Category: blogging

The cinema of my dreams – Was it just another surveillance job – Episode 40

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

…

Darkness fell in a noticeably short time, and we left the pub at about six. In the hour so we have been there I’d been keeping a close eye on the comings and goings, and in particular, if O’Connell came in, or someone else that might look like him.

He hadn’t, nor had any mythical family members.  Well, it had been a long shot.

Jennifer hadn’t volunteered anything more to the conversation and sat working her way through a piece of fried fish and a bowl of chips.  Neither had looked appetizing.  I would have bet she’d have the chicken, but I was wrong, and probably it wasn’t going to be the first time.

“Do you have a gun?”

It was after ten minutes of silence.  It worried me that she didn’t ask how far it was or how long it would take.  And then, out of nowhere, the gun question.

“No.  Why would I have a gun.?”

“We were issued with weapons.  I still have mine.”

“Did you bring it with you?”

“No.  Like I told you, I didn’t think I was still working for the Department.  They didn’t ask for it back, so I didn’t give it to them.”

“Or the identities?”

“No.  It was odd though; they didn’t ask about them either.”

“Maybe they were going to wait a while and then ask you back.”

This was a weird conversation to be having.  By this time we were in Peaslake Lane, and not far from the house I pulled over to the side of the road, under a tree.

The houses were set back in a rural setting.  Between the darkness and the undergrowth, the chances were we could get to the house without being seen.  From where I was sitting, no windows or doors were visible.

I made sure the car’s internal light didn’t go on the moment the door was open.

“Are you bringing your cell phone?”

“Why.  I’m not envisaging having to call anyone, nor am I expecting a call.”

I shrugged, and slipped mine into a pocket where I could easily reach it I needed to.

I got out of the car, and she followed.  She left he bag in the car.  The first sign of training kicking in; eave all un-necessary baggage behind.  Perhaps having a gun might have been a good option if we ran into trouble.

Oddly enough, now that I thought about it, Monica hadn’t asked for mine back either, but it was sitting at home in a safe, along with the five other identities Severin had issued each of us with.

I locked the car, equally as silent and invisible as she joined me.

“Which house?”

“Three along.  Follow me and keep your eyes and ears peeled.”

I didn’t have to tell her, but it didn’t hurt to emphasize the importance of stealth.  There were people home in other houses, lights in windows just discernible through the trees, one house a window without a curtain, a view into the dining room, but there was no one at the table.

If we were visiting them, perhaps we’d be in time for dinner.

The house we were looking for was in darkness from our approach.

“You keep an eye open this side, and I’ll go around the other, then come back.  I’ll see if there’s an easy entry point.”

“What if someone is home?”

“Doesn’t look like it from here, and I’ll be surprised if there is.”

A moment later she had disappeared into the shrub line and I was heading across the front of the house, heading for the other side.  I kept well away from the front door, just in case there was a motion light, or worse, a motion detector that might set off a silent alarm.

But, that might already have happened, and if it had, no one had made a move inside.

Down the side was walls and windows, no doors or French doors leading out into the garden.  None of the windows were at a decent height for us to clamber through, and if we had to, it was going to be difficult.

I continued on, around the back, where there was more success.  French doors leading onto a patio, and then the lawn.  In the corner was a greenhouse, and next to that a rose garden.  Or at least that was what both looked like in the dark.

The moon, for the moment, was hidden by dark clouds.

Perhaps it would rain, though it had not been in the forecast, but, this was England, and it could rain at any time, especially when you didn’t want or need it.  There was no light, or motion sensor over the French doors, so I crossed the patio and looked through the doors.

I had expected curtains, but these hadn’t been completely drawn.  No large light or lamp on, but there were indicator lights, several red and one a particularly bright blue, casting a rather long shadow over furniture and what looked to be a carpet square.

Out of curiosity, I tried the door.

It was open.

Then I had the blind panic moment of thinking it might be alarmed.

I shut it again and waited.

…

© Charles Heath 2020

A photograph from the inspirational bin – 35

This is Railway Hotel in Gympie, adjacent to the old Gympie station

Just the name Railway Hotel conjured up a lot of interesting connotations. There’s one in almost every rural town that has Railway station, or perhaps a Junction Hotel, a Railway Hotel, or a Terminus Hotel.

