An excerpt from “What Sets Us Apart”, a mystery with a twist

See the excerpt from the story below, just a taste of what’s in store…

http://amzn.to/2Eryfth

whatsetscover

McCallister was old school, a man who would most likely fit in perfectly campaigning on the battlefields of Europe during the Second World War. He’d been like a fish out of water in the army, post-Falklands, and while he retired a hero, he still felt he’d more to give.

He’d applied and was accepted as head of a SWAT team, and, watching him now as he and his men disembarked from the truck in almost military precision, a look passed between Annette, the police liaison officer, and I that said she’d seen it all before. I know I had.

There was a one in four chance his team would be selected for this operation, and she had been hoping it would be one of the other three. While waiting for them to arrive she filled me in on the various teams. His was the least co-operative, and the more likely to make ad-hoc decisions rather than adhere to the plan, or any orders that may come from the officer in charge.

This, she said quite bluntly, was going to end badly.

I still had no idea why Prendergast instructed me to attend the scene of what looked to be a normal domestic operation, but as the nominated expert in the field in these types of situations, it was fairly clear he wasn’t taking any chances. It was always a matter of opinion between us, and generally I lost.

In this case, it was an anonymous report identifying what the authorities believed were explosives in one of the dockside sheds where explosives were not supposed to be.

The only reason why the report was given any credence was the man, while not identifying himself by name, said he’d been an explosive expert once and recognized the boxes. That could mean anything, but the Chief Constable was a cautious man.

With his men settled and preparing their weapons, McCallister came over to the command post, not much more than the SUV my liaison and I arrived in, with weapons, bulletproof vests, and rolls of tape to cordon off the area afterward. We both had coffee, steaming in the cold early morning air. Dawn was slowly approaching and although rain had been forecast it had yet to arrive.

A man by the name of Benson was in charge. He too had groaned when he saw McCallister.

“A fine morning for it.” McCallister was the only enthusiastic one here.

He didn’t say what ‘it’ was, but I thought it might eventually be mayhem.

“Let’s hope the rain stays away. It’s going to be difficult enough without it,” Benson said, rubbing his hands together. We had been waiting for the SWAT team to arrive, and another team to take up their position under the wharf, and who was in the final stages of securing their position.

While we were waiting we drew up the plan. I’d go in first to check on what we were dealing with, and what type of explosives. The SWAT team, in the meantime, were to ensure all the exits to the shed were covered. When I gave the signal, they were to enter and secure the building. We were not expecting anyone inside or out, and no movement had been detected in the last hour since our arrival and deployment.

“What’s the current situation?”

“I’ve got eyes on the building, and a team coming in from the waterside, underneath. Its slow progress, but they’re nearly there. Once they’re in place, we’re sending McKenzie in.”

He looked in my direction.

“With due respect sir, shouldn’t it be one of us?” McCallister glared at me with the contempt that only a decorated military officer could.

“No. I have orders from above, much higher than I care to argue with, so, McCallister, no gung-ho heroics for the moment. Just be ready to move on my command, and make sure you have three teams at the exit points, ready to secure the building.”

McCallister opened his mouth, no doubt to question those orders, but instead closed it again. “Yes sir,” he muttered and turned away heading back to his men.

“You’re not going to have much time before he storms the battlements,” Benson quietly said to me, a hint of exasperation in his tone. “I’m dreading the paperwork.”

It was exactly what my liaison officer said when she saw McCallister arriving.

The water team sent their ‘in position’ signal, and we were ready to go.

In the hour or so we’d been on site nothing had stirred, no arrivals, no departures, and no sign anyone was inside, but that didn’t mean we were alone. Nor did it mean I was going to walk in and see immediately what was going on. If it was a cache of explosives then it was possible the building was booby-trapped in any number of ways, there could be sentries or guards, and they had eyes on us, or it might be a false alarm.

I was hoping for the latter.

I put on the bulletproof vest, thinking it was a poor substitute for full battle armor against an exploding bomb, but we were still treating this as a ‘suspected’ case. I noticed my liaison officer was pulling on her bulletproof vest too.

“You don’t have to go. This is my party, not yours,” I said.

“The Chief Constable told me to stick to you like glue, sir.”

I looked at Benson. “Talk some sense into her please, this is not a kindergarten outing.”

He shrugged. Seeing McCallister had taken all the fight out of him. “Orders are orders. If that’s what the Chief Constable requested …”

Madness. I glared at her, and she gave me a wan smile. “Stay behind me then, and don’t do anything stupid.”

“Believe me, I won’t be.” She pulled out and checked her weapon, chambering the first round. It made a reassuring sound.

Suited up, weapons readied, a last sip of the coffee in a stomach that was already churning from nerves and tension, I looked at the target, one hundred yards distant and thought it was going to be the longest hundred yards I’d ever traversed. At least for this week.

A swirling mist rolled in and caused a slight change in plans.

Because the front of the buildings was constantly illuminated by large overhead arc lamps, my intention had been to approach the building from the rear where there was less light and more cover. Despite the lack of movement, if there were explosives in that building, there’d be ‘enemy’ surveillance somewhere, and, after making that assumption, I believed it was going to be easier and less noticeable to use the darkness as a cover.

It was a result of the consultation, and studying the plans of the warehouse, plans that showed three entrances, the main front hangar type doors, a side entrance for truck entry and exit and a small door in the rear, at the end of an internal passage leading to several offices. I also assumed it was the exit used when smokers needed a break. Our entry would be by the rear door or failing that, the side entrance where a door was built into the larger sliding doors. In both cases, the locks would not present a problem.

The change in the weather made the approach shorter, and given the density of the mist now turning into a fog, we were able to approach by the front, hugging the walls, and moving quickly while there was cover. I could feel the dampness of the mist and shivered more than once.

It was nerves more than the cold.

I could also feel rather than see the presence of Annette behind me, and once felt her breath on my neck when we stopped for a quick reconnaissance.

