

It had been an honour when Vernon first asked me; it still is, but it seemed to me it was going to be used for some other reason, so I was going to have to be on my guard.

Over the years, I had met most of Evie’s girlfriends, and they were fun, yes, I’d heard about the exploits on weekends in Vegas, but it was not for me. I was the quiet, shy type, and they, in a nutshell, were not.

I’d met most of Evie’s family. She was one of five girls, the one in the middle. The two older sisters were professionals, one a doctor, the other a lawyer. The two younger sisters were more hands-on; the second youngest, Zoe, was a home caterer, and the youngest, Yasmine, with no head for, or desire to own, a business, was more carefree. Like Evie, she was family-oriented and still lived with her parents. The most level-headed, and the one they all turned to for advice, was Melanie, the eldest.

She was the first person I saw after I arrived. I thought I would get there early because I never wanted to make an entrance.

“I haven’t seen you around for a while,” Melanie said, already with a champagne flute in her hand. Something else I knew, she liked to drink wine. She was also married, but as I remember, her husband was away a lot.

“Part of the low profile I try to keep. How is Leonard, still the king of frequent flyer points?” His travels had finally earned him a special card reserved for very few.

“He’s in Paris, probably with his mistress.” She shrugged. “Husbands are like accessories these days. You can keep them or throw them out. I’m sure Genevieve will get tired of him soon and send him back.”

A unique attitude, for one who was supposed to give advice.

“You’re still not married, I see. Good choice. Marriage these days seems to be only good for a year or two, then sue the other for everything they’ve got. Sorry, I lost a case today, so I’m feeling a little cynical. Come back when I’ve had a dozen champagnes.”

She suddenly spotted one of Vernon’s neighbours and headed in his direction.

Zoe was walking past with a tray of canapes in her hand and stopped. “Ian? It is you. It’s so long since I’ve seen you.”

“Geraldine’s wedding. You catered for that. A splendid feast, I might add.”

Geraldine’s wedding had been a year ago, and after everyone had gone home, I found Zoe out the back in tears. She didn’t tell me then what had happened, but we talked for hours. Out of all the Wolverhampton’s, she was the most sensible, and the one I liked the most. But, like all those like her, she was spoken for.

“It was. How have you been?”

“Working, eating, sleeping, repeat.”

“It’s a bit like that, isn’t it? It gets to the point where all the days seem to run into each other, and in the end, you don’t know what day it is. That’s why I have a smartphone. It’s certainly smarter than I am.”

Something I learned in that discussion was the fact that she suffered from low self-esteem, perhaps from being a younger sister, perhaps because her parents had higher hopes for her than just being a caterer. Given her grades at school and later university, she could have been anything.

I was going to disagree with her and sing her praises, but one of her serving staff came up and told her there was a problem.

She sighed, handed the tray to the new girl, and with a wan smile disappeared towards the back of the house.

I thought then that I should leave because I doubted I would be missed.

Whenever I had to go to a party, particularly like one of these, where no one was sitting, and everyone was mingling, I usually set myself a task, picking a focal point and then following it all night. That night, it turned out to be Zoe. I was curious about how she managed running staff, organising food and drinks, organising the waitstaff, and managing crises.

In between times, Evie was introducing me to various people, married and unmarried, without appearing to do her ‘magical’ thing. Vernon made sure I remained in the mainstream, and not ‘hiding’ as he called it, and the conversation centred on football and baseball when I was with the men, and about vacations and children when I was with the married women and their husbands, and gossip when I was with the single and divorced women.

And all the while I kept an eye on Zoe, zipping in and out of the back rooms, in earnest discussion with what I assumed were prospective new clients, and occasionally on the phone. Not once did she take a spell and relax for a few minutes.

It was, I had to admit by the end of the night, a pleasant way to spend a few hours, made all the more pleasant by not having to worry about Evie trying to ‘match’ me to any of her single friends, though she made sure I knew who they were. Of course, as always, there was not one or another that fitted what was my subconscious selection test. There was one whom I agreed to call and have coffee, but that was an open-ended arrangement, done to please Evie more than anything else.

After the last guest left, I wandered out the back. Vernon had asked me to stay and sample a new after-dinner wine he had discovered.

I’d been there for about half an hour when, instead of Vernon, Zoe came out with two glasses in hand.

