How many of us have skeletons in the closet that we know nothing about? The skeletons we know about generally stay there, but those we do not, well, they have a habit of coming out of left field when we least expect it.
In this case, when you see your photo on a TV screen with the accompanying text that says you are wanted by every law enforcement agency in Europe, you’re in a state of shock, only to be compounded by those same police, armed and menacing, kicking the door down.
I’d been thinking about this premise for a while after I discovered my mother had a boyfriend before she married my father, a boyfriend who was, by all accounts, the man who was the love of her life.
Then, in terms of coming up with an idea for a story, what if she had a child by him that we didn’t know about, which might mean I had a half brother or sister I knew nothing about. It’s not an uncommon occurrence from what I’ve been researching.
There are many ways of putting a spin on this story.
Then, in the back of my mind, I remembered a story an acquaintance at work was once telling us over morning tea, that a friend of a friend had a mother who had a twin sister and that each of the sisters had a son by the same father, without each knowing of the father’s actions, both growing up without the other having any knowledge of their half brother, only to meet by accident on the other side of the world.
It was an encounter that in the scheme of things might never have happened, and each would have remained oblivious of the other.
For one sister, the relationship was over before she discovered she was pregnant, and therefore had not told the man he was a father. It was no surprise the relationship foundered when she discovered he was also having a relationship with her sister, a discovery that caused her to cut all ties with both of them and never speak to either from that day.
It’s a story with more twists and turns than a country lane!
Discover Geneva’s Hidden Charms: 5 Off‑The‑Beaten‑Path Experiences Worth Your Time
Geneva is famous for its Jet d’Eau, luxury watches, and the United Nations. But beyond the postcard views lies a quieter, more authentic side of the city that most visitors never see. If you’re craving a genuine Swiss adventure, step off the tourist trail and explore these five lesser‑known gems.
1. Stroll Through the Bohemian Quarter of Carouge
Why it’s a road‑less‑travelled treasure Carouge feels like a slice of Mediterranean Italy tucked into Swiss territory. Founded in the 18th century by the Sardinian king, its pastel‑colored façades, wrought‑iron balconies, and narrow cobblestone lanes create an intimate, artsy vibe that’s a world away from Geneva’s polished business district.
What to do
Boutique hunting: Pop into independent fashion studios, vintage shops, and artisanal leather workshops.
Café culture: Grab a cappuccino at Café du Centre or a craft coffee at Café de la Tour while people‑watching on the lively Place du Bourg‑de‑Four.
Artisan markets: Every Saturday morning, the Marché de Carouge offers handmade ceramics, jewellery, and local produce.
Practical tips
Getting there: Take tram 12 from the city centre (stop “Carouge‑Mairie”) – a 10‑minute ride.
Best time: Late afternoon (around 4 pm) when the cafés fill up but the streets haven’t yet emptied.
Cost: Free to wander; budget CHF 15–30 for a coffee and a small souvenir.
2. Peek Inside the CERN Microcosm & Large Hadron Collider
Why it’s a road‑less‑travelled treasure While CERN is a magnet for physics aficionados, most tourists never step inside the underground world where the universe’s smallest particles are smashed together. The Microcosm exhibition demystifies complex science with interactive displays, and the guided tunnel tour lets you stand at the edge of the famous LHC ring.
What to do
Microcosm museum: Touch a replica of a proton, watch a 3‑D video of the Higgs boson discovery, and explore the history of particle physics.
LHC tunnel tour: Walk (or take a shuttle) into the 27‑km circular tunnel that lies 100 m beneath the French‑Swiss border.
Practical tips
Booking: Free admission, but you must reserve a tunnel tour online at least 48 hours in advance (slots fill quickly).
Getting there: Take the train from Geneva’s main station to CERN (approx. 10 min) or the tram 18 to “CERN – Meyrin”.
Best time: Early morning (first tour slots at 9 am) for the smallest crowds.
Safety: Wear comfortable shoes; the tunnel is cool and slightly humid.
3. Hike the Salève – Geneva’s “Balcony”
Why it’s a road‑less‑travelled treasure Often eclipsed by the Alpine giants, the Salève is a modest limestone mountain just across the border in France. Its gentle slopes and panoramic vistas make it a perfect day‑trip for hikers who want sweeping views of Geneva, Mont Blanc, and the Jura without the crowds of larger peaks.
What to do
Trail options: From the easy “Le Petit Plateau” loop (2 km) to the more challenging “Sentier du Grand Fossé” (6 km).
Summit café: Stop at Le Café du Salève for a hot chocolate while soaking up 360° vistas.
Paragliding: For the adventurous, the summit launch site offers tandem flights with certified pilots.
Practical tips
Getting there: Take the bus 57 from “Place des Eaux-Vives” to “Veyrier‑Le‑Pilat”, then a short 15‑minute walk to the trailhead.
Best time: Late spring (May–June) when wildflowers bloom, or early autumn for crisp air and fewer hikers.
Gear: Sturdy hiking boots, water bottle, and a light jacket (weather changes quickly on the summit).
