Category: Fiction

An excerpt from “The Things We Do for Love”; In love, Henry was all at sea!

In the distance, he could hear the dinner bell ringing and roused himself.  Feeling the dampness of the pillow and fearing the ravages of pent-up emotion, he considered not going down but thought it best not to upset Mrs Mac, especially after he said he would be dining.

In the event, he wished he had reneged, especially when he discovered he was not the only guest staying at the hotel.

Whilst he’d been reminiscing, another guest, a young lady, had arrived.  He’d heard her and Mrs Mac coming up the stairs and then shown to a room on the same floor, perhaps at the other end of the passage.

Henry caught his first glimpse of her when she appeared at the door to the dining room, waiting for Mrs Mac to show her to a table.

She was in her mid-twenties, slim, with long brown hair, and the grace and elegance of a woman associated with countless fashion magazines.  She was, he thought, stunningly beautiful with not a hair out of place, and make-up flawlessly applied.  Her clothes were black, simple, elegant, and expensive, the sort an heiress or wife of a millionaire might condescend to wear to a lesser occasion than dinner.

Then there was her expression; cold, forbidding, almost frightening in its intensity.  And her eyes, piercingly blue and yet laced with pain.  Dracula’s daughter was his immediate description of her.

All in all, he considered, the only thing they had in common was, like him, she seemed totally out of place.

Mrs Mac came out of the kitchen, wiping her hands on her apron.  She was, she informed him earlier, chef, waitress, hotelier, barmaid, and cleaner all rolled into one.  Coming up to the new arrival, she said, “Ah, Miss Andrews, I’m glad you decided to have dinner.  Would you like to sit with Mr Henshaw, or would you like to have a table of your own?”

Henry could feel her icy stare as she sized up his appeal as a dining companion, making the hair on the back of his neck stand up.  He purposely didn’t look back.  In his estimation, his appeal rating was minus six.  Out of a thousand!

“If Mr Henshaw doesn’t mind….”  She looked at him, leaving the query in mid-air.

He didn’t mind and said so.  Perhaps he’d underestimated his rating.

“Good.”  Mrs Mac promptly ushered her over.  Henry stood, made sure she was seated properly and sat.

“Thank you.  You are most kind.”  The way she said it suggested snobbish overtones.

“I try to be when I can.”  It was supposed to nullify her sarcastic tone, but it made him sound a little silly, and when she gave him another of her icy glares, he regretted it.

Mrs Mac quickly intervened, asking, “Would you care for the soup?”

They did, and, after writing the order on her pad, she gave them each a look, imperceptibly shook her head, and returned to the kitchen.

Before Michelle spoke to him again, she had another quick look at him, trying to fathom who and what he might be.  There was something about him.

His eyes mirrored the same sadness she felt, and, yes, there was something else, that it looked like he had been crying.  There was a tinge of redness.

Perhaps, she thought, he was here for the same reason she was.

No.  That wasn’t possible.

Then she said, without thinking, “Do you have any particular reason for coming here?”  Seconds later, she realised she’d spoken it out loud, hadn’t meant to actually ask, it just came out.

It took him by surprise, obviously not the first question he was expecting her to ask of him.

“No, other than it is as far from civilisation, and home as I could get.”

At least we agree on that, she thought.

It was obvious he was running away from something as well.

Given the isolation of the village and lack of geographic hospitality, it was, from her point of view, ideal.  All she had to do was avoid him, and that wouldn’t be difficult.

After getting through this evening first.

“Yes,” she agreed.  “It is that.”

A few seconds passed, and she thought she could feel his eyes on her and wasn’t going to look up.

Until he asked, “What’s your reason?”

Slightly abrupt in manner, perhaps, because of her question and how she asked it.

She looked up.  “Rest.  And have some time to myself.”

She hoped he would notice the emphasis she had placed on the word ‘herself’ and take due note.  No doubt, she thought, she had completely different ideas of what constituted a holiday than he, not that she had said she was here for a holiday.

Mrs Mac arrived at a fortuitous moment to save them from further conversation.

