Category: blogging

Inspiration, maybe – Volume 1

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

lookingdownfromcoronetpeak

And the story:

…

It was once said that a desperate man has everything to lose.

The man I was chasing was desperate, but I, on the other hand, was more desperate to catch him.

He’d left a trail of dead people from one end of the island to the other.

The team had put in a lot of effort to locate him, and now his capture was imminent.  We were following the car he was in, from a discreet distance, and, at the appropriate time, we would catch up, pull him over, and make the arrest.

There was nowhere for him to go.

The road led to a dead-end, and the only way off the mountain was back down the road we were now on.  Which was why I was somewhat surprised when we discovered where he was.

Where was he going?

“Damn,” I heard Alan mutter.  He was driving, being careful not to get too close, but not far enough away to lose sight of him.

“What?”

“I think he’s made us.”

“How?”

“Dumb bad luck, I’m guessing.  Or he expected we’d follow him up the mountain.  He’s just sped up.”

“How far away?”

“A half-mile.  We should see him higher up when we turn the next corner.”

It took an eternity to get there, and when we did, Alan was right, only he was further on than we thought.”

“Step on it.  Let’s catch him up before he gets to the top.”

Easy to say, not so easy to do.  The road was treacherous, and in places, just gravel, and there were no guard rails to stop a three-thousand-foot fall down the mountainside.

Good thing then, I had the foresight to have three agents on the hill for just such a scenario.

Ten minutes later, we were in sight of the car, still moving quickly, but we were going slightly faster.  We’d catch up just short of the summit car park.

Or so we thought.

Coming quickly around another corner, we almost slammed into the car we’d been chasing.

“What the hell…” Aland muttered.

I was out of the car and over to see if he was in it, but I knew that it was only a slender possibility.  The car was empty, and no indication of where he had gone.

Certainly not up the road.  It was relatively straightforward for the next mile, at which we would have reached the summit.  Up the mountainside from here, or down.

I looked up.  Nothing.

Alan yelled out, “He’s not going down, not that I can see, but if he did, there’s hardly a foothold and that’s a long fall.”

Then where did he go?

Then a man looking very much like our quarry came out from behind a rock embedded just a short distance up the hill.

“Sorry,” he said quite calmly.  “Had to go if you know what I mean.”

I’d lost him.

It was as simple as that.

I had been led a merry chase up the hill, and all the time he was getting away in a different direction.

I’d fallen for the oldest trick in the book, letting my desperation blind me to the disguise that anyone else would see through in an instant.

It was a lonely sight, looking down that road, knowing that I had to go all that way down again, only this time, without having to throw caution to the wind.

“Maybe next time,” Alan said.

“We’ll get him.  It’s just a matter of time.”

…

© Charles Heath 2019-2026

…

Find this and other stories in “Inspiration, maybe”, available soon.

InspirationMaybe1v1

365 Days of Writing, 2026 – 237

Day 237 – Writing Exercise

…

While I loved the idea of pulling off the impossible, something I had managed with pure blind luck three out of five times in the past, the latest invitation, printed in Gothic lettering on a parchment card with gold trimmings, arrived via a secure link on my notepad computer at 3.33am.

“Table 7. Seven subjects. Zero truth. Secure the Accord. 7 pm today.”

Just because I took a job that mediated compulsive liars, pathological diplomats, and corporate executives that couldn’t spell ‘ethics’, the employers asked me back again.

And again.

And then today, in a private back room in The Brass Lantern. 7 pm. Seven compulsive liars, seven people chosen to tell me exactly what I wanted to hear, seven subjects that were going to promise the impossible. They all wanted the contract, to sign that Accord.

None of them realised the most untrustworthy person in that room was me.

…

Each of the seven were already at the table, having left the one chair at the top of the table for me. I did not bring anything other than a dummy folder with blank paper in it, and a single piece of paper, the Accord. Each of the seven watched me pull the eighth chair, look at it, then remain standing.

It was a reflex thing, an instant decision based on the nervous twitch on the fellow at the end of the table.

My mouth was dry, my heart beating faster, as I looked at each one in turn;

To my left was Dr Aris Thorne, a disgraced geneticist whose hands shook; whether it was too much caffeine or the rumoured Parkinson’s was debatable; he had promised once that he could cure cancer in a month, given the resources. He had the lab and the knowledge to do good rather than manufacture street-grade drugs for the cartel.

Next to him was Mara, a neon-haired syndicate courier who bragged that she could smuggle a blue whale across the Sahara in a briefcase; albeit under the influence of several snorts of cocaine. She had a worldwide distribution network second to none.

Beside her was an ex-politician, Louis Betmead, defending indecency charges, who leapt from the fire into the corporate world. He still held a lot of sway with his former colleagues.

Next was Andrea Wills, computer programmer selling rogue code on the dark web, and lately an AI Ethicist reportedly worshipping silicon gods. Or the other way around, no one was quite sure. She could create the program that could make or break the system.

On the other side of the table, making me nervous, was an arms dealer, Francisco Antonelli, who reputedly had a heart of gold, or that was what he told everyone who would listen. He transacted all of his deals in gold bullion. His soldiers could enforce peace rather than create havoc.

Next to him was Simone, one name only, a mystic selling enlightenment in half-gram doses to a never-ending supply of fools. She had a sales network more sophisticated than any legitimate business.

And, last but not least, Dan the journalist, a man who had seen more action in war zones than any soldier alive, and had told me once he had not slept since the Berlin Wall fell. I believed him. He looked as though he had taken some of Simone’s enlightenment. He could write the story that saved the world rather than report on it burning down.

They were all an unwitting link in a chain we needed to make the Accord happen.

I had met each and every one of them once or twice over the past seven years, memories I wanted to forget.

“We were just talking about you,” Dr Thorne said when my eyes came back to him. “We all agreed. You are the only one with the vision to see the big picture. Whatever you need from me, it’s yours.”

