A photograph from the inspirational bin – 25

This is an old chateau at the foot of a skiing area on the north island of New Zealand. It was once predominately advertised as a guest house for hikers in the summer months.

chateautongoriro

However, with fertile imaginations, we can come up with a whole different scenario.

Like, for instance, a haunted house, owned by an old and some might say creepy family, a place where few are invited, and those that are, approach the front door with trepidation.

It could be the family estate, the sort of place grandparents live, and their children consider themselves lucky to have escaped and their children, in turn, hate going there.

Of course, the opposite to that is that everyone loves going there for the holidays when the whole family gets together.

Then, a murder occurs…

It might also be a hotel in an unusual backdrop, where fugitives come to hide, or just one person from the city, trying to get away from a bad partner, or someone working there seeking a fresh start.

The truth is, there are any number of possibilities.

Top 5 sights on the road less travelled – Riga

Beyond the Crowds: Riga’s Top 5 Distinctive & Unforgettable Hidden Gems

Riga. The name itself conjures images of cobblestone streets, vibrant Art Nouveau facades, and the bustling energy of its UNESCO-listed Old Town. And while these iconic sights are undoubtedly charming, sometimes the most profound travel experiences are found just a little off the well-trodden path.

For the discerning traveller who yearns for authenticity without the elbow-to-elbow crowds, who seeks distinctive features and stories that resonate long after the trip is over, Riga holds a treasure trove of quieter wonders. So, put down that mainstream guide and join me on a journey to uncover five visitor attractions in Riga that promise unique character and peaceful exploration.


1. The Zanis Lipke Memorial: A Testament to Humanity

More than just a museum, the Zanis Lipke Memorial is a profound architectural and emotional experience. Hidden away on Ķīpsala island, this striking black tarred wooden structure resembles an inverted Noah’s Ark, built directly over the secret bunker where Zanis Lipke, a dockworker, hid and saved over 50 Jews from the Holocaust during WWII.

Distinctive Features: The building itself is an architectural marvel – stark, symbolic, and deeply moving. Inside, a narrow, dark passage leads down into the actual bunker, immersing you in the chilling reality of those hidden. The design perfectly complements the powerful story of courage and sacrifice, creating a space for quiet introspection and remembrance. It’s rarely crowded, allowing you to absorb its sombre beauty and the incredible human spirit it honours at your own pace.

2. The Latvian Ethnographic Open-Air Museum: A Walk Through Time

Escape the city entirely and step into rural Latvia from centuries past at the Latvian Ethnographic Open-Air Museum. Sprawling across a vast, picturesque forest on the shores of Lake Jugla, this is one of Europe’s largest open-air museums. It features nearly 120 traditional Latvian buildings – farmsteads, churches, windmills, and fishing villages – painstakingly moved from various regions of Latvia and reconstructed here.

Distinctive Features: Each building tells a story, showcasing the lifestyle, crafts, and traditions of Latvian peasants, fishermen, and artisans from the 17th to the 20th centuries. You can wander through authentic homes, see traditional tools, and often witness artisans demonstrating ancient crafts. Due to its sheer size and slightly out-of-the-way location (easily reachable by bus), it rarely feels crowded, offering ample space to stroll, reflect, and enjoy the tranquil natural surroundings. It’s a living history book under the open sky.

3. Kalnciema Quarter: Wooden Architecture & Bohemian Vibes

While parts of Riga are famous for Art Nouveau, the Kalnciema Quarter offers a different, equally captivating architectural experience: beautifully restored wooden buildings. This charming neighbourhood, a bit west of the Old Town, is a vibrant cultural hub, especially on weekends.

Distinctive Features: The cluster of meticulously renovated 19th-century wooden houses, each with intricate carvings and pastel hues, creates an almost fairytale-like atmosphere. Beyond the architecture, the quarter hosts organic food and craft markets, open-air concerts, art exhibitions, and pop-up cafes – all within a relaxed, community-focused setting. While market days bring a lively buzz, it’s a far cry from the tourist throngs, offering a genuine glimpse into Riga’s modern bohemian culture against a stunning historical backdrop.

4. The Corner House (KGB Museum): A Chilling Echo of the Past

For a powerful and sobering experience, visit “The Corner House” (Stūra Māja), the former headquarters of the Soviet KGB in Latvia. This imposing building, now a museum, is a stark reminder of Latvia’s turbulent 20th century.

Distinctive Features: A visit here is not just about exhibits; it’s about walking through history. You can explore the original cells, interrogation rooms, the former waiting rooms, and the chilling exercise yard. The atmosphere is sombre and reflective, offering a raw and unfiltered look at the methods and impact of the Soviet regime. While popular, the nature of the visit (often guided tours through specific areas) means it rarely feels overwhelmingly crowded, allowing for a deeply personal engagement with this poignant piece of history.

5. Miera Iela & The Great Cemetery: Artisanal Charm Meets Serene History

Combine two distinctive, less-trafficked experiences by exploring Miera Iela (Peace Street) and its adjacent Great Cemetery. Miera Iela has earned the nickname “hipster street” for its collection of independent cafes, artisan boutiques, small art galleries, and vintage shops.

Distinctive Features: Miera Iela offers a refreshing contrast to the Old Town, showcasing Riga’s contemporary, creative pulse. Stroll, grab a coffee, browse unique items. Just a stone’s throw away, you’ll find the Great Cemetery (Lielie Kapi). Far from morbid, this historic cemetery is a sprawling, peaceful park adorned with magnificent sculptures, grand mausoleums, and ancient trees. It’s a place of quiet beauty and historical significance, where many notable Latvians are laid to rest, and where you can enjoy a serene walk amidst stunning funerary art and natural tranquillity, almost always in solitude.


Riga is a city that keeps on giving, especially when you’re willing to venture slightly off the beaten path. These five distinctive attractions offer not just sights, but stories, emotions, and a deeper connection to the heart of Latvia, all within the tranquil embrace of fewer crowds.

Have you visited any of these hidden gems in Riga, or found other distinctive, uncrowded spots? Share your experiences in the comments below!

Top 5 sights on the road less travelled – Oslo

Oslo’s Quiet Gems: 5 Distinctive Attractions That Skip the Tourist Crowds

Oslo is a city defined by breathtaking fjords, modern architectural marvels, and world-class museums. While favourites like the Opera House and the bustling Vigeland Sculpture Park deserve their accolades, sometimes the best travel memories are forged in the quiet corners—those distinctive spots overlooked by the masses.