Over the entree, she wondered if she had made a mistake coming to the hotel.  Of course, there had been no conceivable way she could know that anyone else might have booked the same hotel, but she realised it was foolish to think she might end up in it by herself.

Was that what she was expecting?

Not a mistake then, but an unfortunate set of circumstances, which could be overcome by being sensible.

Yet, there he was, and it made her curious, not that he was a man, by himself, in the middle of nowhere, hiding like she was, but for quite varied reasons.

On discreet observation, whilst they ate, she gained the impression his air of light-heartedness was forced, and he had no sense of humour.

This feeling was engendered by his looks, unruly dark hair, and permanent frown.  And then there was his abysmal taste in clothes on a tall, lanky frame.  They were quality but totally unsuited to the wearer.

Rebellion was written all over him.

The only other thought crossing her mind, and incongruously, was that he could do with a decent feed.  In that respect, she knew now from the mountain of food in front of her, he had come to the right place.

“Mr Henshaw?”

He looked up.  “Henshaw is too formal.  Henry sounds much better,” he said, with a slight hint of gruffness.

“Then my name is Michelle.”

Mrs Mac came in to take their order for the only main course, gather up the entree dishes, and then return to the kitchen.

“Staying long?” she asked.

“About three weeks.  Yourself?”

“About the same.”

The conversation dried up.

Neither looked at the other, but rather at the walls, out the window, towards the kitchen, anywhere.  It was, she thought, unbearably awkward.

Mrs Mac returned with a large tray with dishes on it, setting it down on the table next to theirs.

“Not as good as the usual cook,” she said, serving up the dinner expertly, “but it comes a good second, even if I do say so myself.  Care for some wine?”

Henry looked at Michelle.  “What do you think?”

“I’m used to my dining companions making the decision.”

You would, he thought.  He couldn’t help but notice the cutting edge of her tone.  Then, to Mrs Mac, he named a particular White Burgundy he liked, and she bustled off.

“I hope you like it,” he said, acknowledging her previous comment with a smile that had nothing to do with humour.

“Yes, so do I.”

Both made a start on the main course, a concoction of chicken and vegetables that were delicious, Henry thought when compared to the bland food he received at home and sometimes aboard my ship.

It was five minutes before Mrs Mac returned with the bottle and two glasses.  After opening it and pouring the drinks, she left them alone again.

Henry resumed the conversation.  “How did you arrive?  I came by train.”

“By car.”

“Did you drive yourself?”

And he thought, a few seconds later, that was a silly question; otherwise, she would not be alone, and certainly not sitting at this table. With him.

“After a fashion.”

He could see that she was formulating a retort in her mind, then changed it, instead, smiling for the first time, and it served to lighten the atmosphere.

And in doing so, it showed him she had another, more pleasant side despite the fact she was trying not to look happy.

“My father reckons I’m just another of ‘those’ women drivers,” she added.

“Whatever for?”

“The first and only time he came with me, I had an accident.  I ran up the back of another car.  Of course, it didn’t matter to him that the other driver was driving like a startled rabbit.”

“It doesn’t help,” he agreed.

“Do you drive?”

“Mostly people up the wall.”  His attempt at humour failed.  “Actually,” he added quickly, “I’ve got a very old Morris that manages to get me where I’m going.”

The apple pie and cream for dessert came and went, and the rapport between them improved as the wine disappeared and the coffee came.  Both had found, after getting to know each other better, that their first impressions were not necessarily correct.

“Enjoy the food?” Mrs Mac asked, suddenly reappearing.

“Beautifully cooked and delicious to eat,” Michelle said, and Henry endorsed her remarks.

“Ah, it does my heart good to hear such genuine compliments,” she said, smiling.  She collected the last of the dishes and disappeared yet again.

“What do you do for a living?” Michelle asked in an offhand manner.

He had a feeling she was not particularly interested, and it was just making conversation.

“I’m a purser.”

“A what?”

“A purser.  I work on a ship doing the paperwork, that sort of thing.”