“I can write an expose that will bring down the Domino cartel by morning,” the journalist said. It was clear he was as high as the proverbial kite.

I had no doubt every single one of them was reading my micro expressions, practised for hours in front of a mirror, tailoring their pitch to offer me the moon on a silver platter.

The thing is, each and every one of them was connected in a way that could give me the global ceasefire, but I could not ask them for it because they would offer me a utopia they couldn’t deliver.

I didn’t sit down; I pulled out a cigarette lighter and set fire to the dummy file and held it until the fire caught, then dropped it into the rubbish bin behind me.

The table went dead silent; the smiles froze.

“What are you doing?” The politician was the first out of his torpor.

“I’m burning the agenda,” I said, mt voice flat and cold, and entirely devoid of hope. “Which is good because I hate all of you. Every single one of you is a fraud, a hack, or a liability. Thorne, your genome therapy is a parlour trick; Mara, you couldn’t smuggle a cold in a blizzard; and Dan, your article will be pulped before it hits the printing presses.

I looked back at the last flames consuming the paper before dying down to embers.

“I don’t want your promises; I don’t want your lies. I want you to look at the ashes of that agenda and then tell me the one thing you are incapable of doing, because if you offer me the impossible, I’m walking out that door, and letting the whole world burn with it.”

For five agonising seconds I could see each one of them re-evaluating their position. I’m sure their bosses said to promise the world, but not what they could really do unless pushed to the absolute limit.

The doctor muttered, “I can’t guarantee the lab won’t explode or let loose a pandemic virus.”

Mara: “My couriers are compromised.” She crossed her arms defensively, dropping the smooth-talking persona. “Half of them are working for Interpol, and the other half I can’t trust as far as I could kick them.”

“My editors are cowards,” the journalist muttered, staring at his hands. “They’ll kill the story the moment the advertisers call to boycott them if it’s published.”

One by one, the impossible promises were rescinded, replaced with an ugly, fragile truth: the fact that they all relied on the others, without actually saying it out loud. They confessed their weaknesses, their failures, the logistical nightmares, and their limitations. Just not their dependence.

When the last member’s voice stopped, the room felt light. No one was trying to outdo the others.

It was a start.

I pulled that single sheet of paper out of my pocket, a bare-bones, brutally realistic draft of an Accord that factored in human error, market corruption, and political cowardice.

I held it up. “Good. Now we’ve established what we can’t do; let’s sign the only thing we can do.”

Each one wrote what they could do, then signed.

Thorne promised to create the antidote to reverse the effect of the pandemic he had unwittingly caused

Wills would lend her AI farm to help create a lasting antidote, and digitise the sales and distribution channels

Simone would lend her sales network as the top level of the distribution chain

Mara would repurpose her couriers to link with Simone’s sales network, and distribute the product

Antonelli would lend his army of mercenaries to protect everyone involved in manufacture and distribution

Bitmead would get his political colleagues to create the necessary legislation to make it legal, and use diplomatic channels to get the rest of the world onside.

Dan would not write about the world burning down, but to inform the world that a solution will be found and distributed as soon as possible.

Each one had a vital part in the Accord. Each one depended on the other.

Each one needed to show that they were cooperating because if there had been no Accord, they would have been arrested and thrown into a dark hole. They just didn’t know that was the last resort, though I knew at least three of them were at the top of a ‘most wanted’ list. It may have been hinted to them that signing the Accord was an incentive to have their names moved down quite a few places.

Whatever the motivation, it was a start.

Whether it lasted, whether I would have to step back into this room and start again, that remained to be seen. And if they did cooperate and work for the betterment of mankind rather than line their own pockets – and that was a big if – no one would be more surprised than me.

But…

I did what they wanted. One piece of paper, seven signatures. A signed Accord. And finally, hope.

…

©  Charles Heath  2026

First Dig Two Graves

A sequel to “The Devil You Don’t”

…

Revenge is a dish best served cold – or preferably so when everything goes right

Of course, it rarely does, as Alistair, Zoe’s handler, discovers to his peril. Enter a wildcard, John, and whatever Alistair’s plan for dealing with Zoe was dies with him.

It leaves Zoe in completely unfamiliar territory.

…

John’s idyllic romance with a woman who is utterly out of his comfort zone is on borrowed time. She is still trying to reconcile her ambivalence after being so indifferent for so long.

They agree to take a break, during which she disappears. John, thinking she has left without saying goodbye, refuses to accept the inevitable and calls on an old friend for help in finding her.

After the mayhem and being briefly reunited, she recognises an inevitable truth: there is a price to pay for taking out Alistair; she must leave and find them first, and he would be wise to keep a low profile.

But keeping a low profile just isn’t possible, and enlisting another friend, a private detective and his sister, a deft computer hacker, they track her to the border between Austria and Hungary.

What John doesn’t realise is that another enemy is tracking him to find her too. It could have been a grand tour of Europe. Instead, it becomes a race against time before enemies old and new converge for what will be an inevitable showdown.

The cinema of my dreams – Was it just another surveillance job – Episode 26

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Maury drops in for a search

 

I moved to the doorway and switched off the light, sending the room back into inky darkness.  Not good for the eyes, going bright light to instant dark.  We stood together behind the door as it opened inwards, Jan ready with her gun.

The door opened slowly, at the same time letting light in from the corridor, making it easier to see.

Opened fully, the visitor tentatively stepped into the room, and once the shape moved past the door, I slammed it shut and Jan lunged with the gun.  

I was not sure what result she was expecting but the person fought back, and as they turned to wrench the gun out of her hand, I let loose a punch, aiming for the head, and as hard as I could.  I head a cracking sound followed by a thump as the body hit the ground.

When I turned the light back on, there were two surprises.  The first, that I’d managed to knock someone out, and the second, Maury was back for a second look.

