I’m back home and this story has been sitting on the back burner for a few months, waiting for some more to be written.
The trouble is, there are also other stories to write, and I’m not very good at prioritizing.
But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.
Chasing leads, maybe
It was all over in the blink of an eye. The swat team had secured the scene, zip ties, and shoved me into a corner with two burly men standing over me, guns ready in case I tried to escape.
Before the next wave, I had time to consider what just happened. Obviously, Dobbin or Jan had set the scene. She lied about being able to track Maury, they found him, brought him back to the room, tortured him, and then killed him. The few seconds I had to look at the body showed signs of intense interrogation.
A side benefit was to stitch me up for the crime. The fact the police were at the door a minute after I’d arrived meant they had been waiting for me to come back. That pointed to Jan as the informant.
But to what end. If they considered I was the only one who could find the USB, why let me get caught by the police.
Jennifer would be safe. She had been in the foyer a full ten minutes before I arrived, and was sitting in a corner when I passed her. If they knew she was involved, she would have been missing. Hopefully, she would have seen the swat team arrive, and leave.
A few minutes after the swat leader spoke into his two-way radio, a middle-aged woman and a young man in his late 20’s arrived, the woman first, the young man behind her. A Detective Chief Inspect, or Superintendent, and Detect Sergeant. He was too well dressed to be a constable,. One old, one new.
The young man spoke to the swat leader, the woman surveyed the scene, looked at the body, then at me, shaking her head slightly.
I tried to look anonymous if not invisible. The fact they had found no ID on me would not count well for my situation, or so I had been told. Nor was the fact I preferred not to speak.
Never volunteer information.
A nod from her and the two swat guards took several steps back. She pulled a chair over from the side of the bed, and once three feet away, sat down.
“I’m told you are refusing to answer any questions.”
“Refusing to answer and simply not talking is not the same thing.”
“You do speak.”
“When appropriate.”
“What are you doing here?”
“This is my room, along with a young lady, who as you can see, is not here. That much you should have gleaned from the front desk.”
She pulled a card out of her pocket. “Alan, and Alice Jones. Not your real names I suspect., nor very original. Do you know who the man on the bed is?”
“He told me his name is Maury, not sure of his first name, but that wasn’t his real name. His other name was Bernie Salvin, but that might also be a fake. He was one of two men who were in charge of my training.”
“For what?”
“I suspect it might be above your pay grade.”
If she was shocked at that statement she didn’t show it. In fact, I would not be surprised if she had suspected it was likely it had to do with the clandestine security services. Torture victims were not an everyday occurrence, or at least I hoped for her sake they weren’t.
She gave a slight sigh. “And who do you work for?”
“There’s the rub. I have no idea. I’ve just been caught in the middle of a bloody awful mess.”
The second rule is always to tell the truth, or as close to it as possible so you don’t have to try and remember a web of lies, and trip yourself up at later interviews. And keep it simple.
“So, no one I should be calling to verify who you are?”
“No. Not unless you can revive the man on the bed. I’m only new, been on the job after training for about a week. I was part of a team running a surveillance exercise when a shop exploded and the target disappeared. I’ve been trying to find out what happened.”
Her expression whanged, telling me she was familiar with the event.
“Do you find out anything?”
“Only that the would be a body in the shop, a journalist, that was trying to hand over some sensitive information. I have no idea what it was, or who he was. The target, whom I suspected was there for the handover, is now also dead. So, quite literally, two dead ends. Do I look like someone who could do that to a man?” I nodded in the direction of the body.
“You’d be surprised who was capable of what. Do you have a real name?”
“I do, but I won’t be telling you. You have my work name, that’s as much as I can volunteer.”
“A few days in a dank hole might change that.”
“A few days in a dank hole would be like a holiday compared to the week I’m currently having.”
She smiled, or I thought it was a smile. “I daresay you might.”
There was a loud noise and some yelling coming from outside the door. A man burst into the room, two constables in his wake.
A man I didn’t recognize.
She stood. “Who are you?”
“Richards, MI5.” He showed her a card, which she glanced at. She’d no doubt seen them before.
“We’ll be taking over from here.”
“This person?” She nodded her head in my direction.
“Leave him. We’ll take care of him.”