It was the same for McCallister’s men. I could feel them following us, quickly and quietly, and expected, if I turned around, to see him breathing down my neck too.

It added to the tension.

My plan was still to enter by the back door.

We slipped up the alley between the two sheds to the rear corner and stopped. I heard a noise coming from the rear of the building, and the light tap on the shoulder told me Annette had heard it too. I put my hand up to signal her to wait, and as a swirl of mist rolled in, I slipped around the corner heading towards where I’d last seen the glow of a cigarette.

The mist cleared, and we saw each other at the same time. He was a bearded man in battle fatigues, not the average dockside security guard.

He was quick, but my slight element of surprise was his undoing, and he was down and unconscious in less than a few seconds with barely a sound beyond the body hitting the ground. Zip ties secured his hands and legs, and tape his mouth. Annette joined me a minute after securing him.

A glance at the body then me, “I can see why they, whoever they are, sent you.”

She’d asked who I worked for, and I didn’t answer. It was best she didn’t know.

“Stay behind me,” I said, more urgency in my tone. If there was one, there’d be another.

Luck was with us so far. A man outside smoking meant no booby traps on the back door, and quite possibly there’d be none inside. But it indicated there were more men inside, and if so, it appeared they were very well trained. If that were the case, they would be formidable opponents.

The fear factor increased exponentially.

I slowly opened the door and looked in. A pale light shone from within the warehouse itself, one that was not bright enough to be detected from outside. None of the offices had lights on, so it was possible they were vacant. I realized then they had blacked out the windows. Why hadn’t someone checked this?

Once inside, the door closed behind us, progress was slow and careful. She remained directly behind me, gun ready to shoot anything that moved. I had a momentary thought for McCallister and his men, securing the perimeter.

At the end of the corridor, the extent of the warehouse stretched before us. The pale lighting made it seem like a vast empty cavern, except for a long trestle table along one side, and, behind it, stacks of wooden crates, some opened. It looked like a production line.

To get to the table from where we were was a ten-yard walk in the open. There was no cover. If we stuck to the walls, there was equally no cover and a longer walk.

We needed a distraction.

As if on cue, the two main entrances disintegrated into flying shrapnel accompanied by a deafening explosion that momentarily disoriented both Annette and I. Through the smoke and dust kicked up I saw three men appear from behind the wooden crates, each with what looked like machine guns, spraying bullets in the direction of the incoming SWAT members.

They never had a chance, cut down before they made ten steps into the building.

By the time I’d recovered, my head heavy, eyes watering and ears still ringing, I took several steps towards them, managing to take down two of the gunmen but not the third.

I heard a voice, Annette’s I think, yell out, “Oh, God, he’s got a trigger,” just before another explosion, though all I remember in that split second was a bright flash, the intense heat, something very heavy smashing into my chest knocking the wind out of me, and then the sensation of flying, just before I hit the wall.

I spent four weeks in an induced coma, three months being stitched back together and another six learning to do all those basic actions everyone took for granted. It was twelve months almost to the day when I was released from the hospital, physically, except for a few alterations required after being hit by shrapnel, looking the same as I always had.

But mentally? The document I’d signed on release said it all, ‘not fit for active duty; discharged’.

It was in the name of David Cheney. For all intents and purposes, Alistair McKenzie was killed in that warehouse, and for the first time ever, an agent left the Department, the first to retire alive.

I was not sure I liked the idea of making history.

© Charles Heath 2016-2020

The cinema of my dreams – I always wanted to see the planets – Episode 27

Now, about those aliens…

…

Of course the first action I took was to call on security to disperse people across all decks and departments to make sure no one boarded our ship unnoticed.

We needed to find a way of detecting such boardings without having to deploy people, a matter I’d bring up at the first departmental heads meeting.

If there was ever going to be a time for it.

“Mallory to the Captain, can we meet urgently?”

Mallory was one of the three men in the shuttle that brought me to the ship, and he was, if I remember rightly, one of the scientists, his field being scanners. Just the man to ask about detecting alien presences.

“Come up the the bridge. We’ll talk in the day room.”

I handed over the bridge to number one, and met Mallory at the elevator. He took a few moments to take in the bridge, the screen, now showing both Uranus, and several of its moons.

“Great view “

“Sometimes it’s better not knowing what’s out there,” I said.

His expression told me that comment might have been a little too flippant in the circumstances.

“Come this way.” I led him to the day room, opened the door and followed him in.

“I assume,” I said after waiting till the door was closed, “that it’s not a matter you wanted to share with the rest of the bridge.”

“That’s for you to determine. But it’s about the ship that was just here.”

“We believe it’s alien.”

“It’s not.”

OK. That was a revelation, but how could he tell the difference? My immediate guess, they had no previous alien profile to run it against.

“How so?”

“We have scanners, and we have scanners.”

Confusing to say the least, but I think I knew what he was trying to say. We had a military presence, but until I became captain, I didn’t realise we also had military hardware.

What else did we have?

“We have the ability to scan other vessels, and in certain circumstances, check for lifesigns inside. But we only had earth created ships to use as a subject for testing, simply because we know the compounds used in our vessel’s structure, including this one.”

“So anything made by us can be scanned?”

“Yes, and that ship just standing off us, we could scan it and what and who was inside, which means it’s not an alien vessel.”

That was perfectly good reasoning, except as far as I was aware, this ship was not completely earth technology.

“There might be only one way to create the outer skins and superstructure, in any ship.”

“That’s possible, yes. But we anticipated that we might eventually run into something we couldn’t penetrate until we could work out what the ship was made of and then work out how to penetrate it. That so called alien ship, we could see inside.”

“It could still be an alien ship. After all, I assume you adjusted the scanners to work through the material this ship is made of, and I doubt you’re going to argue the metal used was the result of an accidental discovery.”

He looked uncomfortable, and for a moment I thought he was going to try, but just sighed. “It’s possible, but unlikely.”

“OK then, does it fit the profile of any earth vessels?”