Why?

It didn’t matter.  He wasn’t going to be unconscious for very long.  Jan had some twine in her room, I wasn’t going to ask why, and she tied his hands and legs together, trussed almost like a turkey.

We left him on the floor when he’d fallen.  Unconscious, he was too heavy to move, or lift.

“Is this man Severin, Maury or Nobbin?” she asked.  She’d saved the questions until after he’d been neutralized, and we’d taken his gun off him.  Also, a knife.  She’d also look through his pockets to see if he carried any identification.  He didn’t, and I wouldn’t expect to find anything.  At the moment I was the same, and since I threw the phone’s sim card, I was now completely anonymous.

“Maury,” I said.

“The attack dog?”

“Not able to attack us at the moment, but yes.  I wonder why he came back?”

“We should ask him,” she said, “when he wakes up.”

We were sitting in the chairs, turned around to face Maury lying on the ground.  He had wriggled, and realizing he was tied up, tried harder to escape the bonds, and then relaxed when he realized he couldn’t.

His eyes turned to us, and it felt like a death stare.  

“This is a mistake,” he said.  “untie these ropes and I might make an exception for you.

“Why are you here?” I asked him.

“That’s none of your business.”

“But it is mine.  This is my flat, and you’re trespassing,” Jan said.

He switched his death gaze to her.

“I’m not here to cause trouble.”

“Then why are you here?”

“To ask you if your next-door neighbor left anything here with you to collect at a later date.”

No doubt with a menacing attitude, which would end in violence because Maury was not the sort to take no for an answer.

“Most people would knock on the door, and politely wait until it was answered.”

Most people.

“I was told there would be no one at home.”

“And it couldn’t wait until I returned?  I’m sorry, but you have broken into my flat and I’m going to call the police.”

He looked at me.

“That’s not a good idea.  Tell her, Jackson.”

“I don’t work for you, or Severin, anymore.  In fact, when I went back into the office, I got dragged aside and interrogated.  No one seems to know who you and Severin are.”

“That’s because our operation was on a need to know basis.  How do you think our business works?  Not by telling everyone what you’re doing.  Now untie me, and I’ll be on my way.”

“No,” Jan said.  “Not until you tell us exactly who you are and who you work for, and why you deemed it necessary to murder O’Connell.”

Maury looked at me again, and there was no mistaking the anger.

“You do understand what the Official Secrets Act means, don’t you Jackson?”

“More or less.  But it depends on who it is you speak to whether that’s relevant or not.”

Back to Jan.  

“Who are you, then?”

“As you keep pulling out of your hat, it’s on a need to know basis, and, of course, we just tell everyone what we’re doing either.  But one thing I’m sure of, we do not go around killing agents.  As far as I can tell, O’Connell was working for an agency, possibly yours but I don’t think so, and in the course of his investigation, he came across some valuable information.  Information, I’m told, you want.  What is it and why?”

“Are you serious?”

He shifted his glare back to me.

“Seriously Jackson, who is this person?”

“Someone, I fear, who is going to cause you a great deal of grief if you don’t answer her questions.”

“Don’t be ridiculous.  I don’t have to tall you or anyone else the nature of my business.”

I saw her shake her head.  “I take it, that’s a no.”  She shrugged and pulled out her phone and dialed a number.  “Always the hard way with you people.”

“Sir,” she said when the call was answered.  “I’ve got a character named Maury tied up in my flat.  Breaking and entering for starters.  Yes, I’ll be here.”

She put the phone back in her bag.  “They’ll be here in ten minutes.”

All we had to do was hope that Maury didn’t have a backup.

© Charles Heath 2020

An excerpt from “Strangers We’ve Become” – Coming Soon

I wandered back to my villa.

It was in darkness.  I was sure I had left several lights on, especially over the door, so I could see to unlock it.

I looked up and saw that the globe was broken.

Instant alert.

I went to the first hiding spot for the gun, and it wasn’t there.  I went to the backup, and it wasn’t there either.  Someone had found my carefully hidden stash of weapons and removed them.

Who?

There were four hiding spots, and all were empty.  Someone had removed the weapons.  That could only mean one possibility.

I had a visitor, not necessarily here for a social call.

But, of course, being the well-trained agent I’d once been and not one to be caught unawares, I crossed over to my neighbour and relieved him of a weapon that, if found, would require a lot of explaining.

Suitably armed, it was time to return the surprise.

There were three entrances to the villa: the front door, the back door, and a rather strange escape hatch.  One of the more interesting attractions of the villa I’d rented was its heritage.  It was built in the late 1700s by a man who was, by all accounts, a thief.  It had a hidden underground room, which had been in the past a vault but was now a wine cellar, and it had an escape hatch by which the man could come and go undetected, particularly if there was a mob outside the door baying for his blood.

It now gave me the means to enter the villa without my visitors being alerted, unless, of course, they were in the vicinity of the doorway inside the villa, but that possibility was unlikely.  It was not where anyone could anticipate or expect a doorway to be.

The secret entrance was at the rear of the villa, behind a large copse, two camouflaged wooden doors built into the ground.  I moved aside some of the branches that covered them and lifted one side.  After I’d discovered the doors and rusty hinges, I’d oiled and cleaned them, and cleared the passageway of cobwebs and fallen rocks.  It had a mildew smell, but nothing would get rid of that.  I’d left torches at either end so I could see.

I closed the door after me and went quietly down the steps, enveloped in darkness till I switched on the torch.  I traversed the short passage, which turned ninety degrees about halfway to the door at the other end.  I carried the key to this door on the keyring, found it and opened the door.  It too had been oiled and swung open soundlessly.

I stepped into the darkness and closed the door.

I was on the lower level under the kitchen, now the wine cellar, the ‘door’ doubling as a set of shelves which had very little on them, less to fall and alert anyone in the villa.

