The cinema of my dreams – I always wanted to see the planets – Episode 4

After having to take another leap of faith…

…

And, getting out of the elevator, this time no erratic behaviour but still not filling me with confidence, I step onto the bridge.

The forward screen has changed.

It seems we are going to Neptune via the moon, or we were going to be passing by on our way to someplace else.

The Captain was on the bridge, obviously coming out of his day room on the news that the Chief Engineer had fixed everything.

“Ah, number one, we’ve hung around here long enough.”

He walked back to his chair and sat.

I decided to remain behind the navigator. I could see that the co-ordinates to our destination had been entered and it was Neptune, so the moon was not going to be a stop off.

The Chief engineer’s voice came over the speaker. “Ready when you are, Captain.”

I forgot, for a moment, that the Chief and the Captain had served before, and someone had mentioned the fact the captain had asked for him to be assigned to this ship.

“Mr Jacobs, take us out, slowly, and try not to bump into anything this time.”

Mr Jacobs was the second officer.

In a rather sheepish tone, Mr Jacobs said, “Taking the ship out carefully, sir.”

It was hard to tell if the ship was moving, but the tell tale sign was the movement of the objects on screen. And the fact I could see through the side windows as we moved forwards, leaving the dock superstructure behind.

Also, on the screen I could see the movements of other vessels, several freighters waiting to leave, and one coming in, but standing off until we departed.

Then, suddenly, we were in clear space.

Jacobs turned to the captain, expecting the next order.

“Let’s take it easy. Level one, when you’re ready.”

Jacobs was ready, even eager to get this ship under way. It had performed faultlessly in trials, now we were going to put it through it’s paces.

“Level one, as you wish.”

He pushed the button, there was a moment when nothing happened, then with just the slightest movement inside the bridge, we were under way.

Next stop, Neptune.

…

© Charles Heath 2021

The 2am Rant: Is there something wrong?

I asked myself that question when about 1000 odd words into a current short story, one that I continue to go back to, but found an initial reluctance to write, and now seems to be difficult to continue.

Is the reason because I don’t feel like writing, that I’ve written myself into a corner, the story isn’t flowing, or there’s something else I’d rather be doing…

Like, scouring the internet…

Working on writing some blog posts, like this one…

Checking my email…

Checking my other blogs to see how many people have viewed my recent posts,

Or just puddle with anything other than what I should be doing.

The thing is, I know where most of the stories are going, it’s just a matter of sitting down, picking up the threads, and writing. Certainly, I could be working on one or another right now.

But, something is nagging at me.

I thought it was that I wanted to write another Being Inspired piece, having the photo I wanted to use for inspiration in my head. I sat down this morning and started it, and got seven or eight paragraphs done, and then it was time to go down to breakfast.

Attention diverted.

I could have written more after breakfast, but that seemed to segue into a chat over coffee that ran into lunch. It’s odd how it seems there is so much to talk about.

Then it’s been one excuse after another that has kept me from picking up that story and running with it. I could do it now, but that reluctance remains.

Perhaps tomorrow.

For now, I’m going to work on some crosswords and see if that doesn’t inspire me, and if it doesn’t I could always have an early night.

It’s the same every time we go away, on the run all day doing touristy stuff, making notes for later on, on the run, and then getting back to the room exhausted. After all, there is so much to see and do.

Maybe I’ll just reflect on today and worry about it tomorrow, except…

We have an equally hectic day planned.

Maybe I’ll get that holiday from writing after all.

What I learned about writing – When you need a distraction!

If I get a headache, I can take paracetamol

If I have a sore back, I can take ipBrufen.

If I can’t put words on paper … what is there I can take?

Therein lies the writer’s dilemma.

I have been staring at the blank screen on my computer for about an hour now.  I am in the middle of a rewrite.  I know what direction I want the story to go.  Yet, for the life of me, I cannot find the words.

Is it writer’s block?

Here’s the thing.

Not four hours ago, I had all the words in the world.  The new scene was all but writing itself; the words flowed, and the characters were alive and almost bubbling over with enthusiasm.  I was almost as if I was in the same room with them and their mental sparring.

That scene is done.

And usually, the next is already forming in my mind as I’m getting to the end.  This time, an untimely interruption put a spoke in the works, diverted my attention to resolving a problem, and everything I’d been thinking about has gone.

Not a block then, but a dastardly distraction.

I guess I’m going on a long walk around the neighbourhood, looking but not seeing, thinking but trying not to think, stopping at the café and have a long hot coffee and a cake, perhaps this time a custard tart with whipped cream (OK, I know that can’t be good for me, but it is delicious) and by the time I get back …

Hopefully, the words will return.