I knew of about 200 different types of ship out here in space, not all as well as some, and the computer recognition system had hundreds more variations, so if we ran into another ship, we could identify it.

“One or two, but it’s been modified. Also, there’s only six people on board, and from our scan, it seems all were recently in custody at a Mars penitentiary outpost. They were given a so called vaccination which put nanites in their system so they could be recognised if or when they decided to rebel.”

“Are they escaped prisoners?”

“Given the discussion I just had with security, that seems to be the case. But to verify those assumptions I got onto the Mars station, and it seems they are unaware of any missing prisoners or ships, but have sent someone over to check “

“Don’t they guard prisoners anymore?”

“They do, but with robots, and due to the remoteness, infrequent fly bys. They were coming up for one.”

“How infrequent?”

“I was told a few months, but I suspect it’s been longer. As for getting a ship, a well organised gang could have rescued some space junk and brought it back to life. It’s possible. And space still is a bit like the wild west.”

A recent problem, now that there was an ever increasing demand for travel and freight across our particular galaxy. Venus, Mars had galactic hotels, Saturn a space station and fly bys, and mining on various of the planets.

It was disappointing to realise our first contact wasn’t a first contact with a new world, just criminals expanding their horizons.

“Do they have weapons?”

“If we do, they do. We think the two smaller ships are modified troop carriers, the larger vessel, a freighter, but they have tinkered with the exterior to make people think they’re something or someone else.”

“They move pretty fast, much faster that anything we’ve got.”

“Except for this ship which may have surprised them, as well as some of us.”

“Anything else I need to know about?”

“About the other ships no. The military boys will want to join in the discussion of our next move. Something else you might want to know is that we were checking the logs and indemnified where those so called aliens came aboard, and to safely transport from one point to another, you need markers at each end.”

“And you found them?”

“In two places, and immediately removed so there will be no more unwanted boardings.”

“It raises the question…”

“A traitor on board? I don’t believe so, because they looked like they’d been installed as part of the decking. The traitors are back at the space station where the vessel was built.”

“OK. We’d better get everyone in the conference room and work out what we’re going to do next. Don’t go too far.”

…

© Charles Heath 2021

A photograph from the inspirational bin – 9

…

I remeber once being told that if you shoot for the moon, you’ll land in the clouds, if you shoot for the tree tops, you’ll finish up back where you started from.

It was a silly analogy, but I always remembered it when I looked up at the sky and saw clouds.

That was back in those hazy carefree days just after you were finished with school and you had your whole life in front of you. Your parents were there as the safety net, and were still proud of your scholastic achievements, and were not in too much of a hurry to hustle you out of the house.

But what happened when there’s a recession that came upon everyone without any warning.

Stocks plummeted, people lost their life’s savings, those with mortgages and loans suddenly finding that along with unemployment came no income, no ability to pay the bills, and therefore lost everything.

Although I never said it, I was thinking what good was an education when the whole world had gone to hell in a handbasket.

Two things I remember from back then, which in the context of disaster, wasn’t all that long ago. Firstly, my father making us children go camping from before we could walk, and with it, to survive with nothing but the clothes on our backs, and our wits.

It had happened to him, as a member of am expedition in Africa in his younger days, thinking that he might become the next great explorer, or archeologist, and finishing up getting lost, even though he asserted the other members had deliberately left him behind.

And secondly, that it was essential that we forge working relationships with any and all those who were like minded, such as those who wanted to be saved, not those who expected everyone else to so the work. It was obvious he had met a lot of those type of people too.

It served us well.

When nations began turning on each other, when essential resources like electricity and fuel stopped being distributed and rationed, when food suddenly became scarce, that’s when the real trouble started. My father said, at the outset, what would happen, and was glad our mother was not there to see it.

Then, when neighbours attacked neighbours once food became scarce, it was time to leave. The pity of it was, he died defending us, even after offering up some of the food we had stored away, but that had not appeased a hungry or angry mob.

His last words, “Go to where we said we would go, and remember everything I’ve taught you” were etched in my brain, and my brother and I did as he asked.

But, even knowing where we had to go, and how to get there, a plan of action made many years before, and trialled in recent years with success, nothing in the past could have prepared us for the journey.

It was, literally, time to shoot for the moon.

—

© Charles Heath 2021

What I learned about writing – Daydreams can lead to a very interesting story

Nostalgia

Have you ever heard someone say it was better in the old days?

I have.

I’ve been guilty of saying it myself.

But was it?

When I was a child, there was no such thing as Personal Computers or calculators.  Everything came out of books, and maths had to be done in your head or worked out methodically on paper.

Holidays were about joining up with other neighbourhood children and making your own entertainment.  I remember that for a long time, as a child, we didn’t have television.

It was down to the meadows near the creek to pick blackberries, swim in the creek, or raid new housing estates for offcuts of timber to build a cubby house.

Unlike today, with television, video players, movies on demand, personal computers, Game Boys and a plethora of other entertainment choices.

Were we better off back in the old days?

We were in the sun with no idea that sunburn led to cancer and death.  Sunscreen was unheard of, so in that regard, maybe not.

In those same ‘old days’, the only telephones were in the house and were expensive to use.  You could have a coloured phone so long as it was black and made of Bakelite.  Back then, it was the days of telephone boxes, the only way you could make a phone call when away from home

Now every man and his dog has a mobile phone/computer while on the move.  You see people everywhere, mobile phone in hand, staring at the screen, in cafes, on the bus or train, even walking down the street.

And then, when I was a child, I could remember my father saying it was not like the old days for him, so I had to wonder what he meant.

Perhaps it is an oft-used but less understood lament for a time when we remember we were happy and carefree, those days before mortgages, children, maxed-out credit cards, and the children’s mobile phone bills.

And certainly history to be discovered, that we might write a novel of what was an undiscovered time we never knew.

365 Days of writing, 2026 – 273

Day 273 – Empathetic writing

…

The Empathy Engine: How Writers Make You Fall in Love with People Who Don’t Exist

Have you ever sobbed uncontrollably over the death of a fictional character? Or felt your heart race as a made-up detective navigated a dark alley? Or closed a book and felt a lingering, hollow ache, as if you’d just said goodbye to a real, lifelong friend?

