Searching for locations: Driving in ice and snow, Canada

This morning started with a visit to the car rental place in Vancouver.  It reinforced the notion that you can be given the address and still not find the place.  It happened in Washington where it was hiding in the back of the main railway station, and it happened again in Vancouver when it was hidden inside a hotel.

We simply walked straight past it.  Pity there wasn’t a sign to let people know.

However…

We went in expecting a Grand Jeep Cherokee and walked out with a Ford Flex, suitable for three people and four large suitcases.  It actually seats 7, but forget the baggage, you’d be lucky to get two large suitcases in that configuration.

It is more than adequate for our requirements.

Things to note, it was delivered with just over a quarter of a tank of gas, and it had only done about 11,000 km, so it’s relatively new.  It’s reasonably spacious, and when the extra seats are folded down, there is plenty of baggage space.

So far, so good.

We finally leave the hotel at about half-past ten, and it is raining.  It is a simple task to get on Highway 1, the TransCanada Highway, initially, and then onto Highway 5, the Coquihalla Highway for the trip to Kamloops.

It rains all the way to the top of the mountain, progress hampered from time to time by water sprays from both vehicles and trucks.  The rain is relentless.  At the top of the mountain, the rain turns into snow and the road surface to slush.  It’s 0 degrees, but being the afternoon, I was not expecting it to turn to ice very quickly.

On the other side of the mountain, closer to Kamloops, there was sleet, then rain, then nothing, the last 100kms or so, in reasonably dry conditions.

Outside Kamloops, and in the town itself, there was evidence of snow recently cleared, and slushy roads.  Cars in various places were covered in snow, indicating the most recent falls had been the night before.

We’re staying at the Park Hotel, a heritage building, apparently built in the later 1920s.  In the style of the time, it is a little like a rabbit warren with passages turning off in a number of directions, and showing it is spread across a number of different buildings.

It has the original Otis elevator that can take a maximum of four passengers, and a sign on the wall that says “no horseplay inside the elevator” which is a rather interesting expression that only someone of my vintage would understand.  And, for those without a sense of humor, you definitely couldn’t fit a horse in it to play with.

The thing is, how do you find a balance between keeping the old world charm with modern-day expectations.  You can’t.  Some hotels try valiantly to get that balance.  Here, it is simply old world charm, which I guess we should be grateful for because sooner rather than later it’s going to disappear forever.

In my writer’s mind, given the importance of the railways, this was probably a thriving place for travelers, and once upon a time, there were a lot more hotels like this one.

An excerpt from “Strangers We’ve Become” – Coming Soon

I wandered back to my villa.

It was in darkness.  I was sure I had left several lights on, especially over the door so I could see to unlock it.

I looked up and saw the globe was broken.

Instant alert.

I went to the first hiding spot for the gun, and it wasn’t there.  I went to the backup and it wasn’t there either.  Someone had found my carefully hidden stash of weapons and removed them.

Who?

There were four hiding spots and all were empty.  Someone had removed the weapons.  That could only mean one possibility.

I had a visitor, not necessarily here for a social call.

But, of course, being the well-trained agent I’d once been and not one to be caught unawares, I crossed over to my neighbor and relieved him of a weapon that, if found, would require a lot of explaining.

Suitably armed, it was time to return the surprise.

There were three entrances to the villa, the front door, the back door, and a rather strange escape hatch.  One of the more interesting attractions of the villa I’d rented was its heritage.  It was built in the late 1700s, by a man who was, by all accounts, a thief.  It had a hidden underground room which had been in the past a vault but was now a wine cellar, and it had an escape hatch by which the man could come and go undetected, particularly if there was a mob outside the door baying for his blood.

It now gave me the means to enter the villa without my visitors being alerted, unless, of course, they were near the vicinity of the doorway inside the villa, but that possibility was unlikely.  It was not where anyone could anticipate or expect a doorway to be.

The secret entrance was at the rear of the villa behind a large copse, two camouflaged wooden doors built into the ground.  I move aside some of the branches that covered them and lifted one side.  After I’d discovered the doors and rusty hinges, I’d oiled and cleaned them, and cleared the passageway of cobwebs and fallen rocks.  It had a mildew smell, but nothing would get rid of that.  I’d left torches at either end so I could see.

