Skeletons in the closet, and doppelgangers

A story called “Mistaken Identity”

How many of us have skeletons in the closet that we know nothing about? The skeletons we know about generally stay there, but those we do not, well, they have a habit of coming out of left field when we least expect them.

In this case, when you see your photo on a TV screen with the accompanying text that says you are wanted by every law enforcement agency in Europe, you’re in a state of shock, only to be compounded by those same police, armed and menacing, kicking the door down.

I’d been thinking about this premise for a while after I discovered my mother had a boyfriend before she married my father, a boyfriend who was, by all accounts, the man who was the love of her life.

Then, in terms of coming up with an idea for a story, what if she had a child by him that we didn’t know about, which might mean I had a half-brother or sister I knew nothing about. It’s not an uncommon occurrence from what I’ve been researching.

There are many ways of putting a spin on this story.

Then, in the back of my mind, I remembered a story an acquaintance at work was once telling us over morning tea, that a friend of a friend had a mother who had a twin sister and that each of the sisters had a son by the same father, without each knowing of the father’s actions, both growing up without the other having any knowledge of their half brother, only to meet by accident on the other side of the world.

It was an encounter that in the scheme of things might never have happened, and each would have remained oblivious of the other.

For one sister, the relationship was over before she discovered she was pregnant, and therefore had not told the man he was a father. It was no surprise the relationship foundered when she discovered he was also having a relationship with her sister, a discovery that caused her to cut all ties with both of them and never speak to either from that day.

It’s a story with more twists and turns than a country lane!

And a great idea for a story.

That story is called ‘Mistaken Identity’.

Top 5 sights on the road less travelled – London

London’s Secret Charms: 5 Uncrowded Gems with Unforgettable Features

London. The very name conjures images of iconic landmarks, bustling streets, and a vibrant energy that pulses through its historic veins. But let’s be honest, that energy often translates into crowds – a beautiful, diverse, fascinating crowd, but a crowd nonetheless.

What if you yearn for a different rhythm? A London where you can connect with history, art, and nature without constantly jostling for a view? A London where distinctive features truly shine, allowing you to savour every unique detail?

Fear not, intrepid explorer! I’ve curated a list of five phenomenal London attractions that deliver on distinctive character without the typical tourist throngs. These are the places where you can breathe, ponder, and truly absorb the magic of this incredible city.


1. Sir John Soane’s Museum: A Collector’s Labyrinth of Wonders

What makes it distinctive? Imagine stepping into the mind of an eccentric 19th-century architect, where every surface, every nook, and every cranny is crammed with art, antiquities, and architectural fragments. Sir John Soane’s Museum is not a typical museum; it’s a meticulously preserved house that he designed to display his vast and eclectic collection exactly as he wanted it. Expect a fascinating, almost overwhelming, visual feast. Highlights include an Egyptian sarcophagus, a room of hidden paintings on hinged panels, and ceilings adorned with fragments of Roman sculpture.

Why it’s uncrowded: Its very nature – a house packed to the rafters – means visitor numbers are carefully controlled. It’s a small, intimate space, encouraging quiet contemplation rather than rapid sightseeing. You’ll often find yourself with plenty of room to explore.

Insider Tip: Look out for the “picture rooms” where walls literally open up to reveal more art behind them. It’s a delightful, theatrical surprise!


2. The Wallace Collection: Opulence and Masterpieces in a Grand Mansion

What makes it distinctive? Housed in Hertford House, a magnificent stately home in Marylebone, The Wallace Collection offers a truly unique experience: a peerless collection of 18th-century French art, furniture, porcelain, and old master paintings, all displayed in the sumptuous setting of a historic private residence. It feels less like a public gallery and more like you’ve been invited into a wealthy collector’s home. From rococo masterpieces like Fragonard’s “The Swing” to an impressive armoury, the sheer quality and variety are astonishing.

Why it’s uncrowded: While well-known, it often gets overlooked in favour of the larger, more public museums. Its location, slightly off the main tourist drag, also helps keep numbers manageable. Plus, it’s completely free to enter!

Insider Tip: Don’t miss the stunning central courtyard, which has been beautifully enclosed to create a light-filled restaurant – perfect for a refined coffee or lunch break.


