Category: Book

Top 5 sights on the road less travelled – Barcelona

Beyond the Gaudi Glow: 5 Barcelona Gems Off the Beaten Path

Barcelona. The name conjures images of soaring Sagrada Familia, vibrant Las Ramblas, and the sun-drenched beaches of Barceloneta. And while these iconic sights are undeniably spectacular, there’s a whole other layer to this Catalan capital waiting to be discovered by those willing to venture a little further. If you’re tired of jostling for elbow room and crave a taste of authentic Barcelona, this list of five things to do on the road less travelled is for you.

1. Get Lost (and Found) in Gràcia’s Bohemian Labyrinth

Step away from the Gothic Quarter’s throngs and find yourself in the charming neighbourhood of Gràcia. Once a separate town, Gràcia retains its distinct village feel with a network of narrow, winding streets, hidden plazas, and a wonderfully bohemian atmosphere. Spend an afternoon simply wandering. You’ll stumble upon independent boutiques, artisan workshops, and inviting cafes where locals gather. Don’t miss Plaça del Sol or Plaça de la Vila de Gràcia – perfect spots to sip a coffee and people-watch. In the evening, Gràcia truly comes alive with its array of tapas bars and intimate restaurants, offering a more local and affordable dining experience.

2. Ascend to the Untamed Beauty of Parc del Laberint d’Horta

While Park Güell gets all the glory for its whimsical mosaics, Barcelona’s oldest garden, Parc del Laberint d’Horta, offers a more serene and romantic escape. This neoclassical gem boasts a breathtaking cypress maze that’s a delight to navigate. Beyond the labyrinth, discover neoclassical sculptures, hidden grottoes, peaceful ponds, and stunning manicured gardens. It’s a tranquil oasis far removed from the city’s hustle, perfect for a leisurely stroll, a romantic picnic, or simply a moment of quiet contemplation. Pack a book and let the gentle murmur of fountains wash over you.

3. Uncover History and Art at the Sant Pau Recinte Modernista

Often overshadowed by Gaudí’s more famous works, the Sant Pau Recinte Modernista is a UNESCO World Heritage site that deserves its own spotlight. This former hospital complex, designed in the early 20th century by architect Lluís Domènech i Montaner, is a masterpiece of Catalan Modernisme. Wander through its beautifully preserved pavilions, adorned with intricate tilework, stained glass, and stunning sculptures. The sheer scale and artistic detail are astounding, offering a fascinating glimpse into the era’s architectural innovation and a poignant reminder of its philanthropic past. It’s a place that inspires awe and contemplation in equal measure.

4. Immerse Yourself in Local Flavours at Mercat de Sant Antoni

While La Boqueria is a vibrant sensory overload, the Mercat de Sant Antoni offers a more authentic and less tourist-centric market experience. Recently renovated, this grand market hall is a haven for local produce, fresh seafood, and regional delicacies. Come here for breakfast, sample some empanadas, pick up ingredients for a picnic, or simply soak in the lively atmosphere as locals go about their daily shopping. On Sundays, the surrounding streets transform into a bustling book and antique market, adding another layer of discovery to your visit.

5. Hike to the Iconic Bunkers del Carmel for Panoramic Vistas

For the most breathtaking, unobstructed views of Barcelona, skip the crowded viewpoints and head to the Bunkers del Carmel. These anti-aircraft fortifications from the Spanish Civil War offer a dramatic historical backdrop to arguably the best panoramic vistas of the city. While the climb can be a bit of a trek (or a short bus ride up), the reward is immense. Watch the sunset paint the sky in fiery hues, with the entire cityscape spread out before you like a miniature wonderland. It’s a favourite spot for locals to gather with friends, enjoy a picnic, and simply admire their beloved city from above.

Barcelona is a city that rewards curiosity. By venturing beyond the well-trodden paths, you’ll uncover its hidden heart, meet its friendly locals, and create memories that are truly your own. So, next time you find yourself in this Catalan gem, dare to stray from the guidebooks and embrace the magic of the road less travelled. You won’t be disappointed.

Inspiration, Maybe – Volume 2

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

And, the story:

Have you ever watched your hopes and dreams simply fly away?

Everything I thought I wanted and needed had just left in an aeroplane, and although I said I was not going to, I came to the airport to see the plane leave.  Not the person on it, that would have been far too difficult and emotional, but perhaps it was symbolic, the end of one life and the start of another.