It’s a peculiar magic, when you think about it. You are sitting on a couch, staring at dead trees covered in squiggly black ink, yet your nervous system responds as though you are experiencing a real-world event. You are feeling profound grief, joy, terror, and love for people who have never drawn a breath.

How do writers pull off this psychological sleight of hand? How do they make us see, hear, and—most importantly—feel for strangers who live only on the page?

Let’s pull back the curtain on the writer’s craft and explore the anatomy of literary empathy.


1. The Visual Illusion: Painting with Specificity, Not Adjectives

A common misconception among beginner writers is that to make readers see a character, they need to describe every physical detail: eye colour, height, clothing brand, hair texture. But human brains don’t process people by cataloguing inventory. We process people through impression, movement, and telling details.

Master writers know that specificity breeds reality.

Instead of writing: “She was an old, tired woman who wore a faded blue coat,” a skilled writer might write: “Aunt Mae wore her winter coat into June, the hem frayed where she’d stepped on it a hundred times, smelling faintly of mothballs and spearmint.”

Suddenly, you don’t just see the coat; you feel the weight of it, you smell it, you understand Aunt Mae’s stubbornness and her isolation.

Writers also master the art of visceral action. They show characters interacting with their environment in ways that reveal personality. A nervous character doesn’t just “feel anxious”—they pick at the cuticle of their thumb until it bleeds, or they repeatedly check the lock on the door. By anchoring the character in physical space through sensory details (sight, sound, texture, smell), the writer tricks our brains into treating the character as a physical presence in the room with us.


2. The Sound of Truth: Capturing the Inner and Outer Voice

To make a reader hear a character, a writer must master dialogue and internal monologue.

Human speech is messy. We interrupt each other, trail off, use subtext, and lie. If a writer makes dialogue too grammatically correct and polished, it sounds like a robot reading a script. But when a writer captures the rhythm, cadence, and vernacular of a real voice—complete with hesitations, regional slang, and unspoken tensions—the character springs to life.

Consider the difference between:

  • “I am very angry that you forgot our anniversary,” said John.
  • “Right. Well. The restaurant takes reservations until eight, I suppose,” John said, staring intently at his thumbnail.

Which one do you hear? Which one makes you lean in?

Furthermore, writers invite us into the inner sanctum of the character’s mind. Through interiority—the thoughts, doubts, and rationalisations that bounce around inside a person’s head—we hear their private voice. When a character admits a shameful secret to the reader that they would never dare tell anyone in the story, an intimate bond of trust is formed. You are now accomplices.


3. The Empathy Engine: Universal Vulnerability

Seeing and hearing a character are just the entry points. The real magic trick is making the reader feel for them. How does a writer cross the chasm from “this is an interesting person” to “I care about what happens to them as if they were my own child”?

The secret is vulnerability and flaws.

Perfection is repellent. If a character is impossibly brave, flawlessly beautiful, remarkably intelligent, and always does the right thing, we might admire them, but we won’t feel for them. We admire statues; we empathise with humans.

Writers make us care by giving their characters:

  • Contradictory desires: They want to be loved, but they push people away.
  • A secret shame: A memory or a fear they try desperately to hide from the world.
  • Unmet needs: A deep, aching void—whether it’s a missing parent, a lost love, or a lack of self-worth—that drives their every action.

When we see a character trying desperately to maintain their dignity while the universe relentlessly kicks them down, our mirror neurons fire. We recognize our own insecurities, our own heartbreaks, and our own frailties in that fictional creation. We don’t feel pity for them; we feel camaraderie.


4. The Power of Empathy Engineering (The Writer’s Toolkit)

Underneath the artistry, writers use specific psychological levers to guide our emotions:

  • The “Save the Cat” Moment: Popularised by screenwriter Blake Snyder, this is a moment early in a story where a character does something inherently kind or endearing (like saving a stray cat), instantly earning the reader’s affection.
  • Stakes and Consequences: We care about characters in proportion to what they stand to lose. A character losing a dollar bill doesn’t move us; a character losing custody of their child, or losing their last chance at redemption, grips our soul.
  • Empathy by Association: How other characters treat someone influences how we feel about them. If a universally despised tyrant is kind to a stray dog, our perception of the tyrant shifts. We look for the humanity underneath.

Why We Need the Illusion

Why do we willingly subject ourselves to the emotional rollercoaster of reading about fictional pain and triumph?

Because in our daily lives, we are trapped behind the glass wall of our own skull. We can never truly know what it feels like to be someone else. We are limited to one perspective, one life, one set of experiences.

Great writers are the bridge builders across that isolation. They take us by the hand and lead us into the minds of murderers, saints, monarchs, paupers, heroes, and cowards. They stretch our capacity for compassion until it breaks open.

When a writer makes you weep for a person who has never existed, they aren’t just telling a story—they are expanding your humanity. They are proving that empathy knows no boundaries, and that even in the quietest, loneliest corners of your imagination, you are never truly alone.

…

If I only had one day to stop over in – Buenos Aires – what would I do

One Day, One Stopover, One Iconic Spot: Why Plaza de Mayo Is the Only Place You Need to Visit in Buenos Aires

You’ve got just 24 hours to soak up the spirit of Argentina’s capital. Instead of trying to cram a dozen neighbourhoods into a frantic sprint, focus on the beating heart of the city—Plaza de Mayo. With its rich history, striking architecture, and a handful of bite‑size experiences all within a few minutes’ walk, this single square will turn your layover into a truly memorable Buenos Aires story.


