The cinema of my dreams – It continued in London – Episode 35

Attack!

It seemed to me that trouble gravitated towards Juliet, especially when I was around.  Perhaps between the two of us we had that sort of chemistry going.  The sort that attracted bullets.

She had got up to collect her computer from a desk on one side of the dais, and I had just turned after taking her hand to assist her off the dais when I caught sight of a movement out of the corner of my eye, and with barely enough time to consider what it was, I pushed her to one side and dived towards the floor, feeling the plucking effect of a bullet ripping at my sleeve.

“What the…”, was as much as she got to say before she too realised, we were being shot at from the top of the aisle, bullets thumping into the floorboards barely inches from us as we scrabbled to get behind the seats of the first aisle.

Nineteen shots from a silenced gun, then silence.

Was the shooter reloading.

“Is everything alright in here?”  A deep male voice yelled out from above.

Was it the shooter of our saviour?

Juliet put her head above the seats and recognised the man and slowly dragged herself up from the floor.

“Mr Roberts.”

“Is everything alright?”

“No.  We were just shot at by someone up there on the other side of the hall.  Be careful.”

I slowly got up, shook out my clothes and saw the tear from the bullet.  Any closer would have hit my arm and another injury.

“Are you alright?” I asked her.

She glared at me.  “Who did you bring with you?”

“No one.  I made sure no one was following me.  Of that much, you can be assured.  Whoever it was, they were here for you.”

“And you being here, you know who it is?”

The man from the top of the hall, invisible, yelled out, “There’s no one up here now.”

“You’d better call the police.  We have a wrecked floor with bullet holes in it.  It might give some indication of who was shooting at us.”

He came out from behind a wall near the top row of seats.  “What do you mean, shooting at you?  Bullet holes?”

He came down the steps and Juliet took him over to where we were standing when the shots started.  “Why would anyone be shooting at you?”  He looked at the damage to the floor and groaned.

“This is all I need.  The place is booked solid.”

She looked at me.  “Evan?”

“It seems you might be entitled to a share of an estate worth quite a lot of money, and there are people who might not want you to inherit what they think is theirs, not yours.”

She had an expression that conveyed a degree of astonishment, not forced, which told me that it was a surprise.

I don’t know anyone who would have that sort of money.”

“Not immediately, but perhaps we should wait for the police, then have a talk about it.  I was hoping we could have a few glasses of wine first, but that’s not going to be possible.”

The police came and looked at the crime scene, and then one of the constables called a detective who also looked at the crime scene, who then called in the forensic team. 

The hall manager was told the hall would be out of action for a few days, the last news he needed to hear.

The detective asked Juliet a half dozen quests, the usual like, do you know anyone who would want to shoot at you, do you have any criminal connections, a interesting question she answered with a qualified yes, the man was now dead, and did you see anyone suspicious now or earlier in the day, where she was staying, a friend’s apartment in Bloomsbury, how long was she in the city, what she was doing here, and how long was she staying.

It answered nearly all of the questions I’d intended to ask her.

The detective looked at me, asked me why I was there, and was it possible I was the target.  Of course, I had to ask him why he thought I was, so he asked me my profession, and I told him that I was a journalist specializing in Archaeology, which I was.  She too learned where I lived, answers that seemed to amuse her.

Especially the one where he asked what the nature of our relationship was.  I let her answer with exes catching up. 

When he was done, an hour and a half later, along with the forensic team, we were allowed to go.  Her lecture the next day was now not going to happen, calls going to the organisers, and the hall owners.

“Well,” she said, once everyone had left, “you now owe me dinner, and some of your time tomorrow since I now have a free day.”

“You don’t seem overly worried that people are trying to kill you.”

“Why should I.  You’re here to protect me, are you not?”

I don’t think that was in the terms of my remit.

© Charles Heath 2023

Searching for locations: From X’ian to Zhengzhou dong by bullet train, China

Lunch and then off on another high-speed train

We walked another umpteen miles from the exhibition to a Chinese restaurant that is going to serve us Chinese food again with a beer and a rather potent pomegranate wine that had a real kick.  It was definitely value for money at 60 yuan per person.