“I see.”

“And you?”

“I was a model.”

“Was?”

“Until I had an accident, a rather bad one.”

“Oh, I’m sorry.”

So that explained the odd feeling he had about her.

As the evening wore on, he began to think there might be something wrong, seriously wrong with her because she didn’t look too well.  Even the carefully applied makeup, from close, didn’t hide the very pale, tired look, or the sunken, dark-ringed eyes.

“I try not to think about it, but it doesn’t necessarily work.  I’ve come here for peace and quiet, away from doctors and parents.”

“Then you will not have to worry about me annoying you.  I’m one of those fall-asleep-reading-a-book types.”

Perhaps it would be like ships passing in the night, and then he smiled to himself about the analogy.

Dinner over, they separated.

Henry went back to the lounge to read a few pages of his book before going to bed, and Michelle went up to her room to retire for the night.

But try as he might, he was unable to read, his mind dwelling on the unusual, yet compellingly mysterious person he would be sharing the hotel with.

Overlaying that original blurred image of her standing in the doorway was another of her haunting expressions that had, he finally conceded, taken his breath away, and a look that had sent more than one tingle down his spine.

She may not have thought much of him, but she had certainly made an impression on him.

…

© Charles Heath 2015-2024

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365 Days of writing, 2026 – 99

Day 99 – The Forster Effect

…

The Unspoken Truth: Why Writing is the Ultimate Act of Discovery

“How can I tell what I think until I see what I say?”

E.M. Forster, the celebrated author of A Passage to India, penned this deceptively simple line, and it has echoed through the halls of literature and psychology ever since. At first glance, it sounds like a paradox. We usually think of thought as the precursor to action—we process, we formulate, and then we speak or write.

But Forster flips the script. He suggests that thought is not a static state waiting to be expressed; it is a fluid process that is crystallised through the act of expression.

If you’ve ever sat down to write an email, a journal entry, or a creative piece, you’ve likely experienced the “Forster Effect.” You start with a vague, amorphous cloud of feelings or ideas. You type a sentence. You look at it, frown, delete it, and try again. Suddenly, as the words hit the page, the fog lifts. You realise, “Oh, that’s actually what I believe.”

Here is why Forster’s wisdom is the key to unlocking your own clarity.

1. Thought is Abstract; Language is Structural

Our internal lives are messy. They are collections of half-formed impulses, sensory memories, and emotional echoes. When we keep these inside, they remain formless.

Language, however, is structural. It requires a subject, a verb, and an object. It demands logic. When you force your subconscious thoughts into the rigid architecture of a sentence, you are forced to choose. You must discard the surplus and define the core. Writing acts as a refining fire, burning away the noise and leaving behind the essence of your position.

2. The “Mirroring” Effect of the Page

When you “see what you say,” you are essentially externalising your consciousness. By putting your thoughts on paper, you turn them into an object you can observe.

You stop being the person having the thought and become an editor viewing the thought. This shift in perspective is transformative. You can spot the gaps in your logic, the inconsistencies in your values, or the hidden fears driving your opinions. You can’t argue with your own brain when it’s spinning in circles, but you can argue with a paragraph on a screen.

3. Writing as a Discovery Tool (Not a Recording Tool)

Most people make the mistake of using writing only to “record” thoughts that were already fully formed. They treat the pen (or keyboard) like a stenographer.

But true creativity and clarity come when you use writing as a discovery tool. Don’t write to tell people what you know; write to find out what you know. If you start a sentence without knowing how it ends, you are giving your subconscious permission to take the wheel. You will often find yourself surprised by your own insights. That surprise is the feeling of growth.

How to Practice the “Forster Method”

If you want to clear the mental clutter, try these three strategies:

  • The Morning Pages Technique: Commit to writing three pages of stream-of-consciousness thoughts first thing in the morning. Don’t edit, don’t worry about grammar, and don’t stop. Just let the pen move. You will be shocked by the realisations that emerge when you bypass your inner critic.
  • The “Why” Chain: When you have a strong opinion, write it down. Then, write “Because…” and finish the sentence. Then write “Because…” again for that sentence. You will eventually hit the bottom of your own belief system.
  • Talk to the Page: If you’re struggling with a difficult decision, treat your journal like a trusted friend. Write, “I’m not sure how I feel about X, but here is what I’m worried about…” and let the dialogue unfold.