“Vernon has stood you up, I’m afraid. He’s getting to be an old married man who has to be in bed before midnight. You’ll just have to settle for my company.”

“As long as you are not going to tell me how I should be married, have two and a half children, and be living in a grand house in the suburbs, your company will be fine.”

She handed me a glass and sat next to me on the swing seat. It was a clear, cool night, and I’d been spending time searching the stars for constellations. Sorry, I was never very good at astronomy.

“You don’t want that?”

“I don’t know what I want. Wouldn’t that all fall into place when you found the perfect partner?”

“Is there such a thing as a perfect partner? We start out thinking that, think we’ve found it, then the bastard goes off and has an affair.”

There was a lot of anger in those last few words of her statement. It explained the few heated exchanges I’d seen her have in what she thought were private moments. I wasn’t prying, I just happened to be nearby at the time.

“Then perhaps my expectations have been set too high. I’m sorry.”

“Don’t be. Everyone told me what he was like.” She shrugged. “Another box ticked for life’s experiences.”

We drank wine and sat in silence. Unlike some others that evening, where it was kind of awkward, I didn’t feel that with Zoe. In fact, I was not sure what it felt like. Companionable?

“Look, I don’t have the best sort of shoulder to cry on, but if you need someone to listen, it’s one thing I’m good at.”

Tears were forming in her eyes, and I’d only just noticed them in the moonlight.

“I could do with a hug. Are you any good at those?”

“I could try, and you could let me know. Always looking to add strings to that proverbial bow.”

She smiled. “What are you doing tomorrow?”

“Nothing in particular. Why?”

“I need someone to just take me away from all this, if only for a day or two. Vernon said you have a cabin by a lake, and I’ve never been fishing. Is it too forward for me to ask, I mean, sorry, sometimes I just speak before I think.”

“One thing at a time. Hug first, then fish. Maybe.”

Upstairs, Evie rested her head on Vernon’s shoulder as they both looked out over the back garden and, more specifically, at Ian and Zoe on the swing chair.

“What are the odds, Eve. I told you he had a thing for her,” Vernon said.

“I would have said ten to one against. It’s so unlike her. I mean, he’s just so boring.”

“Is he now? That’s just the impression he gives everyone else. So much for your matchmaking.”

© Charles Heath 2020-2025

The 2am Rant: There are few words that are so universally noncommittal as ‘maybe’

This word, where I live, has taken on a new meaning.  We have telephone scammers who ask your name when you answer the phone, and when you say yes, they hang up.

It doesn’t take much imagination to consider how they can use that recording.

So, I now answer the phone with ‘maybe’, which confuses the real callers who want to know if it is you.

Of course, ‘maybe’ is one of those words that can have so many meanings, but the best one is to use it while you have time to think of a proper answer.

For example, did you get the potatoes?  You haven’t been out, it slipped your mind, or you just plain forgot, but run with a ‘maybe’ so you can judge the reaction.

Angry face, you know, no matter what, you’re in trouble.

Genial face, you know that it didn’t really matter, and all is forgiven.

Then there’s the person who doesn’t know you and comes up to you in a crowded room.  Are you [put name here]?

Maybe.  We want to know if we’re in trouble, or if it’s for something good, or if it is the husband or wife of the person you’ve just spent the last twenty minutes in animated conversation with.

Using ‘maybe’ in writing probably isn’t the best word for us, but I like defying the experts.  You can always find a ‘maybe’ or two in any of my books.

Writing a book in 365 days – 351

Day 351

“Why a Budding Author Should Dive into Joan Didion’s Masterful Body of Work”

For aspiring writers, the journey to finding one’s voice is as much about discovery as it is about study. Joan Didion, a literary icon whose career spans decades, offers a treasure trove of insights for those seeking to refine their craft. From her sharp-eyed novels to her incisive essays, Didion’s work is a masterclass in clarity, emotional resonance, and the art of observation. Let’s explore how delving into her oeuvre—comprising five seminal novels, screenplays, and countless articles and essays—can illuminate the path for emerging authors.