But perhaps the biggest thrill, if it could be called that, was discovering downstairs, the man who discovered the original pieces of a terracotta soldier when digging a well.  He was signing books bought in the souvenir store, but not those purchased elsewhere.

Some of us even got photographed with him.  Fifteen minutes of fame moment?  Maybe.

After lunch, it was off to the station for another high-speed train ride, this time for about two and a half hours, from X’ian to Zhangzhou dong.

It’s the standard high-speed train ride and the usual seat switching because of weird allocation issues, so a little confusion reigns until the train departs at 5:59.

Once we were underway it didn’t take long before we hit the maximum speed

Twenty minutes before arrival, and knowing we only have three minutes to get off everyone is heading for the exit clogging up the passageway.  It wasn’t panic but with the three-minute limit, perhaps organized panic would be a better description.

As it turned out, with all the cases near the door, the moment to door opened one of our group got off, and the other just started putting cases on the platform, and in doing so we were all off in 42 seconds with time to spare.

And this was despite the fact there were about twenty passengers just about up against the door trying to get in.  I don’t think they expected to have cases flying off the train in their direction.

We find our way to the exit and our tour guide Dannie.  It was another long walk to the bus, somewhat shabbier from the previous day, with no leg room, no pocket, and no USB charging point like the day before.  Disappointing.

On the way from the station to the hotel, the tour guide usually gives us a short spiel on the next day’s activities, but instead, I think we got her life history and a song, delivered in high-pitched and rapid Chinglish that was hard to understand.

Not at this hour of the night to an almost exhausted busload of people who’d had enough from the train.  Oh, did I forget the singing, no, it was an interesting rendition of ‘You Are My Sunshine’.

The drive was interesting in that it was mostly in the dark.  There was no street lighting and in comparison to X’ian which was very bright and cheerful, this was dark and gloomy.

Then close to the hotel, our guide said that if we had any problems with the room, she would be in the lobby for half an hour.

That spoke volumes about the hotel they put us in.

The cinema of my dreams – It continued in London – Episode 34

Evan and Juliet

I reviewed the CCTV tapes and worked out who the countess’s bodyguards were in the hotel, and remarkably traced them leaving the hotel by the back entrance, passing only one camera, one I suspect they didn’t know was there.  The reason, it did not belong to the hotel but the owner of the building behind the hotel.

They did not leave with the countess, so the question was, why?

I called the office and asked them to do facial recognition on the two, and then trace their movements, and if they left the country by conventional means.

There was no sign of anyone leaving before or after them.  Not for two hours on either side of their departure time.  It was another lead, which might lead nowhere.

I called Cecilia to ask her how her investigation into Vittoria was going.  She didn’t answer, so I sent her a text message arranging to have coffee at a French Pastry café near where I believed I would find Juliet.

I was still working out how I was going to bump into her.

The auditorium was off the Strand near Charing Cross station not far from the Victoria Embankment Gardens, and of course, a French Pastry café in Charing Cross Road I found quite by accident when looking for Foyles Bookshop.

I was still working on that plan when I stopped to have a coffee and a Mille Feuille.

The best idea is just to go and see if she is there and talk to her.  I doubt that she would believe that I just happened to be in the same place at the same time, and perhaps if I just told her the truth…

Whatever approach I made; it was going to be a surprise.

I stood outside the building for a few minutes, thinking if I waited, she might just turn up but she didn’t.  If anything, she would be inside, setting up for the following day.

Enough prevaricating, I couldn’t wait any longer.  I crossed the road and went in.  I hoped that it catered for visitors.  At the front desk, I asked whether the organiser of the session that was running in one of the lecture rooms was available, I was attending and had some questions, and she directed me to the hall.

When I entered the room I saw her standing on the dais, fiddling with a control that was in the process of displaying slides on the screen behind her.  She looked different to when I last saw her, and I couldn’t help but notice she had a presence about her, even if she was flustered.

