In a word: Yellow

It was an easy choice from the start, yellow is a colour, in any number of shades from very pale to very dark.

We have yellow egg yolks, yet another y word, and depending on whether the eggs are farmed in cages or free range, can dictate the shade of yellow.  Free-range gives the brightest yellow, by the way.

We have yellow cabs, but oddly enough, these cabs are orange, not yellow, as in this country, though the same may not be the case overseas, particularly in New York.  Good thing they are bright yellow so you can see them coming if you are crossing the road, perhaps illegally.

We have yellow bananas and lemons, probably the most common answers when asked, what is yellow?  That, and perhaps the yellow rose of Texas.

Then there is a more sinister meaning of the word, and it is associated with cowardice, and cowards are said to have a yellow streak down their backs.

If you have yellow fever, then you are in a whole world of pain.

You can sometimes have what appears to be yellow skin, a sign of jaundice.

There is a yellow sea, and then there are the yellow pages, sometimes a substitute name for a telephone directory of businesses.

And lastly, an expression that comes out of the past, and not used so much these days, but people from Asia were thought to have yellow skin.

Another excerpt from ‘Betrayal’; a work in progress

My next destination in the quest was the hotel we believed Anne Merriweather had stayed at.

I was, in a sense, flying blind because we had no concrete evidence she had been there, and the message she had left behind didn’t quite name the hotel or where Vladimir was going to take her.

Mindful of the fact that someone might have been following me, I checked to see if the person I’d assumed had followed me to Elizabeth’s apartment was still in place, but I couldn’t see him. Next, I made a mental note of seven different candidates and committed them to memory.

Then I set off to the hotel, hailing a taxi. There was the possibility that the cab driver was one of them, but perhaps I was slightly more paranoid than I should be. I’d been watching the queue, and there were two others before me.

The journey took about an hour, during which time I kept an eye out the back to see if anyone had been following us. If anyone was, I couldn’t see them.

I had the cab drop me off a block from the hotel and then spent the next hour doing a complete circuit of the block the hotel was on, checking the front and rear entrances, the cameras in place, and the siting of the driveway into the underground carpark. There was a camera over the entrance, and one we hadn’t checked for footage. I sent a text message to Fritz to look into it.

The hotel lobby was large and busy, which was exactly what you’d want if you wanted to come and go without standing out. It would be different later at night, but I could see her arriving about mid-afternoon, and anonymous among the clientele the hotel attracted.

I spent an hour sitting in various positions in the lobby simply observing. I had already ascertained where the elevator lobby for the rooms was, and the elevator down to the car park. Fortunately, it was not ‘guarded’, but there was a steady stream of concierge staff coming and going to the lower levels, and, just from time to time, guests.

Then, when there was a commotion at the front door, what seemed to be a collision of guests and free-wheeling bags, I saw one of the seven potential taggers sitting by the front door. Waiting for me to leave? Or were they wondering why I was spending so much time there?

Taking advantage of that confusion, I picked my moment to head for the elevators that went down to the car park, pressed the down button, and waited.

There was no car on the ground level, so I had to wait, watching, like several others, the guests untangling themselves at the entrance, and keeping an eye on my potential surveillance, still absorbed in the confusion.

The doors to the left car opened, and a concierge stepped out, gave me a quick look, then headed back to his desk. I stepped into the car, pressed the first level down, the level I expected cars to arrive on, and waited what seemed like a long time for the doors to close.

As they did, I was expecting to see a hand poke through the gap, a latecomer. Nothing happened, and I put it down to a television moment.

There were three basement levels, and for a moment, I let my imagination run wild and considered the possibility that there were more levels. Of course, there was no indication on the control panel that there were any other floors, and I’d yet to see anything like it in reality.

With a shake of my head to return to reality, the car arrived, the doors opened, and I stepped out.

A car pulled up, and the driver stepped out, went around to the rear of his car, and pulled out a case. I half expected him to throw me the keys, but the instant glance he gave me told him he was not the concierge, and instead he brushed past me like I wasn’t there.

He bashed the up button several times impatiently and cursed when the doors didn’t open immediately. Not a happy man.

Another car drove past on its way down to a lower level.

I looked up and saw the CCTV camera, pointing towards the entrance, visible in the distance. A gate that lifted up was just about back in position, then clunked when it finally closed. The footage from the camera would not prove much, even if it had been working, because it didn’t cover the lift lobby, only what was in the direction of the car entrance.

The doors to the other elevator car opened, and a man in a suit stepped out.

“Can I help you, sir? You seem lost.”

Security, or something else. “It seems that way. I went to the elevator lobby, got in, and it went down rather than up. I must have been in the wrong place.”

“Lost it is, then, sir.” I could hear the contempt for Americans in his tone. “If you will accompany me, please.”

He put out a hand ready to guide me back into the elevator. I was only too happy to oblige him. There had been a sign near the button panel that said the basement levels were only to be accessed by the guests.

