Category: Creative Writing

An excerpt from “Echoes from the Past”

Available on Amazon Kindle here:  https://amzn.to/2CYKxu4

…

With my attention elsewhere, I walked into a man who was hurrying in the opposite direction.  He was a big man with a scar running down the left side of his face from eye socket to mouth, and who was also wearing a black shirt with a red tie.

That was all I remembered as my heart almost stopped.

He apologized as he stepped to one side, the same way I stepped, as I also muttered an apology.

I kept my eyes down.  He was not the sort of man I wanted to recognize later in a lineup.  I stepped to the other side and so did he.  It was one of those situations.  Finally getting out of sync, he kept going in his direction, and I towards the bus, which was now pulling away from the curb.

Getting my breath back, I just stood riveted to the spot watching it join the traffic.  I looked back over my shoulder, but the man I’d run into had gone.  I shrugged and looked at my watch.  It would be a few minutes before the next bus arrived.

Wait, or walk?  I could also go by subway, but it was a long walk to the station.  What the hell, I needed the exercise.

At the first intersection, the ‘Walk’ sign had just flashed to ‘Don’t Walk’.  I thought I’d save a few minutes by not waiting for the next green light.  As I stepped onto the road, I heard the screeching of tires.

A yellow car stopped inches from me.

It was a high powered sports car, perhaps a Lamborghini.  I knew what they looked like because Marcus Bartleby owned one, as did every other junior executive in the city with a rich father.

Everyone stopped to look at me, then the car.  It was that sort of car.  I could see the driver through the windscreen shaking his fist, and I could see he was yelling too, but I couldn’t hear him.  I stepped back onto the sidewalk, and he drove on.  The moment had passed and everyone went back to their business.

My heart rate hadn’t come down from the last encounter.   Now it was approaching cardiac arrest, so I took a few minutes and several sets of lights to regain composure.

At the next intersection, I waited for the green light, and then a few seconds more, just to be sure.  I was no longer in a hurry.

At the next, I heard what sounded like a gunshot.  A few people looked around, worried expressions on their faces, but when it happened again, I saw it was an old car backfiring.  I also saw another yellow car, much the same as the one before, stopped on the side of the road.  I thought nothing of it, other than it was the second yellow car I’d seen.

At the next intersection, I realized I was subconsciously heading towards Harry’s new bar.   It was somewhere on 6th Avenue, so I continued walking in what I thought was the right direction.

I don’t know why I looked behind me at the next intersection, but I did.  There was another yellow car on the side of the road, not far from me.  It, too, looked the same as the original Lamborghini, and I was starting to think it was not a coincidence.

Moments after crossing the road, I heard the roar of a sports car engine and saw the yellow car accelerate past me.  As it passed by, I saw there were two people in it, and the blurry image of the passenger; a large man with a red tie.

Now my imagination was playing tricks.

It could not be the same man.  He was going in a different direction.

In the few minutes I’d been standing on the pavement, it had started to snow; early for this time of year, and marking the start of what could be a long cold winter.  I shuddered, and it was not necessarily because of the temperature.

I looked up and saw a neon light advertising a bar, coincidentally the one Harry had ‘found’ and, looking once in the direction of the departing yellow car, I decided to go in.  I would have a few drinks and then leave by the back door if it had one.

Just in case.

© Charles Heath 2015-2020

newechocover5rs

In a word: Wall

There’s nothing like ‘hitting the wall’.  It’s a rather quaint expression used when you have used up all your energy and there’s nothing left.  A lot of sportspeople are very familiar with this expression.

But it doesn’t have anything to do with hitting a real wall, you know the sort, made out of plaster, or bricks, or timber.  Some people hit the wall in this case too, and soon find out what it’s like to have a broken hand.

There’s wall street, you know the one, it has a bull in it, and it’s in New York, down that end of the city where the Twin Towers used to be.  It’s rumoured lots of ‘jiggery-pokery’ goes on there.

Try stonewalling, you know, give answers to questions that don’t answer the questions, or find something else to do and put off being questioned.  I’m not sure, however, that’s how Stonewall Jackson got his name.