Then she must have sensed someone had entered the room and looked up.  She recognised me immediately.

“Evan?  Is that you?”

“It is.”

I walked down the steps and stopped just short of the dais.

“What are you doing here?”

Good question.  I was still not prepared for this moment.

“I read in the paper you were leading a discussion on your pet subject of car accident victim’s trauma, where it was, and I didn’t feel we ended things back in Venice very well.  I was surprised to learn you were in London, and I was at a loose end.”

She looked me up and down with a curious eye.

“Someone I don’t think that’s, exactly true Evan.  I was told, in a roundabout way, that you were responsible for getting my brother out of the fix he was in, and coincidentally solved my problem too.  He was a rather creepy little man who was acting strangely.  Please, sit down.”

She crossed to the front row of seats, chose one and sat.  I sat two seats away.

“Yes, he needs to work on his people skills.”

“Then you are not who you purport to be.  Are you still living in Venice?”

“No.  There is nothing to keep me there.  I have a place here.  For the time being.”

“Are you working?”

“In a manner of speaking.”

“Does it involve me?”

“Why would you think that?”

“I have been involved in several shall we say enterprises because of circumstances, all of which I have tried to put in the past.  I am not that person anymore, and thankfully some of the ghosts are just that.  You and I though, I’m not sure what we are?  Would you like to buy me dinner and talk about it?”

Was it an invitation I couldn’t refuse?

“Can you drag yourself away from this?”

“I have a computer guru. I’ll call him and ask him to make it work.  You can tell me what you’re up to, and why you need my help.  I’m assuming that’s why you’re here?”

© Charles Heath 2023

Searching for locations: From X’ian to Zhengzhou dong by bullet train, China

Lunch and then off on another high-speed train

We walked another umpteen miles from the exhibition to a Chinese restaurant that is going to serve us Chinese food again with a beer and a rather potent pomegranate wine that had a real kick.  It was definitely value for money at 60 yuan per person.

But perhaps the biggest thrill, if it could be called that, was discovering downstairs, the man who discovered the original pieces of a terracotta soldier when digging a well.  He was signing books bought in the souvenir store, but not those purchased elsewhere.

Some of us even got photographed with him.  Fifteen minutes of fame moment?  Maybe.

After lunch, it was off to the station for another high-speed train ride, this time for about two and a half hours, from X’ian to Zhangzhou dong.

It’s the standard high-speed train ride and the usual seat switching because of weird allocation issues, so a little confusion reigns until the train departs at 5:59.

Once we were underway it didn’t take long before we hit the maximum speed

Twenty minutes before arrival, and knowing we only have three minutes to get off everyone is heading for the exit clogging up the passageway.  It wasn’t panic but with the three-minute limit, perhaps organized panic would be a better description.

As it turned out, with all the cases near the door, the moment to door opened one of our group got off, and the other just started putting cases on the platform, and in doing so we were all off in 42 seconds with time to spare.

And this was despite the fact there were about twenty passengers just about up against the door trying to get in.  I don’t think they expected to have cases flying off the train in their direction.

We find our way to the exit and our tour guide Dannie.  It was another long walk to the bus, somewhat shabbier from the previous day, with no leg room, no pocket, and no USB charging point like the day before.  Disappointing.

On the way from the station to the hotel, the tour guide usually gives us a short spiel on the next day’s activities, but instead, I think we got her life history and a song, delivered in high-pitched and rapid Chinglish that was hard to understand.

Not at this hour of the night to an almost exhausted busload of people who’d had enough from the train.  Oh, did I forget the singing, no, it was an interesting rendition of ‘You Are My Sunshine’.

The drive was interesting in that it was mostly in the dark.  There was no street lighting and in comparison to X’ian which was very bright and cheerful, this was dark and gloomy.

Then close to the hotel, our guide said that if we had any problems with the room, she would be in the lobby for half an hour.

