An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her Sargeant was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

The cinema of my dreams – I never wanted to go to Africa – Episode 4

How did I get into this mess in the first place?

I had a few moments for reflection…

…

When I opened my eyes, it was a revelation that I was still alive.

Whether or not I was still on one piece was not exactly the first thought that crossed my mind.

It was, oddly enough, how I got into this situation.

So, two days earlier…

Someone once told me it was not a good idea to ask your commander out to dinner. Not a date, just the fact you’d like to get to know her better.

Yes, my commanding officer was a woman.

I thought the dinner went well, we found some common ground, ice hockey, and baseball, albeit barracking for different teams.

Then, the next day when I went into ‘the office’, the operations officer called me aside.

“Who’d did you piss off?”

Good question, had I, and who? And asked, “You tell me.”

“Apparently the Commanding Officer. She asked me to put you on patrol, where nothing ever happens and it’s as boring as shit.”

Usually, I was in the front line, what they called in the army, cannon fodder. Some said I had a death wish.

I shrugged. “No doubt she has her reasons. I could think of worse assignments.”‘

“Well, till then you’re on standby. Make the most of it.”

Of course, the question I should be asking is why she had put me on patrol, where I was rostered for front line recovery.

When I got back to my quarters, I called her.

Her assistant answered, “The commanding officer is not available at the moment and has advised me that she will remain so for the next forty-eight hours.”

That was the end of the conversation.

How come she had not told me? Probably none of my business, but it was worrying.

…

© Charles Heath 2019-2021

“Trouble in Store” – Short stories my way: Character refinement

I have reworked the first part of the story with a few new elements about the characters and changed a few of the details of how the characters finish up in the shop before the policewoman makes her entrance.

This is part of the new first section is the one that involves Annalisa, and her boyfriend, Simmo:

 

Annalisa looked at the two men facing her.

Simmo, the boy on the floor, had told her that the shopkeeper would be a pushover, he was an old man who’d just hand over the drugs, rather than cause trouble for himself.

Where Simmo had discovered what the shopkeeper’s true vocation, dispensing drugs to the neighborhood addicts, she didn’t know, but it was not the first place like this they had visited.

She had always known Simmo had a problem, but he had assured her he had it under control.  Until a month ago, when he had tried something new.

It had changed him.

The breaking point came earlier that day when, seeing how sick he was, she threatened to leave.  It brought out the monster within him, and he threatened to kill her.  Not long after he had changed into a whimpering child pleading with her to stay, that he hadn’t meant anything he’d said before.

All he needed was one more ‘score’ to get his ‘shit’ together, and he would do as she asked, and find help.

She believed him.

He said he knew a place not far from the apartment, a small shop where what he needed was available, and said he had the money.

That should have been the first sign he was not telling the truth because she had been funding his habit until her parents cut off the money supply.  She suspected her father had put a private detective on to find her, had, and reported back, and rather than make a scene, just cut her off so she would have to come home or starve.  Her father was no better than Simmo.

And, as soon as they stepped into the shop, Simmo pulled out the gun,

Instead of the shopkeeper cowered like Simmo said he would, he had laughed at them and told them to get out.  Simmo started ranting and waving the gun around, then all of a sudden collapsed. 

There was a race for the gun which spilled out of Simmo’s hand, and she won. 

That was just before the customer burst into the shop.

It had been shortly before closing time.  Simmo had said there would be no one else around.

Wrong again.

Now she had another problem to deal with, a man who was clearly as scared shitless as she was.

This was worse than any bad hair day, or getting out of the wrong side of bed day, this was, she was convinced, the last day of her life.

She heard a strange sound come from beside her and looked down.  There was a trickle of blood coming out of his mouth and Simmo was making strange sounds like he was choking.

Any other time she might have been concerned, but the hard reality of it was, Simmo was never going to change.  She was only surprised at the fact it took so long for her to realize it.

As for the man standing in front of her, she was safe from the shopkeeper with him around, so he would have to stay.