And, once upon a time, there were nearly 600 of them, up until the 1920s, ubiquitous hotels build to house the people building the railways, and, then, when they were finished a lot disappeared, but a lot also remained to service the railway station and passengers coming and going.

These days, these old hotels that still exist are anachronisms of a bygone age, rather ornate wooden structures with big rooms and communal bathrooms, bars, saloons, and dining rooms, and only those curious about the past would stay there.

I’ve stayed in a few myself.

But, as for a story, well, the older, the better, because these would have ghosts.

They could also have infamous pasts, like a fire that destroys only part of the hotel, signs of which form part of the character.

A doorway into a now hidden room closed off because of something horrible happening there, could suddenly become a portal, where stepping through takes you back to the time of the event.

In fact, I’m in the mood to write just such a story…

Writing a novel in 365 days – 24

Day 24

Today we’re talking about do’s and don’ts.

We’re not supposed to use cliches.

Well, long ago someone told me that, but I don’t think the message stuck because every now and then a cliche will appear.

Of course, the reason we don’t use them is that people generally will not know what they mean, and I dread to think what the translators must do when translating English to another language.

I mean, who doesn’t know what a wild goose chase is?

For those who don’t: “a foolish and hopeless search for or pursuit of something unattainable”.

Some might use it to describe their efforts to be published. I know, at times, that almost became my mantra until I discovered self-publishing.

Where it came from: In 1593, when discussing horsemanship, ‘a type of 16th-century horse race where everyone had to try to follow the erratic course of the lead horse like wild geese have to follow their leader in formation’.

I would have liked to have been there to see it.

By and large, they should not be used, and I only use them because they fit the character who is using them.

And, just the other day I was writing a short story which, it turns out, uses a number of metaphors or cliches for dramatic effect, and which are also explained

Searching for locations: Innsbruck, Austria

On this occasion, we drove from Florence to Innsbruck, a journey of about 500 kilometers and via the E45, a trip that would take us about five and a half hours.

We drove conservatively, stopped once for lunch and took about seven hours, arriving in Innsbruck late in the afternoon

The main reason for this stay was to go to Swarovski in Wattens for the second time, to see if anything had changed, and to buy some pieces.  We were still members of the club, and looking forward to a visit to the exclusive lounge and some Austrian champagne.

Sadly, there were no new surprises waiting, and we came away a little disappointed.

We were staying at the Innsbruck Hilton, where we stayed the last time, and it only a short walk to the old town.

From the highest level of the hotel, it is possible to get a look at the mountains that surround the city.  This view is in the direction we had driven earlier, from Florence.

The change in the weather was noticeable the moment we entered the mountain ranges.

This view looks towards the old town and overlooks a public square.

This view shows some signs of the cold, but in summer, I doubted we were going to see any snow.

We have been here in winter, and it is quite cold, and there is a lot of snow.  The ski resorts are not very far away, and the airport is on the way to Salzburg.

There is a host of restaurants in the old town, and we tried a few during our stay.  The food, beer, and service were excellent.

On a previous visit, we did get Swiss Army Knives, literally, from a small store called Victorinox.

And, yes, we did see the golden roof.

Is there a reason to get out of bed?

I sometimes wonder if there is.

Is that depression speaking, or am I just tired from all the late nights?

Unlike most writers, authors and bloggers I don’t have a day job.  You could say it’s one of the benefits of getting old, this retirement thing, but after a while, not having a reason to get out of bed starts working on your subconscious.

The idea of having a job, and going to work, is a good reason to drag yourself out of bed every morning.  And because of this, the idea of sleeping in takes on a whole new meaning.

You know, I’ll just lie here for a few more minutes, and then I’ll get up.  Having turned off the alarm, the eyelids flutter, and before you know it, half an hour had passed, and you wake up in fright, knowing you’re going to be late.

In retirement, that doesn’t happen.  There is no alarm, there is no guilty pleasure in spending those extra minutes in bed.

Of course, this tardiness, or lack of desire could be because I find I do my best writing in the dead of night, often not getting to bed before 2 a.m.   Last night it was a little later because of a story I’m working on came to life with a new idea.

It had been stagnating because it’s part two and whilst I had an idea about where it was going to go, in the end, we’re off in a different direction, and the words flowed.  You just don’t stop writing when you hit a vein.

But this isn’t always the case.  This morning I have an excuse to stay in bed, but most others I don’t.