The Bottom Line

We spend so much of our lives waiting for “the right time” to speak or “the perfect thought” to arrive. But silence is rarely as clarifying as we hope it will be.

If you want to understand your own mind, stop waiting for the epiphany. Pick up a pen. Start a sentence. You might be surprised at who you find on the other side of that first period. As Forster knew, we aren’t just expressing ourselves—we are inventing ourselves with every word we choose.

“One Last Look”, nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovered his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man? Why was she having dinner with him?

A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little, Ben discovers who the woman he married is, and the real reason why fate had brought them together.

It is available on Amazon here:  http://amzn.to/2CqUBcz

NaNoWriMo – April – 2026 – Day 26

Today went well; the book is now almost editing itself, such is the benefit of outlining.

I’m almost sold on the planning idea, but that will sort itself out next time.

The way the story is running, and the additions I have made so far, the story is going to be longer than anticipated.

I’ve just seen a glaring plot hole and will be working to fix that, and then that opens a can of worms because the ending is now a choice of three.

This is the trouble with rereading and changing and not being satisfied and letting editors tell you what needs to be fixed when nothing really needs to be fixed in the first place.

Damn, it’s just the editing jitters kicking in.

It’s time to get back to the current project and finish it.

Harry Walthenson, Private Detective – the second case – A case of finding the “Flying Dutchman”

…

What starts as a search for a missing husband soon develops into an unbelievable story of treachery, lies, and incredible riches.

…

It was meant to remain buried long enough for the dust to settle on what was once an unpalatable truth, when enough time had passed, and those who had been willing to wait could reap the rewards.

The problem was, no one knew where that treasure was hidden or the location of the logbook that held the secret.

At stake, billions of dollars’ worth of stolen Nazi loot brought to the United States in an anonymous tramp steamer and hidden in a specially constructed vault under a specifically owned plot of land on the once docklands of New York.

It may have remained hidden and unknown to only a few, if it had not been for a mere obscure detail being overheard …

… by our intrepid, newly minted private detective, Harry Walthenson …

… and it would have remained buried.

Now, through a series of unrelated events, or are they, that well-kept secret is out there, and Harry will not stop until the whole truth is uncovered.

Even if it almost costs him his life.  Again.

The cinema of my dreams – It all started in Venice – Episode 12

Let’s talk about Larry.

…

Over the main, and desert, I told her about Siena and the Palio, painting a vivid picture of horsemanship and rivalry over the course of several hundred years, making it sound so much better than it was.

It the heat, the tight confines of the square, and the large number of people crammed in, it could be quite oppressive.

It wasn’t until after coffee arrived I decided to take a different tack and surprise her.

“You know, back in the old days, when I was working a desk, I used to do research on criminals for task forces.  I longed to get out in the field, but back then you had to be a particular sort of bastard to get those jobs.  I just didn’t have that mean streak.”

“Any I might know of?”

“One that springs to mind, Larry Pomisor, head of the so-called Waterville gang, though as an organization, is went downhill quickly after Larry’s father died and he took over.”

I’d been watching her carefully, and, yes, no matter how hard people tried to mask their surprise, it never works.  I got the hit I was looking for.

“You’re saying he’s not a crime boss?”

“Exactly.  He’s little better than a complete moron.  Blames me for the death of his brother, failing to understand that he is ultimately responsible.  If he hadn’t dragged him into the business, he’d still be alive today.”

“Why would he blame you?”

“He thinks I was at the scene of his brother’s death but whoever told him got their dates mixed up.  But Larry is nothing if not pathological in his beliefs no matter how wrong they are.”