1. Why Plaza de Mayo Deserves the Spotlight

What makes it special?How it translates into a “must‑see” for a day‑stop
Historical epicenter – The square has witnessed the May Revolution (1810), countless presidential inaugurations, and the rise of modern Argentina.A quick walk here feels like stepping onto a living history book; you’ll understand the city’s soul in 30 minutes.
Architectural showcase – From the pink‑hued Casa Rosada to the neoclassical Cabildo and the grand Metropolitan Cathedral, styles span colonial, French‑Beaux‑Arts, and modernist.Photo‑ops galore—your Instagram feed will thank you.
Café culture – Right on the edge sits the legendary Café Tortoni, the oldest coffeehouse in the country.A perfect spot to refuel with a café con leche and a medialuna (Argentinian croissant).
Central hub – All major transport lines (Subte Line A, numerous bus routes, and the nearby Retiro train station) converge here, making it easy to reach even on a tight schedule.No time‑wasting detours—arrive, explore, and hop back on the plane.
Live atmosphere – Street musicians, political rallies, and open‑air vendors create a vibrant, ever‑changing tableau.You’ll leave with more than pictures—you’ll carry a slice of Buenos Aires life.

In short, Plaza de Mayo condenses the city’s history, culture, cuisine, and energy into a single, walkable rectangle.


2. The 3‑Hour “Plaza de Mayo Sprint” Itinerary

Even if you only have a few hours, you can cover the essentials without feeling rushed.

TimeActivityInsider tip
0:00 – 0:15Arrive & Orient – Step off the Subte (Line A) at Plaza de Mayo station. Take a moment on the main terrace to spot the iconic pink façade of the Casa Rosada.Look up to see the Balcony of the Casa Rosada—the spot where Eva Perón famously addressed crowds.
0:15 – 0:45Casa Rosada & Plaza Tour – Walk around the square, snap photos of the Monumento a los Caídos and the Obelisk of the Revolution. If you’re lucky, a guard change ceremony might be in progress.The guard ceremony occurs at 10 am on weekdays—check the schedule if you can.
0:45 – 1:20Cabildo & Metropolitan Cathedral – Pop inside the historic Cabildo (entry is free) to see the original colonial council chambers, then head next door to the Cathedral where Pope Francis was ordained.Bring a small donation for the Cathedral’s “café” (they serve a surprisingly good espresso).
1:20 – 2:00Coffee Break at Café Tortoni – Order the classic “café con leche” and a medialuna; soak up the Belle Époque interiors, complete with marble statues and vintage newspapers.Ask the staff for the “Tortoni special”—a mini‑tour of the literary figures who once frequented the place.
2:00 – 2:30Stroll Down Avenida de May – Walk the tree‑lined avenue toward Plaza San Martín, admiring the early‑20th‑century French‑style buildings.Spot the Mansard Roof of the Lloyd Palace—a great quick photo.
2:30 – 3:00Optional Quick Bite – Grab a choripán from a street vendor or a quick empanada at El Sanjuanino (just a few blocks away).If you’re a meat lover, a bite of bife de chorizo at the nearby Café Los Angelitos won’t disappoint.

Total: ~3 hours – leaving you ample time to return to the airport, freshen up, and board your next flight without stress.


3. Practical Details: Getting There & Getting Out

What you need to knowDetails
Closest airport connectionsFrom Ezeiza (EZE), a 45‑minute taxi or rideshare to Plaza de Mayo is the simplest. From Aeroparque (AEP), a 20‑minute taxi or the Aerobús to Retiro and a 5‑minute walk.
SubwayLine A (the oldest line) stops directly at Plaza de Mayo. Trains run every 5‑7 minutes; tickets cost ARS 30 (≈ US 0.16).
WalkingThe entire itinerary is a compact 1‑km loop—wear comfortable shoes.
SafetyPlaza de Mayo is a police‑patrolled zone, but stay aware of pickpockets, especially near market stalls. Keep your wallet in a front pocket.
LanguageSpanish is the default, but most staff at Café Tortoni speak basic English. Having a few phrases (“un café con leche, por favor”) goes a long way.
CurrencyArgentine pesos are cash‑friendly; most places accept cards, but have a small amount of cash for street vendors.
Time zoneBuenos Aires is UTC‑3 year‑round (no daylight‑saving).

4. Beyond the Square: If You’ve Got Extra Time

If your layover stretches to a full day, use Plaza de Mayo as a launchpad:

Nearby NeighborhoodWhy it’s worth a quick detour
San Telmo (10 min walk)Antique market on Sundays, tango cafés, and the iconic El Zanjón museum.
Puerto Madero (15 min by taxi)Modern skyline, waterfront restaurants, and the Fragata Sarmiento museum ship.
Recoleta (20 min by taxi)Famous Recoleta Cemetery (Eva Perón’s tomb) and upscale boutiques.

Even a brief 20‑minute stroll through any of these districts will deepen your Buenos Aires impression, but none will match the concentrated punch of Plaza de Mayo.


5. Capture the Moment: Photo Checklist

ShotDescription
Casa Rosada façadePink walls, iconic balcony—best in golden hour (early morning or late afternoon).
Cabildo doorwayColonial arches; frame with the flagpole for a historic vibe.
Café Tortoni interiorMarble busts, stained‑glass ceiling—look for the vintage espresso machine.
Street performerCapture the spontaneous tango or folk music that often fills the square.
Avenida de MayLeading‑line shot of the tree‑lined boulevard disappearing into the distance.

Pro tip: Use portrait mode for the architectural details and wide‑angle for the bustling square; you’ll get a professional‑looking gallery without a DSLR.


6. The Takeaway

When you have only one day to experience Buenos Aires, don’t chase every trendy barrio. Plaza de Mayo offers a microcosm of the city’s soul—history, politics, art, coffee culture, and that unmistakable Argentine buzz—all in a walkable, easy‑to‑reach spot.

By centring your layover around this iconic square, you’ll leave the capital with a story, a few unforgettable photos, and a taste of Argentine life—the perfect souvenir for a traveller on the move.

“If you want to understand a city, stand where its heart beats.”
— Your Buenos Aires adventure, distilled in a single plaza.

Ready to make your stopover unforgettable? Pack a light jacket, a camera, and an appetite for history, then let Plaza de Mayo do the rest.