If you are seeking authenticity, tranquillity, and attractions that offer a truly unique Norwegian flavour without the elbow-to-elbow experience, put down the guidebook and follow our list.

Here are five distinctive Oslo attractions where you can slow down and savour the discovery.


1. Ekebergparken (Ekeberg Sculpture Park)

While Oslo has many incredible viewpoints, few combine panoramic vistas with world-class contemporary art quite like Ekebergparken. Located on the hillside southeast of the city centre, this park is less of a museum and more of an experience.

What Makes it Distinctive? The park features works by international greats like James Turrell, Marina Abramović, and Louise Bourgeois, cleverly integrated into the natural forest landscape. Beyond the art, the site itself is historically significant, featuring ancient rock carvings and WWII bunkers. Critically, these park trails offer one of the best and least crowded settings for capturing the iconic view immortalised in Edvard Munch’s “The Scream.”

Why It’s Uncrowded: It requires a short tram ride up the hill (Line 18 or 19 to Ekebergparken stop), which deters many tourists from sticking solely to the central harbour area.


2. The Emanuel Vigeland Mausoleum

Prepare yourself for a truly unique, slightly macabre, and deeply rewarding experience. While Gustav Vigeland’s towering statues draw millions, his highly eccentric brother Emanuel created a private, haunting masterpiece—his own mausoleum and final resting place.

What Makes it Distinctive? The entire interior of the small, unmarked structure is a dark, barrel-vaulted room adorned with frescoes collectively titled Vita (Life). The ceiling-to-floor artwork depicts dramatic, often heavy themes of human life, death, and sexuality. The atmosphere is deliberately intense: the lights are kept very low, and the acoustics are so sensitive that a caretaker politely requests silence to enhance the feeling of solemn isolation.

Why It’s Uncrowded: It has extremely limited opening hours (usually Sunday afternoons only), making it challenging to visit—which is exactly why it remains a hidden gem for dedicated travellers.


3. Hovedøya Island (The Main Island)

For an immediate escape from city life, hop on a short ferry ride (Boat B1, B2, B3, or B4) from Aker Brygge and head to Hovedøya, the largest and most historically rich island in the Oslo Fjord.

What Makes it Distinctive? Hovedøya offers a perfect blend of lush nature, bathing spots, and fascinating ruins. Within minutes of arriving, you can explore the preserved Cistercian monastery ruins dating back to 1147. Later, the island served as a military base, and you can still find remnants of old defensive structures. Wander the trails, enjoy a picnic by the water, or simply study the medieval stone walls, all while enjoying the crisp fjord air.

Why It’s Uncrowded: While popular with Oslo locals in the height of summer, international tourists often overlook the entire island system in favour of mainland attractions. The short boat journey feels like a genuine adventure but keeps the large tour groups away.


4. Damstredet and Telthusbakken

While Oslo is a modern capital, pockets of its wooden house past remain beautifully preserved. A short walk uphill from the central areas of the city brings you to the charming, picturesque streets of Damstredet and Telthusbakken.

What Makes it Distinctive? These two winding cobblestone streets feel like stepping into a storybook. Lined with perfectly maintained, brightly colored wooden houses from the 18th and 19th centuries, the whole atmosphere speaks of quiet history. Damstredet in particular offers splendid photo opportunities and a glimpse into how many Oslo residents lived before the major urban modernisation programs.

Why It’s Uncrowded: This attraction is purely residential and free. It requires no ticket and isn’t featured on organised group tours. It’s a perfect addition to a self-guided walking tour between the city centre and the tranquil Vår Frelser Cemetery (another quiet spot worth stopping at).


5. The Tøyen Botanical Garden (Botanisk Hage)

Located just outside the buzzing central districts in the Tøyen neighbourhood, Oslo’s Botanical Garden is a serene and scientifically significant outdoor museum that most tourists walk right past on their way to the newer attractions.

What Makes it Distinctive? Managed by the Natural History Museum, the garden is Norway’s oldest and most diverse living collection. Visitors can explore various climate zones within the beautiful Palm House and the Victoria House (home to massive water lilies). The highlight is often the peaceful Scent Garden, designed specifically for the visually impaired, and the historic Old Garden, showcasing plants used for food and medicine throughout Norwegian history.

Why It’s Uncrowded: Despite its beauty and central location near the Munch Museum, the garden offers ample space and shaded trails, meaning the large foot traffic in the area quickly dissipates once you enter the gates. It’s a perfect green lung for contemplation.


Seeking the Authentic Oslo

By prioritizing these five distinctive, yet uncrowded, locations, you gain a deeper understanding of Oslo’s rich history, its commitment to art integration, and the beautiful relationship Norwegians have with their surrounding nature.

Skip the queue, find your quiet corner, and enjoy the authentic pulse of this incredible Nordic capital.


Have you discovered a quiet spot in Oslo that you love? Share your hidden gem in the comments below!

An excerpt from “Mistaken Identity” – a work in progress

The odds of any one of us having a doppelganger are quite high. Whether or not you got to meet them or be confronted by them was significantly lower. Except, of course, unless you are a celebrity.

It was a phenomenon remarkable only for the fact that, at times, certain high-profile people, notorious or not, had doubles if only to put off enemies or the general public. Sometimes we see people in the street who look like someone we knew and make the mistake of approaching them like a long-lost friend, only to discover an embarrassed individual desperately trying to get away from what they perceive as a stalker, or worse.

And then sometimes it is a picture that looms up on a TV screen, an almost exact likeness of you. At first, you are fascinated, and then, according to the circumstances and narrative that is attached to that picture, either flattered or horrified.

For me, one turned to the other when I saw an almost likeness of me flash up on the screen when I turned the TV on in my room. What looked to be my photo, with only minor differences, was in the corner of the screen, the newsreader speaking in rapid Italian, so fast I could only translate every second or third word.

But the one word I did recognise was murder. The photo of the man on the screen was the subject of an extensive manhunt. The crime, the murder of a woman in the very same hotel I was staying, and it was being played out live several floors above me. The gist of the story, the woman had been seen with and staying with the man who was my double, and, less than an hour ago, the body had been discovered by a chambermaid.

The killer, the announcer said, was believed to be still in the hotel because the woman had died shortly before she had been discovered.