“No.  Stay.”

Another glance at the shopkeeper told her she had made the right decision, his expression said it all.  Gun or no gun, the moment she was alone with him, he would kill her.

 

© Charles Heath 2016-2020

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modeled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I image back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

PIWalthJones1

An excerpt from “Strangers We’ve Become” – Coming Soon

I wandered back to my villa.

It was in darkness.  I was sure I had left several lights on, especially over the door so I could see to unlock it.

I looked up and saw the globe was broken.

Instant alert.

I went to the first hiding spot for the gun, and it wasn’t there.  I went to the backup and it wasn’t there either.  Someone had found my carefully hidden stash of weapons and removed them.

Who?

There were four hiding spots and all were empty.  Someone had removed the weapons.  That could only mean one possibility.

I had a visitor, not necessarily here for a social call.

But, of course, being the well-trained agent I’d once been and not one to be caught unawares, I crossed over to my neighbor and relieved him of a weapon that, if found, would require a lot of explaining.

Suitably armed, it was time to return the surprise.

There were three entrances to the villa, the front door, the back door, and a rather strange escape hatch.  One of the more interesting attractions of the villa I’d rented was its heritage.  It was built in the late 1700s, by a man who was, by all accounts, a thief.  It had a hidden underground room which had been in the past a vault but was now a wine cellar, and it had an escape hatch by which the man could come and go undetected, particularly if there was a mob outside the door baying for his blood.

It now gave me the means to enter the villa without my visitors being alerted, unless, of course, they were near the vicinity of the doorway inside the villa, but that possibility was unlikely.  It was not where anyone could anticipate or expect a doorway to be.

The secret entrance was at the rear of the villa behind a large copse, two camouflaged wooden doors built into the ground.  I move aside some of the branches that covered them and lifted one side.  After I’d discovered the doors and rusty hinges, I’d oiled and cleaned them, and cleared the passageway of cobwebs and fallen rocks.  It had a mildew smell, but nothing would get rid of that.  I’d left torches at either end so I could see.

I closed the door after me, and went quietly down the steps, enveloped in darkness till I switched on the torch.  I traversed the short passage which turned ninety degrees about halfway to the door at the other end.  I carried the key to this door on the keyring, found it and opened the door.  It too had been oiled and swung open soundlessly.

I stepped in the darkness and closed the door.

I was on the lower level under the kitchen, now the wine cellar, the ‘door’ doubling as a set of shelves which had very little on them, less to fall and alert anyone in the villa.

Silence, an eerie silence.

I took the steps up to the kitchen, stopping when my head was level with the floor, checking to see if anyone was waiting.  There wasn’t.  It seemed to me to be an unlikely spot for an ambush.

I’d already considered the possibility of someone coming after me, especially because it had been Bespalov I’d killed, and I was sure he had friends, all equally as mad as he was.  Equally, I’d also considered it nigh on impossible for anyone to find out it was me who killed him because the only people who knew that were Prendergast, Alisha, a few others in the Department, and Susan.

That raised the question of who told them where I was.

If I was the man I used to be, my first suspect would be Susan.  The departure this morning, and now this was too coincidental.  But I was not that man.

Or was I?

I reached the start of the passageway that led from the kitchen to the front door and peered into the semi-darkness.  My eyes had got used to the dark, and it was no longer an inky void.  Fragments of light leaked in around the door from outside and through the edge of the window curtains where they didn’t fit properly.  A bone of contention upstairs in the morning, when first light shone and invariably woke me up hours before I wanted to.

Still nothing.

I took a moment to consider how I would approach the visitor’s job.  I would get a plan of the villa in my head, all entrances, where a target could be led to or attacked where there would be no escape.

Coming in the front door.  If I was not expecting anything, I’d just open the door and walk-in.  One shot would be all that was required.

Contract complete.

I sidled quietly up the passage staying close to the wall, edging closer to the front door.  There was an alcove where the shooter could be waiting.  It was an ideal spot to wait.