That spoke volumes about the hotel they put us in.

Searching for locations: Terracotta Warriors and Horses Museum, X’ian, China

Terracotta Warriors and Horses Museum

A little history, and anecdotal advice first:

In 1974 a 26-year-old farmer, Yang Jide, was drilling a well and found fragments of the terracotta soldiers and bronze weapons.

What was discovered later was one of the biggest attended burial pits of China’s first feudal Emperor, Qin Shi Huang.  In the following years remains had been found in 3 pits, yielding at least 8,000 soldiers and horses, and over 100 chariots.  The soldiers were infantry, cavalry, and others.

Emperor Qin was born in 259 BC and died in 210 BC.  He began building a mausoleum for himself at the foot of Mount Li when he was 13.  Construction took 38 years, from 247 BC to 208 BC.  It was divided into 3 stages and involved 720,000 conscripts.

The pits of pottery figures are 1.5 km east of Emperor Qin’s mausoleum.  Pit 1 has about 6,000 terracotta armored warriors and horses and 40 wooden chariots.  Pit 2 is estimated to have over 900 terracotta warriors and 350 terracotta horses with about 90 wooden chariots.  Pit 3 had so far yielded only 66 pottery figures and one chariot drawn by four horses.

Official records say it was discovered later that it was likely Xiang Yu, a rebel, intentionally damaged the Mausoleum and the soldiers in the pits, by setting fire to the wooden roof rafters, and these fell on and broke the warriors into pieces.

However, we were told that after the terracotta warriors were completed, the Emperor ordered the builders to be killed so that they would not tell anyone about the warriors, and then of those that remained alive deliberately smashed all of the artifacts.

The thing is, all of the terracotta figures that have been found are in pieces, and they need computers to piece them back together again.

The visit:
The first impression is the size of the car park and the number of buses parked in the lot, and a hell of a lot more outside up the road an off on side streets.  Obviously, it costs money to park in the parking lot.

The other first impressions; the numbers waiting to get in were not as many as yesterday outside the forbidden city, in fact, a lot less.

Be warned there’s a long walk from the entrance gate where your bags are scanned and a body scan as well, before admittance.  This walk is through a landscaped area which it is expect might sometime in the future reveal more soldiers, or other artifacts.

At the end of the walk that takes about ten minutes, you can get a one-way ride to the second checkpoint, but we opted not to as no one else in our group did.

That walk is the warm-up exercise to an organized viewing of the exhibits after going through a second ticket checkpoint.  On the other side, we had to hand our tickets back to the tour guide which was disappointing not to end up with a memento of actually having been there.

So, on the other side in the courtyard, the guide told us the most important parts of the exhibition, that we should spend most of the time looking at pit 1, and then spent a little time in 2 which is only there in the first stages of excavation.  Then move onto the museum if only to see the replica chariots.

We do.

The chariots were small but interesting

The horses were better and intricately detailed

These are soldiers, perhaps complete examples of those types found in the end pit.

This is one of the archers.  You can tell by the way he wears his hair.

Pit 2

The excavation of this pit has only just begun, so it is possible to see where they have carefully removed the top cover, and you can see the broken parts of the warriors lying in a heap.

Some parts of the warriors are more discernible closer up

These parts are carefully extracted and taken to the ‘hospital’ where they are digitised and the computer will match each part with the warrior it belongs to.

Pit 1

This has quite a number of standing soldiers that have been glued back together, but not necessarily complete and I notice a number if the statues were incomplete. And if they cannot find the missing pieces, then they are not added to or filled in.

The scale of the pit is enormous, and they have hardly scratched the surface in the restoration process.

What is there is a number of horses as well.

That’s at the front of the pit, a long line of statues, and what is clear is the location of the well where the first fragments were found by a farmer.

There are about eight lines of soldiers, and some lining the sides.

Midway down there is a large area currently under excavation

At the back is the hospital where the soldiers are reassembled.  There’s nearly a hundred in the various stages of rebuilding.  These days the soldiers are rebuilt using computer imaging.

