365 Days of writing, 2026 – 114

Day 114 – Cliches

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Beyond the Cliché: How to Refresh Your Writing and Ditch the Tired Tropes

We’ve all been there. You’re deep into a draft, the ideas are flowing, and suddenly, you hit a wall. You need a phrase to describe a messy situation, a strong promise, or an aggressive reaction. Your brain reaches into its mental filing cabinet and pulls out the usual suspects: “can of worms,” “mark my words,” and “feeding frenzy.”

They’re comfortable. They’re recognisable. But are they good writing?

Cliches aren’t inherently evil; they are shorthand. They exist because they were originally clever, punchy, and effective. The problem is that they’ve been used so often that they’ve lost their impact. They are the “white noise” of the literary world. When a reader sees a cliché, their brain glosses over it because they’ve already encountered it a thousand times.

If you want your writing to stand out, you have to be willing to do the extra work of finding a fresher way to say what you mean. Let’s break down three common cliches and look at how to replace them with something that actually bites.

1. The “Can of Worms”

The cliche: “Opening this investigation will just open a whole can of worms.” The problem: It’s become so cartoonish that it evokes a literal fishing trip rather than a complex bureaucratic nightmare.

The Strategy: Focus on the consequence of the action. What kind of trouble are we talking about?

Try these instead:
- “Opening this investigation will trigger a cascade of unforeseen fallout.”
- “This will unearth a hornet’s nest of complications.”
- “If we pull this thread, the entire tapestry of our agreement starts to unravel.”
- “This is a Pandora’s box we aren’t prepared to manage.”

2. “Mark My Words”

The cliche: “Mark my words, this company will be bankrupt within a year.” The problem: It sounds like the dialogue from a mid-century detective movie. It carries a sense of performative drama that often rings hollow.

The Strategy: Don’t demand that the reader “mark” your words—simply state your conviction with enough strength that they have no choice but to believe you.

Try these instead:
- “I’d bet my reputation that this company will be bankrupt within a year.”
- “History suggests that this company is headed for bankruptcy.”
- “Write it down: this company is on a collision course with bankruptcy.”
- “Make no mistake: this company is folding.”

3. “Feeding Frenzy”

The cliche: “The press went into a feeding frenzy over the scandal.” The problem: It dehumanises the subjects and relies on a biological metaphor that has been used until it’s transparent.

The Strategy: Describe the action of the group. Are they frantic? Are they ruthless? Are they opportunistic?

Try these instead:
- “The press swarmed the scandal with predatory zeal.”
- “The scandal triggered a vicious, rapid-fire cycle of speculation.”
- “Once the news broke, the media circled like vultures.”
- “The scandal sparked a competitive scramble for every shred of information.”

How to Stamp Out Cliches in Your Own Work

You don’t have to get rid of every single cliché on your first draft. That’s what editing is for. Here is a simple workflow to sharpen your prose:

Read Aloud: When you read your draft, cliches stand out like sore thumbs. Your tongue will stumble or your brain will feel a “ping” of familiarity.
Ask “What do I actually mean?”: If you want to say something is a “can of worms,” ask yourself: What is the specific danger? Is it chaos? Is it legal liability? Is it a mountain of paperwork? Be specific.
Use the Thesaurus as a Guide, Not a Crutch: Look up the core words of your cliché, but don’t just pick a synonym. Use the thesaurus to trigger a new way of visualising the concept.
Embrace the “Plain Language” Rule: Sometimes, the best alternative to a cliche is simply stating the truth plainly. Instead of “a feeding frenzy,” just say “relentless media scrutiny.” Plain, direct language is often more powerful than any metaphor.

The Bottom Line: Great writing isn’t about using the biggest words or the most complex metaphors; it’s about choosing language that feels earned. By ditching the tired tropes, you show your readers that you value their time—and that you have an original voice worth listening to.

