If I only had one day to stop over in – Ankara – what would I do?

One‑Day Stopover in Ankara? Make It Unforgettable With a Single Stop at Anıtkabir

If your flight itinerary or a road‑trip detour leaves you with just 24 hours in Turkey’s capital, you’ll quickly realise that Ankara isn’t a “quick‑look‑and‑leave” city. Its blend of modern governance, Ottoman‑era streets, and ancient history can feel overwhelming when the clock is ticking.

So, what’s the one place you must visit to turn a fleeting layover into a lasting memory?

The answer: Anıtkabir – the Mausoleum of Mustafa Kemal Atatürk

The monumental complex dedicated to Turkey’s founding father is more than a tomb; it’s a masterclass in architecture, a museum of the Republic’s birth, and a panoramic viewpoint over the city’s heart. In a single, well‑planned visit, you’ll:

  • Feel the pulse of modern Turkish identity – Atatürk’s legacy is woven into every corner of contemporary Turkey, and Anıtkabir is the physical embodiment of that narrative.
  • Enjoy a compact, self‑contained experience – The site fits comfortably into a 2‑hour window, leaving you time to sip Turkish tea, wander a nearby market, or catch a late‑night flight.
  • Capture iconic photographs – From the grand staircases to the sprawling lawn framed by the Bosphorus‑blue sky, every angle screams “travel‑worthy.”

Below is a practical guide to make that single stop truly unforgettable.


📍 Where Is Anıtkabir?

  • Address: Anıtkabir, Çankaya, 06570 Ankara, Turkey
  • Coordinates: 39.9250° N, 32.8624° E
  • Getting There:
    • By Taxi / Ride‑Share: 15‑20 min from Ankara Airport (ESB) or the city centre; cost ≈ 30‑40 TL.
    • By Public Transport: Take the EGO bus 301 from the airport to Ulus and then a short 10‑minute walk. The Metro (M1 line) to Kızılay, followed by a 20‑minute bus ride (bus 302) also works.

Pro tip: Purchase a “Anıtkabir 1‑Day Pass” (≈ 25 TL) which includes entry to the mausoleum, the museum, and the Atatürk and War of Independence Hall—all in one ticket.


🕰️ When to Go?

SeasonWeatherBest Time of Day
Spring (Mar‑May)Mild, blossoms in the nearby Gençlik ParkEarly morning – fewer crowds, sunrise light on the columns
Summer (Jun‑Aug)Hot, but the lawns are shaded by large treesLate afternoon – cooler temps, dramatic sunset silhouettes
Autumn (Sep‑Nov)Crisp, golden foliageMid‑day – perfect for museum photography
Winter (Dec‑Feb)Cold, occasional snow – magical on the staircaseLate morning – sunlight hits the marble beautifully

The site opens at 9:00 AM and closes at 7:00 PM (last entry at 6:30 PM). Plan to arrive early to beat the peak tourist wave (typically 11:00 AM‑1:00 PM).


🎟️ What You’ll See – A Quick Walk‑Through

SectionHighlightsTime Needed
Ceremonial Plaza33‑meter high towers representing the 33 years of the Turkish War of Independence.15 min
Road of LionsA marble avenue lined with 24 lion statues, each symbolising virtues like courage and justice.10 min
Mausoleum HallThe sarcophagus of Atatürk rests under a 19-metre-high copper dome; a solemn, reverent atmosphere.10 min
Museum of AtatürkPersonal items, letters, photographs, and a timeline of his life.30 min
War of Independence HallWeapons, maps, and flags displayed in a dramatic, dim‑lit space.20 min
Terrace & ViewsPanoramic sweep of Ankara’s skyline and the verdant Gençlik Park beyond.15 min

Total: Roughly 1.5‑2 hours. Add a short coffee break at the on‑site café for a traditional Turkish tea and a bite of simit (sesame‑seed bagel).