4. Dip into Local Life at Bains des Pâquis
Why it’s a road‑less‑travelled treasure Nestled on a small pier in Lake Geneva, the Bains des Pâquis is a beloved community spot where locals swim, sauna, and enjoy affordable meals. It’s a rare chance to mingle with Genevans in a relaxed, multicultural setting—something you rarely experience at the glitzy hotel pools.
What to do
Open‑air swimming: The lake’s water is chilly (12–16 °C), but the experience is invigorating, especially in summer.
Sauna & hammam: Warm up after a dip in the traditional Finnish sauna or the fragrant hammam.
Fondue night: From dusk till late, the on‑site restaurant serves classic cheese fondue and raclette at wallet‑friendly prices (CHF 12–18).
Practical tips
Getting there: Walk 10 minutes from the “Moulin” bus stop (tram line 12) or take a short boat ride from the jetty near the Jet d’Eau.
Opening hours: 7 am–11 pm (sauna closes at 9 pm).
Cost: Swimming area CHF 5; sauna CHF 7; meals as listed above. Bring a towel and a swimsuit (no rentals).
5. Wander the Conservatory and Botanical Garden (Jardin Botanique)
Why it’s a road‑less‑travelled treasure Tucked behind the historic Cité des Sciences building, the botanical garden is a serene oasis featuring more than 7,000 plant species, themed greenhouses, and a tranquil pond that mirrors the surrounding trees. It’s a perfect sanctuary for nature lovers seeking quiet contemplation away from the city buzz.
What to do
Themed greenhouses: Explore the tropical rainforest house, the succulent desert dome, and the elegant orchid collection.
Seasonal exhibitions: Spring brings a dazzling tulip display; autumn showcases native alpine flora.
Educational workshops: Free guided tours on plant conservation are offered on weekends.
Practical tips
Getting there: Tram 15 to “Conservatoire” (stop “Conservatoire”). The garden entrance is a two‑minute walk from the tram stop.
Best time: Early morning (8–10 am) for soft lighting and minimal foot traffic.
Admission: Free (donations welcomed).
What to bring: Comfortable shoes, a notebook for sketching, and a camera (no flash in the greenhouses).
Wrap‑Up: Embrace Geneva’s Quiet Side
While the Jet d’Eau and the Old Town sparkle with tourist energy, Geneva’s hidden corners reveal a city that balances cosmopolitan flair with authentic local life. From the artisan streets of Carouge to the scientific wonder of CERN, the lofty views of Salève, the communal warmth of the Bains, and the botanical whispers of the Conservatory—each experience invites you to travel a road less travelled and return home with stories that only a handful of travellers have heard.
Ready to explore? Pack a light backpack, swap your guidebook for a curiosity‑filled mind, and let Geneva’s secret sides surprise you.
Got a favourite off‑the‑beaten‑path spot in Geneva? Share it in the comments below and inspire the next wanderer!
Great Fiction Writers Don’t Just Tell Stories—They Leave You Changed
There’s a quiet magic in the best fiction—a kind that doesn’t announce itself with flashy prose or intricate plots, but lingers long after the last page is turned. You close the book, set it down, and somehow feel… heavier. Not weighed down, but fulfilled—as though you’ve absorbed something essential, something that wasn’t there when you began.
Great fiction writers don’t write for themselves. They write for you—the reader. And the greatest among them give you more than entertainment or escape. They give you something.
What Is That “Something”?
It’s not always easy to name. It might be a sudden clarity about human nature—why your father acted the way he did, or why forgiveness is harder than anger. It could be an aching empathy for someone unlike yourself, conjured through a character so vividly drawn that their pain feels like memory. It might be the unsettling truth that you’re not as alone in your fears or dreams as you thought.
That something is the residue of real art: emotional weight, intellectual insight, or a quiet shift in perspective. It’s the feeling you get after reading Toni Morrison’s Beloved, or finishing a Chekhov story, or stepping out of the world of George Eliot’s Middlemarch. You’re changed. You carry the story with you, not as memorised lines, but as lived experience.
And that’s the hallmark of a true artist: they offer their work not as a monument to their own genius, but as a gift to the reader’s soul.
The Writer’s True Purpose: Not Self-Expression, But Soul-Transmission
So many aspiring writers believe their job is to express themselves—to pour out their thoughts, traumas, or clever wordplay onto the page. And while honesty and authenticity matter, the goal cannot stop there. Great fiction isn’t exhibition; it’s invitation.
When you write to express yourself, the work orbits inward. But when you write for the reader, it expands outward—reaching, resonating, transforming. The best writers understand this intuitively. They labor not to impress, but to impact. They revise not for elegance alone, but for emotional precision—because they know a single well-placed sentence can alter someone’s understanding of love, loss, or what it means to be human.
Think of Harper Lee handing Scout Finch to the world—not as a self-indulgent character study, but as a lens through which generations would confront race, justice, and moral courage. Or consider Kazuo Ishiguro, whose restrained narratives coil around memory and dignity, leaving readers quietly devastated—and wiser.
These writers didn’t write to soothe their own egos. They wrote to give you something to carry.
Your Work Is Not About You—And That’s the Point
If you’re writing fiction to be seen, praised, or validated, you’re writing in the wrong direction. Real art doesn’t seek applause. It seeks resonance.