The hospital area is where they are put back together

And these are some of the statues in various stages of reconstruction

Another two views of the size and scale of the reconstruction project

The coffee shop is also a sales centre, but there are too many people waiting for coffee and too few places to sit down.

The cinema of my dreams – It continued in London – Episode 33

Alessandro finally tells

Alessandro had his hand on the door handle, the door open, and about to walk out.

“You have to be kidding?”

“I’m not.  Their instructions are to drag you out of her with maximum exposure.  I did inform several media outlets that there was likely to be a high-profile arrest at this hotel this morning, so it will hit the internet very soon after.”

“There are rules…”

“I don’t play by the rules when dealing with liars, Alessandro.  Your last chance to get out of this with some dignity, otherwise it’s out of my control.”

Of course, the number one rule I’d broken was not to play bluff with men like Alessandro because if he called it, I’d be in so deep it would take a week to dig myself out of the shit pile Rodby would throw me in.  This was exactly the rogue behaviour he hated.

Perhaps it wouldn’t be so bad if Alessandro did, it would get Rodby off my back.

He stepped back in and let the door close.

This was a man who couldn’t afford a shit storm.  And whatever it was he couldn’t tell me must have severe consequences.

“Heidi called me the morning of the day she went to the opera and told me she saw me with Vittoria in a newspaper, and said she had information about her, that she needed to see me in person.”

“Before that call, what did you know of Vittoria?”

“Not a lot.  She had presented herself, whether it was a deliberate act on her part, or by accident, to me at the casino at Monte Carlo some weeks ago, at a function.  She used a different name and looked different then.  She said she had seen me in the media talking about one of the charities the family donates to and wanted to know more about it.  We met a few times over dinner, but nothing intimate.  She once again accidentally ran into me in London, and we had drinks.  I perceived her to be trouble.”

“Where were you when she called?”

“In Vienna.  I got on the first plane to London and got her about 10pm.  I got to the hotel just before she arrived back from the opera.  She said she had not expected to see me until the morning.  We went up to her room, and she told me basically what you just told me about this Vittoria.  I did not know about the daughter of the Count, nor do I think Heidi does.”

“Then what happened?”

“We went down to the bar and had a few drinks, because that news was quite shattering, and I needed a few to steady the nerves.  I had yet to arrange a room, which I did when Heidi called it a night and went to her room.  She did say she might have to leave early the following morning, but we would meet again at the legal office.  That was the last I saw her.  And until your fellow officers came to interview me, I did not, and still don’t believe she is missing.”

“Have you seen Vittoria in the last day or so?”

“Once the following morning, and only as she was leaving, very hurriedly I might add.”

“Did she say where she was going?”

“I didn’t ask, and by that time, I didn’t care.  Do you know who this alleged daughter is?”

“Only that she has a daughter by the Count and had irrefutable proof.  I would get your legal team prepared because it might become an issue because she might become the legal heir in the countess goes missing.  After all the terms of the will state that the line of succession is wife, then children, with no specific codicil that the child be legitimate.”

“Which if you said is correct, and I will have it checked, that removes my motive.”

“Unless you are working with Vittoria and the child.  You may not be, but appearances can be taken either way.  I suggest that you make enquiries as to where the countess might be.”

He still might know, but I was beginning to think he didn’t.  Nor did I believe he was working with Vittoria.  He made his feelings for her quite clear.

But Vittoria, where did she go?

“Thank you finally for your cooperation.  Next time anyone asks you a question, just answer it.  Other investigators won’t be as lenient with you.”

I called the men and told them to stand down.

© Charles Heath 2023

Searching for locations: Terracotta Warriors and Horses Museum, X’ian, China

Terracotta Warriors and Horses Museum

A little history, and anecdotal advice first:

In 1974 a 26-year-old farmer, Yang Jide, was drilling a well and found fragments of the terracotta soldiers and bronze weapons.