3. Chelsea Physic Garden: London’s Oldest Botanic Oasis

What makes it distinctive? Tucked away behind high walls near the Thames, the Chelsea Physic Garden is a living museum of plants with a fascinating history. Established in 1673 by the Worshipful Society of Apothecaries, it was created specifically for the study of medicinal plants. Today, it’s a tranquil four-acre oasis showcasing around 5,000 different species, including the largest fruiting olive tree in Britain and the world’s most northerly grapefruit tree. It’s a place where history, science, and nature intertwine beautifully.

Why it’s uncrowded: It charges a modest entrance fee and isn’t on the primary tourist routes, ensuring a peaceful atmosphere. It’s a favourite among locals seeking serenity, rather than a must-see for first-time visitors ticking off landmarks.

Insider Tip: Check their website for workshops, talks, and guided tours which offer deeper insights into the garden’s extensive collections and history.


4. St. Dunstan in the East Church Garden: A Ruined Beauty Reclaimed by Nature

What makes it distinctive? This is perhaps one of London’s most visually stunning “hidden” gems. What once was a grand medieval church, later rebuilt by Sir Christopher Wren, was largely destroyed during the Blitz in 1941. Instead of rebuilding, the ruins were transformed into a public garden. Ivy-clad walls, elegant Gothic arches, and a Wren tower now frame a vibrant collection of trees and plants. It’s an ethereal, almost magical space that perfectly blends history with nature’s resilience.

Why it’s uncrowded: Despite its proximity to the Tower of London and Monument, it’s tucked away down a side street, making it easy to miss if you don’t know it’s there. It’s a favourite spot for city workers on their lunch break and photographers, but rarely overwhelmed by tourists.

Insider Tip: Visit on a sunny day when the light filters through the archways and foliage, creating a truly enchanting atmosphere. Find a bench and simply soak in the tranquility.


5. Leighton House: An Artist’s Victorian Fantasy

What makes it distinctive? Step into the fantastical home and studio of Victorian artist Frederic, Lord Leighton, and prepare to be mesmerised. The crowning glory is the “Arab Hall,” a breathtaking space inspired by Leighton’s travels to the Middle East. Adorned with over 1,000 iridescent Islamic tiles, a golden dome, and a tranquil fountain, it’s like stepping into a dream. Beyond this, the house offers beautiful period rooms, Leighton’s grand studio, and a collection of his and his contemporaries’ art. It’s a truly unique architectural and artistic vision.

Why it’s uncrowded: Located in Holland Park, West London, it’s a little further out than central attractions, which naturally reduces footfall. It also requires a timed ticket, ensuring a pleasant visitor experience.

Insider Tip: Look closely at the tiles in the Arab Hall – many are original 16th and 17th-century pieces, carefully acquired by Leighton himself.


So, the next time you find yourself in the magnificent city of London, consider taking a detour from the main thoroughfares. These five distinctive, uncrowded attractions offer a chance to connect with a different side of the capital – one that’s rich in history, beauty, and quiet wonder. Happy exploring!

Have you discovered any other uncrowded London treasures? Share them in the comments below!

The cinema of my dreams – It ended in Sorrento – Episode 64

What is Juliet’s game?

Juliet was waiting for me by the car where we had left it.

By that time, I was almost ready to strangle her with my bare hands.

“Where did you go?”

“Away from trouble.  I waited until I was sure you were not going to be killed, then I left.”  She held out the gun by the barrel.  “I figured you would have been able to take that guy without the gun, and there was no point being captured with it.”

She was right, but that didn’t make me any less angry.

I took it and unlocked the car.

“Where are the women?”

“He doesn’t know.  Worse still, he had no idea that another woman was taken at the same time.”

“You believe him?”

“Given the circumstances of seeing the woman who was going to solve all your problems dead on the floor had a way of making you believe.  No one is that good an actor.”

She looked at me with a strange expression.  “You have one working with you.”

“Her mother wasn’t killed in front of her.  Not the same.”

“Square one then?”

“It might be.  If he didn’t know where they were or wanted to, it’s as likely as not they are not on any of his properties.  If he didn’t care what happened to the countess, that doesn’t mean the same for those who are holding her, or Mrs Rodby.  They’ll know, eventually, a reward will be offered, and we’re giving them one.”

