Category: Fiction

365 Days of Writing, 2026 – 287

Day 287 – Packing an entire world into one sentence

…

Packing an Entire World into One Sentence: The Literary Economy of Charles Portis and True Grit

Charles Portis and True Grit: How One Sentence Built a World Meta Description: Explore the brilliant literary economy of Charles Portis through his masterpiece True Grit. Discover how just six novels proved that less is more.

There is a rare breed of writer who cares very little for literary fanfare, yet commands the absolute, obsessive devotion of fellow authors and devoted readers alike. Charles Portis was the patron saint of this elusive club.

Publishing a mere six novels over the course of his career, Portis never chased blockbuster status or critical preening. Instead, he crafted a body of work defined by precision, deadpan wit, and an astonishingly balanced economy of plot, character, and description.

Nowhere is this mastery more evident than in the opening sentence of his 1968 masterpiece, True Grit. With a single breath, Portis does something extraordinary: he packs an entire world, a distinct voice, and a complete worldview onto the page.

Let’s take a journey into the brilliant literary mind of Charles Portis and examine how a famously brief bibliography achieved timeless greatness through the art of economy.

The Immortal Opening: Setting the Stage in One Sentence

To understand what makes Charles Portis a master of narrative efficiency, you need only look at how True Grit begins:

“People do not often give due credence to the sorrows of young people, but those of us who have been young ourselves know differently and can remember what it was like in those sad and lonely days.”

In just thirty-one words, Portis accomplishes what other writers take whole chapters to establish.

First, he establishes voice. Through the narrator, a 14-year-old Mattie Ross looking back from old age, we immediately recognise a tone that is formal, unyielding, slightly archaic, and utterly lacking in self-pity or sentimentality.

Second, he establishes perspective. This is not a standard, bloodless Western. It is a deeply personal reckoning. By acknowledging the gravity of youth, Mattie preemptively pushes back against anyone who might dismiss her quest for vengeance as childish folly.

Without describing a horse, a dusty street, a revolver, or a badge, Portis sets the psychological and emotional stakes of the American frontier. He packs a whole world—a universe of stubborn grief and nineteenth-century grit—into a single sentence.

The Magic of Six: Quality Over Quantity in the Portis Canon

It is staggering to think that a writer of Portis’s calibre produced only six novels:

  1. Norwood (1966)
  2. True Grit (1968)
  3. The Dog of the South (1979)
  4. Masters of Atlantis (1985)
  5. Gringos (1991)
  6. Starlight (1999)

In an era of bloated manuscripts and multi-book fantasy series, Portis’s bibliography looks positively monastic. Yet, every single one of these books is a polished gem.

Portis had no time for literary fat. His books are famously difficult to categorise—are they comedies? Westerns? Picaresque road trips? They are all of these things, bound together by an economically balanced plot that never drags, characters who are eccentric yet undeniably human, and descriptions that are razor-sharp without ever lapsing into purple prose.

The Three Pillars of Portis’s Economy

How did Portis pull off this rare literary magic trick across his six novels? By maintaining a strict equilibrium between three essential elements:

1. The Balanced Plot: Movement Without Rush

Portis’s plots are generally simple in design—often structured as a quest or a journey. In True Grit, it’s a girl hunting her father’s killer. In The Dog of the South, it’s a man chasing his runaway wife and his stolen Ford Torino.

Because the overarching premise is usually straightforward, Portis doesn’t need to waste time on convoluted twists. The plot simply acts as a vehicle to move his wonderfully bizarre characters from one strange encounter to the next. The pacing is steady, rhythmic, and perfectly proportioned.

2. The Unforgettable Character: Eccentricity Grounded in Truth

If you ask readers to name their favourite Charles Portis characters—whether it’s Mattie Ross, the hard-drinking Rooster Cogburn, or the grandiose Lamar Jimmerson from Masters of Atlantis—you are talking about people who march to the beat of an entirely different drum.

Portis loved obsessives, grifters, pedants, and drifters. Yet, his genius lies in his restraint. He lets his characters reveal their absurdities through their own dialogue and deadpan narration. He doesn’t need to tell us they are funny; he just lets them speak, trusting the reader to appreciate the dry humour.

3. The Minimalist Description: Showing the World in Flashbacks and Brief Strokes

Portis was a former journalist (having worked as a reporter for the New York Herald Tribune), and it shows in his prose. He understood the power of the selected detail.

Instead of devoting pages to describing a sunset or a saloon, Portis gives you the one detail that matters—a slouching hat, a particular brand of canned peach, the precise legal terminology of a land dispute. His descriptions are economical because they serve a dual purpose: they anchor the scene visually while simultaneously revealing character.

Why Charles Portis Matters Today

In contemporary fiction, we often equate length and complexity with depth. We celebrate door-stopper novels that take hundreds of pages to warm up.

Charles Portis stands as a glorious antidote to this trend. He proved that a novel doesn’t need to be massive to be profound. By respecting the reader’s intelligence, stripping away every unnecessary word, and anchoring his stories in unforgettable, singular voices, Portis created a body of work that will be read and admired as long as people care about great writing.

It all started with a thirty-one-word sentence.

If you haven’t yet stepped into the wonderfully eccentric, economically crafted world of Charles Portis, open True Grit, read that first sentence, and prepare to be carried away by a master….