What was discovered later was one of the biggest attended burial pits of China’s first feudal Emperor, Qin Shi Huang.  In the following years remains had been found in 3 pits, yielding at least 8,000 soldiers and horses, and over 100 chariots.  The soldiers were infantry, cavalry, and others.

Emperor Qin was born in 259 BC and died in 210 BC.  He began building a mausoleum for himself at the foot of Mount Li when he was 13.  Construction took 38 years, from 247 BC to 208 BC.  It was divided into 3 stages and involved 720,000 conscripts.

The pits of pottery figures are 1.5 km east of Emperor Qin’s mausoleum.  Pit 1 has about 6,000 terracotta armored warriors and horses and 40 wooden chariots.  Pit 2 is estimated to have over 900 terracotta warriors and 350 terracotta horses with about 90 wooden chariots.  Pit 3 had so far yielded only 66 pottery figures and one chariot drawn by four horses.

Official records say it was discovered later that it was likely Xiang Yu, a rebel, intentionally damaged the Mausoleum and the soldiers in the pits, by setting fire to the wooden roof rafters, and these fell on and broke the warriors into pieces.

However, we were told that after the terracotta warriors were completed, the Emperor ordered the builders to be killed so that they would not tell anyone about the warriors, and then of those that remained alive deliberately smashed all of the artifacts.

The thing is, all of the terracotta figures that have been found are in pieces, and they need computers to piece them back together again.

The visit:
The first impression is the size of the car park and the number of buses parked in the lot, and a hell of a lot more outside up the road an off on side streets.  Obviously, it costs money to park in the parking lot.

The other first impressions; the numbers waiting to get in were not as many as yesterday outside the forbidden city, in fact, a lot less.

Be warned there’s a long walk from the entrance gate where your bags are scanned and a body scan as well, before admittance.  This walk is through a landscaped area which it is expect might sometime in the future reveal more soldiers, or other artifacts.

At the end of the walk that takes about ten minutes, you can get a one-way ride to the second checkpoint, but we opted not to as no one else in our group did.

That walk is the warm-up exercise to an organized viewing of the exhibits after going through a second ticket checkpoint.  On the other side, we had to hand our tickets back to the tour guide which was disappointing not to end up with a memento of actually having been there.

So, on the other side in the courtyard, the guide told us the most important parts of the exhibition, that we should spend most of the time looking at pit 1, and then spent a little time in 2 which is only there in the first stages of excavation.  Then move onto the museum if only to see the replica chariots.

We do.

The chariots were small but interesting

The horses were better and intricately detailed

These are soldiers, perhaps complete examples of those types found in the end pit.

This is one of the archers.  You can tell by the way he wears his hair.

Pit 2

The excavation of this pit has only just begun, so it is possible to see where they have carefully removed the top cover, and you can see the broken parts of the warriors lying in a heap.

Some parts of the warriors are more discernible closer up

These parts are carefully extracted and taken to the ‘hospital’ where they are digitised and the computer will match each part with the warrior it belongs to.

Pit 1

This has quite a number of standing soldiers that have been glued back together, but not necessarily complete and I notice a number if the statues were incomplete. And if they cannot find the missing pieces, then they are not added to or filled in.

The scale of the pit is enormous, and they have hardly scratched the surface in the restoration process.

What is there is a number of horses as well.

That’s at the front of the pit, a long line of statues, and what is clear is the location of the well where the first fragments were found by a farmer.

There are about eight lines of soldiers, and some lining the sides.

Midway down there is a large area currently under excavation

At the back is the hospital where the soldiers are reassembled.  There’s nearly a hundred in the various stages of rebuilding.  These days the soldiers are rebuilt using computer imaging.

The hospital area is where they are put back together

And these are some of the statues in various stages of reconstruction

Another two views of the size and scale of the reconstruction project

The coffee shop is also a sales centre, but there are too many people waiting for coffee and too few places to sit down.