Perhaps I should find something else to do, something that will give me that same reason I used to have to get up every morning.

Or maybe I should be more organized in my retirement life, you know, set a schedule and do things according to a timetable.  I was never one for being organized, but perhaps it’s time to start.

Just let me lie here for a few more minutes and think about that.

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

Searching for locations: The Opera House, Paris, France

This was one of the more interesting experiences for the grandchildren as they were, as all young girls are, interested in ballet.

We thoroughly enjoyed our visit which included some time watching ballet practice.

I could not convince anyone to take the elevator back down to the ground floor as it was suspected we might be ‘attacked’ by the ‘phantom’.  Certainly, the elevator was very old and I think at the time it was being repaired.

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Part of the Grand Staircase in Palais Garnier Opera de Paris

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The ceiling above the main staircase.  The ceiling above the staircase was painted by Isidore Pils to depict The Triumph of Apollo, The Enchantment of Music Deploying its Charms, Minerva Fighting Brutality Watched by the Gods of Olympus, and The City of Paris Receiving the Plan of the New Opéra.

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The ceiling of Chagall at the Palais Garnier

On 23 September 1964, the new ceiling of the Opéra Garnier was inaugurated with great pomp.  It was painted by Marc Chagall at the request of André Malraux

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Amphitheatre and Orchestra Pit entrance

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Interior, and doorways to boxes

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Box seats in the auditorium

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Ornate ceilings and columns

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Seating inside the auditorium

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The day we were leaving Paris, was the first night of the Bolshoi Ballet.  My two granddaughters were greatly disappointed at missing out on the opportunity of a lifetime, to see the Bolshoi Ballet at the Paris Opera House.

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But we did get to see the principals practicing.

“Echoes From The Past”, the past doesn’t necessarily stay there


What happens when your past finally catches up with you?

…

Christmas is just around the corner, a time to be with family. For Will Mason, an orphan since he was fourteen, it is a time for reflection on what his life could have been, and what it could be.

Until a chance encounter brings back to life the reasons for his twenty years of self-imposed exile from a life only normal people could have. From that moment Will’s life slowly starts to unravel and it’s obvious to him it’s time to move on.

This time, however, there is more at stake.

Will has broken his number one rule, don’t get involved.

With his nemesis, Eddie Jamieson, suddenly within reach, and a blossoming relationship with an office colleague, Maria, about to change everything, Will has to make a choice. Quietly leave, or finally, make a stand.

But as Will soon discovers, when other people are involved there is going to be terrible consequences no matter what choice he makes.

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Writing a novel in 365 days – 24

Day 24

Today we’re talking about do’s and don’ts.

We’re not supposed to use cliches.

Well, long ago someone told me that, but I don’t think the message stuck because every now and then a cliche will appear.

Of course, the reason we don’t use them is that people generally will not know what they mean, and I dread to think what the translators must do when translating English to another language.

I mean, who doesn’t know what a wild goose chase is?

For those who don’t: “a foolish and hopeless search for or pursuit of something unattainable”.

Some might use it to describe their efforts to be published. I know, at times, that almost became my mantra until I discovered self-publishing.

Where it came from: In 1593, when discussing horsemanship, ‘a type of 16th-century horse race where everyone had to try to follow the erratic course of the lead horse like wild geese have to follow their leader in formation’.

I would have liked to have been there to see it.

By and large, they should not be used, and I only use them because they fit the character who is using them.

And, just the other day I was writing a short story which, it turns out, uses a number of metaphors or cliches for dramatic effect, and which are also explained

An excerpt from “What Sets Us Apart”, a mystery with a twist

See the excerpt from the story below, just a taste of what’s in store…

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whatsetscover

McCallister was old school, a man who would most likely fit in perfectly campaigning on the battlefields of Europe during the Second World War. He’d been like a fish out of water in the army, post-Falklands, and while he retired a hero, he still felt he’d more to give.

He’d applied and was accepted as head of a SWAT team, and, watching him now as he and his men disembarked from the truck in almost military precision, a look passed between Annette, the police liaison officer, and I that said she’d seen it all before. I know I had.

There was a one in four chance his team would be selected for this operation, and she had been hoping it would be one of the other three. While waiting for them to arrive she filled me in on the various teams. His was the least co-operative, and the more likely to make ad-hoc decisions rather than adhere to the plan, or any orders that may come from the officer in charge.