Silence, an eerie silence.

I took the steps up to the kitchen, stopping when my head was level with the floor, checking to see if anyone was waiting.  There wasn’t.  It seemed to me to be an unlikely spot for an ambush.

I’d already considered the possibility of someone coming after me, especially because it had been Bespalov I’d killed, and I was sure he had friends, all equally as mad as he was.  Equally, I’d also considered it nigh on impossible for anyone to find out it was me who killed him because the only people who knew that were Prendergast, Alisha, a few others in the Department, and Susan.

That raised the question of who told them where I was.

If I were the man I used to be, my first suspect would be Susan.  The departure this morning, and now this was too coincidental.  But I was not that man.

Or was I?

I reached the start of the passageway that led from the kitchen to the front door and peered into the semi-darkness.  My eyes had got used to the dark, and it was no longer an inky void.  Fragments of light leaked in around the door from outside and through the edge of the window curtains where they didn’t fit properly.  A bone of contention upstairs in the morning, when first light shone and invariably woke me up hours before I wanted to.

Still nothing.

I took a moment to consider how I would approach the visitor’s job.  I would get a plan of the villa in my head, all entrances, where a target could be led to or attacked, and where there would be no escape.

Coming in the front door.  If I were not expecting anything, I’d just open the door and walk in.  One shot would be all that was required.

Contract complete.

I sidled quietly up the passage, staying close to the wall, edging closer to the front door.  There was an alcove where the shooter could be waiting.  It was an ideal spot to wait.

Crunch.

I stepped on some nutshells.

Not my nutshells.

I felt it before I heard it.  The bullet with my name on it.

And how the shooter missed, from point-blank range, and hit me in the arm, I had no idea.  I fired off two shots before a second shot from the shooter went wide and hit the door with a loud thwack.

I saw a red dot wavering as it honed in on me, and I fell to the floor, stretching out, looking up where the origin of the light was coming and pulled the trigger three times, evenly spaced, and a second later I heard the sound of a body falling down the stairs and stopping at the bottom, not very far from me.

Two assassins.

I’d not expected that.

The assassin by the door was dead, a lucky shot on my part.  The second was still breathing.

I checked the body for any weapons and found a second gun and two knives.  Armed to the teeth!

I pulled off the balaclava; a man, early thirties, definitely Italian.  I was expecting a Russian.

I slapped his face, waking him up.  Blood was leaking from several slashes on his face when his head had hit the stairs on the way down.  The awkward angle of his arms and legs told me there were broken bones, probably a lot worse internally.  He was not long for this earth.

“Who employed you?”

He looked at me with dead eyes, a pursed mouth, perhaps a smile.  “Not today, my friend.  You have made a very bad enemy.”  He coughed, and blood poured out of his mouth.  “There will be more …”

Friends of Bespalov, no doubt.

I would have to leave.  Two unexplainable bodies, I’d have a hard time explaining my way out of this mess.  I dragged the two bodies into the lounge, clearing the passageway just in case someone had heard anything.

Just in case anyone was outside at the time, I sat in the dark, at the foot of the stairs, and tried to breathe normally.  I was trying not to connect the dots that led back to Susan, but the coincidence was worrying me.

A half-hour passed, and I hadn’t moved.  Deep in thought, I’d forgotten about being shot, unaware that blood was running down my arm and dripping onto the floor.

Until I heard a knock on my front door.

Two thoughts: it was either the police, alerted by the neighbours, or it was the second wave, though why would they be knocking on the door?

I stood and immediately felt a stabbing pain in my arm.  I took out a handkerchief and turned it into a makeshift tourniquet, then wrapped a kitchen towel around the wound.

If it were the police, this was going to be a difficult situation.  Holding the gun behind my back, I opened the door a fraction and looked out.

No police, just Maria.  I hoped she was not part of the next ‘wave’.

“You left your phone behind on the table.  I thought you might be looking for it.”  She held it out in front of her.

When I didn’t open the door any further, she looked at me quizzically and then asked, “Is anything wrong?”

I was going to thank her for returning the phone, but I heard her breathe in sharply and add, breathlessly, “You’re bleeding.”

I looked at my arm and realised it was visible through the door, and not only that, the towel was soaked in blood.

“You need to go away now.”

Should I tell her the truth?  It was probably too late, and if she were any sort of law-abiding citizen, she would go straight to the police.

She showed no signs of leaving, just an unnerving curiosity.  “What happened?”

I ran through several explanations, but none seemed plausible.  I went with the truth.  “My past caught up with me.”

“You need someone to fix that before you pass out from blood loss.  It doesn’t look good.”

“I can fix it.  You need to leave.  It is not safe to be here with me.”

The pain in my arm was not getting any better, and the blood was starting to run down my arm again as the tourniquet loosened.  She was right, I needed it fixed sooner rather than later.

I opened the door and let her in.  It was a mistake, a huge mistake, and I would have to deal with the consequences.  Once inside, she turned on the light and saw the pool of blood just inside the door and the trail leading to the lounge.  She followed the trail and turned into the lounge, turned on the light, and no doubt saw the two dead men.

I expected her to scream.  She didn’t.

She gave me a good, hard look, perhaps trying to see if I was dangerous.  Killing people wasn’t something you looked the other way about.  She would have to go to the police.

“What happened here?”

“I came home from the cafe and two men were waiting for me.  I used to work for the Government, but no longer.  I suspect these men were here to repay a debt.  I was lucky.”

“Not so much, looking at your arm.”

She came closer and inspected it.

“Sit down.”

She found another towel and wrapped it around the wound, retightening the tourniquet to stem the bleeding.

“Do you have medical supplies?”

I nodded.  “Upstairs.”  I had a medical kit, and on the road, I usually made my own running repairs.  Another old habit I hadn’t quite shaken off yet.