I called Cecilia.  “How’s the search going.  I assume the fact you haven’t called me means you’ve found nothing?”

“Zip.  This Dicostini has a lot of dud property.  Maybe someone should tell him to build a resort rather than try to grow grapes.  There’d be a lot more money in it.”

“I think he has more problems than that to worry about right now.”

“How did you go?”

“Kept the place under surveillance, waiting to see if the fake countess was hiding at his place.  She was.  She came out, and they had an argument. And he killed her.”

“What?  Shot her?”

“He hit her in a moment of temper, she fell awkwardly, hitting her head on the table, dead before she hit the floor.”

“That makes things a little difficult.  I assume you didn’t get the location of the two women?”

“You assume correctly.”

“Then they could be anywhere?”

“Maybe, maybe not.  I’m going to give you a name and address.  Get onto Anthony and find out where he lives, then park yourself outside until you hear from me.  I have a hunch, but be prepared to waste some time if it doesn’t pan out.  Take Alfie with you.  Leave Francesca, there’s nothing she can do now.”

“What are you planning?”

“Offering a huge reward for Mrs Rodby.  I think we can safely say the countess is either dead or will be when Dicostini calls the kidnappers.”

“Wouldn’t they just kill her too?”

“They might, but if they’re good, that won’t be a problem.  Getting a bigger payday is.  Everybody has a price.”

“Even you?”

“When I figure out how to disappear, maybe.  Go.  Time is wasting.”

I thought about starting the car, then didn’t.

It was not enough that so many different scenarios were running through my head when the call finally came.  I was sure now the main game was over, the side players would be looking for a slice of the action.

There were only two candidates.  One seemed improbable, which made it the more likely, the other the logical choice, but unlikely.  It all depended on how fast Anthony could get the wanted poster out there.

In the meantime, I had another more perplexing problem.

“What are you doing here?” I asked Juliet.

She looked at me strangely.  “You asked me.”

“I mean, what are you doing here in Italy?”

She kept looking at me as if I were mad.

“I was setting up for a conference.”

She looked earnest, but there was something in her manner.

“Are you really that pathologist.  I mean, for a down-and-out doctor, how could such a disgraced person get a foot back in the door?”

Her look of bemusement turned to annoyance.  “Tell me what you really think?  It took a lot of banging on doors and grovelling.”

I shook my head.  That wasn’t the whole story.

“Why, so I keep running into you?”

“Fate.  Serendipity.  The universe is telling us we didn’t end things properly the last time.”

Words.  Words that had a certain ring to them.  I shook my head. 

“Fate is a load of bollocks, Juliet.”

“You can call me Julie if you like.  It sounds better.”

“This is not done with, not by a long chalk.”

© Charles Heath 2023 – 2026

Top 5 sights on the road less travelled – London

London’s Secret Charms: 5 Uncrowded Gems with Unforgettable Features

London. The very name conjures images of iconic landmarks, bustling streets, and a vibrant energy that pulses through its historic veins. But let’s be honest, that energy often translates into crowds – a beautiful, diverse, fascinating crowd, but a crowd nonetheless.

What if you yearn for a different rhythm? A London where you can connect with history, art, and nature without constantly jostling for a view? A London where distinctive features truly shine, allowing you to savour every unique detail?

Fear not, intrepid explorer! I’ve curated a list of five phenomenal London attractions that deliver on distinctive character without the typical tourist throngs. These are the places where you can breathe, ponder, and truly absorb the magic of this incredible city.


1. Sir John Soane’s Museum: A Collector’s Labyrinth of Wonders

What makes it distinctive? Imagine stepping into the mind of an eccentric 19th-century architect, where every surface, every nook, and every cranny is crammed with art, antiquities, and architectural fragments. Sir John Soane’s Museum is not a typical museum; it’s a meticulously preserved house that he designed to display his vast and eclectic collection exactly as he wanted it. Expect a fascinating, almost overwhelming, visual feast. Highlights include an Egyptian sarcophagus, a room of hidden paintings on hinged panels, and ceilings adorned with fragments of Roman sculpture.