I watched, at first fascinated by what I was seeing. I guess I should have been horrified, but at that moment it didn’t register that I might be mistaken for that man.

Not until another five minutes had passed, and I was watching the police in full riot gear, with a camera crew following behind, coming up a passage towards a room. Live action of the arrest of the suspected killer, the breathless commentator said.

Then, suddenly, there was a pounding on the door. On the TV screen, plain to see, was the number of my room. I looked through the peephole and saw an army of police officers. It didn’t take much to realise what had happened. The hotel staff identified me as the man in the photograph on the TV and called the police.

Horrified wasn’t what I was feeling right then.

It was fear.

My last memory was the door crashing open, the wood splintering, and men rushing into the room, screaming at me, waving guns, and when I put my hands up to defend myself, I heard a gunshot.

And in one very confused and probably near-death experience, I thought I saw my mother and thought what was she doing in Rome?

…

I was the archetypal nobody.

I lived in a small flat, I drove a nondescript car, had an average job in a low-profile travel agency, was single, and currently not involved in a relationship, had no children, and, according to my workmates, no life.

They were wrong. I was one of those people who preferred their own company; I had a cat, and travelled whenever I could. And I did have a ‘thing’ for Rosalie, one of the reasons why I stayed at the travel agency. I didn’t expect anything to come of it, but one could always hope.

I was both pleased and excited to be going to the conference. It was my first, and the glimpse I had seen of it had whetted my appetite for more information about the nuances of my profession.

Some would say that a travel agent wasn’t much of a job, but to me, it was every bit as demanding as being an accountant or a lawyer. You were providing a customer with a service, and arguably, more people needed a travel agent than a lawyer. At least that was what I told myself as I watched more and more people start using the internet, and our relevance slowly dissipating.

This conference was about countering that trend.

The trip over had been uneventful. I was met at the airport and taken to the hotel where the conference was being held with several other delegates who had arrived on the same plane. I had mingled with several other delegates at the pre-conference get-together, including one whose name was Maryanne.

She was an unusual young woman, not the sort that I usually met, because she was the one who was usually surrounded by all the boys, the life of the party. In normal circumstances, I would not have introduced myself to her, but she had approached me. Why did I think that may have been significant? All of this ran through my mind, culminating in the last event on the highlight reel, the door bursting open, men rushing into my room, and then one of the policemen opened fire.

I replayed that last scene again, trying to see the face of my assailant, but it was just a sea of men in battle dress, bulletproof vests and helmets, accompanied by screaming and yelling, some of which I identified as “Get on the floor”.

Then came the shot.

Why ask me to get on the floor if all they were going to do was shoot me? I was putting my hands up at the time, in surrender, not reaching for a weapon.

Then I saw the face again, hovering in the background like a ghost. My mother. Only the hair was different, and her clothes, and then the image was going, perhaps a figment of my imagination brought on by pain-killing drugs. I tried to imagine the scene again, but this time it played out without the image of my mother.

I opened my eyes and took stock of my surroundings. What I felt in that exact moment couldn’t be described. I should most likely be dead, the result of a gunshot wound. I guess I should be thankful the shooter hadn’t aimed at anything vital, but that was the only item on the plus side.

I was in a hospital room with a policeman by the door. He was reading a newspaper and sitting uncomfortably on a small chair. He gave me a quick glance when he heard me move slightly, but didn’t acknowledge me with either a nod or a greeting, just went back to the paper.

If I still had a police guard, then I would still be considered a suspect. What was interesting was that I was not handcuffed to the bed. Perhaps that only happened in TV shows. Or maybe they knew I couldn’t run because my injuries were too serious. Or the guard would shoot me long before my feet hit the floor. I knew the police well enough now to know they would shoot first and ask questions later.

On the physical side, I had a large bandage over the top left corner of my chest, extending over my shoulder. A little poking and prodding determined the bullet had hit somewhere between the top of my rib cage and my shoulder. Nothing vital there, but my arm might be somewhat useless for a while, depending on what the bullet hit on the way in or through.

It didn’t feel like there were any broken or damaged bones.

That was the good news.

On the other side of the ledger, my mental state, there was only one word that could describe it. Terrified. I was looking at a murder charge and jail time, a lot of it. Murder usually had a long time in jail attached to it.

Whatever had happened, I didn’t do it. I know I didn’t do it, but I had to try to explain this to people who had already made up their minds. I searched my mind for evidence. It was there, but in the confused state brought on by the medication, all I could think about was jail, and the sort of company I was going to have.

I think death would have been preferable.

…

Half an hour later, maybe longer, I was drifting in and out of consciousness. A nurse, or what I thought was a nurse, came into the room. The guard stood, checked her ID card, and then stood by the door.

She came over and stood beside the bed. “How are you?” she asked, first in Italian, and when I pretended I didn’t understand, she asked the same question in accented English.

“Alive, I guess,” I said. “No one has come and told me what my condition is yet. You are my first visitor. Can you tell me?”

“Of course. You are very lucky to be alive. You will be fine and make a full recovery. The doctors here are excellent at their work.”

“What happens now?”

“I check you, and then you have another visitor. He is from the British Embassy, I think. But he will have to wait until I have finished my examination.”

I realised then she was a doctor, not a nurse.

…

My second visitor was a man, dressed in a suit, the sort of which I associated with the British Civil Service.  He was not very old, which told me he was probably a recent graduate on his first posting, the junior officer who drew the short straw.

The guard checked his ID but again did not leave the room, sitting back down and going back to his newspaper.

My visitor introduced himself as Alex Jordan from the British Embassy in Rome, and he had been asked by the Ambassador to sort out what he labelled a tricky mess.

For starters, it was good to see that someone cared about what happened to me.  But, equally, I knew the mantra, get into trouble overseas, and there is not much we can do to help you.  So, after that lengthy introduction, I had to wonder why he was here.

I said, “They think I am an international criminal by the name of Jacob Westerbury, whose picture looks just like me, and apparently, for them, it is an open and shut case.”  I could still hear the fragments of the yelling as the police burst through the door, at the same time telling me to get on the floor with my hands over my head.

“It’s not.  They know they’ve got the wrong man, which is why I’m here.  There is the issue of what had been described as excessive force, and the fact that you were shot had made it an all-around embarrassment for them.”

“Then why are you here?  Shouldn’t they be here apologising?”