Searching for locations: The Jade Factory, Beijing, China

The first stop is at a Jade Museum to learn the history of jade. In Chinese, jade is pronounced as “Yu” and it has a history in China of at least four thousand years. On the way there, we are given a story about one of the guide’s relatives who had a jade bracelet, and how it has saved her from countless catastrophes.It is, quite literally ‘the’ good luck charm. Chinese gamblers are known to have small pieces of jade in their hands when visiting the casinos, for good luck. I’m not sure anything could provide a gambler with any sort of luck given how the odds are always slanted towards the house.

At any rate, this is neither the time of the place to debunk a ‘well-known fact’.

On arrival, our guide hands us over to a local guide, a real staff member, and she begins with a discussion on jade while we watch a single worker working on an intricate piece, what looks to be a globe within a globe, sorry, there are two workers, and the second is working on a dragon.

At the end of the passage that passes by the workers, and before you enter the main showroom, you are dazzled by the ship and is nothing short of magnificent.

Then it’s into a small room just off the main showroom where we are taken through the colors, and the carving process in the various stages, without really being told how the magic happens.

Then it’s out into the main showroom where the sales are made, and before dispersing to look at the jade collection, she briefly tells us how to tell real and fake jade, and she does the usual trick of getting one of the tour group to model a piece.

Looks good, let’s move on. To bigger and better examples.

What interested me, other than the small zodiac signs and other smallish pieces on the ‘promotion’ table, was the jade bangle our tour guide told us about on the bus. If anyone needs one, it is my other half, with all the medical issues and her sometimes clumsiness, two particular maladies this object is supposed to prevent.
Jade to the Chinese is Diamonds to westerners, and the jade bangle is often handed down to the females of the family from generation to generation, often as an engagement present, to be worn on the left hand, the one closest to the heart.

There are literally thousands of them, but, they have to be specially fitted to your wrist because if it’s too large, you might lose it if it slips off and I didn’t think it could be too small.
Nor is it cheap, and needing a larger size, it is reasonably expensive. But it is jadeite, the more expensive of the types of jade, and it can only appreciate in value, not that we are interested in the monetary value, it’s more the good luck aspect.

We could use some of that.

But, just to touch on something that can be the bugbear of traveling overseas, is the subject of happy houses, a better name for toilets, and has become a recurrent theme on this tour. It’s better than blurting out the word toilet and it seems there can be some not so happy houses given that the toilets in China are usually squat rather than sit, even for women.
And apparently, everyone has an unhappy house story, particularly the women, and generally in having to squat over a pit. Why is this a discussion point, it seems the jade factory had what we have come to call happy, happy houses which have more proper toilets, and a stop here before going on the great wall was recommended, as the ‘happy house’ at the wall is deemed to be not such a happy house.

Not even this dragon was within my price range. Thank heaven they had smaller more affordable models. The object of having a dragon, large or small, is that it should be placed inside the main door to the house so that money can come in.

It also seems that stuffing the dragon’s mouth with money is also good luck. We passed on doing that.

After spending a small fortune, there was a bonus, free Chinese tea. Apparently, we will be coming back, after the Great Wall visit, to have lunch upstairs.

In a word: Right

Am I right? Or is that correct?

In the moral sense, or in answering a question?

Do I have a right to …

As an entitlement?

Maybe

But right means generally to be correct, but the word itself can be used, like many others in a variety of ways

Such as, do we have any rights any more, since the government is slowly shutting down our freedoms, and, you guessed it, rights.

What about a right angle, we know this as being an angle of 90 degrees

How about I right a wrong, returning a bad situation to a good one?

Are you left-handed or right-handed?

Are you one of those people who can’t tell their left from their right?

And who was it that decided what was your left or your right, ever thought about that? I didn’t until just now. Good luck finding an answer on Google.

And how many times have you wished you were in the right place at the right time???

Then, of course, if English is a second language, how about confusing right with write.

Means something quite different, doesn’t it?

How about rite? Yes, I guess if we were in the habit of chopping chicken heads off and dancing around a fire, that might be its meaning,

But…

It too has a lot of different meanings

Are you confused yet?

The story behind the story – Echoes from the Past

The novel ‘Echoes from the past’ started out as a short story I wrote about 30 years ago, titled ‘The birthday’.