I closed the door after me, and went quietly down the steps, enveloped in darkness till I switched on the torch.  I traversed the short passage which turned ninety degrees about halfway to the door at the other end.  I carried the key to this door on the keyring, found it and opened the door.  It too had been oiled and swung open soundlessly.

I stepped in the darkness and closed the door.

I was on the lower level under the kitchen, now the wine cellar, the ‘door’ doubling as a set of shelves which had very little on them, less to fall and alert anyone in the villa.

Silence, an eerie silence.

I took the steps up to the kitchen, stopping when my head was level with the floor, checking to see if anyone was waiting.  There wasn’t.  It seemed to me to be an unlikely spot for an ambush.

I’d already considered the possibility of someone coming after me, especially because it had been Bespalov I’d killed, and I was sure he had friends, all equally as mad as he was.  Equally, I’d also considered it nigh on impossible for anyone to find out it was me who killed him because the only people who knew that were Prendergast, Alisha, a few others in the Department, and Susan.

That raised the question of who told them where I was.

If I was the man I used to be, my first suspect would be Susan.  The departure this morning, and now this was too coincidental.  But I was not that man.

Or was I?

I reached the start of the passageway that led from the kitchen to the front door and peered into the semi-darkness.  My eyes had got used to the dark, and it was no longer an inky void.  Fragments of light leaked in around the door from outside and through the edge of the window curtains where they didn’t fit properly.  A bone of contention upstairs in the morning, when first light shone and invariably woke me up hours before I wanted to.

Still nothing.

I took a moment to consider how I would approach the visitor’s job.  I would get a plan of the villa in my head, all entrances, where a target could be led to or attacked where there would be no escape.

Coming in the front door.  If I was not expecting anything, I’d just open the door and walk-in.  One shot would be all that was required.

Contract complete.

I sidled quietly up the passage staying close to the wall, edging closer to the front door.  There was an alcove where the shooter could be waiting.  It was an ideal spot to wait.

Crunch.

I stepped on some nutshells.

Not my nutshells.

I felt it before I heard it.  The bullet with my name on it.

And how the shooter missed, from point-blank range, and hit me in the arm, I had no idea.  I fired off two shots before a second shot from the shooter went wide and hit the door with a loud thwack.

I saw a red dot wavering as it honed in on me and I fell to the floor, stretching out, looking up where the origin of the light was coming and pulled the trigger three times, evenly spaced, and a second later I heard the sound of a body falling down the stairs and stopping at the bottom, not very far from me.

Two assassins.

I’d not expected that.

The assassin by the door was dead, a lucky shot on my part.  The second was still breathing.

I checked the body for any weapons and found a second gun and two knives.  Armed to the teeth!

I pulled off the balaclava; a man, early thirties, definitely Italian.  I was expecting a Russian.

I slapped his face, waking him up.  Blood was leaking from several slashes on his face when his head had hit the stairs on the way down.  The awkward angle of his arms and legs told me there were broken bones, probably a lot worse internally.  He was not long for this earth.

“Who employed you?”

He looked at me with dead eyes, a pursed mouth, perhaps a smile.  “Not today my friend.  You have made a very bad enemy.”  He coughed and blood poured out of his mouth.  “There will be more …”

Friends of Bespalov, no doubt.

I would have to leave.  Two unexplainable bodies, I’d have a hard time explaining my way out of this mess.  I dragged the two bodies into the lounge, clearing the passageway just in case someone had heard anything.

Just in case anyone was outside at the time, I sat in the dark, at the foot of the stairs, and tried to breathe normally.  I was trying not to connect dots that led back to Susan, but the coincidence was worrying me.

A half-hour passed and I hadn’t moved.  Deep in thought, I’d forgotten about being shot, unaware that blood was running down my arm and dripping onto the floor.

Until I heard a knock on my front door.

Two thoughts, it was either the police, alerted by the neighbors, or it was the second wave, though why would they be knocking on the door?

I stood, and immediately felt a stabbing pain in my arm.  I took out a handkerchief and turned it into a makeshift tourniquet, then wrapped a kitchen towel around the wound.

If it was the police, this was going to be a difficult situation.  Holding the gun behind my back, I opened the door a fraction and looked out.

No police, just Maria.  I hoped she was not part of the next ‘wave’.

“You left your phone behind on the table.  I thought you might be looking for it.”  She held it out in front of her.