I could see she was processing how to deal with this turn of events.  Being handed to her on a plate, exactly what Larry wanted me to talk about, I could see she was mid-way between confused and surprised.  In other words, off guard.

She now had to come up with questions that were not obvious.

“Not exactly the sort of enemy you want, then.”

“No more than any of the others I’m sure are waiting in line.  I was there, yes, but not when his brother was killed, he was alive when I left.  It was a meeting his brother called, and we believe he was going to inform on Larry, and Larry had him killed, then pinning the blame on us, and me in particular.  His brother never wanted anything to do with Waterville, but Larry never gave him the option.”

“I can’t believe that he would do that, not to his brother.  No one would do that to family.”

“Like I said, everything I learned about Larry pointed to the fact he was a moron.  His father hated him, and his mother moved to be as far from him as possible.  She lives in Sorrento you know.  His father was a piece of work, and I first met him on a domestic call-out when their neighbors reported gunshots.  She had taken a beating, not the first, and not the last, and I had to say, I’d never seen anyone more relieved when the old man died.”

I wondered what Larry was making of this if he was listening in.  He had once told me, in passing, in one of many visits to the parent’s house to intervene, that he would kill his father if he didn’t stop.

But, Larry was all talk and no action and did nothing to stop it.  In the end, it was his wife Gabrielle, who finally ended the violence. 

When it happened she called me, the most familiar face, and told me what happened.  I then told her what to do, and it eventually kept her out of jail.  Over the years since our paths rarely crossed, but significantly I was on her Christmas card list.

She had, when she learned I was living in Venice incited Violetta and I over for tea, and we went a few times, but the last was a long time ago.

“He doesn’t blame you for that too foes he?”

“Probably, but Gabrielle can put him straight on that.  I should go and see her, it’s been a while.”

 “What do you mean?  Go see Larry’s mother?”

“Why not?  The chances of Larry being there are remote.  It’ll have to be after Cecilia goes back home.  You want to come, see a bit more of Italy?”

“What?”

The shock of the conversation direction had finally caught up with her.  I’d seen her glancing more than one at her phone, and equally wondering what Larry was making of it.

“Go see Larry’s mother.  We’re old friends.  I’m sure she’d give him a stern talking-to if she knew he wanted me dead, don’t you?”

“I don’t know.  I’ll have to see.”

“Of course.  Too short notice.”

I gave her one of my winning smiles, just as Cecilia loomed out of the darkness and came over, dropping heavily into the seat next to me, and complaining, “Well, that was a spectacular waste of time and effort.”

© Charles Heath 2022

NaNoWriMo – April – 2026 – Day 25

Having reached the milestone of writing 50,000 words plus, it’s not the time to hang up the pen and think the job’s done.

It isn’t.

I still have a few more chapters to write, to bring the story to a satisfying conclusion.

That I’m still not quite sure about, but I have one conclusion I’ll write, and then later if I think of something better, I’ll substitute it.

That isn’t to say the end won’t change when it’s time to make a second pass at the manuscript.

Other than that, things are going according to plan. This means, I guess, that writing to a plan can work even for someone who doesn’t usually use that method

I will be considering this to plan the sequels for the two series I’m writing at the moment.

But, not to get ahead of myself, I have this project to finish.

A to Z – April – 2026 – V

V is for – A Viper’s Misguided Revenge

…

“I dare you to tell me the truth.”

Evelyn glared at me with such intensity that it made me feel hot under the collar. 

Perhaps that was a tinge of guilt, not that I had done anything wrong, but her meddling sister had been in her ear again, and I was never going to live down the fact that I chose Evelyn over her.

It had taken me a week to realise Darcy, her older sister, was a manipulative and evil woman like their mother had been.   And years before, I had rediscovered Evelyn, and another after that, before we started dating.

Now it was the week of the wedding, and Darcy was up to her old tricks.  Her sister was happy and settled, Darcy was not, and she didn’t like it.

“The truth about Elizabeth.”