Once inside, he turned a key and pressed the lobby button. The doors closed, and we went up. He stood, facing the door, not speaking. A few seconds later, he was ushering me out to the lobby.

“Now, sir, if you are a guest…”

“Actually, I’m looking for one. She called me and said she would be staying in this hotel and to come down and visit her. I was trying to get to the sixth floor.”

“Good. Let’s go over to the desk and see what we can do for you.”

I followed him over to the reception desk, where he signalled one of the clerks, a young woman who looked and acted very efficiently, and told her of my request, but then remained to oversee the proceeding.

“Name of guest, sir?”

“Merriweather, Anne. I’m her brother, Alexander.” I reached into my coat pocket and pulled out my passport to prove that I was who I said I was. She glanced cursorily at it.

She typed the name into the computer, and then we waited a few seconds while it considered what to output. Then, she said, “That lady is not in the hotel, sir.”

Time to put on my best-confused look. “But she said she would be staying here for the week. I made a special trip to come here to see her.”

Another puzzled look from the clerk, then, “When did she call you?”

An interesting question to ask, and it set off a warning bell in my head. I couldn’t say today, it would have to be the day she was supposedly taken.

“Last Saturday, about four in the afternoon.”

Another look at the screen, then, “It appears she checked out Sunday morning. I’m afraid you have made a trip in vain.”

Indeed, I had. “Was she staying with anyone?”

I just managed to see the warning pass from the suited man to the clerk. I thought he had shown an interest when I mentioned the name, and now I had confirmation. He knew something about her disappearance. The trouble was, he wasn’t going to volunteer any information because he was more than just hotel security.

“No.”

“Odd,” I muttered. “I thought she told me she was staying with a man named Vladimir something or other. I’m not too good at pronouncing those Russian names. Are you sure?”

She didn’t look back at the screen. “Yes.”

“OK, now one thing I do know about staying in hotels is that you are required to ask guests with foreign passports their next destination, just in case they need to be found. Did she say where she was going next?” It was a long shot, but I thought I’d ask.

“Moscow. As I understand it, she lives in Moscow. That was the only address she gave us.”

I smiled. “Thank you. I know where that is. I probably should have gone there first.”

She didn’t answer; she didn’t have to, her expression did that perfectly.

The suited man spoke again, looking at the clerk. “Thank you.” He swivelled back to me. “I’m sorry we can’t help you.”

“No. You have more than you can know.”

“What was your name again, sir, just in case you still cannot find her?”

“Alexander Merriweather. Her brother. And if she is still missing, I will be posting a very large reward. At the moment, you can best contact me via the American Embassy.”

Money is always a great motivator, and that thoughtful expression on his face suggested he gave a moment’s thought to it.

I left him with that offer and left. If anything, the people who were holding her would know she had a brother, that her brother was looking for her, and equally that brother had money.

© Charles Heath – 2018-2025

Top 5 sights on the road less travelled – Brisbane, Australia

Hidden Gems of Brisbane: 5 Uncrowded Attractions That Still Pack a Punch

If you’ve already ticked off the South Bank promenade, the Story Bridge, and the Lone Pine Koala Sanctuary, you might be wondering where the next unforgettable experience lies. Good news – Brisbane is a fairly compact city, and beyond the usual tourist radar, several spots feel almost secret. Below are five standout attractions that never feel overrun, yet each offers a distinctive slice of Queensland life. (All are easily reachable by public transport or a short drive.)


1. Mount Coot-tha Lookout & the Hidden Botanic Trail

Why it’s special: Most visitors head straight for the panoramic city view from the Lookout’s car park, but the adjoining Mount Coot-tha Botanic Trail is a quiet 2‑km loop that winds through native rainforest, exotic gardens, and a series of small waterfalls.

FeatureDetails
ViewsThe classic vista over the Brisbane River and skyline is still there, but from the trail’s higher ridge you’ll spot a rarely‑photographed sunrise over the Glass House Mountains.
FloraA living collection of rare cycads, native ferns, and a small Bunya Pine grove (the “grandfather of pines”).
WildlifeSpot sugar gliders, brushtail possums, and the occasional rainbow lorikeet. Early morning is the best time for birdwatching.
How to get thereTake the Bus 450 from the City to the Mount Coot-tha Lookout stop (≈30 min). Parking is free for the first hour; the trailhead is a short walk from the car park.
Best time to visitEarly morning (sunrise) or late afternoon (golden‑hour light). Weekdays are especially quiet.

Insider tip: Bring a small portable coffee mug. There’s a tiny café at the Lookout that sells “mountain‑fresh” espresso – you can enjoy a brew while watching the city glow.


2. Kangaroo Point Cliffs – The Lesser‑Known Rock Garden

Why it’s special: While the cliffs are a hotspot for climbers and joggers, tucked behind the main promenade is the Rock Garden, a secluded series of basalt boulders artfully landscaped with native succulents and a modest waterfall.