“Johnson, Jacobs, let’s leave the room to them. We’re done here. Places to be, gentlemen.” She nodded in my direction. “Good luck, you’re going to need it.”
To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.
But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continued on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.
That, I think, is the joy of ad hoc writing, even you, as the author, have as much of an idea of where it’s going as the reader does.
It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years. Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?
My private detective, Harry Walthenson
I’d like to say he’s from that great literary mould of Sam Spade, or Mickey Spillane, or Philip Marlowe, but he’s not.
But I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it. Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.
Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life. I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.
Then there’s the title, like
The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello
The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister. And if made out of plaster, yes, they’re always something else inside.
But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.
Then I liked the idea of calling it “The Case of the Brothers’ Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then it went the way of the others.
Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and I am at the editor for the last reading.
I have high hopes of publishing it in mid-2026. It even has a cover.
I guess there was more to be worried about than a few scorch marks on the side of a ship.
It did beg the question, in those milliseconds I had to pull myself together, that the agreement everyone was a party to on Earth was that we were not going to have ships with weapons, and the ability to attack one another in space, was just that, between nations on Earth.
What if there was life other than on Earth?
The person I was looking at didn’t look like an alien, or at least not one of our endless stereotypes, but what if there was life other than us, and this was a representation of it?
I guess it was time to take the first step.
“I’m assuming this is some sort of dispute over cargo, or perhaps interstellar freight lines, and if it is, there are proper channels to resolve your issues, not at the end of a laser.” I looked at the weapon in the person’s hand and it looked nothing like anything I’d seen before.
Well, not outside our weapons lab, our there on the edge of space where the occupants were not likely to get snooping visitors.
The helmet with the reflective glass panel gave no indication who was behind it.
“It is not an issue over freight.”
OK. A humanised voice, spoke slowly as if by one feeling their way around the language. Yes, English, but why didn’t they pick French or Spanish, or even Japanese? English was not exactly universal, and the translators in our ears reduced everything to our native tongue. Myrtle’s language was Italian, so she would not be hearing this in English.
“Space lane violation?”
Yes, there were lanes in space so ships didn’t crash into each other. There was some degree of civilization out her in no man’s land.
Time for a different tack.
“Just exactly where are you from?”
In that same moment I heard the Captain’s voice coming over my private communicator, in a very uncaptain like manner. “What in God’s name is that?”
Started to write a post, got so far, and another theme or idea slips in, and demands to be written first?
I’m on this nostalgia kick simply because when I turned on the TV to catch up with the latest news, it was on a channel that shows old movies.
In case you don’t realise it, I love old movies, not just those from Hollywood, but also from Britain.
What was on?
An American in Paris.
Well, it had to be one of my favourites, even though I’m not a great fan of Gene Kelly; the sheer majesty of the music more than makes up for the story in between.
Could it be said, then, that this was from the golden years of Hollywood? Such bright and cheerful movies as Singing in the Rain and An American in Paris perhaps exemplify the Hollywood musical.
Years before, Fred Astaire and Ginger Rogers were the quintessential musical stars, followed by the likes of Judy Garland and Deanna Durbin, and later Bing Crosby and Frank Sinatra. A couple of musicals, in particular, come to mind, firstly, The Wizard of Oz and then High Society.
Moving into more modern times, several stand out in the 1960s: My Fair Lady and The Sound of Music. By this time, theatregoers were dining on the superb talents of Rogers and Hammerstein, and Learner and Lowe. Of the former, musicals such as Carousel, South Pacific, and The King and I were on my list of favourites.
Even later still in the 1970s, there is Funny Girl, and Hello Dolly, which have a connection to the past with its director, none other than, yes, Gene Kelly.
But it seems once the 60s had passed, the notion of the Hollywood blockbuster musical had gone, and we were left with clip shows like That’s Entertainment, put together while Gene Kelly and Fred Astaire were still alive. We still had the film versions of the stage plays, but the lustre had, somehow, gone.
Perhaps it will return, who knows, after all, everything old is usually new again, it just takes time to go full circle.
And then there those horrible things called crosswords.
