Going home

Home has a great many different meanings, for me, and, I guess, a great many others.

Over a lifetime we have a lot of different homes, we tend not to stay in one place all our lives.

I know, for me, my first home was in Carrum, when I was very young, and I don’t remember much of it. My second home was Mordialloc, but, again, I don’t remember much of it either.

My next home was Dandenong, in not one house, but two, the first I spent my grade school years, the second, my secondary school years, and in between a short period in a country town called Berrigan.

Then, after getting married, I left that house where my parents continued to live for quite a few years, as we bounced around, from Burnley to North Dandenong, having been drawn back to where I used to live, then back home to my parents for a short period, and North Dandenong again.

It’s curious how we return to certain places to live, rather than consider another suburb say North or West.

Equally curious about how I tend to call going home, when traveling in Australia, not, as you would think, our home in Queensland, but where we used to live in Victoria. I guess that is because it’s my spiritual home.

People often as if we would return to Victoria, and the answer, of course, is no. We might have all our family there, but it is not enough of a pull to return. We are content just to come back once or twice a year.

For us, Melbourne had become too large a city, with all the problems that go with it. Brisbane has and will be for the rest of my lifetime, have much fewer traffic problems and the feel of being less urbanized. One thing I don’t miss about being in Melbourne is the traffic. It is horrendous, any time of the day and night.

But what would be good in Brisbane is the markets like those at Queen Victoria and South Melbourne. We have nothing like it.

And something else, rather more frivolous, Brisbane doesn’t have the same fish and chips, donuts, or spring rolls and dim sims. Every time we come down, those are the first things we get, even if we have to go out of our way.

Since we have arrived in Melbourne, we have done two out of the three. We have 6 more days here to do the third. And managed to visit most of our relatives. The reason we’re down here is the wedding of my wife’s brother’s daughter, and there we will meet the rest.

It’s market day…

These donuts are whole with jam injected into them and are delicious.  You cannot stop at one, which is why you get five.

There are like the donuts I used to get from the Dandenong market when I was a child.  Back then, nearly 60 years ago, I used to go every Tuesday to get fruit and vegetables, and sometimes clothes, because there were other stalls selling useful household items.

Back then we used to get donuts, and for a long time, I had never managed to get back when the market was open to relive those childhood memories.

This trip we do.

The Dandenong Market had changed considerably since the last time I remember it.  The building where my eldest son used to play basketball has been turned over to meat, fish, and food stalls.

It has spread to be about ten times the size it used to be, making it seem like a difficult task to find the donut van, but we entered by the right entrance and there it was.

And the donuts?

They were exactly as I remembered.

While we’re in the area we also make a trip to the Springvale market.  When I lived in Victoria there was no such market, this had only been around since the immigrant Vietnamese have made their home in Springvale, and in places, it reminds you of similar markets in Singapore, Hong Kong, or China.

It was a fascinating half-hour of wandering around almost feeling like you are somewhere in South East Asia.

With markets like these who would really need a supermarket?  And a bonus?  The street food.

Is there something wrong?

I asked myself that question when about 1000 odd words into a current short story, one that I continue to go back to, but found an initial reluctance to write, and now seems to be difficult to continue.

Is the reason because I don’t feel like writing, that I’ve written myself into a corner, the story isn’t flowing, or there’s something else I’d rather be doing…

Like, scouring the internet…

Working on writing some blog posts, like this one…

Checking my email…

Checking my other blogs to see how many people have viewed my recent posts,

Or just puddle with anything other than what I should be doing.

The thing is, I know where most of the stories are going, it’s just a matter of sitting down, picking up the threads, and writing. Certainly, I could be working on one or another right now.

But, something is nagging at me.

I thought it was that I wanted to write another Being Inspired piece, having the photo I wanted to use for inspiration in my head. I sat down this morning and started it, and got seven or eight paragraphs done, and then it was time to go down to breakfast.

Attention diverted.

I could have written more after breakfast, but that seemed to segue into a chat over coffee that ran into lunch. It’s odd how it seems there is so much to talk about.

Then it’s been one excuse after another that has kept me from picking up that story and running with it. I could do it now, but that reluctance remains.

Perhaps tomorrow.

For now, I’m going to work on some crosswords and see if that doesn’t inspire me, and if it doesn’t I could always have an early night.

It’s the same every time we go away, on the run all day doing touristy stuff, making notes for later on, on the run, and then getting back to the room exhausted. After all, there is so much to see and do.

Maybe I’ll just reflect on today and worry about it tomorrow, except…

We have an equally hectic day planned.

Maybe I’ll get that holiday from writing after all.

Searching for locations: The Paris Opera House, Paris, France

This was one of the more interesting experiences for the grandchildren as they were, as all young girls are, interested in ballet.

We thoroughly enjoyed our visit which included some time watching ballet practice.