FeatureDetails
SeclusionOnly a narrow footpath leads to the garden, keeping it largely free of crowds.
DesignCreated by local artist‑landscaper Mina Yates in 2015, the garden incorporates reclaimed stone and a repurposed rainwater tank that feeds the waterfall.
Photo opsThe garden frames the river in a way you won’t see from the main cliff edge – perfect for minimalist shots of water against stone.
How to get thereFrom the Kangaroo Point train station, walk 5 minutes north along River Terrace; the footpath entry is marked by a small wooden sign.
Best time to visitLate afternoon when the setting sun catches the water spray.

Insider tip: Bring a sketchbook – many local artists set up easels here to capture the ever‑changing light on the basalt.


3. The Old Windmill (Spring Hill) – A Time‑Travel Escape

Why it’s special: Brisbane’s oldest surviving structure dates back to 1828. It’s a modest stone windmill tucked in a quiet pocket of Spring Hill, surrounded by a small park and a historic “windmill cottage” that now serves as a community arts space.

FeatureDetails
HistoryBuilt by the first commandant of the Moreton Bay penal colony, it once ground wheat for the settlement. Only the stone tower remains, but it still spins on windy days.
ArchitectureRough‑hewn sandstone with a timber cap – an excellent example of early colonial engineering.
Cultural useThe adjacent cottage hosts rotating exhibitions of local Indigenous art and occasional acoustic concerts.
How to get thereCatch the Bus 230 to Spring Hill (stop: “Old Windmill”) or take a short 10‑minute walk from Spring Hill train station.
Best time to visitEarly morning or late afternoon when the wind is gentle enough to spin the sails.

Insider tip: Stop by the Windmill Café (a tiny kiosk on site) for a slice of marble‑cream cake named “The Settler.” It’s an Instagram‑worthy treat that few tourists know about.


4. Redlands’ Amity Point – The Secluded Lighthouse Walk

Why it’s special: A 45‑minute drive south of Brisbane, Amity Point on Bribie Island boasts a small but striking lighthouse (operational since 1966) perched on a quiet headland. The surrounding Coastal Reserve offers a gentle boardwalk through mangroves, a hidden sandy cove, and spectacular night‑time star gazing.

FeatureDetails
LighthouseAn octagonal concrete tower with a rotating beacon visible for 20 km. Tours are offered on the first Saturday of each month.
NatureThe boardwalk passes through black mangrove and cabbage palm stands; look out for crabs, egrets, and occasional dolphins offshore.
Night skyBecause the area is far from city lights, it’s a prime spot for astrophotography; the Milky Way arches over the water on clear nights.
How to get thereDrive via the M1 → Coomera → Bribie Island (follow signs for Amity Point). Parking is free at the reserve.
Best time to visitSunrise for pastel reflections on the water, or after dark for the lighthouse beam and stargazing. Weekdays are virtually empty.

Insider tip: Pack a portable telescope or a pair of binoculars. The Queensland Star Party sometimes holds informal meet‑ups here, and they’re always happy to share tips.


5. The Brisbane City Botanic Gardens – The Forgotten ‘Rose Garden’

Why it’s special: While the Botanic Gardens are a popular daytime spot, tucked behind the main lawns sits the Rose Garden – a secluded, Victorian‑style enclave restored in 2018. It’s a fragrant, low‑traffic haven of heritage roses, a small pergola, and a historic iron fountain.

FeatureDetails
RosesOver 200 varieties, including the rare ‘Souvenir de la Malmaison’ and a modern hybrid “Brisbane Blush.”
ArchitectureThe pergola is made from locally sourced ironbark timber, and the fountain dates back to 1904 (originally supplied to the Toowoomba Show).
Quiet cornersBenches hidden among shrubbery provide intimate reading spots; the garden is often used by local poets for “tide‑of‑silence” sessions.
How to get thereFrom Roma Street station, walk north 8 minutes across the River; the garden entrance is marked by a bronze plaque.
Best time to visitMid‑morning (when the roses are at peak fragrance) or late spring (when the roses are in full bloom).

Insider tip: Join the Botanic Gardens’ “Rose Hour” on the first Saturday of each month – a free guided walk where a horticulturist explains the history and care of each rose variety.


How to Make the Most of These Hidden Spots

StrategyWhy it works
Visit on weekdaysAlmost all five sites see a steep drop in foot traffic from Monday to Thursday.
Go early or lateSoft light enhances photography, and cooler temperatures make walking comfortable.
Pack a reusable water bottleBrisbane’s subtropical climate can be humid; most locations have water refill points.
Use public transport or park‑&‑rideTraffic around the city can be unpredictable, especially on weekends.
Bring a light snackMany of these spots have limited food options; a small picnic makes the experience more relaxed.