“That is why you have another visitor.  I only took precedence because I insisted on speaking with you first.  I have come, basically, to ask you for a favour.  This situation has afforded us an opportunity.  We would like you to sign the official document, which basically indemnifies them against any legal proceedings.”

Curious.  What sort of opportunity was he talking about?  Was this a matter that could get difficult and I could be charged by the Italian Government, even if I wasn’t guilty, or was it one of those hush-hush type deals, you do this for us, we’ll help you out with that?  “What sort of opportunity?”

“We want to get our hands on Jacob Westerbury as much as they do.  They’ve made a mistake, and we’d like to use that to get custody of him if or when he is arrested in this country.  I’m sure you would also like this man brought into custody as soon as possible, so you will stop being confused with him.  I can only imagine what it was like to be arrested in the manner you were.  And I would not blame you if you wanted to get some compensation for what they’ve done.  But.  There are bigger issues in play here, and you would be doing this for your country.”

I wondered what would happen if I didn’t agree to his proposal.  I had to ask, “What if I don’t?”

His expression didn’t change.  “I’m sure you are a sensible man, Mr Pargeter, who is more than willing to help his country whenever he can.  They have agreed to take care of all your hospital expenses, refund the cost of the Conference, and travel.  I’m sure I could also get them to pay for a few days at Capri or Sorrento, if you like, before you go home.  What do you say?”

There was only one thing I could say.  Wasn’t it treason if you went against your country’s wishes?

“I’m not an unreasonable man, Alex.  Go do your deal, and I’ll sign the papers.”

“Good man.”

…

After Alex left, the doctor came back to announce the arrival of a woman, who had announced herself as the publicity officer from the Italian police. When she came into the room, she was not dressed in a uniform.

The doctor left after giving a brief report to the civilian at the door. I understood the gist of it: “The patient has recovered excellently, and the wounds are healing as expected. There is no cause for concern.”

That was a relief.

While the doctor was speaking to the civilian, I speculated on who she might be. She was young, not more than thirty, conservatively dressed, so an official of some kind, but not necessarily with the police. Did they have prosecutors? I was unfamiliar with the Italian legal system.

She had long, wavy black hair and the sort of sultry looks of an Italian movie star, and her presence made me more curious than fearful, though I couldn’t say why.

The woman then spoke to the guard, and he reluctantly got up and left the room, closing the door behind him. She checked the door and then came back towards me, standing at the end of the bed. Now alone, she said, “A few questions before we begin.” Her English was only slightly accented. “Your name is Jack Pargeter?”

I nodded. “Yes.”

“You are in Rome to attend the Travel Agents Conference at the Hilton Hotel?”

“Yes.”

“You attended a preconference introduction on the evening of the 25th, after arriving from London at approximately 4:25 pm.”

“About that time, yes. I know it was about five when the bus came to collect me, and several others, to take us to the hotel.”

She smiled. It was then that I noticed she was reading from a small notepad.

“It was ten past five to be precise. The driver had been held up in traffic. We have several witnesses who saw you on the plane, on the bus, at the hotel, and with the aid of closed-circuit TV, we have established you are not the criminal Jacob Westerbury.”

She put her notebook back in her bag and then said, “My name is Vicenza Andretti, and I am with the prosecutor’s office. I am here to formally apologise for the situation that can only be described as a case of mistaken identity. I assure you, it is not the habit of our police officers to shoot people unless they have a very strong reason for doing so. I understand that in the confusion of the arrest, one of our officers accidentally discharged his weapon. We are undergoing a very thorough investigation into the circumstances of this event.”

I was not sure why, but between the time I had spoken to the embassy official and now, something about letting them off so easily was bugging me. I could see why they had sent her. It would be difficult to be angry or annoyed with her.

But I was annoyed.

“Do you often send a whole squad of trigger-happy riot police to arrest a single man?” It came out harsher than I intended.

“My men believed they were dealing with a dangerous criminal.”

“Do I look like a dangerous criminal?” And then I realised if it was mistaken identity, the answer would be yes.

She saw the look on my face and said quietly, “I think you know the answer to that question, Mr Pargeter.”

“Well, it was overkill.”

“As I said, we are very sorry for the circumstances you now find yourself in. You must understand that we honestly believed we were dealing with an armed and dangerous murderer, and we were acting within our mandate. My department will cover your medical expenses and any other amounts for the inconvenience this has caused you. I believe you were attending a conference at your hotel. I am very sorry, but given the medical circumstances you have, you will have to remain here for a few more days.”

“I guess, then, I should thank you for not killing me.”

Her expression told me that was not the best thing I could have said in the circumstances.

“I mean, I should thank you for the hospital and the care. But a question or two of my own. May I?”

She nodded.

“Did you catch this Jacob Westerbury character?”

“No. In the confusion created by your arrest, he escaped. Once we realised we had made a mistake and reviewed the closed-circuit TV, we tracked him leaving by a rear exit.”

“Are you sure it was one of your men who shot me?”

I watched as her expression changed to one of surprise.

“You don’t think it was one of my men?”

“Oddly enough, no. But don’t ask me why.”

“It is very interesting that you should say that, because in our initial investigation, it appeared none of our officers’ weapons had been discharged. A forensic investigation into the bullet tells us it was one that is used in our weapons, but…”

I could see their dilemma.

“Have you any enemies that would want to shoot you, Mr Pargeter?”

That was absurd because I had no enemies, at least none that I knew of, much less anyone who would want me dead.

“Not that I’m aware of.”

“Then it is strange, and will perhaps remain a mystery. I will let you know if anything more is revealed in our investigation.”

She took an envelope out of her briefcase and opened it, pulling out several sheets of paper.

I knew what it was. A verbal apology was one thing, but a signed waiver would cover them legally. They had sent a pretty girl to charm me. Perhaps using anyone else would not have worked. There was potential for a huge litigation payout here, and someone more ruthless would jump at the chance of making a few million out of the Italian Government.

“We need a signature on this document,” she said.

“Absolving you of any wrongdoing?”

“I have apologised. We will take whatever measures are required for your comfort after this event. We are accepting responsibility for our actions and are being reasonable.”

They were. I took the pen from her and signed the documents.

“You couldn’t add dinner with you on that list of benefits?” No harm in asking.

“I am unfortunately unavailable.”

I smiled. “It wasn’t a request for a date, just dinner. You can tell me about Rome, as only a resident can. Please.”