When you shift your focus from What do I want to say? to What does the reader need to feel, see, or understand?, your writing transforms. Your characters deepen. Your themes gain weight. You begin to sculpt stories that don’t just entertain, but endure.
Every choice—of voice, of silence, of detail—becomes an offering. The description of a worn kitchen table isn’t just set dressing; it’s a vessel for memory. A character’s hesitation isn’t just pacing—it’s a reflection of universal doubt.
This reorientation is humbling. It asks you to let go of the need to be clever, shocking, or profound on the surface. Instead, it calls you to serve the story—and, through it, the reader.
Walk Into the Light, Leave With Weight
The finest novels, the unforgettable stories, don’t leave you lighter. They leave you fuller. You walk into them seeking diversion, and you walk out carrying a new emotional memory, a truth you didn’t have before.
So if you’re serious about writing fiction that matters, remember this: your work is not yours. It never was. It belongs to the reader—the one who will read your words late at night, who will underline a passage, who will feel less alone because of something you wrote.
Let that be your compass. Write not for your name on a cover, but for the weight you leave in someone’s chest. Because great fiction doesn’t just live on the page. It lives in the reader—long after the book is closed.
John Pennington’s life is in the doldrums. Looking for new opportunities, and prevaricating about getting married, the only joy on the horizon was an upcoming visit to his grandmother in Sorrento, Italy.
Suddenly he is left at the check-in counter with a message on his phone telling him the marriage is off, and the relationship is over.
If only he hadn’t promised a friend he would do a favour for him in Rome.
At the first stop, Geneva, he has a chance encounter with Zoe, an intriguing woman who captures his imagination from the moment she boards the Savoire, and his life ventures into uncharted territory in more ways than one.
That ‘favour’ for his friend suddenly becomes a life-changing event, and when Zoe, the woman who he knows is too good to be true, reappears, danger and death follow.
Shot at, lied to, seduced, and drawn into a world where nothing is what it seems, John is dragged into an adrenaline-charged undertaking, where he may have been wiser to stay with the ‘devil you know’ rather than opt for the ‘devil you don’t’.
I’ve stayed in a few places where ghosts were purported to be roaming the passages at night, but apparently not the night I was staying.
And that’s something else that I have a problem with, why is it ghosts only come out at night, or is that just the perception I have got from reading up on the subject.
Maybe my view of ghosts is somewhat stilted, after all, I think my first introduction to ghosts was watching The Centerville Ghost, a movie I saw on t.v. when I was very young.
You have to admit Hollywood’s perception of ghosts is quite interesting.
But…
Do you think they are real? Do I think they are real?
I think I would have to be presented with some fairly solid evidence they exist, but perhaps not to the point of meeting one.
There are, it seems countless examples of ethereal forces, you know, wind blowing where there’s no wind or draught outside, room temperatures dropping for no apparent reason, knocking, rattling of chains, strange noises like low moaning.
And yet…
There are hotels you can stay in such as the Chelsea Hotel in New York, where it’s possible to run into Sid Vicious.
Sorry, not staying there any time soon.
Then there’s the Hollywood Roosevelt Hotel in Los Angeles where it’s possible to run into Marylin Monroe, who lived in room 229.
That could be an interesting encounter.
Another is the Westin St Francis in San Francisco where the actress Virginia Rappe died while attending a party held in Fatty Arbuckle’s room, Arbuckle’s room, who was later accused of assaulting and murdering her, and whose career tanked after the incident.
Her ghost is seen moving about the hotel tearing her hair out. It seems all of the spectral activity occurs on the 12th floor.
Good to know if I decide to stay there. I wonder if they have a 13th floor?
Perhaps in too old to be running the gamut of paranormal experiences, the old heart is not as strong as it used to be.
It was the first time in almost a week that I made the short walk to the cafe alone. It was early, and the chill of the morning was still in the air. In summer, it was the best time of the day. When Susan came with me, it was usually much later, when the day was much warmer and less tolerable.
On the morning of the third day of her visit, Susan said she was missing the hustle and bustle of London, and by the end of the fourth she said, in not so many words, she was over being away from ‘civilisation’. This was a side of her I had not seen before, and it surprised me.
She hadn’t complained, but it was making her irritable. The Susan that morning was vastly different to the Susan on the first day. So much, I thought, for her wanting to ‘reconnect’, the word she had used as the reason for coming to Greve unannounced.
It was also the first morning I had time to reflect on her visit and what my feelings were towards her. It was the reason I’d come to Greve: to soak up the peace and quiet and think about what I was going to do with the rest of my life.
I sat in my usual corner. Maria, one of two waitresses, came out, stopped, and there was no mistaking the relief in her manner. There was an air of tension between Susan and Maria I didn’t understand, and it seemed to emanate from Susan rather than the other way around. I could understand her attitude if it was towards Alisha, but not Maria. All she did was serve coffee and cake.
When Maria recovered from the momentary surprise, she said, smiling, “You are by yourself?” She gave a quick glance in the direction of my villa, just to be sure.
“I am this morning. I’m afraid the heat, for one who is not used to it, can be quite debilitating. I’m also afraid it has had a bad effect on her manners, for which I apologise. I cannot explain why she has been so rude to you.”