🌟 Why Anıtkabir Beats All Other Options for a One‑Day Stop

FactorAnıtkabirOther Popular Spots (e.g., Museum of Anatolian Civilizations, Ankara Castle)
Time EfficiencyAll‑in‑one complex; minimal transit between sectionsRequires separate trips, more walking, and potentially longer queues
Cultural SignificanceCentral to modern Turkish identity; revered national monumentImportant, but more niche to archaeology or medieval history
Scenic ValueGrand architecture + sweeping city viewsScenic, but generally lower‑profile backdrops
AccessibilityWheelchair‑friendly ramps, audio guides in multiple languagesSome areas (castle walls) are steep and less wheelchair‑friendly
MemorabilityIconic photo‑ops (dome, lion road, burial chamber) that instantly signal “Ankara”Beautiful, yet less instantly recognizable to a global audience

In short, Anıtkabir delivers history, architecture, and visual impact in a compact, visitor‑friendly package—exactly what a short stopover demands.


📸 Snap‑Shot Checklist

  1. “The Lions” Walk – Capture the line of stone lions with the sunrise or sunset casting long shadows.
  2. Dome Detail – A low‑angle shot of the copper dome framed by the marble columns.
  3. Atatürk’s Sarcophagus – Respectful close‑up (no flash) of the simple, dignified stone coffin.
  4. Panorama from the Terrace – Use a wide‑angle lens for the cityscape; the park in the foreground adds depth.
  5. Museum Artifact – A candid of you (or your travel companion) reading Atatürk’s handwritten note.

Tip: Free Wi‑Fi is available in the museum—upload instantly to your travel blog or social feed!


🎒 Practical Tips for a Smooth Visit

TipDetails
Dress CodeModest attire is required (no shorts, miniskirts, or sleeveless tops). A light scarf can be useful.
SecurityExpect metal detectors; large bags are not allowed inside the mausoleum.
Audio GuideAvailable in English, Arabic, Russian, and French; rent for 10 TL.
PhotographyAllowed in the exterior areas; flash prohibited inside the mausoleum hall.
Food & DrinkNo eating inside the complex; there’s a small café just outside offering tea, fresh juice, and light snacks.
Nearby Quick BiteWalk 5 minutes to Beypazarı Şarküteri for a traditional Turkish kebab or Baklava if you have extra time.

🛫 After Your Visit – Making the Most of the Rest of the Day

  • If you have a few hours left: Stroll through Gençlik Park (just south of Anıtkabir). The lake, flower beds, and mini‑cable car offer a pleasant breather.
  • For a taste of local life: Head to Kızılay Square (the city’s bustling hub) for a quick coffee at Café Diyar, then browse the nearby boutiques for souvenirs.
  • Last‑minute transport: Return to the airport via the EGO bus 302 (direct to Esenboğa). The ride takes about 30 minutes and runs every 20‑30 minutes.

✈️ Wrap‑Up: One Stop, One Memory

When the clock is ticking, you need a destination that summarises the soul of the city while staying logistically friendly. Anıtkabir does exactly that. It offers a profound glimpse into Turkey’s modern birth, striking architectural grandeur, and photo‑ready vistas—all within a compact venue that respects your limited schedule.

So next time your itinerary hands you a single day in Ankara, skip the maze of museums and head straight for the lion‑lined road. Walk the steps, stand beneath the dome, and let the spirit of Atatürk’s vision linger long after you’ve boarded your next flight.

Enjoy the journey, and may your stopover become a story you’ll share for years to come! 🌍🕌✨

What I learned about writing – Check your work

By any and all means possible, because if you are using the English language, then you’re going to be tripped up.

For instance, just the use of simple words like then, and than, there, and their, and many others. Just the very simplest of words have many meanings, some of them obscure, some of them, well, you get my drift.

ESL students often tear what little hair they have left out over the words. We English users, we are different again, being American English, English English, and a dozen other variations.

There’s centre and centre, just to name one, when it comes to American and English.

It depends on what spell checker you use to check the spelling, and what grammar checker you use, and generally not 100 per cent effective.

I let Microsoft Editor have fun with my writing, and then tend to ignore a lot of the suggestions. They just sound weird.

I have a basic Grammarly, but it doesn’t do a whole lot, and it costs a lot of money to get the so-called good one.