She looked me up and down, searching for the ulterior motive. When she couldn’t find one, she said, “We shall see once the hospital discharges you in a few days.”

“Then I’ll pencil you in?”

She looked at me quizzically. “What is this pencil me in?”

“It’s an English colloquialism. It means maybe. As when you write something in pencil, it is easy to erase it.”

A momentary frown, then recognition and a smile. “I shall remember that. Thank you for your time and cooperation, Mr Pargeter. Good morning.”

…

© Charles Heath 2015-2021

The cinema of my dreams – It all started in Venice – Episode 10

Could Juliet be slightly jealous?

…

I got back to the hotel just before Cecilia was leaving.  She was wearing what I would call her party clothes, something that left little to the imagination, but not different from the many others trying to be noticed.

I had thought of using the analogy that she was going to be a single tree in a forest of similar trees, but it was probably something she already knew.

And a pity she felt she needed to make such an entrance just to be noticed, and probably to some, for all the wrong reasons.  At least she was gaining experience for what I called her day job.

“I’ll be back to make an impression on your friend,” she said.

She didn’t need to say anymore.  Impression would be an understatement.  But it might, quite literally, shake the trees to see what falls out.

A half-hour later there was a light rapping on my door.  I was not expecting any visitors, so it could be one of three options, Cecilia was back early or changed her mind though I seriously doubted it, or Juliet was being pre emotive, or perhaps it was just one of the hotel staff.

Whomever it was, I made the necessary preparations, just like in the old days, and opened the door.  There was always that moment of unpreparedness, that someone would come crashing through the door and take you by surprise.

Happened once, not again.

“Juliet.”  More a statement than a question, it should not be a surprise but it was.

She had dressed for dinner, not as Cecilia would, but she had made an effort.  Had Cecilia made that happen?

And yet the first question to come to mind is, “How did you know I was here?”

“Simple, I saw you go into this room.  It had to be either you, or the girl, so I made a choice.  I was not sure what I was going to do or say if I was wrong.”

“It wouldn’t bother Cecilia.  She and I, were just old friends.”

“Like us?”

“Are we old friends.  It seems to me that we had something else back then, for a brief time, until I had to go back.”

“You never did explain what happened to you.”

“No, and the less said about it the better.  I was young and stupid, like all men of that age, and I cheated death.  I was lucky, very lucky, and, I might add, very lucky too that you were my doctor.”

“May I come in?”

Standing in the passage discussing personal matters might have been more embarrassing for her than for me.  I stood to one side and let her pass.  There was no fount in my mind she had a device that was sending our conversation back to Larry.

There would be questions, probing for the truth.  Who I was, what I did, where I’d been.  Now, or over dinner, it was her task

I closed the door and leaned against it.

I had to ask, “What are you doing here?”

A puzzled look came over her face, surprised perhaps I’d be that direct in asking.

“I thought you asked me to dinner.”

“I did.”

“We’re you just asking for the sake of asking?”  There was a tinge of disappointment in her tone.

“No.  I thought dinner would be good since Cecilia is out there promoting herself. She asked me to come along and see what it is like, but it’s too near the limelight for me.”

“Do you and her have a thing?”

I’m not sure what ‘a thing’ meant.  “If you mean, a romantic attachment, no.  It’s too soon after Angelina’s death.  I may never get over it, but Cecilia popped up and said she was coming and she’s good fun.  And being seen with her makes me look good for an over-the-hill retiree.”

That might make it reasonably clear if she wanted to push this to another level it wasn’t going ti work.  Larry would be disappointed.  It would be interesting to see what she had as a plan B.

“You’re not that old, just out of practice, but I get it.  That doesn’t mean we can’t have dinner.”

“No, it does not.”

I thought about taking her to the hotel restaurant, but in the end opted for a long walk to St Mark’s square, one where a band was playing Rogers and Hammerstein musical songs.

The distance between us wasn’t physical, she was right beside me, so close I could have reached out and taken her hand in mine, it was the thought of her duplicity.

If she told me what was happening, I would have tried very hard to get her out of the predicament and take away Larry’s perceived advantage.

I hadn’t activated the scrambler, so Larry was no doubt listening in, but the conversation wouldn’t be all that informative.  I spoke about Venice, deliberately, and of Angelina.  Larry could make of that whatever he wanted.

At the restaurant we sat near to the orchestra, to help obfuscate the sound, and opposite each other.  She was drinking champagne; I was having a beer.

“So, what have you been doing with yourself since I last met you?”

It begins.

…

© Charles Heath 2022

A photograph from the inspirational bin – 24

When I first saw it I thought it was an old country estate, converted and expanded into a golf clubhouse.

It wasn’t.  It is a purpose-built clubhouse and function center for corporate seminars and wedding receptions, as well as catering to the golfer, and golf tournaments.

20200215_100153

It also has a very good outlook over the golf course.

But, in my writer’s mind, this will provide inspiration for a story that could be set in a large country house,  with the central tower and lookout featuring in what might be a grisly death, and a group of guests who have gathered together to enact a mock murder that turns out to be very real.

Yes, the idea has been done to death over many many years, but I have a few new twists in mind.

Stay tuned.

Top 5 sights on the road less travelled – Oslo

Oslo’s Quiet Gems: 5 Distinctive Attractions That Skip the Tourist Crowds

Oslo is a city defined by breathtaking fjords, modern architectural marvels, and world-class museums. While favourites like the Opera House and the bustling Vigeland Sculpture Park deserve their accolades, sometimes the best travel memories are forged in the quiet corners—those distinctive spots overlooked by the masses.

If you are seeking authenticity, tranquillity, and attractions that offer a truly unique Norwegian flavour without the elbow-to-elbow experience, put down the guidebook and follow our list.

Here are five distinctive Oslo attractions where you can slow down and savour the discovery.


1. Ekebergparken (Ekeberg Sculpture Park)

While Oslo has many incredible viewpoints, few combine panoramic vistas with world-class contemporary art quite like Ekebergparken. Located on the hillside southeast of the city centre, this park is less of a museum and more of an experience.

What Makes it Distinctive? The park features works by international greats like James Turrell, Marina Abramović, and Louise Bourgeois, cleverly integrated into the natural forest landscape. Beyond the art, the site itself is historically significant, featuring ancient rock carvings and WWII bunkers. Critically, these park trails offer one of the best and least crowded settings for capturing the iconic view immortalised in Edvard Munch’s “The Scream.”