My idea was to take a normal person out of their comfort zone and led on a short but very frightening journey to a place where a surprise birthday party had been arranged.

Thus the very large man with a scar and a red tie was created.

So was the friend with the limousine who worked as a pilot.

So were the two women, Wendy and Angelina, who were Flight Attendants that the pilot friend asked to join the conspiracy.

I was going to rework the short story, then about ten pages long, into something a little more.

And like all re-writes, especially those I have anything to do with, it turned into a novel.

There was motivation. I had told some colleagues at the place where I worked at the time that I liked writing, and they wanted a sample. I was going to give them the re-worked short story. Instead, I gave them ‘Echoes from the past’

Originally it was not set anywhere in particular.

But when considering a location, I had, at the time, recently been to New York in December, and visited Brooklyn and Queens, as well as a lot of New York itself. We were there for New Years, and it was an experience I’ll never forget.

One evening we were out late, and finished up in Brooklyn Heights, near the waterfront, and there was rain and snow, it was cold and wet, and there were apartment buildings shimmering in the street light, and I thought, this is the place where my main character will live.

It had a very spooky atmosphere, the sort where ghosts would not be unexpected. I felt more than one shiver go up and down my spine in the few minutes I was there.

I had taken notes, as I always do, of everywhere we went so I had a ready supply of locations I could use, changing the names in some cases.

Fifth Avenue near the Rockefeller center is amazing at first light, and late at night with the Seasonal decorations and lights.

The original main character was a shy and man of few friends, hence not expecting the surprise party. I enhanced that shyness into purposely lonely because of an issue from his past that leaves him always looking over his shoulder and ready to move on at the slightest hint of trouble. No friends, no relationships, just a very low profile.

Then I thought, what if he breaks the cardinal rule, and begins a relationship?

But it is also as much an exploration of a damaged soul, as it is the search for a normal life, without having any idea what normal was, and how the understanding of one person can sometimes make all the difference in what we may think or feel.

And, of course, I wanted a happy ending.

Except for the bad guys.

Get it here: https://amzn.to/2CYKxu4

newechocover5rs

Searching for locations: The Great Wall of China, near Beijing, China

This is in a very scenic area and on the first impression; it is absolutely stunning in concept and in viewing.

As for the idea of walking on it, well, that first view of the mountain climb when getting off the bus, my first question was where the elevator is? Sorry, there is none. It’s walk on up or stay down the bottom.

Walk it is. As far as you feel you are able. There are quite a few who don’t make it to the top. I didn’t. I only made it to the point where the steps narrowed.

But as for the logistics, there’s the gradual incline to the starting point, and what will be the end meeting place. From there, it’s a few steps up to the guard station no 7, and a few more to get up to the start of the main climb. The top of the wall is guard station no 12.

Ok, those first few steps are a good indication of what it’s was going to be like and it’s more the awkwardness of the uneven heights of the steps that’s the killer, some as high as about 15 inches. This photo paints an illusion, that it’s easy. It’s not.

If you make it to the first stage, then it augers well you will get about 100 steps before you both start feeling it in your legs, particularly the knees, and then suffering from the height if you have a problem with heights as the air is thinner. And if you have a thing with heights, never look down.

This was from where we stopped, about a third of the way up. The one below, from almost at the bottom. One we’re looking almost down on the buildings, the other, on the same level.

It requires rest before you come down, and that’s when you start to feel it in the knees, our tour guide called it jelly legs, but it’s more in the knees down. Descending should be slow, and it can be more difficult negotiating the odd height steps, and particularly those high ones. You definitely need to hang onto the rail, even try going backward.

And, no, that rail hasn’t been there as long as the wall.

While you are waiting for the guide to return to the meeting place at the appointed time, there should be time to have some jasmine tea. Highly refreshing after the climb.

The first case of PI Walthenson – “A Case of Working With the Jones Brothers”

This case has everything, red herrings, jealous brothers, femme fatales, and at the heart of it all, greed.

See below for an excerpt from the book…

Coming soon!

PIWalthJones1

An excerpt from the book:

When Harry took the time to consider his position, a rather uncomfortable position at that, he concluded that he was somehow involved in another case that meant very little to him.