365 Days of writing, 2026 – 250

Day 250 – A book can have an impact on you

…

How Great Books Transform Us: Exploring the Wisdom of Russell Banks

“The mark of a good book is that after having finished, I’m a slightly different person. I think a little differently, I see the world a little differently…” — Russell Banks

We’ve all experienced it. You close the back cover of a novel, stare blankly at the wall for a few quiet moments, and realise that the room around you looks just a bit sharper, the air a bit heavier, and your own mind a bit more vast.

The late, great American novelist Russell Banks captured this phenomenon perfectly. Books aren’t merely entertainment; they are alchemical agents. They take our existing worldview, melt it down in the crucible of a compelling narrative, and recast it into something new.

In this post, we’re going to explore what it means to be transformed by literature, why the best books linger in our psychology long after we’ve turned the final page, and how reading deeply makes us more empathetic, aware human beings.


The Anatomy of a Transformative Read

What separates a forgettable beach read from a truly great book? It isn’t necessarily complex plotting or ornate prose. Rather, it’s resonance.

A transformative book acts as a mirror and a window.

  • The Window: It transports us into the minds, eras, and realities of people we would otherwise never understand. It grants us access to the interior lives of the marginalized, the eccentric, the historical, and the fictional.
  • The Mirror: It reflects our own hidden fears, secret joys, and moral ambiguities back at us, whispering, “You are not alone in feeling this way.”

When these two functions combine, our cognitive framework expands. As Russell Banks suggests, we don’t just consume a story; we assimilate it. We ingest the author’s perspective and let it rewrite our mental software.


Why Good Books Change How We Think

Neuroscience has begun to catch up with what readers have known for centuries: reading fiction literally changes your brain.

Studies in cognitive psychology show that when we read about an experience, the same regions of the brain light up as if we were experiencing it ourselves. If a character is running, our motor cortex activates. If a character is expressing deep grief, our emotional empathy networks fire up.

Over time, this simulation builds psychological muscle.

  1. Enhanced Empathy: By walking in the virtual shoes of diverse characters, we become less insular. We realise that human motivation is complex, messy, and rarely reducible to “good vs. bad.”
  2. Nuanced Worldview: Dogmatism thrives on simplicity. Great literature thrives on ambiguity. When a book forces us to sit with unresolved endings and morally grey protagonists, we become more comfortable with the uncertainties of real life.

Experiencing the “Banks Effect” in Everyday Life

Have you ever finished a book and noticed that your internal monologue has adopted a bit of the author’s cadence? Or perhaps you walked down the street and found yourself noticing the architectural details, the plight of a stray animal, or the quiet desperation of a commuter—things you would have otherwise walked right past?

That is the “mark of a good book” in action.

  • After reading Victor Hugo, you might find yourself viewing the institutions of society with a renewed passion for justice and mercy.
  • After reading Virginia Woolf, the ordinary moments of a Tuesday afternoon suddenly shimmer with hidden psychological depth.
  • After reading Russell Banks himself—known for his unflinching examinations of working-class American life—you may look at your neighbors with a deeper, more empathetic curiosity about the quiet struggles they carry.

How to Choose Books That Will Change You

If you want to read in a way that actively transforms you, intentionality matters. Here are a few ways to ensure your reading list leaves a mark:

  • Step Outside Your Comfort Zone: If you mostly read contemporary thrillers, try 19th-century Russian literature or contemporary post-colonial fiction. Read stories from cultures, economic backgrounds, and belief systems vastly different from your own.
  • Slow Down: Transformation doesn’t happen at 3x audiobook speed. Allow yourself to linger over sentences. Keep a notebook handy to jot down quotes and reflections.
  • Discuss What You Read: Talk about books with others. Articulating how a book made you feel helps cement the psychological shift it triggered inside you.

Final Thoughts: The Unfinished Self

We are works in progress, incomplete blueprints being continually revised by our experiences. And among the most potent experiences available to the human mind is the quiet, profound act of reading.

Russell Banks reminds us that the best stories don’t let us walk away unchanged. They chip away at our biases, expand our capacity for empathy, and leave us standing a little taller, seeing the world with fresh eyes.

What is the last book that changed who you are? How did it shift your view of the world? Let’s discuss in the comments below!

…

In a word: Pear

Now, how did such a simple word that described a piece of fruit become so tangled?

The English language, of course.

It throws up many a variation of the same-sounding word, just to confuse us.

Just think, there is also pair, and pare.

But a pear, that’s a piece of fruit.

And if you’re not careful, things can go pear-shaped very quickly.

Then there’s a pair, which means there are two of the same thing, such as a pair of socks

Except in my house, it’s more than likely that pair of socks is an odd pair.

Then there’s pare, which is to take the outer layer off, such as an orange.

It can also mean to cut down, as in staff, after restructuring an organisation.

“The Things We Do For Love”

Would you give up everything to be with the one you love?