In a word: Bar

There’s more than one way … er, perhaps it’s better to say, there are many ways to use the word bar, which is not bad for a three-letter word.

Bar, the one you associate with drinks, in hotels, restaurants and we’ll, just bars.

Probably the best type of bar you might find me in is a Sports Bar, where you can snack on buffalo wings a tall glass of beer and watch with ice hockey in winter or baseball in summer.

It’s one I use from time to time when asked, what will we do, and the reply is often let’s go to a bar.  The best bars are underground, dark and dingy, full of eclectic people, with a band playing almost passable music or better still jazz

Bar, as in the legal variety

There are so many legal references to using bar, that the one that I am most familiar with is being admitted to the bar which means that you can now practice law.

Raising the bar, if that’s possible, where the bar is that imaginary level which offers sinks very low.  When someone says they’re going to try and raise the bar, you may be assured there will be a long battle ahead, simply because people generally find it hard to change.

Bar, as in we are not going to let you in here.  Yes, this is the irksome one where you find yourself, often for reasons unknown, barred from somewhere or something.  This may also be referred to by saying everyone may enter bar you.  

Bar, as in an iron bar, the sort that is sometimes used as a blunt force object by villains to remind the victim they owe any one of a loan shark, bookie or the mafia.  God help you if it is all three.

There are also iron bars of a different sort, those that are set in concrete outside a window most likely in a prison where the objective is to prevent escape.

It gives rise to an old expression, that person should be behind bars.

Then there is just a bar, such as a bar of gold, which I’m sure we’d all like to have stashed away, but not necessarily in the mattress, or the more common variety, a chocolate bar, which I have one now.  What’s your favorite?

And just to add to the list of meanings you can always refer to sashes or stripes as bars.

Confused?  Well, there’s still music, and the bane of yachtsmen, sand bars but I think we’ll leave it there.

Welcome to the English language

First Dig Two Graves

A sequel to “The Devil You Don’t”

…

Revenge is a dish best served cold – or preferably so when everything goes right

Of course, it rarely does, as Alistair, Zoe’s handler, discovers to his peril. Enter a wildcard, John, and whatever Alistair’s plan for dealing with Zoe was dies with him.

It leaves Zoe in completely unfamiliar territory.

…

John’s idyllic romance with a woman who is utterly out of his comfort zone is on borrowed time. She is still trying to reconcile her ambivalence after being so indifferent for so long.

They agree to take a break, during which she disappears. John, thinking she has left without saying goodbye, refuses to accept the inevitable and calls on an old friend for help in finding her.

After the mayhem and being briefly reunited, she recognises an inevitable truth: there is a price to pay for taking out Alistair; she must leave and find them first, and he would be wise to keep a low profile.

But keeping a low profile just isn’t possible, and enlisting another friend, a private detective and his sister, a deft computer hacker, they track her to the border between Austria and Hungary.

What John doesn’t realise is that another enemy is tracking him to find her too. It could have been a grand tour of Europe. Instead, it becomes a race against time before enemies old and new converge for what will be an inevitable showdown.

An excerpt from “Strangers We’ve Become” – Coming Soon

I wandered back to my villa.

It was in darkness.  I was sure I had left several lights on, especially over the door, so I could see to unlock it.

I looked up and saw that the globe was broken.

Instant alert.

I went to the first hiding spot for the gun, and it wasn’t there.  I went to the backup, and it wasn’t there either.  Someone had found my carefully hidden stash of weapons and removed them.

Who?

There were four hiding spots, and all were empty.  Someone had removed the weapons.  That could only mean one possibility.

I had a visitor, not necessarily here for a social call.

But, of course, being the well-trained agent I’d once been and not one to be caught unawares, I crossed over to my neighbour and relieved him of a weapon that, if found, would require a lot of explaining.

Suitably armed, it was time to return the surprise.

There were three entrances to the villa: the front door, the back door, and a rather strange escape hatch.  One of the more interesting attractions of the villa I’d rented was its heritage.  It was built in the late 1700s by a man who was, by all accounts, a thief.  It had a hidden underground room, which had been in the past a vault but was now a wine cellar, and it had an escape hatch by which the man could come and go undetected, particularly if there was a mob outside the door baying for his blood.

It now gave me the means to enter the villa without my visitors being alerted, unless, of course, they were in the vicinity of the doorway inside the villa, but that possibility was unlikely.  It was not where anyone could anticipate or expect a doorway to be.

The secret entrance was at the rear of the villa, behind a large copse, two camouflaged wooden doors built into the ground.  I moved aside some of the branches that covered them and lifted one side.  After I’d discovered the doors and rusty hinges, I’d oiled and cleaned them, and cleared the passageway of cobwebs and fallen rocks.  It had a mildew smell, but nothing would get rid of that.  I’d left torches at either end so I could see.

I closed the door after me and went quietly down the steps, enveloped in darkness till I switched on the torch.  I traversed the short passage, which turned ninety degrees about halfway to the door at the other end.  I carried the key to this door on the keyring, found it and opened the door.  It too had been oiled and swung open soundlessly.

I stepped into the darkness and closed the door.

I was on the lower level under the kitchen, now the wine cellar, the ‘door’ doubling as a set of shelves which had very little on them, less to fall and alert anyone in the villa.