You have to decide the way you want to go, but you will have to have your work checked for grammar, spelling and facts.

And probably read a dozen grammar texts to get the best way to write your sentences. Mine often start out somewhat strange, but we get there in the end.

As a case in point: the word Line

The English language has some marvellous words that can be used to have any number of meanings

For instance,

Draw a line in the sand

We would all like to do this with our children, our jobs, and our relationships, but for some reason, the idea sounds really good in our heads, yet it never quite works out. What does it mean, whatever it is, this I’d where it ends or changes because it can’t keep going the way it is.

Inevitably, it leads to,

You’ve crossed the line

Which, at some point in our lives, and particularly when we were children, we all do a few times until, if we’re lucky, we learn where that line is. It’s usually considered 8n tandem with pushing boundaries.

Of course, there is

A line you should never cross

And I like to think we all know where that is. Unfortunately, some do not and often find their seemingly idyllic life totally shattered beyond repair. An affair from either side of a marriage or relationship can do that.

You couldn’t walk a straight line if you tried

While we might debate what straight might mean in this context, for this adaptation, it means staying on the right side of legality. Some people find a life of crime more appealing than doing honest day’s work.

This goes hand in hand with,

You’re spinning me a line

This means you are being somewhat loose with the truth, perhaps in explaining where you’ve been and what you’ve been doing. I think sometimes liars forget they need to have good memories.

Then there are the more practical uses of the word, such as

I have a new line of products

Is that a new fishing line?

Those, I think, most of us get, but it’s the more ambiguous ones that we have trouble with. Still, ambiguity is a writer’s best friend, and we can make up a lot of stuff from just using one word.

If I only had one day to stop over in – Stockholm – what would I do?

One Day in Stockholm: The One Place You Must Visit for an Unforgettable Day

Stockholm is a city of islands, innovation, and timeless beauty—but what if you only have one day? Whether you’re en route to another destination or squeezing in a whirlwind visit, a short stopover in Sweden’s capital can still be magical. With limited time, the key is to focus on one standout experience rather than rushing between sights.

So, if you have just one day in Stockholm, make it memorable by visiting:

Gamla Stan – The Beating Heart of Stockholm

Gamla Stan, Stockholm’s Old Town, isn’t just a historic district—it’s a living storybook. Founded in the 13th century, this island neighbourhood weaves together medieval charm, royal history, and vibrant culture in a way that captures the essence of Sweden.

Why Gamla Stan?

  • Timeless Atmosphere: Wander through narrow cobblestone lanes, past buildings in shades of gold and rust, under lantern-lit passages that feel frozen in time.
  • Compact & Walkable: Perfect for a day visit, you can explore key highlights on foot without feeling rushed.
  • History at Every Turn: From the Royal Palace to Stortorget square (home to the iconic colorful merchant houses), history isn’t behind glass here—it’s all around you.

Must-Do in Gamla Stan

  1. Stortorget Square – Snap a photo by the iconic row of old merchant houses, and soak in the atmosphere of the oldest square in Stockholm.
  2. The Royal Palace – Even if you don’t go inside, witnessing the daily Changing of the Guard (at 12:15 PM on weekdays, 1:15 PM on Sundays) is a spectacle of tradition.
  3. Mårten Trotzigs Gränd – Walk down Stockholm’s narrowest street (just 90 cm wide) and feel the medieval pulse of the city.
  4. Fika like a Local – Pop into a classic café like Chokladkoppen on the square for coffee and a cinnamon bun—fika is a ritual here.

Make It Memorable

  • Get Lost on Purpose: Put away the map for an hour. Discover hidden courtyards, antique shops, and artisan boutiques.
  • Listen to Stories: Join a short walking tour—many are free or tip-based—and hear tales of kings, legends, and Stockholm’s rise from the water.
  • Sunset Views: End your day by walking to the water’s edge for views of the surrounding islands. In summer, the golden light over Gamla Stan is pure magic.