Crunch.

I stepped on some nutshells.

Not my nutshells.

I felt it before I heard it.  The bullet with my name on it.

And how the shooter missed, from point-blank range, and hit me in the arm, I had no idea.  I fired off two shots before a second shot from the shooter went wide and hit the door with a loud thwack.

I saw a red dot wavering as it honed in on me and I fell to the floor, stretching out, looking up where the origin of the light was coming and pulled the trigger three times, evenly spaced, and a second later I heard the sound of a body falling down the stairs and stopping at the bottom, not very far from me.

Two assassins.

I’d not expected that.

The assassin by the door was dead, a lucky shot on my part.  The second was still breathing.

I checked the body for any weapons and found a second gun and two knives.  Armed to the teeth!

I pulled off the balaclava; a man, early thirties, definitely Italian.  I was expecting a Russian.

I slapped his face, waking him up.  Blood was leaking from several slashes on his face when his head had hit the stairs on the way down.  The awkward angle of his arms and legs told me there were broken bones, probably a lot worse internally.  He was not long for this earth.

“Who employed you?”

He looked at me with dead eyes, a pursed mouth, perhaps a smile.  “Not today my friend.  You have made a very bad enemy.”  He coughed and blood poured out of his mouth.  “There will be more …”

Friends of Bespalov, no doubt.

I would have to leave.  Two unexplainable bodies, I’d have a hard time explaining my way out of this mess.  I dragged the two bodies into the lounge, clearing the passageway just in case someone had heard anything.

Just in case anyone was outside at the time, I sat in the dark, at the foot of the stairs, and tried to breathe normally.  I was trying not to connect dots that led back to Susan, but the coincidence was worrying me.

A half-hour passed and I hadn’t moved.  Deep in thought, I’d forgotten about being shot, unaware that blood was running down my arm and dripping onto the floor.

Until I heard a knock on my front door.

Two thoughts, it was either the police, alerted by the neighbors, or it was the second wave, though why would they be knocking on the door?

I stood, and immediately felt a stabbing pain in my arm.  I took out a handkerchief and turned it into a makeshift tourniquet, then wrapped a kitchen towel around the wound.

If it was the police, this was going to be a difficult situation.  Holding the gun behind my back, I opened the door a fraction and looked out.

No police, just Maria.  I hoped she was not part of the next ‘wave’.

“You left your phone behind on the table.  I thought you might be looking for it.”  She held it out in front of her.

When I didn’t open the door any further, she looked at me quizzically, and then asked, “Is anything wrong?”

I was going to thank her for returning the phone, but I heard her breathe in sharply, and add, breathlessly, “You’re bleeding.”

I looked at my arm and realized it was visible through the door, and not only that, the towel was soaked in blood.

“You need to go away now.”

Should I tell her the truth?  It was probably too late, and if she was any sort of law-abiding citizen she would go straight to the police.

She showed no signs of leaving, just an unnerving curiosity.  “What happened?”

I ran through several explanations, but none seemed plausible.  I went with the truth.  “My past caught up with me.”

“You need someone to fix that before you pass out from blood loss.  It doesn’t look good.”

“I can fix it.  You need to leave.  It is not safe to be here with me.”

The pain in my arm was not getting any better, and the blood was starting to run down my arm again as the tourniquet loosened.  She was right, I needed it fixed sooner rather than later.

I opened the door and let her in.  It was a mistake, a huge mistake, and I would have to deal with the consequences.  Once inside, she turned on the light and saw the pool of blood just inside the door and the trail leading to the lounge.  She followed the trail and turned into the lounge, turned on the light, and no doubt saw the two dead men.

I expected her to scream.  She didn’t.

She gave me a good hard look, perhaps trying to see if I was dangerous.  Killing people wasn’t something you looked the other way about.  She would have to go to the police.

“What happened here?”

“I came home from the cafe and two men were waiting for me.  I used to work for the Government, but no longer.  I suspect these men were here to repay a debt.  I was lucky.”