Silence, an eerie silence.

I took the steps up to the kitchen, stopping when my head was level with the floor, checking to see if anyone was waiting.  There wasn’t.  It seemed to me to be an unlikely spot for an ambush.

I’d already considered the possibility of someone coming after me, especially because it had been Bespalov I’d killed, and I was sure he had friends, all equally as mad as he was.  Equally, I’d also considered it nigh on impossible for anyone to find out it was me who killed him because the only people who knew that were Prendergast, Alisha, a few others in the Department, and Susan.

That raised the question of who told them where I was.

If I were the man I used to be, my first suspect would be Susan.  The departure this morning, and now this was too coincidental.  But I was not that man.

Or was I?

I reached the start of the passageway that led from the kitchen to the front door and peered into the semi-darkness.  My eyes had got used to the dark, and it was no longer an inky void.  Fragments of light leaked in around the door from outside and through the edge of the window curtains where they didn’t fit properly.  A bone of contention upstairs in the morning, when first light shone and invariably woke me up hours before I wanted to.

Still nothing.

I took a moment to consider how I would approach the visitor’s job.  I would get a plan of the villa in my head, all entrances, where a target could be led to or attacked, and where there would be no escape.

Coming in the front door.  If I were not expecting anything, I’d just open the door and walk in.  One shot would be all that was required.

Contract complete.

I sidled quietly up the passage, staying close to the wall, edging closer to the front door.  There was an alcove where the shooter could be waiting.  It was an ideal spot to wait.

Crunch.

I stepped on some nutshells.

Not my nutshells.

I felt it before I heard it.  The bullet with my name on it.

And how the shooter missed, from point-blank range, and hit me in the arm, I had no idea.  I fired off two shots before a second shot from the shooter went wide and hit the door with a loud thwack.

I saw a red dot wavering as it honed in on me, and I fell to the floor, stretching out, looking up where the origin of the light was coming and pulled the trigger three times, evenly spaced, and a second later I heard the sound of a body falling down the stairs and stopping at the bottom, not very far from me.

Two assassins.

I’d not expected that.

The assassin by the door was dead, a lucky shot on my part.  The second was still breathing.

I checked the body for any weapons and found a second gun and two knives.  Armed to the teeth!

I pulled off the balaclava; a man, early thirties, definitely Italian.  I was expecting a Russian.

I slapped his face, waking him up.  Blood was leaking from several slashes on his face when his head had hit the stairs on the way down.  The awkward angle of his arms and legs told me there were broken bones, probably a lot worse internally.  He was not long for this earth.

“Who employed you?”

He looked at me with dead eyes, a pursed mouth, perhaps a smile.  “Not today, my friend.  You have made a very bad enemy.”  He coughed, and blood poured out of his mouth.  “There will be more …”

Friends of Bespalov, no doubt.

I would have to leave.  Two unexplainable bodies, I’d have a hard time explaining my way out of this mess.  I dragged the two bodies into the lounge, clearing the passageway just in case someone had heard anything.

Just in case anyone was outside at the time, I sat in the dark, at the foot of the stairs, and tried to breathe normally.  I was trying not to connect the dots that led back to Susan, but the coincidence was worrying me.

A half-hour passed, and I hadn’t moved.  Deep in thought, I’d forgotten about being shot, unaware that blood was running down my arm and dripping onto the floor.

Until I heard a knock on my front door.

Two thoughts: it was either the police, alerted by the neighbours, or it was the second wave, though why would they be knocking on the door?

I stood and immediately felt a stabbing pain in my arm.  I took out a handkerchief and turned it into a makeshift tourniquet, then wrapped a kitchen towel around the wound.

If it were the police, this was going to be a difficult situation.  Holding the gun behind my back, I opened the door a fraction and looked out.

No police, just Maria.  I hoped she was not part of the next ‘wave’.

“You left your phone behind on the table.  I thought you might be looking for it.”  She held it out in front of her.

When I didn’t open the door any further, she looked at me quizzically and then asked, “Is anything wrong?”

I was going to thank her for returning the phone, but I heard her breathe in sharply and add, breathlessly, “You’re bleeding.”

I looked at my arm and realised it was visible through the door, and not only that, the towel was soaked in blood.

“You need to go away now.”

Should I tell her the truth?  It was probably too late, and if she were any sort of law-abiding citizen, she would go straight to the police.

She showed no signs of leaving, just an unnerving curiosity.  “What happened?”

I ran through several explanations, but none seemed plausible.  I went with the truth.  “My past caught up with me.”

“You need someone to fix that before you pass out from blood loss.  It doesn’t look good.”

“I can fix it.  You need to leave.  It is not safe to be here with me.”

The pain in my arm was not getting any better, and the blood was starting to run down my arm again as the tourniquet loosened.  She was right, I needed it fixed sooner rather than later.

I opened the door and let her in.  It was a mistake, a huge mistake, and I would have to deal with the consequences.  Once inside, she turned on the light and saw the pool of blood just inside the door and the trail leading to the lounge.  She followed the trail and turned into the lounge, turned on the light, and no doubt saw the two dead men.

I expected her to scream.  She didn’t.