This, she said quite bluntly, was going to end badly.

I still had no idea why Prendergast instructed me to attend the scene of what looked to be a normal domestic operation, but as the nominated expert in the field in these types of situations, it was fairly clear he wasn’t taking any chances. It was always a matter of opinion between us, and generally I lost.

In this case, it was an anonymous report identifying what the authorities believed were explosives in one of the dockside sheds where explosives were not supposed to be.

The only reason why the report was given any credence was the man, while not identifying himself by name, said he’d been an explosive expert once and recognized the boxes. That could mean anything, but the Chief Constable was a cautious man.

With his men settled and preparing their weapons, McCallister came over to the command post, not much more than the SUV my liaison and I arrived in, with weapons, bulletproof vests, and rolls of tape to cordon off the area afterward. We both had coffee, steaming in the cold early morning air. Dawn was slowly approaching and although rain had been forecast it had yet to arrive.

A man by the name of Benson was in charge. He too had groaned when he saw McCallister.

“A fine morning for it.” McCallister was the only enthusiastic one here.

He didn’t say what ‘it’ was, but I thought it might eventually be mayhem.

“Let’s hope the rain stays away. It’s going to be difficult enough without it,” Benson said, rubbing his hands together. We had been waiting for the SWAT team to arrive, and another team to take up their position under the wharf, and who was in the final stages of securing their position.

While we were waiting we drew up the plan. I’d go in first to check on what we were dealing with, and what type of explosives. The SWAT team, in the meantime, were to ensure all the exits to the shed were covered. When I gave the signal, they were to enter and secure the building. We were not expecting anyone inside or out, and no movement had been detected in the last hour since our arrival and deployment.

“What’s the current situation?”

“I’ve got eyes on the building, and a team coming in from the waterside, underneath. Its slow progress, but they’re nearly there. Once they’re in place, we’re sending McKenzie in.”

He looked in my direction.

“With due respect sir, shouldn’t it be one of us?” McCallister glared at me with the contempt that only a decorated military officer could.

“No. I have orders from above, much higher than I care to argue with, so, McCallister, no gung-ho heroics for the moment. Just be ready to move on my command, and make sure you have three teams at the exit points, ready to secure the building.”

McCallister opened his mouth, no doubt to question those orders, but instead closed it again. “Yes sir,” he muttered and turned away heading back to his men.

“You’re not going to have much time before he storms the battlements,” Benson quietly said to me, a hint of exasperation in his tone. “I’m dreading the paperwork.”

It was exactly what my liaison officer said when she saw McCallister arriving.

The water team sent their ‘in position’ signal, and we were ready to go.

In the hour or so we’d been on site nothing had stirred, no arrivals, no departures, and no sign anyone was inside, but that didn’t mean we were alone. Nor did it mean I was going to walk in and see immediately what was going on. If it was a cache of explosives then it was possible the building was booby-trapped in any number of ways, there could be sentries or guards, and they had eyes on us, or it might be a false alarm.

I was hoping for the latter.

I put on the bulletproof vest, thinking it was a poor substitute for full battle armor against an exploding bomb, but we were still treating this as a ‘suspected’ case. I noticed my liaison officer was pulling on her bulletproof vest too.

“You don’t have to go. This is my party, not yours,” I said.

“The Chief Constable told me to stick to you like glue, sir.”

I looked at Benson. “Talk some sense into her please, this is not a kindergarten outing.”

He shrugged. Seeing McCallister had taken all the fight out of him. “Orders are orders. If that’s what the Chief Constable requested …”

Madness. I glared at her, and she gave me a wan smile. “Stay behind me then, and don’t do anything stupid.”

“Believe me, I won’t be.” She pulled out and checked her weapon, chambering the first round. It made a reassuring sound.

Suited up, weapons readied, a last sip of the coffee in a stomach that was already churning from nerves and tension, I looked at the target, one hundred yards distant and thought it was going to be the longest hundred yards I’d ever traversed. At least for this week.

A swirling mist rolled in and caused a slight change in plans.

Because the front of the buildings was constantly illuminated by large overhead arc lamps, my intention had been to approach the building from the rear where there was less light and more cover. Despite the lack of movement, if there were explosives in that building, there’d be ‘enemy’ surveillance somewhere, and, after making that assumption, I believed it was going to be easier and less noticeable to use the darkness as a cover.