A Quick Map for the Curious Explorer

#AttractionApprox. Distance from CBDRecommended Transport
1Mount Coot‑tha Lookout & Botanic Trail7 km (west)Bus 450 or bike (bike lanes available)
2Kangaroo Point Cliffs – Rock Garden2 km (south)Train to Kangaroo Point + 5‑min walk
3Old Windmill (Spring Hill)3 km (north)Bus 230 or walk from Spring Hill
4Amity Point Lighthouse (Bribie Island)45 km (south)Car (approx. 45‑min drive)
5Botanic Gardens – Rose Garden1 km (north)Train to Roma Street + short walk

Final Thoughts

Brisbane may be famed for its bustling riverfront and iconic skyline, but the city’s real charm often hides in quiet corners where locals unwind and history whispers. By venturing off the typical tourist trail, you’ll discover a softer, more intimate side of Queensland’s capital – one where you can breathe in native scents, hear the distant hum of the windmill sails, and watch the city glow from secret viewpoints.

So next time you find yourself packing for “Brisbane in a nutshell,” remember: sometimes the best stories are told by the places few people know exist. Happy exploring!

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact that his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just several small, interconnecting events, when piled on top of each other, point to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints at impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovers piece by piece, damning evidence that she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence are about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

365 Days of Writing, 2026 – 236

Day 236 – In a world ruled by fiction

Inventing Reality: Why J.G. Ballard’s Warning Matters More Than Ever in the Age of Fiction

“We live in a world ruled by fictions of every kind—mass merchandising, advertising, politics, popular psychology, and so on. It is our job as writers to invent reality. For better or for worse, we are the creators of the reality of the 20th [and 21st] century.” — J.G. Ballard

In 1971, British visionary J.G. Ballard made a startling observation about the trajectory of human culture. Long before the advent of social media algorithms, deepfakes, 24-hour news cycles, and virtual reality, Ballard understood a fundamental truth: humanity no longer experiences raw reality. Instead, we navigate a labyrinth of manufactured narratives, corporate mythologies, and political spectacle.

Ballard argued that because the “real” world had been entirely overwritten by fictions, the traditional role of the novelist—to simply mirror society—was dead. Writers could no longer afford to be passive observers. To make sense of the world, they had to become active participants in the construction of a new reality.

Decades later, as we grapple with “fake news,” curated digital identities, and hyper-reality, Ballard’s manifesto feels less like a literary theory and more like a survival guide.

Here is an exploration of what Ballard meant, how his thesis manifests today, and why the job of the writer is more crucial—and subversive—than ever.


The Architecture of Illusion: How We Live in Fictions

Take a moment to look around you. Almost everything you interact with on a daily basis is underpinned by a fiction.

  • Money is a collective fiction—a piece of paper or digital code that holds value only because we agree it does.
  • Brands sell us fictions of identity, belonging, and happiness, convincing us that a specific pair of sneakers or smartphone will fundamentally alter who we are as people.
  • Politics has long traded policy for narrative, where electability is performance art, and truth is treated as a flexible commodity.

Ballard didn’t view these fictions merely as harmless lies; he saw them as powerful, active forces reshaping human psychology. In novels like CrashHigh-Rise, and The Atrocity Exhibition, he explored how modern technology and media blur the line between the artificial and the authentic until the artificial becomes our lived experience.

When the boundaries dissolve, the people living inside the illusion no longer know what is real. This is the condition Ballard diagnosed, and it is the exact landscape we inhabit today.


Why Traditional Realism is Broken

For centuries, the primary goal of fiction was mimesis—holding a mirror up to nature. Authors like Jane Austen, Charles Dickens, and Leo Tolstoy documented the social structures, moral dilemmas, and daily rhythms of their times with pinpoint accuracy.

However, Ballard argued that nineteenth-century realism was no longer equipped to handle the twentieth century (let alone the twenty-first). How do you write a realistic novel about a world where the President of the United States communicates via late-night social media posts, where artificial intelligence can write poetry, and where billions of people spend hours a day interacting with people who don’t exist?

If a writer simply writes a traditional, kitchen-sink drama today, they are ignoring the elephant in the room: the overwhelming, suffocating presence of media and manufactured myth.

To write realistically about the modern world, a writer has to acknowledge that we are drowning in fictions. This is why Ballard leaned into the surreal, the clinical, and the provocative. He used heightened, bizarre fictions to puncture the mundane fictions of everyday life.


“It is Our Job as Writers to Invent Reality”

What did Ballard mean when he said writers must invent reality?

He didn’t mean writers should lie, nor did he mean they should retreat into escapist fantasy. Instead, he meant that because our cultural reality is artificial, constructed by marketers and politicians, writers have a duty to construct better, truer, or more revealing counter-fictions.

A great writer acts as a diagnostic physician for the cultural psyche. By inventing extreme scenarios, speculative futures, or surreal narratives, fiction exposes the invisible mechanisms holding our society together.