Not that it wasn’t important in some way he was yet to determine, it was just that his curiosity had got the better of him, and it had led to this: sitting in a chair, securely bound, waiting for someone one of his captors had called Doug.

It was not the name that worried him so much, it was the evil laugh that had come after the name was spoken.

Doug what? Doug the ‘destroyer’, Doug the ‘dangerous’, Doug the ‘deadly’; there was any number of sinister connotations, and perhaps that was the point of the laugh, to make it more frightening than it was.

But there was no doubt about one thing in his mind right then: he’d made a mistake. A very big. and costly, mistake. Just how big the cost, no doubt he would soon find out.

His mother, and his grandmother, the wisest person he had ever known, had once told him never to eavesdrop.

At the time he couldn’t help himself and instead of minding his own business, listening to a one-sided conversation which ended with a time and a place. The very nature of the person receiving the call was, at the very least, sinister, and, because of the cryptic conversation, there appeared to be, or at least to Harry, criminal activity involved.

For several days he had wrestled with the thought of whether he should go. Stay on the fringe, keep out of sight, observe and report to the police if it was a crime. Instead, he had willingly gone down the rabbit hole.

Now, sitting in an uncomfortable chair, several heat lamps hanging over his head, he was perspiring, and if perspiration could be used as a measure of fear, then Harry’s fear was at the highest level.

Another runnel of sweat rolled into his left eye, and, having his hands tied, literally, it made it impossible to clear it. The burning sensation momentarily took his mind off his predicament. He cursed and then shook his head trying to prevent a re-occurrence. It was to no avail.

Let the stinging sensation be a reminder of what was right and what was wrong.

It was obvious that it was the right place and the right time, but in considering his current perilous situation, it definitely was the wrong place to be, at the worst possible time.

It was meant to be his escape, an escape from the generations of lawyers, what were to Harry, dry, dusty men who had been in business since George Washington said to the first Walthenson to step foot on American soil, ‘Why don’t you become a lawyer?” when asked what he could do for the great man.

Or so it was handed down as lore, though Harry didn’t think Washington meant it literally, the Walthenson’s, then as now, were not shy of taking advice.

Except, of course, when it came to Harry.

He was, Harry’s father was prone to saying, the exception to every rule. Harry guessed his father was referring to the fact his son wanted to be a Private Detective rather than a dry, dusty lawyer. Just the clothes were enough to turn Harry off the profession.

So, with a little of the money Harry inherited from one of his aunts, he leased an office in Gramercy Park and had it renovated to look like the Sam Spade detective agency, you know the one, Spade and Archer, and The Maltese Falcon.

There’s a movie and a book by Dashiell Hammett if you’re interested.

So, there it was, painted on the opaque glass inset of the front door, ‘Harold Walthenson, Private Detective’.

There was enough money to hire an assistant, and it took a week before the right person came along, or, more to the point, didn’t just see his business plan as something sinister. Ellen, a tall cool woman in a long black dress, or so the words of a song in his head told him, fitted in perfectly.

She’d seen the movie, but she said with a grin, Harry was no Humphrey Bogart.

Of course not, he said, he didn’t smoke.

Three months on the job, and it had been a few calls, no ‘real’ cases, nothing but missing animals, and other miscellaneous items. What he really wanted was a missing person. Or perhaps a beguiling, sophisticated woman who was as deadly as she was charming, looking for an errant husband, perhaps one that she had already ‘dispatched’.

Or for a tall, dark and handsome foreigner who spoke in riddles and in heavily accented English, a spy, or perhaps an assassin, in town to take out the mayor. The man was such an imbecile Harry had considered doing it himself.

Now, in a back room of a disused warehouse, that wishful thinking might be just about to come to a very abrupt end, with none of the romanticized trappings of the business befalling him. No beguiling women, no sinister criminals, no stupid policemen.

Just a nasty little man whose only concern was how quickly or how slowly Harry’s end was going to be.

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365 Days of writing, 2026 – 114

Day 114 – Cliches

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