There are antonyms and synonyms
Sometimes we use words we don’t know the meaning of because of their similarity with others we do
Then there one or more words that make other words as in anagrams
There are substitute words, words we use around children like fudge instead of, well you get what I mean
There’s no doubt we would be lost without words
Words are to be chosen carefully and thoughtfully
They need to be delivered in an appropriate manner, not in haste, and not in anger
We need to believe in what we’re saying before others will believe it
We need to learn how to express our feelings
We should take advantage of learning English (or any other native language) when at school
We need to start reading as soon as we can and keep up reading as we get older. One should never underestimate the power reading and writing gives us no matter who we are.
Always have a dictionary by your side. It is the most valuable book you can own.
And always remember the power of speech can at times move mountains
The Agony of the Flawed Manuscript: Why Bad Books Deserve Our Empathy
“A bad book is as much a labour to write as a good one; it comes as sincerely from the author’s soul.” — Aldous Huxley
We live in a culture obsessed with greatness. From best-seller lists to Goodreads ratings, we are quick to elevate literary masterpieces and equally quick—sometimes brutally so—to tear down what doesn’t measure up. It is easy to mock a clunky metaphor, groan at a predictable plot twist, or mock a poorly paced narrative.
But take a step back and consider the reality behind that published failure.
When we read Aldous Huxley’s quote, it serves as a sobering reminder of a profound truth: the agony of creation does not discriminate based on quality. A terrible book requires just as many bleary-eyed 3:00 AM editing sessions, just as much emotional excavation, and just as many prayers whispered into the void as a timeless classic.
Here is a deeper look at Huxley’s insight, exploring the hidden empathy we should extend to “bad” books and the writers who bleed to make them.
The Myth of the Easy Flop
There is a common misconception among readers that bad books happen because the author simply didn’t care. We imagine cynical writers churning out garbage for a quick buck, laughing all the way to the bank.
And sure, that happens in commercialized corners of the industry. But true badness—the kind born of earnest effort—is usually tragic rather than cynical.
Writing a book is a marathon through a psychological swamp. It demands months, often years, of isolation, self-doubt, and relentless problem-solving. An author trying to write a brilliant fantasy epic experiences the exact same terror of the blank page as someone writing utter drivel. Both stare into the abyss. Both grapple with imposter syndrome.
When a book turns out bad, it is rarely because the author didn’t try. More often, it’s because they tried so hard that they lost perspective. They missed the plot holes because they were too close to the canvas. They forced a grandiose style because they desperately wanted to be profound.
Sincerity is No Guarantee of Success
Huxley’s most arresting point is this: it comes as sincerely from the author’s soul.
Sincerity is often touted as the ultimate virtue in art. “Just be authentic!” we tell aspiring creators. But sincerity is a wildly unreliable compass.
An author can pour their most authentic childhood trauma, their deepest philosophical musings, and their purest passions into a manuscript. They can bleed onto the pages. And yet, the result can still be unreadable. Why? Because writing is a craft as much as it is an art.
A carpenter can have a pure, sincere love for wood, but if they don’t understand joinery, the chair is going to collapse when someone sits in it.
A writer can have a soul bursting with profound human truths, but if they lack pacing, dialogue mechanics, and structural awareness, the book will collapse under its own weight.
The tragedy of the bad book is the gap between intention and execution. The author felt the magic while writing it. In their head, the scene was cinematic, the dialogue crackled, and the themes resonated like a cathedral bell. Waking up to find that readers experienced none of that—that the magic failed to translate—is a special kind of heartbreak.
Why We Should Read (and Judge) with Compassion
None of this is to say we should abandon literary criticism. Bad books exist, and pointing out why they fail helps elevate the conversation around art.
However, remembering Huxley’s words changes how we critique. It shifts our posture from sneering mockery to respectful critique.
Acknowledge the Courage: Every published author has done something terrifying. They have taken the chaotic, vulnerable contents of their mind and packaged them for public judgment. Even if the execution is a disaster, the act of completion requires immense courage.
Respect the Sweat: Behind every cringeworthy paragraph is a writer who deleted and rewrote that sentence five times, thinking, Yes, this is the one. Honor the labor, even when the product falls flat.
Appreciate the Attempt: A failed ambitious book is almost always more interesting than a safe, mediocre one. Authors who swing for the fences and strike out are doing the necessary heavy lifting of art. They are exploring the boundaries of what works—and sometimes, you have to map the swamps to find the gold.