We can climb the walls, metaphorically speaking, but it is something we don’t actually do when we’re bored.

And, I’m sure everyone has heard of the Great Wall of China.  Even those who travel in space have seen it, from a long, long way away.  I’ve tried walking along it, and up it, yes, parts of it go up the sides of mountains, and it’s challenging.  Maybe you should try it sometime.

Perhaps a few others, just to finish with, like

I got hit by a wall of water – yep, watch out for them tidal waves

There’s a wall between us, nope, not gonna talk to you

His stomach wall is failing, which means he’s in very bad shape, and

He couldn’t get through the wall of players, oh, well, maybe we’ll win the FA cup final next year!

Inspiration, maybe – Volume 1

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

lookingdownfromcoronetpeak

And the story:

It was once said that a desperate man has everything to lose.

The man I was chasing was desperate, but I, on the other hand, was more desperate to catch him.

He’d left a trail of dead people from one end of the island to the other.

The team had put in a lot of effort to locate him, and now his capture was imminent.  We were following the car he was in, from a discrete distance, and, at the appropriate time, we would catch up, pull him over, and make the arrest.

There was nowhere for him to go.

The road led to a dead-end, and the only way off the mountain was back down the road were now on.  Which was why I was somewhat surprised when we discovered where he was.

Where was he going?

“Damn,” I heard Alan mutter.  He was driving, being careful not to get too close, but not far enough away to lose sight of him.

“What?”

“I think he’s made us.”

“How?”

“Dumb bad luck, I’m guessing.  Or he expected we’d follow him up the mountain.  He’s just sped up.”

“How far away?”

“A half-mile.  We should see him higher up when we turn the next corner.”

It took an eternity to get there, and when we did, Alan was right, only he was further on than we thought.”

“Step on it.  Let’s catch him up before he gets to the top.”

Easy to say, not so easy to do.  The road was treacherous, and in places just gravel, and there were no guard rails to stop a three thousand footfall down the mountainside.

Good thing then I had the foresight to have three agents on the hill for just such a scenario.

Ten minutes later, we were in sight of the car, still moving quickly, but we were going slightly faster.  We’d catch up just short of the summit car park.

Or so we thought.

Coming quickly around another corner we almost slammed into the car we’d been chasing.

“What the hell…” Aland muttered.

I was out of the car, and over to see if he was in it, but I knew that it was only a slender possibility.  The car was empty, and no indication where he went.

Certainly not up the road.  It was relatively straightforward for the next mile, at which we would have reached the summit.  Up the mountainside from here, or down.

I looked up.  Nothing.

Alan yelled out, “He’s not going down, not that I can see, but if he did, there’s hardly a foothold and that’s a long fall.”

Then where did he go?

Then a man looking very much like our quarry came out from behind a rock embedded just a short distance up the hill.

“Sorry,” he said quite calmly.  “Had to go if you know what I mean.”

I’d lost him.

It was as simple as that.

I had been led a merry chase up the hill, and all the time he was getting away in a different direction.

I’d fallen for the oldest trick in the book, letting my desperation blind me to the disguise that anyone else would see through in an instant.

It was a lonely sight, looking down that road, knowing that I had to go all that way down again, only this time, without having to throw caution to the wind.

“Maybe next time,” Alan said.

“We’ll get him.  It’s just a matter of time.”

© Charles Heath 2019-2021

Find this and other stories in “Inspiration, maybe”  available soon.

InspirationMaybe1v1

Short Story Writing – Don’t try this at home! – Part 4

This is not a treatise, but a tongue in cheek, discussion on how to write short stories.   Suffice to say this is not the definitive way of doing it, just mine.  It works for me – it might not work for you.

…

You’ve got the place, now you want the who.

My main characters are quite often me.

Not the real me, because I’m boring.  No, those characters are what I would like to be, that imaginary superhuman that can do everything.