…

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, a place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledged that something had happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive, she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realises is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

If I only had one day to stop over in – Amsterdam – what would I do?

One Day in Amsterdam? Make It Unforgettable with a Single Stop: The Canal Belt (Grachtengordel)


Why the Canal Belt is the Perfect “One‑Place” Destination

Amsterdam’s 17th‑century canal network is more than a series of waterways—it’s the city’s living arteries, a UNESCO World Heritage site, and the backdrop for every postcard you’ve ever seen. When you have just 24 hours, the Canal Belt gives you:

  • Iconic scenery in minutes: Picture‑perfect bridges, narrow merchant houses with gabled facades, and the gentle sway of historic barges.
  • A compact, walk‑and‑ride playground: All of the city’s most photographed sights sit within a 2‑km radius.
  • Flexible pacing: Whether you have a tight schedule or a couple of spare hours, you can tailor the experience to your rhythm.

In short, the Canal Belt lets you soak up the soul of Amsterdam without hopping from one museum to another or battling long ticket queues.


The Quick‑Start Guide: From Schiphol to the Canals in 20 Minutes

StepHow to Do ItApprox. Time
1. Exit SchipholFollow signs to “Trains & Buses.”–
2. Catch a Sprinter train to Amsterdam CentraalTrains depart every 10 min; tickets €5.20 (single).15 min
3. Walk or bike to the Canal BeltThe station opens directly onto the western edge of the Grachtengordel. A 5‑minute stroll or a 2‑minute bike ride gets you to the heart of the action.5 min
4. Start your canal adventureChoose a walking route or hop on a 20‑minute hop‑on/hop‑off boat.–

Pro tip: Buy an OV‑chipkaart (public‑transport card) at the airport for smooth tram/bus rides later in the day. It costs €7.50 including a €2.50 credit, and you’ll need it if you decide to explore beyond the canals.


The Experience: A Two‑Hour Itinerary That Feels Like a Whole Day

1️⃣ 10 Minutes – First Glimpse from the Bridge

Begin at Blauwburgwal, the narrowest bridge in the city (just 1.13 m wide). From here, you’ll see the quintessential Dutch row of twee-onder- één houses (two‑storey front, one‑storey back). Snap a quick photo – it’s the perfect “Welcome to Amsterdam” shot.

2️⃣ 30 Minutes – Guided Canal Boat (or DIY Paddle)

  • Option A – Guided 20‑minute hop‑on/hop‑off boat
    Board at the near‑by Pier on Prinsengracht ( tickets €18, includes a narration). The guide will point out the Anne Frank House, Westerkerk, and the Nine Streets (De Negen Straatjes) while you glide beneath the iconic Magere Brug (Skinny Bridge).
  • Option B – Self‑Guided Paddle
    Rent a small electric boat from a dock near Kattenburg (≈ €25 for 45 min). You’ll have the freedom to stop at a quiet spot and dip your toes in the water – a photographer’s dream.

3️⃣ 45 Minutes – Walk the “Golden Triangle”

After disembarking, wander clockwise through the three main canals:

CanalHighlightsPhoto‑Spot
Herengracht (the “Gentlemen’s Canal”)Elegant merchant mansions, the Museum Van Loon interior (if you have time).The twin‑arch Herenstraat Bridge.
Keizersgracht (the “Emperor’s Canal”)Grand city hall, the Royal Palace glimpsed across the water.The Kattenburg Bridge with its pastel houses.
Prinsengracht (the “Prince’s Canal”)Bustling Albert Cuyp Market on the side, lively cafés.The Leidsepoort arch framing the canal.

Take 10–15 seconds at each bridge; the changing light on the water creates a natural Instagram carousel.

4️⃣ 35 Minutes – Café Pause + Local Treat

Find a seat at Café de Dokter (the smallest bar in Amsterdam, tucked in a historic house on Prinsengracht 2). Order a classic stroopwafel with fresh coffee. The tiny interior, with its antique wooden bar, feels like stepping back into a 17th‑century tavern.

5️⃣ 10 Minutes – Souvenir Sprint

If you have a few minutes left before your next train, pop into the Bloemenmarkt (Flower Market) on Singel. Pick up a bundle of fresh tulips for a vibrant reminder of your day.


Practical Tips to Maximise Your Canal Belt Adventure

TipWhy It Matters
Buy boat tickets onlineSaves ~15 minutes waiting in line, especially during peak tourist season.
Carry a lightweight rain jacketAmsterdam weather flips fast; a dry coat means you won’t miss that perfect photo.
Use a bike lockIf you rent a bike at the station, lock it at a designated rack before hopping onto a boat.
Set a “time alarm” on your phoneWith limited hours, a gentle reminder will keep you on schedule for your onward flight.
Download “Amsterdam City Card” (optional)Includes unlimited tram/bus rides and discounts on museums—handy if you decide to squeeze in a quick museum visit after the canals.