But no matter what I thought or felt, we had both come to the right decision.  She needed the opportunity to spread her wings.  It was probably not the best idea for her to apply for the job without telling me, but I understood her reasons.

She was in a rut.  Though her job was a very good one, it was not as demanding as she had expected, particularly after the last promotion, but with it came resentment from others on her level that she, the youngest of the group, would get the position.

It was something that had been weighing her down for the last three months, and if she noticed it, the late nights, the moodiness, sometimes a flash of temper.  I knew she had one; no one could have such red hair and not, but she had always kept it in check.

And then there was us, together, and after seven years, it felt like we were going nowhere.  Perhaps that was down to my lack of ambition, and though she never said it, lack of sophistication.  It hadn’t been an issue, well, not until her last promotion, and the fact that she had to entertain more, and frankly, I felt like an embarrassment to her.

So, there it was, three days ago, the beginning of the weekend, and we had planned to go away for a few days and take stock.  We both acknowledged we needed to talk, but it never seemed the right time.

It was then that she said she had quit her job and found a new one.  Starting the following Monday.

Ok, that took me by surprise, not so much that it was something I sort of guessed might happen, but that she would just blurt it out.

I think that right then, at that moment, I could feel her frustration with everything around her.

What surprised her was my reaction.  None.

I simply asked who, where, and when.

A world-class newspaper in New York, and she had to be there in a week.

A week.

It was all the time I had left with her.

I remember just shrugging and asking if the planned weekend away was off.

She stood on the other side of the kitchen counter, hands around a cup of coffee she had just poured, and that one thing I remembered was the lone tear that ran down her cheek.

Is that all you want to know?

I did, yes, but we had lost the intimacy we used to have, where she would have told me what was happening, and we would have brainstormed solutions. I might be a cabinet maker, but I still had a brain, was what I overheard her tell a friend once.

There’s not much to ask, I said.  You’ve been desperately unhappy and haven’t been able to hide it all that well, you have been under a lot of pressure trying to deal with a group of troglodytes, and you’ve been leaning on Bentley’s shoulder instead of mine, and I get it, he’s got more experience in that place,  and the politics that go with it, and is still an ally.

Her immediate superior was instrumental in her getting the position, but unlike some men in his position, he had not taken advantage of the situation like some might.  And even if she had made a move, which I doubted, that was not the sort of woman she was, he would have politely declined.

One of the very few happily married men in that organisation, so I heard.

So, she said, you’re not just a pretty face.

Par for the course for a cabinet maker whose university degree is in psychology.  It doesn’t take rocket science to see what was happening to you.  I just didn’t think it was my place to jump in unless you asked me, and when you didn’t, well, that told me everything I needed to know.

Yes, our relationship had a use-by date, and it was in the next few days.

I was thinking, she said, that you might come with me; you can make cabinets anywhere.

I could, but I think the real problem wasn’t just the job.  It was everything around her and going with her that would just be a constant reminder of what had been holding her back. I didn’t want that for her and said so.

Then the only question left was, what do we do now?

Go shopping for suitcases.  Bags to pack, and places to go.

Getting on the roller coaster is easy.  At the beginning, it’s a slow, easy ride, followed by the slow climb to the top.  It’s much like some relationships; they start out easy, they require a little work to get to the next level, followed by the adrenaline rush when it all comes together.

What most people forget is that what comes down must go back up, and life is pretty much a roller coaster with highs and lows.

Our roller coaster had just come out of the final turn, and we were braking so that it would stop at the station.

There was no question of going with her to New York.  Yes, I promised I’d come over and visit her, but that was a promise with crossed fingers behind my back.  After a few months in the new job, the last thing she’d want was a reminder of what she left behind.  New friends, new life.

We packed her bags, threw out everything she didn’t want, a free trip to the op shop with stuff she knew others would like to have, and basically, by the time she was ready to go, there was nothing left of her in the apartment, or anywhere.

Her friends would be seeing her off at the airport, and that’s when I told her I was not coming; that moment, the taxi arrived to take her away forever.  I remember standing there, watching the taxi go.  It was going to be, and was, as hard as it was to watch the plane leave.

So, there I was, finally staring at the blank sky, around me a dozen other plane spotters, a rather motley crew of plane enthusiasts.

Already that morning, there had been 6 different types of planes departing, and I could hear another winding up its engines for take-off.