She went upstairs, rummaged, and then came back.  I wondered briefly what she would think of the unmade bed, though I was not sure why it might interest her.

She helped me remove my shirt and then cleaned the wound.  Fortunately, she didn’t have to remove a bullet.  It was a clean wound but it would require stitches.

When she’d finished, she said, “Your friend said one day this might happen.”

No prizes for guessing who that friend was, and it didn’t please me that she had involved Maria.

“Alisha?”

“She didn’t tell me her name, but I think she cares a lot about you.  She said trouble has a way of finding you, gave me a phone and said to call her if something like this happened.”

“That was wrong of her to do that.”

“Perhaps, perhaps not.  Will you call her?”

“Yes.  I can’t stay here now.  You should go now.  Hopefully, by the time I leave in the morning, no one will ever know what happened here, especially you.”

She smiled.  “As you say, I was never here.”

…

© Charles Heath 2018-2022

strangerscover9

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 82

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new installment of an old feature, and we’re back on the treasure hunt.

…

Alex is a problem

…

My mother didn’t return after the sheriff and Charlene left, and it didn’t bother me as much as it should.

What did bother me was the extent Alex, and no doubt his new best friend Vince, had muddied the water, but they did have a week to get their stories straight.

A point taken out of the interview with Charlene:  any evidence of Boggs father or Ormiston had been removed, along with the pirate skeletons and anything also that could be identified.

No one would believe us if we said we saw them, we would be classed as delusional, and probably not without reason. 

Another point, we had not been tied up when we were recovered, and there were no noticeable marks, or at least couldn’t be explained away.  It was obvious they had come back, not only to cleanse the site but to make our deaths look more natural.

The last, for that moment, was the fact no one went looking for us after Alex said we had run away together.

The question that had to be asked, was what eventually prompted the police to start looking for us, and why was it in the cave system?  I had not exactly alluded to where it was.

I heard the door to my room open and shut and rolled over, expecting a nurse.

It was Charlene, alone this time, leaning against the door.

“What are you not telling me?”

“What else is there to say?  Apparently, Alex knows more about my situation than I do, so you have to ask yourself, how that’s possible.”

“You tell me.”

“So you can take anything I say to the Benderby’s so they can use it against me?  I’m not surprised the Benderby’s have got you doing their dirty work for then.  After all, your father is up for re-election, and needs their support to stay in office.”

A furrowed brow and dark look told me I was on dangerous ground.  Implying the sheriff was in Benderby’s pocket wasn’t the best idea, even if it was rumored to be true.

“What exactly are you implying?”

Brittle tone, time to back down.  “Nothing.  You managed to get a good result from a bad situation, except for poor Boggs.  What happened to him?”

“Slipped and fell, the medical examiner believes.  No signs of foul play if that’s what you’re asking?”

“Where?”

“On the rocks at the foot of the cliff leading up to the ledge and cave entrance, in full climbing gear.  Had we not found him there, we would not have found you.  We assumed since he didn’t find the treasure, he left, leaving you two behind.”

It fitted the story, no doubt seeded by Alex.  And reasonably true, to a certain extent.  He had left us, but not out of pique.

“You could say he was disappointed.”

“What happened, because I don’t understand why you didn’t leave at the same time.”

“Boggs was there for the treasure.  We wanted to do more exploring, ended up getting lost.”

It was a logical explanation and would fit her narrative.  I didn’t see the point of throwing any curve balls.

I could see her processing.

“You mustn’t think very much of me Sam.”

“Whatever gives you that idea?”

“I don’t think I’ve heard one word of truth from you so far.  I know something happened in that cave, and you were not the only people involved.  Alex can’t lie to save himself, and Vince Cossatino, well, stark staring bonkers doesn’t begin to describe him.  They’re mixed up in this somehow, and I can’t do anything about it unless you tell me the truth.”

“An old newspaper adage I once heard sums up what I think appropriately describes this situation you find yourself in.  Don’t let the truth get in the way of a good story.  You can draw any picture you want, but we both know the person with the best lawyers will win the day, irrespective of what you think happened or what actually happened.  It might be a different story if you found us dead, but you didn’t.”

“There’s Boggs.  He didn’t make it, and I’m not convinced he fell to his death.  I found a climbing expert to review the gear, the site, and the body.  Boggs was left-handed wasn’t he?”

Perhaps I might have misjudged her, and her tenacity for investigating.  But, there was a problem.  “Ambidextrous when climbing, right-handed when playing most sports.  The guy was an enigma at times, and a bit of a daredevil.”

“Still…”

“You’re going to need more than that before casting aspersions that will destroy his mother if she’s not already there.”

“I don’t get it, Sam.  Why won’t you help me?”

“No point.  We both know who runs this town, always has.  You were at school the same as I was, and Alex was always untouchable.  You don’t want to make an enemy of him.  I did and look where it got me.”

“I have a job…”

“The wrong job, or maybe the wrong place.  There’s a reason why your father is not pushing this.  Alex will get what he deserves, perhaps sooner rather than later.”

“You think the Cossatino’s will exact their own justice?  That’s not going to happen.  At the moment the Cossatino’s and the Benderby’s are like peas in a pod.”

That was disconcerting news, and I wondered how Nadia had taken that.

“How is Nadia, by the way?”

“She’s apparently taken a vow of silence.  I suspect the first visit from her father was to warn her against making any accusations.  She hasn’t told us anything, except how you convinced her that she would be rescued.  It must have been terrible.”

Worse.  Not knowing if anyone would come, and as time passed, that feeling this was your time to die.  I had gotten to the point where I regretted wasting all those years after leaving school and doing nothing.  The fact my mother needed me had made that decision all too easy, but now I realized, she hadn’t needed me, that she was contented with her two suitors and remaining just out of reach, playing them against each other.

A commotion outside the door took my mind away from those thoughts, and seconds later Alex came into the room.