She gave me a good, hard look, perhaps trying to see if I was dangerous.  Killing people wasn’t something you looked the other way about.  She would have to go to the police.

“What happened here?”

“I came home from the cafe and two men were waiting for me.  I used to work for the Government, but no longer.  I suspect these men were here to repay a debt.  I was lucky.”

“Not so much, looking at your arm.”

She came closer and inspected it.

“Sit down.”

She found another towel and wrapped it around the wound, retightening the tourniquet to stem the bleeding.

“Do you have medical supplies?”

I nodded.  “Upstairs.”  I had a medical kit, and on the road, I usually made my own running repairs.  Another old habit I hadn’t quite shaken off yet.

She went upstairs, rummaged, and then came back.  I wondered briefly what she would think of the unmade bed, though I was not sure why it might interest her.

She helped me remove my shirt and then cleaned the wound.  Fortunately, she didn’t have to remove a bullet.  It was a clean wound but it would require stitches.

When she’d finished, she said, “Your friend said one day this might happen.”

No prizes for guessing who that friend was, and it didn’t please me that she had involved Maria.

“Alisha?”

“She didn’t tell me her name, but I think she cares a lot about you.  She said trouble has a way of finding you, gave me a phone and said to call her if something like this happened.”

“That was wrong of her to do that.”

“Perhaps, perhaps not.  Will you call her?”

“Yes.  I can’t stay here now.  You should go now.  Hopefully, by the time I leave in the morning, no one will ever know what happened here, especially you.”

She smiled.  “As you say, I was never here.”

…

© Charles Heath 2018-2022

strangerscover9

365 Days of Writing, 2026 – 287

Day 287 – Packing an entire world into one sentence

…

Packing an Entire World into One Sentence: The Literary Economy of Charles Portis and True Grit

Charles Portis and True Grit: How One Sentence Built a World Meta Description: Explore the brilliant literary economy of Charles Portis through his masterpiece True Grit. Discover how just six novels proved that less is more.

There is a rare breed of writer who cares very little for literary fanfare, yet commands the absolute, obsessive devotion of fellow authors and devoted readers alike. Charles Portis was the patron saint of this elusive club.

Publishing a mere six novels over the course of his career, Portis never chased blockbuster status or critical preening. Instead, he crafted a body of work defined by precision, deadpan wit, and an astonishingly balanced economy of plot, character, and description.

Nowhere is this mastery more evident than in the opening sentence of his 1968 masterpiece, True Grit. With a single breath, Portis does something extraordinary: he packs an entire world, a distinct voice, and a complete worldview onto the page.

Let’s take a journey into the brilliant literary mind of Charles Portis and examine how a famously brief bibliography achieved timeless greatness through the art of economy.

The Immortal Opening: Setting the Stage in One Sentence

To understand what makes Charles Portis a master of narrative efficiency, you need only look at how True Grit begins:

“People do not often give due credence to the sorrows of young people, but those of us who have been young ourselves know differently and can remember what it was like in those sad and lonely days.”

In just thirty-one words, Portis accomplishes what other writers take whole chapters to establish.

First, he establishes voice. Through the narrator, a 14-year-old Mattie Ross looking back from old age, we immediately recognise a tone that is formal, unyielding, slightly archaic, and utterly lacking in self-pity or sentimentality.

Second, he establishes perspective. This is not a standard, bloodless Western. It is a deeply personal reckoning. By acknowledging the gravity of youth, Mattie preemptively pushes back against anyone who might dismiss her quest for vengeance as childish folly.

Without describing a horse, a dusty street, a revolver, or a badge, Portis sets the psychological and emotional stakes of the American frontier. He packs a whole world—a universe of stubborn grief and nineteenth-century grit—into a single sentence.

The Magic of Six: Quality Over Quantity in the Portis Canon

It is staggering to think that a writer of Portis’s calibre produced only six novels:

  1. Norwood (1966)
  2. True Grit (1968)
  3. The Dog of the South (1979)
  4. Masters of Atlantis (1985)
  5. Gringos (1991)
  6. Starlight (1999)

In an era of bloated manuscripts and multi-book fantasy series, Portis’s bibliography looks positively monastic. Yet, every single one of these books is a polished gem.

Portis had no time for literary fat. His books are famously difficult to categorise—are they comedies? Westerns? Picaresque road trips? They are all of these things, bound together by an economically balanced plot that never drags, characters who are eccentric yet undeniably human, and descriptions that are razor-sharp without ever lapsing into purple prose.

The Three Pillars of Portis’s Economy

How did Portis pull off this rare literary magic trick across his six novels? By maintaining a strict equilibrium between three essential elements:

1. The Balanced Plot: Movement Without Rush

Portis’s plots are generally simple in design—often structured as a quest or a journey. In True Grit, it’s a girl hunting her father’s killer. In The Dog of the South, it’s a man chasing his runaway wife and his stolen Ford Torino.

Because the overarching premise is usually straightforward, Portis doesn’t need to waste time on convoluted twists. The plot simply acts as a vehicle to move his wonderfully bizarre characters from one strange encounter to the next. The pacing is steady, rhythmic, and perfectly proportioned.

2. The Unforgettable Character: Eccentricity Grounded in Truth

If you ask readers to name their favourite Charles Portis characters—whether it’s Mattie Ross, the hard-drinking Rooster Cogburn, or the grandiose Lamar Jimmerson from Masters of Atlantis—you are talking about people who march to the beat of an entirely different drum.