Happy travels, and enjoy your fleeting yet fabulous taste of Buenos Aires!

In a word: Meat

…

We all know what meat is, the flesh of an animal like cattle, pigs, sheep, even goats.

It can be used to describe a pie, such as a meat pie, but the odd thing is that it doesn’t have to have 100% meat in it.

It can be used in the context of humans, depending on when you eat certain types of food that will put meat on your bones.

Meat can also be used to describe the fleshy part of nuts, fruit, or eggs.

Then there’s the meat of the matter, which is the crux or basis of the argument or message you want to get across.

And a rather interesting if not obscure meaning is to describe a favorite occupation or activity.

…

Another form of the word is meet; what we do at a coffee shop, on a date, at a pub, or any number of different places.

We can gather together for a meeting, such as a board of directors or a committee.

It can be used to describe an athletic or swimming carnival.

How about you meet me halfway, in a negotiation, not on a long road trip

…

To dole out or allot something like punishment, is to mete it out.

Good thing then, we don’t live in the dark ages, all manner of bad punishments were meted put to the serfs.

An excerpt from “The Things We Do for Love”; In love, Henry was all at sea!

In the distance, he could hear the dinner bell ringing and roused himself.  Feeling the dampness of the pillow and fearing the ravages of pent-up emotion, he considered not going down but thought it best not to upset Mrs Mac, especially after he said he would be dining.

In the event, he wished he had reneged, especially when he discovered he was not the only guest staying at the hotel.

Whilst he’d been reminiscing, another guest, a young lady, had arrived.  He’d heard her and Mrs Mac coming up the stairs and then shown to a room on the same floor, perhaps at the other end of the passage.

Henry caught his first glimpse of her when she appeared at the door to the dining room, waiting for Mrs Mac to show her to a table.

She was in her mid-twenties, slim, with long brown hair, and the grace and elegance of a woman associated with countless fashion magazines.  She was, he thought, stunningly beautiful with not a hair out of place, and make-up flawlessly applied.  Her clothes were black, simple, elegant, and expensive, the sort an heiress or wife of a millionaire might condescend to wear to a lesser occasion than dinner.

Then there was her expression; cold, forbidding, almost frightening in its intensity.  And her eyes, piercingly blue and yet laced with pain.  Dracula’s daughter was his immediate description of her.

All in all, he considered, the only thing they had in common was, like him, she seemed totally out of place.

Mrs Mac came out of the kitchen, wiping her hands on her apron.  She was, she informed him earlier, chef, waitress, hotelier, barmaid, and cleaner all rolled into one.  Coming up to the new arrival, she said, “Ah, Miss Andrews, I’m glad you decided to have dinner.  Would you like to sit with Mr Henshaw, or would you like to have a table of your own?”

Henry could feel her icy stare as she sized up his appeal as a dining companion, making the hair on the back of his neck stand up.  He purposely didn’t look back.  In his estimation, his appeal rating was minus six.  Out of a thousand!

“If Mr Henshaw doesn’t mind….”  She looked at him, leaving the query in mid-air.

He didn’t mind and said so.  Perhaps he’d underestimated his rating.

“Good.”  Mrs Mac promptly ushered her over.  Henry stood, made sure she was seated properly and sat.

“Thank you.  You are most kind.”  The way she said it suggested snobbish overtones.

“I try to be when I can.”  It was supposed to nullify her sarcastic tone, but it made him sound a little silly, and when she gave him another of her icy glares, he regretted it.

Mrs Mac quickly intervened, asking, “Would you care for the soup?”

They did, and, after writing the order on her pad, she gave them each a look, imperceptibly shook her head, and returned to the kitchen.

Before Michelle spoke to him again, she had another quick look at him, trying to fathom who and what he might be.  There was something about him.

His eyes mirrored the same sadness she felt, and, yes, there was something else, that it looked like he had been crying.  There was a tinge of redness.

Perhaps, she thought, he was here for the same reason she was.

No.  That wasn’t possible.

Then she said, without thinking, “Do you have any particular reason for coming here?”  Seconds later, she realised she’d spoken it out loud, hadn’t meant to actually ask, it just came out.

It took him by surprise, obviously not the first question he was expecting her to ask of him.

“No, other than it is as far from civilisation, and home as I could get.”

At least we agree on that, she thought.

It was obvious he was running away from something as well.

Given the isolation of the village and lack of geographic hospitality, it was, from her point of view, ideal.  All she had to do was avoid him, and that wouldn’t be difficult.

After getting through this evening first.

“Yes,” she agreed.  “It is that.”

A few seconds passed, and she thought she could feel his eyes on her and wasn’t going to look up.

Until he asked, “What’s your reason?”

Slightly abrupt in manner, perhaps, because of her question and how she asked it.

She looked up.  “Rest.  And have some time to myself.”

She hoped he would notice the emphasis she had placed on the word ‘herself’ and take due note.  No doubt, she thought, she had completely different ideas of what constituted a holiday than he, not that she had said she was here for a holiday.

Mrs Mac arrived at a fortuitous moment to save them from further conversation.

Over the entree, she wondered if she had made a mistake coming to the hotel.  Of course, there had been no conceivable way she could know that anyone else might have booked the same hotel, but she realised it was foolish to think she might end up in it by herself.

Was that what she was expecting?

Not a mistake then, but an unfortunate set of circumstances, which could be overcome by being sensible.

Yet, there he was, and it made her curious, not that he was a man, by himself, in the middle of nowhere, hiding like she was, but for quite varied reasons.

On discreet observation, whilst they ate, she gained the impression his air of light-heartedness was forced, and he had no sense of humour.

This feeling was engendered by his looks, unruly dark hair, and permanent frown.  And then there was his abysmal taste in clothes on a tall, lanky frame.  They were quality but totally unsuited to the wearer.

Rebellion was written all over him.

The only other thought crossing her mind, and incongruously, was that he could do with a decent feed.  In that respect, she knew now from the mountain of food in front of her, he had come to the right place.