Oh, Elizabeth.  The other girl I’d liked at school, and was out of my league, then and now.  Darcy trotted her out every time she wanted to make Evelyn unsettled, hinting that we had had a long-standing relationship the whole time, and secretly, I was more in love with her.

The truth?  I was not.  She had told me a long time ago that anything with me was impossible because of her parents’ expectations.

“Well, the obvious truth is she’s a lovely lady, single, simply because she doesn’t trust any man, and probably will remain so now that she has taken over the running of her family business.  You and I both know for a fact she has spent three weeks at best this side of the Atlantic this year, so I’m not sure when we’re supposed to have found time to be together.”

It was the same answer I gave her the last time and the time before that.  And it would be the next time if there was a next time.  I always took it as a sign that if Evelyn was looking for excuses, she started prevaricating.

“You’ve made four two-week trips to England in the last six months.”

This was true, and I told her the details of each trip, where I went, who I saw, and called her twice a day, first thing in the morning and last thing at night.

I sighed.  I just caught a glimpse of Darcy outside the door to the room, listening to the fruits of her labours, to break us up.  Perhaps it was time to do so.  Darcy was never going to give up, and Evelyn was always going to not fully trust me.

“The truth is always going to be what you believe, Evelyn, not what I say.  And if you want the truth, right now, it is that whatever it is we think we have, it’s not going to work.  Not if you’re going to let Darcy undermine our relationship.  So, here’s the truth, Evelyn.  We should not get married and spend the rest of our lives regretting it.  There has been and always will be only one girl for me, and that’s you.  It’s a pity Darcy can’t see that.  So, another truth, Evelyn, let Darcy pick your husband, get her seal of approval, and perhaps then she’ll stop making everybody else’s life as miserable as hers is.  I’m sorry, Evelyn, but enough is enough.”

“The wedding is off?”  Why did she suddenly sound incredulous?

“It’s what Darcy wants, and you apparently agree with her.  As for me, I’m done with Washington. I actually quit my job yesterday, and in about three hours, I’m getting on a plane to go home.  Since my father died, my mother has not been coping with the business, and Joey is about as useless as Darcy is.  Pity they didn’t get married, they are certainly a pigeon pair.  But there it is, you live and learn.  Goodbye, Evelyn.  I really do hope you find what you’re looking for, but as far as I can see, it’s not me.”

I gave her a final look up and down, realising that I would never find another like her ever again.  Then I shook my head and walked out of the room.  Had she asked me to come back, I would have.  Had she said she was no longer going to listen to her sister, I would have believed her, but she said nothing.

Darcy was waiting at the front door and opened it as I approached.

“How does it feel to be a loser?” she asked.

“You always said you’d get your revenge.”

“Yes,” she smiled, the cat who ate the canary, “I did.”

I smiled back.  “What do you do for a living again?”

“I pick and choose companies I believe are very good investments for our clients, and we make a lot of money.  I make a lot of money.”

“What was your prediction for Billingsgate?”

“Not what happened.  That was an aberration.  Whoever owns it just happened to be in the right place at the right time.”

“I know; that was my brainchild, Darcy.  And like I said, and I know you were listening in, I sold the company, the same as quitting my job, and now I’m going home.  I did it for Evelyn, but thanks to you, she’ll miss that opportunity.  Not your best work, Darcy.”

The expression on her face, as I walked through the door, was priceless.

…

©  Charles Heath 2025-2026

365 Days of writing, 2026 – 98

Day 98 – The truth in your voice

…

Beyond the Lab Coat: What Rachel Carson Teaches Every Aspiring Writer

In the 1930s, the scientific community was a fortress of rigid archetypes. To be a “scientist” meant you were expected to behave, dress, and communicate in a specific way—usually echoing the dry, inaccessible jargon of academia.

Then came Rachel Carson.

Carson didn’t fit the mold. She wasn’t a stereotypical lab-coat-wearing academic, but she possessed a secret weapon that would eventually change the world: a profound flair for narrative. Her journey—from her humble beginnings writing radio scripts on the habits of fish to authoring the earth-shattering Silent Spring—offers a masterclass for any beginning writer today.