When I didn’t open the door any further, she looked at me quizzically, and then asked, “Is anything wrong?”

I was going to thank her for returning the phone, but I heard her breathe in sharply, and add, breathlessly, “You’re bleeding.”

I looked at my arm and realized it was visible through the door, and not only that, the towel was soaked in blood.

“You need to go away now.”

Should I tell her the truth?  It was probably too late, and if she was any sort of law-abiding citizen she would go straight to the police.

She showed no signs of leaving, just an unnerving curiosity.  “What happened?”

I ran through several explanations, but none seemed plausible.  I went with the truth.  “My past caught up with me.”

“You need someone to fix that before you pass out from blood loss.  It doesn’t look good.”

“I can fix it.  You need to leave.  It is not safe to be here with me.”

The pain in my arm was not getting any better, and the blood was starting to run down my arm again as the tourniquet loosened.  She was right, I needed it fixed sooner rather than later.

I opened the door and let her in.  It was a mistake, a huge mistake, and I would have to deal with the consequences.  Once inside, she turned on the light and saw the pool of blood just inside the door and the trail leading to the lounge.  She followed the trail and turned into the lounge, turned on the light, and no doubt saw the two dead men.

I expected her to scream.  She didn’t.

She gave me a good hard look, perhaps trying to see if I was dangerous.  Killing people wasn’t something you looked the other way about.  She would have to go to the police.

“What happened here?”

“I came home from the cafe and two men were waiting for me.  I used to work for the Government, but no longer.  I suspect these men were here to repay a debt.  I was lucky.”

“Not so much, looking at your arm.”

She came closer and inspected it.

“Sit down.”

She found another towel and wrapped it around the wound, retightening the tourniquet to stem the bleeding.

“Do you have medical supplies?”

I nodded.  “Upstairs.”  I had a medical kit, and on the road, I usually made my own running repairs.  Another old habit I hadn’t quite shaken off yet.

She went upstairs, rummaged, and then came back.  I wondered briefly what she would think of the unmade bed though I was not sure why it might interest her.

She helped me remove my shirt, and then cleaned the wound.  Fortunately, she didn’t have to remove a bullet.  It was a clean wound but it would require stitches.

When she’d finished she said, “Your friend said one day this might happen.”

No prizes for guessing who that friend was, and it didn’t please me that she had involved Maria.

“Alisha?”

“She didn’t tell me her name, but I think she cares a lot about you.  She said trouble has a way of finding you, gave me a phone and said to call her if something like this happened.”

“That was wrong of her to do that.”

“Perhaps, perhaps not.  Will you call her?”

“Yes.  I can’t stay here now.  You should go now.  Hopefully, by the time I leave in the morning, no one will ever know what happened here, especially you.”

She smiled.  “As you say, I was never here.”

…

© Charles Heath 2018-2022

strangerscover9

Mistaken Identity – The Editor’s Draft – Day 7

I have been working on the story, the editor is asking for a second draft after making suggested changes – and I’m now working on it

…

What’s the best way to recover from being shot by the police? Go on an all-expenses paid holiday.

Within reason, of course.

Of course, he was on holiday, not quite all expenses paid, but for the duration of the conference. Getting shot and having a prolonged stay in hospital put paid to that, but there is an upside.

The police, in exchange for silence and an indemnity, are happy to send our intrepid conference goer on a tour of Italy. There are benefits on either side, the police don’t get a lawsuit, and he gets to spend a few days touring.

Of course, Maryanne decided to tag along. She had been filling in for him at the conference, unbeknownst to him, and lined up a couple of free venues. In exchange for favourable reviews.

But what is the real reason Maryanne is along for the ride, or she might put it, ‘carry the bags’?

That saying ‘if it’s too good to be true, it probably is’ sticks in the back of his mind, but he doesn’t discourage her from coming with him.

Is he lucky, or is he cursed?

Today’s effort amounts to 3,123 words, for a total, so far, of 18,150.

More tomorrow.

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

In a word: Leg

Aside from the fact it is one of those necessary items to walk with, and the fact we can have two or four for most humans and animals, there are a few other uses for the word ‘leg’.

Like…

‘You haven’t got a leg to stand on’, doesn’t necessarily mean you have no legs, but that you are in a precarious position.

“the table had ornate legs’, yes, even non-living objects can have legs, like tables and chairs.