People coming, people going.

Maybe I would go to New York in a couple of months, not to see her, but just to see what the attraction was.  Or maybe I would drop in, just to see how she was.

As one of my friends told me when I gave him the news, the future is never written in stone, and it’s about time you broadened your horizons.

Perhaps it was.

© Charles Heath 2020-2026

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Coming soon.  Find the above story and 49 others like it in:

365 Days of writing, 2026 – 169

Day 169 – Every character should want something

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The Simple Secret to Compelling Fiction: Give Your Characters a Glass of Water

In the world of creative writing, there is a tendency to mistake “complexity” for “grandeur.” We feel that to write a compelling story, our protagonists must be saving the galaxy, solving a decade-old murder, or undergoing a sprawling, life-altering metamorphosis.

But the late, great Kurt Vonnegut offered a piece of advice that serves as a necessary reality check for every writer, from the novice to the novelist:

“Every character should want something, even if it is only a glass of water.”

It’s a deceptively simple rule, but it cuts to the very heart of human motivation and narrative drive. Here is why this principle is the backbone of any story worth reading.

Desire is the Engine of Story

Think about your own life. You are never truly “at rest.” Even when you are sitting on the couch, you are likely wanting something—a snack, to check your phone, to be done with work, to feel relaxed, or to be somewhere else.

If a character has no desire, they have no movement. If they have no movement, they have no agency. Without agency, the story becomes a series of things that happen to a person, rather than a sequence of choices made by a person.

Desire is the engine. Whether the goal is to conquer a kingdom or simply to reach the kitchen for a glass of water, the desire creates a trajectory.

Scale Doesn’t Equal Stakes

Vonnegut’s specific mention of “a glass of water” is brilliant because it reminds us that the scale of the goal matters less than the intensity of the need.

If a character is trapped in a desert, that glass of water is a matter of life and death. If a character is in a tense, uncomfortable social situation and needs a glass of water just to escape the conversation and compose themselves, it is a matter of psychological survival.

The reader doesn’t need the world to be ending to care about the outcome. They need to believe that the character needs what they are chasing. If the character wants it, we start to want it for them.

Defining Your Characters Through Want

What a character wants tells us everything we need to know about who they are.

  • A character who wants a promotion tells us they are ambitious.
  • A character who wants to be left alone tells us they are guarded.
  • A character who wants a glass of water in the middle of a heated argument tells us they are looking for a way to regain control or avoid confrontation.

By defining these wants, you move away from static, cardboard descriptions and toward dynamic characterisation. You show the reader their soul through their actions.

The “Glass of Water” Test

The next time you are stuck in a scene and feel the momentum stalling, ask yourself: What does my character want right now?

If your character is just standing around, waiting for the plot to happen, you need to give them a “glass of water.” Maybe they need to find their lost keys. Maybe they need to keep a secret from being revealed. Maybe they just need to say something they’ve been holding inside for years.

Once your character has a goal—no matter how small—they have a reason to move. And once they move, the reader will inevitably follow.

The Takeaway: Great fiction doesn’t always require epic quests or world-shattering stakes. It requires a human being who is striving for something. Give your characters a goal, give them an obstacle, and watch as your story begins to breathe on its own.

What is your character reaching for today? Even if it’s just a glass of water, make sure they’re thirsty.

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‘The Devil You Don’t’ – A beta reader’s view

It could be said that of all the women one could meet, whether contrived or by sheer luck, what are the odds it would turn out to be the woman who was being paid a very large sum to kill you?

John Pennington is a man who may be lucky in business, but not so lucky in love. He has just broken up with Phillipa Sternhaven, the woman he thought was the one, but relatives and circumstances, and perhaps because she was a ‘princess’, may also have contributed to the end result.

So, what do you do when you are heartbroken?

That is a story that slowly unfolds, from the first meeting with his nemesis on Lake Geneva, all the way to a hotel room in Sorrento, where he learns the shattering truth.

What should have been solace after disappointment turns out to be something else entirely, and from that point, everything goes to hell in a handbasket.

He suddenly realises his so-called friend Sebastian has not exactly told him the truth about a small job he asked him to do, the woman he is falling in love with is not quite who she says she is, and he is caught in the middle of a war between two men who consider people becoming collateral damage as part of their business.