Why it’s uncrowded: Its very nature – a house packed to the rafters – means visitor numbers are carefully controlled. It’s a small, intimate space, encouraging quiet contemplation rather than rapid sightseeing. You’ll often find yourself with plenty of room to explore.

Insider Tip: Look out for the “picture rooms” where walls literally open up to reveal more art behind them. It’s a delightful, theatrical surprise!


2. The Wallace Collection: Opulence and Masterpieces in a Grand Mansion

What makes it distinctive? Housed in Hertford House, a magnificent stately home in Marylebone, The Wallace Collection offers a truly unique experience: a peerless collection of 18th-century French art, furniture, porcelain, and old master paintings, all displayed in the sumptuous setting of a historic private residence. It feels less like a public gallery and more like you’ve been invited into a wealthy collector’s home. From rococo masterpieces like Fragonard’s “The Swing” to an impressive armoury, the sheer quality and variety are astonishing.

Why it’s uncrowded: While well-known, it often gets overlooked in favour of the larger, more public museums. Its location, slightly off the main tourist drag, also helps keep numbers manageable. Plus, it’s completely free to enter!

Insider Tip: Don’t miss the stunning central courtyard, which has been beautifully enclosed to create a light-filled restaurant – perfect for a refined coffee or lunch break.


3. Chelsea Physic Garden: London’s Oldest Botanic Oasis

What makes it distinctive? Tucked away behind high walls near the Thames, the Chelsea Physic Garden is a living museum of plants with a fascinating history. Established in 1673 by the Worshipful Society of Apothecaries, it was created specifically for the study of medicinal plants. Today, it’s a tranquil four-acre oasis showcasing around 5,000 different species, including the largest fruiting olive tree in Britain and the world’s most northerly grapefruit tree. It’s a place where history, science, and nature intertwine beautifully.

Why it’s uncrowded: It charges a modest entrance fee and isn’t on the primary tourist routes, ensuring a peaceful atmosphere. It’s a favourite among locals seeking serenity, rather than a must-see for first-time visitors ticking off landmarks.

Insider Tip: Check their website for workshops, talks, and guided tours which offer deeper insights into the garden’s extensive collections and history.


4. St. Dunstan in the East Church Garden: A Ruined Beauty Reclaimed by Nature

What makes it distinctive? This is perhaps one of London’s most visually stunning “hidden” gems. What once was a grand medieval church, later rebuilt by Sir Christopher Wren, was largely destroyed during the Blitz in 1941. Instead of rebuilding, the ruins were transformed into a public garden. Ivy-clad walls, elegant Gothic arches, and a Wren tower now frame a vibrant collection of trees and plants. It’s an ethereal, almost magical space that perfectly blends history with nature’s resilience.

Why it’s uncrowded: Despite its proximity to the Tower of London and Monument, it’s tucked away down a side street, making it easy to miss if you don’t know it’s there. It’s a favourite spot for city workers on their lunch break and photographers, but rarely overwhelmed by tourists.

Insider Tip: Visit on a sunny day when the light filters through the archways and foliage, creating a truly enchanting atmosphere. Find a bench and simply soak in the tranquility.


5. Leighton House: An Artist’s Victorian Fantasy

What makes it distinctive? Step into the fantastical home and studio of Victorian artist Frederic, Lord Leighton, and prepare to be mesmerised. The crowning glory is the “Arab Hall,” a breathtaking space inspired by Leighton’s travels to the Middle East. Adorned with over 1,000 iridescent Islamic tiles, a golden dome, and a tranquil fountain, it’s like stepping into a dream. Beyond this, the house offers beautiful period rooms, Leighton’s grand studio, and a collection of his and his contemporaries’ art. It’s a truly unique architectural and artistic vision.

Why it’s uncrowded: Located in Holland Park, West London, it’s a little further out than central attractions, which naturally reduces footfall. It also requires a timed ticket, ensuring a pleasant visitor experience.

Insider Tip: Look closely at the tiles in the Arab Hall – many are original 16th and 17th-century pieces, carefully acquired by Leighton himself.