“It was the fifth leg of the race’, meaning it can be a stage of a race.

“He was legless’, meaning that he was too drunk to stand up.  Some might think being legless is a badge of honour, but I suspect those people have been drinking a long time and the alcohol has destroyed most of their brain cells.

“leg it!’, meaning get the hell out of here before you’re caught.

Then, finally, ‘he’s on his last legs’, meaning that he’s exhausted, or about to die.

I’m sure there’s more but that’ll do for now.

I have to use my legs to get some exercise, of which the first leg is to the tripod to check if its legs are stable, and the second leg is to come back to the table and replace one of the legs which is broken.  Then I’ll leg it to the pub where hopefully I won’t become legless.

Hmm…

‘What Sets Us Apart’ – A beta readers view

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a set up.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman the pique his interest. Then, inexplicably, she disappears. That might have been the end to it, but Prendergast, that shadowy enigma, David’s ex boss who loves playing games with real people, gives him an ultimatum, find her or come back to work.

Nothing like an offer that’s a double edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

…

The book can be purchased here: http://amzn.to/2Eryfth

…

“Trouble in Store” – Short stories my way: Point of view

If this story was being written the first person the only perspective or point of view would be that of the narrator.

Since we need to have a number of perspectives it is better done in the third person so we can change between characters and try to understand their motivation.

We might look at the first-person perspective for each of the characters later.

The second of the protagonists is the girl with the gun.  How did she get it?  How did the situation deteriorate so quickly?   What is she going to do?

This is a short story and we need to know something about her, so we have to get to the heat of the matter quickly, so let’s start with:

Her mother said she would never amount to anything, and here she was, with a broken drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to leverage drugs from his dealer at the end of a gun.  It was her fault, Jerry said and made her feel responsible, much the same as her parents and everyone else in her life.

One of life’s losers or just a victim?  This theme can go in any direction.

Then a moment to reflect on why she was here:

Why had she agreed to go with Jerry?  At that moment when she picked up the gun off the floor, she realized it was not out of responsibility or fault, it was out of fear.

That gives us the why; he had obviously tried to make her feel responsible and when that failed, he threatened her.  But now there’s a bigger issue, the gun and a situation spiraling out of control.  The thing is, she has the gun and the power to walk away or make matters worse.

The problem was, she has outed the shopkeeper as a dealer in front of someone who had not known.  That now made him a victim as much as she was.

She looked at the two men facing her, a shopkeeper who was a dealer and a customer scared shitless.  As much as she was.  Her gun hand was shaking.

The scene is set, something has to give.

Time for the shopkeeper to weigh in.

“I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.”

It’s a typical response from a man who realizes he’s in trouble and is trying to make time while he thinks of how to rescue himself from a potentially dangerous situation.

Time to change the perspective again and explore the shopkeeper.

If only Jack hadn’t come in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

 

Next, actions have consequences, building the tension.

 

This section rewritten, moving from Jack as the narrator to the girl, and then to the shopkeeper:

 

Annalisa looked at the two men facing her, a shopkeeper who, despite his protestations, was a dealer and a customer scared shitless.

The poor bastard was not the only one.  This was meant to be simple, arrive at the shop just before closing, force the shopkeeper to hand over the shit, and leave.  Simple.

Except …

The shopkeeper told them to get out.  Simmo started ranting waving the gun around, then collapsed.  A race for the gun which spilled out of his hand, she won.

He was getting the stuff when the customer burst into the shop.

Shit, shit, shit, shit, she thought.

Why had she agreed to go with Jerry?  It was her fault, Jerry had said, and he made her feel responsible for his problems, much the same as her parents and everyone else in her life.

Her mother said she would never amount to anything, and here she was, with a drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to pick up his score from his dealer at the end of a gun.

She heard a strange sound come from beside her and looked down.  Simmo was getting worse, like he had a fever, and was moaning.

The shopkeeper saw an opportunity.  “Listen to me, young lady, I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.  Your friend needs medical help and I can call an ambulance.”

The girl switched her attention back to him.  “Shut up, let me think.  Shit.”

The storekeeper glanced over at the customer.  He’s been in once or twice, probably lived in the neighborhood, but looked the sort who’d prefer to be anywhere but in his shop.  More so now.  If only he hadn’t burst in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

 

© Charles Heath 2016 – 2020

 

The fourth attempt, let’s look at the location

Equally important is the location.  Dark and brooding characters need dark and brooding locations.  It’s undeniable that there’s evil everywhere, we just have to look for it.