Practical Tips for Your Stopover

  • Transport: From Arlanda Airport, take the Arlanda Express (20 minutes) to Central Station, then it’s just a short walk or metro ride to Gamla Stan.
  • Luggage: Use left-luggage services at the airport or Central Station to travel light.
  • Timing: Arrive early to beat crowds, especially in summer. Even with just 5–6 hours, you can experience Gamla Stan fully.

One day in Stockholm doesn’t have to be a checklist. By choosing Gamla Stan, you immerse yourself in the soul of the city—where every corner whispers a story, and a single afternoon can feel like a journey through centuries.

So, on your next stopover, step into the charm of the Old Town. Sometimes the most memorable travels aren’t about seeing everything—but about fully experiencing one perfect place.
Hej då and happy travels!

Inspiration, Maybe – Volume 2

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

And, the story:

Have you ever watched your hopes and dreams simply just fly away?

Everything I thought I wanted and needed had just left in an aeroplane, and although I said I was not going to, i came to the airport to see the plane leave.  Not the person on it, that would have been far too difficult and emotional, but perhaps it was symbolic, the end of one life and the start of another.

But no matter what I thought or felt, we had both come to the right decision.  She needed the opportunity to spread her wings.  It was probably not the best idea for her to apply for the job without telling me, but I understood her reasons.

She was in a rut.  Though her job was a very good one, it was not as demanding as she had expected, particularly after the last promotion, but with it came resentment from others on her level, that she, the youngest of the group would get the position.

It was something that had been weighing down of her for the last three months, and if noticed it, the late nights, the moodiness, sometimes a flash of temper.  I knew she had one, no one could have such red hair and not, but she had always kept it in check.

And, then there was us, together, and after seven years, it felt like we were going nowhere.  Perhaps that was down to my lack of ambition, and though she never said it, lack of sophistication.  It hadn’t been an issue, well, not until her last promotion, and the fact she had to entertain more, and frankly I felt like an embarrassment to her.

So, there it was, three days ago, the beginning of the weekend, and we had planned to go away for a few days and take stock.  We both acknowledged we needed to talk, but it never seemed the right time.

It was then she said she had quit her job and found a new one.  Starting the following Monday.

Ok, that took me by surprise, not so much that it something I sort of guessed might happen, but that she would just blurt it out.

I think that right then, at that moment, I could feel her frustration with everything around her.

What surprised her was my reaction.  None.

I simply asked where who, and when.

A world-class newspaper, in New York, and she had to be there in a week.

A week.

It was all the time I had left with her.

I remember I just shrugged and asked if the planned weekend away was off.

She stood on the other side of the kitchen counter, hands around a cup of coffee she had just poured, and that one thing I remembered was the lone tear that ran down her cheek.

Is that all you want to know?

I did, yes, but we had lost that intimacy we used to have when she would have told me what was happening, and we would have brainstormed solutions. I might be a cabinet maker but I still had a brain, was what I overheard her tell a friend once.

There’s not much to ask, I said.  You’ve been desperately unhappy and haven’t been able to hide it all that well, you have been under a lot of pressure trying to deal with a group of troglodytes, and you’ve been leaning on Bentley’s shoulder instead of mine, and I get it, he’s got more experience in that place,  and the politics that go with it, and is still an ally.

Her immediate superior and instrumental in her getting the position, but unlike some men in his position he had not taken advantage of a situation like some men would.  And even if she had made a move, which I doubted, that was not the sort of woman she was, he would have politely declined.

One of the very few happily married men in that organisation, so I heard.

So, she said, you’re not just a pretty face.

Par for the course for a cabinet maker whose university degree is in psychology.  It doesn’t take rocket science to see what was happening to you.  I just didn’t think it was my place to jump in unless you asked me, and when you didn’t, well, that told me everything I needed to know.

Yes, our relationship had a use by date, and it was in the next few days.

I was thinking, she said, that you might come with me,  you can make cabinets anywhere.

I could, but I think the real problem wasn’t just the job.  It was everything around her and going with her, that would just be a constant reminder of what had been holding her back. I didn’t want that for her and said so.

Then the only question left was, what do we do now?

Go shopping for suitcases.  Bags to pack, and places to go.