1. Novels: The Power of Precision and Dissecting the Human Condition

Didion’s novels—Run, RiverPlay It as It LaysA Book of Common PrayerThe Last Thing He Wanted, and Marry Me—are defined by their sparse, crystalline prose and unflinching exploration of identity, disillusionment, and collapse. For a budding author, studying her work reveals a critical lesson: less is not just more—it’s everything. Didion strips language of excess, using plain, punchy sentences to evoke profound unease or beauty. “We tell ourselves stories in order to live,” she famously writes in The White Album—a philosophy that permeates her fiction, where characters are often unravelling personal myths in a disintegrating world.
Aspiring writers can learn to mirror this by focusing on what isn’t said and how silence, space, and subtext amplify meaning. Her characters also serve as case studies in emotional complexity; they’re flawed, often detached, yet achingly human. How does Didion achieve this? By grounding them in precise details—a crumbling California landscape, a flicker of a smile—that anchor the surreal in the real.


2. Screenplays: Visual Storytelling and the Art of Compression

Didion’s screenplays (notably A Point of No Return and Up at the Villas) offer a different but equally valuable lesson. Adapting her own stories and others’, she demonstrates how to transform prose into visceral, visual narratives. Screenwriting demands concision; dialogue must carry weight, and scenes must be sculpted to evoke emotion without over-explaining. For an author interested in crossing genres, Didion’s screenplays are a masterclass in pacing and economy.
Take Up at the Villas, adapted from her 1982 novel of the same name. The screenplay retains the novel’s cold, observational tone but distils its themes into sharp, symbolic images—a storm, a locked door—to convey what words alone might not. For writers, this is a reminder that showing, not telling, is a skill honed through ruthless editing. Studying her scripts can teach how to craft tension through structure and dialogue, even in literary works.


3. Essays and Journalism: The Alchemy of Observation and Truth-Telling

Joan Didion’s nonfiction—collected in volumes like The White AlbumSlouching Toward Bethlehem, and Where I Was From—is where her genius as a writer truly shines. Her essays are micro-surgeries of culture, politics, and personal history, blending reportage with poetic reflection. How can a budding author benefit from this?

  • The art of the unsparingly honest narrative: Didion doesn’t flinch from ambiguity. She asks, What do we do when we can’t believe the story we’ve told ourselves? This intellectual honesty teaches writers to dig deeper, to question their own assumptions.
  • The marriage of personal and political: In pieces like “Los Angeles Notebook” or “On Self Respect”, Didion ties intimate self-doubt to societal decay. Aspiring authors can learn to weave the private and the public, creating work that resonates beyond the individual.
  • Research as storytelling: Her essays are meticulously researched yet read like lyrical journeys. Writers can study how she transforms facts into narrative threads without losing a reader’s interest.

4. Beyond Technique: Embracing Didion’s Curiosity and Courage

Perhaps the most profound lesson from Didion’s work is her relentless curiosity and willingness to confront the uncomfortable. Her writing force-feeds the idea that truth is not a destination but a process. For emerging authors, this mindset—questioning, observing, and daring to write what feels fragile or controversial—can be transformative. Didion’s essays on the Vietnam War, the Manson Family, or her own grief in The Year of Magical Thinking demand that we look at the world with both empathy and rigour.


Conclusion: Let the Questions Be the Point

Reading Joan Didion is not just about learning how to write—it’s about learning how to see. Her work challenges authors to strip away the superfluous, to wield language like a scalpel, and to embrace the messiness of human experience. For a budding writer, this is an unparalleled education. Start with her essays; they are accessible and brimming with insight. Then, move to her novels and screenplays to understand how themes translate across genres. Finally, ask yourself: What story have I been avoiding, and how can I tell it with Didion’s clarity?

In a world of noise, Didion’s voice cuts through with surgical precision. For any writer seeking to carve their own path, her work is not just a blueprint—it’s an invitation to observe, to question, and to distil the chaos of life into something that might resonate for generations.

So pick up a Joan Didion. Let her words unsettle you. Then, let me know how far you’ve come.

Top 5 sights on the road less travelled – Geneva

Discover Geneva’s Hidden Charms: 5 Off‑The‑Beaten‑Path Experiences Worth Your Time

Geneva is famous for its Jet d’Eau, luxury watches, and the United Nations. But beyond the postcard views lies a quieter, more authentic side of the city that most visitors never see. If you’re craving a genuine Swiss adventure, step off the tourist trail and explore these five lesser‑known gems.


1. Stroll Through the Bohemian Quarter of Carouge

Why it’s a road‑less‑travelled treasure
Carouge feels like a slice of Mediterranean Italy tucked into Swiss territory. Founded in the 18th century by the Sardinian king, its pastel‑colored façades, wrought‑iron balconies, and narrow cobblestone lanes create an intimate, artsy vibe that’s a world away from Geneva’s polished business district.

