Category: blogging

In a word: Not

You will not go outside, you will not go to the movies.

The word not, when used by your parents when you are a child is the key in the lock keeping you from having fun.

It is the very definition of everything negative, and much harsher than just a plain no.

That you will ‘not…’ has been the gateway for many an exploit or adventure, because anything you have done contrary to the ‘not’ is all that much sweeter.

Until you get into trouble, but, then, isn’t that how you learn life’s lessons?

But if you are a programmer like me, not takes on a whole new meaning in a language like,

‘If not like …. then’

meaning in layman’s terms if something isn’t like a specific value then do something else.

Hang on, isn’t that a bit like reality?

This is not to be confused with the word Knot which is,

A blemish in a piece of wood

The speed of a ship, winds, and sometimes a plane

But basically,

Something you tie to keep your shoes on, or around your finger to remind you to tie your shoes before getting on the 36-knot high-speed ferry made of knotty wood.

It is also something you find in tangled hair and is very painful trying to remove it.

It is also an unpleasant tightness in body muscles and you need a masseuse to get rid of them.

The cinema of my dreams – It continued in London – Episode 37

A talk with Juliet

…

If I had the time over again, I might have chosen a different path in advising her of the possible connection to the Burkhardt’s, but that cat was now out of the bag.  I had to play that card when the police started asking difficult questions.  It’s a bit hard to give a plausible reason for people shooting at you.

“It’s possible but unlikely, but it seems someone thinks you might be, hence the assassination attempt.”

“Do you think my father was the Count, and my mother one of the servants?”  There was a curious inflection in her tone like she was mentally calculating the billions she might be worth.

“What did your adoptive mother tell you about your father, other than he was important?

“Nothing.”

“Then the description ‘important person’ could be the butler or the head gardener to a lowly servant girl, so I wouldn’t be getting too many ideas.  The count has never admitted to having any children outside of marriage, and, in fact, had only one surviving family member, the countess.  Have you ever met her?”

“Seen her only in papers, and once from afar when I was watching the house in Sorrento.  Head gardener or butler, you do know how to dash a girl’s dreams.”

“Better to understand the reality before the family lawyers shred you in court if you try to press any sort of a claim.  And if they do know about you, and they believed you were an heir, then you could be in trouble.”

“You seem to know a lot about the family.  Are you working for them?”

An astute observation.  “The answer to that question is no.  My only interest in this was to escort the countess to the Opera as a favour to the man whom I used to work for, yes, I’m still retired, or getting there.  So, I’ve met the countess, but she never mentioned anything about children, only the count dying on her, and now, from my boss, the fact she is missing.  The truth of the matter, I’m only here to find the countess, then I’m back to Venice, or Paris, or anywhere other than here.”

“But there’s more to it than that.  I know you, there’s wheels within wheels.”

There might be, but I wasn’t going to humour her.  “Well, if she’s missing and doesn’t sign the inheritance papers, the estate goes to the next brother, Alessandro.  If he was aware there was a possibly more direct heir, if the count was your father, his situation would demand that you were eliminated from the list.  If he was that way inclined.”

“Then he’s your man.”

“He’s not.  I’ve spoken to him already.  But I have another more viable candidate, your birth mother, who could tell us if the count was your father, though, as a servant girl, and later criminal, I doubt the courts would believe her.”

“You know who my birth mother is then?”  it was spoken with a little more curiosity than she should, which told me she already knew and was covering it.  I wondered if Ceceila had any success.  I would sneak away and send her a text soon.  And ask her to drop in if she could.

“We think we do.”  After analysing everything Juliet said, and the physical evidence we had, like the photograph, it was possible that Vittoria was not.  All the evidence we had was circumstantial.

The waiter chose to arrive at our table with the pizza, and I decided we had to eat first, leaving her with a look of annoyance.  It could wait another few minutes, time taken to look at her and for any resemblance to Vittoria and the Count.  It seemed to me there was none, but Cecilia would know.  Time to send her a text to meet us at the restaurant, and what I wanted her to do.  I excused myself and went to the restrooms.

Just before I went in the door I glanced back and saw she was on the phone.  Who could she be calling?

When I came back, I decided to keep going down the direct route.  “Do you know a woman by the name of Vittoria Romano?”

I watched her carefully as I asked the question.  Everyone had a tell, and I think I knew hers.

“Should I?”

The curious thing about that reply was another of those inflections in her tone, one that told me she did.

That just added a whole new layer to the game.  It also told me why she was not so shaken up by the turn of events.  It might have been a surprise to see me, but not getting shot at.