Getting on the roller coaster is easy.  On the beginning, it’s a slow easy ride, followed by the slow climb to the top.  It’s much like some relationships, they start out easy, they require a little work to get to the next level, follows by the adrenaline rush when it all comes together.

What most people forget is that what comes down must go back up, and life is pretty much a roller coaster with highs and lows.

Our roller coaster had just come or of the final turn and we were braking so that it stops at the station.

There was no question of going with her to New York.  Yes, I promised I’d come over and visit her, but that was a promise with crossed fingers behind my back.  After a few months in t the new job the last thing shed want was a reminder of what she left behind.  New friends new life.

We packed her bags, three out everything she didn’t want, a free trips to the op shop with stiff she knew others would like to have, and basically, by the time she was ready to go, there was nothing left of her in the apartment, or anywhere.

Her friends would be seeing her off at the airport, and that’s when I told her I was not coming, that moment the taxi arrived to take her away forever.  I remember standing there, watching the taxi go.  It was going to be, and was, as hard as it was to watch the plane leave.

So, there I was, finally staring at the blank sky, around me a dozen other plane spotters, a rather motley crew of plane enthusiasts.

Already that morning there’s been 6 different types of plane depart, and I could hear another winding up its engines for take-off.

People coming, people going.

Maybe I would go to New York in a couple of months, not to see her, but just see what the attraction was.  Or maybe I would drop in, just to see how she was.

As one of my friends told me when I gave him the news, the future is never written in stone, and it’s about time you broadened your horizons.

Perhaps it was.


© Charles Heath 2020-2021

Coming soon.  Find the above story and 49 others like it in:

365 Days of writing, 2026 – 37

Day 37 – Do writers need to be interested in everything

Is the Accomplished Writer Someone Who Is Interested in Everything?


Introduction

When you flip through the pages of a novel that feels almost cinematic, or when a nonfiction essay makes you see the world in a new light, you’re often witnessing the work of a writer who seems to know everything. From the delicate anatomy of a hummingbird’s wing to the gritty economics of a 19th‑century railway boom, the writer’s knowledge appears boundless.

That impression fuels a common myth: “If you want to be an accomplished writer, you must be interested in everything.”

Is this hyper‑curiosity a prerequisite for literary greatness, or merely a romantic exaggeration? In this post, we’ll unpack the myth, explore the real relationship between curiosity and craft, and give you practical takeaways for your own writing journey.


1. The Appeal of the “Jack‑of‑All‑Trades” Writer

1.1. Breadth as a Narrative Engine

A wide knowledge base gives a writer an arsenal of storytelling tools. When you can weave together disparate subjects—say, a scientist’s obsession with quantum entanglement and a chef’s pursuit of umami—you create surprising juxtapositions that keep readers hooked.

  • Example: Don DeLillo’s novels are peppered with references to pop culture, physics, and corporate jargon, turning his prose into a kaleidoscope of modern life.
  • Result: Readers feel that the author “gets” the world, and they trust the narrative to transport them across it.

1.2. Credibility and Authority

When a writer can cite accurate details, it builds legitimacy. In nonfiction, especially, expertise (or the appearance of it) can be the difference between a bestseller and a footnote.

  • Example: Malcolm Gladwell isn’t a psychologist, sociologist, or historian, yet he commands authority because he consistently digests research from each field and reframes it in accessible stories.

2. Why “Everything” Is a Misleading Goal

2.1. The Curse of the “Polymath‑Trap”

Trying to master everything leads to shallow knowledge, which can manifest as:

  • Superficiality: Dropping jargon without context, leaving readers confused.
  • Inconsistent Voice: Switching tones every time you switch subjects erodes narrative cohesion.

“A writer who knows a little about many things is often less effective than a writer who knows a lot about one thing.” – Haruki Murakami (paraphrased)

2.2. Depth Trumps Breadth in Most Genres

  • Literary Fiction: The emotional truth of a character’s inner life often outweighs how many facts you can slip in.
  • Genre Writing (e.g., mystery, sci‑fi): World‑building thrives on focused expertise. A detective novel benefits more from a deep dive into police procedure than from an encyclopedic survey of kitchen appliances.