Until, of course, reality sets in, and the bullets start flying.  When that happens, we should be looking to run or at the very least get under cover, not walk into a hail of bullets, with a huge grin, staring down the enemy.

Hang on, that never happens except in superman comics.

What’s really needed here is a little vulnerability, a little humility and a lot of understanding, qualities at times I don’t have.

So, in order to create a more believable character, I start dragging traits from others I’ve met, or know, or really don’t want to know.  

In a writer’s environment, there are a plethora of people out there that you can draw on for inspiration.  I once spent and afternoon at a railway station just observing people.  Even now, I make observations, some of which are true, and others, wildly off course. 

I once tried to convince my other half that I could pick people’s traits, and we sat at a café outside a church in Venice.  I was lucky, I got more than 75% correct.

Other characters in my stories I have met along the way.

Like a piano player in a restaurant.  It was not so much the playing was bad, it was the way he managed to draw people into his orbit and keep them there.  The man has charisma, but sadly no talent for the instrument.

Like an aunt I met only twice in a lifetime, and who left a lasting impression.  Severe, angry looking, speaking a language I didn’t understand, even though it was English.  It was where I learned we came from England, and she was the closest thing I came to as an example of nineteenth-century prim and proper.  And, no, she didn’t have a sense of humour or time for silly little boys.

Like one of my bosses, a man of indeterminate age, but it had to be over 100, or so it seemed to my sixteen-year-old brain, who spoke and dressed impeccably, and yes, he did once say that I would be the death of him.

I can only hope I wasn’t.

Like a Captain of a ship I once met, a man who didn’t seem to have time for the minions, and a man who reeked authority and respect.  I’ve always wanted to be like him, but unfortunately, it was not in the genes.

Those are only a few, there are thousands of others over the years, a built-in library, if you will, of characters waiting to be taken off the shelf and used where necessary or appropriate.  We all have one of these banks.

You just have to know when to use them.

The cinema of my dreams – I always wanted to write a war story – Episode 10

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination in what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

…

We walked slowly towards the end of the passage, each time I passed a cell I had a look in, and noted if it had a prisoner or not.  By the end of the passage, I counted six prisoners, and one was a woman.’

She just looked at me sullenly, and I guess if it was light enough, that look would be with pleading eyes.  Sadly, I couldn’t save her, or the other five.

At the end of the corridor, we retraced our steps towards the hall, along the passage where I counted another three prisoners, then up the stairs to the ground level.  We came out into a better-lit alcove with arches leading in three directions.

Straight ahead was the hall.

We turned to the left.  Along another passage that seemed to run the length of the wall, what I thought was the stone battlement that made up one side of the castle, looking out over fields, with a village in the distance.

What I thought was the opposite side to the guard tower I’d been in earlier.

I tried to figure out if that’s where we were, and if my memory served me correctly, we were heading towards the wall that was built into the mountainside, in which case we’d go up another set of stairs, at the top of which would be an exit, or turning right, to a room that once served as the guards quarters, now used for kitchen supplies.

What else was here?  My mind was blank.

Up the steps, so far I was right, ahead of a thick wooden door, locked, so we turned right and passed a small room.  I’d forgotten it, but it was the radio room, wires leading out a small arrow slit window to the aerial.   The man in front stumbled, then regained his gait.

I could hear the man behind me shaking his head.

“Halt,” the man behind me barked. 

The man in front stopped dead, and I crashed into him.  I felt rather than saw the fist come towards me; it was not for me, but the other guard, who, preoccupied with not falling, never saw it coming.

He went down like the proverbial ask of potatoes, no idea what happened.

My turn?

A hand landed on my shoulder, thrusting me towards the door to the storeroom.  “Go, now.  The door on the other side is open, head down to the creek and follow it.  Someone will meet you.”

I half turned, “Who…”

“No time.  Go.  And shut the door behind you.”  I felt him thrust a gun in my hand.  “Hit me.”

I hesitated.

“Do it, or I’ll be shot.”