What to do

  • Boutique hunting: Pop into independent fashion studios, vintage shops, and artisanal leather workshops.
  • Café culture: Grab a cappuccino at Café du Centre or a craft coffee at Café de la Tour while people‑watching on the lively Place du Bourg‑de‑Four.
  • Artisan markets: Every Saturday morning, the Marché de Carouge offers handmade ceramics, jewellery, and local produce.

Practical tips

  • Getting there: Take tram 12 from the city centre (stop “Carouge‑Mairie”) – a 10‑minute ride.
  • Best time: Late afternoon (around 4 pm) when the cafés fill up but the streets haven’t yet emptied.
  • Cost: Free to wander; budget CHF 15–30 for a coffee and a small souvenir.

2. Peek Inside the CERN Microcosm & Large Hadron Collider

Why it’s a road‑less‑travelled treasure
While CERN is a magnet for physics aficionados, most tourists never step inside the underground world where the universe’s smallest particles are smashed together. The Microcosm exhibition demystifies complex science with interactive displays, and the guided tunnel tour lets you stand at the edge of the famous LHC ring.

What to do

  • Microcosm museum: Touch a replica of a proton, watch a 3‑D video of the Higgs boson discovery, and explore the history of particle physics.
  • LHC tunnel tour: Walk (or take a shuttle) into the 27‑km circular tunnel that lies 100 m beneath the French‑Swiss border.

Practical tips

  • Booking: Free admission, but you must reserve a tunnel tour online at least 48 hours in advance (slots fill quickly).
  • Getting there: Take the train from Geneva’s main station to CERN (approx. 10 min) or the tram 18 to “CERN – Meyrin”.
  • Best time: Early morning (first tour slots at 9 am) for the smallest crowds.
  • Safety: Wear comfortable shoes; the tunnel is cool and slightly humid.

3. Hike the Salève – Geneva’s “Balcony”

Why it’s a road‑less‑travelled treasure
Often eclipsed by the Alpine giants, the Salève is a modest limestone mountain just across the border in France. Its gentle slopes and panoramic vistas make it a perfect day‑trip for hikers who want sweeping views of Geneva, Mont Blanc, and the Jura without the crowds of larger peaks.

What to do

  • Trail options: From the easy “Le Petit Plateau” loop (2 km) to the more challenging “Sentier du Grand Fossé” (6 km).
  • Summit café: Stop at Le Café du Salève for a hot chocolate while soaking up 360° vistas.
  • Paragliding: For the adventurous, the summit launch site offers tandem flights with certified pilots.

Practical tips

  • Getting there: Take the bus 57 from “Place des Eaux-Vives” to “Veyrier‑Le‑Pilat”, then a short 15‑minute walk to the trailhead.
  • Best time: Late spring (May–June) when wildflowers bloom, or early autumn for crisp air and fewer hikers.
  • Gear: Sturdy hiking boots, water bottle, and a light jacket (weather changes quickly on the summit).

4. Dip into Local Life at Bains des Pâquis

Why it’s a road‑less‑travelled treasure
Nestled on a small pier in Lake Geneva, the Bains des Pâquis is a beloved community spot where locals swim, sauna, and enjoy affordable meals. It’s a rare chance to mingle with Genevans in a relaxed, multicultural setting—something you rarely experience at the glitzy hotel pools.

What to do

  • Open‑air swimming: The lake’s water is chilly (12–16 °C), but the experience is invigorating, especially in summer.
  • Sauna & hammam: Warm up after a dip in the traditional Finnish sauna or the fragrant hammam.
  • Fondue night: From dusk till late, the on‑site restaurant serves classic cheese fondue and raclette at wallet‑friendly prices (CHF 12–18).

Practical tips

  • Getting there: Walk 10 minutes from the “Moulin” bus stop (tram line 12) or take a short boat ride from the jetty near the Jet d’Eau.
  • Opening hours: 7 am–11 pm (sauna closes at 9 pm).
  • Cost: Swimming area CHF 5; sauna CHF 7; meals as listed above. Bring a towel and a swimsuit (no rentals).