I could not convince anyone to take the elevator back down to the ground floor as it was suspected we might be ‘attacked’ by the ‘phantom’.  Certainly, the elevator was very old and I think at the time it was being repaired.

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Part of the Grand Staircase in Palais Garnier Opera de Paris

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The ceiling above the main staircase.  The ceiling above the staircase was painted by Isidore Pils to depict The Triumph of Apollo, The Enchantment of Music Deploying its Charms, Minerva Fighting Brutality Watched by the Gods of Olympus, and The City of Paris Receiving the Plan of the New Opéra.

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The ceiling of Chagall at the Palais Garnier

On 23 September 1964, the new ceiling of the Opéra Garnier was inaugurated with great pomp.  It was painted by Marc Chagall at the request of André Malraux

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Amphitheatre and Orchestra Pit entrance

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Interior, and doorways to boxes

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Box seats in the auditorium

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Ornate ceilings and columns

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Seating inside the auditorium

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The day we were leaving Paris, was the first night of the Bolshoi Ballet.  My two granddaughters were greatly disappointed at missing out on the opportunity of a lifetime, to see the Bolshoi Ballet at the Paris Opera House.

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But we did get to see the principals practicing.

Oh, what a war! A review of 1917

It is hard to comprehend the scale and the effect the war to end all wars had on the men and women who fought in it.

Certainly, in the European sector, it was a nightmare in the trenches.

We Australians are no strangers to wars and have answered the call, first from the mother country, England, from the Boar war, through to world war two, and latterly the USA as a post-war ally.

But this is not about us.

This is about two ordinary men, two soldiers who are given a job, some think impossible.

They have to go over the top, through no man’s land, through enemy-held territory, ie, behind enemy lines, to warn another group of soldiers not to attack the front line in their sector, as it is a well-disguised trap the Germans have set.  What was it called, a strategic withdrawal by the Germans?

From the moment they went over the top, and out into the bleakest of landscapes, we spend all of the time waiting for something bad to happen.

And it does.

And your heart is literally in your mouth the whole time, just waiting for the next setback.

There are moments where the unrelenting suspense is broken by poignancy, revealing the depth of comradeship needed just to survive, and in an instant, how quickly that can disappear.

Then there is the scenes of a French town in ruins, and some who are barely existing there.  How could they with endless bombardment by a merciless enemy?  It shows the difference between the British and the Germans, one merciful, but often paying a very dear price for being so, and the other merciless in the extreme.

And then we reach an almost surreal end, where it felt like I’d been holding my breath for nearly two hours, and, at the same time, it didn’t feel all that long since it started.

It was an uplifting end after fighting against insurmountable odds.  If only half of what we saw was true then it’s surprising any man or woman came back from that war sane.

I give it a well deserved 5 stars.

 

Searching for locations: The Kingston Flyer, Kingston, New Zealand

The Kingston Flyer was a vintage train that ran about 14km to Fairlight from Kingston, at the southern end of Lake Wakatipu, and back.

This tourist service was suspended in December 2012 because of locomotive issues.

However, before that, we managed to go on one of the tours, and it was a memorable trip.  Trying to drink a cup of tea from the restaurant car was very difficult, given how much the carriages moved around on the tracks.

The original Kingston Flyer ran between Kingston, Gore, Invercargill, and sometimes Dunedin, from the 1890s through to 1957.

There are two steam locomotives used for the Kingston Flyer service, the AB778 starting service in 1925, and the AB795 which started service in 1927.

The AB class locomotive was a 4-6-2 Pacific steam locomotive with a Vanderbilt tender, of which 141 were built between 1915 and 1927 some of which by New Zealand Railways Addington Workshops.

No 235 is the builder’s number for the AB778

There were seven wooden bodied passenger carriages, three passenger coaches, one passenger/refreshments carriage and two car/vans.  The is also a Birdcage gallery coach.  Each of the rolling stock was built between 1900 and 1923.  They were built at either of Addington, Petone, or Hillside.

I suspect the 2 on the side means second class

The passenger coach we traveled in was very comfortable.

This is one of the guard’s vans, and for transporting cargo.

The Kingston Railway Station

and cafe.

A poster sign advertising the Kingston Flyer

The running times for the tourist services, when it was running.

More on the January update…

There is more going on on the story front, and just to keep my mind active, or tortured, as the case may be, there are a number of other stories I’m working on.

In particular, there is the story with the description, what happens after an action-packed start.

Quite a lot. In the third section of the story, episodes 31 to so far 44, we have flown into northern Nigeria, and then crossed into the Democratic Republic of the Congo, in search of two men being held to ransom.

Previous attempts to rescue them had failed, this one had to succeed. It’s a matter of dealing with local militias who are tricky to deal with and then get out of the country after affecting the rescue.

At times, while writing it, looking at a map and using google earth to see what it is like, I felt like I was there looking down the barrel of a gun, and then, in the helter-skelter of getting to the evacuation point, I’m sure my heart rate had lifted considerably.