“Not so much, looking at your arm.”

She came closer and inspected it.

“Sit down.”

She found another towel and wrapped it around the wound, retightening the tourniquet to stem the bleeding.

“Do you have medical supplies?”

I nodded.  “Upstairs.”  I had a medical kit, and on the road, I usually made my own running repairs.  Another old habit I hadn’t quite shaken off yet.

She went upstairs, rummaged, and then came back.  I wondered briefly what she would think of the unmade bed though I was not sure why it might interest her.

She helped me remove my shirt, and then cleaned the wound.  Fortunately, she didn’t have to remove a bullet.  It was a clean wound but it would require stitches.

When she’d finished she said, “Your friend said one day this might happen.”

No prizes for guessing who that friend was, and it didn’t please me that she had involved Maria.

“Alisha?”

“She didn’t tell me her name, but I think she cares a lot about you.  She said trouble has a way of finding you, gave me a phone and said to call her if something like this happened.”

“That was wrong of her to do that.”

“Perhaps, perhaps not.  Will you call her?”

“Yes.  I can’t stay here now.  You should go now.  Hopefully, by the time I leave in the morning, no one will ever know what happened here, especially you.”

She smiled.  “As you say, I was never here.”

…

© Charles Heath 2018-2022

strangerscover9

In a word: will

Now that I’ve hit the age of 65, I now have to give some consideration to creating a will.

You know, that document that specifies which child gets what, or if you think any or all of them don’t deserve what’s left of the hard-earned millions, which cat or dog will inherit a fortune.

A will is both a reason for siblings or beneficiaries to kill to get a reward or the fact you have to make one so that the state doesn’t inherit your fortune.

This is only one use of the word.

Another might be that it’s possible to have something like the will to carry on.

Carry on what?

Life, a marriage, a business relationship.

Does it require will power, or is it a matter of where there’s a will there’s a way?

I will come over. I will turn up tomorrow.

In this sense, it is promoting futility.

Of course, seeing is believing.

And as a bit of self-serving advertising, I’m going to promote a new story, actually titled, The Will.

Inheritance can resolve monetary problems, and not only that, set one of the siblings up financially for life. All they have to do is wrest the family home from the dying fingers of a mother who had seen it all.

Into the mix comes the grandson, a man who sometimes is a son but mostly a grandson, someone who doesn’t fit in, who doesn’t want to follow family tradition, and who prefers to go to his grandmothers rather than going home to his family.

He is constantly appalled at his mother’s lack of respect for her mother and suddenly finds himself in the middle of a battle between his grandmother and her daughter, his mother, over the family estate.

Who will win?

That’s a question that will be answered when you read the book.

Betwixt metaphorical houses

It’s like working in two offices, one uptown, and one downtown.

I have two blogs, this one, and another which is purely for writing, and generally, a lot of starts and not a lot of finishes. I get ideas, and it’s a place to store them, and give a few people some amusement at my, sometimes, improbable situations and far-fetched stories.

Here I try to be more serious.

I have the ceiling, the cinema of my dreams. Here anything is possible, like jumping from a helicopter about to explode, and survive, and get out of a sinking ship, like Houdini. Of course, there is always one time when it doesn’t work, and Houdini knows that all too well.

Over there, I have a series which I started here, long ago, where I take a photograph and write a story inspired by it. The interesting thing about that is I could probably use the same photograph over and over, and it would inspire a different tale.

I know, if I was running a writing class, everyone would see that photograph differently.

But what amazes me sometimes is the fact the story is not directly related to the theme. It got me thinking about how we view our experiences, and what triggers memories. I’ve discovered that it doesn’t necessarily happen by correlation, say, for instance, a memory of being in New York might be triggered by a visit to a cafe in Cloncurry.

I try to do one of these every day, but sometimes it’s hard work. Writing itself can be some days, particularly when the words are lurking there, behind that invisible, impenetrable, rock wall.