5. Wander the Conservatory and Botanical Garden (Jardin Botanique)

Why it’s a road‑less‑travelled treasure
Tucked behind the historic Cité des Sciences building, the botanical garden is a serene oasis featuring more than 7,000 plant species, themed greenhouses, and a tranquil pond that mirrors the surrounding trees. It’s a perfect sanctuary for nature lovers seeking quiet contemplation away from the city buzz.

What to do

  • Themed greenhouses: Explore the tropical rainforest house, the succulent desert dome, and the elegant orchid collection.
  • Seasonal exhibitions: Spring brings a dazzling tulip display; autumn showcases native alpine flora.
  • Educational workshops: Free guided tours on plant conservation are offered on weekends.

Practical tips

  • Getting there: Tram 15 to “Conservatoire” (stop “Conservatoire”). The garden entrance is a two‑minute walk from the tram stop.
  • Best time: Early morning (8–10 am) for soft lighting and minimal foot traffic.
  • Admission: Free (donations welcomed).
  • What to bring: Comfortable shoes, a notebook for sketching, and a camera (no flash in the greenhouses).

Wrap‑Up: Embrace Geneva’s Quiet Side

While the Jet d’Eau and the Old Town sparkle with tourist energy, Geneva’s hidden corners reveal a city that balances cosmopolitan flair with authentic local life. From the artisan streets of Carouge to the scientific wonder of CERN, the lofty views of Salève, the communal warmth of the Bains, and the botanical whispers of the Conservatory—each experience invites you to travel a road less travelled and return home with stories that only a handful of travellers have heard.

Ready to explore? Pack a light backpack, swap your guidebook for a curiosity‑filled mind, and let Geneva’s secret sides surprise you.

Got a favourite off‑the‑beaten‑path spot in Geneva? Share it in the comments below and inspire the next wanderer!

What I learned about writing – Children make excellent characters

It seems that there are many ways of bringing children to life in your stories.

The most obvious is your own, but those traits might seem so polarised they and others might realise who they are based on, with the distress that comes with it.

Then there are the children of your friends and relationships, definitely fodder for many stories because those children are definitely far worse than your own, or better perhaps.

It leaves you questioning where you went wrong, or why you didn’t get the manual when the hospital kicked to the kerb with this screaming bundle of joy, their words not yours.

So we start with real-life experiences.

To muddy the waters so they don’t get the impression you’re paying out on them, you can always add the traits of those you see in the shopping malls.

Shopping malls are a gold mine for behavioural traits, from the very worst tantrum thrower to the best behaved. For my money and proven time and time again, those well-dressed, very well-behaved children are purely evil.

With the tantrum thrower, what you see if what you get.

With the well-behaved, you spend all of your time watching your back and waiting for the knife to penetrate your spine between the fourth and fifth vertebrae. You just know instinctively they’re medical school prodigies.

Of course, there are one or two good children, Santa has to have a reason for existence, but they are like 1,000 ounce gold nuggets; very, very hard to find.

“The Things We Do For Love”

Would you give up everything to be with the one you love?

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, a place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

Top 5 sights on the road less travelled – Lucerne

The Untouched Side of Lucerne: 5 Off‑the‑Beaten‑Path Experiences Worth Your Time

When most travellers think of Lucerne, the mind instantly jumps to its iconic Chapel Bridge, the towering Lion Monument, and the glittering waters of Lake Lucerne. Those are, of course, must‑see sights—but after you’ve snapped a photo of the medieval wooden bridge, you’ll probably crave something a little more intimate, a little more local.

Below is a curated list of five experiences that sit just beyond the typical tourist trail. They’re perfect for curious explorers who want to feel the pulse of Lucerne’s culture, nature, and history without the crowds.


1. Hike the Seeboden Alp – A Quiet Alpine Meadow With Panoramic Views

Why it’s special: While the classic Rigi‑Panorama trail draws hundreds of hikers each day, the Seeboden Alp route (also called the “Hidden Alpine Meadow”) remains a serene escape. Beginning at the Kreuzlingen train station (a short 10‑minute ride from Lucerne’s main station), the trail winds through pine forests, past crystal‑clear streams, and finally opens onto a broad alpine pasture that offers unobstructed 360° views of the Rigi, Pilatus, and the Central Swiss Alps.