It was a result of the consultation, and studying the plans of the warehouse, plans that showed three entrances, the main front hangar type doors, a side entrance for truck entry and exit and a small door in the rear, at the end of an internal passage leading to several offices. I also assumed it was the exit used when smokers needed a break. Our entry would be by the rear door or failing that, the side entrance where a door was built into the larger sliding doors. In both cases, the locks would not present a problem.

The change in the weather made the approach shorter, and given the density of the mist now turning into a fog, we were able to approach by the front, hugging the walls, and moving quickly while there was cover. I could feel the dampness of the mist and shivered more than once.

It was nerves more than the cold.

I could also feel rather than see the presence of Annette behind me, and once felt her breath on my neck when we stopped for a quick reconnaissance.

It was the same for McCallister’s men. I could feel them following us, quickly and quietly, and expected, if I turned around, to see him breathing down my neck too.

It added to the tension.

My plan was still to enter by the back door.

We slipped up the alley between the two sheds to the rear corner and stopped. I heard a noise coming from the rear of the building, and the light tap on the shoulder told me Annette had heard it too. I put my hand up to signal her to wait, and as a swirl of mist rolled in, I slipped around the corner heading towards where I’d last seen the glow of a cigarette.

The mist cleared, and we saw each other at the same time. He was a bearded man in battle fatigues, not the average dockside security guard.

He was quick, but my slight element of surprise was his undoing, and he was down and unconscious in less than a few seconds with barely a sound beyond the body hitting the ground. Zip ties secured his hands and legs, and tape his mouth. Annette joined me a minute after securing him.

A glance at the body then me, “I can see why they, whoever they are, sent you.”

She’d asked who I worked for, and I didn’t answer. It was best she didn’t know.

“Stay behind me,” I said, more urgency in my tone. If there was one, there’d be another.

Luck was with us so far. A man outside smoking meant no booby traps on the back door, and quite possibly there’d be none inside. But it indicated there were more men inside, and if so, it appeared they were very well trained. If that were the case, they would be formidable opponents.

The fear factor increased exponentially.

I slowly opened the door and looked in. A pale light shone from within the warehouse itself, one that was not bright enough to be detected from outside. None of the offices had lights on, so it was possible they were vacant. I realized then they had blacked out the windows. Why hadn’t someone checked this?

Once inside, the door closed behind us, progress was slow and careful. She remained directly behind me, gun ready to shoot anything that moved. I had a momentary thought for McCallister and his men, securing the perimeter.

At the end of the corridor, the extent of the warehouse stretched before us. The pale lighting made it seem like a vast empty cavern, except for a long trestle table along one side, and, behind it, stacks of wooden crates, some opened. It looked like a production line.

To get to the table from where we were was a ten-yard walk in the open. There was no cover. If we stuck to the walls, there was equally no cover and a longer walk.

We needed a distraction.

As if on cue, the two main entrances disintegrated into flying shrapnel accompanied by a deafening explosion that momentarily disoriented both Annette and I. Through the smoke and dust kicked up I saw three men appear from behind the wooden crates, each with what looked like machine guns, spraying bullets in the direction of the incoming SWAT members.

They never had a chance, cut down before they made ten steps into the building.

By the time I’d recovered, my head heavy, eyes watering and ears still ringing, I took several steps towards them, managing to take down two of the gunmen but not the third.

I heard a voice, Annette’s I think, yell out, “Oh, God, he’s got a trigger,” just before another explosion, though all I remember in that split second was a bright flash, the intense heat, something very heavy smashing into my chest knocking the wind out of me, and then the sensation of flying, just before I hit the wall.

I spent four weeks in an induced coma, three months being stitched back together and another six learning to do all those basic actions everyone took for granted. It was twelve months almost to the day when I was released from the hospital, physically, except for a few alterations required after being hit by shrapnel, looking the same as I always had.

But mentally? The document I’d signed on release said it all, ‘not fit for active duty; discharged’.

It was in the name of David Cheney. For all intents and purposes, Alistair McKenzie was killed in that warehouse, and for the first time ever, an agent left the Department, the first to retire alive.

I was not sure I liked the idea of making history.

© Charles Heath 2016-2020