Right now, they’re about to get on the plane, back in Nigeria, but there’s a wrinkle, the kidnappers and the army are not happy and are sending troops in by helicopter.

Just imagine this …

A DC3 versus a very maneuverable helicopter. Stay tuned.

Next is the surveillance story where nothing is as it seems, which in the espionage business is nothing unusual. Nor is the fact you cannot trust anyone.

It starts out as a routine surveillance operation until a shop front explodes a moment or two after the target passes it. In the ensuing mayhem, the target reappears, now in fear of his life, and our main character tracks him to an alley where he is murdered before his eyes.

Soon after the two men whom our main character is working for appearing and start asking questions that make our main character think that they had perpetrated a hit on him, and decides that something is not right.

From there, the deeper he probes, the more interesting the characters and developments. Who was the target? What was he doing that got him killed? What did he have that everyone wants?

I’m about to start on the next phase of this story…

Then there is what I call comic light relief, the writing of stories inspired by photographs I’ve taken. Some, however, have exceeded the 1,000-word limit that I’ve set, only because I want to explore the story more, and some are spread over a number of stories.

The first book of stories, 1 to 50 are to be published next month. Currently, I’m working on number 93 of the second volume of stories, but number 88 is my favorite so far, simply because it involves a starship.

 

 

The movie Dolittle

Never have so many waited so long for so …

I was going to say little, but that would do the movie injustice.

Dolittle, the umpteenth variation on the theme of talking to the animals is not all that bad, but my problem I think was that I couldn’t hear what Robert Downey Jr was saying most of the time.

It may have been the attempt to use a Welsh accent if there is such a thing, but perhaps his dialogue delivered with Iron Man force may have resolved that problem.

Perhaps it may have been the start that was the let down for me because it seemed slow and tedious without context.  We do learn why he was that way, later on, but the start needed something extra to drag us in.

Certainly, I liked all the animals, particularly the gorilla and the squirrel who took on the persona of a starship captain without the stardate.  These animals were also the children’s favorites too.

But we needed a bit more humor.

And whilst I realize this film is more for children, all in all, it was three stars out of five.

Come on Robert, you can do better than this.

A book review, “Life at the end of the Rainbow” by Jenny Andrews

Life at the end of the Rainbow, by Jenny Andrews

https://amzn.to/2Xbl4ZX

Poetry is like art, its beauty is in the eye of the beholder.

But, while art can be very subjective, poetry often has a special meaning, to both the writer and then the reader.  In turn, for each of us readers, a poem will have a different meaning, some will see what it represents, and others may not.

And, whilst I have not read a lot of poetry over the years, that changed recently when I subscribed to several blogs and discovered this whole new class of literature.

This view was strengthened when I came across a volume of poems by Jenny Andrews, titled Life at the End of the Rainbow.

For me, each poem is an insight into an extraordinary life, where the author sometimes lays bare those raw emotions, which, at times, we will find ourselves drawing parallels.

In a sense, I think we have all been to this mythical place called, The End of the Rainbow, and sometimes need a gentle reminder that it took a lot of ups and downs to get there.

This is, to my mind, a remarkable piece of work.

I, for one, can’t wait to see what the next stage of the journey will be.

 

And yet another Star Wars

Yes, we succumbed and went to the cinema to see the final chapter.

But, Disney on a winner, will it be?

However…

What was I expecting?

A mega weapon in the hands of the bad guys that can destroy planets.  Tick.

The bad guys amassing to destroy the resistance.  Tick.

The last of the resistance amassing to take on the bad guys in a battle they can’t win.  Tick.

The fate of everything put on the shoulders of the Last Jedi.  Tick.

A bad Jedi versus a good Jedi.  Tick.

And, of course, the bad Jedi trying to turn the good Jedi to the dark side.  Tick.

It doesn’t matter what we call the bad guys, whether it’s the Empire, the First Order or the Last Order.  They’re all going to lose; we know that before we stepped into the cinema.  It’s what we came to see.

The internal struggle within those who are the Jedi provides some deep thought-provoking moments along the way, but this ever-pervasive sense of doom and gloom is overshadowed, and sometimes counter-balanced by the comic light relief that the robots, sorry droids, provide.

And the fact no one really dies.  The physical version might disappear, but they always come back, glowing, and with all of their powers somehow still intact.  I’m still trying to wrap my head around that one.

Along with the fact that only the magic of the movies could bring back someone who had died years before, and appear so lifelike.

There were surprised, and a few of my assumptions were dashed, but it was worth it, despite some of the negatives I’ve read about it.  Could it be longer and flesh out some of the disjointed plot lines, maybe, but 140 minutes was long enough for me.

Long enough to prove that good will always triumph over evil.

But I do have one question; going back to the days of old westerns where you could always tell the bad guys because they always wore black; why were the empire/first/last order stormtroopers always in white?