What to expect:

ItemDetails
DifficultyModerate – steady ascent (≈ 400 m elevation gain) over 3 km (round‑trip).
Time needed1.5–2 hours (including photo stops).
Best seasonLate June to early October – wildflowers in full bloom, snow‑free paths.
What to bringSturdy hiking shoes, water bottle, a light jacket (weather changes quickly at altitude).
Hidden gemNear the meadow’s highest point lies a small, centuries‑old shepherd’s hut that still hosts occasional cheese‑making demonstrations on weekends.

Tip: Grab a Bündner cheese platter from the nearby Kreuzlingen Café before you set off – the fresh alpine cheese pairs perfectly with the panoramic vista.


2. Discover the Münsterplatz Secret Garden – A Verdant Oasis Behind the Cathedral

Why it’s special: Tucked behind the St. Leodegar’s Cathedral (the “Münster”) is a modest, privately‑maintained garden that most visitors never notice. The garden was originally created in the 19th century by a local merchant’s family as a private retreat and was opened to the public only a few years ago.

What you’ll love:

  • Botanical variety: Over 60 species of Alpine roses, lavender, and wild herbs flourish here, creating a fragrant scent trail that drifts out onto the square.
  • Historical whispers: A marble bench inscribed with a 1902 dedication reads, “Für die Ruhe der Seele” (“For the peace of the soul”). The bench has become a favoured spot for local poets and book clubs.
  • Artistic surprises: Every summer, a local artist collective installs rotating sculptures made from reclaimed wood and stone—perfect for Instagram‑ready shots without the crowds.

How to visit:

  • Access: Walk straight through the cathedral’s side entrance onto Kleinbaslertrasse; a discreet wooden gate leads into the garden.
  • Opening hours: 9 am–6 pm (closed on Mondays).
  • Cost: Free – donations are welcome at a small, tastefully designed donation box.

Tip: Pair your visit with a quick stop at the Café du Lac just across the square for a slice of Zuger Roggenbrot and a steaming cup of locally roasted coffee.


3. Board a Traditional Schiff to Ufenau Island – Switzerland’s Smallest Inhabited Island

Why it’s special: While most lake tours circle the main harbours, a morning “Ufenau Express” departs from the Kornmarkt dock and takes you to the tiny island of Ufenau, situated just a few kilometres downstream from Lucerne. The island hosts an 11th‑century Benedictine chapel, a modest vineyard, and a tranquil walking trail that circles the perimeter.

Highlights:

  • Historical depth: The chapel, St. Peter & St. Paul, survived the Reformation and still hosts occasional organ concerts in the summer.
  • Wine tasting: A small family‑run winery produces a crisp Riviera Pinot Noir that you can sample right on the island’s sun‑warmed terrace.
  • Birdwatching: Ufenau is a protected nesting ground for white‑tailed eagles and golden plovers—bring binoculars for a rewarding encounter.

Practicalities:

ItemDetails
Departure9:15 am and 2:30 pm daily (July–September).
Duration45 minutes each way, plus 1‑hour island stay.
Ticket priceCHF 12 return (includes a brief guided tour).
What to packComfortable shoes, a light windbreaker, and a reusable water bottle.
AccessibilitySmall ramp available for wheelchair users; however, the island’s paths are uneven, so assistance may be needed.

Tip: Combine this trip with a lunch at the Lakeside Restaurant “Seespitz” in nearby Weggis—order the fresh‑caught perch with a side of herb‑infused potatoes for an authentic lakeside feast.


4. Explore the Musegg Wall’s Hidden Courtyards – Medieval Fortifications With a Modern Twist

Why it’s special: The iconic Musegg Wall—the well‑preserved part of Lucerne’s old city fortifications—features six towers (including the famous Zytturm). While most tourists climb the Zytturm for its city views, the inner courtyards behind the lesser‑known towers, especially the Löwendenkmal Tower (Lion Tower), remain quiet and surprisingly artistic.

What you’ll find:

  • Secret exhibitions: Each courtyard hosts rotating pop‑up galleries showcasing works by emerging Swiss photographers and sculptors.
  • Interactive history: QR codes installed on stone walls lead to short augmented‑reality videos that reconstruct medieval daily life—watch a blacksmith at work or a merchant’s stall bustling with trade.
  • Rooftop café: The “Turmlounge” atop the Schaulaufen Tower (open only on Saturdays) serves a selection of local pastries, honey‑infused tea, and a spectacular view of the Reuss River in a peaceful setting.