I shrugged and hit him.  He slowly slid to the floor.  A second glance, no, I didn’t know who he was, the headed for the back of the storeroom.  The door was open.  A cautious look before stepping out, I  saw no one but heard breathing.  Jack.  How did the dog know I’d be here?

I closed the door behind me and heard the lock engage, then after a pat on Jack’s head, he led the way.

© Charles Heath 2019

Mistaken Identity – The Editor’s Draft – Day 3

I have been working on the story, the editor is asking for a second draft after making suggested changes – and I’m now working on it

…

My writing effort for the two days, yesterday and today amounted to about 6,000 words, which by any stretch of the imagination is a good two days.

But, here’s the thing. I went over if briefly yesterday, and reworked about 2,000 words, and then today I looked at the rest.

Yesterday was a bad day for continuity, and I found myself beset with innumerable distractions. Being Good Friday probably had a lot to do with it.

Today, there were also distractions, but not as bad, and at least from the outset, I got to read the words from start to end.

And, yes, they needed a little work, and, yes, I realise we should not be editing, but writing.

Sorry, but not sorry. It had to be done, and now I feel better about it.

Today’s effort amounts to 4,454 words, for a total, so far, of 8,368.

More tomorrow.

Searching for locations: Vancouver to Kamloops, Canada

This morning started with a visit to the car rental place in Vancouver.  It reinforced the notion that you can be given the address and still not find the place.  It happened in Washington where it was hiding in the back of the main railway station, and it happened again in Vancouver when it was hidden inside a hotel.

We simply walked straight past it.  Pity there wasn’t a sign to let people know.

However…

We went in expecting a Grand Jeep Cherokee and walked out with a Ford Flex, suitable for three people and four large suitcases.  It actually seats 7, but forget the baggage, you’d be lucky to get two large suitcases in that configuration.

It is more than adequate for our requirements.

Things to note, it was delivered with just over a quarter of a tank of gas, and it had only done about 11,000 km, so it’s relatively new.  It’s reasonably spacious, and when the extra seats are folded down, there is plenty of baggage space.

So far, so good.

We finally leave the hotel about half-past ten, and it is raining.  It is a simple task to get on Highway 1, the TransCanada Highway, initially, and then onto Highway 5, the Coquihalla highway for the trip to Kamloops.

It rains all the way to the top of the mountain, progress hampered from time to time by water sprays from both vehicles and trucks.  The rain is relentless.  At the top of the mountain, the rain turns into snow and the road surface to slush.  It’s 0 degrees, but being the afternoon, I was not expecting it to turn to ice very quickly.

On the other side of the mountain, closer to Kamloops, there was sleet, then rain, then nothing, the last 100kms or so, in reasonably dry conditions.

Outside Kamloops, and in the town itself, there was evidence of snow recently cleared, and slushy roads.  Cars in various places were covered in snow, indicating the most recent falls had been the night before.

We’re staying at the Park Hotel, a heritage building, apparently built in the later 1920s.  In the style of the time, it is a little like a rabbit warren with passages turning off in a number of directions, and showing it is spread across a number of different buildings.

It has the original Otis elevator that can take a maximum of four passengers, and a sign on the wall that says “no horseplay inside the elevator” which is a rather interesting expression that only someone of my vintage would understand.  And, for those without a sense of humor, you definitely couldn’t fit a horse in it to play with.

The thing is, how do you find a balance between keeping the old world charm with modern day expectations.  You can’t.  Some hotels try valiantly to get that balance.  Here, it is simply old world charm, which I guess we should be grateful for because sooner rather than later it’s going to disappear forever.

In my writer’s mind, given the importance of the railways, this was probably a thriving place for travelers and once upon a time, there were a lot more hotels like this one.

The refinement of an old idea

I write about spies, washed out, worn out, or thrown out.

It’s always in the back of my mind, sometimes fuelled by a piece in the paper that has a sense of conspiracy about it, and from there, an idea starts turning into words that need to find their way to paper.

Then, if that’s the extent of the first draft, sometimes it goes into the ‘I will come back to this later’ folder and, sometimes, it’s gone and forgotten.