The story paints the characters, cleverly displaying all their flaws and weaknesses. The locations add to the story at times, taking me back down memory lane, especially to Venice, where, in those back streets, I confess it’s not all that hard to get lost.

All in all, a thoroughly entertaining story with, for once, a satisfying end.

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Available on Amazon here: https://amzn.to/2Xyh1ow

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The cinema of my dreams – I always wanted to write a war story – Episode 13

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination in what happened during the second worlds war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

 …

I remained on the spot, not moving, for at least five minutes before I let out a sigh of relief.  It would be relatively safe because I had heard them walk off, following the river, and Jack, as my eyes and ears, had been out and had come back,. tail wagging slightly.

I was hoping he was not in league with Jackerby.

“So,” I said quietly to him, “you think it is safe out there?”  To be honest, I was not sure why I was asking the dog, or, for that matter, if he understood a word I was saying.

I  took tail wagging as a good sign.

Until, all of a sudden he went quiet and very still again, ears up and listening.

Then, I heard what he had heard.  The cracking sound of a foot on a twig or dry branch.

From behind me.

We both turned slowly.

An Italian man, about mid 30’s with a dated rifle in his hands, aimed at my head, not twenty feet away.  I was not going to take the chance he couldn’t hit the broadside of a barn.

“Who are you?”  He started with schoolboy German, obviously not his first language.

The problem I had was deciding whether he was the traitor, or with the resistance that hadn’t been betrayed.

“Not a German for starters,” I said.

I noticed Jack was standing very still with teeth bared.  He didn’t like this man.  Perhaps he too didn’t like the odds of rushing the man with the gun.

“Englander?”

The way a German would call an Englishman.

“In a manner of speaking.”

“Are you from the castle?”

That was a trick question if I say no, he wouldn’t believe me, and if I said yes, I’d be tarred with the German brush.

“I escaped from there, so in a manner of speaking, yes I am from the castle.”

“Name?”

It couldn’t hurt to tell him.  “Sam Atherton.”

He let the gun drop, but it was still in a position to shoot me if I tried anything.

“Are you from the resistance?  I mean the group that hasn’t been compromised by a traitor?”

“I don’t know anything about the resistance if there is one.  I’m a farmer, trying to go about his business in the middle of a war.  What are you doing here?”

It might seem to anyone rather odd to be standing around in the woods.  “Hiding from two men who have come from the castle to follow me.”

He looked around.  “Where are they now?”

“Supposedly following me into the village, in that direction,” I pointed to where I thought the village was, “where I’m supposed to be leading them to the resistance, which, you said, doesn’t exist.”

“I didn’t say it didn’t exist, only that I don’t know anything about it.  What makes you think there is a resistance unit in these parts?”

Good question.  And, depending on what side he was on, still to be determined, I was not going to give them away.  “I’m acting on some sketchy intelligence we got in London, along with the possibility that the men in the castle, who are supposed to be Englanders, as you call them, but who are actually working with the Germans.  Seems they were right on one count, because they caught me and put me in a cell, and possibly wrong, according to you, on the other.”

“How did you manage to get away, if you were in a cell.”

So, here comes the part that sounds totally improbable.  “One of the two men following me broke me out.”

Yes, the look on his face said it all.

I shrugged.  “Ask the dog.  He’ll tell you.  His name is Jack by the way, but I’m not sure if he understands English.”

The dog went still again and turned his head.

Another crack, another person in the undergrowth, coming from the other side of the bushes.  My first thought, my two pursuers, realizing they’d lost me, had circled back to find me.

The man in front didn’t raise his gun, so it was someone he knew.

“Who is he?”

A woman’s voice.  I turned my head slightly.  She was older, perhaps this man’s mother.  She had a pistol in her left hand.

“Claims he escaped from the castle.”

“They all do.”

I heard a soft bang, and then something in my back, like a needle.

Seconds later my heard started spinning, and few more seconds later my legs gave out, and darkness followed.

 …

© Charles Heath 2019

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 14

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.

…

Before the waterfront cleanup, the Shingle Inn was another of those places respectable people didn’t go to.  And those from out of town only stayed there if everything else was taken, or they were looking for a reason to visit a hospital.

I knew this not because it was advertised on the radio or television, or it was in the newspapers, or it probably was but I never read any of them, but because several of my senior year classmates went there on a dare to sample ‘the fare’.

They learned the lesson the hard way so all the rest of us wouldn’t make the same mistake.