The cinema of my dreams – It continued in London – Episode 32

Alessandro is still reticent

He paused by the front counter to talk to the manager who was running the desk now. Perhaps realising trouble was about to erupt in her hotel, trouble a hotel of this sort didn’t need.

She got a key from the office she came out of earlier and accompanied us to the mezzanine floor, unlocked a door to what was a small conference room and ushered us in.  She didn’t follow us in but closed the door behind us.  I did notice that Alessandro had two security staff follow us at a discreet distance.

In the time it took to get from the restaurant to the conference room, he had time to compose himself, and no doubt working on a story that I might believe.

He sat and gestured for me to do the same.  I thought about standing, it would nominally give me an advantage over him, but decided against it.

He gave me a hard stare, then said, “You tell me you are only called when the situation is serious.  Who are you?  I don’t believe for a moment you are a Detective Inspector.  They do not confront foreign natials at their table in a restaurant.”

“Believe it or not I am.  From time to time.  Who I am is irrelevant.  What is, is the whereabouts of your sister-in-law.  You were at the hotel when she arrived back from the Opera.  A matter of hours later she disappears.  Why were you here to see your sister-in-law?”

“If I tell you that is none of your business?”

“Let me tell you what I know about your business.  Firstly, you are associating with a woman by the name of Vittoria, who is allegedly responsible for two attempts in the countess’s life.  Secondly, the terms of the Count’s will pass the who of his possessions to you if the countess does not arrive at the law offices to sign the official inheritance documents.  Thirdly, you are on record saying quite vehemently that the countess should not, and will not if you have anything to do with it, inherit the family business.  Fourthly, had Vittoria told you that she had a daughter to the Count, and was blackmailing him until he died, culminating in the last attempt on the countess’s life.  Allegedly.”

Always, it was interesting to watch the expressions and responses of people when telling there a story that has a mixture of truth, supposition, and outright lies.  Alessandro was no different.  He started the story expressionless and was most likely going to stay that way.

The first response was when I mentioned Vittoria, with a look that wasn’t complete contempt, but a very deep dislike, though that might be for me mentioning her name.  I purposely didn’t say he was dating her, just associating, and it might also be at the mention of her name.

“Vittoria is, by the way, in London at the moment, and she is a person of interest in my investigation.  We know you have seen her several times in the last few days, so I will be talking to her at some point.”

The second response came when I mentioned the will, and that look was of surprise, whether he thought anyone know of the provisions other than family would be interesting.

“Am I under surveillance?”

“When reviewing the CCTV tapes during the time we estimate the countess went missing, and only via the CCTV in the hotel, in case the disappearance of the countess is not part of a wider attack on the Bernhardt family.  I notice you have your own security outside.”

“I would prefer they not accompany me everywhere, but it is necessary.”

“The countess’s security detail?  Are they still in the hotel.”

“Gone, with the countess, which is why I don’t think there is anything to worry about.”

“And if she doesn’t make it to the signing in five days?”

“Do you have any reason to believe she will not.”

“You have motive, and you had opportunity.  In my book that’s enough for me to have you arrested until you tell us what we need to know.  It’s the old story, if you have nothing to hide, you’d answer the question.  Stalling, dodging, and obfuscation only indicate guilt.  So, I will ask one more time.  What were do doing here after she returned to the hotel on the night of the opera, and where is she now?”

Another withering look in my direction, and he stood.

“I do not have to answer your questions.  Now, if you don’t mind, I have work to do.”

He headed towards the door.

“Fine.  You will not be leaving the hotel, and I suggest you call your legal representative.”  /I pulled out my phone and pressed speed dial.  When one of the two men below answered, I said, “Pick him up.  You know where to take him.”

© Charles Heath 2023

Skeletons in the closet, and doppelgangers

A story called “Mistaken Identity”

How many of us have skeletons in the closet that we know nothing about? The skeletons we know about generally stay there, but those we do not, well, they have a habit of coming out of left field when we least expect them.

In this case, when you see your photo on a TV screen with the accompanying text that says you are wanted by every law enforcement agency in Europe, you’re in a state of shock, only to be compounded by those same police, armed and menacing, kicking the door down.