The Bottom Line: One Place, Endless Memories

If you have only a single day in Amsterdam, the Canal Belt offers the most condensed, authentic, and photogenic slice of the city. In just a couple of hours, you’ll:

  • Walk beneath historic bridges that have stood for centuries.
  • Glide along water that once powered the Dutch Golden Age.
  • Taste a traditional treat in a centuries‑old café.
  • Capture a visual story you’ll be able to share for years to come.

All you need is a willingness to wander, a camera (or smartphone), and a few euros for a boat ticket. The rest? Amsterdam will hand you its charm on a silver‑lined canal.

Ready to turn a layover into a love‑at‑first‑sight? Slip into the Canal Belt, and let the city’s watery veins carry you straight into the heart of Dutch culture—no extra days required.


Happy travels, and don’t forget to tag your canal photos with #OneDayAmsterdam so we can see your favourite moments!

An excerpt from “If Only” – a work in progress

Investigations of crimes don’t always go according to plan, nor does the perpetrator get found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage, the police thought I had murdered my own wife, though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbours reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months, the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last time I saw Gabrielle.

The shock of finding Vanessa was more devastating than the fact that she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months, I was barely functioning, to the extent that I had all but lost my job and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in that she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened became our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each other about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realise that all she had was her work; personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police, and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt about whether or not I could trust her to tell me what the message meant.

I reached for the phone, then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

365 Days of writing, 2026 – 250

Day 250 – A book can have an impact on you

…

How Great Books Transform Us: Exploring the Wisdom of Russell Banks

“The mark of a good book is that after having finished, I’m a slightly different person. I think a little differently, I see the world a little differently…” — Russell Banks

We’ve all experienced it. You close the back cover of a novel, stare blankly at the wall for a few quiet moments, and realise that the room around you looks just a bit sharper, the air a bit heavier, and your own mind a bit more vast.

The late, great American novelist Russell Banks captured this phenomenon perfectly. Books aren’t merely entertainment; they are alchemical agents. They take our existing worldview, melt it down in the crucible of a compelling narrative, and recast it into something new.

In this post, we’re going to explore what it means to be transformed by literature, why the best books linger in our psychology long after we’ve turned the final page, and how reading deeply makes us more empathetic, aware human beings.


The Anatomy of a Transformative Read

What separates a forgettable beach read from a truly great book? It isn’t necessarily complex plotting or ornate prose. Rather, it’s resonance.

A transformative book acts as a mirror and a window.

  • The Window: It transports us into the minds, eras, and realities of people we would otherwise never understand. It grants us access to the interior lives of the marginalized, the eccentric, the historical, and the fictional.
  • The Mirror: It reflects our own hidden fears, secret joys, and moral ambiguities back at us, whispering, “You are not alone in feeling this way.”

When these two functions combine, our cognitive framework expands. As Russell Banks suggests, we don’t just consume a story; we assimilate it. We ingest the author’s perspective and let it rewrite our mental software.


Why Good Books Change How We Think

Neuroscience has begun to catch up with what readers have known for centuries: reading fiction literally changes your brain.

Studies in cognitive psychology show that when we read about an experience, the same regions of the brain light up as if we were experiencing it ourselves. If a character is running, our motor cortex activates. If a character is expressing deep grief, our emotional empathy networks fire up.

Over time, this simulation builds psychological muscle.

  1. Enhanced Empathy: By walking in the virtual shoes of diverse characters, we become less insular. We realise that human motivation is complex, messy, and rarely reducible to “good vs. bad.”
  2. Nuanced Worldview: Dogmatism thrives on simplicity. Great literature thrives on ambiguity. When a book forces us to sit with unresolved endings and morally grey protagonists, we become more comfortable with the uncertainties of real life.

Experiencing the “Banks Effect” in Everyday Life

Have you ever finished a book and noticed that your internal monologue has adopted a bit of the author’s cadence? Or perhaps you walked down the street and found yourself noticing the architectural details, the plight of a stray animal, or the quiet desperation of a commuter—things you would have otherwise walked right past?

That is the “mark of a good book” in action.

  • After reading Victor Hugo, you might find yourself viewing the institutions of society with a renewed passion for justice and mercy.
  • After reading Virginia Woolf, the ordinary moments of a Tuesday afternoon suddenly shimmer with hidden psychological depth.
  • After reading Russell Banks himself—known for his unflinching examinations of working-class American life—you may look at your neighbors with a deeper, more empathetic curiosity about the quiet struggles they carry.