So, the question I had to ask myself when I reached the safety of a bus shelter about 100 yards from the bar, was the reason Nadia was staying there, or if she was not, how did she have a room key.

I was hoping she had not fallen into the ways some of the girls did, going down the path of drugs, loans they couldn’t pay, and ending being owned by some seedy man.  That had happened too, and to girls, I had believed knew better.

I guess I was no judge of character, then or now.

Should I go there now and wait for her, perhaps check the place out, and the room, and see if she was staying there.

Or should I read between the lines, and consider this might be a trap of some sort, and that her brother, Vince, would turn up and ‘teach me a lesson not to meddle in their affairs’.  The latter seemed more likely.

And yet it was the dumb ass stupid streak I had that was telling me to go, just to see what happened.  I wasn’t looking for nor did I expect that she was offering me anything, so, giving her the benefit of the doubt, it might mean she was entertaining my suggestion of getting the map to get her off Alex’s hook.

That would then leave only one question, what did I want from her in return.

Fifteen minuted before the hour was up, I was standing in the shadows watching the Inn.  In the hour since the bar, the sun had gone down, and now the Inn, shrouded in gaudy colours from broken neon lights, and a sign that made it look like a hotel in paradise, looked like it was, a den of iniquity.

The girls for hire were still there.  The rooms had different lights above the door of each room that I could see, one red one green which I guessed let others know the room was free or occupied.

The room the key Nadia had given me had no lights on, so I was not sure what that meant.

Ten minutes to go, a car pulled up outside the office, and I saw Vince get out.

Illusion shattered.  It was a setup, she was upset by my appearance at the bar and had called in the punishment crew.  Two minutes later he came back out of the office with a briefcase, got in the car, and drove off.

Was the Inn one of the Cossatino’s establishments, or was that for protection, or picking up drugs?  Or all three?

I shrugged.  Time to find out what Nadia’s intentions were.

I kept to the shadows, crossed the road where it was darkest, and came upon the room from the rear fire stairs.  The room was the second from the end, so I would not have to walk along the balcony very far, and risk being seen.

At the door, a look in either direction, I unlocked the door, opened it, and waited to see if there were any surprises inside waiting, nothing stirred, so I went in and closed the door behind me.

There were no surprises inside; it was just a room with two beds and a bathroom.  A suitcase was beside one of the beds, and its contents spread over the bed.

The aroma of some recognisable perfume came from the bathroom, looking a mess with worn clothes on the floor in one corner, and used towels in the other.

She was staying here.  One of the questions I was going to ask was why?

…

© Charles Heath 2019-2023

What I learned about writing – Writing a novel is not a sprint but a marathon

Navigating the Darkness: Sprinting Through Your Marathon Novel

E.L. Doctorow, a titan of American literature, once famously described the writing process as akin to “driving a car at night – you can only see as far as the headlight go.” This beautifully encapsulates the inherent uncertainty, the step-by-step progression, and the reliance on instinct that comes with crafting a narrative.

Then there’s the other, equally valid, piece of advice: writing a book isn’t a sprint, it’s a marathon. This speaks to the endurance, the discipline, and the long-haul commitment required to bring a sprawling story from conception to completion.

On the surface, these two nuggets of wisdom feel contradictory. How can you sprint through a marathon? How can you navigate the darkness with pinpoint precision if you’re also settling in for a long, gruelling race?

The truth is, they aren’t contradictions at all. They are two essential facets of successful authorship, and the key to achieving the best of both worlds lies in understanding how they can and should work together.

Embrace the Headlight: The Power of the Present

Doctorow’s metaphor is a powerful reminder to ground ourselves in the immediate. When you’re staring at a blank page or a daunting plot point, the sheer magnitude of the “marathon” can be paralysing. This is where the headlight comes in.

  • Focus on the Next Scene: Don’t worry about how you’re going to end the book. Just focus on writing the next scene, the next chapter, the next conversation. What needs to happen right now to move the story forward?
  • Trust Your Intuition: The headlight illuminates the path immediately ahead. This is where your creative impulse, your gut feeling about character motivation, or your instinct for dialogue takes over. Allow yourself to explore without needing to see the entire roadmap.
  • Embrace the Unknown: Sometimes, the best stories emerge from the unexpected detours revealed by the headlight. Don’t be afraid to go where the light takes you, even if it wasn’t part of your original plan. This is how discovery happens.