“Mr Henshaw?”

He looked up.  “Henshaw is too formal.  Henry sounds much better,” he said, with a slight hint of gruffness.

“Then my name is Michelle.”

Mrs Mac came in to take their order for the only main course, gather up the entree dishes, and then return to the kitchen.

“Staying long?” she asked.

“About three weeks.  Yourself?”

“About the same.”

The conversation dried up.

Neither looked at the other, but rather at the walls, out the window, towards the kitchen, anywhere.  It was, she thought, unbearably awkward.

Mrs Mac returned with a large tray with dishes on it, setting it down on the table next to theirs.

“Not as good as the usual cook,” she said, serving up the dinner expertly, “but it comes a good second, even if I do say so myself.  Care for some wine?”

Henry looked at Michelle.  “What do you think?”

“I’m used to my dining companions making the decision.”

You would, he thought.  He couldn’t help but notice the cutting edge of her tone.  Then, to Mrs Mac, he named a particular White Burgundy he liked, and she bustled off.

“I hope you like it,” he said, acknowledging her previous comment with a smile that had nothing to do with humour.

“Yes, so do I.”

Both made a start on the main course, a concoction of chicken and vegetables that were delicious, Henry thought when compared to the bland food he received at home and sometimes aboard my ship.

It was five minutes before Mrs Mac returned with the bottle and two glasses.  After opening it and pouring the drinks, she left them alone again.

Henry resumed the conversation.  “How did you arrive?  I came by train.”

“By car.”

“Did you drive yourself?”

And he thought, a few seconds later, that was a silly question; otherwise, she would not be alone, and certainly not sitting at this table. With him.

“After a fashion.”

He could see that she was formulating a retort in her mind, then changed it, instead, smiling for the first time, and it served to lighten the atmosphere.

And in doing so, it showed him she had another, more pleasant side despite the fact she was trying not to look happy.

“My father reckons I’m just another of ‘those’ women drivers,” she added.

“Whatever for?”

“The first and only time he came with me, I had an accident.  I ran up the back of another car.  Of course, it didn’t matter to him that the other driver was driving like a startled rabbit.”

“It doesn’t help,” he agreed.

“Do you drive?”

“Mostly people up the wall.”  His attempt at humour failed.  “Actually,” he added quickly, “I’ve got a very old Morris that manages to get me where I’m going.”

The apple pie and cream for dessert came and went, and the rapport between them improved as the wine disappeared and the coffee came.  Both had found, after getting to know each other better, that their first impressions were not necessarily correct.

“Enjoy the food?” Mrs Mac asked, suddenly reappearing.

“Beautifully cooked and delicious to eat,” Michelle said, and Henry endorsed her remarks.

“Ah, it does my heart good to hear such genuine compliments,” she said, smiling.  She collected the last of the dishes and disappeared yet again.

“What do you do for a living?” Michelle asked in an offhand manner.

He had a feeling she was not particularly interested, and it was just making conversation.

“I’m a purser.”

“A what?”

“A purser.  I work on a ship doing the paperwork, that sort of thing.”

“I see.”

“And you?”

“I was a model.”

“Was?”

“Until I had an accident, a rather bad one.”

“Oh, I’m sorry.”

So that explained the odd feeling he had about her.

As the evening wore on, he began to think there might be something wrong, seriously wrong with her because she didn’t look too well.  Even the carefully applied makeup, from close, didn’t hide the very pale, tired look, or the sunken, dark-ringed eyes.

“I try not to think about it, but it doesn’t necessarily work.  I’ve come here for peace and quiet, away from doctors and parents.”

“Then you will not have to worry about me annoying you.  I’m one of those fall-asleep-reading-a-book types.”

Perhaps it would be like ships passing in the night, and then he smiled to himself about the analogy.

Dinner over, they separated.

Henry went back to the lounge to read a few pages of his book before going to bed, and Michelle went up to her room to retire for the night.

But try as he might, he was unable to read, his mind dwelling on the unusual, yet compellingly mysterious person he would be sharing the hotel with.

Overlaying that original blurred image of her standing in the doorway was another of her haunting expressions that had, he finally conceded, taken his breath away, and a look that had sent more than one tingle down his spine.

She may not have thought much of him, but she had certainly made an impression on him.

…

© Charles Heath 2015-2024

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If I only had one day to stop over in Philadelphia, what would I do?

One Day in Philly? Here’s the One Spot That Will Make It Unforgettable


The Situation

You’ve landed at Philadelphia International Airport (PHL) with a twelve‑hour layover. The city’s historic neighbourhoods, world‑class museums, and legendary food scene are all tempting, but you only have a single day to explore. How do you decide what to see, eat, and photograph before you catch your next flight?

The answer is simple: head straight to Reading Terminal Market.

It may sound modest—a bustling indoor food hall tucked away in the heart of Centre City—but this historic market is the perfect microcosm of Philadelphia’s culture, history, and culinary pride. One visit here gives you a taste (literally and figuratively) of everything the City of Brotherly Love has to offer, all within a walkable 5‑minute radius of major sights and public transit.


Why Reading Terminal Market Beats All Other “One‑Stop” Options

What you wantReading Terminal Market delivers
Authentic Philly foodPhilly cheesesteaks, soft pretzels, scrapple, hoagie‑style sandwiches, and sweet treats from generations‑old vendors.
A quick dive into historyHoused in the 1925 Reading Railroad terminal, the building itself is an architectural landmark listed on the National Register of Historic Places.
Convenient locationSteps from the 30th Street Station (Amtrak) and a 2‑minute walk from the subway (Broad Street Line) and the Independence Hall area.
Variety for any palate35+ vendors offering everything from Amish baked goods to international cuisines—no need to pick a single restaurant.
Photo‑ready ambianceThe vaulted ceiling, original marble floors, and bustling stalls create a vibrant backdrop for Instagram‑worthy shots.

In short, Reading Terminal Market is Philadelphia in a nutshell—and you can absorb it all in just a few hours.