2.3. The Opportunity Cost of Over‑Curiosity

Every hour you spend chasing a new hobby is an hour you could be honing your prose, revising drafts, or reading the works that inspired you. The best writers allocate their curiosity strategically, not indiscriminately.


3. What Successful Writers Actually Do

WriterPrimary InterestsHow They Leverage Curiosity
Toni MorrisonAfrican‑American history, music, mythologyIntegrated cultural memory into layered narratives.
Neil GaimanFolklore, comics, filmCross‑medium storytelling, creating a mythic voice.
J.K. RowlingClassical mythology, alchemy, educationBuilt a richly detailed magical world anchored in real‑world concepts.
Rebecca SolnitGeography, politics, art historyCombines seemingly unrelated topics to reveal hidden connections.
George R.R. MartinMedieval history, anthropology, linguisticsConstructs a believable fantasy realm through meticulous research in specific fields.

Key Takeaway: Each writer has a core constellation of interests that they explore deeply, while allowing peripheral curiosities to spark fresh ideas.


4. The Science of Curiosity and Creativity

  • Neuroscience: Studies show that divergent thinking—the ability to generate many possible solutions—strengthens when the brain forms connections across unrelated concepts.
  • Psychology: The “Broaden‑and‑Build” theory (Barbara Fredrickson) posits that positive emotions, often triggered by curiosity, expand our mental repertoire, giving us more raw material for creative work.

In plain terms: Being curious does help you write better—but you don’t need to be curious about everything. You just need enough variety to keep the mental pathways open.


5. How to Cultivate a Productive Curiosity (Without Going Overboard)

  1. Identify Your “Anchor Interests.”
    • List 3–5 subjects you love (e.g., vintage photography, urban gardening, Renaissance art).
    • Make a habit of reading news, books, or podcasts in these areas weekly.
  2. Adopt a “Research‑First” Mindset for Projects.
    • Before you start a story, ask: What knowledge does the world need?
    • Set a research budget (e.g., 5 hours) and focus on depth, not breadth.
  3. Cross‑Pollinate Intentionally.
    • Pair two unrelated interests (e.g., marine biology + corporate law) and brainstorm story premises.
    • Use the “Random Prompt” method: Write a one‑sentence logline that forces you to combine the two.
  4. Limit Consumption, Amplify Production.
    • For every hour spent watching a documentary, write at least 300 words.
    • This “ratio rule” ensures curiosity fuels output rather than replaces it.
  5. Maintain a “Curiosity Journal.”
    • Jot down fleeting questions (“Why do some birds migrate at night?”).
    • Review monthly; pick one that resonates and research it thoroughly.

6. Frequently Asked Questions

QuestionShort Answer
Do I need a formal education in every field I write about?No. A disciplined research process and a willingness to ask experts can substitute for a degree.
Can I become a bestselling author by focusing on a single niche?Absolutely. Ernest Hemingway famously limited his subject matter to war, hunting, and love, yet his work is timeless.
Is it okay to write about topics I’m not an expert in?Yes, if you do thorough research, credit your sources, and avoid misrepresentation.
How do I avoid “information overload” when I’m curious?Set clear limits on research time per project, and prioritize depth over quantity.
Should I read only within my genre to stay “focused”?No. Reading outside your genre fuels innovation, but keep a balance so you don’t lose sight of genre conventions.

7. Bottom Line: Curiosity, Not Everything, Makes the Accomplished Writer

  • Curiosity is the engine. It drives you to ask questions, seek stories, and discover connections.
  • Depth is the fuel. Master a few subjects enough to write with authority and nuance.
  • Focus is the map. Align your curiosity with the story you’re telling, rather than letting it wander aimlessly.

An accomplished writer is not a person who knows everything, but a person who knows how to learn what they need, when they need it, and then transform that knowledge into compelling prose.