Pace Yourself for the Long Haul: The Marathon Mindset

While the headlight keeps you moving forward, the marathon mindset provides the structure and resilience to keep going. Without it, you’ll burn out before you even hit the halfway point.

  • Establish a Routine: Whether it’s a daily word count, a dedicated writing time, or a weekly goal, consistency is your marathon fuel. It’s about showing up, even when the inspiration feels dim.
  • Break Down the Giant Task: The marathon is made up of many miles. Similarly, your book is made up of chapters, plot arcs, and character development. Break down the larger goal into smaller, manageable chunks. This makes the journey less daunting.
  • Cultivate Patience and Persistence: There will be days, weeks, even months where the writing feels like wading through molasses. This is normal. Understanding that this is part of the marathon allows you to persevere through the tough patches without losing sight of the finish line.
  • The Long Game of Revision: The marathon isn’t over when you type “The End.” The real work of refining, shaping, and polishing is a crucial part of the longer journey. Trust that the initial draft, guided by the headlight, will be the raw material for a more polished creation.

Achieving the Best of Both Worlds: The Dynamic Duo

The magic happens when you stop seeing these as opposing forces and start integrating them.

  1. Start with the Headlight, Build with the Marathon: Begin by focusing on the immediate scene, letting your creativity flow. As you complete sections, start to see the broader strokes, the emerging patterns that define your marathon.
  2. Use the Marathon Structure to Guide the Headlight: Have a general outline or a compelling premise? This “marathon vision” can act as your distant parklights, giving direction to your immediate headlight-led explorations.
  3. Allow for Detours, But Keep Moving: The headlight might reveal an exciting side road, but the marathon’s awareness of the destination ensures you don’t get lost indefinitely. You can explore, but always with a sense of returning to the main path.
  4. Celebrate Small Victories (Headlight Moments) on the Long Journey (Marathon): Finishing a chapter is a milestone in the marathon. A particularly brilliant piece of dialogue is a shining moment in the headlight’s beam. Acknowledge and appreciate both.

In essence, writing a book is about learning to be both a navigator of the immediate journey and a seasoned long-distance runner. You need the courage to step into the darkness, guided by the light you have, and the wisdom to understand that this is a race that requires stamina, strategy, and unwavering dedication. By embracing the power of the present while respecting the demands of the long haul, you can indeed achieve the best of both worlds, and bring your story magnificently to life.

365 Days of writing, 2026 – 168

Day 168 – Facing that rejection slip

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The Art of Being Told “No”: Lessons from Rudyard Kipling

In the world of professional writing, rejection isn’t just a possibility—it’s a rite of passage.

Every writer knows the sting of the form letter. But occasionally, a rejection arrives that is so spectacularly wrong, so jarringly dismissive, that it drifts into the realm of legend.

Perhaps the most famous example involves Rudyard Kipling. Before he became the Nobel Prize-winning author of The Jungle Book, Kipling was a young journalist struggling to break into the literary scene. He submitted his work to the San Francisco Examiner, only to receive a rejection letter that read:

“I’m sorry, Mr. Kipling, but you just don’t know how to use the English language.”

If you’ve ever had your pitch ignored, your manuscript shredded by an editor, or your creative spark doused by a cold professional “no,” take a moment to sit with that quote. One of the greatest masters of the English language was told, in black and white, that he lacked the fundamental skills to use it.

So, how do you handle rejection when it feels like a total erasure of your talent? How do you keep going when the gatekeepers tell you that you don’t belong?

1. Separate “The Work” from “The Worth”

The editor at the San Francisco Examiner wasn’t critiquing Kipling’s soul; they were critiquing a piece of paper, filtered through their own subjective taste, bias, and likely a bad mood.

When you get a rejection, the immediate psychological reflex is to internalise it as a verdict on your identity. Don’t. A rejection is data, not a definition. It tells you that this specific piece of work did not fit this specific person’s expectations at this specific time. It is a localised event, not a reflection of your inherent value as a creator.

2. Recognise the “Gatekeeper’s Blind Spot”

History is littered with the corpses of “expert” opinions. J.K. Rowling was rejected by a dozen publishers who thought Harry Potter wouldn’t sell. Stephen King’s Carrie was rejected 30 times.