I’d been thinking about this premise for a while after I discovered my mother had a boyfriend before she married my father, a boyfriend who was, by all accounts, the man who was the love of her life.

Then, in terms of coming up with an idea for a story, what if she had a child by him that we didn’t know about, which might mean I had a half-brother or sister I knew nothing about. It’s not an uncommon occurrence from what I’ve been researching.

There are many ways of putting a spin on this story.

Then, in the back of my mind, I remembered a story an acquaintance at work was once telling us over morning tea, that a friend of a friend had a mother who had a twin sister and that each of the sisters had a son by the same father, without each knowing of the father’s actions, both growing up without the other having any knowledge of their half brother, only to meet by accident on the other side of the world.

It was an encounter that in the scheme of things might never have happened, and each would have remained oblivious of the other.

For one sister, the relationship was over before she discovered she was pregnant, and therefore had not told the man he was a father. It was no surprise the relationship foundered when she discovered he was also having a relationship with her sister, a discovery that caused her to cut all ties with both of them and never speak to either from that day.

It’s a story with more twists and turns than a country lane!

And a great idea for a story.

That story is called ‘Mistaken Identity’.

Searching for locations: The Longjing Pearl Factory, Beijing, China

The Longjing Pearl Factory is located at:
No.2 Zuoan Gate Inner Street, ChongWen District, Beijing 100061 China.

This Pearl Center specializes in both freshwater and seawater pearls, with a reputation backed by the government of China, with a big selection and of the highest quality.  There were all kinds of jewelry made of pearls in different colors, shapes, and sizes.

They also had, as an interesting sideline, famous Chinese traditional cosmetics such as pearl cream and pearl powder, reputed to make your skin smoother, tendered and most importantly, younger.

We were advised of all of this well before we arrived at the factory, and of course, one suspected the glowing review, with emphasis on the fact it was a government operation and therefore trustworthy, suggested we should buy, meant the tour guide would receive a commission on each sale.

This is nothing new, it’s the same the world over, so it’s up to the visitor to buy or not to buy.

As soon as you get in the door you are taken to the group’s guide for the tour (and afterward, available for help on making purchases). who gives you a rundown on the different types and colors of pearls.  This briefly is,

Pearls come in two main categories: freshwater cultured pearls and saltwater cultured pearls. Various types of pearls are the result of the environment in which they live, and different cultivation techniques used by the pearl farmers. 

Freshwater cultured pearls are grown in lakes and rivers, whereas saltwater cultured pearls are grown in bodies of saltwater such as bays.  The most commonly used pearls are Freshwater pearls. 

Freshwater Pearls come in various pastel shades of white, pink, peach, lavender, plum, purple, and tangerine.  
South Sea cultured pearls come in shades of lustrous white, often with silver or rose overtones. 

Black pearls are known as Tahitian pearls and come most often in shades of black and gray. While a Tahitian pearl has a black body color, it will vary in its overtones, which most often will be green or pink.

Then there’s a demonstration, where one of the tour group is selected to pick an oyster out of the tank, and then there’s the guessing game as to how many pearls are in the shell, with the winner getting a pearl.

Guesses ranged from 1 to 23 and the answer was 26.  Nearest wins, and one for the person who picked the oyster out of the tank.  After this demonstration, we move on to the ways we can tell the difference between real and fake pearls.

It seems strange that they would, but we were guaranteed by both the tour guide and the lady delivering the lecture that the pearls we were about to buy were real, so how could we suspect there was anything dodgy about them?  Besides, now we could tell real from fake!

We then move onto the showroom floor where there are casements of pearl products, in the form of necklaces, earrings, and any number of variations and uses.  And, just to let you know, the prices are very, very expensive, even if they say they have a special.

Perhaps the best products, and those that found favor with many of the women on the tour, was the pearl cremes and powders.  These were not expensive, and, as we discovered later, actually worked as described.