“You do not have to apologise for her, David, but it is of no consequence to me. I have had a lot worse. I think she is simply jealous.”
It had crossed my mind, but there was no reason for her to be. “Why?”
“She is a woman, I am a woman, she thinks because you and I are friends, there is something between us.”
It made sense, even if it was not true. “Perhaps if I explained…”
Maria shook her head. “If there is a hole in the boat, you should not keep bailing but try to plug the hole. My grandfather had many expressions, David. If I may give you one piece of advice, as much as it is none of my business, you need to make your feelings known, and if they are not as they once were, and I think they are not, you need to tell her. Before she goes home.”
Interesting advice. Not only a purveyor of excellent coffee, but Maria was also a psychiatrist who had astutely worked out my dilemma. What was that expression, ‘not just a pretty face’?
“Is she leaving soon?” I asked, thinking Maria knew more about Susan’s movements than I did.
“You would disappoint me if you had not suspected as much. Susan was having coffee and talking to someone in her office on a cell phone. It was an intense conversation. I should not eavesdrop, but she said being here was like being stuck in hell. It is a pity she does not share your love for our little piece of paradise, is it not?”
“It is indeed. And you’re right. She said she didn’t have a phone, but I know she has one. She just doesn’t value the idea of getting away from the office. Perhaps her role doesn’t afford her that luxury.”
And perhaps Alisha was right about Maria, that I should be more careful. She had liked Maria the moment she saw her. We had sat at this very table, the first day I arrived. I would have travelled alone, but Prendergast, my old boss, liked to know where ex-employees of the Department were, and what they were doing.
She sighed. “I am glad I am just a waitress. Your usual coffee and cake?”
“Yes, please.”
Several months had passed since we had rescued Susan from her despotic father; she had recovered faster than we had thought, and settled into her role as the new Lady Featherington, though she preferred not to use that title, but go by the name of Lady Susan Cheney.
I didn’t get to be a Lord, or have any title, not that I was expecting one. What I had expected was that Susan, once she found her footing as head of what seemed to be a commercial empire, would not have time for details like husbands, particularly when our agreement made before the wedding gave either of us the right to end it.
There was a moment when I visited her recovering in the hospital, where I was going to give her the out, but I didn’t, and she had not invoked it. We were still married, just not living together.
This visit was one where she wanted to ‘reconnect’ as she called it, and invite me to come home with her. She saw no reason why we could not resume our relationship, conveniently forgetting she indirectly had me arrested for her murder, charges both her mother and Lucy vigorously pursued, and had the clone not returned to save me, I might still be in jail.
It was not something I would forgive or forget any time soon.
There were other reasons why I was reluctant to stay with her, like forgetting small details, an irregularity in her character I found odd. She looked the same, she sounded the same, she basically acted the same, but my mind was telling me something was not right. It was not the Susan I first met, even allowing for the ordeal she had been subjected to.
But, despite those misgivings, there was no question in my mind that I still loved her, and her clandestine arrival had brought back all those feelings. But as the days passed, I began to get the impression my feelings were one-sided and she was just going through the motions.
Which brought me to the last argument, earlier, where I said if I went with her, it would be business meetings, social obligations, and quite simply her ‘celebrity’ status that would keep us apart. I reminded her that I had said from the outset I didn’t like the idea of being in the spotlight, and when I reiterated it, she simply brushed it off as just part of the job, adding rather strangely that I always looked good in a suit. The flippancy of that comment was the last straw, and I left before I said something I would regret.
I knew I was not a priority. Maybe somewhere inside me, I had wanted to be a priority, and I was disappointed when I was not.
And finally, there was Alisha. Susan, at the height of the argument, had intimated she believed I had an affair with her, but that elephant was always in the room whenever Alisha was around. It was no surprise when I learned Susan had asked Prendergast to reassign her to other duties.
At least I knew what my feelings for Alisha were, and there were times when I had to remember she was persona non grata. Perhaps that was why Susan had her banished, but, again, a small detail; jealousy was not one of Susan’s traits when I first knew her.
Perhaps it was time to set Susan free.
When I swung around to look in the direction of the lane where my villa was, I saw Susan. She was formally dressed, not in her ‘tourist’ clothes, which she had bought from one of the local clothing stores. We had fun that day, shopping for clothes, a chore I’d always hated. It had been followed by a leisurely lunch, lots of wine and soul searching.
It was the reason why I sat in this corner; old habits die hard. I could see trouble coming from all directions, not that Susan was trouble or at least I hoped not, but it allowed me the time to watch her walking towards the cafe in what appeared to be short, angry steps; perhaps the culmination of the heat wave and our last argument.
She glared at me as she sat, dropping her bag beside her on the ground, where I could see the cell phone sitting on top. She followed my glance down, and then she looked unrepentant back at me.
Maria came back at the exact moment she was going to speak. I noticed Maria hesitate for a second when she saw Susan, then put her smile in place to deliver my coffee.
Neither spoke nor looked at each other. I said, “Susan will have what I’m having, thanks.”
Maria nodded and left.