The Ultimate Takeaway
Writing is hard. It is a grueling, humbling, often unrewarding endeavor.
The next time you pick up a book that simply doesn’t work—whether it’s riddled with clichés, bogged down by purple prose, or narratively hollow—try not to scoff too quickly. Remember that somewhere out there, a writer sat at a desk in the quiet dark, pouring their heart into those very pages, hoping against hope that they were making something good.
They may have failed, but as Huxley reminds us, their soul was in it all the same. And that, at the very least, demands our respect.
What are your thoughts? Have you ever read a book where you could tell the author tried immensely hard, but the execution just missed the mark? Let’s discuss in the comments below!
The One Place to Make Your Copenhagen Stopover Unforgettable
Have you ever found yourself with just one day in a city you’ve always dreamed of exploring? That’s exactly the magic of a Copenhagen stopover. Whether you’re en route to another destination or squeezing in a quick European getaway, this Danish capital offers a taste of hygge, history, and vibrant culture—all in a compact, walkable city.
But with limited time, how do you choose just one spot to capture the essence of Copenhagen? You could wander through colourful Nyhavn, explore the historic Tivoli Gardens, or marvel at the futuristic architecture of the Opera House. Yet if you’re looking for a truly memorable experience—one that blends history, culture, and breathtaking views—there’s one place that stands above the rest: The Rundetårn (The Round Tower).
Why The Rundetårn?
Built in the 17th century as an astronomical observatory, The Round Tower is more than just a historic landmark—it’s a journey through time. Unlike most towers with steep staircases, Rundetårn features a unique, gently sloping spiral ramp that winds its way to the top. As you ascend, you’ll pass historical exhibitions, an atmospheric library hall, and even a glass floor looking down into the core of the tower.
But the real reward awaits at the summit.
The View That Steals Your Heart
When you step out onto the rooftop platform, you’re greeted with a 360-degree panoramic view of Copenhagen’s rooftops, spires, and bustling streets. From this vantage point, you can spot iconic landmarks like the Christiansborg Palace, the Church of Our Saviour, and the distant silhouette of the Øresund Bridge. It’s the perfect place to orient yourself, snap unforgettable photos, and simply soak in the city’s charm.
A Stopover Moment to Remember
What makes Rundetårn especially perfect for a one-day visit is its central location. Just a short walk from Strøget, Copenhagen’s famous pedestrian street, you can easily pair your visit with a stroll through the city’s vibrant heart, a bite of smørrebrød (Danish open-faced sandwiches), or a quick coffee in a cozy café.
Whether you visit in the morning light, under the blue afternoon sky, or during the golden hour before sunset, The Round Tower offers a moment of reflection and wonder—a chance to pause and appreciate the beauty of Copenhagen from above.
So, if you find yourself with just one day in this Nordic gem, make your way to Rundetårn. Let its spiral ramp lead you upward, and let Copenhagen unfold beneath you. It’s not just a sightseeing stop—it’s a memory in the making.
Pro Tip: Arrive early to avoid crowds, and don’t forget to look up at night if you’re in town after dark—the tower’s observatory still opens for stellar views of the cosmos.
Happy exploring, and may your Copenhagen stopover be filled with wonder!
We are often told that it’s the choices we make that shape our lives.
It’s true.
What distinguishes the basis of those choices is the circumstances of the individual.
What a lot of people don’t realise is the diversity of backgrounds of everyone, and that in a minority of cases, the few that really have no choices at all.
Yes, some have no control over their circumstances, and therefore no choice whatsoever.
Inevitably, the people who are first to criticise those who apparently made the wrong choice are those who have never found themselves in similar circumstances.
And probably never will.
This, perhaps, is the biggest problem with governments that are staffed with advisors who do not understand the plight of the common man.
I never had the same opportunities as those who could afford a university education. My family were working class and was relatively poor. Had I not had a scholarship, who knows what sort of education I would have got, if any.
Certainly, my father never got an opportunity to get a good education, but, at the time, during the great depression, his choices were limited, whereas those with any sort of wealth had a different story.
And his lack of choices reflected on us, and that lack of opportunity haunted all of us as time passed.
It was always a case of the haves and the have-nots.