How to make the most of it:

  1. Start at the Schnürschlösschen Gate—enter the wall’s pathway and follow the wooden signposts labelled “Kunst & Geschichte”.
  2. Take your time in each courtyard; the installations are designed for contemplation, not rush.
  3. Check the calendar on the city’s tourism website for the “Musegg Night” event, where the courtyards are lit by candlelight and local musicians perform acoustic sets.

Tip: Bring a small sketchbook. The quiet corners are perfect for drawing, and you might catch a street performer impromptu sketching session.


5. Ride the Historic Pilatus Bahn to Kriens‑Imfeld – A Scenic Railway Journey With a Surprise Picnic Spot

Why it’s special: Everyone knows about the Pilatus Railway (the world’s steepest cogwheel line) that rockets tourists up to the summit of Mount Pilatus. However, the first leg of the line, from Alpnachstad to Kriens‑Imfeld, is a gorgeous, lesser‑known ride that offers sweeping views of Lake Lucerne, the surrounding alpine ridges, and quaint farming villages—all without the crowds that flood the summit during peak season.

What makes it unique:

  • Historic carriages: The early‑20th‑century wooden carriages retain their original brass fittings and plush leather seats, creating a nostalgic travel experience.
  • Picnic paradise: At the Imfeld Station, a small meadow opens up beside the railway, dotted with wild strawberries in early summer. A traditional “Bürli”—a wooden table with benches—invites you to lay out a picnic while enjoying the gentle hum of the passing train.
  • Local flavours: The nearby Imfeld Bakery sells freshly baked “Saffron‑Rosinen‑Brot” (saffron raisin bread) and a selection of homemade jams made from locally harvested berries.

Logistics:

ItemDetails
DepartureTrains run every hour from Alpnachstad between 8 am–5 pm (May–September).
TicketCHF 7 one‑way (discounted day‑pass available).
Duration15 minutes to Imfeld; optional onward hike of 2 km to the Bergsee (mountain lake).
Best time to visitEarly morning (8–10 am) for tranquil light and fewer passengers.
AccessibilityCarriages are wheelchair‑compatible, but the meadow has uneven ground.

Tip: Purchase a “Picnic Pass” at the Imfeld ticket window – it includes a voucher for a slice of Alpine cheese tart from the station café, plus a reusable wooden cutlery set (eco‑friendly and perfect for your spontaneous snack).


Bonus: How to Blend These Experiences Into One Perfect Day

If you’re staying in Lucerne for a short visit and want to sample a slice of each hidden gem, here’s a suggested itinerary:

TimeActivity
08:00Grab a quick croissant at Café Heini and head to Alpnachstad for the Pilatus Bahn ride.
09:00Arrive at Kriens‑Imfeld, enjoy the meadow picnic and stroll to the Bergsee.
11:30Take the train back to Lucerne, then hop on the Ufenau Express from Kornmarkt.
13:00Disembark on Ufenau Island, explore the chapel, and sip wine on the terrace.
14:30Return to Lucerne; walk through the Münsterplatz Secret Garden for a quiet afternoon tea.
16:00Head to Musegg Wall – wander the hidden courtyards and perhaps catch a pop‑up gallery.
18:00Finish the day with a gentle hike to Seeboden Alp for sunset views over the lakes and mountains.
20:00Dinner at Restaurant Nidelgau (book a table with lake view).

Adjust the timing according to the season and your personal pace—each stop can easily become a half‑day adventure if you wish!


Final Thoughts

Lucerne’s charm isn’t confined to its postcard‑perfect bridges and bustling promenades. By stepping off the well‑trodden path, you’ll discover serene alpine meadows, hidden gardens, intimate islands, and living pieces of history that reveal the city’s authentic soul.

Whether you’re a seasoned backpacker, a history buff, or simply a curious traveller seeking a quieter connection with Switzerland’s heart, these five hidden gems promise unforgettable moments—far from the crowds but close to the spirit of Lucerne.

Pack your camera, bring an open mind, and let the road less travelled become your favourite story to tell.

An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

Writing a book in 365 days – 351

Day 351

“Why a Budding Author Should Dive into Joan Didion’s Masterful Body of Work”

For aspiring writers, the journey to finding one’s voice is as much about discovery as it is about study. Joan Didion, a literary icon whose career spans decades, offers a treasure trove of insights for those seeking to refine their craft. From her sharp-eyed novels to her incisive essays, Didion’s work is a masterclass in clarity, emotional resonance, and the art of observation. Let’s explore how delving into her oeuvre—comprising five seminal novels, screenplays, and countless articles and essays—can illuminate the path for emerging authors.