Consider how visionary science fiction and speculative fiction have “invented” our current reality:

  • William Gibson coined the term “cyberspace” and anticipated the internet age in Neuromancer long before most people owned a computer.
  • George Orwell mapped out the mechanics of surveillance capitalism and state propaganda in 1984.
  • Margaret Atwood drew from existing patriarchal structures to invent the chillingly plausible world of The Handmaid’s Tale.

These authors did not simply record the world; they diagnosed it by inventing fictions that revealed deeper, unspoken truths. They exposed the matrix by building a better map of it.


The Writer’s Duty in the Age of Algorithms

Today, Ballard’s call to action takes on an urgent new meaning. We are no longer just consumers of fiction—we are its products. Algorithms feed us custom-tailored realities designed to keep our attention, polarise our views, and monetise our anxieties.

In this landscape, propaganda is automated, and mass delusion is industrialised.

If we surrender the invention of reality entirely to tech monopolies, politicians, and advertisers, our cultural imagination shrivels. This is why the creative act of writing is an act of resistance.

When a writer sits down to craft a story, a poem, or a novel, they are refusing the pre-packaged narratives handed down by the culture industry. They are carving out a space of radical imagination, forcing readers to pause, question their assumptions, and see the world through a completely new lens.


Conclusion: Writing the World Anew

J.G. Ballard challenged writers to step out of the shadows of passive storytelling and take responsibility for the psychological architecture of their era.

We do not live in a neutral world. We live in a world saturated with manufactured desires, political mythologies, and digital illusions. To accept this passively is to be shaped by it. But to write against it—to dissect the illusions and invent new, more honest realities—is the ultimate calling of the modern writer.

The fiction of the world is loud, relentless, and persuasive. It is up to writers to be louder, stranger, and truer.


What are your thoughts on Ballard’s manifesto? How do you see modern fiction reflecting—or fighting against—the manufactured realities of today? Let us know in the comments below!

The cinema of my dreams – Was it just another surveillance job – Episode 25

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

 

Jan hailed a taxi and had it drop us off a block from her building.  It was agreed that we would not just arrive out the front and trust to luck that everything would be fine.

I had a feeling that Nobbin would have come to the same conclusion I had, that it was possible the USB might be in the neighbor’s flat.  I’m sure Josephine hadn’t thought of that possibility.  Severin had, but I suspect he might not know of the cat.

Nor would Nobbin.

We did a circuit of the building before going in.  There were no suspicious cars, nr anyone lurking in the shadows.  If we had surveillance, it was really good, or there was none.  I preferred to think the latter option was right.  After all, neither Nobbin nor Severin knew exactly where I was.

Jan unlicked the front door and we went into the brightly lit foyer.

During the day there was a concierge sitting at the desk.  At night, it was empty.  The building manager couldn’t afford 24-hour security, beyond the bright lights, and camera in each quadrant recording the comings and goings of residents.  I’m not sure how Josephine got in, but I would have like to have the time to go through the old footage to check on O’Connell in the past, and Josephine, if she came through the front door, recently.

I glanced at the monitor, at present on screen saver mode, then followed Jan to the elevator lobby.

She pressed the button to go up, and the doors to the left-hand elevator opened.  We stepped in, she pressed the floor button, the doors closed, and we slowly went up.

It hesitated at the floor, jerked up about an inch or two, then a click signified it was level and the doors opened.

I could see her door from the elevator.  As we got closer, I could see it was open, ajar by about half an inch.  There was no tell-tale strip of light behind the opening so it could mean someone was in her flat searching by torchlight, or there was no one there.

After a minute waiting to see if there was a moving light somewhere in the flat, it remained dark.

Standing behind me, I could see she had pulled a gun out of her handbag and had it in one hand ready to use.  She could have used it any time since we first met, but she hadn’t.  

I pushed the door open slowly, and thankfully it didn’t make a creaking sound.  Wide enough to walk in, I took a few tentative steps into the first room.  There was little light, and my eyes took a while to adjust to the darkness.  

I could feel her going past me, further into the room, and with the gun raised and in two hands to steady the shot.  She took more steps, slowly towards the passage leading to her bedroom, I assumed, as it was a reverse copy of that next door, O’Connell’s.

There was no one in this part of the flat, and she had disappeared up the corridor and into her room.  Nothing there either.

“Clear,” she called out.

I stepped back to close and lock the door.  At the same time, she switched on the main room light and for a second it was almost blinding.

When my sight cleared, I could see the signs of a search, furniture tipped over, books dragged from the shelves, other items tossed on the floor, one of which was a vase, now broken into a number of pieces.

“Looks like they were in a hurry,” she said.

“Or frustrated.”  I could see clear marks of an item that had been thrown against the wall and dented the plasterwork.  The broken shards of the ornament were on the ground beneath the indentation.