Of course, that’s not what I do, but …

I have been in a few tight corners, with some possibly dark and brooding characters where my heart rate has increased exponentially, and was saved by quick thinking, and a desire not to hang around and see what happens (for the purposes of a writable experience – no,, I’m not that stupid).

As the story stands, we move from a small staff room or restroom, and then we move out to the car park of … what?  It’s not exactly clear where it is, only that Graham is leaving work to go home.

Whether it’s clear or not, Graham is a security guard, part of a team that works on an industrial estate where there’s a number of factories and office blocks. 

Some of those buildings are empty, for a variety of reasons, so a back story for this might be created so that I can convey a clearer picture of not only the bricks and mortar but what it’s like there.

Ergo the first descriptive line, stepping outside into the epicenter of the south pole.  There is snow everywhere, which meant it was falling while he was inside at work, but now, the moment he leaves, it’s stopped.  Cold, then, and clear.

So it begins…

Now, as a secondary theme, it might not be obvious the owners are lax in the hiring of security staff to watch over their assets, staff that are relatively dubious in character, which might, in turn, mean that the notion of using cut-price security might mean something else is going on.

Are the empty factories empty?  Or have they been repurposed, and the guards are not sure what they’re guarding?  Do they want to know?  A job is a job, and in this situation, either from a hint from the employer, or the words of an old hand, and it doesn’t pay to poke a nose in where it’s not wanted.

So, as you can see, when starting the story I didn’t give proper thought to the background story, the fact that I could weave another or several storylines intertwined with what will be the master plotline.

What is the master plotline?

I have an idea or two, but let’s not get to ahead of ourselves.

Let’s stitch together a scenario or two for the back story and see where it takes us.  Remember that this was more or less part of the storyline originally in my mind but may not have been articulated in what I wrote at the time.

Basically, then, we’re dealing with a large industrial site on the outskirts of a city in decline.  Everyone can relate to the problematic times we’re in now, but this was written at the height of the last global financial meltdown about fifteen years ago, which caused a deep recession.

Within that framework, a lot of businesses and people went to the wall.  Graham, and others, lost a decent paying job, as well as his house, having finally got on the property ladder, only to find he couldn’t pay for it.

At the time he was not alone in that respect.  And lenders were not immune either, so there’s the possibility of one or two industrial park owners not exactly being legit in some of their business dealings, not after taking heavy hits financially.

In that scenario, there’s always the possibility of insurance fraud as a means of cutting losses, hence the need for security that might be asked to look the other way.

Another possibility could be that empty buildings and enterprising men, or women, fit the category of ‘the devil finds work for idle hands’. 

Or someone who recognizes an opportunity to make some money.  That particular scenario opens the door to a plethora of ideas.

…

© Charles Heath 2021

The cinema of my dreams – I always wanted to write a war story – Episode 16

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination in what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

The message I sent to Forster, in London, was short and to the point,

‘Castle in hands of Germans led by Thompson, others, and a further 12 soldiers parachuted in.  Defectors, our original soldiers? and villagers held captive in dungeons.  Resistance is limited to five plus self.  Available resources cannot retake the castle and will have difficulty in intercepting incoming package.  Suggestions?’

Marina read it and added her name before it was sent.  Now, all we could do was wait for a reply, though I was not sure what Forster would make of my request for suggestions.  I was supposed to make decisions in the field, but that was when we had a full complement of resistance fighters.  What I’d discovered was the worst-case scenario, and everyone in London was hoping that would not be the case.

I wondered what happened to the two men who had been following me, hoping I would lead them to what were now the remaining resistance members.

“Did you see the two men from the castle that had been following me?  I told the two who had captured me, a man and a woman, though the man emphatically denied he worked for the resistance, about them before the woman shot me with a tranquillizer gun.”

Martina looked puzzled.  It was obvious the two hadn’t mentioned anything about my situation to her.

“That did not come up in the debriefing.  The man is, in fact, a farmer, Leonardo, who doesn’t advertise his involvement, and only works with us if we need him.  Chiara tends to shoot first and ask questions later.  You were lucky her gun wasn’t loaded with bullets.  What is this story of yours, then?”