Why It’s Uncrowded: It requires a short tram ride up the hill (Line 18 or 19 to Ekebergparken stop), which deters many tourists from sticking solely to the central harbour area.


2. The Emanuel Vigeland Mausoleum

Prepare yourself for a truly unique, slightly macabre, and deeply rewarding experience. While Gustav Vigeland’s towering statues draw millions, his highly eccentric brother Emanuel created a private, haunting masterpiece—his own mausoleum and final resting place.

What Makes it Distinctive? The entire interior of the small, unmarked structure is a dark, barrel-vaulted room adorned with frescoes collectively titled Vita (Life). The ceiling-to-floor artwork depicts dramatic, often heavy themes of human life, death, and sexuality. The atmosphere is deliberately intense: the lights are kept very low, and the acoustics are so sensitive that a caretaker politely requests silence to enhance the feeling of solemn isolation.

Why It’s Uncrowded: It has extremely limited opening hours (usually Sunday afternoons only), making it challenging to visit—which is exactly why it remains a hidden gem for dedicated travellers.


3. Hovedøya Island (The Main Island)

For an immediate escape from city life, hop on a short ferry ride (Boat B1, B2, B3, or B4) from Aker Brygge and head to Hovedøya, the largest and most historically rich island in the Oslo Fjord.

What Makes it Distinctive? Hovedøya offers a perfect blend of lush nature, bathing spots, and fascinating ruins. Within minutes of arriving, you can explore the preserved Cistercian monastery ruins dating back to 1147. Later, the island served as a military base, and you can still find remnants of old defensive structures. Wander the trails, enjoy a picnic by the water, or simply study the medieval stone walls, all while enjoying the crisp fjord air.

Why It’s Uncrowded: While popular with Oslo locals in the height of summer, international tourists often overlook the entire island system in favour of mainland attractions. The short boat journey feels like a genuine adventure but keeps the large tour groups away.


4. Damstredet and Telthusbakken

While Oslo is a modern capital, pockets of its wooden house past remain beautifully preserved. A short walk uphill from the central areas of the city brings you to the charming, picturesque streets of Damstredet and Telthusbakken.

What Makes it Distinctive? These two winding cobblestone streets feel like stepping into a storybook. Lined with perfectly maintained, brightly colored wooden houses from the 18th and 19th centuries, the whole atmosphere speaks of quiet history. Damstredet in particular offers splendid photo opportunities and a glimpse into how many Oslo residents lived before the major urban modernisation programs.

Why It’s Uncrowded: This attraction is purely residential and free. It requires no ticket and isn’t featured on organised group tours. It’s a perfect addition to a self-guided walking tour between the city centre and the tranquil Vår Frelser Cemetery (another quiet spot worth stopping at).


5. The Tøyen Botanical Garden (Botanisk Hage)

Located just outside the buzzing central districts in the Tøyen neighbourhood, Oslo’s Botanical Garden is a serene and scientifically significant outdoor museum that most tourists walk right past on their way to the newer attractions.

What Makes it Distinctive? Managed by the Natural History Museum, the garden is Norway’s oldest and most diverse living collection. Visitors can explore various climate zones within the beautiful Palm House and the Victoria House (home to massive water lilies). The highlight is often the peaceful Scent Garden, designed specifically for the visually impaired, and the historic Old Garden, showcasing plants used for food and medicine throughout Norwegian history.

Why It’s Uncrowded: Despite its beauty and central location near the Munch Museum, the garden offers ample space and shaded trails, meaning the large foot traffic in the area quickly dissipates once you enter the gates. It’s a perfect green lung for contemplation.


Seeking the Authentic Oslo

By prioritizing these five distinctive, yet uncrowded, locations, you gain a deeper understanding of Oslo’s rich history, its commitment to art integration, and the beautiful relationship Norwegians have with their surrounding nature.

Skip the queue, find your quiet corner, and enjoy the authentic pulse of this incredible Nordic capital.


Have you discovered a quiet spot in Oslo that you love? Share your hidden gem in the comments below!

Top 5 sights on the road less travelled – Dublin

Escape the Crowds: Dublin’s Top 5 Hidden Gem Attractions

Dublin is a city of undeniable charm, buzzing with energy, history, and a legendary pub scene. While iconic spots like the Guinness Storehouse, Trinity College, and Dublin Castle are must-sees, they often come with lengthy queues and shoulder-to-shoulder crowds.

But what if you long for a taste of authentic Dublin culture and history without the tourist rush?

Luckily, the Irish capital is brimming with distinctive features tucked away in quieter corners. We’ve compiled a list of the top five visitor attractions in Dublin that offer unique experiences, fascinating stories, and, best of all, a peaceful respite from the throngs.


1. The Chester Beatty Library

Nestled within the walls of Dublin Castle (but often overlooked by those rushing to the main courtyard), the Chester Beatty is a true global treasure. This museum and library holds the collected works of Sir Alfred Chester Beatty, one of the greatest collectors of the 20th century.

Why it’s distinctive: This isn’t just a collection of old books. You’ll find exquisite manuscripts, rare books, miniature paintings, and decorative arts from across Asia, the Middle East, North Africa, and Europe. It houses some of the world’s most important holdings of Islamic, East Asian, and Western printed materials.

The Quiet Factor: While the Dublin Castle grounds can be busy, the library itself offers a tranquil, dimly lit haven perfect for quiet reflection. Best of all? Admission is free. Don’t forget to visit the rooftop garden café for stunning views over the city.

2. The Dublin Writers Museum (Temporarily Closed – See Alternative Below)

Note: While the original Dublin Writers Museum building is currently closed for relocation, the spirit of literary Dublin is still alive and accessible in less-crowded formats.

The Alternative: The Museum of Literature Ireland (MoLI)

Located in UCD’s stately Newman House on St. Stephen’s Green, MoLI is a beautiful, modern museum dedicated to the rich tapestry of Irish writing, from James Joyce to contemporary voices.

Why it’s distinctive: Set in the beautiful historic home where literary giants like Gerard Manley Hopkins and James Joyce once studied, MoLI offers interactive displays, beautiful exhibitions (including the original ‘Copy No. 1’ of Joyce’s Ulysses), and stunning period rooms.

The Quiet Factor: While popular with writers and literature lovers, MoLI rarely reaches the peak capacity of the larger city museums. It offers spacious exhibition rooms and one of the finest cultural gift shops in the city. The tranquil, hidden courtyard garden is a perfect spot to enjoy a coffee and escape the city noise.