How to Choose Books That Will Change You

If you want to read in a way that actively transforms you, intentionality matters. Here are a few ways to ensure your reading list leaves a mark:

  • Step Outside Your Comfort Zone: If you mostly read contemporary thrillers, try 19th-century Russian literature or contemporary post-colonial fiction. Read stories from cultures, economic backgrounds, and belief systems vastly different from your own.
  • Slow Down: Transformation doesn’t happen at 3x audiobook speed. Allow yourself to linger over sentences. Keep a notebook handy to jot down quotes and reflections.
  • Discuss What You Read: Talk about books with others. Articulating how a book made you feel helps cement the psychological shift it triggered inside you.

Final Thoughts: The Unfinished Self

We are works in progress, incomplete blueprints being continually revised by our experiences. And among the most potent experiences available to the human mind is the quiet, profound act of reading.

Russell Banks reminds us that the best stories don’t let us walk away unchanged. They chip away at our biases, expand our capacity for empathy, and leave us standing a little taller, seeing the world with fresh eyes.

What is the last book that changed who you are? How did it shift your view of the world? Let’s discuss in the comments below!

…

An excerpt from “One Last Look”: Charlotte is no ordinary girl

This is currently available at Amazon here:  http://amzn.to/2CqUBcz

…

I’d read about out-of-body experiences, and like everyone else, thought it was nonsense.  Some people claimed to see themselves in the operating theatre, medical staff frantically trying to revive them, and being surrounded by white light.

I was definitely looking down, but it wasn’t me I was looking at.

It was two children, a boy and a girl, with their parents, in a park.

The boy was Alan.  He was about six or seven.  The girl was Louise, and she was five years old.  She had long red hair and looked the image of her mother.

I remember it now, it was Louise’s birthday and we went down to Bournemouth to visit our Grandmother, and it was the last time we were all together as a family.

We were flying homemade kites our father had made for us, and after we lay there looking up at the sky, making animals out of the clouds.  I saw an elephant, Louise saw a giraffe.

We were so happy then.

Before the tragedy.

When I looked again ten years had passed and we were living in hell.  Louise and I had become very adept at survival in a world we really didn’t understand, surrounded by people who wanted to crush our souls.

It was not a life a normal child had, our foster parents never quite the sort of people who were adequately equipped for two broken-hearted children.  They tried their best, but their best was not good enough.

Every day it was a battle, to avoid the Bannister’s and Archie in particular, every day he made advances towards Louise and every day she fended him off.

Until one day she couldn’t.

Now I was sitting in the hospital, holding Louise’s hand.  She was in a coma, and the doctors didn’t think she would wake from it.  The damage done to her was too severe.

The doctors were wrong.

She woke, briefly, to name her five assailants.  It was enough to have them arrested.  It was not enough to have them convicted.

Justice would have to be served by other means.

I was outside the Bannister’s home.

I’d made my way there without really thinking, after watching Louise die.  It was like being on autopilot, and I had no control over what I was doing.  I had murder in mind.  It was why I was holding an iron bar.

Skulking in the shadows.  It was not very different from the way the Bannister’s operated.

I waited till Archie came out.  I knew he eventually would.  The police had taken him to the station for questioning, and then let him go.  I didn’t understand why, nor did I care.

I followed him up the towpath, waiting till he stopped to light a cigarette, then came out of the shadows.

“Wotcha got there Alan?” he asked when he saw me.  He knew what it was, and what it was for.

It was the first time I’d seen the fear in his eyes.  He was alone.

“Justice.”

“For that slut of a sister of yours.  I had nuffing to do with it.”

“She said otherwise, Archie.”

“She never said nuffing, you just made it up.”  An attempt at bluster, but there was no confidence in his voice.

I held up the pipe.  It had blood on it.  Willy’s blood.  “She may or may not have Archie, but Willy didn’t make it up.  He sang like a bird.  That’s his blood, probably brains on the pipe too, Archie, and yours will be there soon enough.”

“He dunnit, not me.  Lyin’ bastard would say anything to save his own skin.”  Definitely scared now, he was looking to run away.

“No, Archie.  He didn’t.  I’m coming for you.  All of you Bannisters.  And everyone who touched my sister.”

It was the recurring nightmare I had for years afterwards.

I closed my eyes and tried to shut out the thoughts, the images of Louise, the phone call, the visit to the hospital and being there when she succumbed to her injuries.  Those were the very worst few hours of my life.

She had asked me to come to the railway station and walk home with her, and I was running late.  If I had left when I was supposed to, it would never have happened and for years afterwards, I blamed myself for her death.

If only I’d not been late…

When the police finally caught the rapists, I’d known all along who they’d be; antagonists from school, the ring leader, Archie Bannister, a spurned boyfriend, a boy whose parents, ubiquitously known to all as ‘the Bannister’s, dealt in violence and crime and who owned the neighbourhood.  The sins of the father had been very definitely passed onto the son.