So, the next time you find yourself in the magnificent city of London, consider taking a detour from the main thoroughfares. These five distinctive, uncrowded attractions offer a chance to connect with a different side of the capital – one that’s rich in history, beauty, and quiet wonder. Happy exploring!

Have you discovered any other uncrowded London treasures? Share them in the comments below!

Searching for locations: The Opera House, Paris, France

This was one of the more interesting experiences for the grandchildren as they were, as all young girls are, interested in ballet.

We thoroughly enjoyed our visit which included some time watching ballet practice.

I could not convince anyone to take the elevator back down to the ground floor as it was suspected we might be ‘attacked’ by the ‘phantom’.  Certainly, the elevator was very old and I think at the time it was being repaired.

20140108_124100

Part of the Grand Staircase in Palais Garnier Opera de Paris

20140108_125843

The ceiling above the main staircase.  The ceiling above the staircase was painted by Isidore Pils to depict The Triumph of ApolloThe Enchantment of Music Deploying its CharmsMinerva Fighting Brutality Watched by the Gods of Olympus, and The City of Paris Receiving the Plan of the New Opéra.

20140108_123338


The ceiling of Chagall at the Palais Garnier

On 23 September 1964, the new ceiling of the Opéra Garnier was inaugurated with great pomp.  It was painted by Marc Chagall at the request of André Malraux

20140108_125807

Amphitheatre and Orchestra Pit entrance

20140108_122243

Interior, and doorways to boxes

20140108_123500

Box seats in the auditorium

20140108_123512

Ornate ceilings and columns

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Seating inside the auditorium

20140108_125603

The day we were leaving Paris, was the first night of the Bolshoi Ballet.  My two granddaughters were greatly disappointed at missing out on the opportunity of a lifetime, to see the Bolshoi Ballet at the Paris Opera House.

20140108_123359

But we did get to see the principals practising.

The Cinema of My Dreams – It ended in Sorrento – Episode 63

Time to find a missing person

I turned slowly, wondering just what the hell her game was, when I realised it was not her, but another man holding a shotgun and looking very aggravated.

“What do you think you’re doing?”  At least that’s what I translated his Italian version into.

And I put my hands out where he could see them, noting at the same time that not only was Juliet missing, so was my gun.

“No Italian, I’m sorry.  Should you be brandishing that gun?”

As I turned, he moved back.  He correctly interpreted that I was going to disarm him, if /I could distract him with my not understanding Italian.  He was smarter than that.

“Move.”

He had a word of English.  The motioning of the gun in the direction of the back door was all he needed.  It was not the first time he’d approached an intruder.

I moved slowly towards the door, opened it, and went in.

The grisly scene of the woman on the floor with blood everywhere was confronting.  The man with the gun swore.

“What the hell have you done?”  Not an exact translation but near enough.  He was shocked.

And distracted.

But I think there was no threat from either of them.  Dicostini was almost in shock, kneeling beside the woman, trying to shake her awake.

The other man put down the gun and went over to check for any sign of life.  First a finger at her neck, then her writ, then hear if she was still breathing.

The gunman looked at Dicostini, “How did this happen?”

Dicostini shrugged.

“He hit her,” I said.  “I saw it happen through the window.  They were arguing.”

That’s when Dicostini saw me.  “Who are you?”

“A private investigator hired to find the real countess.  The thing is, I’m not overly worried about her, it’s the woman you took with her that’s your biggest problem?”

“What woman?”

“The countess’s sister.  You snatched the two of them if you didn’t, the clowns you employed to do the job did.  Her sister is the wife of the Chief of British Intelligence, and he’s about to unleash the wrath of the Gods on you.  I came here to do you a favour.  Tell me where they are, and I’ll walk away.  No questions asked, no interest in what happened here.  This is a one-time offer, and it’s about to expire.”

“What are you talking about?  This is the countess’s sister.”

It was certainly not Mrs Robdy, but now in the pale light shining on that lifeless face, I could see the resemblance to the countess.  It was definitely the woman I’d gone to the opera with, and later taken back to the hotel.

I could see how easily it would be to mistake the fake for the real countess … they must be twins.  The thing was, no one had picked up on it, and I thought our researchers were supposed to be the best.

“How is that possible?” I had to ask. 