Until I wake up suddenly in the middle of the night, an old story with a new idea fills my head, and I have to get it down.

Then, it will bother me over the next few days, until I give it the attention it’s calling out for.  This will often lead to more writing, but planning leading to a synopsis.

The first sentence of a novel is always the hardest. Like I guess many others, I sit and ponder what I’m going to write, whether it will be relevant, whether it will pull the reader into my world, and cause them to read on.

And that’s the objective, to capture the reader’s imagination and want to see what’s going to happen next.

The problem is, we have to set the scene.

Or do we?

Do we need to cover the who, what, where, and when criteria in that first sentence? Can we just start with the edge-of-the-seat suspense, like,

The first bullet hit the concrete wall about six inches above my head with a resounding thwack that scared the living daylights out of me. The second, sent on its way within a fraction of a second of the first found its mark, the edge of my shoulder, slicing through the material, and creasing skin and flesh. There was blood and then panic.

Milliseconds later my brain registered the near-miss and sent the instruction: get down you idiot.

I hit the ground just as another bullet slammed into the concrete where my head had just been.

It can use some more work, fewer commas, and perhaps shorter, sharper sentences to convey the urgency and danger.

Perhaps we could paint a picture of the main character.

He tentatively has the name Jackson Galsworthy. He has always aspired to be a ‘secret agent’ or ‘spy’ and but through luck more than anything else, he was given his opportunity. The problem is he failed his first test and failure means washing out of the program.

What had ‘they’ said? When the shit hits the fan, you need to be calm, cool, and collected. He’d been anything but.

Maybe we’ll flesh the character out as we go along.

OK, I just had another thought for an opening,

Light snow was still falling, past the stage where each flake dissolved as it hit the ground, and now starting to gather in white patches.

It was cold, very cold, and even with the three layers I still shivered.

What surprised me was the silence, but, of course, it was a graveyard beside an ancient church, and everyone who had attended the funeral service had left.

It was a short service for the few that came, and a shorter burial. No one seemed keen to hang around, not with the evening darkness and the snow setting in.

I stood, not far from the filled grave looking at it, but not looking at it. Was I expecting it’s occupant to rise again? Was I expecting forgiveness? I certainly didn’t deserve it.

The truth is, I was responsible for this person’s death, making a mistake a more seasoned professional might not, and the reason why I was shown the door. I had been given very simple instructions; protect this man at all costs.

It was going to be a simple extraction, go in, get the target, and get out before anyone noticed.

A pity then I was the only one who got that memo.

It’s a start, but with the TV going on in the background, Chester complaining about something, and the weeds in the yard are getting higher, there’s too much else going to consider this even a start.

It’s an idea.  Perhaps I can expand on it later.

…

© Charles Heath 2020-2023

The cinema of my dreams – I never wanted to go to Africa – Episode 36

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in, and because of it, he has now been roped into what might be called a suicide mission.

 

The next stretch of road was from Aba to Nagero, the gateway to the Garamba National Park.  This was a road where we would have to be more careful because it was possible, now we were off the main road, even though it was designated a highway, or perhaps that was a little too optimistic since it had a number N26, which ran into the R240 at a place nominally named Faradje, but did have a place to stay called the Residence Robert Ball.

I guess I missed that.

Beyond Faradje the road was a little more intense, but something else that worried me, there was more scope for us to be ambushed.  To be honest, I had expected trouble for the last 100 kilometers, but trucks and people were plentiful enough to keep any surprises away.  Now, that element of safety had gone and for quite some distance now we’d been moving slowly, and everyone was on alert.

My fears were not misplaced.

We’d hit a rather rough patch and had to slow down, and coming into a creek crossing the road narrowed, and the trees came down to the side of the road, providing any would-be attacker plenty of cover.  I had been considering how I would arrange an ambush when, suddenly the car in front stopped suddenly, and we, caught unawares, slid almost into the back of them.

My other radio crackled, Monroe was reporting in.  “Houston, we’ve got a problem.”

A flooded creek that was impassable, or a rockfall.  There had been one of each so far, but both had been relatively easy to negotiate.