“Now,” I said, leaning back in my seat, “I’m sure there’s a perfectly good explanation as to why you didn’t tell me about the phone, but that first time you disappeared, I’d guessed you needed to keep in touch with your business interests. I thought it somewhat unwisethat you should come out when the board of one of your companies was trying to remove you, because of what was it, an unexplained absence? All you had to do was tell me there were problems and you needed to remain at home to resolve them.”
My comment elicited a sideways look, with a touch of surprise.
“It was unfortunate timing on their behalf, and I didn’t want you to think everything else was more important than us. There were issues before I came, and I thought the people at home would be able to manage without me for at least a week, but I was wrong.”
“Why come at all. A phone call would have sufficed.”
“I had to see you, talk to you. At least we have had a chance to do that. I’m sorry about yesterday. I once told you I would not become my mother, but I’m afraid I sounded just like her. I misjudged just how much this role would affect me, and truly, I’m sorry.”
An apology was the last thing I expected.
“You have a lot of work to do catching up after being away, and of course, in replacing your mother and gaining the requisite respect as the new Lady Featherington. I think it would be for the best if I were not another distraction. We have plenty of time to reacquaint ourselves when you get past all these teething issues.”
“You’re not coming with me?” She sounded disappointed.
“I think it would be for the best if I didn’t.”
“Why?”
“It should come as no surprise to you that I’ve been keeping an eye on your progress. You are so much better doing your job without me. I told your mother once that when the time came I would not like the responsibilities of being your husband. Now that I have seen what it could possibly entail, I like it even less. You might also want to reconsider our arrangement, after all, we only had a marriage of convenience, and now that those obligations have been fulfilled, we both have the option of terminating it. I won’t make things difficult for you if that’s what you want.”
It was yet another anomaly, I thought; she should look distressed, and I would raise the matter of that arrangement. Perhaps she had forgotten the finer points. I, on the other hand, had always known we would not last forever. The perplexed expression, to me, was a sign she might have forgotten.
Then, her expression changed. “Is that what you want?”
“I wasn’t madly in love with you when we made that arrangement, so it was easy to agree to your terms, but inexplicably, since then, my feelings for you changed, and I would be sad if we parted ways. But the truth is, I can’t see how this is going to work.”
“In saying that, do you think I don’t care for you?”
That was exactly what I was thinking, but I wasn’t going to voice that opinion out loud. “You spent a lot of time finding new ways to make my life miserable, Susan. You and that wretched friend of yours, Lucy. While your attitude improved after we were married, that was because you were going to use me when you went to see your father, and then almost let me go to prison for your murder.”
“I had nothing to do with that, other than to leave, and I didn’t agree with Lucy that you should be made responsible for my disappearance. I cannot be held responsible for the actions of my mother. She hated you; Lucy didn’t understand you, and Millie told me I was stupid for not loving you in return, and she was right. Why do you think I gave you such a hard time? You made it impossible not to fall in love with you, and it nearly changed my mind about everything I’d been planning so meticulously. But perhaps there was a more subliminal reason why I did because after I left, I wanted to believe, if anything went wrong, you would come and find me.”
“How could you possibly know that I’d even consider doing something like that, given what you knew about me?”
“Prendergast made a passing comment when my mother asked him about you; he told us you were very good at finding people and even better at fixing problems.”
“And yet here we are, one argument away from ending it.”
I could see Maria hovering, waiting for the right moment to deliver her coffee, then go back and find Gianna, the café owner, instead. Gianna was more abrupt and, for that reason, was rarely seen serving the customers. Today, she was particularly cantankerous, banging the cake dish on the table and frowning at Susan before returning to her kitchen. Gianna didn’t like Susan either.
Behind me, I heard a car stop, and when she looked up, I knew it was for her. She had arrived with nothing, and she was leaving with nothing.
She stood. “Last chance.”
“Forever?”
She hesitated and then shook away the look of annoyance on her face. “Of course not. I wanted you to come back with me so we could continue working on our relationship. I agree there are problems, but it’s nothing we can’t resolve if we try.”
I had been trying. “It’s too soon for both of us, Susan. I need to be able to trust you, and given the circumstances, and all that water under the bridge, I’m not sure if I can yet.”
She frowned at me. “As you wish.” She took an envelope out of her bag and put it on the table. “When you are ready, it’s an open ticket home. Please make it sooner rather than later. Despite what you think of me, I have missed you, and I have no intention of ending it between us.”
That said, she glared at me for a minute, shook her head, then walked to the car. I watched her get in and the car drive slowly away.
This is a story inspired by a visit to an old castle in Italy. It was, of course, written while travelling on a plane, though I’m not sure if it was from Calgary to Toronto, or New York to Vancouver.
But, there’s more to come. Those were long flights…
And sadly when I read what I’d written, off the plane and in the cold hard light of dawn, there were problems, which now in the second draft, should provide the proper start.
A voice with a German accent, a male, middle-aged. A scientist? He sounded very frightened.
“Apparently I’m on the wrong side.”
“Englander?” The voice sounded very close, perhaps the cell next to mine.
“Yes. Seems the men upstairs are not, even though they look like my fellow soldiers, so you can imagine my surprise when I discovered they were German. Did you come here looking for a better life away from the Reich?”