Action Plan: 3 Steps to Start Today

  1. Pick Your Anchor: Write down three topics you could talk about for hours.
  2. Schedule a Research Sprint: Allocate a 2‑hour block this week to dig deep into one of those topics—read a scholarly article, watch a documentary, or interview an expert.
  3. Write a Mini‑Story: Using the new knowledge, craft a 500‑word piece that integrates the information organically.

Repeat the cycle, and watch your writing evolve from “interesting” to illuminating.


Closing Thought

The next time you admire a writer who seems to have woven the universe into their pages, remember: they didn’t achieve that by trying to master everything. They mastered the art of selective curiosity—knowing what to explore, how deep to go, and, most importantly, how to turn that exploration into a story that matters.

If you adopt that mindset, you’ll be well on your way to joining the ranks of accomplished writers—without ever having to become a walking encyclopedia.

Happy writing!


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‘The Devil You Don’t’ – A beta reader’s view

It could be said that of all the women one could meet, whether contrived or by sheer luck, what are the odds it would turn out to be the woman who was being paid a very large sum to kill you.

John Pennington is a man who may be lucky in business, but not so lucky in love. He has just broken up with Phillipa Sternhaven, the woman he thought was the one, but relatives and circumstances, and perhaps because she was a ‘princess’, may also have contributed to the end result.

So, what do you do when you are heartbroken?

That is a story that slowly unfolds, from the first meeting with his nemesis on Lake Geneva, all the way to a hotel room in Sorrento, where he learns the shattering truth.

What should have been solace after disappointment, turns out to be something else entirely, and from that point, everything goes to hell in a handbasket.

He suddenly realizes his so-called friend Sebastian has not exactly told him the truth about a small job he asked him to do, the woman he is falling in love with is not quite who she says she is, and he is caught in the middle of a war between two men who consider people becoming collateral damage as part of their business.

The story paints the characters cleverly displaying all their flaws and weaknesses. The locations add to the story at times taking me back down memory lane, especially to Venice where, in those back streets I confess it’s not all that hard to get lost.

All in all a thoroughly entertaining story with, for once, a satisfying end.

Available on Amazon here: https://amzn.to/2Xyh1ow

In a word: Stern

It’s what I’d always expected of my teachers, having to stand up the front of the classroom and look like they were in control.

These days, not so much, but back in my day, teachers, and particularly the men, were to be feared, and stern expressions were the features of an effective teacher.

So, in this context, it means a hardness or severity of manner.

Whilst in a sense that was frightening to us kids, another form of the word also can be used to express a forbidding or gloomy appearance.

Grandfathers also have that stern look, but it’s more forbidding, more authoritarian, more severe, more austere, well, you get the picture.  A six-year-old would be trembling in his or her boots.

There again, in facing up to either possibility above, you could stand firm with a stern resolve not to buckle under the pressure.

Of course, not a good idea if you’re facing a tank (with a stern-looking tank master)

Then…

If you’re standing at the end of the boat, not the front, but the rear, you would be standing at the stern of the boat, or ship.

Oddly, when issuing instructions to go in reverse, not something you would say if you were on the bridge, you would instead say, or possibly yell, full speed astern, because you’re about to hit an iceberg.

Or some idiot in a jet ski who likes to think he or she can beat the bullet (or 65,000 tonnes of a ship that has very little mobility).

The cinema of my dreams – I always wanted to see the planets – Episode 4

After having to take another leap of faith…

And, getting out of the elevator, this time no erratic behaviour but still not filling me with confidence, I step onto the bridge.

The forward screen has changed.

It seems we are going to Neptune via the moon, or we were going to be passing by on our way to someplace else.

The Captain was on the bridge, obviously coming out of his day room on the news that the Chief Engineer had fixed everything.

“Ah, number one, we’ve hung around here long enough.”

He walked back to his chair and sat.

I decided to remain behind the navigator. I could see that the co-ordinates to our destination had been entered and it was Neptune, so the moon was not going to be a stop off.

The Chief engineer’s voice came over the speaker. “Ready when you are, Captain.”

I forgot, for a moment, that the Chief and the Captain had served before, and someone had mentioned the fact the captain had asked for him to be assigned to this ship.