“I have reason to believe she is your mother.  She has been trying to get closer to Alessandro, but the countess had warned him of her intentions.  We understand this Vittoria was getting a payment to look after you, whether by blackmail or otherwise, and when that stopped, she started making trouble.    She is, by the way, in London at the moment though we don’t know where.”

“And you think I might?”

“If I accompanied you to your apartment, would she be there?”

“I said I didn’t know her.”  She tried to put on an aggrieved tome that I would think that she was lying.

“You’ve said a lot of things in the past, especially to me, that are not true.  We know each other fairly well, Juliet.”

That tone was now accompanied by a pained expression that was mean to convey annoyance.  “I should get up and walk out, but as you say, we know each other fairly well, and I’m guessing you’d construe that as guilt.  I am disappointed.”

I saw Cecilia arrive outside, and now that the restaurant was quite full, she was easily able to get to our table without Juliet seeing her, not until she dropped into the third seat, and sigh, “Do you have any idea what it’s like getting across this city in the rush hour?”

The look on Juliet’s face was priceless.

© Charles Heath 2023

The cinema of my dreams – Was it just another surveillance job – Episode 39

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

…

Sometimes the best-laid plans worked out, but today it was as if the Gods were trying to ruin my day.  Earlier days this week had been getting darkish between three and four, but today it was a little later.

It meant we had to spend a little more quality time together before we embarked on some breaking and entering.

Of course, it might have helped if I’d told her what I was intending to do before I brought her along for the ride, but it was exactly for that reason I did because if she didn’t like the idea, there would be little option to change he mind.

But the initial displeasure was expected.

“Breaking and entering is not exactly how I envisioned my first few days on the job market.”

“You learned all of the requisite skills in training.  I know, I was your partner in crime more than once.”

And that was a question I had once told myself I’d ask her if I ever ran into her again outside of work.

Which I did now.  “Why was that?”

At a guess, it had to be because I knew what I was doing whereas the other men were more like blunt instruments.  They’d taught us the finesse in breaking into a wide variety of entrances, but they seemed to like and use bashing the door in.

“I knew I had a better chance of success if I stuck with you.”

“What about Yolanda?”

She was another woman I had put into the same category as Jennifer, she was possessed of a calm demeanor in a crisis, and actually took the time to lean the subtitles of her tradecraft.  I had been disappointed when she didn’t make the final cut, though I suspect there was more to her ‘failing’ than met the eye.

And, I never got to find out the real reason.

I had liked her and had thought the feelings were mutual, but after she left, I’d not heard from her again.  I guess I could have tried to reach out, and might still do if this ever came to an end where I didn’t finish up dead.

“She was never going to stick the distance.  I got the impression she wasn’t happy about one of the others making life uncomfortable for her.”

“Student or instructor?”

Interesting she should say that because I had thought there was something going on between her and Maury, and when I asked her she didn’t deign to answer.

“Both.  She considered it was best just to leave.”

Which apparently, she did.

But, back to our current problem.  “All I need you to do is have my back.  I’ll go in, see if he is there, or anyone else, and if the coast is clear, we’ll search the place and leave.  No need to be there one second longer than we have to be.”

But I will; be disappointed if the USB is not there.

“That means we have about an hour to kill,” she said.

Which is why I decided to stop off at a traditional English pub and have an early dinner of bangers and mash.  I was not sure why it just appealed to me.  I’d feel so much better breaking in with a full stomach.

And a mobile phone with the sound turned off.

…

© Charles Heath 2020

A photograph from the inspirational bin – 34

This is the moon, unexpectedly observable in the late afternoon.

For me, the moon provided inspiration for an episodic story I have entitled, for now, ‘I always wanted to see the planets’.

It’s about a freighter captain who gets a gig as First Officer on an exploratory starship, who by a series of inexplicable events gets promoted to captain, and has to navigate not only the outer reaches of space, but new species.

But in the back of my mind there is that expression ‘shoot for the moon’, which could mean almost anything.

It could mean going for the unobtainable, whether it be a job, or the partner of your dreams. Failing can be heartbreak. Success might mean you’d be ‘over the moon’.

Them there’s travelling to moon, perhaps the next logical step for regular people, heading off the spend a week on a moon base hotel. I’m not sure what we would see out there in space; Perhaps a UFO?

Fictionalised, a moon base might just be the meeting place for various species, and being the mystery writer I am, what if there was a murder?

As always, the possibilities are endless.