Portis loved obsessives, grifters, pedants, and drifters. Yet, his genius lies in his restraint. He lets his characters reveal their absurdities through their own dialogue and deadpan narration. He doesn’t need to tell us they are funny; he just lets them speak, trusting the reader to appreciate the dry humour.

3. The Minimalist Description: Showing the World in Flashbacks and Brief Strokes

Portis was a former journalist (having worked as a reporter for the New York Herald Tribune), and it shows in his prose. He understood the power of the selected detail.

Instead of devoting pages to describing a sunset or a saloon, Portis gives you the one detail that matters—a slouching hat, a particular brand of canned peach, the precise legal terminology of a land dispute. His descriptions are economical because they serve a dual purpose: they anchor the scene visually while simultaneously revealing character.

Why Charles Portis Matters Today

In contemporary fiction, we often equate length and complexity with depth. We celebrate door-stopper novels that take hundreds of pages to warm up.

Charles Portis stands as a glorious antidote to this trend. He proved that a novel doesn’t need to be massive to be profound. By respecting the reader’s intelligence, stripping away every unnecessary word, and anchoring his stories in unforgettable, singular voices, Portis created a body of work that will be read and admired as long as people care about great writing.

It all started with a thirty-one-word sentence.

If you haven’t yet stepped into the wonderfully eccentric, economically crafted world of Charles Portis, open True Grit, read that first sentence, and prepare to be carried away by a master….

Another excerpt from ‘Betrayal’; a work in progress

…

My next destination in the quest was the hotel we believed Anne Merriweather had stayed at.

I was, in a sense, flying blind because we had no concrete evidence she had been there, and the message she had left behind didn’t quite name the hotel or where Vladimir was going to take her.

Mindful of the fact that someone might have been following me, I checked to see if the person I’d assumed had followed me to Elizabeth’s apartment was still in place, but I couldn’t see him. Next, I made a mental note of seven different candidates and committed them to memory.

Then I set off to the hotel, hailing a taxi. There was the possibility that the cab driver was one of them, but perhaps I was slightly more paranoid than I should be. I’d been watching the queue, and there were two others before me.

The journey took about an hour, during which time I kept an eye out the back to see if anyone had been following us. If anyone was, I couldn’t see them.

I had the cab drop me off a block from the hotel and then spent the next hour doing a complete circuit of the block the hotel was on, checking the front and rear entrances, the cameras in place, and the siting of the driveway into the underground carpark. There was a camera over the entrance, and one we hadn’t checked for footage. I sent a text message to Fritz to look into it.

The hotel lobby was large and busy, which was exactly what you’d want if you wanted to come and go without standing out. It would be different later at night, but I could see her arriving about mid-afternoon, and anonymous among the clientele the hotel attracted.

I spent an hour sitting in various positions in the lobby simply observing. I had already ascertained where the elevator lobby for the rooms was, and the elevator down to the car park. Fortunately, it was not ‘guarded’, but there was a steady stream of concierge staff coming and going to the lower levels, and, just from time to time, guests.

Then, when there was a commotion at the front door, what seemed to be a collision of guests and free-wheeling bags, I saw one of the seven potential taggers sitting by the front door. Waiting for me to leave? Or were they wondering why I was spending so much time there?

Taking advantage of that confusion, I picked my moment to head for the elevators that went down to the car park, pressed the down button, and waited.

There was no car on the ground level, so I had to wait, watching, like several others, the guests untangling themselves at the entrance, and keeping an eye on my potential surveillance, still absorbed in the confusion.

The doors to the left car opened, and a concierge stepped out, gave me a quick look, then headed back to his desk. I stepped into the car, pressed the first level down, the level I expected cars to arrive on, and waited what seemed like a long time for the doors to close.

As they did, I was expecting to see a hand poke through the gap, a latecomer. Nothing happened, and I put it down to a television moment.

There were three basement levels, and for a moment, I let my imagination run wild and considered the possibility that there were more levels. Of course, there was no indication on the control panel that there were any other floors, and I’d yet to see anything like it in reality.

With a shake of my head to return to reality, the car arrived, the doors opened, and I stepped out.

A car pulled up, and the driver stepped out, went around to the rear of his car, and pulled out a case. I half expected him to throw me the keys, but the instant glance he gave me told him he was not the concierge, and instead he brushed past me like I wasn’t there.

He bashed the up button several times impatiently and cursed when the doors didn’t open immediately. Not a happy man.

Another car drove past on its way down to a lower level.

I looked up and saw the CCTV camera, pointing towards the entrance, visible in the distance. A gate that lifted up was just about back in position, then clunked when it finally closed. The footage from the camera would not prove much, even if it had been working, because it didn’t cover the lift lobby, only what was in the direction of the car entrance.

The doors to the other elevator car opened, and a man in a suit stepped out.

“Can I help you, sir? You seem lost.”

Security, or something else. “It seems that way. I went to the elevator lobby, got in, and it went down rather than up. I must have been in the wrong place.”

“Lost it is, then, sir.” I could hear the contempt for Americans in his tone. “If you will accompany me, please.”