3. Richmond Barracks, Inchicore

Stepping slightly outside the immediate city centre opens up historical venues of immense importance. Richmond Barracks, located in the Inchicore area, offers a deep dive into pivotal moments of Irish history, particularly the 1916 Easter Rising.

Why it’s distinctive: This site served as the primary holding place for over 3,000 men arrested after the 1916 Rising. It was here that Pádraig Pearse and the other executed leaders were court-martialed. Today, it operates as a heritage centre and a community hub, offering moving and highly informative tours detailing the barracks’ role through the centuries, including its post-independence use as housing for local families.

The Quiet Factor: Because it requires a short tram ride (the Luas Red Line to Suir Road), it naturally filters out the casual tourist crowd. You’ll likely enjoy a small, intimate guided tour that allows for detailed questions and reflection.

4. The Marsh’s Library

For those who crave the smell of old paper and the feeling of stepping back in time, Marsh’s Library is an essential visit. Dating back to 1707, it is one of the oldest public libraries in Ireland.

Why it’s distinctive: This library remains virtually unchanged since it opened its doors in the early 18th century. It features beautiful dark oak bookcases, wire cages (used to prevent the theft of valuable texts), and over 25,000 rare and fascinating books. You can walk the very aisles where writers like Bram Stoker and James Joyce once studied.

The Quiet Factor: Tucked away behind St. Patrick’s Cathedral, Marsh’s charges a small entrance fee, which helps keep visitor numbers manageable. The atmosphere is hushed and reverential—it’s an ideal place to spend an hour truly absorbing Dublin’s intellectual history without jostling for space.

5. The Botanic Gardens (National Botanic Gardens of Ireland)

While not entirely undiscovered, Dublin’s National Botanic Gardens in Glasnevin offers such a vast, sprawling space that crowds simply melt away amongst the lush greenery.

Why it’s distinctive: Spread across nearly 50 acres, the gardens feature stunning Victorian glasshouses (including the curvilinear range designed by Richard Turner), extensive plant collections, a tranquil arboretum, and historically significant grounds. It’s an essential centre for conservation and research.

The Quiet Factor: Located a short bus ride north of the city centre (near the Glasnevin Cemetery, another excellent, quiet spot), the gardens provide endless walking paths, hidden benches, and quiet corners. You can easily spend an entire afternoon wandering the grounds and enjoying the peace, particularly once you move past the main entrance and glasshouses.


Trade the Noise for Narrative

Dublin’s biggest attractions tell a powerful story, but sometimes the best narratives are found off the beaten path. By seeking out these quieter, distinctive attractions, you can enjoy a more personal, profound, and peaceful encounter with the heart and history of the Irish capital. Happy Exploring!

The cinema of my dreams – It all started in Venice – Episode 9

Watching the watchers

…

My day’s entertainment was spotting the surveillance and then watching the surveillance.  It was an aspect of my job that was really strange, but it was important to keep an eye on your enemies, if only to be ready for the unexpected.

I didn’t expect anything to happen, for the time being, taking Larry at his word that, for some reason, he needed Juliet to win my trust before he made an approach.

And yet there was always an air of unpredictability in these matters, so I decided that if the opportunity arose, I’d surprise him.  In any case, I had a feeling Larry might get impatient and arrive with a small army before too long.

The librarian, to all those who didn’t know who she was, was the quintessential librarian on holiday.  She was very much a loner, who was quite capable of appearing like a lost schoolgirl on one hand, and someone very much at home, and at ease, in her environment.

She also had an air of danger about her, so she would be when push came to shove, a formidable opponent.

I couldn’t say the same for the Frenchman because there were times, I didn’t quite believe he was anything other than an abrasive Frenchman.  The only thing that kept me interested was the fact I couldn’t shake him.

I’d managed to lose the librarian several times, long enough to observe her, before I let her find me again.  Until the last time when she lost me, I came up behind her.

I’m not sure what I was thinking, but surprise often brought out a person’s true character.

When she turned around, his sixth sense finally kicking in, she jumped

“We have to stop meeting like this,” I said.

“We haven’t met before.”

“You were at the hotel this morning, and I got an icy look from you just before you left.  From them 9n, every time I turn around, there you are.”

“Coincidence, I assure you.”

“I hope so, because I cannot for the life of me wonder what your interest could be in me.”

“None.”

“Are you staying at the hotel?”

There had to be a point where. If she was a normal person, she would find this encounter creepy, and begin to think I was a stalker.  Not so far, which meant that she hadn’t time to formulate the proper response to our first meeting, outrage. Or at least genuine fear.

She had fallen back on training, training that I was familiar with.  The question then was, she might not be working for Larry, but Rodby.

“I can’t see that it’s any of your business.”

“Well or might be.  If you are a tourist, I live here, and know the city well, and could be at the very least an English-speaking guide.”

“I’m not in need of a guide.  I’m only here a few days and talking to you is wasting time.  If you’re following me, don’t.”

A last look up and down, definitely checking out what sort of threat I was, she then wandered off, cool and calm demeanor reacquired.

And, I thought, cover blown.  One down and one to go.

It might have been disconcerting to fund the Frenchman and Juliet having coffee at a small Cafe opposite a church on one of the wider streets in Venice.

After running into the librarian in St Mark’s square, I decided to walk a large circuitous route to Rio Terra Foscarini, at the end of which was a church and a Vaporetto terminal.

I was at the top of Campo Morosini, and saw them before they saw me, which left me with two options.  Crash the party, or leave them alone.  The latter seemed the best idea, and I doubled back and decided to check out the film festival events for the days.

Something else, which might be a worry, I had noticed the Frenchman had stopped following me.  At least now I knew who she was working for.

Changing my mind again, I decided to go home and contemplate my next meeting with Juliet.

Waiting, not far from the doorstep, was Alfie.

“Knew you’d get around to coming home sometime today.  How are you?”

“Confused.”

“Well, that’s not a good state to be in.”

I opened the door and let him pass in front of me.  A quick look to see if anyone was watching, there was no one that I could see, then closed the door.

If only that could shut out all the problems.

“Why are you confused?”

“Has Rodby put another dog on my tail?”

“You mean that woman you accosted in the souvenir shop?  Not aware of one, but you know Rodby, trusts no one and tells you only what he thinks you want to hear.”