At school, I used to be the whipping boy, Archie, a few grades ahead of me, made a point of belting me and a few of the other boys, to make sure the rest did as they were told.  He liked Louise, but she had no time for a bully like him, even when he promised he would ‘protect’ me.

I knew the gang members, the boys who tow-kowed to save getting beaten up, and after the police couldn’t get enough information to prosecute them because everyone was too afraid to speak out, I went after Willy.  There was always a weak link in a group, and he was it.

He worked in a factory, did long hours on a Wednesday and came home after dark alone.  It was a half mile walk, through a park.  The night I approached him, I smashed the lights and left it in darkness.  He nearly changed his mind and went the long way home.

He didn’t.

It took an hour and a half to get the names.  At first, when he saw me, he laughed.  He said I would be next, and that was four words more than he knew he should have said.

When I found him alone the next morning I showed him the iron bar and told him he was on the list.  I didn’t kill him then, he could wait his turn, and worry about what was going to happen to him.

When the police came to visit me shortly after that encounter, no doubt at the behest of the Bannister’s, the neighbourhood closed ranks and gave me an ironclad alibi.  The Bannister’s then came to visit me and threatened me.  I told them their days were numbered and showed them the door.

At the trial, he and his friends got off on a technicality.  The police had failed to do their job properly, but it was not the police, but a single policeman, corrupted by the Bannisters.

Archie could help but rub it in my face.  He was invincible.

Joe Collins took 12 bullets and six hours to bleed out.  He apologized, he pleaded, he cried, he begged.  I didn’t care.

Barry Mills, a strong lad with a mind to hurting people, Archie’s enforcer, almost got the better of me.  I had to hit him more times than I wanted to, and in the end, I had to be satisfied that he died a short but agonizing death.

I revisited Willy in the hospital.  He’d recovered enough to recognize me, and why I’d come.  Suffocation was too good for him.

David Williams, second in command of the gang, was as tough and nasty as the Bannisters.  His family were forging a partnership with the Bannister’s to make them even more powerful.  Outwardly David was a pleasant sort of chap, affable, polite, and well mannered.  A lot of people didn’t believe he could be like, or working with, the Bannisters.

He and I met in the pub.  We got along like old friends.  He said Willy had just named anyone he could think of, and that he was innocent of any charges.  We shook hands and parted as friends.

Three hours later he was sitting in a chair in the middle of a disused factory, blindfolded and scared.  I sat and watched him, listened to him, first threatening me, and then finally pleading with me.  He’d guessed who it was that had kidnapped him.

When it was dark, I took the blindfold off and shone a very bright light in his eyes.  I asked him if the violence he had visited upon my sister was worth it.  He told me he was just a spectator.

I’d read the coroner’s report.  They all had a turn.  He was a liar.

He took nineteen bullets to die.

Then came Archie.

The same factory only this time there were four seats.  Anna Bannister, brothel owner, Spike Bannister, head of the family, Emily Bannister, sister, and who had nothing to do with their criminal activities.  She just had the misfortune of sharing their name.

Archie’s father told me how he was going to destroy me, and everyone I knew.

A well-placed bullet between the eyes shut him up.

Archie’s mother cursed me.  I let her suffer for an hour before I put her out of her misery.

Archie remained stony-faced until I came to Emily.  The death of his parents meant he would become head of the family.  I guess their deaths meant as little to him as they did me.

He was a little more worried about his sister.

I told him it was confession time.

He told her it was little more than a forced confession and he had done nothing to deserve my retribution.

I shrugged and shot her, and we both watched her fall to the ground screaming in agony.  I told him if he wanted her to live, he had to genuinely confess to his crimes.  This time he did, it all poured out of him.

I went over to Emily.  He watched in horror as I untied her bindings and pulled her up off the floor, suffering only from a small wound in her arm.  Without saying a word she took the gun and walked over to stand behind him.

“Louise was my friend, Archie.  My friend.”

Then she shot him.  Six times.

To me, after saying what looked like a prayer, she said, “Killing them all will not bring her back, Alan, and I doubt she would approve of any of this.  May God have mercy on your soul.”

Now I was in jail.  I’d spent three hours detailing the deaths of the five boys, everything I’d done; a full confession.  Without my sister, my life was nothing.  I didn’t want to go back to the foster parents; I doubt they’d take back a murderer.

They were not allowed to.

For a month I lived in a small cell, in solitary, no visitors.  I believed I was in the queue to be executed, and I had mentally prepared myself for the end.

Then I was told I had a visitor, and I was expecting a priest.

Instead, it was a man called McTavish. Short, wiry, and with an accent that I could barely understand.

“You’ve been a bad boy, Alan.”

When I saw it was not the priest I told the jailers not to let him in, I didn’t want to speak to anyone.  They ignored me.  I’d expected he was a psychiatrist, come to see whether I should be shipped off to the asylum.