I heard her sigh when she saw the broken pieces.

“Not the best way to treat a genuine Wedgewood antique.”

She disappeared into the bedroom again, and I could hear her calling the cat, Tibbles.  Interesting name for a cat.

I didn’t hear it answer back.  It was probably traumatized after the breaking and the smashing of crockery.

I had a quick look in places I thought the cat might hide, but it was not in any of them.  And, oddly enough, no traces of cat hair.  Usually, cats left fur wherever they lay down.  At least one cat I knew did that.  

She came back empty-handed. 

“I think it’s done a runner,” she said.  “He’s not in the usual place he hides, nor under the bed, or under the covers, as he sometimes does, usually when I’m trying to sleep.”

“Well, it was a good idea.  We might have to search outside.  The cat was allowed to go outside?”

“He’d escape, yes, but no.  O’Connell thought if he got out, he’d get run over.  It’s a reasonably busy road outside.”

“Better out there than in here, though.  Open windows?”

She did a quick check, but none were open.

“Did O’Connell ever come in here?”

“Once or twice, but he only dropped in if he was going away to ask if I would look after the cat, or when he came back.  Never further than the front door.”

“Knowing who is was, now, do you think he might have come in and hidden the USB in here?”

“He might, but there isn’t anywhere I could think he could put it.”

“But that doesn’t mean he didn’t.”

Both of us heard the scratching sound at the front door, not the sort made by a cat trying to get in, but by someone using a tool to unlock the door.

Someone was trying to break in.

© Charles Heath 2019-2020

‘What Sets Us Apart’ – A beta reader’s view

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well, not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end of it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum: find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father, who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

The book can be purchased here:  http://amzn.to/2Eryfth

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 81

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.

The rescue story

When I woke again, it was noticeable that it was light outside the room, even though the curtains were drawn.

My mother was sitting, or rather slumping, in the chair beside the bed, asleep.  She looked tired, worse, like she had been to hell and back.

I guess the thought of losing me, after my father, might have been too much for her to bear.  It also brought up the question of why I hadn’t told her what I was doing.  At the time, it didn’t seem to matter, I’d always be coming home, and there was no question in my mind that anything bad might happen to me.

So, of course, there was an easy answer and a more complicated answer, but I had to hope she wasn’t going to jump to any conclusions before I had a chance to explain.  And then, when I thought about it, what could I say that was not going to tip her over the edge?  In not planning for the worst eventuality, the worst had happened.

I’d done everything I said I would never do, and for selfish reasons.  It was nearly the death of me.  How could I expect her to understand any of it?

She stirred, then slowly sat up, and stretched.  Those chairs were not comfortable at the best of times.

“I’m sorry,” I said, my voice barely above a whisper.

She stopped mid-stretch and looked at me.  It was not with anger or annoyance, but relief.

“How are you?”  She lowered her hands to take mine in hers.

It was a strange question, given my condition, and being in a hospital.  Yet, I guess everyone asked that same question out of courtesy or to make polite conversation.

“I’m told I’ll live.”

“A good thing too.  I’m glad they found you.”

“Who?”

“You know, that slip of a girl you told me you liked, but she was too good for you, or some such nonsense.”

“Charlene?”

“The sheriff’s daughter, yes.”

“She still is.”

“Only in your mind Sam.”

Forever the matchmaker even on my near-death bed, she had always been looking for the right girl, never accepting that our station in life made certain choices impossible.  And, even if Charlene liked me, she would not be allowed, but that was something my mother would never understand.

“What day is it?”  I had no idea of the date or time for that matter, but it had to be days later.

“Thursday. You were missing for nearly eight days, and it’s been a further five days while being treated for severe dehydration.”

First question, what happened to Boggs?

It was as if my mother could read my mind.  “I was told that when they found you, you were asking about Boggs.  I’m sorry to tell you he was found deceased yesterday in one of the caves.”

Had he got lost, or did Alex and Vince go after him too?  They hadn’t left in the same direction, so in all likelihood, he simply got lost, though being the climber and cave Explorer he was, that seemed unlikely.

“That Cossatino girl recovered quickly, but she’s still here, under observation.  She’s been saying she’s not leaving until she sees you.  I’m not sure that’s a good idea, Sam. The sheriff is considering charges against that whole family.”

“She didn’t do anything wrong.  It was her brother and Alex who tied us up and left us for dead.”

She didn’t get time to respond, but the astonished look on her face told me something was very amiss.  The sheriff and Charlene had arrived with the doctor and a nurse who hustled her out of the room.

The doctor examined me, asked a few questions to determine whether I could withstand an interrogation, and then left me with the interrogators, the sheriff, standing back after closing the door, and Charlene, in the seat my mother just vacated.

She had her notepad open on a blank page.

“Firstly, I should apologise for taking so long to send out a search party.  For the record, I received your text message.  I assume you sent that before you left.”