Yes, we all have choices, but sometimes it really is the lesser of two evils, and not whether we will have the fillet or the rib-eye steak.
By the time I returned to the Savoie, the rain had finally stopped, and there was a streak of blue sky to offer some hope that the day would improve.
The ship was not crowded, the possibility of bad weather perhaps holding back potential passengers. Of those I saw, a number of them would be aboard for the lunch by Phillippe Chevrier. I thought about it, but the Concierge had told me about several restaurants in Yvoire and had given me a hand-drawn map of the village. I think he came from the area because he spoke with the pride and knowledge of a resident.
I was looking down from the upper deck observing the last of the boarding passengers when I saw a woman, notable for her red coat and matching shoes, making a last-minute dash to get on board just before the gangway was removed. In fact, her ungainly manner of boarding had also captured a few of the other passengers’ attention. Now they would have something else to talk about, other than the possibility of further rain.
I saw her smile at the deckhand, but he did not smile back. He was not impressed with her bravado, perhaps because of possible injury. He looked at her ticket, then nodded dismissively and went back to his duties in getting the ship underway. I was going to check the departure time, but I, like the other passengers, had my attention diverted to the woman in red.
From what I could see, there was something about her. It struck me when the light caught her as she turned to look down the deck, giving me a perfect profile. I was going to say she looked foreign, but here, as in almost anywhere in Europe, that described just about everyone. Perhaps I was just comparing her to Phillipa, so definitively British, whereas this woman was very definitely not.
She was perhaps in her 30’s, slim or perhaps the word I’d use was lissom, and had the look and manner of a model. I say that because Phillipa had dragged me to most of the showings, whether in Milan, Rome, New York, London, or Paris. The clothes were familiar, and in the back of my mind, I had a feeling I’d seen her before.
Or perhaps, to me, all models looked the same.
She looked up in my direction, and before I could divert my eyes, she locked on. I could feel her gaze boring into me, and then it was gone as if she had been looking straight through me. I remained out on deck as the ship got underway, watching her disappear inside the cabin. My curiosity was piqued, so I decided to keep an eye out for her.
I could feel the coolness of the air as the ship picked up speed, not that it was going to be very fast. With stops, the trip would take nearly two hours to get to my destination. It would turn back almost immediately, but I was going to stay until the evening when it returned at about half eight. It would give me enough time to sample the local fare and take a tour of the medieval village.
Few other passengers ventured out on the deck, most staying inside or going to lunch. After a short time, I came back down to the main deck and headed forward. I wanted to clear my head by concentrating on the movement of the vessel through the water, breathing in the crisp, clean air, and letting the peacefulness of the surroundings envelope me.
It didn’t work.
I knew it wouldn’t be long before I started thinking about why things hadn’t worked and what part I played in it. And the usual question that came to mind when something didn’t work out. What was wrong with me?
I usually blamed it on my upbringing.
I had one of those so-called privileged lives, a nanny till I was old enough to go to boarding school, then sent to the best schools in the land. There I learned everything I needed to be the son of a Duke, or, as my father called it in one of his lighter moments, nobility in waiting.
Had this been five or six hundred years ago, I would have needed to have sword and jousting skills, or if it had been a few hundred years later, a keen military mind. If nothing else, I could ride a horse and go on hunts, or did until they became not the thing to do.
I learned six languages, and everything I needed to become a diplomat in the far-flung British Empire, except the Empire had become the Commonwealth, and then, when no one was looking, Britain’s influence in the world finally disappeared. I was a man without a cause, without a vocation, and no place to go.
Computers were the new vogue, and I had an aptitude for programming. I guess that went hand in hand with mathematics, which, although I hated the subject, I excelled in. Both I and another noble outcast used to toss ideas around in school, but when it came to the end of our education, he chose to enter the public service, and I took a few of those ideas we had mulled over and turned them into a company.
About a year ago, I was made an offer I couldn’t refuse. There were so many zeroes on the end of it I just said yes, put the money into a very grateful bank, and was still trying to come to terms with it.
Sadly, I still had no idea what I was going to do with the rest of my life. My parents had asked me to come back home and help manage the estate, and I did for a few weeks. It was as long as it took for my parents to drive me insane.