“I heard rumours of such a place in Italy where if you had certain information, they, the British and Americans would help you escape. I thought it was another SS ruse, but a friend told me he believed it was true, and we came together.”
“Is he still here?”
“No. He was granted safe passage with another group who left a week ago, or so I was told.”
“And why are you still here?”
“Waiting to be sent in the next group.”
I arrived a week ago, probably just after the last group had been dispatched, more than likely to their deaths, or back to the Reich. No more had been processed since I’d arrived. No one had come or gone.
“How did you specifically get here?”
“The Resistance. We had a name to contact in the town not far from here. He then arranged for us to be brought here.”
Not the resistance that may have originally been involved, but a collaborator. I’d been having problems communicating with the resistance cells in this area, and now I think I knew why. They’d been informed on by one of their own. Because of the problems, we’d decided not to use the normal channels to get, and because they didn’t know I was coming it was the reason why there ‘d been the last minute botched attempt on my life in transit.
The problem was far worse than any of us had imagined.
And there was a lot less hope for a rescue by the local resistance.
“How many others are here?”
“Three. There have been no new arrivals for several days. And I think there are a few prisoners who are being tortured by the sound of it.”
And if Jackerby gets his way, I might be added to the list of suspects to be questioned. I’m sure it wouldn’t be long before they realised I had usable information, especially about the resistance cells. It certainly gave credence as to why Jackerby hadn’t been so rough with me.
It looked like it wasn’t going to be long before being asked a few sticky questions.
I’d been to the horse races a few times, but every time I backed a horse to win, it would come last, and if I backed it to place, it would come fourth.
Then, every time I bought a lottery ticket, my numbers never seemed to come out, as if they were lighter than the others.
You get the picture, gambling, and I didn’t get along.
That being said, Vernon, a friend from school days, and then, having made the graduate program for the same company, remained friends into adult life. He was a betting man, he bet me he would be married first, he picked horses that came first, and always walked out of a casino with more than he walked in with.
And he was right, he got married first, had children first, settled into a manager’s role, and was content.
I was not so eager to follow in his footsteps; I often said that I hadn’t found the right girl yet, but the truth was, I wasn’t exactly putting myself out there. A couple of bad experiences had put me off the whole idea.
He had a side bet with another of our friends that I would not get married before I was forty. He had mentioned it to me some time ago, and I’d agreed with him; it was a safe bet.
The thing was, Evie had learned about that bet, and it was, in her mind, a situation tailor-made for her, being Vernon’s very popular wife, and not one to pass up a romantic challenge. Not after Vernon had suddenly decided to make a bet with her, to find me a girlfriend. With a time limit, of course, of six weeks. Just to make it interesting.
Of course, I had no clue this challenge existed, not until much later.
What I did know was that she had a vast array of both married and single girlfriends and acquaintances and was known to throw memorable parties on a Friday night. She had issued me with a standing invitation a long time ago, one that I kept promising to honour, but I never seemed to get there.
I knew some of her friends were single, and that she had a reputation of being something of a matchmaker. Vernon told me that those Friday night affairs were where some of his other friends had found romance and that it wouldn’t surprise him if I was not a target.
I agreed with him, but coincidentally, right after he said this, I got a call from Evie, who all but ordered me to attend this Friday’s festivities. I was going to decline, but she added that it was Chloe’s fifth birthday, and as her Godfather, I was obligated to attend.
It had been an honour when Vernon first asked me; it still is, but it seemed to me it was going to be used for some other reason, so I was going to have to be on my guard.
Over the years, I had met most of Evie’s girlfriends, and they were fun, yes, I’d heard about the exploits on weekends in Vegas, but it was not for me. I was the quiet, shy type, and they, in a nutshell, were not.
I’d met most of Evie’s family. She was one of five girls, the one in the middle. The two older sisters were professionals, one a doctor, the other a lawyer. The two younger sisters were more hands-on; the second youngest, Zoe, was a home caterer, and the youngest, Yasmine, with no head for, or desire to own, a business, was more carefree. Like Evie, she was family-oriented and still lived with her parents. The most level-headed, and the one they all turned to for advice, was Melanie, the eldest.
She was the first person I saw after I arrived. I thought I would get there early because I never wanted to make an entrance.
“I haven’t seen you around for a while,” Melanie said, already with a champagne flute in her hand. Something else I knew, she liked to drink wine. She was also married, but as I remember, her husband was away a lot.
“Part of the low profile I try to keep. How is Leonard, still the king of frequent flyer points?” His travels had finally earned him a special card reserved for very few.
“He’s in Paris, probably with his mistress.” She shrugged. “Husbands are like accessories these days. You can keep them or throw them out. I’m sure Genevieve will get tired of him soon and send him back.”
A unique attitude, for one who was supposed to give advice.
“You’re still not married, I see. Good choice. Marriage these days seems to be only good for a year or two, then sue the other for everything they’ve got. Sorry, I lost a case today, so I’m feeling a little cynical. Come back when I’ve had a dozen champagnes.”
She suddenly spotted one of Vernon’s neighbours and headed in his direction.
Zoe was walking past with a tray of canapes in her hand and stopped. “Ian? It is you. It’s so long since I’ve seen you.”