If you are just starting your writing journey, here is why Rachel Carson should be your guiding light.

1. Your “Lack of Fit” is Your Greatest Asset

When Carson started, she was an outlier. She didn’t have the traditional “authority” that a tenured professor might have had, but that was precisely why she succeeded. Because she didn’t write like a scientist, she didn’t write for scientists; she wrote for the public.

The Lesson: If you feel like an imposter because you don’t have a specific degree, a decade of experience, or a “correct” background, stop worrying. The most compelling stories are often told by the outsiders. Your unique perspective is not a lack of qualification; it is your competitive edge.

2. The Power of “Translating” Complexity

Carson’s genius lay in her ability to take dense, technical data about marine biology and transform it into lyrical prose. She understood that facts are meaningless if they don’t resonate with the reader’s emotions. Her early work on fish wasn’t just a report; it was storytelling.

The Lesson: Don’t just dump information. Your job as a writer is to be a bridge between complexity and comprehension. Whether you are writing about technology, finance, or arts and culture, focus on the “human” angle. Use metaphors, narrative arcs, and evocative language to make your subject matter breathe.

3. Start Small, But Think Big

Carson didn’t set out to write Silent Spring as her first project. She started by writing scripts for the U.S. Bureau of Fisheries. Those seemingly small, unglamorous tasks were the forge where she sharpened her voice. She mastered the craft of clear, rhythmic, and persuasive writing on a small scale before she took on the monumental task of changing global environmental policy.

The Lesson: Don’t wait for the “Big Book” or the “Viral Hit” to start practising. Hone your craft on the small stuff. Write the blog post, the newsletter, the caption, or the short essay. Every sentence is a rep in the gym. You are building the muscle that will eventually allow you to write something that matters.

4. Curiosity is the Engine of Credibility

Carson’s work on Silent Spring wasn’t just a sudden burst of inspiration; it was built on years of being a voracious learner. She cared deeply about the subject matter. Readers can smell when a writer is just “phoning it in.”

The Lesson: Write about what you are legitimately curious about. If you are passionate and curious, you will do the deep research required to back up your claims. That research is what gives you authority—not a title, not a degree, but the sheer effort you put into understanding your subject.

The Takeaway

Rachel Carson reimagined what a “science writer” could be. She proved that you don’t need a formal invitation to change the conversation; you just need a pen, a perspective, and the courage to tell the truth in your own voice.

If you’re a beginner, remember: You don’t need to fit the mold of the authors who came before you. You just need to show up, do the work, and let your curiosity lead the way. You never know—the “small” piece you write today might be the one that shifts the world tomorrow.

Searching for locations: The Castello di Brolio, Gaiole in Chianti, Tuscany, Italy

The castle is located in the southern Chianti Classico countryside and has been there for over ten centuries, and owned by the Ricasoli family since 1141.

Like any good castle, it has strong defences, and I was looking for a moat and drawbridge, but it looks like the moat has become a lawn.

The very high walls in places no doubt were built to keep the enemy out

The castle has been destroyed and rebuilt many times over the last 900 years.  It was part of the Florentine defences, and withstood, and succumbed to many battles with Siena, which is only 20 km away.  More recently, it still bears the scars of artillery fire and bombing in WW2.

The room at the top of this tower would have an excellent view of the countryside.

Here you can see the old and the new, the red brick part of the rebuilding in the 1800’s in the style of an English Manor

We did not get to see where that archway led.

Nor what was behind door number one at the top of these stairs.  Rest assured, many, many years ago someone wearing armour would have made the climb.   It would not pass current occupational health and safety these days with a number of stairs before a landing.

Cappella di San Jacopo.  Its foundations were laid in 1348.

Renovated in 1867-1869, it has a gabled façade preceded by a double stone staircase.  The interior, with a crypt where the members of the Ricasoli family are buried, has a nave divided into three spans with cross vaults.

The 1,200 hectares of the property include 240 hectares of vineyards and 26 of olive groves, in the commune of Gaiole.