Back in the city, I spent a few months looking for a mundane job, but there were very few that suited my qualifications, and the rest I think I intimidated simply because of who I was. In that time, I’d also featured on the cover of the Economist and, through my well-meaning accountant, started involving myself with various charities, earning the title ‘philanthropist’.
And despite all of this exposure, even making one of those ubiquitous ‘eligible bachelor’ lists, I still could not find ‘the one’, the woman I wanted to spend the rest of my life with. Phillipa seemed to fit the bill, but in time, she proved to be a troubled soul with ‘Daddy’ issues. I knew that in building a relationship, compromise was necessary, but with her, in the end, everything was a compromise, and what had happened was always going to be the end result.
It was perhaps a by-product of the whole nobility thing. There was a certain expectation I had to fulfil, to my peers, contemporaries, parents and family, and those who either liked or hated what it represented. The problem was, I didn’t feel like I belonged. Not like my friend from schooldays, and now obscure acquaintance, Sebastian. He had been elevated to his Dukedom early when his father died when he was in his twenties. He had managed to fade from the limelight and was rarely mentioned either in the papers or the gossip columns. He was one of the lucky ones.
I had managed to keep a similarly low profile until I met Phillipa. From that moment, my obscurity disappeared. It was, I could see now, part of a plan put in place by Phillipa’s father, a man who hogged the limelight with his daughter, to raise the profile of the family name and through it their businesses. He was nothing if not the consummate self-advertisement.
Perhaps I was supposed to be the last piece of the puzzle, the attachment to the establishment, that link with a class of people he would not normally get in the front door. There was nothing refined about him or his family, and more than once I’d noticed my contemporaries cringe at the mention of his name, or any reference of my association with him.
Yet could I truthfully say I really wanted to go back to the obscurity I had before Phillipa? For all her faults, there were times when she had been fun to be with, particularly when I first met her, when she had a certain air of unpredictability. That had slowly disappeared as she became part of her father’s plan for the future. She just failed to see how much he was using her.
Or perhaps, over time, I had become cynical.
I thought about calling her. It was one of those moments of weakness when I felt alone, more alone than usual.
I diverted my attention back to my surroundings and the shoreline. Out of the corner of my eye, I could see the woman in the red coat, making a move. The red coat was like a beacon, a sort of fire engine red. It was not the sort of coat most of the women I knew would wear, but on her, it looked terrific. In fact, her sublime beauty was the other attribute that was distinctly noticeable, along with the fact that her hair was short rather than long and jet-black.
I had to wrench my attention away from her.
A few minutes later, several other passengers came out of the cabin for a walk around the deck, perhaps to get some exercise, perhaps checking up on me, or perhaps I was being paranoid. I waited till they passed on their way forward, and I turned and headed aft.
I watched the wake sluicing out from under the stern for a few minutes before retracing my steps to the front of the ship, and there I stood against the railing, watching the bow carve its way through the water. It was almost mesmerising. There, I emptied my mind of thoughts about Phillipa and thoughts about the woman in the red coat.
Until a female voice behind me said, “Having a bad day?”
I started, caught by surprise, and slowly turned. The woman in the red coat had somehow got very close to me without my realising it. How did she do that? I was so surprised I couldn’t answer immediately.
“I do hope you are not contemplating jumping. I hear the water is very cold.”
Closer up, I could see what I’d missed when I saw her on the main deck. There was a slight hint of Chinese, or Oriental, in her, particularly around the eyes, and of her hair, which was jet black. An ancestor twice or more removed had left their mark, not in a dominant way, but more subtly, and easily missed except from a very short distance away, like now.
Other than that, she was quite possibly Eastern European, perhaps Russian, though that covered a lot of territory. The incongruity of it was that she spoke with an American accent and was fluent enough for me to believe English was her first language.
Usually, I could ‘read’ people, but she was a clean slate. Her expression was one of amusement, but with cold eyes. My first thought, then, was to be careful.
“No. Not yet.” I coughed to clear my throat because I could hardly speak. And blushed, because that was what I did when confronted by a woman, beautiful or otherwise.
The amusement gave way to a hint of a smile that brightened her demeanour as a little warmth reached her eyes. “So that’s a maybe. Should I change into my lifesaving gear, just in case?”