1. Novels: The Power of Precision and Dissecting the Human Condition

Didion’s novels—Run, RiverPlay It as It LaysA Book of Common PrayerThe Last Thing He Wanted, and Marry Me—are defined by their sparse, crystalline prose and unflinching exploration of identity, disillusionment, and collapse. For a budding author, studying her work reveals a critical lesson: less is not just more—it’s everything. Didion strips language of excess, using plain, punchy sentences to evoke profound unease or beauty. “We tell ourselves stories in order to live,” she famously writes in The White Album—a philosophy that permeates her fiction, where characters are often unravelling personal myths in a disintegrating world.
Aspiring writers can learn to mirror this by focusing on what isn’t said and how silence, space, and subtext amplify meaning. Her characters also serve as case studies in emotional complexity; they’re flawed, often detached, yet achingly human. How does Didion achieve this? By grounding them in precise details—a crumbling California landscape, a flicker of a smile—that anchor the surreal in the real.


2. Screenplays: Visual Storytelling and the Art of Compression

Didion’s screenplays (notably A Point of No Return and Up at the Villas) offer a different but equally valuable lesson. Adapting her own stories and others’, she demonstrates how to transform prose into visceral, visual narratives. Screenwriting demands concision; dialogue must carry weight, and scenes must be sculpted to evoke emotion without over-explaining. For an author interested in crossing genres, Didion’s screenplays are a masterclass in pacing and economy.
Take Up at the Villas, adapted from her 1982 novel of the same name. The screenplay retains the novel’s cold, observational tone but distils its themes into sharp, symbolic images—a storm, a locked door—to convey what words alone might not. For writers, this is a reminder that showing, not telling, is a skill honed through ruthless editing. Studying her scripts can teach how to craft tension through structure and dialogue, even in literary works.


3. Essays and Journalism: The Alchemy of Observation and Truth-Telling

Joan Didion’s nonfiction—collected in volumes like The White AlbumSlouching Toward Bethlehem, and Where I Was From—is where her genius as a writer truly shines. Her essays are micro-surgeries of culture, politics, and personal history, blending reportage with poetic reflection. How can a budding author benefit from this?

  • The art of the unsparingly honest narrative: Didion doesn’t flinch from ambiguity. She asks, What do we do when we can’t believe the story we’ve told ourselves? This intellectual honesty teaches writers to dig deeper, to question their own assumptions.
  • The marriage of personal and political: In pieces like “Los Angeles Notebook” or “On Self Respect”, Didion ties intimate self-doubt to societal decay. Aspiring authors can learn to weave the private and the public, creating work that resonates beyond the individual.
  • Research as storytelling: Her essays are meticulously researched yet read like lyrical journeys. Writers can study how she transforms facts into narrative threads without losing a reader’s interest.

4. Beyond Technique: Embracing Didion’s Curiosity and Courage

Perhaps the most profound lesson from Didion’s work is her relentless curiosity and willingness to confront the uncomfortable. Her writing force-feeds the idea that truth is not a destination but a process. For emerging authors, this mindset—questioning, observing, and daring to write what feels fragile or controversial—can be transformative. Didion’s essays on the Vietnam War, the Manson Family, or her own grief in The Year of Magical Thinking demand that we look at the world with both empathy and rigour.


Conclusion: Let the Questions Be the Point

Reading Joan Didion is not just about learning how to write—it’s about learning how to see. Her work challenges authors to strip away the superfluous, to wield language like a scalpel, and to embrace the messiness of human experience. For a budding writer, this is an unparalleled education. Start with her essays; they are accessible and brimming with insight. Then, move to her novels and screenplays to understand how themes translate across genres. Finally, ask yourself: What story have I been avoiding, and how can I tell it with Didion’s clarity?

In a world of noise, Didion’s voice cuts through with surgical precision. For any writer seeking to carve their own path, her work is not just a blueprint—it’s an invitation to observe, to question, and to distil the chaos of life into something that might resonate for generations.

So pick up a Joan Didion. Let her words unsettle you. Then, let me know how far you’ve come.