I was beginning to think I was going mad.

I ignored him.

“I am the difference between you living or dying Alan, it’s as simple as that.  You’d be a wise man to listen to what I have to offer.”

Death sounded good.  I told him to go away.

He didn’t.  Persistent bugger.

I was handcuffed to the table.  The prison officers thought I was dangerous.  Five, plus two, murders, I guess they had a right to think that.  McTavish sat opposite me, ignoring my request to leave.

“Why’d you do it?”

“You know why.”  Maybe if I spoke he’d go away.

“Your sister.  By all accounts, the scum that did for her deserved what they got.”

“It was murder just the same.  No difference between scum and proper people.”

“You like killing?”

“No-one does.”

“No, I dare say you’re right.  But you’re different, Alan.  As clean and merciless killing I’ve ever seen.  We can use a man like you.”

“We?”

“A group of individuals who clean up the scum.”

I looked up to see his expression, one of benevolence, totally out of character for a man like him.  It looked like I didn’t have a choice.

Trained, cleared, and ready to go.

I hadn’t realized there were so many people who were, for all intents and purposes, invisible.  People that came and went, in malls, in hotels, trains, buses, airports, everywhere, people no one gave a second glance.

People like me.

In a mall, I became a shopper.

In a hotel, I was just another guest heading to his room.

On a bus or a train, I was just another commuter.

At the airport, I became a pilot.  I didn’t need to know how to fly; everyone just accepted a pilot in a pilot suit was just what he looked like.

I had a passkey.

I had the correct documents to get me onto the plane.

That walk down the air bridge was the longest of my life.  Waiting for the call from the gate, waiting for one of the air bridge staff to challenge me, stepping onto the plane.

Two pilots and a steward.  A team.  On the plane early before the rest of the crew.  A group that was committing a crime, had committed a number of crimes and thought they’d got away with it.

Until the judge, the jury and their executioner arrived.

Me.

Quick, clean, merciless.  Done.

I was now an operational field agent.

I was older now, and I could see in the mirror I was starting to go grey at the sides.  It was far too early in my life for this, but I expect it had something to do with my employment.

I didn’t recognize the man who looked back at me.

It was certainly not Alan McKenzie, nor was there any part of that fifteen-year-old who had made the decision to exact revenge.

Given a choice; I would not have gone down this path.

Or so I kept telling myself each time a little more of my soul was sold to the devil.

I was Barry Gamble.

I was Lenny Buckman.

I was Jimmy Hosen.

I was anyone but the person I wanted to be.

That’s what I told Louise, standing in front of her grave, and trying to apologize for all the harm, all the people I’d killed for that one rash decision.  If she was still alive she would be horrified, and ashamed.

Head bowed, tears streamed down my face.

God had gone on holiday and wasn’t there to hand out any forgiveness.  Not that day.  Not any day.

New York, New Years Eve.

I was at the end of a long tour, dragged out of a holiday and back into the fray, chasing down another scumbag.  They were scumbags, and I’d become an automaton hunting them down and dispatching them to what McTavish called a better place.

This time I failed.

A few drinks to blot out the failure, a blonde woman who pushed my buttons, a room in a hotel, any hotel, it was like being on the merry-go-round, round and round and round…

Her name was Silvia or Sandra, or someone I’d met before, but couldn’t quite place her.  It could be an enemy agent for all I knew or all I cared right then.

I was done.

I’d had enough.

I gave her the gun.

I begged her to kill me.

She didn’t.

Instead, I simply cried, letting the pent up emotion loose after being suppressed for so long, and she stayed with me, holding me close, and saying I was safe, that she knew exactly how I felt.

How could she?  No one could know what I’d been through.

I remembered her name after she had gone.

Amanda.

I remembered she had an imperfection in her right eye.

Someone else had the same imperfection.

I couldn’t remember who that was.

Not then.

I had a dingy flat in Kensington, a place that I rarely stayed in if I could help it.  After five-star hotel rooms, it made me feel shabby.

The end of another mission, I was on my way home, the underground, a bus, and then a walk.

It was late.

People were spilling out of the pub after the last drinks.  Most in good spirits, others slightly more boisterous.

A loud-mouthed chap bumped into me, the sort who had one too many, and was ready to take on all comers.

He turned on me, “Watch where you’re going, you fool.”

Two of his friends dragged him away.  He shrugged them off, squared up.

I punched him hard, in the stomach, and he fell backwards onto the ground.  I looked at his two friends.  “Take him home before someone makes mincemeat out of him.”

They grabbed his arms, lifted him off the ground and took him away.

Out of the corner of my eye, I could see a woman, early thirties, quite attractive, but very, very drunk.  She staggered from the bar, bumped into me, and finished up sitting on the side of the road.