Sometimes, what looks like a lack of skill is actually just a voice that hasn’t been categorised yet. Kipling’s style was bold, rhythmic, and unconventional. The editor who rejected him didn’t see “genius”—they saw a deviation from the norm they were comfortable with. Often, you are rejected because you are doing something new, and “new” is hard for people to recognise at first.

3. Use Rejection as a Refinement Tool (but stay selective)

Kipling didn’t stop writing. He didn’t take that editor’s advice to “learn how to use the language.” Instead, he kept writing in his unique, unmistakable voice.

There is a difference between constructive criticism and malicious dismissal. If 20 people tell you your plot is confusing, you might have a clarity issue. If one person tells you you “don’t know how to use the language” while you are actively crafting award-winning prose, you ignore them. Learn to discern between feedback that helps you grow and feedback that simply isn’t for you.

4. Let Your Success Be the Longest Game

There is a profound, quiet satisfaction in proving the naysayers wrong—not by screaming at them, but by moving forward until your work is so loud they can no longer ignore it.

Kipling didn’t need to write a scathing response to the Examiner. He didn’t need to post a “revenge” tweet. He just wrote Kim. He wrote If—. He wrote The Man Who Would Be King. He built a legacy that made that editor’s rejection letter look like a footnote in a history book.

The Takeaway

If you are currently staring at a rejection letter, take a breath. Know that you are in the best possible company. You are standing alongside Hemingway, Woolf, Dickens, and Kipling.

The rejection isn’t a wall; it’s a hurdle. It’s the universe’s way of asking, “How badly do you want this?”

Don’t let a stranger’s bad taste dictate your creative future. Pick up your pen, refine your craft, and keep going. After all, the best way to deal with the person who says you don’t know the language is to write something they’ll be forced to read for the rest of their lives.

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Top 5 sights on the road less travelled – Barcelona

Beyond the Gaudi Glow: 5 Barcelona Gems Off the Beaten Path

Barcelona. The name conjures images of soaring Sagrada Familia, vibrant Las Ramblas, and the sun-drenched beaches of Barceloneta. And while these iconic sights are undeniably spectacular, there’s a whole other layer to this Catalan capital waiting to be discovered by those willing to venture a little further. If you’re tired of jostling for elbow room and crave a taste of authentic Barcelona, this list of five things to do on the road less travelled is for you.

1. Get Lost (and Found) in Gràcia’s Bohemian Labyrinth

Step away from the Gothic Quarter’s throngs and find yourself in the charming neighbourhood of Gràcia. Once a separate town, Gràcia retains its distinct village feel with a network of narrow, winding streets, hidden plazas, and a wonderfully bohemian atmosphere. Spend an afternoon simply wandering. You’ll stumble upon independent boutiques, artisan workshops, and inviting cafes where locals gather. Don’t miss Plaça del Sol or Plaça de la Vila de Gràcia – perfect spots to sip a coffee and people-watch. In the evening, Gràcia truly comes alive with its array of tapas bars and intimate restaurants, offering a more local and affordable dining experience.

2. Ascend to the Untamed Beauty of Parc del Laberint d’Horta

While Park Güell gets all the glory for its whimsical mosaics, Barcelona’s oldest garden, Parc del Laberint d’Horta, offers a more serene and romantic escape. This neoclassical gem boasts a breathtaking cypress maze that’s a delight to navigate. Beyond the labyrinth, discover neoclassical sculptures, hidden grottoes, peaceful ponds, and stunning manicured gardens. It’s a tranquil oasis far removed from the city’s hustle, perfect for a leisurely stroll, a romantic picnic, or simply a moment of quiet contemplation. Pack a book and let the gentle murmur of fountains wash over you.

3. Uncover History and Art at the Sant Pau Recinte Modernista

Often overshadowed by Gaudí’s more famous works, the Sant Pau Recinte Modernista is a UNESCO World Heritage site that deserves its own spotlight. This former hospital complex, designed in the early 20th century by architect Lluís Domènech i Montaner, is a masterpiece of Catalan Modernisme. Wander through its beautifully preserved pavilions, adorned with intricate tilework, stained glass, and stunning sculptures. The sheer scale and artistic detail are astounding, offering a fascinating glimpse into the era’s architectural innovation and a poignant reminder of its philanthropic past. It’s a place that inspires awe and contemplation in equal measure.