OK, so I’m stuck in the middle of writing a piece over there, and I’ve come over here to whinge.

But, enough. I’ll let you know what the cinema of my dreams is showing, later.

The cinema of my dreams – I always wanted to write a war story – Episode 42

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination with what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

——

The Standartenfuhrer checked his gun and settled his nerves for an onslaught.  If they were going to die, then he was going to kill as many of them as he could.

He threw his hand pistol to Mayer.  “Shoot anything that comes in the door.”

Mayer fumbled the weapon, dropping it on the floor, then finding it hard, with cold hands, to pick it up.  Perhaps his life wasn’t sufficiently in danger to be more proactive.

The Standartenfuhrer shook his head.  Boffins were all the same.  The slightest threat and they went weak at the knees. And Mayer was no exception.

Mayer managed to get the gun into his hand.

“Don’t forget to turn off the safety.”

Mayer looked at the gun, and found the switch.

At the same time, another burst of gunfire ricocheted off the walls of the hut.  It was followed by a harsh order to stop firing, and save the ammunition for the enemy.  There was also a mutter about alerting the enemy, but that ship had sailed.

The soldiers seemed content to shoot randomly at the cabin, rather than check to see if anyone was inside, and soon the sounds of men, guns, and dogs were gone.  The dogs had not picked up their scent, and the Standartenfuhrer had managed to cover their tracks sufficiently to keep them at bay.

Relief, but not enough to rest.  The Standartenfuhrer knew they had to keep moving.

In the background, both could hear a stream locomotive at slow speed passing.  In the circuitous route they’d taken to escape, they must have circled back towards the railway line which must be on the other side of the forest.

That proximity of the railway line would work in their favor because the next phase of the journey was going to be on a train.

Just not one full of soldiers, if possible.

After a half-hour, just to ensure the soldiers didn’t return, the Standartenfuhrer dragged himself up off the ground.

“We’d better move.  They’re likely to come back, or had a second sweep when they don’t find us.”

“Surely we can have a rest.”

“If you want to get caught.  I don’t have to tell you what they’ll do to you if they capture you.”

“Probably send me back to that hell hole.”

“Hitler is not that forgiving.  The odds are you’ll be handed over to the SS and I’m sure you’ve seen what those people are capable of.”

He had, especially with the forced labor from the Jewish camps and POW camps.  At times it beggared belief.

Mayer dragged himself up off the floor.

The Standartenfuhrer checked his weapon, then looked out through the crack in the door.  It was dark and snowing, not too heavy, but enough to hide their movement.  It was a shame their coats were dark, they would stand out against the white background, but it couldn’t be helped.  That was a problem for daylight, still some hours away.

“Keep your weapon handy.  You may need it.”

Mayer was worried his hands would be too cold and stiff, and instead of having it in his hand, slipped it into his pocket.  He didn’t think too many people would be about at this hour.

“Once outside, head straight for the trees, as fast as you can.”

The Standartenfuhrer was in the doorway one second, gone the next, and Mayer followed.  He could just see the dark figure in front of him, then almost ran into him when he stopped just past the first line of trees.

He could see lights intermittently through the trees, a train or houses along the railway line perhaps.

It was much darker in the forest, and they had to go slower, picking their way through the trees, running into low branches, and getting a face full of wet snow, often trickling down the back of their necks.

It was cold, wet, and very uncomfortable.

The Standartenfuhrer stopped.  The trees had thinned and the lights became more pronounced.  They could now definitely hear a locomotive close by, and a train well lit up stopped.  The windows were fogged from condensation on the inside, but it was clear enough to see heads.

It was a passenger train, waiting.

A piercing whistle shattered the relative quiet, and another train coming in the other direction at speed flashed passed very loudly, the wheels of the carriages clanking on the track joints.  An empty freight train with many flat cars, going back to Germany.

Then suddenly shouting, a whistle, and gunfire.

A man was running towards them,, and several soldiers were in pursuit, randomly shooting in his direction, and into the forest.  A shot hit the running person and they fell.