So Alfie was not above telling me lies.  Or maybe he didn’t know, but I found that hard to believe.  And it was disconcerting to learn he knew of my every movement.  Was her surveilling me too, or just tracking me.  And how did he know about the librarian?

“She’s just one of two keeping an eye on me.  The other is a Frenchman, and I just saw him and Juliet having coffee.”

“Details.  What’s your plan for tonight?  You should be taking Cecilia.”

“She’s busy.”

“Not that busy that our affairs cone first.”

“It’s not that important.  I’m sure when she’s finished, she’ll be crashing the party.  But, in any case, there is no plan.  I’m not sure whether I want to interrogate her, or just play along.  Where’s Larry?”

“Still in Sorrento.”

“You will tell me the moment he leaves?”

“Of course.  If you want me to take care of the woman and the Frenchman, let me know.”

“Won’t that alert Larry that we’re on to him?”

“Possibly, but people disappear here all the time.”

“I don’t think we need to be that drastic.  Yes.  Let’s see what happens tonight.”

“Have fun then “

I was not sure who I had to worry about the most.  Rodby or Larry.  They both seemed overly obsessive.

…

© Charles Heath 2022

Top 5 sights on the road less travelled – Dublin

Escape the Crowds: Dublin’s Top 5 Hidden Gem Attractions

Dublin is a city of undeniable charm, buzzing with energy, history, and a legendary pub scene. While iconic spots like the Guinness Storehouse, Trinity College, and Dublin Castle are must-sees, they often come with lengthy queues and shoulder-to-shoulder crowds.

But what if you long for a taste of authentic Dublin culture and history without the tourist rush?

Luckily, the Irish capital is brimming with distinctive features tucked away in quieter corners. We’ve compiled a list of the top five visitor attractions in Dublin that offer unique experiences, fascinating stories, and, best of all, a peaceful respite from the throngs.


1. The Chester Beatty Library

Nestled within the walls of Dublin Castle (but often overlooked by those rushing to the main courtyard), the Chester Beatty is a true global treasure. This museum and library holds the collected works of Sir Alfred Chester Beatty, one of the greatest collectors of the 20th century.

Why it’s distinctive: This isn’t just a collection of old books. You’ll find exquisite manuscripts, rare books, miniature paintings, and decorative arts from across Asia, the Middle East, North Africa, and Europe. It houses some of the world’s most important holdings of Islamic, East Asian, and Western printed materials.

The Quiet Factor: While the Dublin Castle grounds can be busy, the library itself offers a tranquil, dimly lit haven perfect for quiet reflection. Best of all? Admission is free. Don’t forget to visit the rooftop garden café for stunning views over the city.

2. The Dublin Writers Museum (Temporarily Closed – See Alternative Below)

Note: While the original Dublin Writers Museum building is currently closed for relocation, the spirit of literary Dublin is still alive and accessible in less-crowded formats.

The Alternative: The Museum of Literature Ireland (MoLI)

Located in UCD’s stately Newman House on St. Stephen’s Green, MoLI is a beautiful, modern museum dedicated to the rich tapestry of Irish writing, from James Joyce to contemporary voices.

Why it’s distinctive: Set in the beautiful historic home where literary giants like Gerard Manley Hopkins and James Joyce once studied, MoLI offers interactive displays, beautiful exhibitions (including the original ‘Copy No. 1’ of Joyce’s Ulysses), and stunning period rooms.

The Quiet Factor: While popular with writers and literature lovers, MoLI rarely reaches the peak capacity of the larger city museums. It offers spacious exhibition rooms and one of the finest cultural gift shops in the city. The tranquil, hidden courtyard garden is a perfect spot to enjoy a coffee and escape the city noise.

3. Richmond Barracks, Inchicore

Stepping slightly outside the immediate city centre opens up historical venues of immense importance. Richmond Barracks, located in the Inchicore area, offers a deep dive into pivotal moments of Irish history, particularly the 1916 Easter Rising.

Why it’s distinctive: This site served as the primary holding place for over 3,000 men arrested after the 1916 Rising. It was here that Pádraig Pearse and the other executed leaders were court-martialed. Today, it operates as a heritage centre and a community hub, offering moving and highly informative tours detailing the barracks’ role through the centuries, including its post-independence use as housing for local families.

The Quiet Factor: Because it requires a short tram ride (the Luas Red Line to Suir Road), it naturally filters out the casual tourist crowd. You’ll likely enjoy a small, intimate guided tour that allows for detailed questions and reflection.

4. The Marsh’s Library

For those who crave the smell of old paper and the feeling of stepping back in time, Marsh’s Library is an essential visit. Dating back to 1707, it is one of the oldest public libraries in Ireland.

Why it’s distinctive: This library remains virtually unchanged since it opened its doors in the early 18th century. It features beautiful dark oak bookcases, wire cages (used to prevent the theft of valuable texts), and over 25,000 rare and fascinating books. You can walk the very aisles where writers like Bram Stoker and James Joyce once studied.

The Quiet Factor: Tucked away behind St. Patrick’s Cathedral, Marsh’s charges a small entrance fee, which helps keep visitor numbers manageable. The atmosphere is hushed and reverential—it’s an ideal place to spend an hour truly absorbing Dublin’s intellectual history without jostling for space.

5. The Botanic Gardens (National Botanic Gardens of Ireland)

While not entirely undiscovered, Dublin’s National Botanic Gardens in Glasnevin offers such a vast, sprawling space that crowds simply melt away amongst the lush greenery.

Why it’s distinctive: Spread across nearly 50 acres, the gardens feature stunning Victorian glasshouses (including the curvilinear range designed by Richard Turner), extensive plant collections, a tranquil arboretum, and historically significant grounds. It’s an essential centre for conservation and research.

The Quiet Factor: Located a short bus ride north of the city centre (near the Glasnevin Cemetery, another excellent, quiet spot), the gardens provide endless walking paths, hidden benches, and quiet corners. You can easily spend an entire afternoon wandering the grounds and enjoying the peace, particularly once you move past the main entrance and glasshouses.


Trade the Noise for Narrative

Dublin’s biggest attractions tell a powerful story, but sometimes the best narratives are found off the beaten path. By seeking out these quieter, distinctive attractions, you can enjoy a more personal, profound, and peaceful encounter with the heart and history of the Irish capital. Happy Exploring!