He put out a hand ready to guide me back into the elevator. I was only too happy to oblige him. There had been a sign near the button panel that said the basement levels were only to be accessed by the guests.

Once inside, he turned a key and pressed the lobby button. The doors closed, and we went up. He stood, facing the door, not speaking. A few seconds later, he was ushering me out to the lobby.

“Now, sir, if you are a guest…”

“Actually, I’m looking for one. She called me and said she would be staying in this hotel and to come down and visit her. I was trying to get to the sixth floor.”

“Good. Let’s go over to the desk and see what we can do for you.”

I followed him over to the reception desk, where he signalled one of the clerks, a young woman who looked and acted very efficiently, and told her of my request, but then remained to oversee the proceeding.

“Name of guest, sir?”

“Merriweather, Anne. I’m her brother, Alexander.” I reached into my coat pocket and pulled out my passport to prove that I was who I said I was. She glanced cursorily at it.

She typed the name into the computer, and then we waited a few seconds while it considered what to output. Then, she said, “That lady is not in the hotel, sir.”

Time to put on my best-confused look. “But she said she would be staying here for the week. I made a special trip to come here to see her.”

Another puzzled look from the clerk, then, “When did she call you?”

An interesting question to ask, and it set off a warning bell in my head. I couldn’t say today, it would have to be the day she was supposedly taken.

“Last Saturday, about four in the afternoon.”

Another look at the screen, then, “It appears she checked out Sunday morning. I’m afraid you have made a trip in vain.”

Indeed, I had. “Was she staying with anyone?”

I just managed to see the warning pass from the suited man to the clerk. I thought he had shown an interest when I mentioned the name, and now I had confirmation. He knew something about her disappearance. The trouble was, he wasn’t going to volunteer any information because he was more than just hotel security.

“No.”

“Odd,” I muttered. “I thought she told me she was staying with a man named Vladimir something or other. I’m not too good at pronouncing those Russian names. Are you sure?”

She didn’t look back at the screen. “Yes.”

“OK, now one thing I do know about staying in hotels is that you are required to ask guests with foreign passports their next destination, just in case they need to be found. Did she say where she was going next?” It was a long shot, but I thought I’d ask.

“Moscow. As I understand it, she lives in Moscow. That was the only address she gave us.”

I smiled. “Thank you. I know where that is. I probably should have gone there first.”

She didn’t answer; she didn’t have to, her expression did that perfectly.

The suited man spoke again, looking at the clerk. “Thank you.” He swivelled back to me. “I’m sorry we can’t help you.”

“No. You have more than you can know.”

“What was your name again, sir, just in case you still cannot find her?”

“Alexander Merriweather. Her brother. And if she is still missing, I will be posting a very large reward. At the moment, you can best contact me via the American Embassy.”

Money is always a great motivator, and that thoughtful expression on his face suggested he gave a moment’s thought to it.

I left him with that offer and left. If anything, the people who were holding her would know she had a brother, that her brother was looking for her, and equally that brother had money.

…

© Charles Heath – 2018-2025

The cinema of my dreams – It all started in Venice – Episode 8

Cecilia and Juliet – trouble

…

How do you run into someone by accident, or randomly when it is neither an accident or random?

There was that problem of looking obvious, that it was staged, that, well you get the idea.

O was hoping staying at the same hotel on the same floor would solve the problem, but when I thought about it, living in Venice, why would I be staying in a hotel?

There was that unofficial reason I’d told Cecilia, that I was renovating, just in case of prying ears, but I was a bit slow in picking up on the new surveillance team Larry had out on Juliet, do he’d know what  I was up to, and if he informed Juliet, then it would ruin the surprise.

It all depended on whether or not the surveillance team was aware of who I was, which could be unlikely, given Giuseppe’s lack of recognition of my identity.  Larry’s mistrust of her might yet work to my advantage.

Then there was the name Juliet knew me by which was not the one Cecilia knew me, so I had to make sure that story was straight between us just in case she was with me when I ran into Juliet.

The trouble was, it was becoming a logistical nightmare.

So, it was rather a surprise when we finally did run into each other, in the restaurant the following morning after Cecilia arrived, and we were just sitting down.

I hadn’t seen Juliet, tucked away in a corner, not until she called out.  And I was with Cecilia, who was the consummate actor.

I heard my name and turned.  Cecilia looked over then sat.  I went over.

“What are you doing here, of all places?”

Was there a note of suspicion or surprise in her tone?

“I’m with an old friend, Cecilia, she’s in Venice for the film festival.  She’s an actor you know.  I didn’t until she called me.”

Juliet gave Cecilia the once over, then looked back at me.  I could see the unspoken question, ‘you still haven’t answered the question’.

“She needed a place to stay and my place is a renovator’s nightmare, so I decided to stay here with her for the duration.”

“Together?”

Not the first thing I expected from her.

“No, separate rooms.  She’s a bit above my pay grade.”

“Oh.”

“We’re off to the festival, she’s agreed to show me around, but if you’re free tonight perhaps we could meet up?  Dumb question, but what are you doing here?”

“I’m staying here.”

“Are you.  No surprise, of course, it’s a good hotel.  I guess we have the same taste in hotels.  Good to see you again, but I’d better go.”

I’d looked around a few times and Cecilia was making to sort of gestures an impatient movie star, ex-girlfriend type might make.