“You shouldn’t be here, Alex,” Charlene said, standing between him and me.

“You don’t know your place, Charlene, and that’s not here.  Go play detective somewhere else.”

“You want to be careful Alex.”

“Or what?  You’ll get your father to sort me out?”  He laughed.  “So naive and stupid.  We own him, and he’ll do what he’s told.  As will you.  Now, get out before I throw you out.”

I watched her consider how she was going to respond, even to the point of telling him off, but there was that hesitation, confirmation of what I’d just told her, which was far worse than I suspected.  Then, a shake of the head, and, “I’ll be just outside, you do anything, I’ll be a witness “

Brave, but pointless.  He shoved her out, and closed the blind, and the door.

“So Smidge, you’ve been spreading lies.”

“Have I ?  What lies, specifically?”

“Your mother came around and told my father Vince and I tied you up and left you for dead “

“Rather accurate, don’t you think?”

“Lies, Smidge.  The result of our differences perhaps, but whatever the reason, don’t repeat them again.  Not if you want a ton of bricks to rain down on you, literally.”

So my mother had gone straight to Benderby.  No surprise there, but was it because she cared, or was she reporting my comments?

“I wouldn’t be worried about me, Alex.  You have bigger problems to deal with.”

“Oh?  I don’t think so, if you’re referring to Nadia.  We have a deal with the Cossatinos.  If she says anything, they’ll deal with her.”

“In all the time you dated her, Alex, did she show you her true colors?”

“She’s just a stupid girl like all the rest.  What are you talking about?”

There was no hint of concern, and that might just be his Achilles heel.  If I could just sow a few seeds of doubt in his mind…

“I’d run Alex.  As far and as fast as you can.”

The door crashed open and the Sheriff came in, red-faced and very angry.

“Get out Alex.”

“Do you need to be reminded who you are talking to?”

The sheriff apparently didn’t, and with one punch propelled Alex across the room and into the wall, before he crashed to the ground.  He wisely stayed on the floor, as the sheriff was standing over him, ready for round two.

“My father will hear about this,” he said, pulling out his phone.

“He will.  I have two witnesses who will testify you threw the first punch and were resisting a direct order to leave.  If you know what’s good for you, you’ll stay put and shut your mouth.”

Alex did.

He turned to me.  “Where’s Nadia?”

“Last I heard she was in a hospital bed.”

“She left.”

“You talk to her parents?”  Alex joined the conversation.   Perhaps he was hoping that was the case.  I didn’t think it was.

“They’re surprised.  We have CCTV footage of her leaving, alone.  I ask again, Sam, where is she?”

“What makes you think I would know where she is.”

“You were alone with her in that cave, in a near-death situation.  People tend to confide their deepest innermost secrets at such a time.”

“Not with me.  The girl is as much an enigma to me as she is to everyone else.  But one thing she did say, she’s nothing like her parents, so much so, she reckoned they adopted her.”

“Not helping Sam.”

I looked over at Alex.  “You should ask the sheriff to put you in protective custody, Alex.”

He snorted in disbelief, obviously remembering what I’d said earlier.

The sheriff picked up on it.  “Why would you say that?”

“Sometimes it’s what is not said that is most telling.”

“Then you’re saying that Alex and Vince had something to do with you being left in that cave because, for the life of me, I can’t understand why you didn’t just walk out of there.  I don’t believe for one minute you got lost, Sam.  Not you.  I know you.”

He might, but Alex was still in the room and it was still unfounded allegations.  But there was a slight look of panic on his face.

“Well, believe it or not, that’s what happened.  I would appreciate it if you took Alex away, and stopped him from harassing me.  As for Nadia, if she has any sense, she should go back to Italy.  For what it’s worth, she won’t go back to the Grove, that isn’t home to her, but she might go back to her hotel room.”

I told him which hotel and the room number, and told him to leave and take Alex with him.  I suggested protective custody, just in case, but neither seemed to think he would need it, which left me with a curious notion, did the sheriff want Nadia to take care of a problem he couldn’t.

…

© Charles Heath 2020-2022

The 2am rant: If only something made sense!

It seems rather fortuitous that we have a holiday at the end of the year.

I mean, who sat around a table however many years ago and decided that holidays like Christmas should be at the end of the year?  And who decided one half of the world could freeze to death on their holidays, and the other half burn?

At the end of a long year at that, you know, 52 weeks, 12 months, 365 days, where even when some of us get a weekend off once in a blue moon, it still seems like we’re working 7 days a week, 52 weeks a year.

So, who decided a week would have seven days, a year would have 12 months, and while we’re at it, who decided to give each month a different name?  And who named names?

Was it Father Time?  As children, we all learn about Father Time, or has political correctness stepped in and we now call ‘Father Time’, ‘person time’.

Anyway…

Who do we blame for this mess? We have to blame someone.  It’s not our fault.  If it were up to me I’d have Christmas in September when there’s more temperate weather in both halves of the world.

And who decided that Christmas should be attached to Winter and not Summer?

It’s like the whole mess was designed by a group of academics majoring in philosophy sitting in a back room and fed Coca-Cola and Pizza until they came up with an answer, which was probably to send it all to a parliamentary committee made up of candidates from Bellevue Asylum.

The same people, by the way, who are responsible for coordinating traffic lights.

And then there’s that other mystery I’ve never quite understood.

If you work for the FBI, your first name suddenly becomes ‘Agent’.  Everyone gets that name change, whether you like it or not.

Which is much the same as how all Russians once called each other ‘comrade’.  Beats the hell, I suppose, out of remembering people’s first names, especially in Russia, where, to us, they’re unpronounceable.

Sorry.

You can tell I haven’t got over last Christmas.

Nor missing out, again, due to the world getting crazier.

Perhaps things will be better next Christmas.