“They were twins, separated at birth, and the mother was never told.  Angelina was sent north to stay with a distant aunt who treated her as her own child, and she was never told of her true mother.  I would not have known either unless my own mother told me of the deception on her deathbed.”

“So, what was this charade supposed to prove?”

“That she gets some recognition, and some of the Von Burkehardt spoils.  That cow that is the countess, she has no interest in anyone but herself.  Not for the traditions of this country, the people, the area, the vineyards, the wine, anything.”

“Where is she?”

“Dead, I hope. I told them I didn’t want to see her again.  They did not tell me they had taken anyone else with her.  It is done, over.  I have no idea where they were being held.  Now go.  I have enough to deal with.”

I had to agree with him.  How was he going to explain any of this?

I waited until I was some distance from the house, then pulled out my phone and dialled Anthony’s number.

He answered after the seventh ring.  I was worried he might not.

“Two urgent matters.  Tell Rodby to take the woman who’s with him into custody.  Don’t ask why, just do it, now.  Second, how quickly can you flood the Italian media with a missing person poster?”

“Quickly.  Why?”

“Get a wanted poster together with Mrs Rodby’s face on it and a finder’s fee of a million Euros, more if you like.  And put my phone number on it.  Mrs Rody still carries Rodby’s VC in her handbag for good luck still?”

“How do you know that?”

“I’m good at my job.  Do both those requests, then call me back in an hour or so.  It’s imperative you get the missing persons poster out as soon as possible but only to two people.  The lawyer fellow in Rome, I’ll send you his details if you don’t already have them, and to the Burkehardt’.  All of them.”

“Only those people?”

“Yes.  If I’m wrong, you’re going to find me a hiding spot somewhere in the middle of the north pole, preferably a mile or more under the ice.”

© Charles Heath 2023

Searching for locations: The Opera House, Paris, France

This was one of the more interesting experiences for the grandchildren as they were, as all young girls are, interested in ballet.

We thoroughly enjoyed our visit which included some time watching ballet practice.

I could not convince anyone to take the elevator back down to the ground floor as it was suspected we might be ‘attacked’ by the ‘phantom’.  Certainly, the elevator was very old and I think at the time it was being repaired.

20140108_124100

Part of the Grand Staircase in Palais Garnier Opera de Paris

20140108_125843

The ceiling above the main staircase.  The ceiling above the staircase was painted by Isidore Pils to depict The Triumph of ApolloThe Enchantment of Music Deploying its CharmsMinerva Fighting Brutality Watched by the Gods of Olympus, and The City of Paris Receiving the Plan of the New Opéra.

20140108_123338


The ceiling of Chagall at the Palais Garnier

On 23 September 1964, the new ceiling of the Opéra Garnier was inaugurated with great pomp.  It was painted by Marc Chagall at the request of André Malraux

20140108_125807

Amphitheatre and Orchestra Pit entrance

20140108_122243

Interior, and doorways to boxes

20140108_123500

Box seats in the auditorium

20140108_123512

Ornate ceilings and columns

20140108_123332

Seating inside the auditorium

20140108_125603

The day we were leaving Paris, was the first night of the Bolshoi Ballet.  My two granddaughters were greatly disappointed at missing out on the opportunity of a lifetime, to see the Bolshoi Ballet at the Paris Opera House.

20140108_123359

But we did get to see the principals practicing.

Searching For Locations: Disneyland, Paris, France

Whilst I found this tree house to be interesting, it seems to be far from practical because there was little to keep the wind and rain out, though I suppose, in the book, that might not be such a problem.

Be that as it may, and if it was relatively waterproof, then the furnishings would probably survive, and one had to also assume that much of the furnishings, such as the writing desk below, would have washed up as debris from the shipwreck.

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The stove and oven would have to be built by hand, and it is ‘remarkable’ such well-fitting stones were available.  It doesn’t look like it’s been used for a while judging by the amount of gree on it.  Perhaps it is not in a waterproof area.

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The dining table and the shelf in the background have that rough-hewn look about them

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A bit of man-made equipment here for drawing water from the stream

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And though not made in the era of electricity, there is an opportunity to use the water wheel to do more than it appears to be doing

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And tucked away in a corner the all-important study where one can read, or play a little music on the organ.  One could say, for the period, one had all the comforts of home.