Mayer heard a thud and a groan, then realized that the Standartenfuhrer had been hit.  By the time he turned the Standartenfuhrer over, he was dead.

Mayer ducked out of sight just before torchlight shone on the spot he was crouching.

There was another shout, and the soldiers started heading towards him.

——-

© Charles Heath 2020-2022

The cinema of my dreams – Was it just another surveillance job – Episode 57

This story is now on the list to be finished so over the new few weeks, expect a new episode every few days.

The reason why new episodes have been sporadic, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Things are about to get complicated…


I hadn’t realised until I said it out loud to someone who would not understand the significance of it, just how far-fetched the reason was.

But in my newly adopted world, it made perfect sense.

 Spies dealt with many things, mostly the notion of a threat, and the removal of it, whether it is an object like a USB or a person, or persons, who could make the threat become a reality.

This threat started with a laboratory working for the military to produce biological weapons.  Then the funding stopped, for whatever reason, and the laboratory had to cover its losses.

What better way than to hawk the formula on the dark web?

Someone perceived that the laboratory would become a threat and dispatched operatives to monitor the situation.

The worst-case scenario occurs, but from a different standpoint, the outrage of a community-conscious scientist who didn’t like the idea of people creating monstrous weapons and steals the formula to leak to the media.

The laboratory is shut down by the government before the formula could be sold, but there is a copy in play via the scientist.

The scientist, and therefore the threat, neutralised.

The threat then moves to his wife, who contacts someone in the Department, likely but not necessarily Dobbin, who then assigns O’Connell to find the wife and offer a lot of cash for the formula.

She agrees.

Somehow, the planted operatives, Severin and Maury discover the wife and O’Connell’s arrangement.

They create a surveillance group with the intention of monitoring the handover and then try to remove both O’Connell and the wife.

For what reason.  The threat would have been removed unless O’Connell and Dobbin had another agenda.  Why then when Dobbin rescued O’Connell, did O’Connell then turn on him?

A relationship with the wife?

Or was it simply the thought of making a huge sum of money, one both O’Connell and the wife could retire on.  He would not be the first spy to sell his soul for twenty pieces of silver.

But the good news, was we had Severin’s assassin.

The plan from there was to hand her over to the Detective Inspector, who didn’t have an agenda other than getting to the truth and keeping Jan away from Dobbin, or anyone who could set her free.

That plan was quashed the moment I saw Dobbin turn up at the scene.  He knew where Severin would be, he must know Severin was meeting with me, and he had sent Jan.

The fact I was still alive meant he wanted something from me.

The question was whether he knew if Jan had been taken off the playing field.

“What the hell is he doing here?”

It was the exact question in my head, though I was closer to answer than she was.

“Run interference, or worse, take over this case too.”

“I thought that was left in the hands of MI5.”

“He turned up after you left.”

She shrugged.  “Above my pay grade, to be honest.  He can have it.  I prefer to deal with the mundane, common thieves or murderers.  None of this cloak-and-dagger stuff.   I’ll tell my Super about the biological stuff, but you have to admit it is a bit farfetched.  There’s a more rational explanation for these deaths, you just have to look harder.  Now, if there’s nothing else?”

Too late to escape, Dobbin had circled around and reached us before I could disappear.

“You seem to turn up to department crime scenes with alarming regularity, Sam.  Any particular reason you’re here?”

The Detective Inspector had expected him to talk to her, not me.

“He’s just another possible witness on the periphery of a crime.  You’re here because?

“It’s one of our people.  I’m afraid…”

“…you’re going to have to take over?  Be my guest.  Your friend here is altogether far too uncooperative, like the rest of you.  I am going to file a formal complaint.”

.“And I’m sure it will be seen by the relevant people.”

She just shrugged and walked away, waving her hand at no one in particular

I waited until she was out of hearing range and asked, “So, why didn’t Jan shoot me too?”

…

© Charles Heath 2020-2023

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

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