I looked around to see where her friends were.  The exodus from the pub was over and the few nearby were leaving to go home.

She was alone, drunk, and by the look of her, unable to move.

I sat beside her.  “Where are your friends?”

“Dunno.”

“You need help?”

She looked up, and sideways at me.  She didn’t look the sort who would get in this state.  Or maybe she was, I was a terrible judge of women.

“Who are you?” she asked.

“Nobody.”  I was exactly how I felt.

“Well Mr Nobody, I’m drunk, and I don’t care.  Just leave me here to rot.”

She put her head back between her knees, and it looked to me she was trying to stop the spinning sensation in her head.

Been there before, and it’s not a good feeling.

“Where are your friends?” I asked again.

“Got none.”

“Perhaps I should take you home.”

“I have no home.”

“You don’t look like a homeless person.  If I’m not mistaken, those shoes are worth more than my weekly salary.”  I’d seen them advertised, in the airline magazine, don’t ask me why the ad caught my attention.

She lifted her head and looked at me again.  “You a smart fucking arse are you?”

“I have my moments.”

“Have them somewhere else.”

She rested her head against my shoulder.  We were the only two left in the street, and suddenly in darkness when the proprietor turned off the outside lights.

“Take me home,” she said suddenly.

“Where is your place?”

“Don’t have one.  Take me to your place.”

“You won’t like it.”

“I’m drunk.  What’s not to like until tomorrow.”

I helped her to her feet.  “You have a name?”

“Charlotte.”

The wedding was in a small church.  We had been away for a weekend in the country, somewhere in the Cotswolds, and found this idyllic spot.  Graves going back to the dawn of time, a beautiful garden tended by the vicar and his wife, an astonishing vista over hills and down dales.

On a spring afternoon with the sun, the flowers, and the peacefulness of the country.

I had two people at the wedding, the best man, Bradley, and my boss, Watkins.

Charlotte had her sisters Melissa and Isobel, and Isobel’s husband Giovanni, and their daughter Felicity.

And one more person who was as mysterious as she was attractive, a rather interesting combination as she was well over retirement age.  She arrived late and left early.

Aunt Agatha.

She looked me up and down with what I’d call a withering look.  “There’s more to you than meets the eye,” she said enigmatically.

“Likewise I’m sure,” I said.  It earned me an elbow in the ribs from Charlotte.  It was clear she feared this woman.

“Why did you come,” Charlotte asked.

“You know why.”

Agatha looked at me.  “I like you.  Take care of my granddaughter.  You do not want me for an enemy.”

OK, now she officially scared me.

She thrust a cheque into my hand, smiled, and left.

“Who is she,” I asked after we watched her depart.

“Certainly not my fairy godmother.”

Charlotte never mentioned her again.

Zurich in summer, not exactly my favourite place.

Instead of going to visit her sister Isobel, we stayed at a hotel in Beethovenstrasse and Isobel and Felicity came to us.  Her husband was not with her this time.

Felicity was three or four and looked very much like her mother.  She also looked very much like Charlotte, and I’d remarked on it once before and it received a sharp rebuke.

We’d been twice before, and rather than talk to her sister, Charlotte spent her time with Felicity, and they were, together, like old friends.  For so few visits they had a remarkable rapport.

I had not broached the subject of children with Charlotte, not after one such discussion where she had said she had no desire to be a mother.  It had not been a subject before and wasn’t once since.

Perhaps like all Aunts, she liked the idea of playing with a child for a while and then give it back.

Felicity was curious as to who I was, but never ventured too close.  I believed a child could sense the evil in adults and had seen through my facade of friendliness.  We were never close.

But…

This time, when observing the two together, something quite out of left field popped into my head.  It was not possible, not by any stretch of the imagination, but I thought she looked like my mother.

And Charlotte had seen me looking in their direction.  “You seem distracted,” she said.

“I was just remembering my mother.  Odd moment, haven’t done so for a very long time.”

“Why now?”  I think she had a look of concern on her face.

“Her birthday, I guess,” I said, the first excuse I could think of.

Another look and I was wrong.  She looked like Isobel or Charlotte, or if I wanted to believe it possible, Melissa too.

I was crying, tears streaming down my face.

I was in pain, searing pain from my lower back stretching down into my legs, and I was barely able to breathe.

It was like coming up for air.

It was like Snow White bringing Prince Charming back to life.  I could feel what I thought was a gentle kiss and tears dropping on my cheeks, and when I opened my eyes, I saw Charlotte slowly lifting her head, a hand gently stroking the hair off my forehead.

And in a very soft voice, she said, “Hi.”

I could not speak, but I think I smiled.  It was the girl with the imperfection in her right eye.  Everything fell into place, and I knew, in that instant that we were irrevocably meant to be together.

“Welcome back.”

© Charles Heath 2016-2019

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