“As we walked out the door of the shoreside hut.  I assume that was the first place you looked.”

It was obvious it wasn’t, so I was beginning to wonder what happened.  My first question was, “When did you find out we were missing.”

“Your mother came to the office two days after the message.  She said you hadn’t come home but wasn’t overly worried because she assumed you were with Nadia.  She only came because your work had asked her if you were ill because you hadn’t turned up for your shift, and that it was the first time.”

“As a courtesy to your mother Sam, I said I would look into it.  I went to the warehouse and Alex said you had taken off with Nadia and had left him in a difficult position.”  The sheriff wasn’t making excuses, just reporting the facts.

I hadn’t been thinking about Alex simply because I didn’t want to, not right then, but I was probably going to have to.  My first thought went to Nadia, who, by the time we realized that we might die, had all but signed his death warrant.  If she survived, she was going to kill him, and her brother, and her explicit description of how she was going to make them suffer made me shudder.

Charlene noticed.  “Again, I’m sorry, but we have to go through this.  What happened after you left the hut?  Take your time.  I know this might be painful, but it is necessary.”

Given what the sheriff just said, I had a feeling that implicating Alex wasn’t going to be easy.  Having a head start on us, he had time to get a story out there and friends who would readily lie for them.

And Nadia being on the outside of her family, the Cossatinos would close ranks around Vince, and between Alex and Vince, refute any allegation I made, and quite possibly Nadia too.

It would be good to know what she was thinking.

“For whom?  Because from where I’m sitting, and judging by the expressions on your faces, I’m the one who’s in trouble here.”

“We just want the facts, Sam.”

“It seems to me you’ve already got them, and what I have to say, if there was anything to say, is irrelevant.  I don’t know anything about what happened to Boggs, and I’m not prepared to speculate.  I don’t know what Nadia told you, but I remember very little about what happened, except we were in a cave, and then I woke up here.”

It then occurred to me to look at my wrists, and there were only faint marks to show I’d been tied up.  I knew then someone had come back and untied us so that if we hadn’t been found, our deaths would not be suspicious.

“We just want your side of the story.”

So the Benderby’s could refute it once the sheriff delivered my statement.

“You just got it.  If Nadia gave you hers, then that should be it.”

“Nadia won’t tell us anything, not even why she was in the cave.  It seems it was a place where pirates might once have visited, but except for a bundle of straw and an empty chest, there was nothing.”

And there it was.  The bodies had been removed, the crime scene cleansed, and we were simply trespassers the Cossatino’s could prosecute.

“Boggs had taken us spelunking, obviously in a place we shouldn’t, but I thought with Nadia coming with us, we didn’t need permission.  Perhaps the assumption was wrong.”

“Cossatino isn’t interested in charging anyone with anything.  He’s just happy we found his daughter.”

Pity the feeling between daughter and father wasn’t mutual.

“The good tidings abound.  Everyone is happy.”

“I’d still like to know why you were adamant Alex had something to do with the professor’s death.”

“I don’t.  I hate the bastard, it’s as simple as that.”

“We know the professor was killed at the mall, you got that right, and dumped on Rico’s boat, but there was no evidence Alex was there, or any safe, desk or anything except dust.”

Of course.  Alex had been on a massive clean-up exercise, just in case we survived.  It was going to be a very interesting first meeting when I saw him again.

“A good guess then.  I’m no longer interested in treasure, Boggs, God rest his soul, or anyone else for that matter.  Soon as you’re done with me, I’m gone, and you will never see me again.”

With that I rolled over to face the other way, the interview as far as I was concerned, was done.

“This isn’t over Sam.”  Charlene was disappointed but she’d get over it. 

And my estimation of her just fell below zero.  It was clear Alex had got to her. And she believed his story.

Of course, I just realized what I’d said to my mother, and had to hope she didn’t repeat it.  But, knowing her affiliation with Benderby, I had no doubt she would tell him, so I could expect a visit from his lawyers, threatening all kinds of punitive action if I dared to repeat it.

As for Nadia, the fact she said nothing told me everything.  Both Alex and Vince were going to face a different type of justice, and I was going to ask her for an invitation.

© Charles Heath 2020-2022

The 2am Rant: All I wanted was a cup of coffee

How can something so simple become so complicated and complex?

In New York, it seemed impossible to get exactly what you would like.  The coffee there is driven by what the machine interprets you want, aside from the language constraints due to the fact that English (or American) comes in a zillion different flavours.

So, what do I like (you notice I don’t say ‘want’)

A double shot Latte with two sugars and half a shot of vanilla.  That’s in a large cup.

As we all know coffee can come in a regular, large, or extra-large cup, but hang on, these cup sizes sometimes have names, and you need to know what these names are.

My efforts to point out the cup size in New York often had horrendous consequences when the cup piles were close together.  Sometimes it was a double shot in a regular cup and a single shot in an extra-large cup.