“Mr Jacobs, take us out, slowly, and try not to bump into anything this time.”

Mr Jacobs was the second officer.

In a rather sheepish tone, Mr Jacobs said, “Taking the ship out carefully, sir.”

It was hard to tell if the ship was moving, but the tell tale sign was the movement of the objects on screen. And the fact I could see through the side windows as we moved forwards, leaving the dock superstructure behind.

Also, on the screen I could see the movements of other vessels, several freighters waiting to leave, and one coming in, but standing off until we departed.

Then, suddenly, we were in clear space.

Jacobs turned to the captain, expecting the next order.

“Let’s take it easy. Level one, when you’re ready.”

Jacobs was ready, even eager to get this ship under way. It had performed faultlessly in trials, now we were going to put it through it’s paces.

“Level one, as you wish.”

He pushed the button, there was a moment when nothing happened, then with just the slightest movement inside the bridge, we were under way.

Next stop, Neptune.

© Charles Heath 2021

A photograph from the inspirational bin – 23

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Whilst in reality these steps go down to a very narrow space of the beach, and scattered rocks in the shallow water, so much more could be inspired by this photograph.

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Further out that day, divers were out exploring about 100 yards offshore.

But, to me, it what you don’t see that gives it its fascination.

We could be anywhere along a 1,000-mile shoreline, one side a small village lazily gets through the day, on the other, a deserted and overgrown picnic spot that no one ever comes to anymore since the bypass road was built.

But it is not any of those.  it’s in Mornington, Victoria, Australia, the pier that is not far from a small park, and that day, very, very busy.

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It simply goes to show that sometimes a photograph can provide enough information to inspire a story.

The cinema of my dreams – Was it just another surveillance job – Episode 42

I’m back home and this story has been sitting on the back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

A second later the light came on and I was temporarily blinded.

The woman had to be on the other side of the door, and coming into the room, I must have passed her. Her voice sounded quite old, so it must be the mother.

“Turn around, slowly.

I did. By that time my eyes had readjusted, and I could see a woman, still dressed, with what looked to be an Enfield WW1 rifle. Just as dangerous now as it was then, particularly at this close range.

“Mrs Quigley, I presume,” I asked. Remain polite and conversational and keep her from getting nervous.

“Who are you?”

“Sam Jackson.”

“Is that your real name?”

“Why would you presume to think it wasn’t?”

“You’re breaking into my house which means you’re a criminal, and criminals by nature are also liars. Why would I think you any different to the rest?”

Good question. “I knew your son.”

“Which one?”

“Adam.”

“He’s not here. He hasn’t been around since he gallivanted off overseas a few years back.”

“I saw him only a few days ago, in London. Not gallivanting, by the way, but with feet firmly planted on the ground.”

“He’s not here.”

“Do you know where he is?”

She didn’t know he was dead, and I didn’t think it was my business to tell her. That was Dobbin’s job, and I was surprised he hadn’t. Or, I only had her word for it he hadn’t.

“Are you hard of hearing.” Get into the middle of the room.”

I moved slowly into the middle, watching her edge slowly towards the writing desk while keeping the gun aimed at me. If I tried to run for it, and if she was any sort of shot, I’d be dead before I got three, possibly four paces. If I could get a shred of surprise.

I hadn’t seen the phone on the desk, and watched her pick up the receiver, and, with the same hand, started dialing a number.

“Put it down.” Another voice, another woman, coming from the doorway.

Jennifer.

With a gun in hand, pointed at the woman.

“What if I shoot him, or you?”

“You’ll be dead before either scenario happens. Just put it down. I’m not here to shoot anyone if I can help it.”

Of course, this was just like one of those scenes out of a comedic spy film. Guns pointing in all directions.

And, true to form, a click, and a voice. “You put your weapon down.”

He appeared out of the shadows and had the gun pointed straight at Jennifer’s head at very short range.

Adam Quigley, aka O’Connell, and very much alive.

Jennifer dropped her gun, but Adam didn’t take his gun off her.

“Hello Sam. How did you find me?”

© Charles Heath 2020-2021