4. Immerse Yourself in Local Flavours at Mercat de Sant Antoni

While La Boqueria is a vibrant sensory overload, the Mercat de Sant Antoni offers a more authentic and less tourist-centric market experience. Recently renovated, this grand market hall is a haven for local produce, fresh seafood, and regional delicacies. Come here for breakfast, sample some empanadas, pick up ingredients for a picnic, or simply soak in the lively atmosphere as locals go about their daily shopping. On Sundays, the surrounding streets transform into a bustling book and antique market, adding another layer of discovery to your visit.

5. Hike to the Iconic Bunkers del Carmel for Panoramic Vistas

For the most breathtaking, unobstructed views of Barcelona, skip the crowded viewpoints and head to the Bunkers del Carmel. These anti-aircraft fortifications from the Spanish Civil War offer a dramatic historical backdrop to arguably the best panoramic vistas of the city. While the climb can be a bit of a trek (or a short bus ride up), the reward is immense. Watch the sunset paint the sky in fiery hues, with the entire cityscape spread out before you like a miniature wonderland. It’s a favourite spot for locals to gather with friends, enjoy a picnic, and simply admire their beloved city from above.

Barcelona is a city that rewards curiosity. By venturing beyond the well-trodden paths, you’ll uncover its hidden heart, meet its friendly locals, and create memories that are truly your own. So, next time you find yourself in this Catalan gem, dare to stray from the guidebooks and embrace the magic of the road less travelled. You won’t be disappointed.

“The Things we do for Love”, the story behind the story

This story has been ongoing since I was seventeen, and just to let you know, I’m 72 this year.

Yes, it’s taken a long time to get it done.

Why, you might ask.

Well, I never gave it much interest because I started writing it after a small incident when I was 17, and working as a book packer for a book distributor in Melbourne

At the end of my first year, at Christmas, the employer had a Christmas party, and that year, it was at a venue in St Kilda.

I wasn’t going to go because at that age, I was an ordinary boy who was very introverted and basically scared of his own shadow and terrified by girls.

Back then, I would cross the street to avoid them

Also, other members of the staff in the shipping department were rough and ready types who were not backwards in telling me what happened, and being naive, perhaps they knew I’d be either shocked or intrigued.

I was both adamant I wasn’t coming and then got roped in on a dare.

Damn!

So, back then, in the early 70s, people looked the other way when it came to drinking, and of course, Dutch courage always takes away the concerns, especially when normally you wouldn’t do half the stuff you wouldn’t in a million years

I made it to the end, not as drunk and stupid as I thought I might be, and St Kilda being a salacious place if you knew where to look, my new friends decided to give me a surprise.

It didn’t take long to realise these men were ‘men about town’ as they kept saying, and we went on an odyssey.  Yes, those backstreet brothels where one could, I was told, have anything they could imagine.

Let me tell you, large quantities of alcohol and imagination were a very bad mix.

So, the odyssey in ‘The things we do’ was based on that, and then the encounter with Diana. Well, let’s just say I learned a great deal about girls that night.

Firstly, not all girls are nasty and spiteful, which seemed to be the case whenever I met one. There was a way to approach, greet, talk to, and behave.

It was also true that I could have had anything I wanted, but I decided what was in my imagination could stay there.  She was amused that all I wanted was to talk, but it was my money, and I could spend it how I liked.

And like any 17-year-old naive fool, I fell in love with her and had all these foolish notions.  Months later, I went back, but she had moved on, to where no one was saying or knew.

Needless to say, I was heartbroken and had to get over that first loss, which, like any 17-year-old, was like the end of the world.

But it was the best hour I’d ever spent in my life and would remain so until I met the woman I have been married to for the last 48 years.

As Henry, he was in part based on a rebel, the son of rich parents who despised them and their wealth, and he used to regale anyone who would listen about how they had messed up his life

If only I’d come from such a background!

And yes, I was only a run away from climbing up the stairs to get on board a ship, acting as a purser.

I worked for a shipping company and they gave their junior staff members an opportunity to spend a year at sea working as a purser on a cargo ship that sailed between Melbourne, Sydney and Hobart in Australia.

One of the other junior staff members’ turn came, and I would visit him on board when he would tell me stories about life on board, the officers, the crew, and other events. These stories, which sounded incredible to someone so impressionable, were a delight to hear.

Alas, by that time, I had tired of office work and moved on to be a tradesman at the place where my father worked.

It proved to be the right move, as that is where I met my wife.  Diana had been right; love would find me when I least expected it.

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