“Geraldine’s wedding. You catered for that. A splendid feast, I might add.”
Geraldine’s wedding had been a year ago, and after everyone had gone home, I found Zoe out the back in tears. She didn’t tell me then what had happened, but we talked for hours. Out of all the Wolverhampton’s, she was the most sensible, and the one I liked the most. But, like all those like her, she was spoken for.
“It was. How have you been?”
“Working, eating, sleeping, repeat.”
“It’s a bit like that, isn’t it? It gets to the point where all the days seem to run into each other, and in the end, you don’t know what day it is. That’s why I have a smartphone. It’s certainly smarter than I am.”
Something I learned in that discussion was the fact that she suffered from low self-esteem, perhaps from being a younger sister, perhaps because her parents had higher hopes for her than just being a caterer. Given her grades at school and later university, she could have been anything.
I was going to disagree with her and sing her praises, but one of her serving staff came up and told her there was a problem.
She sighed, handed the tray to the new girl, and with a wan smile disappeared towards the back of the house.
I thought then that I should leave because I doubted I would be missed.
Whenever I had to go to a party, particularly like one of these, where no one was sitting, and everyone was mingling, I usually set myself a task, picking a focal point and then following it all night. That night, it turned out to be Zoe. I was curious about how she managed running staff, organising food and drinks, organising the waitstaff, and managing crises.
In between times, Evie was introducing me to various people, married and unmarried, without appearing to do her ‘magical’ thing. Vernon made sure I remained in the mainstream, and not ‘hiding’ as he called it, and the conversation centred on football and baseball when I was with the men, and about vacations and children when I was with the married women and their husbands, and gossip when I was with the single and divorced women.
And all the while I kept an eye on Zoe, zipping in and out of the back rooms, in earnest discussion with what I assumed were prospective new clients, and occasionally on the phone. Not once did she take a spell and relax for a few minutes.
It was, I had to admit by the end of the night, a pleasant way to spend a few hours, made all the more pleasant by not having to worry about Evie trying to ‘match’ me to any of her single friends, though she made sure I knew who they were. Of course, as always, there was not one or another that fitted what was my subconscious selection test. There was one whom I agreed to call and have coffee, but that was an open-ended arrangement, done to please Evie more than anything else.
After the last guest left, I wandered out the back. Vernon had asked me to stay and sample a new after-dinner wine he had discovered.
I’d been there for about half an hour when, instead of Vernon, Zoe came out with two glasses in hand.
“Vernon has stood you up, I’m afraid. He’s getting to be an old married man who has to be in bed before midnight. You’ll just have to settle for my company.”
“As long as you are not going to tell me how I should be married, have two and a half children, and be living in a grand house in the suburbs, your company will be fine.”
She handed me a glass and sat next to me on the swing seat. It was a clear, cool night, and I’d been spending time searching the stars for constellations. Sorry, I was never very good at astronomy.
“You don’t want that?”
“I don’t know what I want. Wouldn’t that all fall into place when you found the perfect partner?”
“Is there such a thing as a perfect partner? We start out thinking that, think we’ve found it, then the bastard goes off and has an affair.”
There was a lot of anger in those last few words of her statement. It explained the few heated exchanges I’d seen her have in what she thought were private moments. I wasn’t prying, I just happened to be nearby at the time.
“Then perhaps my expectations have been set too high. I’m sorry.”
“Don’t be. Everyone told me what he was like.” She shrugged. “Another box ticked for life’s experiences.”
We drank wine and sat in silence. Unlike some others that evening, where it was kind of awkward, I didn’t feel that with Zoe. In fact, I was not sure what it felt like. Companionable?
“Look, I don’t have the best sort of shoulder to cry on, but if you need someone to listen, it’s one thing I’m good at.”
Tears were forming in her eyes, and I’d only just noticed them in the moonlight.
“I could do with a hug. Are you any good at those?”
“I could try, and you could let me know. Always looking to add strings to that proverbial bow.”
She smiled. “What are you doing tomorrow?”
“Nothing in particular. Why?”
“I need someone to just take me away from all this, if only for a day or two. Vernon said you have a cabin by a lake, and I’ve never been fishing. Is it too forward for me to ask, I mean, sorry, sometimes I just speak before I think.”
“One thing at a time. Hug first, then fish. Maybe.”
Upstairs, Evie rested her head on Vernon’s shoulder as they both looked out over the back garden and, more specifically, at Ian and Zoe on the swing chair.
“What are the odds, Eve. I told you he had a thing for her,” Vernon said.
“I would have said ten to one against. It’s so unlike her. I mean, he’s just so boring.”
“Is he now? That’s just the impression he gives everyone else. So much for your matchmaking.”
This word, where I live, has taken on a new meaning. We have telephone scammers who ask your name when you answer the phone, and when you say yes, they hang up.
It doesn’t take much imagination to consider how they can use that recording.
So, I now answer the phone with ‘maybe’, which confuses the real callers who want to know if it is you.
Of course, ‘maybe’ is one of those words that can have so many meanings, but the best one is to use it while you have time to think of a proper answer.
For example, did you get the potatoes? You haven’t been out, it slipped your mind, or you just plain forgot, but run with a ‘maybe’ so you can judge the reaction.