It conjured up a rather interesting image in my mind until I reluctantly dismissed it.
“Perhaps I should move away from the edge,” I said, moving sideways until I was back on the main deck, a few feet further away. Her eyes had followed me, and when I stopped, she turned to face me again. She did not move closer.
I realised then she had removed her beret and it was in her left side coat pocket. “Thanks for your concern …?”
“Zoe.”
“Thanks for your concern, Zoe. By the way, my name is John.”
She smiled again, perhaps in an attempt to put me at ease. “I saw you earlier, you looked so sad, I thought …”
“I might throw myself overboard?”
“An idiotic notion, I admit, but it is better to be safe than sorry.”
Then she tilted her head to one side, then the other, looking intently at me. “You seem to be familiar. Do I know you?”
I tried to think of where I may have seen her before, but all I could remember was what I’d thought earlier when I first saw her; she was a model and had been at one of the showings. If she were, it would be more likely she would remember Phillipa, not me. Phillipa always had to sit in the front row.
“Probably not.” I also didn’t mention the fact that she may have seen my picture in the society pages of several tabloid newspapers because she didn’t look the sort of woman who needed a daily dose of the comings and goings, and, more often than not, scandal associated with so-called celebrities.
She gave me a look, one that told me she had just realised who I was. “Yes, I remember now. You made the front cover of the Economist. You sold your company for a small fortune.”
Of course. She was not the first who had recognised me from that cover. It had raised my profile considerably, but not Sternhaven’s. That article had not mentioned Phillipa or her family. I suspect Grandmother had something to do with that, and it was, now I thought about it, another nail in the coffin that was my relationship with Phillipa.
“I wouldn’t say it was a fortune, small or otherwise, just fortunate.” Each time, I found myself playing down the wealth aspect of the business deal.
“Perhaps then, as the journalist wrote, you were lucky. It is not, I think, a good time for internet-based companies.”
The latter statement was an interesting fact, one she read in the Financial Times, which had made that exact comment recently.
“But I am boring you.” She smiled again. “I should be minding my own business and leaving you to your thoughts. I am sorry.”
She turned to leave and took a few steps towards the main cabin.
“You’re not boring me,” I said, thinking I was letting my paranoia get the better of me. It had been Sebastian, on learning of my good fortune, who had warned me against ‘a certain element here and abroad’ whose sole aim would be to separate me from my money. He was not very subtle when he described their methods.
But I knew he was right. I should have let her walk away.
She stopped and turned around. “You seem nothing like the man I read about in the Economist.”
A sudden and awful thought popped into my head. Those words were part of a very familiar opening gambit. “Are you a reporter?”
I was not sure if she looked surprised or amused. “Do I look like one?”
I silently cursed myself for speaking before thinking, and then immediately ignored my own admonishment. “People rarely look like what they are.”
I saw the subtle shake of the head and expected her to take her leave. Instead, she astonished me.
“I fear we have got off on the wrong foot. To be honest, I’m not usually this forward, but you seemed like you needed cheering up when probably the opposite is true. Aside from the fact that this excursion was probably a bad idea. And,” she added with a little shrug, “perhaps I talk too much.”
I was not sure what I thought of her after that extraordinary admission. It was not something I would do, but it was an interesting way to approach someone and have them ignore their natural instinct. I would let Sebastian whisper in my ear for a little longer and see where this was going.
“Oddly enough, I was thinking the same thing. I was supposed to be travelling with my prospective bride. I think you can imagine how that turned out.”
“She’s not here?”
“No.”
“She’s in the cabin?” Her eyes strayed in that direction for a moment, then came back to me. She seemed surprised I might be travelling with someone.
“No. She is back in England, and the wedding is off. So is the relationship. She dumped me by text.”
OK, why was I sharing this humiliating piece of information with her? I still couldn’t be sure she was not a reporter.
She motioned to an empty seat, back from the edge. No walking the plank today. She moved towards it and sat down. She showed no signs of being cold, nor interested in the breeze upsetting her hair. Phillipa would be having a tantrum about now, being kept outside, and freaking out over what the breeze might be doing to her appearance.
I wondered, if only for a few seconds, if she used this approach with anyone else. I guess I was a little different, a seemingly rich businessman alone on a ferry on Lake Geneva, contemplating the way his life had gone so completely off track.