“You’d better go.  I’ll think about it.”

I could see her, ‘this is not a coincidence, look in her eyes and thought it oddly amusing.

Back at the table where Cecilia was waiting, she had been looking covertly in Juliet’s direction.  I sat down.

“She an old girlfriend, or something?”

“Or something.”

“You can tell.  I could feel the death stare.”

“That train left the station a long time ago.”

“Then someone forgot to tell her.  That whole encounter seemed very odd from where I’m sitting.”

“It was.  I asked her for dinner, but I’m not expecting a reply.  It caught me off guard.”

“Then a small suggestion, get your head back in the game.”

She was right.  Catching me by surprise put me on the back foot, and being so meant that the distraction could cause trouble.  I could remember back to the old days, and the training instructor’s words, ‘it only takes a fraction of a second, and you’re dead’.

He was right, it had happened once and I barely survived, coincidentally just before the first time I met Juliet.  That incident kept me vulnerable, a feeling I had hated at the time.

I glanced over at Cecilia, submersed in a text exchange on her cell phone, the conversation playing out in expressions, one of which was quite dark.

But, nevertheless, at least one of us was prepared.  I wondered if Rodby had spoken to her.  He knew of my association with Juliet, before Violetta, and the effect it had on me, especially after the mission that had almost left me broken.

And that, I thought, was another reason for my momentary loss of control; the effect she had on me when I was not prepared, not like the last encounter.  Taking me by surprise, she could still bring those old feelings to the surface, feelings I didn’t want to deal with.  I was still getting over the loss of Violetta which until this moment I had thought I was in a good place.

The text exchange ended.

“Trouble in paradise?” I asked.

“Men can be such idiots sometimes.”

“I know.  Who is he and do you want me to deal with him?”

“A pleasant thought, but no.  I can do that, but you might have to deal with Juliet by yourself.  Oh, she’s coming over.”

By the time I looked up, she was next to me.  “Tonight, here.  Bring your friend if you like.”  Juliet gave her a meaningful glare.

“Sorry, got to attend to man troubles.”

“Sorry to hear that.”  Back to me.

“Eight OK?”

“Fine.  See you then “

I watched her leave the restaurant, not sure what she hoped to gain other than once again to put me on the back foot.

“She has surveillance, the girl who looks like a librarian on holiday, by the door.”

I’d seen her before.  “There’ll be another.  Larry seriously doesn’t trust Juliet.”

“Of course.  French guy, pink shirt, so obvious you’d not think it was him.  Watch yourself.  I have to go for a while but don’t worry, I can find you later.  We need to talk about tonight.”

“Yes.  Later, then.”

…

© Charles Heath 2022

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact that his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just several small, interconnecting events, when piled on top of each other, point to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints at impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovers piece by piece, damning evidence that she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence are about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

…

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The cinema of my dreams – I always wanted to see the planets – Episode 40

Sorry, but it was the only option at the time

…

“What’s the situation with the other ship?”

Number one had come up to the bridge and was standing over the navigator, looking at the screen.

“Sir, might I remind you…”  Nancy began.

“We’ll discuss the ethics later, but right now we don’t have much of a choice.  I expect you to keep what just happened to yourself for the time being.  Am I understood?”

I wasn’t silencing her, it was a matter for reports and discussions in due course.

“Understood, sir.”

“Very good.  Just be ready to be in the boarding party when we catch up with them.”

Her expression told me that she was far from impressed with my decision, but, I wasn’t about to test our ship’s defenses against an unknown quantity.  That might come later, after a discussion with the military commander.

“Later, then.”  She gave me a last witheringly look, then left.

Number one turned.  “What happened over there?”

“Not for discussion right now.  The ship?”

“About fifteen minutes at maximum speed.   They seemed to have stopped.  No indication if they’re having problems.”

“Lay in a course and get us there, maximum speed.”

A moment later the navigator said, “Awaiting the order, air.”

“Go.”

A slight shift inside the ship as it gathered momentum, then the dampeners kicked in.

“Time to target 11 minutes, 35 seconds sir.” 

He didn’t add the “give or take” at the end signifying that it was a serious situation.

“Code Red, military commander to the bridge.”

The lights dimmed and a hush came over the bridge.

“Have we had time to analyze the data on the Russian ship or the alien vessel?”

“For the Russian ship, yes.  Schematics, vulnerabilities, propulsion.  A scaled version of ours, no doubt stolen by their spies, but without some of the modifications we think. It appears its maximum speed is about 60% of ours.”

“Then we can catch them if they try to escape?”

“If we need to, but I’m not sure why we’d want to?”

“There are reasons which at the moment you don’t need to worry about.  Just get us there, and be ready to go after them if they try to leave.”

“Sir.” 

He was also unhappy because our remit was not to be attacking our own ships, but there were always extenuating circumstances, circumstances that I needed to take up with the Admiral before I took any sort of action.

The military commander stepped on the bridge.  “You want to see me?”

“Come with me.  Number one, keep me posted on progress.”

I ushered the commander into my day room.

“I hear we’ve just made first contact.”