“One of the guards released me from my cell, and then set me free with the intention of following, not too close, to see if I led them to you.  I was hiding from them when they passed by, shortly before you people turned up.  They would have had to see them if they came from the village.”

The implications of what I just said only dawned on me after I said it.

“That might mean…” I said.

She put her hand up, not wanting me to continue.

“It doesn’t necessarily mean anything, but I will have to talk to them.  If anything, they would have avoided them or ignored them.  We don’t use that track from the village to the castle for the simple reason we might run into any of them.  Whether they were originally our allies, or not, we never trusted them.”

“Did they bring me here?”

“No.  We have a separate meeting point for intercepts like yourself and the defectors.  Then, if we think it’s safe to do so, we bring them here.  Only three of us know about this place, and two of us are here now.”

“The third?”

“You’ll meet him later when he brings some food and wine.  His name is Carlo.  He used to be a gardener at the castle, and his mother was the cook.  The Germans killed her the first time they were here, and now he hates Germans.”

Good for us, very bad for anyone at the castle, particularly if they are German.

“Pity we didn’t know about that earlier so we could organise a trap for them  We could do with two fewer adversaries, and quite possibly we might get some information out of them.  They might be still in the village.”

She stood, put on her coat, and put a gun in the coat pocket where she could easily reach it.  “I’m going to have a word with Chiara, and warn Carlo that you’re here.  He’s a little trigger happy too.  Nothing much is going to happen until we hear back from the Colonel.  I suggest you get some rest, we have a few long days ahead.”

Carlo was a surprise.  Six foot ten, over 250 pounds, and carrying a sten gun over his shoulder, not a man to become an enemy of.  He came into the room without warning, and it was clear he was expecting to see me, and equally that I might be the enemy.

It was clear that he knew how to use the weapon, and had it ready in case he had to use it.

“You this Anderson character?”

He was more English than Italian, but could certainly pass for an Italian.

“I am.”

“From up yon castle?”

“Escaped?”

“How?”

“The lower level, where there are a few storerooms turned into cells.  The passage ran alongside the outer wall to a room that had a door to the outside.  Not one you’d easily pick.”

“Neat the communications room?”

“Probably above there.”

“You know the castle?”

“A little.  I used to be an archaeologist before this war came along, and had been to the castle before the war.  I’m familiar with the above-ground parts, but not so much below.  You were, I was told, a gardener?”

“Once.”

“Then you’d know your way around?”

“Possibly.  Why?”

“Because at some point we’re going to have to retake the place, and it would be good to have someone who knows their way around.  At least, better than I do.”

“Taking prisoners?”

“No.    We will be assuming anyone there who’s not a prisoner is hostile.”

“Good.  Count me in.”

He dropped a basket he’d brought with him on the table in the corner.  “Dinner.”  Marina will be back shortly.

“You’re not staying?”

“Guard duty.  So you can eat in peace.”

With that, he was gone.  A large man, but a very quiet one.  I didn’t hear him arrive, and it was very nearly the same when he left.  A useful man in a fight indeed.

© Charles Heath 2019-2022

Mistaken Identity – The Editor’s Draft – Day 9

I have been working on the story, the editor is asking for a second draft after making suggested changes – and I’m now working on it

…

Today Jack is about to become as confused as he ever will be. Well, maybe not as ever, but it’s the start of a time when he will not know what is happening.

Firstly, there’s Maryanne. Whilst the full extent of the enigma she will be for nearly three-quarters of the book, may need a little adjustment when it comes to the first edit, I know something about her now, and those characteristics will gradually be dropped in front of the reader.

Some will say, after this chapter, that she is in trouble. Jack has known that from the start, but that assessment really comes from a distinct lack of understanding of women in general. Yes, he had had girlfriends, but not like Maryanne.

And, before you asked, yes, she is, in part, modelled on a woman I once knew, and she was nothing like any other woman I had known. She was genuinely a beautiful soul, and very much misunderstood.

Jack is fortunate in that he is hesitant to take that last step, though I suspect he might want to, but there are reasons for holding back.

These will be more apparent in the next chapter … I hope.

It’s written in my head, and I’m tempted to stay up and write it, but it’s late, and life other than being a writer will impinge on my time tomorrow.

Today’s effort amounts to 2,018 words, for a total, so far, of 22,612.

More tomorrow.