Crafting the Perfect One‑Day Itinerary Around the Market

Below is a step‑by‑step guide that squeezes the most enjoyment out of a 12‑hour layover while keeping stress (and travel time) to a minimum.

1️⃣ Arrival & Transit (0–45 min)

  • From the airport: Take the SEPTA Airport Line (direct rail) to 30th Street Station (≈ 12 min). Trains run every 30 minutes; a $5 off‑peak fare works for most travellers.
  • From 30th Street: Walk east 5 minutes to Reading Terminal Market. The path takes you past the iconic Reading Railroad building—a perfect first photo op.

Pro tip: If you have luggage, use the Luggage Storage service at 30th Street Station (available 24/7 for $8 per day). It frees you up to wander unencumbered.

2️⃣ Breakfast at the Market (45–90 min)

  • Must‑try: Hershel’s East Coast Deli for a classic Philly cheesesteak breakfast sandwich (steak, egg, and provolone on a roll).
  • Alternative: Rosa’s Bakery for a flaky, buttery peppercorn croissant and a cup of locally roasted coffee.
  • Why it works: Breakfast here is quick, delicious, and you’re already inside the building where the day’s adventure begins.

3️⃣ Quick History Burst (90–120 min)

  • Walk north a block to Independence Hall and the Liberty Bell (both free, but expect lines). Even a 20‑minute stroll through the historic district gives you a palpable sense of America’s founding moments.
  • Optional: If you’re short on time, simply peek at the Liberty Bell Centre’s exterior from the market’s balcony—photos are just as iconic.

4️⃣ Mid‑Morning Snack & Shopping (120–150 min)

  • Stop at: DiNic’s Roast Pork (the shop that inspired the “Philly’s Best Sandwich” on The Food Network). Grab a Roast Pork Hoagie with provolone, broccoli rabe, and a drizzle of sharp provolone mayo.
  • Shop for: Handmade Pennsylvania Dutch pretzels at Miller’s Pretzel Bakery, or pick up a box of Amish butter cookies—great souvenirs that travel well.

5️⃣ Cultural Interlude (150–210 min)

  • Visit: The Mural Arts Philadelphia collection, just a 10‑minute walk from the market (head west toward the Philadelphia Museum of Art). The neighbourhood is dotted with vibrant murals that tell stories of the city’s neighbourhoods, social movements, and artistic evolution.
  • Snap: The iconic “Rocky Steps” view from the Philadelphia Museum of Art, if you have a few extra minutes. It’s a quick climb (or use the elevator) for that classic cinematic shot.

6️⃣ Lunch – The Big Finish (210–270 min)

  • Signature meal: Pat’s King of Steaks or Geno’s Steaks (the original rivalry) are a short 5‑minute walk north on South 9th Street. Order the classic cheesesteak—thinly sliced ribeye, melted cheese, and a hearty roll.
  • If you’re feeling adventurous: Try the Philly “Italian Hoagie” from Cesar’s inside the market—layers of salami, provolone, capicola, lettuce, tomato, and onions.

7️⃣ Sweet Treat & Coffee (270–300 min)

  • Finish: A slice of cannoli from Cappuccino’s or a soft pretzel from Basset’s—both located inside the market.
  • Coffee: Grab a final cup at Joe Coffee to recharge before you head back to the airport.

8️⃣ Return to the Airport (300‑360 min)

  • Walk back to 30th Street Station, hop the Airport Line to the terminal, and allow at least 45 minutes for security screening before your next flight.

Bottom line: You’ll have sampled Philly’s most iconic foods, brushed past its founding history, and captured a handful of visual memories—all without feeling rushed.


Insider Tips for a Seamless Market Experience

TipDetails
Arrive earlyVendors are freshest in the morning; lines are shorter.
Cash & cardsMost stalls accept cards, but a few (especially smaller bakers) still prefer cash.
Ask for “cheese whiz or provolone?”The classic cheese whiz is iconic, but provolone gets the nod from locals who want a richer flavor.
Bring a reusable bagMany vendors will let you take home leftovers or purchases without extra packaging.
Watch for “Market Days”On Saturdays, a farmer’s market spills onto the adjacent streets—great for fresh produce and artisanal goods.
Stay hydratedPhiladelphia can be surprisingly warm in summer; grab a bottle of local Pennsylvania sparkling water at Tropicana.

The Takeaway: One Spot, Whole City

If you only have a single day in Philadelphia, you could spend it trying to chase every historic monument or museum. But the reality of travel—tight schedules, jet lag, and the desire for genuine experiences—means you need a hub that delivers culture, cuisine, and convenience all at once.

Reading Terminal Market does exactly that. It lets you taste Philadelphia, see its history, and feel the vibrant energy of a city that’s both rooted in the past and alive with modern flavour.

So the next time your itinerary shows a brief stopover, remember: walk into the market, eat like a Philadelphian, and walk out with a day’s worth of memories.


Quick Recap

What to DoWhereApprox. Time
Breakfast (cheesesteak sandwich)Hershel’s Deli, Reading Terminal Market30 min
Liberty Bell & Independence Hall2 blocks north30 min
Roast pork hoagie + pretzel snackDiNic’s & Miller’s30 min
Mural Arts walk & Rocky Steps viewWest toward Museum of Art30 min
Lunch (authentic cheesesteak)Pat’s or Geno’s45 min
Cannoli or pretzel + coffeeInside market15 min
Return to airport30th St. Station → Airport Line45 min

Ready to make your Philadelphia layover unforgettable? Pack a reusable bag, bring an appetite, and let Reading Terminal Market be the heart of your day.

Safe travels, and may your next stop be just as delicious!

“One Last Look”: nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate: after Ben told his wife, Charlotte, he would be home late one night, he left early and, by chance, discovered his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man? Why was she having dinner with him?

A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little, Ben discovers who the woman he married is, and the real reason why fate had brought them together.

It is available on Amazon here:  http://amzn.to/2CqUBcz