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The Cinema of My Dreams – It ended in Sorrento – Episode 62

When you least expect it

After an hour passed, and no one had come looking for our intruder, darkness had fallen, the mother had taken the three children off in the car, and the people in the house had all left, leaving Dicostini to sit at the table reading a newspaper.

He didn’t seem to be too interested in running or working on his farm.  Maybe if he took more of an interest, it might be turning over a profit.

Behind me, I could hear our would-be assailant stirring and finding himself very tightly bound and gagged.  I turned around.  “If you know what’s good for you, I’d go back to sleep.  Either way, make any noise I will shoot you.”  I held up the silenced gun and waved it for emphasis.

“You do realise he has seen us, don’t you?”

“Do you want me to shoot him?”

“Well, you know what he’s going to do when he gets free.”

I did, but I wasn’t going to tell her.  I’d sent a text message to Alfie and he would be collected the moment we left the clearing.

Another hour passed when I noticed a shadow behind Dicostini who, now, had slumped forward, perhaps asleep.  The shadow materialised into a human form, and then a woman.  When the pale light from a wall lamp shone on her face, I recognised it instantly.

The fake countess.

She shook him by the shoulder, and when he roused, he stood and looked like he was yelling at her.

Juliet came over and lay down next to me.  “What’s happening?”

“The fake countess just came out of the woodwork.  That’s our cue?”

“For what?”

“Storming the battlements.  Taking no prisoners.  Or perhaps just ask a few questions and reasonably expect answers.”

I stood and dismantled the rifle and put the parts back in the case. 

“Grab the bag, we’re on the clock.”

“What about him?”  She nodded in the man’s direction.  His eyes told the story, he didn’t like being tied up like that.

“Hopefully he’s learned a valuable lesson, don’t go blundering around in the undergrowth.”

We stowed the gun and bag in the car and headed back towards the farmhouse by a different route.  It was dark enough that we didn’t have to try too hard to stay in the shadows.

Lucking Juliet had thought to wear black.

“When we stopped behind the wall of one of the outhouses, I could hear her in my ear, “So, do I get a gun?”

“No.”

“What do I do when the shit hits the fan?”

“The same as me.  Duck.”

She punched me, which was not unexpected.

We made it to the back of the house, and to a window that looked in over an open-plan living area.  We had heard voices as we approached the house, now they were clearer we could see them.

“…part of staying out of sight didn’t you get?”  Dicostini was angry.

“In that little hole, you put me in?”

“You’re safe there, for the time being.”

“They know, you know.  It’s just a question of whether they’ve told Von Burkhardt.”

“Do you want me to go over there and ask?”

“You should have killed them all when you had the chance, not just the son and the father.  Like everything else you’ve done, this is going to end up an utter failure.”

He was going to say something but didn’t.  Instead, filled with pent-up rage, he hit her.  I thought it had been with an open hand, but it was a fist, and so hard she spun sideways, hit her head on the solid wooden table with a sickening thud and then just flopped like a rag doll on the ground.

So engrossed in watching those events unfold, I forgot about Juliet and suddenly felt what might be the barrel of a gun in my back.

Juliet!

© Charles Heath 2023

Searching For Locations: Disneyland, Paris, France

Whilst I found this tree house to be interesting, it seems to be far from practical because there was little to keep the wind and rain out, though I suppose, in the book, that might not be such a problem.

Be that as it may, and if it was relatively waterproof, then the furnishings would probably survive, and one had to also assume that much of the furnishings, such as the writing desk below, would have washed up as debris from the shipwreck.

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The stove and oven would have to be built by hand, and it is ‘remarkable’ such well-fitting stones were available.  It doesn’t look like it’s been used for a while judging by the amount of gree on it.  Perhaps it is not in a waterproof area.

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The dining table and the shelf in the background have that rough-hewn look about them

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A bit of man-made equipment here for drawing water from the stream

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And though not made in the era of electricity, there is an opportunity to use the water wheel to do more than it appears to be doing

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And tucked away in a corner the all-important study where one can read, or play a little music on the organ.  One could say, for the period, one had all the comforts of home.

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