Angry face, you know, no matter what, you’re in trouble.
Genial face, you know that it didn’t really matter, and all is forgiven.
Then there’s the person who doesn’t know you and comes up to you in a crowded room. Are you [put name here]?
Maybe. We want to know if we’re in trouble, or if it’s for something good, or if it is the husband or wife of the person you’ve just spent the last twenty minutes in animated conversation with.
Using ‘maybe’ in writing probably isn’t the best word for us, but I like defying the experts. You can always find a ‘maybe’ or two in any of my books.
“Why a Budding Author Should Dive into Joan Didion’s Masterful Body of Work”
For aspiring writers, the journey to finding one’s voice is as much about discovery as it is about study. Joan Didion, a literary icon whose career spans decades, offers a treasure trove of insights for those seeking to refine their craft. From her sharp-eyed novels to her incisive essays, Didion’s work is a masterclass in clarity, emotional resonance, and the art of observation. Let’s explore how delving into her oeuvre—comprising five seminal novels, screenplays, and countless articles and essays—can illuminate the path for emerging authors.
1. Novels: The Power of Precision and Dissecting the Human Condition
Didion’s novels—Run, River, Play It as It Lays, A Book of Common Prayer, The Last Thing He Wanted, and Marry Me—are defined by their sparse, crystalline prose and unflinching exploration of identity, disillusionment, and collapse. For a budding author, studying her work reveals a critical lesson: less is not just more—it’s everything. Didion strips language of excess, using plain, punchy sentences to evoke profound unease or beauty. “We tell ourselves stories in order to live,” she famously writes in The White Album—a philosophy that permeates her fiction, where characters are often unravelling personal myths in a disintegrating world. Aspiring writers can learn to mirror this by focusing on what isn’t said and how silence, space, and subtext amplify meaning. Her characters also serve as case studies in emotional complexity; they’re flawed, often detached, yet achingly human. How does Didion achieve this? By grounding them in precise details—a crumbling California landscape, a flicker of a smile—that anchor the surreal in the real.
2. Screenplays: Visual Storytelling and the Art of Compression
Didion’s screenplays (notably A Point of No Return and Up at the Villas) offer a different but equally valuable lesson. Adapting her own stories and others’, she demonstrates how to transform prose into visceral, visual narratives. Screenwriting demands concision; dialogue must carry weight, and scenes must be sculpted to evoke emotion without over-explaining. For an author interested in crossing genres, Didion’s screenplays are a masterclass in pacing and economy. Take Up at the Villas, adapted from her 1982 novel of the same name. The screenplay retains the novel’s cold, observational tone but distils its themes into sharp, symbolic images—a storm, a locked door—to convey what words alone might not. For writers, this is a reminder that showing, not telling, is a skill honed through ruthless editing. Studying her scripts can teach how to craft tension through structure and dialogue, even in literary works.
3. Essays and Journalism: The Alchemy of Observation and Truth-Telling
Joan Didion’s nonfiction—collected in volumes like The White Album, Slouching Toward Bethlehem, and Where I Was From—is where her genius as a writer truly shines. Her essays are micro-surgeries of culture, politics, and personal history, blending reportage with poetic reflection. How can a budding author benefit from this?
The art of the unsparingly honest narrative: Didion doesn’t flinch from ambiguity. She asks, What do we do when we can’t believe the story we’ve told ourselves? This intellectual honesty teaches writers to dig deeper, to question their own assumptions.
The marriage of personal and political: In pieces like “Los Angeles Notebook” or “On Self Respect”, Didion ties intimate self-doubt to societal decay. Aspiring authors can learn to weave the private and the public, creating work that resonates beyond the individual.
Research as storytelling: Her essays are meticulously researched yet read like lyrical journeys. Writers can study how she transforms facts into narrative threads without losing a reader’s interest.
4. Beyond Technique: Embracing Didion’s Curiosity and Courage
Perhaps the most profound lesson from Didion’s work is her relentless curiosity and willingness to confront the uncomfortable. Her writing force-feeds the idea that truth is not a destination but a process. For emerging authors, this mindset—questioning, observing, and daring to write what feels fragile or controversial—can be transformative. Didion’s essays on the Vietnam War, the Manson Family, or her own grief in The Year of Magical Thinking demand that we look at the world with both empathy and rigour.
Conclusion: Let the Questions Be the Point
Reading Joan Didion is not just about learning how to write—it’s about learning how to see. Her work challenges authors to strip away the superfluous, to wield language like a scalpel, and to embrace the messiness of human experience. For a budding writer, this is an unparalleled education. Start with her essays; they are accessible and brimming with insight. Then, move to her novels and screenplays to understand how themes translate across genres. Finally, ask yourself: What story have I been avoiding, and how can I tell it with Didion’s clarity?
In a world of noise, Didion’s voice cuts through with surgical precision. For any writer seeking to carve their own path, her work is not just a blueprint—it’s an invitation to observe, to question, and to distil the chaos of life into something that might resonate for generations.
So pick up a Joan Didion. Let her words unsettle you. Then, let me know how far you’ve come.
Thrills, Spills, and just a dash of Romance 