365 Days of Writing, 2026 – 236

Day 236 – In a world ruled by fiction

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Inventing Reality: Why J.G. Ballard’s Warning Matters More Than Ever in the Age of Fiction

“We live in a world ruled by fictions of every kind—mass merchandising, advertising, politics, popular psychology, and so on. It is our job as writers to invent reality. For better or for worse, we are the creators of the reality of the 20th [and 21st] century.” — J.G. Ballard

In 1971, British visionary J.G. Ballard made a startling observation about the trajectory of human culture. Long before the advent of social media algorithms, deepfakes, 24-hour news cycles, and virtual reality, Ballard understood a fundamental truth: humanity no longer experiences raw reality. Instead, we navigate a labyrinth of manufactured narratives, corporate mythologies, and political spectacle.

Ballard argued that because the “real” world had been entirely overwritten by fictions, the traditional role of the novelist—to simply mirror society—was dead. Writers could no longer afford to be passive observers. To make sense of the world, they had to become active participants in the construction of a new reality.

Decades later, as we grapple with “fake news,” curated digital identities, and hyper-reality, Ballard’s manifesto feels less like a literary theory and more like a survival guide.

Here is an exploration of what Ballard meant, how his thesis manifests today, and why the job of the writer is more crucial—and subversive—than ever.

The Architecture of Illusion: How We Live in Fictions

Take a moment to look around you. Almost everything you interact with on a daily basis is underpinned by a fiction.

  • Money is a collective fiction—a piece of paper or digital code that holds value only because we agree it does.
  • Brands sell us fictions of identity, belonging, and happiness, convincing us that a specific pair of sneakers or smartphone will fundamentally alter who we are as people.
  • Politics has long traded policy for narrative, where electability is performance art, and truth is treated as a flexible commodity.

Ballard didn’t view these fictions merely as harmless lies; he saw them as powerful, active forces reshaping human psychology. In novels like Crash, High-Rise, and The Atrocity Exhibition, he explored how modern technology and media blur the line between the artificial and the authentic until the artificial becomes our lived experience.

When the boundaries dissolve, the people living inside the illusion no longer know what is real. This is the condition Ballard diagnosed, and it is the exact landscape we inhabit today.

Why Traditional Realism is Broken

For centuries, the primary goal of fiction was mimesis—holding a mirror up to nature. Authors like Jane Austen, Charles Dickens, and Leo Tolstoy documented the social structures, moral dilemmas, and daily rhythms of their times with pinpoint accuracy.

However, Ballard argued that nineteenth-century realism was no longer equipped to handle the twentieth century (let alone the twenty-first). How do you write a realistic novel about a world where the President of the United States communicates via late-night social media posts, where artificial intelligence can write poetry, and where billions of people spend hours a day interacting with people who don’t exist?

If a writer simply writes a traditional, kitchen-sink drama today, they are ignoring the elephant in the room: the overwhelming, suffocating presence of media and manufactured myth.

To write realistically about the modern world, a writer has to acknowledge that we are drowning in fictions. This is why Ballard leaned into the surreal, the clinical, and the provocative. He used heightened, bizarre fictions to puncture the mundane fictions of everyday life.

“It is Our Job as Writers to Invent Reality”

What did Ballard mean when he said writers must invent reality?

He didn’t mean writers should lie, nor did he mean they should retreat into escapist fantasy. Instead, he meant that because our cultural reality is artificial, constructed by marketers and politicians, writers have a duty to construct better, truer, or more revealing counter-fictions.

A great writer acts as a diagnostic physician for the cultural psyche. By inventing extreme scenarios, speculative futures, or surreal narratives, fiction exposes the invisible mechanisms holding our society together.

Consider how visionary science fiction and speculative fiction have “invented” our current reality:

  • William Gibson coined the term “cyberspace” and anticipated the internet age in Neuromancer long before most people owned a computer.
  • George Orwell mapped out the mechanics of surveillance capitalism and state propaganda in 1984.
  • Margaret Atwood drew from existing patriarchal structures to invent the chillingly plausible world of The Handmaid’s Tale.

These authors did not simply record the world; they diagnosed it by inventing fictions that revealed deeper, unspoken truths. They exposed the matrix by building a better map of it.

The Writer’s Duty in the Age of Algorithms

Today, Ballard’s call to action takes on an urgent new meaning. We are no longer just consumers of fiction—we are its products. Algorithms feed us custom-tailored realities designed to keep our attention, polarise our views, and monetise our anxieties.

In this landscape, propaganda is automated, and mass delusion is industrialised.

If we surrender the invention of reality entirely to tech monopolies, politicians, and advertisers, our cultural imagination shrivels. This is why the creative act of writing is an act of resistance.

When a writer sits down to craft a story, a poem, or a novel, they are refusing the pre-packaged narratives handed down by the culture industry. They are carving out a space of radical imagination, forcing readers to pause, question their assumptions, and see the world through a completely new lens.

Conclusion: Writing the World Anew

J.G. Ballard challenged writers to step out of the shadows of passive storytelling and take responsibility for the psychological architecture of their era.

We do not live in a neutral world. We live in a world saturated with manufactured desires, political mythologies, and digital illusions. To accept this passively is to be shaped by it. But to write against it—to dissect the illusions and invent new, more honest realities—is the ultimate calling of the modern writer.

The fiction of the world is loud, relentless, and persuasive. It is up to writers to be louder, stranger, and truer.

What are your thoughts on Ballard’s manifesto? How do you see modern fiction reflecting—or fighting against—the manufactured realities of today? Let us know in the comments below!

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What I learned about writing: Inspiration comes from the most unlikely sources

And this was one of those times.

Before the COVID-19 pandemic, a time that is rapidly disappearing in our collective memories, we came down from Brisbane to Melbourne for a wedding, perhaps the last for this family for quite some time, this being my wife’s brother’s last daughter to tie the knot, so to speak.