She watched as I sat at the other end of the bench, leaving about a yard between us. After I leaned back and made myself as comfortable as I could, she said, “I have also experienced something similar, though not by text message. It is difficult, the first few days.”
“I saw it coming.”
“I did not.” She frowned, a sort of lifeless expression taking over, perhaps brought on by the memory of what had happened to her. “But it is done, and I moved on. Was she the love of your life?”
OK, that was unexpected.
When I didn’t answer, she said, “I am sorry. Sometimes I ask personal questions without realising what I’m doing. It is none of my business.” She shivered. “Perhaps we should go back inside.”
She stood and held out her hand. Should I take it and be drawn into her web? I thought of Sebastian. What would he do in this situation?
I took her hand in mine and let her pull me gently to my feet. “Wise choice,” she said, looking up at the sky.
One Day in Helsinki: The One Place You Must Visit for an Unforgettable Stopover
Picture this: You’ve just landed in Helsinki, Finland, with only one day to explore before catching your next flight. The city beckons with its sleek design, vibrant culture, and Nordic charm—but time is limited. So, where do you go to capture the true spirit of Helsinki in just a few hours?
While the city offers countless gems—from the striking Helsinki Cathedral to the bustling Market Square—there’s one spot that perfectly encapsulates Helsinki’s soul and ensures your short visit is nothing short of memorable.
That place is Suomenlinna Sea Fortress.
Why Suomenlinna?
A UNESCO World Heritage site since 1991, Suomenlinna is not just a fortress—it’s an island adventure, a historical journey, and a scenic retreat all rolled into one. Built in the 18th century, this maritime fortress sprawls across six interconnected islands and tells stories of Swedish, Russian, and Finnish history. But more than that, it offers an immersive experience you can savor even in a single day.
How to Make the Most of Your Visit
Getting There: From the heart of Helsinki, it’s just a 15–20-minute ferry ride from Kauppatori (Market Square). Ferries run regularly year-round, and the journey itself offers stunning views of the Baltic Sea and Helsinki’s coastline.
What to Do on the Island:
Step Back in Time: Wander through tunnels, cannons, and historic barracks. Visit the Suomenlinna Museum for a compact overview of the fortress’s 270-year history.
Embrace Nature and Views: Walk along the rugged coastal paths for breathtaking panoramas of the sea and the city skyline. In summer, the islands are lush and green; in winter, they transform into a serene, snow-dusted wonderland.
Taste Finnish Flavors: Stop by Café Vanille or the brewery restaurant, Suomenlinnan Panimo, for a warm drink, local pastry, or even a craft beer brewed on the island.
Capture the Moment: From the iconic King’s Gate to the tranquil shoreline, every corner is photogenic. This is a place where memories are made—and Instagram-worthy shots are guaranteed.
Why It’s Perfect for a Stopover
Compact Yet Complete: You can explore the highlights in 3–4 hours, leaving you plenty of time to return to the city, enjoy a meal, or even visit another quick attraction.
Authentic Helsinki Vibe: Suomenlinna blends history, nature, and local life in a way that feels uniquely Finnish.
Escape the Hustle: Despite being so close to the city, the islands offer a peaceful retreat away from urban noise—a refreshing pause during a travel day.
Before You Go
Check Ferry Schedules: Plan your trip around ferry times to maximize your stay.
Dress for the Weather: Helsinki can be breezy, even in summer. Wear comfortable shoes for walking.
Pack Light Snacks: While there are cafes, having a water bottle and a snack ensures you can explore uninterrupted.
One Day, One Unforgettable Experience
Your stopover in Helsinki is a gift—a chance to taste a new culture, even briefly. And Suomenlinna is the perfect bite-sized piece of Finland to savor. It’s more than a tourist attraction; it’s an experience that stays with you: the sea breeze, the whisper of history, and the serene beauty of the archipelago.
So, when you find yourself with one day in Helsinki, skip the stress of trying to see it all. Take the ferry, step onto the island, and let Suomenlinna turn your stopover into a story worth telling.
Safe travels—and may your day in Helsinki be unforgettable!
Have you visited Suomenlinna or have another Helsinki favourite? Share your experiences in the comments below!