Writing a novel in 365 days – 23

Day 23

Today’s discussion is about the writer’s point of view.

This is different to the point of view, like writing in the first person.

I’m not sure as Rod Serling puts it, “The writer’s role is to menace the public’s conscience”.

Maybe if you’re going to intertwine the dilemma of climate change advancing upon us in a practical sense through the pages of a novel, though if you are well versed in what climate change is going to do, it might serve as a warning, and help slow it down.

It might also be used to highlight the very real effect of women being treated badly in a number of situations, at home, at work, and in general.

It might also highlight the very real problems that people in the United States are going to be subjected to in the wake of the ‘two genders’ proclamation. Knowing several transgender and non-binary people, it seems to me that it is an affront to their dignity. A story that highlights their plight might go a long way to educating others about their situation.

There are a great many themes, some of them controversial, that could and are aired from time to time, and it is a path you can go down, but a lot of research is required to get an accurate picture.

As someone who is closely associated with a transgender, and who has travelled the rollercoaster ride of discovering who they are, the discussions with psychiatrists and doctors, the ‘exercises’ that the subject undergoes, long before the operation to change gender, the surgery, the aftermath, and the reaction from those closer and not so close, I can say from experience that it is brutal and sometimes leaves the subject questioning everything.

It is not surprising then that the suicide rate of transgender people alone is one of the highest in the world.

Perhaps I will get around to writing that story sooner rather than later.

Searching for locations: The Opera House, Paris, France

This was one of the more interesting experiences for the grandchildren as they were, as all young girls are, interested in ballet.

We thoroughly enjoyed our visit which included some time watching ballet practice.

I could not convince anyone to take the elevator back down to the ground floor as it was suspected we might be ‘attacked’ by the ‘phantom’.  Certainly, the elevator was very old and I think at the time it was being repaired.

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Part of the Grand Staircase in Palais Garnier Opera de Paris

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The ceiling above the main staircase.  The ceiling above the staircase was painted by Isidore Pils to depict The Triumph of Apollo, The Enchantment of Music Deploying its Charms, Minerva Fighting Brutality Watched by the Gods of Olympus, and The City of Paris Receiving the Plan of the New Opéra.

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The ceiling of Chagall at the Palais Garnier

On 23 September 1964, the new ceiling of the Opéra Garnier was inaugurated with great pomp.  It was painted by Marc Chagall at the request of André Malraux

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Amphitheatre and Orchestra Pit entrance

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Interior, and doorways to boxes

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Box seats in the auditorium

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Ornate ceilings and columns

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Seating inside the auditorium

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The day we were leaving Paris, was the first night of the Bolshoi Ballet.  My two granddaughters were greatly disappointed at missing out on the opportunity of a lifetime, to see the Bolshoi Ballet at the Paris Opera House.

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But we did get to see the principals practicing.

Using Hollywood as a source of inspiration

I’m not one for writing Western, I’ll leave the honours for that to Louis L’Amour, whose acquaintance I made when I saw How the West Was Won on the big screen and then read the book.

That led to reading a few more by Zane Grey, but the stories’ reading, not the visual splendour of the West depicted in these films, made the actors almost secondary.

But my interest in watching Westerns had been fuelled by the fact my parents watched them on TV, though back in those days, they were in black and white, and starred John Wayne, Gary Cooper, Alan Ladd and, later on, Clint Eastwood among a great many others.

But the mainstay of my interest in the archetypal Western centred on John Wayne whose movies may have almost the same plot line, just a substitution of actors and locations.

Often, it was not so much that John Wayne was in it as the actors he surrounded himself with, like Dean Martin, Ricky Nelson, Walter Brennan, and Robert Mitcham, who made the experience all the better.

Films like The Sons of Katie Elder, True Grit, Rio Bravo, and El Dorado.

Who can forget the vast open spaces, the dry dusty streets lined with wooden buildings and the endless walkways that substituted for footpaths?  Bars in hotels, rooms overlooking the street, havens for sharpshooters, when bad guys outnumber the good guys, and typically the Sherrif who always faced insurmountable odds.

Or the attacks staged by Indians who were routinely killed, in fact, there was not one film I saw where they ended up winning any battle. Only in recent years did they get a more sympathetic role, one film that comes to mind is Soldier Blue, which may have painted them as savages, but a possible reason why they ended up so.

But for those without Indians, there were plenty of others whose intentions were anything but for the good of the settlers.

A lot of films ended in a classic gunfight.  High Noon, 3:10 to Yuma are two, where the story led to gun fights between good and bad in unlikely places like El Dorado or Rio Bravo.