“You could say that.  They are following us, on our way to the Russian ship.  At the moment I don’t have the luxury of knowing whether or not the Russians committed atrocities, but the commander of the alien vessel says they did.  To prevent this ship from being destroyed I told him we would apprehend those involved and jointly sort out the mess. It was the best plan I could come up with in the time frame, and we don’t know much about the alien vessel.”

“A sticky situation then.”

“Not even the half of it General.  Our first encounter and already we’re behind the eight ball.  This is not exactly how I envisioned it, but our fellow humans have managed to let us down badly.  Now, you’ve got about 10 minutes to prepare for various outcomes, but that ship can’t be allowed to leave, and, if the alien vessel attacks us, you have to defend us.”

“Battles used to be so much easier, on the ground. Very well.  I’ll see you on the bridge.”

While I had a great deal of autonomy aboard the ship, because we were a long way from home and the sheer distance over which communications had to travel through subspace would make them difficult at best, I didn’t have high hopes of getting hold of the Admiral in the time I had available to me. Of course, the relay satellites we dropped along the way would help boost the signal, but when you’re hoping to rely on something in a crisis, it invariably will let you down.

The situation was one that fell within the guidelines where I needed to brief the Admiral of intended actions so at the very least if there were consequences, he would be in a position to comment, defend, or more likely apportion blame.

This would not be an issue if we were the only ship out on the edge of space, but we were not.

While talking to the General I had started the call but was not expecting to raise him. Given the parameters needed on a good day, and because this was urgent, I wasn’t expecting anything.

I was surprised when a blurry picture of his office appeared on my screen, before it crystallised into the Admiral sitting on the front of his desk. It was almost as if he had been expecting a call.  There would be a lag, but a lag I could live with.

“Captain, we calculated you must be getting close to Pluto’s orbit.  How are you?”

“Everything is fine, and you’re right, we are close to seeing what’s beyond our galaxy.  But, there’s a problem.  There’s another ship out here from earth, been over the border, one that’s neither alien or in our ship register.”

I waited.

“The infamous Russian or Chinese ship?”

“Yes.  But more significantly, we have made contact with an alien race, as have these other humans, and the experience has left the aliens with a severe mistrust of our intentions.  So much so, when we met, I was presented with an ultimatum.  Suffice to say, I’m left in a position where I have to oversee justice against some of that crew.  We don’t have time to discuss the details, it’s a situation where I’ll have to find a mutually beneficial resolution, or our exploration aspirations will be over before they start.”

It was a lot for him to digest.

“Is it likely to cause a problem with the other human ship?”

“The alien captain demanded we detain the guilty crew members, and have them face a judiciary.  I’ve negotiated a presence, but I’m not sure just what the limits of participation will be.”

“How long have you got?”

A look at the top of my screen told me we were on station with the other earth vessel, with the alien ship not far away.

“We’re there, now, so it’s minutes rather than hours.  For the moment it’s simply a heads up.  I’ll get back to you as soon as I can.  You might want to ask some hard questions as to who is out here, sir, because they’re not helping our cause.”

It was exactly the situation the Space Alliance had predicted would happen if we were to present a fractured front to whomever might be out there.  Armed with the knowledge I’d just passed on, the data file the scientific team had assembled, he would be able to ask the hard questions, and hopefully get answers

“It would seem not. But, just so you know, we have just had a conference with what appears to be the command center of the Russian vessel, which, I can now tell you, is a joint venture between the Russians and the Chinese. Further, they claim their ship is being unjustly harassed by the alien who, according to them, simply took exception to them for no apparent reason. Someone is not telling us the whole story.”

“What do you make of it?”

“Since they lied about building a ship, and then sending it out into space without telling us, and given the arrogance shown during the conference, I’d say, from the body language of the Chief of Operations, they have something to hide. You have the authority to take whatever action you deem necessary while walking that very thin line of diplomacy.

“We have a diplomat in the crew.”

“Of course.  Keep me informed of developments, and remember, you are representing the whole world.”

No pressure then.

…

© Charles Heath 2021-2022

A photograph from the inspirational bin – 22

I found this…


So near and yet so far.

What I found was the moon out in the late afternoon, a phenomenon that might happen on a regular basis, but this one of the few times I’ve seen it.

And it reminds me of something I was told a long time ago. Shoot for the moon. I never quite understood what the person meant, not until a long time later when I realised that I was being told nothing was impossible.

Had I ever achieved the impossible?

The thing is, each of us define what is possible and what is impossible ourselves, and is therefore different for every person. If you tell yourself it is impossible, then it requires a mind shift to get past that barrier.

But, the question still remains the same, did I achieve the impossible?

I never thought I’d write a book, or have it published. Some would say I still haven’t achieved that goal because I self published it on Amazon.

I think I achieved what I set out to do.

I never thought I’d get a university degree, but people had faith in me, and yes, I got it in the end.

I never thought, when I was younger, I would be a father, and sometimes I wonder whether it was worth it, but having grandchildren dispelled any perceived disappointment.

And what is on the impossible list now?

Not a lot. At my age, I don’t think it’s possible I will travel to the moon, nor afford to skirt the edge of space, as much as it would be amazing to look back at the planet.

I don’t think I’ll ever become a CEO, but then I don’t want to. Too much responsibility.

What’s left that is achievable?

Tracing my family history, and going back to where my ancestors came from, and, hopefully finding someone who was ‘famous’.