And like someone said, as with births, weddings and funerals, it turned into a family reunion on my wife’s side of the family.

But there were extra benefits…

We got to meet the extended family of the groom.

And, we got an insight into their friends, the thirty-something, footloose and fancy-free acquaintances that had been off and on a part of the bride and groom’s life for about 15 or so years, and most of who had been to London, for various stints, and who are now scattered across Australia, and other international destinations.

I have to say that these people were quite interesting.

As an older person, I didn’t have much in common, so I followed one of my father’s old adages, if you’ve got nothing to say, shut up and listen.

And as a writer, I did something else, observe.

It was an eye-opening experience if nothing else, and a rather interesting look into what it might be like as an unmarried reasonably well-off thirty-something. For starters, you didn’t have to worry about the price of drinks, or how much you drank. You can just up and go anywhere in the world at the drop of a hat. For a few minutes there I was starting to feel envious.

It was sometimes overindulgence, but I noticed it was never to the point of becoming what some refer to as legless. Noisy perhaps, crude at times, yes, but in reminiscing, it was a curious phenomenon that they had all “hooked up” at some time or other.

Aside from learning what appeared to be a new “language”, there was also a running theme that at one time or another nearly all of them had lived with the groom in London for a period.

It got me thinking.

It would make a good story.

It was just trying to find a context, other than a wedding, that would bring them together, one where a series of vignettes that involved each of them, in turn, could bring the story of that person to life.

In this case, but not so much the reminiscing, it was the wedding.

What if it was an untimely funeral?

Trying to find joy in the midst of a very sad occasion.

I’m sure this has been done to death many times, but after hearing a lot of happy memories, it seems to me that in this case, it could be uplifting.

Yes, the ideas need a little work, but it’s firmly there in my mind.

Perhaps when I get back home, I might just start writing.

Top 5 sights on the road less travelled – Canberra, Australia

Discovering Canberra’s Hidden Gems: Top Five Adventures on the Road Less Travelled

Canberra, Australia’s capital, is often celebrated for its iconic landmarks like the Australian War Memorial and Parliament House. Yet, beyond the well-trodden paths lies a treasure trove of hidden gems waiting to be uncovered. For travelers seeking a more authentic and offbeat Australian experience, here are five unique adventures to explore in and around Canberra.

1. Tidbinbilla Nature Reserve: A Wild Encounter with Australia’s Flora and Fauna

Tucked in the scenic Tidbinbilla Valley, this 8,600-hectare wildlife sanctuary offers a serene escape from the city. Home to over 130 species of native animals, including kangaroos, koalas, and wallabies, Tidbinbilla is a haven for nature lovers. Take a guided wildlife tour to spot nocturnal animals like the elusive bilby or join a ranger-led walk to learn about the reserve’s conservation efforts. The reserve’s picturesque landscapes and peaceful atmosphere make it a perfect day trip. Admission is by donation, supporting the reserve’s vital work.

2. National Arboretum ACT: A Journey Through Trees and Time

While the Australian National Botanic Gardens are popular, the National Arboretum, located 15 km south of Canberra, is a less-known haven for tree enthusiasts. This 120-hectare living museum features over 150 types of trees from around the world, including the vibrant Great Gymea Lily (the world’s tallest flowering plant). Explore themed trails like the “Koala Zone” or take a peaceful stroll through the “Mourning Glory Tree Walk,” which blooms with pink flowers. The arboretum’s peaceful groves and art installations make it a unique spot for reflection and photography.

3. The Spinning Wheel Sculpture Park: Queanbeyan’s Quirky Art Haven

A short 15-minute drive from Canberra, Queanbeyan’s Spinning Wheel Sculpture Park is a whimsical celebration of art and creativity. Hosted by the Queanbeyan Artists Group, this ever-changing exhibition features over 100 sculptures in an eclectic mix of styles and materials. Wandering through this free-entry park feels like stepping into a fairytale, with interactive installations like a giant teacup and a rotating wheel inviting playful exploration. It’s a feast for the senses and a must for art lovers.

4. Lanyon Homestead: Stepping into Australia’s Pioneering Past

Nestled in the suburbs of Narrabundah, Lanyon Homestead offers a glimpse into Australia’s colonial heritage. This 1837 sandstone cottage and its surrounding heritage gardens are preserved as a living museum. Self-guided tours reveal stories of early settlers, while the formal gardens, filled with native plants and historic artifacts, provide a tranquil setting. The homestead also hosts seasonal events like harvest festivals and open-air concerts. Admission is by donation, and it’s a delightful way to connect with Canberra’s rich history.

5. Yidnek Indigenous Walking Tour at the National Museum of Australia

For a profound cultural experience, join the Yidnek Indigenous Walking Tour at the National Museum of Australia. This immersive 90-minute guided tour, led by Ngunnawal Elder Uncle Kevin Smith, explores the museum’s exhibits through the lens of the local Indigenous community. Learn about the deep connection between the Ngunnawal people and the Molonglo River, along with stories of resistance, resilience, and contemporary life. While the museum is well-known, the Yidnek tour offers a rare, in-depth perspective that’s often overlooked. Booking in advance is recommended.

Final Thoughts: Canberra’s Secret Side Awaits

From encounters with native wildlife to quirky art parks and cultural revelations, Canberra’s road less travelled offers experiences that enrich the soul and broaden horizons. Whether you’re chasing nature, history, or art, these hidden treasures promise memories to last a lifetime. So, venture beyond the usual spots and let Canberra surprise you.

Practical Tips:

  • Transport: Most of these attractions are accessible by car. Public transport options are limited, so consider carpooling or using ride-sharing apps.
  • Seasonal Considerations: Check weather and seasonal events for optimal visits.
  • Reservations: Some experiences, like the Yidnek tour, require advance booking.

Embrace the adventure—Canberra’s hidden heartbeat is waiting for you. 🌿✨