There are countless others I could name, like Shane, or became to be called, the spaghetti Westerns with Clint Eastwood, or finally, The Magnificent Seven, or Once Upon a Time in the West.

All have contributed to a picture in my mind of how the American West was, fearsome men, beleaguered sheriffs, people with good intentions, and those driven by greed and power. All of this plays out in the harshest of conditions where life and death could be determined by a wrong word or a stray bullet.

And let’s not forget the role of the guns, Colt, Winchester, and Remington.  And Smith and Wesson, and the gunslingers of the day. Some were good, but most according to the film world were bad.

So, against the lifelong interest of watching and reading about the archetypal view of the old West, shall I attempt to put pen to paper. Thank God it will be a work of fiction because I don’t think there are many who knew what it was really like.

‘The Devil You Don’t’ – A beta reader’s view

It could be said that of all the women one could meet, whether contrived or by sheer luck, what are the odds it would turn out to be the woman who was being paid a very large sum to kill you.

John Pennington is a man who may be lucky in business, but not so lucky in love. He has just broken up with Phillipa Sternhaven, the woman he thought was the one, but relatives and circumstances, and perhaps because she was a ‘princess’, may also have contributed to the end result.

So, what do you do when you are heartbroken?

That is a story that slowly unfolds, from the first meeting with his nemesis on Lake Geneva, all the way to a hotel room in Sorrento, where he learns the shattering truth.

What should have been solace after disappointment, turns out to be something else entirely, and from that point, everything goes to hell in a handbasket.

He suddenly realizes his so-called friend Sebastian has not exactly told him the truth about a small job he asked him to do, the woman he is falling in love with is not quite who she says she is, and he is caught in the middle of a war between two men who consider people becoming collateral damage as part of their business.

The story paints the characters cleverly displaying all their flaws and weaknesses. The locations add to the story at times taking me back down memory lane, especially to Venice where, in those back streets I confess it’s not all that hard to get lost.

All in all a thoroughly entertaining story with, for once, a satisfying end.

…

Available on Amazon here: https://amzn.to/2Xyh1ow

…

Searching For Locations: Disneyland, Paris, France

Whilst I found this tree house to be interesting, it seems to be far from practical because there was little to keep the wind and rain out, though I suppose, in the book, that might not be such a problem.

Be that as it may, and if it was relatively waterproof, then the furnishings would probably survive, and one had to also assume that much of the furnishings, such as the writing desk below, would have washed up as debris from the shipwreck.

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The stove and oven would have to be built by hand, and it is ‘remarkable’ such well-fitting stones were available.  It doesn’t look like it’s been used for a while judging by the amount of gree on it.  Perhaps it is not in a waterproof area.

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The dining table and the shelf in the background have that rough-hewn look about them

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A bit of man-made equipment here for drawing water from the stream

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And though not made in the era of electricity, there is an opportunity to use the water wheel to do more than it appears to be doing

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And tucked away in a corner the all-important study where one can read, or play a little music on the organ.  One could say, for the period, one had all the comforts of home.

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Writing a novel in 365 days – 23

Day 23

Today’s discussion is about the writer’s point of view.

This is different to the point of view, like writing in the first person.

I’m not sure as Rod Serling puts it, “The writer’s role is to menace the public’s conscience”.

Maybe if you’re going to intertwine the dilemma of climate change advancing upon us in a practical sense through the pages of a novel, though if you are well versed in what climate change is going to do, it might serve as a warning, and help slow it down.

It might also be used to highlight the very real effect of women being treated badly in a number of situations, at home, at work, and in general.

It might also highlight the very real problems that people in the United States are going to be subjected to in the wake of the ‘two genders’ proclamation. Knowing several transgender and non-binary people, it seems to me that it is an affront to their dignity. A story that highlights their plight might go a long way to educating others about their situation.

There are a great many themes, some of them controversial, that could and are aired from time to time, and it is a path you can go down, but a lot of research is required to get an accurate picture.

As someone who is closely associated with a transgender, and who has travelled the rollercoaster ride of discovering who they are, the discussions with psychiatrists and doctors, the ‘exercises’ that the subject undergoes, long before the operation to change gender, the surgery, the aftermath, and the reaction from those closer and not so close, I can say from experience that it is brutal and sometimes leaves the subject questioning everything.

It is not surprising then that the suicide rate of transgender people alone is one of the highest in the world.

Perhaps I will get around to writing that story sooner rather than later.