One even had the name benti, or bento, or something like that.

Being old and decrepit, my memory for cup sizes isn’t all that great, so using a name in one shop that doesn’t have that size, well, you get it.

It seems not only coffee makers in New York have a problem producing consistent coffee.

Perhaps, then, that’s half the charm of drinking it, the fact that no cup is ever the same.

And, when an outlet gets it right, finally, they go and change the coffee bean supplier, and all of a sudden, it’s bitter, or it’s lighter, as coffee shops try to reduce their costs and maximise profits.

Six dollars is a lot of money for a cup of coffee unless of course, you have to feed that addiction, in which case, you’ll have a cup at whatever the cost.

I need coffee right now, so it’s off to the cupboard to see what’s available.

Maccona instant, which is not bad

A Nespresso long black – ok, don’t get me started with Nespresso because they have numbers from 1 to 12, possibly more, recognising strengths, and I usually have a double shot using a 10 and a 12.

And, yes, they fool around with the type of beans they use because there seem to be inconsistencies in potency from time to time.

Then there are coffee bags, much the same as tea bags, which produces and interestingly flavoured brew which I’m still trying to figure out.  It tastes like coffee, but there’s something else there, like … paper?

I opt for an instant.

Yes, I needed a coffee after writing this.

What I learned about writing: What’s that coming out of left field?

The Unscheduled Genius: Why Your Best Ideas Always Arrive at the Worst Time

Ever notice how the universe, especially the creative part of it, seems to have a mischievous sense of humor? You meticulously plan your “creative time” – perhaps a tranquil morning, a dedicated hour in your study, or a quiet walk designed to invite inspiration. You set the stage, dim the lights, perhaps even put on some Ravel. And what happens? Crickets. Or worse, a sudden surge of thoughts about what you need from the grocery store.

But then, just when you’re least prepared, least expecting it, and frankly, least wanting it… bing!

The Myth of the “Planned” Muse

We try, don’t we? We attempt to “train our thoughts.” Like you, I’ve tried to cultivate that sacred shower routine, where warm water and the hum of the fan are supposed to unlock the subconscious. Or that quiet spot in the lounge, by the window, away from the digital din. It’s an idyllic vision of creative flow.

You close your eyes, drift along to classical music, patiently waiting for the imagination to kick in. You can’t force it, you know this. It’s a delicate dance, a subtle invitation. But more often than not, the muse remains stubbornly elusive, probably off having a coffee with procrastination.

Modern Life’s Cruel Interventions

And just when you do manage to carve out a moment of potential quiet, the modern world intervenes with a jarring cacophony. That quiet spot by the window? Now it’s a battleground against the relentless chime of the phone, those infuriating scam calls threatening to sever your internet, your telephone – practically every wire that comes into the house. Don’t you just hate that? It’s enough to make you disconnect everything, not just from the internet, but from society itself!

It’s ironic, isn’t it? We create these zones of peace, only for them to be invaded by the very chaos we’re trying to escape.

The “Bing!” Moment: A Master of Inconvenience

The truly infuriating part is that you weren’t even considering a new idea. You’re like me; you’ve already got so many books, so many projects “on the go” that the thought of another one feels like a mild existential threat. But the sad truth is, you have no control over it.

And then it happens.

Five minutes to three. After a frantic call announcing yet another storm in a teacup. You’re racing out the door, setting the alarm, locking the door, keys in hand, mind a whirlwind of imminent tasks and minor crises. Your focus is entirely on the next urgent thing. And then… bing.

The idea is there. Out of left field. Fully formed, shimmering in front of you, a complete narrative arc or a brilliant solution to a plot hole you hadn’t even realized existed. It’s a cruel joke of the brain, choosing the most inconvenient stage for its grand unveiling.

Embracing the Chaos (and Your Phone)

So, what’s a creative soul to do in this beautifully messy dance with inspiration? You adapt. You become a ninja of spontaneous capture. That phone, once a source of incessant distraction and scammer threats, transforms into your saving grace.

Good thing modern technology enables us to speak and drive, to solve all manner of crises and record nascent masterpieces on the go. You’re dictating plot points into your voice notes while navigating traffic, sketching characters mentally during a grocery run, or outlining an entire scene while waiting for the kettle to boil.

Perhaps the trick isn’t to force inspiration into our meticulously planned schedules, but to be ready for it when it inevitably ambushes us. The muse, it seems, thrives on the unexpected, on the edges of chaos, on the very moments when our minds are momentarily released from the rigid confines of expectation.

So next time an idea strikes while you’re battling traffic, dodging scammers, or mid-sprint to an appointment, don’t fight it. Embrace the “bing!” and know you’re not alone in this beautiful, chaotic journey.

Take that, Superman, Batman, Spiderman! We may not fly, but we can capture genius on the run. And let’s be honest, that’s a superpower all its own.