Then she added, “A gentleman in army gear with a gun.  He’s brought a few friends to the party.”

“Real army, or…”

“The or, I think.  Some of his ‘men’ are, well, not men.”

A local militia.  Ahead I could see several more of the ‘soldiers’ filtering down to cover each of the vehicles until a real soldier stopped near ours, gun aimed and ready to fire.

“Send in our guide and get him to sort the matter out.”

No one was asking us to leave the vehicles yet, so this might but just a ‘request’ for a passing fee.  Jacobi had said this might happen once we left the mainstream roads.  I had hoped, the Garamba National Park is internationally known, all roads in and out would be ‘protected’.  Perhaps that was only for convoys protected by Government troops, a service we had to forego due to the nature of our business.

Five minutes passed, then the next update.

“Jacobi is going now.  We’ve finally got past any possible misunderstandings.  Good thing he knows the language.”

Mindful of where the soldier covering us was standing and his line of sight into the car, I said into the other radio, “Mobley?”

“Sir?”

“Where are you?”

“About a k behind you.”

“Stop.  Park, and approach on foot.  We have a small problem, about 10 militiamen have stopped us at a choke point.”

“Done.  I will be there shortly.  Take them out?”

“Get a position and standby.”

Forward of us little was happening.  I could now see Jacobi and the group commander standing to one side of the lead vehicle, talking.  Jacobi was gesturing, and the soldier was looking defensive.

Seconds dragged by like they were minutes.

Davies came back to life.  “Why have we stopped?”

“Checkpoint.”

“There isn’t meant to be a checkpoint here, is there?”

“No.”

Before we started out Davies had hidden a sidearm under her seat, in a place where I had hoped would not be checked by the border officials.  They had made a cursory scan in the front of the car but hadn’t seen it.  Now she had reached down and had it in her hand, at the same time making sure she had eye contact with the militiaman on her side of our car.

Our personal detail had doubled in the last minute or so.  I had just watched Jacobi return to the lead vehicle, get in, but leave the door open.

The radio crackled again.  “They want five thousand US dollars, and we can proceed.”

“We got five thousand.”

“Jacobi says two should do it.”

“Give it a go.”

I watched and waited as it took a few more minutes before Jacobi, with a bulky envelope, got out of the car and walked towards the soldier.

Showing we had money and were willing to hand it over might lead to further demands, particularly if the soldier though he was being disrespected.  It all depended on Jacobi’s negotiating skills.

Mobley reported in.  He had a position where he could see the men at the head of the convoy.

I spoke into the radio to the others, “Has everyone got a clear shot on their covering guards, just in case this goes sideways.”

“They’re not exactly soldiers,” I heard Barnes say.

“But they’ll shoot to kill you all the same.  Unfortunately, we’re on a mission-critical timeline here, and whilst I don’t like it, it’s going to be one of those at all costs decisions.”

A series of ‘ready’ came over the radio.

Several more minutes passed, and more animated conversation between Jacobi and the commander, then Jacobi returned to the car, minus the envelope.

Was it successful?

Monroe.  “Seems he wants ten thousand now.  Orders?”

“Negotiations are over.”

Several shots rang our, taking down the three men at the front of the convoy in quick succession, the signal for the others to take out their guards almost simultaneously.  It was a miracle none of the guards got a shot off, but, then, they were standing a little too close for their own good.


Five minutes later we were back on the road, the militiamen having their arms removed, and removed from sight, just in case anyone came looking for them.  It might be a forward group from the kidnappers, looking for some extra cash, or, if the negotiations had dragged on, looking to take the ransom and then demand another when we turned up empty-handed.

Whatever had happened, it was over.

Ten minutes later Mobley had re-joined the convoy behind me.

 

© Charles Heath 2019-2020

“One Last Look”, nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovers his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man? Why was she having dinner with him?

A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife, and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little Ben discovers who the woman he married is, and the real reason why fate had brought them together.

It is available on Amazon here:  http://amzn.to/2CqUBcz